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Danse Macabre C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer

Soprano Cornet

Solo Cornet

Repiano Cornet

2nd Cornet

3rd Cornet

Flugel

Solo Horn

1st Horn

2nd Horn

1st Baritone

   

Ghoulish waltz h = 70 .

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  

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  

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  

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

  

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   

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  

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





  



  











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













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





 







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

pp

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

pp

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

pp

    





            









p

2nd Baritone

               





           



p

marcato   poco                                     1st Trombone   mp

2nd Trombone

Bass Trombone

Euphonium

Eb Bass

Bb Bass

 

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   

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   

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  

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  

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

© 2014 G Colmer ([email protected])

2

  Sop. Cor.  12











 

 

 muted a2

  

  













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

2nd Cor.































3rd Cor.































   



























 























































2nd Hn.

   



























1st Bar.

 



























2nd Bar.





























1st Tbn.

 





























2nd Tbn.































  





























Euph.

 











Eb Bass













Bb Bass













f

pp

B. Tbn.















1st Hn.













Rep.

Solo Hn.







Flug.







Solo Cor.







   



 p

     





                  

















                          p



  Sop. Cor.  26

Solo Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.















 



 

B. Tbn.





























   









   









   









   









mp







Open



        f













f











f











f

  











f













     

   



  

   

  

     

   



  

   

   

     f p

   



  

   

   

f













f









 

















 







  



p

p

    

Timp.

















f









   



f

 

 

 

 

 

   



f

pp







   









    









f













f



























a1                                          mp   f                 f

Bb Bass

3

f

                               







f

 Euph.  Eb Bass





1st Bar.

2nd Tbn.

      





1st Tbn.

  



2nd Hn.

2nd Bar.



A    















 













  f

p

 

   

f

 p

  



  



  



  

  



























3rd Cor.









Flug.

 







Solo Hn.



1st Hn.



2nd Hn.



1st Bar.

 







37

4 Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

2nd Bar.





mp

   



 

   



 

    

  

  



  

  



 

   

muted

  



  

  

   

   

   

muted



muted



 

   p 











  

  

 



 









 



 



 



   



  

   

 



 









 



 



 



   



  

   

 



 









 



 



 

























 



pp







pp



  







 

 











































pp

pp

a2                                                          

 Euph. 









Bb Bass



  

2nd Tbn.





a2                                    

p

 

Eb Bass



p

1st Tbn.

B. Tbn.



mp



 









 









 









 









 









 









 









 









 









  Sop. Cor.  46





B





































              





 



 

Open   





















 

   

  

Open



















  

   

Open

3rd Cor.



  

















Flug.

 

Solo Cor.

Rep.

2nd Cor.

Solo Hn.



1st Hn.



2nd Hn.



1st Bar.

 

2nd Bar.

 

2nd Tbn.



largamente



 

  

   

 



  



 

  

           

                  



 

  

            p

                  



           

                 

               

                 









p

p

 



p





Bb Bass

  



  

 

    

 





























                





                  mp















   





   

Eb Bass

   

       



  



 

 

 



Euph.

Timp.



mf



1st Tbn.

B. Tbn.



   

 

 mp

                      

































            mp 





                   









5

  



Solo Cor.

















Rep.

















2nd Cor.

















3rd Cor.

















57

6 Sop. Cor.

Flug.

 

Solo Hn.















C                     mp













p









p

 

   

  

 

 

   

 



 

 

  

 









 



                    mp

           

       

         









         

       

          







1st Bar.

 

          

     

          







2nd Bar.



          

       

           







1st Tbn.

 



















2nd Tbn.

















1st Hn.



2nd Hn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.



  

       



    





























           

       



 

 



   











  

p

Glock.



p

              







   

 







    

 a1







p

       



 

 

 

 

 

 



p







    p

   



  

67            Sop. Cor. 

Solo Cor.

Rep.

2nd Cor.

3rd Cor.



Solo Hn.





 

 

marc.



mf

  



p

  



   mp





mp











  





mp









p



         















 

   mp

 





                               mp





    mp

   

   

   

 









    mp



    mp

   

   

   

 









    mp

 



  

  

  

     









  





   

   

   

      



mp

1st Tbn.

 



    mp 

   

   

   



2nd Tbn.





  







   

  



1st Hn.



2nd Hn.



1st Bar.

2nd Bar.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.

Untuned

Glock.



mp



  





 mp

  

  

 

    



 

    

 

(SD drum stick)

 



 

 



 

 









    mp 





  









  





a1





p

 

 a2

  



































 

 

   



   





p

 



 

  

mp

 

a2





mp

p







mp



mp a2

 mp



  



p Cymb.



 

p







    p

   

   

 

7

    

mp

  

                               mp

mp



Flug.



                           mf       







marc.

a1











   77

8 Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.















 

 



























                                                



  







Open





  



f

                      







                     



f





    

   

   

 



 

  

  

     





   

   

      



 

   

   

   







  



 









 



f















 



 



 









 



 









  



 















  



 









  



 











 





























f







f















  













   



 



     f 



  











   



f





f









f



















 

      





f

 





 



f

 



 













 

f



 









 

 

f a4







   







   

Bb Bass





f

   







f





Untuned



f







                      



Eb Bass

Timp.



D   

 









 



 

























f

 





 





 









  

f











 

f

Tri





  

  

 







     Sop. Cor.  87

  

 





 

  

                        9    f

Solo Cor.



                                

    

  

 

    

   

Rep.



                                

  



 

  



2nd Cor.



  

  

  



 

  

  

3rd Cor.



 

  



 

  

  

Flug.

 

Solo Hn.

1st Hn.

2nd Hn.



 

 

    

  



 





   



   



      

 

 



 



 



  

 











    

  









  

  

  



 

  



 

    

  

  



 

  

  





 

 

  













 

  









 



 













 











 

 

1st Tbn.

 

  

  



2nd Tbn.



  

    

     

 

                            





 

    

Untuned

  



 



  



 

  





Bb Bass

                            

  

 

2nd Bar.



 

                            

     

Eb Bass

f

  

     

 



                          

f

 

Euph.

 





f

1st Bar.

B. Tbn.

  

 





 

  



  

  



 

  



 

 

  

 

 



  



     

 

       

 

    

 

  

f

 

      BD f

    

 

   

     

 

    

10 Sop. Cor.

E 97                               

Solo Cor.

Flug.





 

    

   

 

   

 

 

                   

1st Hn.



 

  

p







 

 

Solo Hn.

2nd Hn.



 



2nd Cor.

3rd Cor.





Rep.



   













  p

 



 

  







 





         



   

   

   

           

  

  

  

          

p





 

  

   p













                          













                          













                          













1st Bar.

 





















2nd Bar.























1st Tbn.

 











  

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.

Untuned







 



  



 





 

  



  

   

  





largamente   gli    gliss.    ss. 













  gliss.

      

mf





largamente





mf



























      















      

largamente

mf



  

 

p









    

  

 

   

       

      





















f

f

f

f

  

  

  

        

f









f





f





  

  

F                   



a1    



                 



107      Sop. Cor. 

   

 

   



   



Solo Cor.





a1 p



p

p

Rep.



   

   

  

2nd Cor.



   

  

   

   

   

           





3rd Cor.



    

   

  

  

  

                 



Flug.

 





















Solo Hn.





















  

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

 





Glock.

                







f























p





















  p

 









 

  





















p



















p

    













  p









 





 









 p





    



   gliss. 

  gliss.

  gliss. 

  gliss. 

       

  



  



  















        



   



  







  









  











 

f

Timp.

 

11

 















         















f

f

f

f

f

f

f

  

  

  

  







  

  

  

  

  

















 





    p

  



Solo Cor.









Rep.

















 



117

12 Sop. Cor.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.



                       f  HOB            



f HOB

   







   

   





   

   

   

   













f HOB







mp

                   



 

   







 















 

  

























 







f

 







 







  

f



 



 

f





  p







 



 





p







 













 













 













       

p

f





p

f





















mp



mp

 







   



   



   



   



   





   



   



f

   





f



















mp

      





 

mp



Bb Bass

 f

 



   





Xyl.





f a4





Eb Bass

Glock.

                   



f

 Euph. 

Timp.











 



mf



   

  







 

 

 

















 





 p  mp 



 

a1

 

 

    p

              f









    

  Sop. Cor.  126

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Bb Bass

Timp.

Untuned

Glock.

Xyl.

                   

















 



 

f



   

   









mp

 

  





 















 







  



 

















ff





 







 

                   







        ff





ff











ff









   













ff

f



 







f

 







 







 















ff









f



 

ff



 

f









 







 







ff

 



 









ff

mp





















mp









 

 













ff

 

















ff

a2

   



   



   





f

   





f

 

mp





  

  





mp





13 



ff

 Open                 ff Open                       

f





   







ff

   

   



f





                       f     Open         

                 



f



 Euph.  Eb Bass





 





 

(SD drum stick)







   



   



 







 

   



   









 

 

  







  

 



ff





mp



 

 









ff







ff

  























Tri

mf Cymb.



  





ff







              f



 







     

ff

14 Sop. Cor.

136      

G









































Solo Cor.



  

Rep.



  





















2nd Cor.

























3rd Cor.

























Flug.

 

  





















Solo Hn.



 





















1st Hn.



   





















2nd Hn.



   



































 1st Bar.  2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

   

 



 

  

mf















 

  

Timp.

Untuned



    

  



   













     



 

  



mf













     



 

  



mf

     













                                        mf                         

 

 















  

















 















   



  

mf

mf

Bb Bass

   











                         mp a1                   mp  a1



 





















  mp

  Sop. Cor.  147











 H  

 

     



 15   

mf

Solo Cor.





















Rep.





















2nd Cor.





















3rd Cor.





















Flug.

 







Solo Hn.

1st Hn.

2nd Hn.

  





   





  



    

    

       

   

  



    

    

       

   

 

     

mf











mf













mf













  

       

  





  

   

mf

      1st Bar. 

     

   

 

    

          





            

    

     

     

   

 

   

          





            

    

    



   

 



  

  









   



  









  









2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

  

Euph.

