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POLONAISE Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" Soprano Cornet Eb

Solo Cornet Bb

Repiano Cornet Bb

   



 



 



  





     

    

     





    

   







 

 

  





 

 

  









    

    



    



    

ff

         

3rd Cornet Bb

            ff

         

3

3

3

1st Horn Eb

2nd Horn Eb

1st Baritone Bb

2nd Baritone Bb

3

    



    

  



    





  



  



    

  



   ff  



   



  



  

  

   

    

         

    

         

  







    

   

  

    

         

    

         

 

 

  





 

 

  









ff

ff

ff

ff

ff

2nd Trombone Bb

            ff 

 

Bass Eb

Bass Bb

Timpani



   



  



  



   











   

  

  

          3

          

     ff 



    

   

















ff

 ff

 ff

 

       





  



     f

      



    

      

  

    

      



f



ff



f

3

3

   

 

   

   



3               ff

Euphonium Bb



   

1st Trombone Bb

Bass Trombone



ff

            ff 

Solo Horn Eb

5

ff

2nd Cornet Bb

Flugelhorn

Pyotr Ilyitch Tchikovsky

   



q = 104 Moderato, tempo di Polacca

 

     



 



  



  





 

  

© [email protected] 2001 (duration 5.5 mins)

f



   

f

  

    

         

f

    

         













2 Sop. Cor.

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

   

                    













                                            















                









10



f

f

     

 f









   

 























  







f



 f





















  







               



                                   







           



                                 









       

    



                                 











f

 

     

f

    f

2nd Hn





 1st Bar. 

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.



 

             



                

     





 







  



 

Bass Eb



Bass Bb



Timp.

    

     

 











   









 

  

 

 

 

 

























 































 































 







                

             f





 



f

                     

 

f





 

f





  



     



                                         

f

    

  

      f



                                         

 



 



 



 



 



 

 

 

  

























  

  

  





  



















          

        

                           



         

    

         

  







    

         

  

   Sop. Cor. 

Solo Cor.

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

15

f

f



f











       





1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.



  













f

     

 

     

 

    



 

  

   

  





     

 

     

 

     

 

  

   

   

  

     

 

     

 

     

 

  

   

  

  

     

 

     

 

     

 

  

   

  

  

     

 

     

 

     

 

  

   

   

  

     

 

     

 

     

 

  

   

  

    

         

 

     

 

     

 

  

   

  

     

       

 

    



 

    



 

  

   

  

    



   



 

     

 

     

 

  

   

  

     

       

 

 

  



  

  

   

  



     

 

  

  

  

   

f

f

B. Tbn.

    

 Euph. 

Bass Eb

Bass Bb

Timp.



     

 



f



  



  

  



  

  



  

  



  

  



  

  



  

  

  



  

  



  

  

f





f





 



    



f



 



f

 



  







   

f

 

                            

f



    

 

f

2nd Hn

                                      

     

f

       

   

 

          f

    

     

f

 

3

f



         

  



  

  





  



  

   

  





  



  

   

  





  



  

 

4 Sop. Cor.

 20        

 





 



   3               

    

        

  

 6   3                                             

         

  

   3              

    

         

  

   

Solo Cor.



Rep. Cor.



2nd Cor.



     

 

  3     



    



 

 

     

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

  

                                  



    

     

 

     

 

  

   

       



    

     

 

    



 

  

   

 

  3     





    

     

 

     

 

  

   

          

 

       





    

     

 

     

 

  

   

      

 

  3     





    

     

 

     

 

  

   



     

 

       



    

     

 

     

 

  

   

 

     

 

  3     





    

     

 

     

 

  

   



     

 

    





    

     

 

     

 

  

   

    



 

  3     





    

    



 

    



 

  

   

     

 

    





    

     

 

     

 

  

   



  

  3     





    

     

 

  



  

  

   



    

  



  

  



  

  

  



   

  



  

  



  

  

   

  



  

  



  

  

   

  

  



  

  



  

  

   

 

  

     

3

3

3

3

3

3

 Euph. 

  



  

       

Bass Eb



   



  

       

Bass Bb



  



  

    



  

Timp.

25            

3

  

    



   

  



 





 

5

             Sop. Cor.   

  

 

        

              

 

  

 

          

  3            3                                 

  

          

 



          

 

 

 

    

3



30

        3



Solo Cor.



Rep. Cor.



             





  





     

 

     

 

3

2nd Cor.

 









  





  





     

 

    



 

3

3rd Cor.

 











 



 Flug. 

   

 



     

 

     

 

         









        

 



     

 

     

 

  3  

   

 



     

 

     

 

 

    

 



     

 

     

 

 

  

 



         

 

     



  

   

       

 

 

  

   





  

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

    

     

 Euph. 

Bass Eb

Bass Bb

Timp.

