• Author / Uploaded
• Anthony

Citation preview

KOTEKI DOJO

BUJINKAN NINJUTSU / BUDO TAIJUTSU TRAINING MANUAL

·1· © 2014 First Edition

Preface: The focus of this Manual is to provide the necessary resources and material to help each pupil to advance and develop a level of skill conducive to their expectations, and that of the school, and the Bujinkan as a whole. Standards are only part of the picture; there is much more that I expect from my members. The manual also offers directions for helping our members reach beyond the general required skills. A strong sense of self-worth, and positive approaches towards helping juniors, and the like in the art to learn deeper aspects of Ninjutsu will serve as a foundation for the possibility of teaching in the future. Although written primarily for beginners up to Shodan, these methods can be adopted and applied by any black belt practitioner and their students by adjusting the requirements, and standards. This manual is to be used with passion and love for the martial arts, and that of personal growth. May the breath of the wind, consume you in its ocean of movement, till you reach the shores of discovering yourself! Anthony Lucas Chief Instructor / Dojo-Cho

WELCOME TO BUJINKAN KOTEKI DOJO! This manual will accompany you throughout your study to black belt. It contains the descriptions of the various techniques you have to develop, and pass from the beginning of 9th Kyu to 1st Dan. The Bujinkan brings together nine different Japanese fighting systems. The schools are as follows: • Togakure Ryû Ninjutsu • Kukishinden Ryû Happo Hikenjutsu • Gyokko Ryû Kosshijutsu • Shinden Fudô Ryû Dakentaijutsu • Koto Ryû Koppojutsu • Gikan Ryû Koppojutsu • Takagi Yoshin Ryû • Kumogakure Ryû Ninpo • Gyokushin Ryû Ninpo

The Ten Chi Jin Ryaku no Maki is a foundational curriculum. It is used as the basic program from beginnners to blackbelt. The methodological program is derived from all nine schools.

Technical skill is not enough to advance. That which is essential is your commitment to training, your attitude, and helpfulness to the Instructor, and other students. These are some of the qualities expected of you to progress in the Bujinkan Koteki Dojo.

Tardiness, lateness, talking in class, and displaying aggressiveness can be hindrance to your training mates, and the Instructor. These qualities will prevent you from advancing.

·3·

Ninjutsu The essence of all Martial Arts and military strategies is self-protection and the prevention of danger. Ninjutsu epitomizes the fullest concept of self-protection through martial training in that the Ninja art deals with the protection of not only the physical body, but the mind and spirit as well.

The way of the Ninja is the way of enduring, surviving, and prevailing over all that would destroy one. More than merely delivering strikes and slashes, and deeper in significance than the simple out-witting of an enemy; Ninjutsu is the way off attaining that which we need while making the world a better place. The skill of the Ninja is the art of winning. In the beginning study of any combative art, proper motivation is crucial. Without the proper frame of mind, continuous exposure to fighting techniques can lead to ruin instead of self-development. But this fact is not different from any other beneficial practice in life carried to extremes. The skills of self-protection, which should provide a feeling of inner peace and security for the martial artist, develop too often without a balance in the personality and lead the lesser martial artist into warped realms of unceasing conflict and competition which eventually consume him.

If an expert in the fighting arts sincerely pursues the essence of Ninjutsu, devoid of the influence of the ego's desires, the student will progressively come to realize the ultimate secret for becoming invincible - the attainment of the "mind and eyes of god". The combatant who would win must be in harmony with the scheme of totality, and must be guided by an intuitive knowledge of the playing out of fate. In tune with the providence of heaven and the impartial justice of nature, and following a clear and pure heart full of trust in the inevitable, the Ninja captures the insight that will guide him successfully into battle when he must conquer and conceal himself protectively from hostility when he must acquiesce. The vast universe, beautiful in its coldly impersonal totality, contains all that we call good or bad, all the answers for all the paradoxes we see around us. By opening his eyes and his mind, the Ninja can responsively follow the subtle seasons and reasons of heaven, changing just as change is necessary, adapting always, so that in the end there is no such thing as a surprise for the Ninja. Sensei Takamatsu Toshitsugu 33rd Soke