 

Eb Bass



Bb Bass

Timp.

mp

mp

mp

   

 



  

mp











mp

                                 

                               









 







 

 mp



a2                       mp



a2              mp

a1            











 









         

 

156

16 Sop. Cor.

Solo Cor.





Rep.













2nd Cor.

3rd Cor.

 

Solo Hn.

1st Hn.

2nd Hn.



                          



mp a2             a1                                        mp





                            



mp

 







 





  

   

   

  

 

   

    



   

   

  



       

  



  





mf







mf

Flug.





      

 





           

 





           



       

 



  





  













p







p

 









   

p

   

 















 1st Bar. 

         



 















2nd Bar.



        



 















1st Tbn.

 



   

   









  



Euph.

 



Eb Bass



2nd Tbn.

B. Tbn.

Bb Bass





   

   





p



mf

          

   

   

   

p



p



    

  

mf



   p  



 

  



 



  



   



     p



   









 

  









   



 





  



mf



a2

p







mf

p









  

  

   



    

165       Sop. Cor. 

     

  

   

     

   

mf

Solo Cor.

Rep.

2nd Cor.



mf

    



mf

 



     



  





                          



mf





          



mf 3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.





 



mf

       

B. Tbn.

Euph.

Eb Bass

Bb Bass

     

 

    





mf





    

       



 





f



mf





 

 



 



  



 

 



 







        

f

f



mp





p3

                          

 



                          

 

f

   

  



 

 



 

p (sub.)



 







   



 







 













   



 











f

 



p

f

 



3

   







 

  



p

p

f

     





p

    





f

      

p



mf

   

 

  

mf





17

                          

mf

p (sub.)





 



f

f

      

  





  







 









   



 

 



 



f

   

mf

                

    

                

    

               

mf

mf

Glock.

    

     

    



    



    

mf

2nd Tbn.

    



mf

  

 1st Bar. 

1st Tbn.



mf

mf

2nd Bar.





                 

mf

    

  



a4                     











                        

 

                  

 



f

p

  



  



f

               

3    

 



f





 p

   173

18 Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

I



   





  









   





  

   





  

Flug.

 

Solo Hn.





   

  







 

 

 

 



   









  

  

  

  



 



 







 





 



 







 



  





 

 





  

 





  











 







   



   

   

   

   

   

   

  



   

   

   

   

   

   

  

3

3

3



3

3

3

3

3

3

3

3

3

3

3





























1st Hn.



2nd Hn.



1st Bar.

   

















2nd Bar.

  

















1st Tbn.

 















2nd Tbn.

















  















B. Tbn.

Euph.

 

Eb Bass





 

    3

3

  









p

Bb Bass

   p

Untuned

Glock.







 





(SD drum stick)



p

Cymb.







    3

3

      











 









 

    3

3

  











 









 

    3

3

  











 









 

    3

3

  











 





 



    3

3

  











 











 

    3

3

  









 

 

  Sop. Cor.  180

Solo Cor.

Rep.

2nd Cor.

3rd Cor.



  









 

 







 



 





   



 





 

 

   











 

Flug.

 

Solo Hn.







  











  





  



   

  

 





 

 

 

 



  











 

 





      











    

 



   













   

   

   

   

   

   

  



   

   

   

   

   

   

  

3

3

3



3

3

3

3

3

3

3

3

3

3

3





























1st Hn.



2nd Hn.



1st Bar.

   













2nd Bar.

  













1st Tbn.

 















2nd Tbn.

















  















B. Tbn.

Euph.

 

Eb Bass



Bb Bass

Untuned

Glock.



 

    3

3

  

   





 



19











 









 

    3

3

  











 









 

    3

3

  











 









 

    3

3

  











 









 

    3

3

  











 









 

    3

3

  



    3









 







 

 

3

  











 

   187

20 Sop. Cor.



Solo Cor.

  





Rep.



 

J 





p 3

 









3

a2











 





3

3







3







 

p







3









 

3





3









 

3





3



 



3

3

2nd Cor.

























3rd Cor.

























Flug.

 





Solo Hn.



1st Hn.



3

 

 







 



Timp.

Untuned

Glock.





















3













 



3









3

























3







































3









3



3





3



3





3



3





3



3



Bb Bass



3





3





3











mp





mp



















  



























































  



  



  



  







































mp

   



  





 

 1st Tbn. 

Eb Bass



 

Euph.

p







p

  









1st Bar.

B. Tbn.

3



3



2nd Tbn.





3

  



2nd Hn.

2nd Bar.



   

3

3

  

  







 

 

 



p











p

 

  

 

 p   





  

p





Tri











   



 



   



 



   



 



   



 







   Sop. Cor.  194

3

cresc.

Solo Cor.

Rep.











 





3



cresc.





 





3





3

3

mp





 

a3





 

  21

 

3





3

mp



 

cresc.





3

cresc.

mp





3

cresc.





3

cresc.

2nd Cor.













3rd Cor.













Flug.

 

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

  



 















Timp.

3

3

















3









































      

 





cresc.







 

 













 mf





 cresc.



cresc.







 

 





 

 

 

 

  



 









 



 

  





 

 

 

 







 

 cresc.



 



 mp

 mp

 

















cresc.







cresc.





 cresc.  

mp





cresc.

 





cresc.

cresc.

mp





cresc.

 3

mp

mp

  



mf

cresc.

cresc.





mf







3





cresc.

3

cresc.







cresc.

mp

3







cresc.

3



3





3



cresc.





3

cresc.

mp



3

cresc.













cresc.

Untuned



3

mp







mp

 

 



3





mp













cresc.

cresc. Bb Bass





cresc.

 



3

cresc.







cresc.





 cresc.



    199

22 Sop. Cor.

3



  

 

a4

Solo Cor.

Rep.

















 



3







3rd Cor.







Flug.

 

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

  

 



 



 

B. Tbn.

Euph.

Eb Bass



 

Bb Bass

Timp.



Untuned

 

 







3



 

 mf



3

  











 

 





































3

 



















3















mf



rit.







3



3

mf



 

mf

3













    



 

  

 

 

 3























 

  











   













  





   











































mf

 3



 f

 f



mf

































 





 





mf





 













mf







 

mf



 mf











  





         3

a2

3

3 3         





  







mf







mf

  







f





3

3



  



3









3





3

mf





3







mf





3





 



mf

 1st Tbn.  2nd Tbn.

 



3

2nd Cor.



3







K Ländler (slower waltz) h = 62

204       Sop. Cor.   

 

.

















ff

p

        

Solo Cor.













ff







       







       



   ff             Solo Hn.  



      



      











23

mf

espress.

 





 

 

 

 

  

p

       

Rep.

 

espress.



mf











ff

2nd Cor.

muted (cup)

 

ff

3rd Cor.

p



  p







  















  









muted (cup)



ff

Flug.























 

 

 



















 

 

  



mf

p













p













p

ff

1st Bar.

 

 



ff

2nd Hn.

 

p

ff

1st Hn.

 





      







 









  







     







 







 

  







 

  

       

  

  







p

2nd Bar.

p

appassionato          1st Tbn.     ff

2nd Tbn.

mf

       



    















ff

B. Tbn.



        



Eb Bass











 

 

 

 

 

 

      















       















ff

Bb Bass

ff

Untuned

Glock.







 pp

 

 

 











 

   

  p

 

 

 

 

  p

 

 

 



p

 

ffp

 

p

ff

Euph.

 























































                                           pp

24 Sop. Cor.

217            

 



 

















           

 

  





























p

Solo Cor.

p

   















   















    



Rep.

2nd Cor.

3rd Cor.

Flug.





1st Tbn.

Euph.

Eb Bass

Bb Bass

Untuned

Glock.

















  

  











  

 

Open



 

  





p





 

  















 

  









  















 

     





 



 















 



















  













 





  



 

 

 

 

       

  

    



    



    



2nd Tbn.

B. Tbn.



     

1st Hn.

2nd Bar.

 

p

            

Solo Hn.

1st Bar.



p

p

2nd Hn.



Open











p





mf



 

  



   







  



 

p

 

    





 

      

mp molto espress.

 

p





mp molto espress.



mp

      

   

molto espress.

























 

 

 

 

 

 

   

















 

 

 



























 

   

  p

 

  p

 

p

 





p

 







 





p

































                                        

  Sop. Cor.    230



   



   



   



    



Solo Cor.

Rep.

2nd Cor.

Flug.

2nd Bar.

1st Tbn.

Euph.

Eb Bass

Bb Bass

Untuned

Glock.









   25









                 a1



p













             

a1 (tutti) p















p

 

 

 

 

p





















p



   

 

 

    

 

    



f









f







             







            







mp

  f



             mp

 

 



mp

    

















    

















      













     













  



2nd Tbn.

B. Tbn.





1st Hn.

1st Bar.



      

Solo Hn.

2nd Hn.



p

   

Solo Cor.

3rd Cor.



L



    





 













   







   









 

 

 

 









     

 

 

 

 

 

 

 











 

  

 

  

 

  

 

  

 

    

mp

mp



 







mp

mp

        







mp

    







 



26 Sop. Cor.

238            

    

Solo Cor.



      



  





mf

            

      

          

                       

                      

     



 



2nd Cor.

     

 

 

 

3rd Cor.

      

 

 

 

Solo Cor.

Rep.

Flug.

    









  









  









   









    









    









Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

       

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

mf





 

 







































   











 











 

























               









 







 



  

 

 

 



242          Sop. Cor.      









f

             

Solo Cor.

f

    

Solo Cor.

       

         mf

      





    

a2

mp

p

      

       





     











2nd Cor.

      

 









3rd Cor.

      

 









Rep.

Flug.

    





  





   



   



    



    



Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

B. Tbn.

Euph.

Eb Bass

Bb Bass



 

    





    

mp

 



                          

 

 

 

 

 

 

 

 

 

 

 













p



p

 

 



























p









   

         







 

















BD



















p















p



mp







   





p







     mp

p

     

 Untuned  

    

mp

   

     



mp

  1st Tbn.      2nd Tbn.





27





p



     246

28 Sop. Cor.

   



    







    







1st Tbn.



 





            

            





            





          mp





mp







mp







             



mp



              

           



   

            



             

           



    

             



              

          



      

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



      

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



               































































p

   

2nd Tbn.