 



    

   



          





3

3

3

        



3



























  3         

 













  3         

 

  3  













   3        

     

 

  3  











        

 

    



 

  3  











 

       

 

     

 

 

3











 



     

 

  



  

 

3











 



  

  



  

 









  

3

 

















 

 







  



3

3

3

    





  



  

  

  





  



  

  



  

 



  

    





  



  

  



  

 















  3         

3

 





   3        

3              



 

6 Sop. Cor.

   



        

Solo Cor.



    

Rep. Cor.





2nd Cor.





  

3rd Cor.







 

    

  

      



  

  3     

  

   3                   

  

       

3

3

3

 







  



     

  











3

 

    

  

  3 

  3                

  

  

  3 

    

  

  3 

  

  3                

  

  

  3 

    

  

  3 

  

   3             

  

  

   3 

    

  

   3 

  

       

    

  



  



  



    



    

  



   



   

 1st Bar. 

    

  



    

  

 





  









  







  







2nd Tbn.

B. Tbn.

   

 Euph.  

 

3

3





3

  

        

    

  

  

   3             

  

  

   3 

      

  

  

  3                

  

  

  3 

   





  





Bass Eb



Bass Bb





Timp.

 



  

 

   

  3 

  

1st Tbn.



   

  

      

2nd Bar.

   



  

  



   

3           

3           

  



  

   3              

  

      

2nd Hn

  

  3     

3           

  3                



  

  

  



  

3

  

1st Hn

3           



  



   3              



    



  

  3     



       

Solo Hn

  



  

Flug.

35

  

 

   



  



         

         

    

  

   3 

    

  

  3 

    

    

3

  

    

      

    

 

    

                     

 





      3   Sop. Cor.  

 

ff



3



Solo Cor.



   







3rd Cor.

Flug.







 





Solo Hn



1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.



B. Tbn.

Bass Bb

Timp.

7                        

         

  



 

         

  

  

   





    





 

 

 

   

      f

 

     

 







      

   

      f

 

    



 



3     





      

   

     

 

     

 

 

     

 

 

     

 

ff

f

   3  







 

ff

   3  







ff 3



      ff





    





3



 







 



   

      

   

      f

 

     

 

   

     

 

     

 

 

     

 

      

               3

3



ff

   3  



       

 





    

 

    

f





 

 

     

 

 

   

  

      

   

     

              

   

  



  

   

  

  



  

   

  

  



  

   

  

  



  

   

  

3

3

3

               ff

ff

    



3



     

     

ff



   

   

ff



f

      

    



f



3

    



     

f

ff



     

      

ff



   

f

ff



f

 

    







 

3

ff

 Euph. 

Bass Eb

   

f







  3    

ff

 

2nd Tbn.

        

ff



2nd Cor.

  3  





    

f

ff

Rep. Cor.

7

40            

 

3

 

       

f

f

f

   

f

   

3              ff

   

f

f

8 Sop. Cor.

                          

        

   

                                     

         

 6   3                                        

Solo Cor.



Rep. Cor.



                        



2nd Cor.



  

   

  





     

 

     

 



  

   

  





     

 

    



 

 

  

   

   

  

     

 

     

    

   

  

  

     

 

     

   

  

  

     



   

   

   

  

 

  

   

  



  

   

  

 

  

   

  



  

   

  

      

   

  

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

 Euph. 

Timp.

   3                 3     



   

       



   

 

    





   

     

 

       





    

 

     

 

       



   

     

 

     

 

  3     





   

    

     

 

     

 

  3     





   

     

     

 

     

 

    





   

    



   



 

    



 

  3     





    

     

       

 

     

 

    





   



     

 

   

  

  3     



3

3

3

3

3

3

   

  

       

  





  



  

   

  

       

   

  





  



  

   

  

   

  





  



  

   

  

  

    



  

  

   

Bass Bb

         



  



 

  

  







         

 

  

Bass Eb

   3               

    

45



    



   



   

3

3

 

    



   

  



 





  

        

                            

 

          

  

  

          

 



                          



        Sop. Cor.    

Solo Cor.



Rep. Cor.

 

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.



50

                       

    

 

    





  

  

9

     



   

           

   

    

   



     

 

     

 

  

  



  





     



     



      

 

    



 

  

  



  





     



     



     

 

     

 

  

  



   

 



  







  







          

 

     

 

  

  



 



 



  







  







      

 

     

 

  

  



 



 



  







  







       

 

     

 

  

  



   

 



  







  







     

 

     

 

  

  



  

 

     



     



           

 

     

 

  

  



  

     

     



     





 

    



 

  

  



  

 



    



    



           

 

     

 

  

  



  

         

 

  



  

  

  



  

  

  

 

           

      

      

  

  



  





  



 

  



 

  





 



 

    

 

 Euph.  

  



  

  



  

  



  

  



  

  

  

      



             

Bass Eb



Bass Bb



  



  

  



  

  

  



 







  



Timp.

 

  



  

  



  

  

  



  





  



 





       

   

 

 

   

10 Sop. Cor.

 55  



Solo Cor.



     

Rep. Cor.





2nd Cor.

3rd Cor.

Flug.