·4·

Jihi no Kokoro The Path of the Benevolent Heart I believe that Ninpo, the highest order of Ninjutsu, should be offered to the world as a guiding influence for all martial artists. The physical and spiritual survival methods eventually immortalized by Japan's ninja were in fact one of the sources of Japanese martial arts. Without complete and total training in all aspects of the combative arts, today's martial artist cannot hope to progress any further than mere proficiency in the limited set of muscular skills that make up his or her training system. Personal enlightenment can only come about through total immersion in the martial tradition as a way of living. By experiencing the confrontation of danger, the transcendence of fear of injury or death, and a working knowledge of individual personal powers and limitations, the practitioner of Ninjutsu can gain the strength and invincibility that permit enjoyment of the flowers moving in the wind, appreciation of the love of others, and contentment with the presence of peace in society. The attainment of this enlightenment is characterized by the development of the Jihi no Kokoro, or "benevolent heart." Stronger than love itself, the benevolent heart is capable of encompassing all that constitutes universal justice and all that finds expression in the unfolding of the universal scheme. Born of the insight attained from repeated exposure to the very brink between life and death, the benevolent heart of Ninpo is the key to finding harmony and understanding in the realms of the spiritual and natural material worlds. After so many generations of obscurity in the shadowy recesses of history, the life philosophy of the ninja is now once again emerging, because once again, it is the time in human destiny in which Ninpo is needed. May peace prevail so mankind may continue to grow and evolve into the next great plateau. Doctor Masaaki Yoshiaki Hatsumi 34th Soke of the Togakure Ryu Iga Ninja

·5·

About Our Grandmaster Dr. Masaaki Hatsumi is, in his consideration, an artist, writer, film consultant, actor, martial arts historian, bone doctor, and martial artist. He is also the world authority on the ninja arts and is one of the last remaining verifiable ninjutsu practitioners that can claim direct lineage from feudal Japan.

Hatsumi Soke began his training as a child and earned teaching licenses in Judo, Kendo, Karate, Aikido, and Kobudo. Dissatisfied with these systems, he began to study under Toshitsugu Takamatsu and was passed the Grandmastership of the nine schools. These systems have a recorded lineage and later became consolidated under Hatsumi Soke's Bujinkan Dojo. Hatsumi Soke has been the recipient of many honors besides those above. He is a graduate of Meiji University, Theater Arts, holds a Ph.D. of Human Science, and a Ph.D. of Philosophy. In addition he has been granted a Knighthood by the country of Germany, and was named Instuctor of the Year by the Black Belt Hall of Fame (1988). Dr. Hatsumi has traveled the world, providing training for his students at annual Tai Kai training events. Aspiring martial artists from many nations have heard his guiding words to his students, “Play”.

·6·

Dojo Etiquette ” It is said that the martial ways are shown through one’s daily life and behaviour. Namely, through manners and humanity.” Soke Masaaki Hatsumi Studying in the Budo Dojo is as much about understanding culture and tradition, as it is about learning fighting techniques. It is important for people to understand this.

People view the Bujinkan and the manner in which it is taught, as a free art. I think people take this to literally and decide that they can enter the dojo without a concern for understanding the etiquette of Japanese budo.

To learn budo is to first gain an understanding and therefore an appreciation of the etiquette (rei) that is required. We are studying a Japanese martial art from Japanese teachers. We must do our best to familiarize ourselves with what is expected.

Soke has said, ” Feeling, alone is not enough.” This is true. We may be in a foreign country and feel danger or be in a possibly life threatening situation. As we do not understand cultural taboos, norms, customs etc, our actions to diffuse the situation may actually be viewed as hostile! This is where Soke asks us to study from an Anthropological point of view and recognize the uniqueness of the many cultures of the world.

·7·

Dojo Etiquette (Rei Ho) There are many opportunities for students of the Bujinkan Koteki Dojot to train with Japanese instructors. To insure that students are familiar with basic Japanese etiquette and more importantly to develop a warrior heart of compassion, Japanese customs are followed during training.

Class opening: Opening occurs when the instructors kneels and sits in seiza. Students should kneel in a straight line facing the instructor the senior most student farthest from the door, line up according to rank. The students of the most junior ranks are closest to the door. Upon the instructor's cue, students are to place their hands in Gassho no kamae (palms together and in front of breastbone, one hands width away from body, elbows down) Instructor says: SHI-KIN HARA-MITSU DAI-KO-MYO Class repeats: SHI-KIN HARA-MITSU DAI-KO-MYO