B. Tbn.





             

1st Hn.

2nd Bar.



             

    

Solo Hn.

1st Bar.

                  



2nd Cor.

2nd Hn.

mp





   

Rep.

Flug.

poco accel.

 a4            

Solo Cor.

3rd Cor.

             





  



  Euph.    

 



 









 



             

             

mp

Eb Bass

    















  











 





Bb Bass

      

 











 





 



































    







Untuned

Glock.





   





 

p



  

 



252 M retorno valzer h = 70     Sop. Cor.  .

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.



 















2nd Bar.



1st Tbn.

 

B. Tbn.

Euph.





  



 



  



 



 

 



 

 



  

 





 















 

  



 

  



mf













mf









  









    









  



mf

















 

 



 

 



  



  

mf





mf







mf









mf

mf







































  







 

 

 





mf





















   





















  

Bb Bass



Untuned



mf



Eb Bass

Timp.

 29

  





mf

 





mf











mf



 1st Bar. 

2nd Tbn.





 

 3

3



mf

   3

 3

                                       3 3  3 3 3 3 3 3 3 3 3 3













































































 

30 Sop. Cor.

Solo Cor.

260    

















 



mf













2nd Cor.

3rd Cor.



 













 

















 



 



 









1st Hn.



  

2nd Hn.



  





1st Bar.

 





  

  





  

  

 



  

  





  

  

  mf

  

Bb Bass

 





  



mf



      3

3







  

          



         





    



    



    



      f



     

  mf



    

f

 













  

  



  



 

  

  



  



 

  

  



  



 

  

  



  



 

  

 



  



 



f

f

f

f

f





     



   





  





  





  





  





    

f a1

  mf 

 



  



 



  





 



   



  



   





a2

  

  

f



f

Xyl.



f

 



mf





f

mf

 Euph.  Eb Bass

 

mf

   

    

3 3 3 3 3 3 3 3 3                                              3 3     3 3   f                                                     3 3 3 3 3 3 3 3  3 3  3 3  f3 3                            



B. Tbn.





3

Solo Hn.

2nd Tbn.

  

mf

 

1st Tbn.



     

f

mf

Flug.

2nd Bar.





f

mf Rep.











    

f



    

  Sop. Cor.  268

Solo Cor.



N                     





 



 



 



                        



   







 



 

    



                

    



 



             



 



 



  



       



  



  



  



 



 



 



 



 



 



 



 



  



  



  



  



  

ff



ff

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.





    



2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.



Bb Bass

Untuned

Xyl.



    



ff

3                     3 3 3  3                                3

 

   

3



       

 



   





  

 









3

3

 

 

   



 

ff



3

3

   





 



 



    

 

      



  



   

ff





  

   

  



  



  



  



 



  



  



  



  



 



 



 



 



 







ff

 



 



 



 





 



 



ff

    



 



 



 



   



  



 



 



     ff



  



  



  



ff

ff



 



  

     ff      ff      ff

  

              

  

              

  

              























              





















 

 



(soft beater)

mp





     





 

ff

  



  ff

f

   



3

3

f

 



3

3



 Euph.  Eb Bass



ff

3

1st Hn.

ff





 mf



31

f

   

 





 

 

 

 

 

 





 

 

 

 

 

   

 

 

 

 

 

 

280

32 Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.





  

 



 

 

 

   









 

   

















a2

mp





mp a1

 

   









  

  

  

a1

  

 

 

   









mp









 

 

 

  





 

 

 

  



mp



















p

mp



















p



 

 

 

  



 

 

 

  



 

 

 

 

  



mp



















mp



 

 

 

 

 

 

 

 

mp





 

 

 

 

   









 

 

 

 

   









 

   









 

   









 

 

 

 

 

   

 

 

 



mp

mp

 

 

  mp



  

  

 

mp

























 

































 



 

 

 



 

 

 

  p



 

 

 



mp





 

mp







mp



p

 

 



p

 

 

 



p

 

  



 

mp





 

mp





a llargando

 







p



p

  mp

  Sop. Cor.  293



O  



 leggiero                        

mf







mp

Solo Cor.





















Rep.





























2nd Cor.

3rd Cor.



Flug.

 

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

 

    

2nd Tbn.

B. Tbn.

 

 

  

 



   

 





   

 

  



                                     mf mp  p leggiero

                                     mf mp  p

            mf             

  



 



                 



mf



 



 







 













Eb Bass



Bb Bass



Timp.

Xyl.

 

     

 







 



 



 



  







 



































 





 



mp















     

  



 



 



 



p





 p 

       

mp

 

                mp              

mp



  

p

p



        



     



  

p

mp

f

 Euph. 



mp

mf

  



mp

mf





p

                  

  

p







mp

mf

  

p

                 





mp









p

mp

                 

mf

   



mp

mf

 



leggiero

mf

p

1st Tbn.









    p   p

 

    mp



33

                          mp p mf



   302

34 Sop. Cor.







Solo Cor.





      



mf





2nd Cor.









3rd Cor.









Flug.

 

mf

  







mp





Rep.

mf

              

a2



                        









                       

muted a2

mp

f

        

















mp

                                     mf mp                                       mf mp 

                   mf





















 





mp

                 

 





  



2nd Hn.



  



  





             mp





1st Bar.

 

 



  





             mp





2nd Bar.

  



  





             mp





1st Tbn.

 



  









 





 





             mp











 





 









Solo Hn.

1st Hn.

2nd Tbn.

B. Tbn.



  

mp

mf



mp

















mf

  











  













 













mp















p









 









 



    

 

 p 

   





p



Bb Bass















Eb Bass





mp

f

Xyl.



mf

 Euph. 

Timp.

        





p











p



                          mp p mf

  Sop. Cor.  311

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.





















              





     

mf

p

      

mf

mf

mf

p

mf

       

              



mf







p

     



 

 













p

     



   







p



p









mf

mf

     

         mf p















     



p



   

p

      

  

p

p



      

   

p

p

      

   

  



  

 

  

p



 











     

   



   











p

p

     

         p

p

 

     

p

p

              

     

       

mf

mf

mf





























  









































   







     













   







        p



         p

    

p









    p

    p

p



   p 



   p 





 















mf

a1            

p

 



p

mf







  















     









p

Glock.

mf





Untuned



       

mf





p Tri

 

p

















mf

35

a1

 

      





 

Eb Bass











p

    p





p





p

        

mf

     



mf

               

             



mf

mf

              



P         

     

a1







 

Timp.



mf

  



open       



Euph.

Bb Bass



       

p

   323

36 Sop. Cor.





     espess.

 







    









    







 



Solo Cor.



Rep.



























2nd Cor.



























3rd Cor.



























Flug.

 

























Solo Hn.



1st Hn.



2nd Hn.



1st Bar.

 

























2nd Bar.



























           





              

          



     

     

           

          



     

      

            

           



       

      1st Tbn.  espess.



    



    





































  

























Euph.

 

























Eb Bass











2nd Tbn.

B. Tbn.

Bb Bass







         



mf









              mf













a1

        

mp



  Sop. Cor.  335

Solo Cor.



 









p













  





















  

mf



























3rd Cor.



























Flug.

 





















1st Hn.

2nd Hn.

 

1st Tbn.

2nd Tbn.

B. Tbn.



     



Eb Bass



      pp





 



    pp  



 



 

p

 

  



Timp.



  













 



















  

  

    

  

  

  

  





     mf

 

p

mf

     mf



    

 

p



p

mf





     



mf

     



mf

     



mf

   mf

  

p





mf

    

 

     









mf















































 

 

 

 

 

 

  

  

  

 

 

 

 

 

mf a1



     

p

 

 





p







p



p a2

mf

p

Bb Bass



p

p







pp

p

Euph.



mf

 1st Bar.  2nd Bar.



  

2nd Cor.



37

a4



Solo Hn.







Rep.







p

mf





mf

p



p

 

mf













  p

 

 

 

 

 

 

 

 

 









mf











      

      

mf a2

mf





mf

p





     

mf

38 Sop. Cor.

  

Solo Cor.





   

     

Rep.





   



2nd Cor.













3rd Cor.













347

Flug.



    







   

     

     



   



     

    







 

















 





  















  









 













  









 













   





 









 





 











1st Hn.



1st Bar.



   

Solo Hn.

2nd Hn.





2nd Bar.



1st Tbn.

 











2nd Tbn.













  











B. Tbn.

Euph.

    



Eb Bass



Bb Bass



  

 

 



   

Timp.







  

 

















  

 

 

  

 

 

  

 

 

  

 

 

























352

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Timp.

 

poco stringendo

  Sop. Cor. 





     



     









 

 



     

     

     



 



 



 





 



 



 



     



  f  



   



 



 



 





 









   

 



 



 





 



 



 





 



 



 





 



 



 





 



 



 





 



 



 

















 



 



 

f



f





  f







 

f

 







  



  f

 

f















f



 

 



     

f

 



 

f







     

f

 

 

     

f

 



     

 





f

f

   





  f a2

   

 





 



  

 

 

  

 

 

  

 

 

  

 

 















































f

f



 f

39

tempo h = 70

      .

357

40 Sop. Cor.

















ff

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

 



ff

 



ff

   

















   

















   

   

   

   

  



               

   

   

   

  



   

   

   

   





 

 

 

 





       



ff

         ff

Flug.

1st Hn.

2nd Hn.

          





   

       





   

          



          



ff

ff

     ff

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

      

     ff

Solo Hn.



  

 

    



ff

ff

  

  

    



ff

ff

       



ff



ff

   





   

   

   

  



   

   

   

   

  



ff





   

ff

   



                               mf

                               mf

      

  

  

  

  

ff

 mf

       



  



      

   

   

   

   

  





      

   

   

   

   

  



ff

            ff

 

 Euph.  Eb Bass



ff



   



     ff

   



   



  









 

ff

                           

     

f

mf

 

        

ff

ff

Timp.



ff

ff Bb Bass

   







   

      

   

      

   

      





   



 



  Sop. Cor.  366

Solo Cor.

Rep.

2nd Cor.

3rd Cor.



Q                                41         



f













                                              mf

ff

                                     



f

ff

f

ff

                                       







ff



           f

Flug.

