Praeludium for Brass Band

PRAELUDIUM Rimsky-Korsakov At the tomb of Mitrofan Belyayev arr. Geoff Colmer Lento, mournfully h = 63 Soprano Corne

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PRAELUDIUM

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer

Lento, mournfully h = 63 Soprano Cornet

   muted   



mp

Solo Cornet

Repiano Cornet

2nd Cornet

3rd Cornet

Flugel

  











  















    

















    

















     

















     









muted

p



       



     2nd Horn    





mp

1st Horn



    

      

Solo Horn

p a2

  





mp

p





mp



2nd Baritone

1st Trombone

2nd Trombone

Bass Trombone

Euphonium

Eb Bass

Bb Bass

Untuned

Tam-tam

Glockenspiel



    



  





 



  





  



  



mp

 



  

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    



     



     







































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



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p

 





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















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

       

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







  

 

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  





   

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 



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mf



 

© 2014 G Colmer ([email protected])





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mf









mf

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mf

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mf

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p

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mp





mf

mp

     





p

mp

     



p

mp

1st Baritone

  

soft beaters

mf

 mf



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2

   8

Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

A





mp

  



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  



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 open   

















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   





(open)





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Solo Hn.

1st Hn.

2nd Hn.

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1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

         

 

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 

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p



HOB

mp







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



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 









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 





mp

  











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   



  



   





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   



   











 





  

T.-t.

Glock.

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 

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  







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 



  





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mp

  



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mp



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mp



 mf











mf





















   

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 





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 





 



 





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

   



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Dr.

mf

p

mp





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open

  

 







p

mp

Flug.

open



mf

 

 

pp

mf











mf





3

   16

Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

B









  









  



  



  



 

         

a2



p























Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass





 







         mp

   





 





mp







mp

Flug.

   

         

p





mp

p







   

















 

















 

















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

    



   



                 













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  



   











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



   





        

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



        



p











mp

      

p











p

    

   



p

   

 

   



                  p



       

 

 

 









a2



        

p





  







mp

mp























4

   24

Sop. Cor.

Solo Cor.

C

















   



















   



















   











































p

Rep.

p

2nd Cor.

p

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

  

 p

   



 



 



 





molto tenuto









































































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molto tenuto p











molto tenuto p











molto tenuto p

        





molto tenuto

















mp



  

















p



molto tenuto

















mp

   p

    



















   



















    























p

2nd Tbn.

p

B. Tbn.

p

Euph.

Eb Bass

Bb Bass

    

molto tenuto















mp



                                     p

 

















   

















5

   32

Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

D





   

a2

   







1st Hn.

2nd Hn.





1st Bar.























2nd Tbn.

B. Tbn.

Euph.

a4   

 

 

 

 



  





























      



















p

  



  







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







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

mf

  











mp

 mf

  











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 mf

3 3 3 3 3      3                             3 3 3 3 3 3

mf

p

3 3 3 3 3 3 3                                       3 3 3 3 3

   



  



   

















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p











  









  mf















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   







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        



mf



















p



                  

mf







p

                               

a1

mf

Bb Bass



mf

mp

Eb Bass



mf

p

1st Tbn.





p

2nd Bar.



mf









p

  







mf



 





p

  

 



mf

mp

Solo Hn.











p



         p



   38

6 Sop. Cor.

Solo Cor.











f

    

 

 

E



muted

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

   





   





    



    





 







 













open





  





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 

   



ff

Rep.

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muted

a2

p

  



  





ff







  





2nd Tbn.

B. Tbn.

Euph.





  





  





ff









ff



ff

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



 mp

 mp

  











ff









   ff























mp

               



          



    



 







   



  











 







                            









mp



ff

1st Tbn.

a1

mp

ff

2nd Bar.



mp

ff





   









 mp

ff







ff







 ff

ff

Eb Bass

 

 Bb Bass    

                                                           ff

pp

    ff

Dr.





 

 

p Glock.

    



pp

   







ff



                           

mp

BD



 

 

ppp









  











  











  











  











   











43

Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

    

  



  

 

Solo Hn.

   

1st Hn.







  







p

2nd Hn.



