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Peter Bernstein Study Group PDF

Jordan Klemons

Finding the Better Notes: The Melodic Tonic Triad and Top-Down Construction

Bb Major Scale

V24124134134241246

(Bb) / 2

V24.1441.3224.6

Bb Blues using “quadratonic scales” (Bb)/2

(Eb)/2

(Bb)/2

(Bb)/b2

Bb7

Eb7

Bb7

%

(Eb)/2

(Eb)/b2

(Bb)/2

(G)/b2

Eb7

Eo7

Bb7

G7

(C-)/2

(F)/b2

(Bb)/2 (G)/b2

C-7

F7

Bb7

G7

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(C-)/2

(F)/b2

C-7

F7

Peter Bernstein Study Group PDF

Jordan Klemons

(F#) / 2,b6

24.145.41.323.24.6

F# triad over an E7 chord = E13(#119)

http://www.nycjazzguitarmasterclasses.com

Peter Bernstein Study Group PDF

Jordan Klemons

Melodic and Harmonic Structure from Someday My Prince Will Come

||:

(Bb)/2

(D+)/b7

(G-)/2

(Eb)/b6

||:

Bb

D7

EbMaj7

G7

(C-)/2

(Eb)/b6

(C-)/2

(D)/b2

C-7

G7#5

C-7

F7

___________________________________________________________ |1. (F)/2

(A)/b2

(Bb)/4

(D)/b2

D-7

Dbo7

C-7

F7

(F)/2

(A)/b2

(Bb)/4

(D)/b2

:||

D-7

Dbo7

C-7

F7

:||

___________________________________________________________ |2. (Ab)/2

(Bb)/b7

(Eb)/6

(A)/b2

F-7

Bb7

Eb

Eo7

(Bb)/4

(D)/b2

(Bb)/2

(D)/b2

||

Bb/F

F7

Bb

F7

||

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