Solo Hn.

1st Hn.



   

          mf

 

mf

ff

     

2nd Tbn.

B. Tbn.



  





f

      f







 



 ff

 ff







marcato







 







  





 







  





 







  





 







  

marcato

 marcato



marcato





       

















ff

       



ff



f

                 mf        f

Timp.

   

mf

 Euph. 

Bb Bass

       



ff





ff





Eb Bass

                                       

     

 

     

                                             

 1st Bar. 

1st Tbn.

     

ff

ff

mf



     

                               

mf

         

2nd Bar.

     

                                             



2nd Hn.

ff

     













 







  

ff

marcato



























 













   

ff



ff

ff

Untuned









               

ff

    



         

42 Sop. Cor.

 375               

Solo Cor.



Rep.



2nd Cor.



     

3rd Cor.



        

Flug.

 







     

     



3 3      



                     

3



3

3

      

                 

        

3

3

3

      

3

3

3

3

3

      

 

          



    

    

    

   

     

     

     

   

               

                       





               

          







              

          







              

          







              

          



     1st Bar. 





   





     





   





        

Solo Hn.

        

1st Hn.

2nd Hn.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

     

3



        



   















































































































   











ff

      



































         































ff



          ff

Timp.

Untuned

 



        ff                  ff

            

    

    

    

   

                      Sop. Cor.  383

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

3

 

 

 









  

 

 

 

  

 

 

  





2nd Hn.































 

 



 













 

 

  



  



 





























                     











                    











                   









  



2nd Bar.



1st Tbn.

 

2nd Tbn.



3

 

Eb Bass





3

3





















































































     

ff









 







          























 







 





f

Untuned

3



 



3

3

3

3

3



3

3

3

3

3

3

3

3

  

Euph.

Timp.

3





 

Bb Bass

3



 

1st Bar.

B. Tbn.

3





 

3

1st Hn.

3

3

 

  



     

43

   







     

     

   



     

   

ff

     



















   















ff







ff

  



















 



388

44 Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

  



   



    



 

   



   



   

 

   

    ff



   

 

   

 

   

 

   

 

   

 

   

 





 





 

























 





 









 





 





ff







 





   

ff



 

 





   









ff





   



   



   

 

   

 

   

 

   



   



   



   



   



   



   

ff



    ff



    ff

   

    

 Euph. 

Untuned







Timp.

   



   

ff



Bb Bass



ff

 

Eb Bass





ff



B. Tbn.

   

ff



2nd Tbn.



ff



1st Tbn.



ff

 1st Bar.  2nd Bar.





 

   

 

   

 

   

 

   



   



   



   



   

ff

   

   

 

   

 

   

 

   

 

   

  

   

 

   

 

   

 

   

 

   

































































 393     Sop. Cor.  Solo Cor.

 



 



2nd Cor.



  



Flug.

Solo Hn.



                                           

                                                  f a1

  

 















f

  



    



 



f











              

2nd Hn.



B. Tbn.

Bb Bass

Timp.

Untuned



 







 

                     

        



 

                     f

        



 

   



 

f

f







 





       







   









f

   











 Euph.  Eb Bass





        

 1st Tbn.  2nd Tbn.



    

 1st Bar.  2nd Bar.





          

                      

 

f

1st Hn.

45

f

   

Rep.

3rd Cor.

R

 

 





 













 

















   



f

 









 









f

f







  

 



 







 



 

f



  



a1



 

f

























 

















 















  















        399

46 Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.



  

1st Tbn.

2nd Tbn.

B. Tbn.

 

Bb Bass

Timp.











  



 

ff

f a1

         ff           

  







                             

                            

f



    ff











       







ff

               









f



   ff

                 





f

























 

              

  

                  

  

                  

  

                   

  



f

f

f

f

                









  









ff







ff

 







    





a4

                 

  









  



ff

 

 





  



  



















































f



ff



f



ff

                

 Euph.  Eb Bass





ff

 1st Bar.  2nd Bar.











  





f







  

ff



























a2

   ff



a1



f



































   









   ff ff

Untuned







ff

  Sop. Cor.                405

Solo Cor.

Rep.



3rd Cor.



1st Hn.

2nd Hn.

1st Bar.

2nd Bar.



 

Solo Hn.













  





 



        

a4

f



 





f



 



 















            

 

   



 



     



     



 





     



     



  



 

    



 

    



 



  





 





  

  



    





        

               

      

    

              





 

2nd Tbn.







    

  

Bb Bass





 

 

f



Eb Bass









         



    

       

   

 

         

 



 

  

  

  

  

  





 







  

  

  

  

  





 



 

  

  

  

  

  





 





f



   





     

                  







               

f

47

   



        







   

             

 

 

        

        

 

Euph.

 



f

1st Tbn.

B. Tbn.



                

2nd Cor.

Flug.



  

poco accel.



      



      

 

a2

  

  

  

  

  



  

  

  

  

  

f

48 Sop. Cor.

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

413    

 



animato h = 86                           .





 





 





 



 



 

 

 



 



    

  



                

          



                          ff                     

           

1st Tbn.

 







   



  

Bb Bass





 

ff

                            

                 ff 

 



 



 

 

 

                

                       

 

                                      

ff

ff

                                        

   



            ff



 



 







                            

                                                 ff 

ff

                

        

ff



               

ff

   

Eb Bass

Untuned

              

ff

    



ff

                                                        ff

   

Timp.

                                                 



    

 Euph. 

                                              ff

ff



B. Tbn.

              

                                      

2nd Bar.







   

2nd Tbn.

         

ff

 1st Bar. 

 

              

ff







                                            ff





ff

  

ff









                         



ff

             ff







  Sop. Cor.  424

Solo Cor.

      

Rep.



2nd Cor.



3rd Cor.



         

     

Flug.

 

Solo Hn.



          

1st Hn.



          

2nd Hn.



1st Bar.





 









 









 







 

































































































   



  

 













 



  

  













 











































    

 

 







































































































    





































    









































































 

2nd Tbn.



 



                           

 











 











 







 





    

     

    

     

    

    

    

    

     

     

     

     

    



    































    

 







 







 





 





Eb Bass



Bb Bass



Untuned





       

1st Tbn.

Timp.









Euph.

ff



    

2nd Bar.

B. Tbn.





ff

49

     431

50 Sop. Cor.





























































































   







Rep.





2nd Cor.





3rd Cor.



Flug.

 

Solo Hn.



1st Hn.



2nd Hn.



1st Bar.

 

2nd Bar.



1st Tbn.

 

2nd Tbn.



Euph.

 

Eb Bass



Bb Bass



Untuned







Timp.





Solo Cor.

B. Tbn.



 

    

  

 











































































 



 

   















































































 

   













































































































































































 

   



 

   



 

   



  

   



    

                             

    

                             

 













 









 

 









 

 









 

 









 

 



  

437 S tempo h = 70    Sop. Cor.  .



     

  







   





p

mf

Solo Cor.





















Rep.





















2nd Cor.





















3rd Cor.





















Flug.

 

Solo Hn.

1st Hn.

2nd Hn.

  







p (sub.)



 

 

 

 

   

 



















 

 

 

 







  



f

















f

1st Bar.

2nd Bar.

 



















f













f

1st Tbn.

2nd Tbn.

B. Tbn.



 

















 

f



51







(ff)







p (sub.)









   







   



















 









































(ff)

Euph.

 

(ff)



Eb Bass



Bb Bass

































Timp.



    





 

 

 

f Untuned

















 

BD

f

 

 

mp

446

52 Sop. Cor.

  







Solo Cor.







Rep.





2nd Cor.



3rd Cor.

poco rall.

 

long



















 













 















 

















 

Flug.

 















 

Solo Hn.



1st Hn.

2nd Hn.

 

  



2nd Bar.









 

 



 





 





 



 

p





mp







mp



























mp

1st Bar.



mp

  

 

mp







p

p

p



  p

1st Tbn.

 















 

2nd Tbn.

















 

  















 

Euph.

 















 

Eb Bass

















 

Bb Bass

















 

B. Tbn.

Timp.

Untuned

 





    mp



 

 

     

 





 

p













 





p





 



 

   

  Sop. Cor.  454

Grave (danced upon) h = 46 .

























accel.



Solo Cor.





























Rep.





























2nd Cor.





























3rd Cor.





























Flug.

 

     



Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

  



quasi recit. mf



     

  

   

    mp

Eb Bass

























  

























  

























 

























 

























pp



pp



pp





pp



 





















    











mp





  











 

  













  















 















p

p



 



p









mp

















a1





mp Bb Bass

           

p

pp

 







mp

Euph.

   



 





 







p







 

 

53

Waltz (last breath) h = 70

  

  











2nd Cor.













3rd Cor.













Flug.

 

Solo Hn.



1st Hn.



2nd Hn.



1st Bar.

467

54 Sop. Cor.

Solo Cor.

Rep.



.



muted





p







   

p







   

   

muted



pp

     































 











2nd Bar.













1st Tbn.

 











2nd Tbn.













  











 



B. Tbn.

Euph.

Eb Bass



Bb Bass



 



   

p



 



a2

    p 

     

   





     

   











472     Sop. Cor. 

Solo Cor.

Rep.

2nd Cor.

3rd Cor.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

 



 



 





  









 









 















 



      



 







 









 









 







 







 







 





 



 

















open

 pp



a4



  

 









open

pp





pp







pp

  

 





pp













 





 













pp



pp











pp









pp

 







 







  











Euph.

 











Eb Bass



Bb Bass



1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.





pp







pp







pp







pp



 

 pp







 pp































 









55

Danse Macabre

Soprano Cornet

Symphonic poem for brass band

C. Saint-Saëns arr. Geoff Colmer



Ghoulish waltz h. = 70

   31



A



 











B

f



                         

64



C

mp



                         

72





mp

f

D                                    

84

f

93

 100

 109



                                             









E





p

           F

115

125







f

        







p







  









G



  



  



                   f



                    

136

154



 





   





H

   

 



© 2014 G Colmer ([email protected])

 ff

       

mf

  



 





2

Soprano Cornet

                              

    

161

mp

mf

                                    

     

167

173







I

 

  

194

cresc.