  

                                                                                           

  

                                      

  

                 



   

                                  



   

          







 









60







     

       

     

        

3

ff

3









 

  

        







 

     

  

  



ff

Solo Hn



   

 



     







 

     

  

  

1st Hn



   

  

        







 

     

  

  

    

  

     







 

     

 



  

            

        







 

     

  

      

     







 

     

  

  



     







 

     

  

  

           

     







 

     

  

  

         

      







 

     

  

     

2nd Hn

1st Bar.

2nd Bar.



        1st Tbn. 

2nd Tbn.

B. Tbn.

Euph.

  

 p

      



       







 

     

  

  

  



      







 

     

  

  



      







 

     

  

  

  

  



 



Bass Eb



Bass Bb



  

Timp.

 



  

    

         

    

 

  

(f)

  Sop. Cor.    





mp 2          mp         Flug.     p    Solo Hn  

Solo Cor.

1st Hn

1st Bar.

   

p

    



 



 



   











p



2nd Bar.











   

 





  









      p   Bass Eb   





















p

B. Tbn.

Bass Bb

   

  Glock.       Sop. Cor.

Solo Cor.

p

p







 



         

      

  Flug. 

    

   1st Tbn.  1st Bar.

B. Tbn.

Euph.

Bass Eb









    

mp

 





       

     







  





 

  

       





   





    Glock.   

Bass Bb





        1st Hn    2nd Hn 

2nd Tbn.











  

 



     



 



 



      

 

   

 



     

     

        

  



              











 

 

 

 

 









 

   

            





 



 





       





 



p

p

p

















      

 

 















70



 









 

















































































































































     1







mf



p

 

   



 







11











     











 

   









 





65

p

Rep. Cor.

Solo Hn













2nd Tbn.



    



                   



p

 





p



     1st Tbn.  

   

     



 

  



           



       

             p              p                                  p 

12 Flug.

 

Solo Hn



1st Hn



  1st Bar.  2nd Hn

2nd Bar.

Euph.

     

 















 

 

  



Bass Bb









Bass Eb

Glock.























75



















 







p



             p



sim.

 









 









  

 





















 























 











 



                         

















































 













 









 

80















 















           

          

































 

          









 









 

 









                                      



Sop. Cor.

Solo Cor.

Flug.

Solo Hn

1st Hn

  















  

  

  

  1st Bar.  2nd Hn

 



















  1st Tbn. 







2nd Bar.

2nd Tbn.

 

  Euph. 

B. Tbn.

Bass Eb

Bass Bb

 





mp 2













        









 

        



  



 





  

p







 

mp     



    



p









 

 

 











   

















 











p























 

         

  



 



 



         Glock.             



 



p



p

     

  





p

 

p

 p







 



  

   



 



 



      

 

























    





          



p







     

 



   

 











 

  





p





         

p

p

 p



85





   Sop. Cor. 

Solo Cor.



Rep. Cor.



Flug.



1st Hn



2nd Hn



1st Bar.

 

2nd Tbn.









  

 





 



 

 

        





    





















 

  



   















   



















     





  

 

 













 

 











      

 































    

 

























     





















Bass Bb





 





mp

 

 



 

 







 







 





  

       





 





    

  





Bass Eb





 









 

 









      





 

   

 





     

13

 





         

 



90



B. Tbn.

Glock.





 

Solo Hn

1st Tbn.













 











14 Sop. Cor.

      

 

mf

  

other 2

Solo Cor.

   

   



mf

2nd Cor.

3rd Cor.

Flug.









95



1st Hn





   mp

  





   

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

       



      

 























     



 















mp



       mf







      



       mf













    



 



mf







 









  







        

p

 

 

p

 

 







 p

 

 

p

 

        



 



     

1

       

       mf









mf











  mp











    

 mp



mp

Bass Bb







 











  













mp



       

     

mf



 



mf

mf





mp

mf











mp





mf

 



  



mf

Bass Eb

 

 

mf

   

  

mf

mp

2nd Hn

  

mf

    

 

 

mp

Solo Hn

 

   



mf

 

mp

Rep. Cor.

  









 



         mf

 

 mp



 





 

15

  Sop. Cor. 

Solo Cor.

100













           mf















cresc.

          

a4

cresc.

mf

Rep. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn

1st Hn

2nd Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.







Bass Eb





         cresc.



       







       







      





      







      







     







mf

mf

    

     











      



     



     





 

 







 

 







 

  

 

  











   



 

mf

 p





        

 

mf

p

                         



Timp.

 



mf



Bass Bb



mf

 



     



mf

 p







    



    



    





        





 

 



        



 

 





p

mf

       

 p

mf













cresc.

         cresc.





          cresc. mf





         cresc.





         cresc.

mf



       



       



mf

mf

      

cresc.











     



         mf

 





     



 

      

 



 



 mf



   

cresc.

a2          cresc.

mf



    

      cresc.

mf



   

cresc.

        

mf

p

mf



cresc.

cresc.

mf

  







    

        

mf

 





mf

 

p

p



 



mf

Euph.



mf

mf

B. Tbn.



        cresc.

          cresc. mf

    



     cresc.