 



  

p









p

mf

 



p

mf

 

 

p

mf



 p

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

   



   







mp







mp

   



  



   



   



 







mp

p





mp

p

  



 



mp



mf





mf





p

mf



 mf

 

 mf

 





 

p

mp

7



mf

 

p

mf

                                                           mf

Bb Bass

                                                   mf

Dr.

T.-t.

Glock.



 

    

 

 

 

 



  mf

 

 













 mf



   48

8 Sop. Cor.

Solo Cor.

F

 



f

2nd Cor.

3rd Cor.

Flug.

  



2nd Hn.



  



   



p



   



 





 

 

  



  







pp













 











 



 



 



 









 



   1st Tbn.   



    



    













       pp











2nd Bar.



f





pp





f





   







 











f















f

    















 

















f

f

f

pp

B. Tbn.



f

pp

2nd Tbn.



f

 



f

   

pp



 

f







f

     





f

f

f





p

f

  



 



f





p

f

 







f

f



 

f

f





p

f







f

    



 

f

pp

1st Bar.

  



p

 

pp

1st Hn.



p

pp

Solo Hn.



a4    a2                                                            f

Rep.

 

f

  



f

p

 



f

p



pp

Euph.

Eb Bass

Bb Bass

 

 

a1





f

















   















pp

pp

Xyl.

     



 f







 





 













   53

Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

  

                          mf

                                                             mf

 

  



  







Euph.

    









mf

    



                        



f



f



 

 

 







p

mf

 



p

p

  



 



f

 f

mf

f

mf



f





f







 

 

p

mf

      

 

 

p

mf

    





 



    







p

      



    



f

f

mf



f

mp



 mp

   





         





 Bb Bass    





 



 

 

mp



 



p





 













molto tenuto





f molto tenuto







molto tenuto

f

f

  





molto tenuto

 



 













f

f







f

f

mp





molto tenuto

f

f

mf



f

    







f

mp

 

Timp.

f



f

Eb Bass

                        



f

B. Tbn.



   

f

2nd Tbn.

 

mf

f

1st Tbn.

f

  



f

2nd Bar.



mf

  

 

f

a4

a3

  

   



G 9   



molto tenuto





f

  





   





f

Dr.





T.-t.





Xyl.

    



 

  p



   

f

 mp













10 Sop. Cor.

58                                        







Solo Cor.



                                                 

Rep.



                                               

2nd Cor.









3rd Cor.

Flug.

 

Solo Hn.



1st Hn.



2nd Hn.



1st Bar.

 

2nd Bar.









 f











f

                                                



























































1st Tbn.

 















2nd Tbn.

















   











































B. Tbn.

Euph.

 

Eb Bass



Bb Bass



Timp.



   













 



















 











 





f

Dr.

 

f



   











 



 

 



 

 

  















 













  













  













  

























































   



62

Sop. Cor.

ff

Solo Cor.



Rep.



2nd Cor.



3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

ff



ff

    

ff

 

 



 



 



 





  







  









  











 



                          

 

   



                          

 

   



                        

 

 

 



ff

  ff

  ff



 

ff





ff



 

ff



ff

ff

Euph.

Eb Bass

Bb Bass

   

ff



ff

ff

Timp.

    ff

Dr.



Tri   

ff T.-t.





 



  

  

  

  



  

    

    



 







 



 

 ff





11

Soprano Cornet

PRAELUDIUM Rimsky-Korsakov

At the tomb of Mitrofan Belyayev Lento, mournfully h = 63

     



muted mp



A

mp



B

  F

 



open





C









E



muted

f

 



f



 65









  





  

open













             



p

p

   G

mf

61



mp

               







D

54

58





mf

38

48



p

 

16



p

   

8



arr. Geoff Colmer

f

   















ff

 







© 2014 G Colmer ([email protected])



Solo Cornet

PRAELUDIUM Rimsky-Korsakov

At the tomb of Mitrofan Belyayev Lento, mournfully h = 63

   



A



B

   

    

38









open









 







C





     

a2

p

    

D





p

23

32



a2   



  

16

   a2

p

  

8

muted

arr. Geoff Colmer

  

mp







p

a2



















   



a4

p

mf

 

   

 

E

   

ff



  

muted a2

  open  

p

© 2014 G Colmer ([email protected])

 

 

   



2

Solo Cornet

             a2  48                                        a4

F

f

p

                                        

51

               