3

     L

   

 

3

  3

mp

3

3

  3

 

 



 

 



3

  3

cresc.

K

Ländler (slower waltz)h = 62     .

       

mf











          



           

          



mp .

   

 

 



  

mf

 





mf

M retorno valzer h = 70

263

 

espress.



poco accel.



3

mf

 

              

f





           

242

           



3

3

p

p

p

250

 

3

3

ff

 

215

p3

3

     

  

 

J

  rit.

202

236



 



mf

     



f

272

 281



  N































ff





a llargando













 mp







Soprano Cornet



    

288

O



leggiero                            mf

mp



                         

304

mf

316



    

353

3

mp

      

   





mf

P

mf

  

  

poco stringendo



   p

  



tempo h. = 70

   

f

    

ff

f

Q                                       

369

ff

    

376





  

3

3



3

3

3

3

           

382

3

3

    

392

3

3



 

3

3

3

R



 

3

3



3

3

3

3

      ff

                     

f

              

397

3



   





4

Soprano Cornet

     

401

                            



ff

   

405

408

 415





f

    

poco accel.





animato h. = 86

 







    

 

454





 







    









     



      ff 

 



   

 





   

     











     

S tempo h = 70 .





      



  



   



 

mf





poco rall.



long

 

p



Grave (danced upon) h. = 46



         

472







430







ff

    

443

 

 

f

420

435

    

   



accel.



Waltz (last breath) h. = 70

  

muted



p

   





open  pp









Solo Crts

Danse Macabre Symphonic poem for brass band



 

Ghoulish waltz h. = 70

 

f

   

 

  

30

mp



  

 





 

  

muted a2

  

 

A





      

  

 



arr. Geoff Colmer

      





Open

f

C. Saint-Saëns





f

                                                  

40

a2

mp

         

47



71

         

81









B



C

marc.

D                                          

a4

    

                    

90

   



107

a1

 

 

marc.

                            mf

f

97

                    mf a1

 

 

 

 



 

 

    





p © 2014 G Colmer ([email protected])



        



E



2

Solo Crts



111



a1

 











p



   

116



F





162

 



f







                        

                          f G





a4

128

137





H



    



ff

         a1                   mp a2

                         

    



   

mf

I                                                    

170 a4

mf

f

p

                                    

178

      

187

195

   

   

J

a2

    p

a3

    mp

        cresc.

       

   

   

   

    

    

    

a4

cresc.

mf

Solo Crts

203

rit.

          

216



K Ländler (slower waltz) h = 62

espress.

.

    











p

L a1 p

      

    

a1 (tutti)

p

                                            f

mf

.



      





p

      

a2

M retorno valzer h = 70     

          

mf

mp

252



                     

      a4 poco  accel.                           

245



     



        

       

        

    

 

                   

239

242



  

                         

236



p

ff

       

mf

3

       

            

mf











             





4

Solo Crts

           



262

    

mf

 N         

 

ff

 





p







 

            

           

f





mf









mp

 

 open a1                            mf 



     

a1

espess.

 mf



mf

    







 





mp

p

    





a2

P           





                 



O

336

 



  

mf

      

 

a2



muted a2

317

326





     

 

 

     



a llargando

288

308



  

f

271

281



  

 





          a4

mf

                                

348

 poco stringendo      

353

     

     

     

f

357



 tempo h = 70     .

ff





 









Solo Crts

      

 Q                 

367

mf

          

      

      

      

ff

374

     

         

381

5



386



     

                        

         

         

    

                   





   

ff

R

                                                 f

394

a1

399



 

  

  

        ff a4

                   a1

f

404

                                

poco accel. 408

 

413





    

a4





    



f







   

h = 86 animato   .

ff

 





 

  



    

 









6

Solo Crts

      

               

423

430



435



 

 

453 long

 470

 

 







   











 



accel.





   



.

   

 

S tempo h = 70









Grave (danced upon) h. = 46

   

p













 

       

418













  a4

pp



 



poco rall.









Waltz (last breath) h. = 70





 





Repiano Cornet

Danse Macabre

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer



Ghoulish waltz h. = 70

 

A





f



42

 

Open    

48









  







B

 C

   

   

muted

p







































p



69





mp





p



 





mp

f

                                               

84

D

  

         

91

100



   

E

  

    

   

   

F

115



124

 

  



     



 



 

  



 

  

 

  

p

107

137

  

  

  



  

  

HOB









   



   









f























Open







f

G



   



H

© 2014 G Colmer ([email protected])



   

ff

2

Repiano Cornet

                                     mp mf

161

167

 173

 181

 189

   

I



 





J

196

  



 

 

   

 

 

 

 

f

 

 

 

 

 

3

3

3

3

 

 

 

 

3

3

3

3

3

mp

rit.

203

 



cresc.

 

p

 

 









p

   

ff

 

 

3

3



  











  



mf







    





   



    

f







mp

         

 

              

.

   



3

 poco accel.

M retorno valzer h = 70

N

3

mf

.

 



245

 

 

ff

L

263

  cresc.

 Ländler (slower waltz) h = 62     K



     

236



 

 

 

3

272



mf

3

  

252

 



                 



      

 







   





 



mf

               











Repiano Cornet a llargando

281

 

296









O















     





 

mp



                

mf

313









P









 







  

 mf

mp





    

mf

    

320

3

mf

                          

p

mf

                                          poco stringendo

350

f

tempo h = 70        .

357

ff

369



 Q ff

  

376

   





       f

                                   







    

          

                            

381

   



4

Repiano Cornet 389

 

394

    



R

413

 418











    

       430

 

435

 

453 long



    





   

















ff















accel.



   





 

















       







S tempo h = 70

Grave (danced upon) h. = 46

 



.







      





animato h. = 86

   

    



ff

   



    

         

472



f

423





   

  

    



poco accel.

 

    

ff

 408

    

   





poco rall.



Waltz (last breath) h. = 70



  

muted



pp

   





open



pp











2nd Cornet

Danse Macabre Symphonic poem for brass band

C. Saint-Saëns arr. Geoff Colmer



Ghoulish waltz h. = 70

 







  

  



 







p



B

     Open

   

 



C



 

 





  

  

f

   

  

    

E

   

  

92

100

   



mp

              

  

  

 



  

mp

D

83

 





  

muted

f

42

48

A

  

   

  

   

  

   

      

      

p

107



   



F

         

115

    

   

128

f

137

G

 163





   

   

   

   

HOB

f

   



H

 Open           ff

      

      









  



          

  

   



                    



mf



  







© 2014 G Colmer ([email protected])





2

2nd Cornet 168



       mf 173

























f

I

p

                                                   

181

                        

189



J



rit.

  

p



   

245





 

 

 

 poco accel.



 

 

N

  

.



   

  



  





 

  

 

 

   



     

    











   





a llargando







   













mf

    

f



   

mf





ff

288



Open

            

mf

  





mp



263

281



p

 



p

M retorno valzer h = 70



272

 

L

     

236

252

muted (cup)

ff



      

212



Ländler (slower waltz) h. = 62

     K

        

         





   

         

a1







 



 

mp

O

                                  mf mp p leggiero

2nd Cornet



301



312

 

             

      



mf



P



     

mf

 

 

poco stringendo

p



mf

 





 



f

tempo h. = 70

                    

357



                                  mf mp

    

320

3

   

   

   

      

      

      

ff



    

365

Q

          f

       

374

       

381

   

ff

               

     

          

399

 



       ff

R

  

f

  

f

  





ff

  

 

      



                            

391

     

      

   

 

   

  

        



  

 



4

2nd Cornet 408

poco accel.

 



   

  



413









     

animato h. = 86









    

423

           430



   435



 



    

ff

418

453 long



 



















.



Grave (danced upon) h. = 46 accel.















 



   







      



S tempo h = 70





      

     

















poco rall.



Waltz (last breath) h. = 70

   pp

 

    



  

Danse Macabre

3rd Cornet

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer



Ghoulish waltz h. = 70

 

 







Open

   







   



92

 

    

  

    

E

100

p

107

   



  

   

128





   

  

 







H

  

 







 



  

  

   HOB

    f





 mp



Open



  f

  

  

  

  



 

   







 

  

      

Open                    ff





   mp

mf 163

 

  

                  

  

   

  

   p







  

      

G

 



  

F

     f



muted

C



p

115

  

 





p

D

137





B



69

84



f

42

48

A





© 2014 G Colmer ([email protected])

   

    

      



      

  





  

   

   



    



2

3rd Cornet 168

 173



    mf

























f

I

p

                                                                

181

                        

189



J







       

212

 



Ländler (slower waltz) h. = 62



 

muted (cup)

 

ff







 



   

245

  



Open



 

  



.



 



mf

263

  



      f

N   

272

 



ff

281

     







     

 

 

 

 



 







 





 O













mp



     



 



mf



a1







    

a llargando



  

             mp



M retorno valzer h = 70



 

 poco accel.



p



p

 

p

288



        

L

      

236

252

K

rit.

         





 

                                  mf mp p leggiero



301



312

 

320

3rd Cornet



                                  mf mp

             



    

mf



P

   

mf

 

 

 

poco stringendo

p







3

       mf  





f

                                

357

tempo h. = 70

ff



365

    

374

      

           f

      

381

Q

         

ff

                 

 



 



     ff



 

f

     

    

R

 



f



  

  

 

  

     

     



              

391

399

    

    

           

     

           

     ff 

 

  

 



  

 





4

3rd Cornet 408

poco accel.

   

 







   



animato h. = 86

413

 







      









ff

     

            

423









 









 

 



 











Grave (danced upon) h. = 46 accel.









 

 







 



 pp



  

poco rall.

Waltz (last breath) h. = 70

 



  

    

 







S tempo h = 70 .

435

453 long









418

430





 

 

    





 

Danse Macabre

Flugel

Symphonic poem for brass band

C. Saint-Saëns arr. Geoff Colmer





Ghoulish waltz h. = 70

  32

 



pp



A

   



B largamente



 

  

mf

55

  61

   

 













     



D













C





f

 



       

83



       







                f

              



f

                             

95

    

137





mp



G

 158

  





















  





 

 

  

ff

                      mf    

   

   

p





H



166

  

F

mp



125



E

100

 







 





© 2014 G Colmer ([email protected])



     mf



2

Flugel

I  3 3 3 3 3 3 3                                          

171

mp

f

179

p

                                 3

187

3

3

3

3

3

3

3

J

                                 3

3

3

3

3

3

3

3

cresc.