16 Sop. Cor.

Solo Cor.

Rep. Cor.

    

        

   

                        

    

   

7                   f

         

  

                                      

    

         

  

 105         

f

     







 

f

2nd Cor.

3rd Cor.

Flug.



     



    

1st Hn





1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Bass Bb

Timp.

 

    

  

   

  





f

 

     

 

      f

 

    



 

  

   

  





     

 

     

 

     

 

  

   

   

  

     

 

     

 

     

 

  

   

  

  

     

 

 

     

 

  

   

   

  

     

 

f

     

     

         

     

     

f

 

 

  

   

   

  

     

 

         

     

 

     

 

  

   

   

    

         

 

 

     

 

  

   

  

     

       

 



 

    



 

  

   

  

    



   



 

 

     

 

  

   

  

     

       

 

 

   

  

  

   

  



     

 

  

  

  

   



f



     

     

 

     

    



      

     

        

     

f

f

f

f

        Euph.   

Bass Eb



     

f

2nd Hn



 

                    

                         

     

f

Solo Hn

110





       

 

     



  

   

  

  



  

   

  

  



  

   

  

  

  



  

   

  

  

f

       



  

f

f

f



         

  



  

  





  



  

   

  





  



  

   

  





  



  

 

   Sop. Cor.      

                3

         3



115



               





 



  3            3                                      



 



 



3            

     

 

 

3

  



  





  





 

 

3

  





 









     

 

          





         

          

 

  3  

  







      

 

 

  







     

 

 

  



 1st Bar. 

     

 

  3  

  



     

 

  3  

    



 

     

 



  

Solo Cor.



Rep. Cor.



2nd Cor.



3rd Cor.



    

 Flug. 

Solo Hn

1st Hn

2nd Hn

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

 

  

     

3



     



  

   3             

  

        

3

3

3

 

    

  

  3               







  

  3  

3

3

  

         

 

  

  3         

  3               

 

  

  3         



  3               

 

  

  3         





   3            

  

  

   3        





         

   

  

  

         

  





 



  



 

3

  





  



 

3

  





  



  3

  

3

3

3

3





 







 







3



3                  

  

  

   3        





3                    

 

  

  3         

   





 



 





 Euph. 

  



  

Bass Eb



   



  

 

  

Bass Bb



  



  

 



    



  

 



Timp.

3

        



17

3













  

 

   



 



18 Sop. Cor.

   



     

Solo Cor.



    

Rep. Cor.













 

    

 

     

2nd Cor.

3rd Cor.



  

3       

  

  

  

3

   3             3          

  

  

   



   3             3           

   





3

 



   

   

3          

  

3           

 

  

  3 

    

  

  3 

     

 

  

    

  

     

 

  

  3 

    

  

  3 

 1st Bar. 

    

 

  

   3 

    

  

   3 



    

 

 

  

Solo Hn

1st Hn

2nd Hn

2nd Bar.

  

  

 1st Tbn. 







2nd Tbn.

B. Tbn.

   

Bass Bb

Timp.

  3 

3

           

    









     

  3  







   

  3    

 

 

 

   







3     





     

   3  





   





      ff



  3 

3

    

ff



    





    





    





      ff





    





    





3

    



 

           

    



 

 



    

 



   

ff

   

ff

   3  

     

ff 3

3

           

ff



              3

3



ff



3      

   3 

 

  

     

 

  





  



 



 





  

 



    



   

3



    



     

ff



      



     



     

3

ff

    



 

ff

 Euph. 

Bass Eb

 

3

 ff

ff

  

Flug.



ff

   



3 3 120               

  3 

    

  

    

  

           

   3    3   

    





    





          

3

        3

ff

3

      

              3

ff



 ff



 

 

 ff

      

3          

    

        

                            

7                 

         

  

         

  

         Sop. Cor.   

Solo Cor.

Rep. Cor.



f

125

f





    





 

f

2nd Cor.

3rd Cor.

Flug.





1st Hn

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

Bass Bb

Timp.

                                      

   

                         





  

   

  





      

f

 





      



   

      f

 

    



 

  

   

  

 



   

     

 

     

 

  

   

   

  

  



 

   





 

 











     

 

     

 

  

   

  

  

  



   

     

 

     

 

  

   

  

  

  



 



 

f





     

     

 

  

   

   

  

  

f

 

   

     

 

     

 

  

   

   

    

      

     

 

     

 

  

   

  

     

      

    

    



 

    



 

  

   

  

   

     

 

     

 

  

   

  

 

   

  

  

   

  

  

  

  

   

f

   

f

     



   

  



  

   

  



   

  



  

   

  

  



  

   

  

  

  



  

   

  

  





 

 

 

   

   

   

 

   

f

 

   

     



 Euph. 

Bass Eb

   

 

f

B. Tbn.



     

f

2nd Hn

19

    

f

Solo Hn



    

   

f

f

f

f

f

           



                  

 

         

      

  





  



   

  





  



   

  





  



 

 

  

20 Sop. Cor.

   

Solo Cor.