54

a3

            

a4

mf

G

56

       f

            

           

59

                  

 

61

  

65





 





 



Repiano Cornet

PRAELUDIUM Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer





Lento, mournfully h = 63 A

   



B

  

16

     D

   





mp

p

 





  













 

   f

      mf



 

 

mp



 







  



mf



55





 

     

p

    F

C



p

38

48



p

23

32



(open)



E

  



ff

  

 





mp





  

p













f

G

                         f

58

                



61

65









 

© 2014 G Colmer ([email protected])



 

2nd Cornet

PRAELUDIUM Rimsky-Korsakov

At the tomb of Mitrofan Belyayev





Lento, mournfully h = 63 A

   



B



  p

C

    







D

  

E







mf

     





  

mp















F







a1



  

f

    

55









61

  























p

    G



mf



p



mp

  

65



p

ff

48







open

mf

   

40





23

32

HOB

mp

  

16

arr. Geoff Colmer









f

 f











ff







© 2014 G Colmer ([email protected])



3rd Cornet

PRAELUDIUM At the tomb of Mitrofan Belyayev

Rimsky-Korsakov arr. Geoff Colmer





Lento, mournfully h = 63 A

    





B



C















D



     







F

  





G

  



mf

61

 

65

 

mf

 







f

ff

    





















mf

E

55







p

40



p

mp

  

24

open

mp

  

16

HOB



  



p





f



f







ff









© 2014 G Colmer ([email protected])







Flugel

PRAELUDIUM Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer



Lento, mournfully h = 63

   



A

  

8



B

  

16



mp

p

 



mp

p

    







mp

   

38

  

45

    

 















  



 

 



  

mf

E



  







ff

F

 







p

mf

pp



 

mf

  





mp









f

  



f

 

f

G

53

p





p

 















molto tenuto

p

D



mf



C

     

32







mf

                         f

58

    

61

            

65

 











ff





© 2014 G Colmer ([email protected])



Solo Horn

PRAELUDIUM Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer

Lento, mournfully h = 63

       





mp

  

7



    

15









 

 



C

D

  



  



 



mf







molto tenuto



 













E



 







mf

  









  





mp

  



pp







f

G



  

 



f

p

















ff







© 2014 G Colmer ([email protected])

 



f



  p

f

 

mf

65





p

F

      



ff

55





mf

mp

   

61

p

  

p

39

mf

mp





B

   

    

 



mp

31

47



A





PRAELUDIUM

1st Horn

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev Lento, mournfully h = 63

       



     



arr. Geoff Colmer



 

mp

8

A

B

 



 



C

  

D







 





molto tenuto







 





 







F







 

 





 



   









mf

  





f

G

   

 

  

 



 

p

f

55

  



p

pp

61



mf

E

    







mf



ff

65





p

    

48



mf

mp

40



p



    

32



p

mp

16

  



f



mf

  



f









p



f









ff







© 2014 G Colmer ([email protected])





PRAELUDIUM

2nd Horn

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer

Lento, mournfully h = 63

      





  

mp

 

7





mp

A





B

  

D

E

    



C

F

 





53

61

 65





















mf



 





 









 





  







mp

 

 





 



  





  





f



mf





 

f

G

  p





p

f

 



p

  



f



 mf

pp

 



mf

  

molto tenuto





ff 48





mp

mp

40

p





  

p

   

32



mp

 

16





mf







f













ff







© 2014 G Colmer ([email protected])





PRAELUDIUM

1st Baritone

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev



Lento, mournfully h = 63

    



A







p

 







B

mf









mf











mp

   

16



mp

  

8

  

arr. Geoff Colmer























p

   



19









C







molto tenuto







mp

   

26



















p

3 3 3 3 3   3               

32

D

p 3

3

3

3

3

3

                      

36

p

mf

        E

39



  



ff

F

    

46



mf

      

52



f

61





  









 

 

 

 

f

p

mf



  





 







f

G



mp

f







mp

pp





f







 



f





ff © 2014 G Colmer ([email protected])





PRAELUDIUM

2nd Baritone

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev



Lento, mournfully h = 63

   

  

arr. Geoff Colmer







mp



A

  

8

p

  







B

    

19









p







mf









mf

mp

   

16

















C









molto tenuto















mp

   