195

                                 3

3

3



K

rit.

       

203

3

3

mpLändler (slower waltz) h. =cresc. 62

 



ff

        

218





   

263

 

3

 

277









 

   

   mf









 .



mp

  3

269



3

M retorno valzer h = 70  poco accel.                            

247

  

 

p

L

     

3

mf



  

231

257

 

p



p

3



3

 3

3

    f



3

3

3







                            3 3      3 3

3

  

 

3

 3





mf

    

     3



 

3

3

   

3

3

 3



 

N









3



ff

a llargando









Flugel 288

 

mp

296















       

p

        

  353



P

  

     



  

360

 





   





ff

365



    

    

 

     



         

    ff





Q    

mf





tempo h. = 70

   

     

mf

poco stringendo

   f



mf

p

348

mf

             



mp

317

  

            

mp



  

p

             

305

  

  



O

mf

3

 





 





                    

ff

                    

373

               

                             

380

385

  







   ff



  



  



  



4

Flugel 394

R

                   f      

401

poco accel.

 

    

  



    



                

418

           423

             



    









    





 



      



 

449 poco rall.

467

 





 





S tempo h = 70

long



p (sub.)













   

 





 

 







  





Grave (danced upon) h. = 46



     

quasi recit.

mf



  

       mp

  

accel.

462

 

  

ff



 

  

.

435





    



animato h. = 86

412

430

    



                        f

ff

408





 





 



           

p

Waltz (last breath) h. = 70

     471

               





  pp



 



Danse Macabre

Solo Horn

Symphonic poem for brass band

C. Saint-Saëns arr. Geoff Colmer



Ghoulish waltz h. = 70

   16





                







p

  



B

  

C

  

  

  

  

  

                               mp







                          



f

48



A

39

69



pp











                               mp

D                                                       

80

f

    

89

95



     

 

f



E

F





G

                       f

f







         

127

137

                 

  

                                 

100

121

  





                f













 © 2014 G Colmer ([email protected])





 ff



 

2

Solo Horn

                                            

  

H

150

mf



    

158

167





       

    

   

p

    

mf

                                  



mf

f

p 3

                                 

173

I

3

3

3

3

3

3

3

3

                             

181

3

3

    

   

    

   

189



J

3

3

   

3

   

3

   

196



  

203

  rit.

     

220

3

   

p



   

cresc.

mp

   

   

   

   

   

mf

cresc.

K

h = 62 Ländler (slower waltz)        .

ff

  



 

 

 

 







p



molto espress.





mp

 L                      

  

233

mp





 



 



f

       mp

                                          poco accel.

245



M retorno valzer h = 70

                      

250

.

             mf

Solo Horn 261

  



 

3

3

      3 3

 

       

      

     3  3

f

3

3

3

3

                                             

266

3

3

272

 282

 292

 301



N

3

3







3

3







3

3





3

3





ff





a llargando

















           



mp

 

 

p

  



    p

311







3

3



 



O

  

mf

  

  

  



P

mf

mp

     



 





p





p

  

           

  

         

           

  

320

  



             

p

       

mp

p

328

336







   

 

    



pp

349

 357



     



    



  



mf

 

 

  

  

poco stringendo

 

f

tempo h. = 70

  ff









 





 









3

4

Solo Horn 361



 





























ff

Q                                              

366



mf

ff

                    

               

373



                         

380

3

390



 

3

3

3

3

3

R                    

         

ff

f

                                   

397



f

403



                              

         poco accel.

408

412



 

 



     







 

    





       





Solo Horn 415



420



animato h. = 86

  

























        

425



 



             

433

  

poco rall.

449

466



473



ff

  



accel.







 

    

    

    

 

 .

 



 

 

f

 

p





    

S tempo h = 70

long



5

 



 

 









pp



Waltz (last breath) h. = 70

            pp





mp

Grave (danced upon) h. = 46

 



                           



 



Danse Macabre

1st Horn

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer





Ghoulish waltz h. = 70

   16













B

   

  

  

  

   

  









C                  



83





     





D

  

  

   

  



61

72

  

   

p

     







p

   

55



                                 

f

       



A



39

48



pp



  

   

   

 

  

 



                mp

                      mp f   

  



  

  

  

  

  

  

                                            

92

f

           

99

  







123

131

 



p



E

F





p





 



 

 









ff © 2014 G Colmer ([email protected])

 f

G

    

 



f











2

1st Horn

  

                                             H

150

mf



     

158

167

 173





   

p

   

     mf

    

                                  







I

mf

f

J

   

   

   

   

   

   

p

    

195

   



    

ff

    

    

    

   

mf

cresc.



    

   

Ländler (slower waltz) h. = 62

         

220

    mp

K

rit.

203

cresc.

  



















p





molto espress.







mp

 L                     

 



f



  

233

 

      

mp

mp

                                          poco accel.

245

M retorno valzer h = 70

                       

250

259



 

.



       

mf

   

mf

                                       f

      

268

f

  

   

   

N



 ff











1st Horn

  

277





  

288



mp

 













p



O              

       

p



     



     



mp





        

mp

306

317



a llargando

              



296

mf



3



p

      p

P



                    

p

p

                                              

327

336





   

 

pp

349



357



     

  

p

     

 

    



mf

 

  

  

  

poco stringendo

  



f

tempo h. = 70

  ff











 





 









4

1st Horn

  

361





ff

 



 





 





 







Q                                              

366



mf

ff

                    

               

373



                         

380

3

     

390

   

   

3

3

3

3

3

                     R

f

ff

                                   

397



f

403



                              

       

408



412



    

poco accel.

 



 



 



         



      







1st Horn

415

 420



animato h. = 86

  





























ff

  

        

425



 



 

             

433

449



466





accel.





p

    

    

 



 





 





.



Waltz (last breath) h. = 70

 

 

f

 



    



long



    

S tempo h = 70

poco rall.

 

5



mp

Grave (danced upon) h. = 46

 









pp

 pp













Danse Macabre

2nd Horn

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer





Ghoulish waltz h. = 70

   16



 





        

B

    



  

  

   

   

  









72





C



   

83



 





D

  

   

  



                   

61







              

p



 

                             f p

   

    

55



A



39

48



pp



 

  

 





                    mp

                        mp   

   

   

  

  

  





 





f

  

  

                                        

92



f

           

99

  



E

F

 



p



123

131



 

   

  p





 

  ff

 



  

© 2014 G Colmer ([email protected])

  f G

 

    f  



   

   

2

2nd Horn

                                

  

H

150

159



mf





     mf



           

171



   

mf



I

                     





J

                   

f

mp



cresc.

Ländler (slower waltz) h. = 62

rit. K                 

201

mf

ff

     

217

    

232

f







p



  

 





 

 

molto espress.





 

 



mp

L             



  

      

mp

mp

                                        poco accel.

245

M retorno valzer h = 70

                      

250

258

 272

 282



 

 





   

.



 



   





mf

mf



              f



N



 



ff



a llargando





  

mp

 



 





 



  



 



2nd Horn



                       

292



O

p

mf

    

302

  

311

320

 p



  

 336



  

357





  

  

  





 

 p

     

tempo h. = 70

 

 

ff

    

p



         

  



   



p

                                

 

 



     

 



      

mf

 

  

  

poco stringendo

  

  



f

365

369

  

P

pp







p



   

348

      mp

                   p 328

mp

3

 

Q

ff



          



   



   

   

ff

         mf

   





 

     

   

   

      

   

4

2nd Horn

                    

               

373

380



                    3



                3

3

3

3

3

                                  f ff R

390

                                 

398



f

                   

404

      

408



poco accel.

        

              

  

    

423

   

430

435







 466



 



 

 





  

accel.

animato h. = 86

        







 









 

 





 

 

long



  

   

ff



p



f

poco rall.



  







 





  







S tempo h = 70 .

    449

     

     

  

    

412

418



     





Waltz (last breath) h. = 70





mp

Grave (danced upon) h. = 46

 







pp



pp











Danse Macabre

1st Baritone

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer

Ghoulish waltz h. = 70

  





p



   

12

44





            



A    





 

72

    D

  



93



 















p

G



















            mp

  

  

  



E



  

F







  

 



  



 



  f

f

   

            

  









 f

  

     

 



     ff

             

mf

H





mp

p

 



               

124





B

C

159



pp

             

151



                       

61

137





p

  





f

55

84





                

mp

                           

 © 2014 G Colmer ([email protected])



  

2

  

165

 173

1st Baritone

  



  



   



  

mf

I

  



186



  

  





    



 

 

 

 J

  3

3

3

    

   

p (sub.)







 

3



 

3

3

194

                                       3

3

cresc.

3

3

            K

rit.

202

3

mf

   



    



    



 

 

 

              

 281

 288

N 





 

3













250

272



3

cresc.

3



 





L

   

      p

245

  



p

228

263



p



214

3

mp waltz) h. = 62 Ländler (slower

 

 

 

   





.

 

 











 

   

    

  

mf

              





 

  

       

f



 

M retorno valzer h = 70

            

 

poco accel.













ff



 

a llargando























mp















  

p

  

  

  

1st Baritone



              

296

O

mf

  

mp



                 mp 

315

 

 





  342

 

   





  

  

 

 

poco stringendo





 

       

365

mf

 Q    

369

ff



  

 







 p



  



 



mf



  



tempo h. = 70

  

 

      



 

 



         



ff

      

         

 



            



f

       

    



marcato

 

 



           

                   

390

             

399



P

ff

       





mf

f







  



mf

361

379

 



p

353



p

336



  

p

   

p

  

p

306

p

3

  ff

R



          f

    ff





4

1st Baritone

                     poco accel.

405

 

     



420



     

     













       

     

  













       

        

animato h. = 86

ff

   

433

 



  

  

 



 



 

  



466 accel.







p

  

  



S tempo h = 70

  





.







Waltz (last breath) h. = 70





f

long 

poco rall.