     

Rep. Cor.





2nd Cor.

130     







   

                                   





        

                                                                                      

   

                                      

           



      

          











 

     









 

     



      

     

 

  



 

  



 

        







 

     

Solo Hn



  



 

  







     







 

     

1st Hn



   



 

  



 

        







 

     

2nd Hn



   



 

  



 

     







 

     

            

      

        







 

     

      

      

     







 

     

    



     







 

     

          

     







 

     

      







 

     

3rd Cor.

Flug.

1st Bar.

2nd Bar.



        1st Tbn. 

2nd Tbn.

B. Tbn.

Euph.

           



   



         



 

      

      



       







 

     

  



 

  



 



       







 

     

  



 

  



 

      







 

     



 



Bass Eb



Bass Bb



Timp.

 







 



 

  

    

      

  

    

21

 135   Sop. Cor. 

Solo Cor.

Rep. Cor.

   









   

 

  

 

   

2nd Cor.





3  

3rd Cor.





 



Flug.

Solo Hn

  

1st Hn



2nd Hn



  



 

 

   

 

 





 





 3  





 3  





3

3





  

 



 



 

 



 3  





3  





3  



 

  3  





  3  





 



 



    



 









 



 



 

     

 





   

 

  



Bass Bb



  

  





Timp.

 



  





  

    



    



 





 



 



   

 

 

    



 



  

















  



 

3

cresc.





3

                 





 

3



 



    

                                            

 

 

3  

 



cresc.

     



3





cresc.

 





      





3

 





3

 



Bass Eb

   

 



 1st Tbn. 

Euph.

   



3

 

  

  

 



B. Tbn.

 



 



2nd Tbn.

     

     





2nd Bar.





 

1st Bar.

 

                 

  

  

 

  cresc.

 

  

   cresc.

 



  

  cresc.





 

 





 

  

    cresc.

 



  

 





  

    cresc.

  

 

        

 

 

     



 

 



   



 







 



  



 

        

 



 

  







  





 

cresc.

cresc.

 



 

cresc.

 



               



 



 

 

   

cresc.

 

 

 

 

 

  

  



   



  

   

 

   

 

  

 cresc.



 



  

 





cresc.

 

cresc.

cresc.

cresc.

   cresc.

 

 

22 Sop. Cor.

 140             

                                      

                        

                                                                          

           

                                         

ff

Solo Cor.

ff

Rep. Cor.



ff

2nd Cor.

 

          

  























        

















































































































ff

3rd Cor.

Flug.





    

ff

             

  



            

  



             

  

ff

Solo Hn

1st Hn



ff





        





    

        









  

        























  























        

































































































 

 



 



 

 



ff

2nd Hn

1st Bar.



       ff

 

 ff

2nd Bar.

1st Tbn.



  

ff

                   ff

2nd Tbn.

B. Tbn.

Euph.

     

   

ff

       





  



        





  



         ff





  





            ff





  





  



 

ff

ff

Bass Eb

Bass Bb

Timp.

                  ff





 145            Sop. Cor. 

     

  

           

      

     

     

Solo Cor.



                       

Rep. Cor.



           

2nd Cor.





3rd Cor.





 

Solo Hn



         

    

          

     

         

    











     





   

 





  

     











     

 

   

 





   

     

















          

    



 

















          

    

1st Hn



 

















            

    

2nd Hn



 















         

    

 1st Bar. 

















          

    



















            

    

 

 



 



 



     

     

 





  

    



 



 



 



     

     

 





  

    

   





     

     

 





  

     



 

 

           

    



 

 

          

     

          

    

Flug.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

 Euph. 

Bass Eb



Bass Bb



Timp.

 



 



 



 



 













  











 

 

  

  

 







      

23

POLONAISE

Soprano Cornet Eb

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

  



    

    



5

ff



10                          

 20 



  

     f

                   15

f

                                               3                                       



25                                               



   3                    

    3          

   





  3   

   



    

ff

35

  

30



3          

  3     

  

   

  3     

40                          

f

                       45                            

 50 

3                                       

                                      

    

55        

            

   

                            

60

                       mp

© [email protected] 2001 (duration 5.5 mins)

Soprano Cornet Eb 2

      

65

                     



                          

        



95

mf





85



   

mp

   90              



       

  

  mf

mf

               105                                   f

cresc.

3           110                                       3          115     

 

  

3             

    

3 3             120        

f



3        

               

ff

 

  



125                                             

130                                            

                          



135

                      

             140                  cresc.

ff

                                                                     145

                

POLONAISE

Solo Cornet Bb

++ Throughout always 1 player on top 2 others on btm - 1 resting.