26









 







p

3 3 3 3 3 3 3          3

32

D

p 3

3

3

3

                        

36

mf

p

              

39

    

42

mp









E











ff

 mp

© 2014 G Colmer ([email protected])





2

2nd Baritone

F

    

46





mf

p

    

51

 





 



f

G

  

mf

65



f

f

   

  



f





55

 

  



pp

f

61

 



p











f









ff











PRAELUDIUM

1st Trombone

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer



Lento, mournfully h = 63

   



A

  

8

D

  

   

 



p





 





C







mf

 





  



 







 



E



 





ff





  

  



f

G

    



55

mp





     



 



f





f









 





mf

pp

 



mp











F

61



p

     





 mf

p

38

65

p



p

   

48

mp

  



B

23

32



mp

  

16





mp

p

 







f











ff







f





mf





p

molto tenuto







© 2014 G Colmer ([email protected])





PRAELUDIUM

2nd Trombone

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer



Lento, mournfully h = 63

    



A

  

8



B

p





D

  



 

C





   





      



  



 









 mp

61

 

E

  





 



 



f





  

mp

 

mp

p









ff





 mf





f





  

p

molto tenuto



mf

  











f

65

 



  

f





  



f



mf

mf



G





p

pp

55





ff

F





p

38



    













p







mf

p

    

48

mp

  

23

32



mp

  

16



 

© 2014 G Colmer ([email protected])

 



Bass Trombone

PRAELUDIUM Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer

Lento, mournfully h = 63

    











mp

A

8

  

mf

B



   





20





















p



C

    



D

32























  

ff



mp

   





 



p

F



mf









pp

mp

G

molto tenuto

    







f



f











61

  









ff





© 2014 G Colmer ([email protected])

65

 



mf

      48



p

E

40









   



mp

23

56







mf

   



 







PRAELUDIUM

Euphonium

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev



Lento, mournfully h = 63

   



 

mf

B

   

14

 

 

mf

    

19

 

 

   

26







 

           

   



  



mp

p

  







A

 

arr. Geoff Colmer

C







molto tenuto



      



mp



                       



p

D            

31



mp

















p

                                      

36

mf

p

E

                 

39





 mp

ff

F

    

47

mf

     

55

   

pp



mf

61

 

65

   







 G     

  

a1













p

  

f

f



 

 





f molto tenuto













f

      ff

 





© 2014 G Colmer ([email protected])



PRAELUDIUM

Eb Bass

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev

arr. Geoff Colmer



Lento, mournfully h = 63

   



     D

 



mf

       

 a2





p





19

32





     



























   

mf

B

16

  

mp



A

 

8

a1



C







                                      mf p a1

E

                                       pp

39

ff

                                     

42

                                       

45

F

  

48









mf

pp

56

mp



G

  







f

  

61

   



  

molto tenuto



f















    

ff

65

 





© 2014 G Colmer ([email protected])



PRAELUDIUM

Bb Bass

Rimsky-Korsakov

At the tomb of Mitrofan Belyayev



Lento, mournfully h = 63

   

p



B

  

16







A



mf

C





arr. Geoff Colmer





p



D



mf



         p

              

38

E

    

40

           

                            

ff

pp

                           

43

  

45

F

  

48

                        

  







mf







pp







p

G



55

 mp





 





f

molto tenuto



f











61









                        

ff

© 2014 G Colmer ([email protected])

65



 

 







Percussion

PRAELUDIUM At the tomb of Mitrofan Belyayev

Rimsky-Korsakov arr. Geoff Colmer

Lento, mournfully h = 63

     

glock

















mp

cymb

6



 



soft beaters

pp





 













































cymb





B



mp



16



tam-tam

12

     



mf

mf

    



A



 



pp

mf



tam-tam





mf



C

 



 

 





© 2014 G Colmer ([email protected])



D



2

Percussion 38



 



   46



p







BD





 

 

 



















     

54







  

61

65         tam-tam

G

 f  

 

















  

  













    

BD

f







 

  



mp

   







f



tam-tam

f

 





cymb

 



Xylo













p





f

51



F

mf

mf

 

ppp



 

  

ff

 

mp



  

   

ff

 





E

 

  

  

  

Tri    

    

    

ff

ff



 

 

 











 