 



      





 

425

449

 

f

410

415





mp







Grave (danced upon) h. = 46







pp

 pp













Danse Macabre

2nd Baritone

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer

    

  

  

Ghoulish waltz h. = 70

  











p

   

  

9

A

B

      



  



   

p

  

  







               



72

       

130

 

137



G





   









   

    

  

  

                mp

  









E

   



F



p



  

f

                   

p

 

 

                   

  



123





mp

D







C

93



   





61

84





pp

48

55



f



   

32

  

  













   f









© 2014 G Colmer ([email protected])

ff

   

  f 

  



   





2

2nd Baritone

    

             

144

                

mf

mp

                                        

151

H



159

 173



186







    



 

 

 

 J

 

  

  

  

                                          p (sub.) mf

I

  

 

3

3

3



3





 



 

3

3

194

                                 3

3

cresc.

202

  



3

rit.



3

mf

    

228

     

245

K

3

3





 







 

 



p



















L

     

p

 

 

 

                 

3

cresc.

poco accel.

250

263



p

 

3

Ländler (slower waltz) h. = 62

 



      

213

3

mp

 

 

 

M retorno valzer h = 70

    

            f

 

.

 



       

 

 

 

    

 

   

  

mf

              

2nd Baritone 272





N















3





 

288

 

















 



mf





mp

 



   342

 















 

  

 p 



  

  

  

    

 



p





mf

   





 

p

   

    mf



 

 



mf

 

poco stringendo



f

    





p

 

 



 





p

p

360



mp







p

                 mp

315



        

306

P



p

O           





a llargando

296

353





ff

281

320









 



 



tempo h. = 70

  ff







      ff

                           

4

2nd Baritone

       

365

       

mf

    

369

ff

379







 



       

 



  



f

ff



R

   

410



    









ff

 

    

 

  

425









  











 

   

   



       

  



   











  

   











  

  

S tempo h = 70 .

            

  



f

 

poco rall.

   466 accel.



 

poco accel.





  

433

449



f

      



animato h. = 86

420

  

   

ff

 

 

                          



415

 

marcato



386

394

 

Q

     

 



long





  p





Waltz (last breath) h. = 70



mp

Grave (danced upon) h. = 46







 





pp

 pp











Danse Macabre

1st Trombone

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer

Ghoulish waltz h. = 70

    

  

poco marcato

  

  

  

  

mp

   

  

7

A

    

32

49





pp



  







C



73





B

  



   

   







f



  



            mp

   

    mp 



  



  

      



 





f

    

  

  

  

  

  

  

  

   

  

  

  













84

D

92

  

100





p



109



 



    

124

137

G



p

 

 

 

  

F





H

  







  

mp



 

 



 mp







  

   

     ff

                                mf

  

151



E

 





mp © 2014 G Colmer ([email protected])

2

1st Trombone

    

158

   

   



   



p



166

 173

 203



 





I

   





J  



  



 





 









 





mf



rit.





ff

L

          



  

f

mf



 



 

 

 

  





mp



p

 

    



 

        

M                     











poco accel.









  

 



 

 



   

mf

  

          N

ff

f

  



   

mf

            



p

retorno valzer h. = 70

 

   

mf

250

  



cresc.

K appassionato                        

        

245



cresc.

226

236

      



Ländler (slower waltz) h. = 62

      

270

 

                 

mp

213

261



f

 195



mf

 













        







        



1st Trombone a llargando

281

 

















   

O



mf



               mp p     

 

336

  

P





    













 

mf



      espess.



p

mf

      

 

poco stringendo

p



 

 



 

 

 

f

                   

357



mf

mf





                    

        

mf

325





                mp p

305

 



mp

288

316

3

tempo h. = 70

  

  

  

ff

365

 376

 385











Q

   

mf





ff

 

  



 



 

 

 

      

marcato

 

 

        



4 389

 

     

     

  

R

  

     ff

413

 418

 423

 430

 435











poco accel.

  

 



  

  

  

  

  











         















animato h. = 86









    

    

  

































 



















  

  







S tempo h = 70



.













  

  













(ff)



 



f





ff

449 poco rall.

462

 

  

401



 

  

f

408

    

     

ff

   

394

1st Trombone

 

long

Grave (danced upon) h. = 46













mp



  







p

accel.





Waltz (last breath) h. = 70

   pp

  

Danse Macabre

2nd Trombone

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer



Ghoulish waltz h. = 70

 

  B









 



76

   

      



G

H

mp

 

173



I



  





p









  



E

F





mp

      p 

  

  

      





  

    

  





mp







ff

                          



mf

       

150

  

  



   





f

99

136

pp







                    

         

 





D

90

122







  

C

p

164



f

42

49

A



          

p

   



   

                                 mf

f

 © 2014 G Colmer ([email protected])

2

2nd Trombone

J



188

 

mp

  

    

  

196

mf

203





rit.





 



p

poco accel.

  

263

  

 

    

 

f

 

 

 







  















     



p

  





.





   



M retorno valzer h = 70



  

p

mp

       





  

  



 



 

mf

           

       

f

N   

272



ff

 

a llargando

281

 





  

245

 

    cresc.

 

p

  

L          

301

 

ff

236





    

     

288

  

  

Ländler (slower waltz) h. = 62

219

252

   cresc.

K

   

     























 





 

 

 

mp



  







              

O

     

mf

     

mf

  

mp



  

mp

 

 p

 



 



p



 

320

2nd Trombone



P







p



342

 



  



  



353



 

poco stringendo



 





     



 

 





 

        

401

  

413





       

    



 

   

 

 

 

 



 







      

 

marcato

 



 



 



 

  

f



Q





        

                ff

  

ff

 



 

  

f

  



tempo h. = 70



ff



R

poco accel.



  

 

   

408



mf

385

394



ff

365

376



mf

f

360

3

   



 

 



   

 



  

  

  

 





 



4

2nd Trombone animato h. = 86

  





  





415

ff

420

ff

    

425













  

  







    

    







    

    

  

            

433



444

    

460

  p











468 Waltz (last breath) h. = 70





p (sub.)

long



  

  

.



pp

















Grave (danced upon) h. = 46





mp

 

  

S tempo h = 70

 

poco rall.

  











accel.









Danse Macabre

Bass Trombone

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer

Ghoulish waltz h. = 70

  

A







 



f

 



pp







B

45

  



     mp

  



    

    

    

    

54

      

    

   

  

    

       69

 

    





 



p

   







  



  





 f

D

      93

 



 

  





 



 



 



 



 



  gliss.

  gliss. 

  gliss. 

   

  gliss. 

  gliss. 

   

  gliss. 



  













  





mp

H





mp

 p



 ff



 

  



mp



G

 



largamente

F

      

158

gliss.

 

    gliss. 

114

 



mf

      

125

 



E



106

137

   

C

61

84

   











 





© 2014 G Colmer ([email protected])





 





 

2

Bass Trombone 164

                                

  173

f

mf

I

J



 

                   



mp

195

        

cresc.

     

mf

K

rit.

203

Ländler (slower waltz) h. = 62

 

ff















   



   

p











L

236

     

   



mp



       p

poco accel.

245

   

















M retorno valzer h = 70 .

250

         263

    272





  





p

219

   

  

f

cresc.

            mf

  

      

    

f

ff







 















  mf





  



               















a llargando

281

  



 

 

      

         

N



    







288

   















mp

O

  f

 p







 



Bass Trombone

3

304

  320

P

  f











p







 





p







342

 











     

mf

tempo h. = 70

  

  

       

  

f



  

ff

360

   





poco stringendo

353



 



365

 



Q



     



 





 





  

ff

ff



 









 



ff

386

                                                   394

R

      

  

f



  

  

  

     

  

  

  

 



 

401

      

  

ff

408

poco accel.

   

413

f

   





 











 



 











4

Bass Trombone 415

animato h. = 86

   























 



 

ff

420

   

    

         

    

         

425

     

  



 

  



 

 



 

S tempo h = 70 .

433

    

449



  

poco rall.

 

 



  

  

(ff)







mp

462

   







Grave (danced upon) h. = 46

long



  

  







 p



accel.



Waltz (last breath) h. = 70





Euphonium

Danse Macabre Symphonic poem for brass band



arr. Geoff Colmer

Ghoulish waltz h. = 70

 

C. Saint-Saëns

 p

  

 





     



 



 

  

a1                                   mp   f 36 a2                                           24



A

mp

                                          

42

48

 





 D   

  



93



   





   

 



F

115

 

 



  





  







  

E largamente mf

107

  



C





f

84

122



B





 

 p









 







  

   f









© 2014 G Colmer ([email protected])



  

 

     



 

 a1

   

 

 

 

  

   





 



2

Euphonium

128 a2

     f

137

   

G

     mf

   

   

  

              

  

  

 

  



ff

                        mp

                                                

145

a1



H

a2                              mp

151

160



  



                         

              

      I



mf

168

173



   

           p



3       

f

p

                                         3

3

3

3

3

3

3

3

181

3 3 3 3 3 3 3                                        

p

189

J

    

196

    

   

   

   

   

   

   

cresc.

   

   

mp

cresc.

   

   

   

    mf

Euphonium Ländler (slower waltz) h. = 62

                 

203

3

rit.



   

 

L

 

 

 

 

 

 

 

 









   

mp

 

   

 

 

   

         



                              

poco accel.



mp

 3

3

mf



                                   3 3  3 3 3 3 3 3 3 3 .

                        



     

  

258

3

3



 

M retorno valzer h = 70

 

269

 

                              

    

    

252

 

mp

242

   

 

p

230

 

ffp



   

214

247

K

3

3

3

3

3

 

3

N



 292

  p

   



 



 







  

 











  

 

a llargando



mp





f

ff

278

 





O







4

Euphonium

298

     mp

309

 320





   p

  

  

  

  

 



 



ff

365

       mf

 Q    

369

 386



        p





mf

  





      p

p

  

 

 

 



  



mf

 

 



 





 



tempo h = 70            .

ff

           



 



f

ff



mf

359

379



poco stringendo

352

     mp

 



p 342

 

       p



P

 



 

                            f

         

 





       f

       

 

  



 



marcato

 









  

   



                          ff

Euphonium

394

R



                             



f

ff



402



         



f

     

408

poco accel.