** Grace notes on btm also Dancing in a fashionable St. Petersburg Room

q = 104 Moderato, tempo di Polacca

 



 

++

 ff

 

from "Yevgenii Onegin"



   

 

5

Pyotr Ilyitch Tchikovsky

   



  



   10                                                      

  

 

f

 15                                                  f

  

                      20           3                           

6                     25                                           

    3                                                         30



     

       

   3                         

35

   3            

  

   3            

**   

   3              

         3

  

ff

7 40                                            

f

                     

          45                          

 6   3                              50                                   © [email protected] 2001 (duration 5.5 mins)

Solo Cornet Bb 2

                     

                                    

                                                                                             55

                                                2 players

60

mp

          

65

     

                

                           85 2

           



    90           

mp

                  

other 2 players

mp

 



 



 



  



     mp

    

7 105                                         f



   

cresc.

          110                                             

  3            3                                     

        115

95

a4

mf

   

   

  

   3                     

   3              

        

120

ff

3



 



  

   3                    

Solo Cornet Bb 3

125                                                            7

f

  

                               130               

                                                                                         

   

135



    

        

   

                         

                   140                                                                   cresc.

ff

           145                                                                          

            

      

           

     

POLONAISE

Repiano Cornet Bb

Peter Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

 

 

 20



    



ff

10



    



                 

  



   

5







       f







    

  15              



f

                          





        

3                                          

                           25

             

30

3

     



                 

              3



            3

35



             3

         3

  

  3  

  

ff

       40                                        f

                    

45

3                               



        

50          

  

            

 55                                                                                   



65

   



          

© [email protected] 2001 (duration 5.5 mins)

60

         



mp

85

mp

   



Repiano Cornet Bb 2

    

90



     

  

         



f

                          

     

             3

                  

    

mf

cresc.

mf





105

    



95

                            

3



       

3

        



           

        

3

          

110

   

115

   120   3           3

ff

125          

      

  

f

                          

         

        

                                            130

    



135



                               

   

                                       cresc. 140

ff

                                           145

      

     

         

    

POLONAISE

2nd Cornet Bb

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

            ff  3

         



                      



5

3

15

 

 

  



 

      f

f

    3                    

     

20

           

35

10

                      

25                              3



30





          3       ff

               

   3

     

                             f



  



3

            40

45

               

50 3                                            55                                  60                 3





ff

           95



mf

           





 

70

cue: euph

  

 

     

100          

mf

      



 

 

 105            

cresc.

© [email protected] 2001 (duration 5.5 mins)

2nd Cornet Bb 2

                             f



            3

 



               

110

   3

115



        120   3      

     

ff

125                             





   3

           

             

f

                  130

3              

135

140 3                                         3

ff

cresc.

   



  

      

 

  

     

  

 



145



  

    

   

 

POLONAISE 3rd Cornet Bb Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

            ff  3

         



                



5

3

15

 

 

  

     

f

                        

          30

3

     

3

20

               

25

 

10

                      f

                              

35







               ff 3



 





3

 

40

          

  

                                  f 3



3

45

               

50

                                               55

                                              

3

         ff



70



60





 











cue: euph



95

       mf

   

© [email protected] 2001 (duration 5.5 mins)





 





3rd Cornet Bb

2

           100

mf

      105

         

             cresc.

                          f

                          3

115



120



3

3                           ff



       

110



3

 

     

  

                                    f 125

      

                                       130

3 3 3   140                             cresc. ff

135

         

      

145



  

     

 

  

  



 



  



    

   

 

POLONAISE Flugelhorn

Pyotr Ilyitch Tchikovsky Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

 









  



ff



5















 10                                                     f



15                                         f



f

                3                         20

25                       

               

3

                                  3

30

       

           

35

3

3

  

         

3                      3

ff

40                                          

f

                                                  3

45

                      

55                  

50

           



     

     

                        60

          

65



      

  

75

 



p

      p

        

© [email protected] 2001 (duration 5.5 mins)

70

     

2

Flugelhorn

       



80

  

       



        mf

  

  

 

85              

 



p

        



90

      

mp

95



mp

100



 

  

mf

      

105                                           

cresc.

mf

       

f

                               3

110

3

          

    

115

             3

  

               3

  

3     120                   3

ff

125                                            f

    

                  130

  

          

         

3 140    3       3                            

135

cresc.



     

145

      

   





  

 

ff

  

          

 

     

POLONAISE Solo Horn Eb

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin"



q = 104 Moderato, tempo di Polacca

  









ff







5





                          

10











               

f

                    

             

15

f

                       

f

       

20                

 3                             25                  3                      30        



          



  3    

  

  3                  

     



   3     ff

  3          35

  

  3 

    

      40      

                         45                        50                       3                                     f

    

     

55                 

    60            

           



p

65                       





  

© [email protected] 2001 (duration 5.5 mins)



    



    p

Solo Horn Eb

2



70   

  

 

   

    



80

 



               85



  

  



 

 





 

 

95



mp

      

100



 

75

  

    

 

          mp

mf

                   



mf

cresc.

mf

                                        105

3                     



  

  3                      3    



120

  

ff

  3                   115

  

  3 

    

  

  3 

    

               125              f

                    

       

110

f



  

      

p

90      

    

  

      130                

3         135   3       3           

         140                    cresc.