Everyone claps twice; Bow with back straight to about three inches from the floor; straighten back up to Gassho Clap once Bow again Instructor will turn to face class Everyone bows and says: O-NE-GAI-SHI-MA-SU With in a few classes, claps should be simultaneous. Class Closing: Class forms in lines in the same manner as the class opening. Instructor says: SHI-KIN HARA-MITSU DAI-KO-MYO Class repeats: SHI-KIN HARA-MITSU DAI-KO-MYO Clap twice Bow Clap once Instructor turns to face class

Instructor says: DO-MO A-RI-GAH-TO GO-ZAI-MA-SU Everyone bows and says: DO-MO A-RI-GAH-TO GO-ZAI-MA-SU Class dismissed! ·8·

Ten Chi Jin Ryaku no Maki Until 1995 our discipline was called Ninjutsu when it then switched to Budo Taijutsu. In 2003 it took the name of Ninpo Taijutsu. Budo is the generic name given to the different Japanese fighting styles. Ninjutsu is only one part of the Japanese Budo. The Bujinkan gathers nine different Japanese Budo schools, three of which are Ninjutsu schools, the six others being Ju Juitsu schools. Soke Hatsumi decided to build the name of our discipline according to our yearly study. The Ninpo Taijutsu of the Bujinkan Dojo is based on different units.

1 - Ten Ryaku, or principal of Heaven refers to all movements of the body in space. 2 - Chi Ryaku, or principal of Earth refers to all hand-to-hand techniques.

3 - Jin Ryaku, or principal of Man refers to the combinations of movements and hand-to-hand techniques. A Jin technique is a combination of Ten and Chi. Skill and knowledge of the Ten Chi Jin is required to the Black Belt level. Being a Black Belt (Shodan) means you have understood the basic principles of Budo Taijutsu. Being a Black Belt is not an end in itself…

·9·

TOTAL CLASSES

1

9K

8K

7K

6K

·10·

TOTAL CLASSES

5K

3K

2K

Shodan

·11·

SEMINAR Lessons Each Seminar - whatever the country - gives a proportional number of lessons in addition of the class lessons. The longer the seminar the equal in lessons or its equivalent.

SEMINAR DURATION

EQUAL IN LESSONS

One day

5 Lessons

Two days

11 Lessons

Three days

17 Lessons

Four days

24 Lessons

Five days

30 Lessons

Ten Days / Camp

60 Lessons

·12·

Estimate Time for Grades You can pass a grade only if the amount of classes is reached.

Rank

Month

Lessons

9 Kyu

25

7 Kyu

25

8 Kyu

35

4 Kyu

35

3 Kyu

45

2 Kyu

2 DAN

OK

35

5 Kyu

1 DAN

Date

25

6 Kyu

1 Kyu

Total

Pass/Fail/ Needs work

60 1 year

60

2 years

Note: Each person is required to test within the appropriate time frame as above unless for medical reasons, school study or any bonafied absence. If 2 test periods lapse without notifiying the school, the member will forfit their membership.

·13·

PERSONAL EVALUATION SYSTEM The technical program required for each grade test is heavy. The teacher cannot follow each student individually. Therefore each student should evaluate himself.

For this purpose, you will find three columns in the technique table i.e. the “V”, “C”, “R” columns. 1. The “E” column is of no use to the students, but for the teacher for the “evaluation”. 2. When a technique is “viewed” during training, the student should tick the “V” column. 3. When he thinks he has grasped the technique, that the “comprehension” of the technique is achieved, he should tick the “C” column. 4. When he thinks he is able to “redo” the technique, he should tick the “R” column. Once the personal evaluation sheet is complete, the student is allowed to take the examination. During the test, no question out of the program will be asked. There will be no trick questions!

Note: It’s imperative that each student follows these guidelines, to ensure a thorough review.