     

412



435



   





 



 



   





   







.











S tempo h = 70



   















 







(ff)

449 poco rall.





Waltz (last breath) h. = 70

 



  

ff

             

 

.

423

430



animato h = 86             

     

         

     

    

 

     

418

468

5

   

p

long

 



Grave (danced upon) h. = 46

     

   



accel.





 





Danse Macabre

Eb Bass

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer



Ghoulish waltz h. = 70

  

A



                        

f

p

                                     

38

47



  

    

70



   

80

 89

 

 

100



 















a2





 

   

a2



  

   





 





 

E largamente



  

  

  

mp

  

mp

D

  



    

  

   



 

   

      

mf

    F







p

 

       

115

125

a1





C a1 p

f

  

107

  





B



 



 

     f



 

    

© 2014 G Colmer ([email protected])

     

  

  

    

 



mp

2

Eb Bass 128



      f

   

   



   

   





mp

   

ff

mf

G                             mp

137

                     a1                          

145

H a1      a2                              

151

mp

159







mf

 

 

a2



p

            

I

3

 

3

 

     187



  



     

  

rit. a2

 



 

 3

 

3

 

3

 

   J

 



mf

 

 

 

3

 

     

 

3

 

 

3

 

3

 

     

  



  



mp

cresc.

3

K Ländler (slower waltz) h = 62

     

 

    

f

  

p

195

203

3

  

3

   

 

  

p

180

3

 

             

             

167

173

  

p

  ff





.

3

 

3

 

     

 

 

 

 

 

3

 

3

 

      

cresc.



mf



   

3

Eb Bass

       p

212

 

 



   

222

 

  p

   

   

   

   

   

   

 

 

L

                                          mp

236

poco accel.

      

243

   

  

p

  

           

a1                     mf 263 a2                                 

M retorno valzer h = 70 .

250

f

272





N

  



ff 282

 292

 301



a llargando



 

  









 

p

   

   

   





  



p

  

          

325

 

mp

             p

317

 

  

 O



 











         mp    



            a1

mf



     p



    mf

              mf





 

p

P

  

           

  



 

 



4

Eb Bass 336



a2

 



p

      

  

342









mf















p





mf

poco stringendo



.

f



 





 









                       Q

367





ff



 



        

ff

    



mf

            tempo h = 70                       a2

362



a1

p 353



     



mf



     

ff

ff

                                 

384

ff

391



                

399





 

 a2  

408

   

411

a1

R

  

       

f

  

 



                                ff f



poco accel.







a2

a1



 









 





 

 



5

Eb Bass animato h. = 86

   

415

ff

420



  













      

     

      









425





 

         

 

         

    

     

    

    

    

    

431

435

     













 

poco rall.

long





      

470



.

      Grave (danced upon) h. = 46 a1





mp

462

     

S tempo h = 70

        

449

     













accel.

 pp





  







p



Waltz (last breath) h. = 70



a2

          p

  

  

  

Danse Macabre

Bb Bass

C. Saint-Saëns

Symphonic poem for brass band

arr. Geoff Colmer



Ghoulish waltz h. = 70

 



24

    

38





47





55

61

71

   D



92





107

 115



 





 

 



 

a2

 mp

 



   

   





C



 

 

 

E





f

 



 



f

F



 



 











 



 

  

 



 

 





f

 

 



 

© 2014 G Colmer ([email protected])

   

 



 





 f

 



 

 













f





f





 



f



f



 

   

 







   

f

f

mp



f

 

 mp

 





 

   



 

 

   

   

f



 

   

   



   

 



    mp



     

                   f p

B



 

f

f 125

 



   





 





A



 

   



84

 

  

 

 p



f



 

2

Bb Bass 128

 



mp

137







G

 151













ff





 mp



H









                       p     166                                        

173





     mf

   

f

I

                                 p

181

                            

189



J

 



196

 203

 



 

rit.

 

    L

   

236

 

 mp K



 

  cresc.

 



 



 



 



 cresc.

 





   

 

     

mf

Ländler (slower waltz) h. = 62



 

ff

219



 



 p

 

 

 



  p   p

   

   

   

 



 

 

                                             mp

       

poco accel.

243

  

p

  

  

          

3

Bb Bass

   



     



.

 

N

                

   

277

  



  

mp

296

O











  mp



308

     



   





 

   

p

 



  p 

  





a llargando

  

 

  

ff

 

 

 

 

p

       

      

  



        

353

f

361



  

      

poco stringendo

      

366

      





   

   f

    Q

  ff

  

      





 

   



      



   

ff



a2

      

tempo h. = 70

  



p

a1

      

   

 

mp 346



 

   

 

  

p



P



  



p

320





 

288

 

                  f

268





M retorno valzer h = 70

250

mf

      

      ff





  

          ff







4

Bb Bass 384

 

                               ff

390

   394

   



R

 410

   415



   

 





     ff 



   

 

poco accel.

  



































  

f





 











animato h. = 86











ff

 

 

420

 









    

    

  

425



    

       

     

       

     

    

431



    

     

     

     



449 poco rall.





468 Waltz (last breath) h. = 70



S tempo h = 70





accel.

.

435



     

       

long





pp

Grave (danced upon) h. = 46

  





















Timpani

Danse Macabre Symphonic poem for brass band



Ghoulish waltz h. = 70

 

B

 

 mp

61















 







p







C





arr. Geoff Colmer

A

f

48

C. Saint-Saëns

  

  

  







  











p 84

D





f

E



 



 

 



f

 





 

 





 

107





F

115



  

125



 137

  

 

G



  



 



 



  



  

  



I

  













© 2014 G Colmer ([email protected])

 



  

  

H

mp 173



  

mf

  

 





 

   





 

  

   

2

Timpani

J

188

  

 

p

 

 

 

 

 

 

cresc.

 

 

mp

rit.

198

  

 

cresc.

204





 

K Ländler (slower waltz) h = 62

 252

 

M retorno valzer h = 70 .

















poco accel.



N





282 a llargando

mf

L

.

  

 



                

mp 296

O







        

 

mp

309











p 320

P



   

   p

p









p

 

 

 

 

 

342

  

 

 

     

    

  

mf

poco stringendo

350

   

  

  

  

  

  

  

f 357

tempo h. = 70

    ff



Q



ff

 



         ff

Timpani

379





3

      

f

  

  

  

ff



R

390

   

  

  

  

  







ff

408 poco accel.







animato h. = 86























ff









420







ff









    

425



 





 

 

.

  

  

  



 

453 long



 



  



  

      

f

poco rall.

446



 

S tempo h = 70

433





       mp



Grave (danced upon) h. = 46

 



 



 

accel.







p







Waltz (last breath) h. = 70





Untuned

Danse Macabre Symphonic poem for brass band Ghoulish waltz h. = 70

  64

C

A



C. Saint-Saëns



(SD drum stick)









 



 



 

 

arr. Geoff Colmer

B







 



p Cymb.

78





 



 

p



 



 

D



 

  Tri            

f

89

  

  

  



      BD

     

     

     

f

96

  

101

 

E

 



 

  F

 

 

 

 

 

 

 

 



 



 



 

mf Cymb.











G

Tri  





ff

151

H



(SD drum stick)



 132

 



 © 2014 G Colmer ([email protected])





 

2

Untuned

173

I

 

(SD drum stick)















































p Cymb. 181

  189





































Tri











J





 























 



 





cresc. 196





 











mp

 rit.   

203

 









 



 





mf

cresc.

K Ländler (slower waltz) h = 62 .

















 

















pp 213





 



 





























223









 























231





  236

L









  poco accel.

BD

  









  



  



p

M retorno valzer h = 70

250

.

    272



N





   a llargando

(soft beater)





 

mp



O

 mf



 



 

f Tri



 p

Untuned

320

P







tempo h. = 70

poco stringendo





3





Q 369

                                              ff

376

                                         ff

383

               

   R

390

   

  

408 poco accel.

     





  

  

  



     ff

animato h. = 86



  





    

    

ff 420

  



























ff 425

    



   

   



   



    

 

ff 433

  

437



 

 





 

 



 

S tempo h = 70 .





BD

     

f 449 poco rall.



 468 Waltz (last breath) h. = 70



 

 

      mp

     

Grave (danced upon) h. = 46

long



 



      accel.

  p





Glockenspiel

Danse Macabre Symphonic poem for brass band



Ghoulish waltz h. = 70

    C

     

64

glock

p

  

74

  



E

 

101

  

124

G

 

137



   



 F

  



p

 

    

  







H

   

    p



D

      



arr. Geoff Colmer

B



p

glock



A

   

C. Saint-Saëns

    





 







 



 p

I

                          

173

                          

181

J

 

189



© 2014 G Colmer ([email protected])

rit.



 

2

Glockenspiel

                                 K Ländler (slower waltz) h = 62

204

.

pp

                             

213

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

222

229



      L

236





O

S tempo h = 70

 

466

tempo h. = 70



R

.

 

437

mf



 

394

accel.

   



poco stringendo

 

353



N

.

 

296

p

M retorno valzer h = 70

 

252





poco accel.

poco rall.





        poco accel.





a llargando

P



   p



Q



animato h. = 86

long

Waltz (last breath) h. = 70

 

 

Grave (danced upon) h. = 46





Xylophone

Danse Macabre Symphonic poem for brass band



Ghoulish waltz h. = 70

   



F

 

116



A



C

 

64

C. Saint-Saëns



D

                 f



G

  

L

236

        N

 

ff



298

mp



I



K Ländler (slower waltz) h = 62



 poco accel. M retorno valzer  h = 70

.

.





    

a llargando



     O



    



   

      



    

         

mf

    



f

267

272

     

 

rit.







H



J

 

189



xylo

xylo

 

137



E

                         f

128



arr. Geoff Colmer

B



p

© 2014 G Colmer ([email protected])





2

Xylophone

                              mf mp p



304



P

 

320



Q

 

369

 

415

 

453

animato h. = 86

long



 

tempo h. = 70

poco stringendo



R



S tempo h = 70 .



Grave (danced upon) h. = 46

accel.

 

poco accel.

 

poco rall.





Waltz (last breath) h. = 70