    

ff

      145        





               

POLONAISE

1st Horn Eb

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

  





ff



  







5



Pyotr Ilyitch Tchikovsky



                           



 10







               

f

             

                      

                                  

15

f

        f

                20

    3                         25                   30                              

  3         

3



          



  3    

  

  3                  

     



   3     ff

35

  

  3 

    

40            

                               

45

f

               

 50                                           

3

     

     

55                 

  60                      



       



p

               

    p

© [email protected] 2001 (duration 5.5 mins)

   

       70

    

     

2

   

80 

1st Horn Eb

  

 



 

 



 



95

  



         

   

75



90

 

 

  

    

 





3

                  

  



 

       



p

  mp

      

100



mf

mf

                      



85

 

 105                           cresc.

 



 

mf

      



               

       

          mp



  

f

               

110

  3                115

  3 

    

  

  3 

120

  

      

  3            3     ff

  125                                                          f

     

  130               

     

   

      135   3       3       3                   cresc.                 140

  

ff



       145









  

 

          

       

 

POLONAISE 2nd Horn Eb

Pyotr Ilyitch Tchikovsky Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

  





ff



 







5















 10                                                    f 







                            

       

15

f

20

                                      3

25              

                                3

   3                    

35     3 

    

  

  3 

  

30

  3                        

3

              ff

                                    40

       

45

f



3                                      

50

              

55                        



60                        

 

    

 

 

    80





  

  



 

75

  

 

 

    p  

    

© [email protected] 2001 (duration 5.5 mins)



 

     

70

     

85

 



2

2nd Horn Eb



   mp 





 

95



         mf mp

     

100



 

mf

105                                             mf cresc.

f

                             

3

         

         

  

               

110

  3       115      

  3 

    

  

  3 

 

  

  3        

3

120

              ff

125                                           

f

     

                 

     

130

   

3        3 3                             cresc.



135

        140

ff



       145

         







 

 

            

       

 

POLONAISE 1st Baritone Bb

Pyotr Ilyitch Tchikovsky Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

 



   ff



  

5

   

  

                                 

 15



10

    f

       

               

                                                 

     f

                    20                       

  3                         25                     30           3                    

         

  

   3 

  

   3        

   3               

     

  

35

   3 

    

      40      

        3

ff

45                                                      f

  3                  50                            55                                               

      60              



p







              

p

                © [email protected] 2001 (duration 5.5 mins)



        

1st Baritone Bb 2





75

  

p

      

   



90

95          

mf

      







p







  85     

  p

p

                      



p

        

          



      

100

p

mf

105                              

mf

cresc.

f

110                                          

 

  3        

  

   3         115     

   3               

          3

120

ff

  

   3 

    

  

   3 

  

    

                 125          f

130                                              135                                       140                                  ff  cresc.



  

  145      



    

               

POLONAISE

2nd Baritone Bb

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

 





ff



 



5

 







                                                      

   10

f

       

   

        

        

              

15

 

f

20                      3                              25                                                      3       3                         

30

        

35

           3

          

3

  

3         



3

          3

ff

40                                               f

                3                          45

55                                                   50

       60

   

  



  





 



cue: euph





 

  

70





       

© [email protected] 2001 (duration 5.5 mins)







2



75



p

 

 



2nd Baritone Bb



 p

       p





  85  



       p

     p

100

                         cresc. 105

mf

f

110                                         

115 3     3                           

        

3

          

3

120

          

3

  

         

3          3



ff

125                                                            f

                                    130

 

 

135                                                cresc. 

140

   

  

ff

145

      

        







  

 

            

        

 

POLONAISE

1st Trombone Bb

Pyotr Ilyitch Tchikovsky Dancing in a fashionable St. Petersburg Room



from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

             ff

3

3

5

         



           

15

 

    

 

  

10

f

                 

f

        20         3                   

    





     

                  25                                

  3      30    

 

     

    

    

    



   3   



   

ff

   35         



      40                 f

45                                   

  3               50                                                55                         60          

  

p

            90

               



85

     

  

 p

      



95

      

       

65

   



       

                mf p

© [email protected] 2001 (duration 5.5 mins)

   



2

1st Trombone Bb

       100                                  mf

mf

p

    

  105             

f

cresc.

mf

p

                          

             3                 110

            120        



     f

 



135







   



3       

    

115



            

ff

 125                                               

         

130

        140                               cresc.