viewed = V comprehension = C redo = R

·14·

KYU LEVELS

·15·

9th Kyu - Kukyu Fundamentals 1 2 3

Kamae

Ukemi

Hiken Juroppo

12

Boshi Ken

Shikan Ken

14

Mae Naname Migi

15

19

Shuto Ken Shitan Ken

13

18

Yoko Nagare Fudo Ken

10

17

Ushiro Nagare Zenpo Kaiten

9

16

Jumonji no kamae Zenpo Nagare

8

11

Ichimonji no Kamae Doko no Kamae

5

7

V

Shizen no Kamae

4

6

Techniques

Mae Naname Hidari Tai Sabaki

Yoko Migi

Yokoi Hidari

Ushiro Naname

Ushiro Naname Hidari

·16·

C

R

E

9th Kyu - Kukyu Fundamentals 20 21 22

Uke Nagashi

Tsuki

Chi no kata Hidari

30

Sui no kata Migi

31

35 36 37 38

Dokko no kamae Migi Tsuki Chi no kate Migi

29

34

Ichimonji no kamae Hidari Tsuki Dokko no kamae Hidari Tsuki

28

33

Gedan Uke Migi

Ichimonji no kamae Migi Tsuki

27

32

Jodan Uke Hidari Gedan Uke Hidari

24

26

V

Jodan Uke Migi

23

25

Techniques

Sui no kata Hidari Gogyo no kata Sanshin

Ka no kata Migi

Ka no kata Hidari Fu no kata Migi

Fu no kata Hidari Ku no kata Migi

Ku no kata Hidari Gogyo Shoshin

·17·

C

R

E

9th Kyu - Kukyu Fundamentals 39

42

Kihon Happo Sanpo no Kata

43

Omote Gyaku Hidari

47

Omote Tsuki Gyaku Migi

48

Omote Tsuki Gyaku Hidari

49

53 54 55

Hicho no Kata Hidari

Omote Gyaku Migi

46

52

Hicho no Kata Migi

Jumonji no Kata Hidari

45

51

Ichimonji no Kata Hidari

Jumonji no Kata Migi

44

50

V

Ichimonji no Kata Migi

40 41

Techniques

Kihon Happo

Omote Henka

Ura Gyaku Migi

Ura Gyaku Hidari Muso Dori Migi

Muso Dori Hidari Musha Dori Migi

Musha Dori Hidari

·18·

C

R

E

9th Kyu - Kukyu Fundamentals 56 57 58

Gyaku Waza

O Gyaku Migi

Osoto Gake Migi

61

64

Take Ori Hidari O Gyaku Hidari

60

63

V

Take Ori Migi

59

62

Techniques

Nage Waza

Osoto Gake Hidari Harai Gosh Migi

Harai Gosh Hidari

Harai Gosh Henka

·19·

C

R

E

8th Kyu - Hachi kyu Fundamentals 1 2 3

Kamae

Ukemi

Hiken Juroppo

Yoko Tobi Migi

15

19 20

Sokuho Yaku Mae Tobi

14

18

Shuki Ken

Sokuho Gyaku

13

17

Jun Nagare Sokki Ken

12

16

Zenpo Ukemi Otoshi Gyaku Nagare

9

11

Hanza no Kamae Yoko Kaiten

8

10

Fudoza no Kamae Kosei no Kamae

5

7

V

Hicho no Kamae

4

6

Techniques

Yoko Tobi Hidari Tai Sabaki Tobi

Ushiro Tobi

Naname Tobi Migi

Naname Tobi Hidari

Naname Tobi Ushiro Migi

Naname Tobi Ushiro Hidari

·20·

C

R

E

8th Kyu - Hachi kyu Fundamentals 21 22 23

Keri

Chi no Kata Hidari

27

Sui no Kata Migi

28

Sui no Kata Hidari Gogyo

31

Ku no Kata Migi

34

Ku no Kata Hidari

35

Ichimonji no Kamae Migi

36

40

Ka no Kata Hidari Fu no Kata Hidari

33

39

Ka no Kata Migi Fu no Kata Migi

32

38

Omote Geri Migi

Chi no Kata Migi

26

37

Sokuho Geri Hidari Omote Geri Hidari

25

30

V

Sokuho Geri Migi

24

29

Techniques

Kihon Happo Sanpo no Kata

Ichimonji no Kamae Hidari Hicho no Kamae Migi

Hicho no Kamae Hidari Jumonji no Kamae Migi

Jumonji no Kamae Hidari

·21·

C

R

E

8th Kyu - Hachi kyu Fundamentals 41

Omote Gyaku Hidari

43

Omote Gyaku with Tsuki

44 Kihon Happo Goho no Kata

46

Musha Dori Migi

49

Musha Dori Hidari

50

Oni Kudaki Omote Gyaku Waza

53

56

59