      

  

     



  

     

 

  

  



ff

 



 

        

145

    

POLONAISE

2nd Trombone Bb

Pyotr Ilyitch Tchikovsky Dancing in a fashionable St. Petersburg Room

q = 104 Moderato, tempo di Polacca

from "Yevgenii Onegin"

            ff 

3

3

5

         



                  10

f

                                            

 

 

  

                    

15

f

3 20                   

   25                 

3 30                             

35                 









     

       ff

  

3



40

                                      f 3 45                                                 50

                                          55

                       60                 p

  

         

    



       





          



90









         

  



85

p



65





        

© [email protected] 2001 (duration 5.5 mins)

 

 

      





2

2nd Trombone Bb

              p  mf 95



100

                     p   mf mf

   105                          cresc. p  mf

f

       

110                                              



3          

 

   120  

115

    



           

3



       ff

                   f

125

                                               130

                      135                  140                             cresc. ff

   





  

     

 

  

     

 

   

145

     

  

  

     

POLONAISE

Bass Trombone

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

  





ff

 





5

 

10                    











15





  

         



       

f

f

     



20            



  

25 3                                     30 3                           

               



35                

 3



       ff

40                                       

f

45 3                                          50

    

                

55                       

     p

  

        



    

  

   

 

60

              

        

65



  

© [email protected] 2001 (duration 5.5 mins)

       

2

Bass Trombone

 



    

85



     

  

p

            



95

  

100              

105              

cresc.

mf



  





       mf

                        f

110 3                              

 



         mf

          

mf

90

     

         120       

    

115



3



        ff

     125                                   f

      

  

   

130

  

   

           

135                                

140                  

cresc.

   



        

ff

145                        

       

POLONAISE

Euphonium Bb

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

 



   ff   





5

 







  

                               



10

   

          

f

               

                                          

     15

f

  

  

                             

25                                    30 3                                    3

20

   3                   

35



40



   3 

  

    

  

       f

   3 

  

    

     

         

   3                

3                3

ff

                          

50                              55                                                       

      

3

45

          

                 60

© [email protected] 2001 (duration 5.5 mins)





Euphonium Bb 2

70                                     

1 only

mf

sim.

               80                      75

85                           



     



95

         1



     

      1



  

mf a2     mf

mf 105               

cresc.

   

  

f

   

    

  

  

3           110                         

 

   3       115         

   3 

    

  

          f

   3    

  

  

120

    

125

  

   3                

3

         3

ff

      

                          

                                    130

   

                                               cresc. 135

      

140



ff

145















 



  

  





 

 

           



      

 

POLONAISE Bass Eb

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

  





ff

        f





   

5

 











10

                            

15

20

                         f 







            25

                                       3



3                                       3



          

      3 

  

30

  3                   

    

3

     ff

  

  3 

    

40

                3

                             f 

35

45

           

50                                     3



55

                           

                 p  

 

60

 



 





     p

 70

    



    

© [email protected] 2001 (duration 5.5 mins)



    

    65



 

  

2

Bass Eb



     

   

90 

75

 

  

 





       

100

 



       p

 



 85

 



 



   









 

 

mf



 

  

120

 



3

    



      

    

  

 

 





cresc.

           

110

  3 

    

  

  3 

  

    

                             125

3

f

    

                      130

                              135

  140                       cresc. ff 





  3        115        

  3               

ff





 



105                 

                         f         

 



         mf



       

3

 



 

 



80

145

             

 

   

    

                 

POLONAISE Bass Bb

Pyotr Ilyitch Tchikovsky Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

 





ff





 

5

 







                            

            

      

       

25

20





10



 15



      f

      

    

f

                          

                      30



     35

                            40                  ff                 f        

45

                

                   

50                              

    

55

                              p    

60

    

  

 





65



   



 







 

 

70

  

  

p

 

 





75



         

  

  

80

 



  

  

  

  

  

© [email protected] 2001 (duration 5.5 mins)

  

  

2

Bass Bb







 

85





90

     p 



   





 

    mp







 



95

 

 

   

  mp

 



  



105                                        cresc. mf f

    

    



            120





110

                      





115

      

          ff

       125                              f

    

130

                       

         

135

140                                              ff cresc.





























145



     

 

 

          







     



POLONAISE

Timpani

Pyotr Ilyitch Tchikovsky

Dancing in a fashionable St. Petersburg Room

 





f









 

ff

10













   

5

15

                25

30



    



 ff

       

50

     

55

    





35                

40

                        

45

               

           

 

 





           





 

 









     

 

      

     

60





f

                



                



   

3







                  

                   





 

20

    



from "Yevgenii Onegin"

q = 104 Moderato, tempo di Polacca

  ( f )

© [email protected] 2001 (duration 5.5 mins)

 





 



 

Timpani 2



 

  

70



    

100

       

105              cresc.

f





 ff

         

   

                           

135

140

      

        





 





     

  



                cresc.





145





3

f

130



   





125                             





    



115

   

120                

  



        

                    

110                  

 

 

       



mf



 

cue: sop+crts

cue: euph



85 

  

       

ff

  



   

  

     

POLONAISE

Glockenspiel

Pyotr Ilyitch Tchikovsky Dancing in a fashionable St. Petersburg Room

from "Yevgenii Onegin" q = 104 Moderato, tempo di Polacca

   

  



15

  

 

         

   

3

                 



cue: cornets

cue: cornets



  

    





   

  



 

   

  

cue: cornets



  

 

 

   

 

 

60

 

 



 

cue: cornets

       







  



p

65



 

PLAY









  70                                           p   75                      80                  

85



    p

                       

       







       

     

© [email protected] 2001 (duration 5.5 mins)

    

90

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 TACET