Take Ori Omote Ganseki Nage Migi

Nage Waza

57 58

Oni Kudaki Ura Take Ori Ura

54 55

Ura Gyaku Hidari Muso Dori Hidari

48

52

Ura Gyaku Migi

Muso Dori Migi

47

51

V

Omote Gyaku Migi

42

45

Techniques

Ganseki Nage Hidari Uchi Mata Migi

Uchi Mata Hidari Ryu Sui Ikki

Tachi Nagare Yoko Nagare

·22·

C

R

E

7th Kyu - Nana kyu Fundamentals 1 2 3

Kamae

Ukemi

Hiken Juroppo

18

Kikaku Ken Jodan Uke Migi

14

17

Happa Ken

Koppo Ken

13

16

Hicho Kaiten Fudo Ken

12

15

Koho Ukemi Otoshi Zenpo Kaiten

9

11

Seigan no Kamae Yoko Ukemi Otoshi

8

10

Hoko Kamae

Hira no Kamae

5

7

V

Hira Ichimonji no Kamae

4

6

Techniques

Jodan Uke Hidari Uke Nagashi

Gedan Uke Migi

Gedan Uke Hidari Chudan Migi

Chudan Hidari

·23·

C

R

E

7th Kyu - Nana kyu Fundamentals 19

22

Soku Gyaku Hidari Keri

23

Chi no Kata Migi

26

Chi no Kata Hidari

27

Sui no Kata Migi

28

31 32 33 34

HSoku Yaku Hidari Henka

25

30

Soku Yaku Migi Henka

24

29

V

Soku Gyaku Migi

20 21

Techniques

Gogyo Sanshin no Kata

Sui no Kata Hidari Ka no Kata Migi

Ka no Kata Hidari Fu no Kata Migi

Fu no Kata Hidari Ku no Kata Migi

Ku no Kata Hidari

·24·

C

R

E

7th Kyu - Nana kyu Fundamentals 35

38

Kihon Happo Sanpo no Kata

39

Omote Gyaku Hidari

43

Omote Tsuki Gyaku Migi

44

48 49 50

Hicho no Kamae Hidari

Omote Gyaku Migi

42

47

Hicho no Kamae Migi

Jumonji no Kamae Hidari

41

46

Ichimonji No Kamae Hidari

Jumonji no Kamae Migi

40

45

V

Ichimonji No Kamae Migi

36 37

Techniques

Kihon Happo Goho no Kata

Omote Tsuki Gyaku Hidari Ura Gyaku Migi

Ura Gyaku Hidari Muso Dori Migi

Muso Dori Hidari Musha Dori Migi

Musha Dori Hidari

·25·

C

R

E

7th Kyu - Nana kyu Fundamentals 51 52

Gyaku Waza

53

Nage Waza

Ryu Sui Ikki

61

67

Tomoe Nage

Te Makura Migi

Te Hodoki Katate Migi

63

66

Hane Goshi Migi

Te Makura Hidari

62

65

Ganseki Otoshi Hidari Hane Goshi Hidari

59

64

Omote Gyaku Hidari

Ganseki Otoshi Migi

58

60

Omote Gyaku Migi

Ura Gyaku Hidari

55

57

V

Ura Gyaku Migi

54

56

Techniques

Te Hodoki Katate Hidari Hajutsu Kyu Ho

Te Hodoki Ryote Migi

Te Hodoki Ryote Hidari Koshi Kudaki Migi

Koshi Kudaki Hidari

·26·

C

R

E

6th Kyu - Rok kyu Fundamentals 1 2

Shi Ho Tobi

3

Sui no Kata Hidari Gogyo

9

Ku no Kata Migi

12 Fundamental

14

19

Ku no Kata Hidari

Fundamental Gogyo Kata Ichimonji no Kamae Migi

15

18

Ka no Kata Hidari Fu no Kata Hidari

11

17

Ka no Kata Migi Fu no Kata Migi

10

16

Shi Ho Ten

Sui no Kata Migi

6

13

Shi Ho Chi

Chi no Kata Hidari

5

8

V

Chi no Kata Migi

4

7

Techniques

Kihon Happo Sanpo no Kata

Ichimonji no Kamae Hidari Hicho no Kamae Migi

Hicho no Kamae Hidari Jumonji no Kamae Migi

Jumonji no Kamae Hidari

·27·

C

R

E

6th Kyu - Rok kyu Fundamentals 20

Omote Gyaku Hidari

22

Omote Gyaku Tsuki Migi

23

25

Kihon Happo Goho no Kata

26

Ura Gyaku Migi

Ura Gyaku Hidari Muso Dori Hidari

28

Musha Dori Migi

29 30

KH - Henka

31

KH - Knife

32

KH - Hanbo

33

Musha Dori Hidari KH - Henka KH - Knife

KH - Hanbo

Hon Gyaku Migi + Hidari

34 Gyaku Waza

36

Omote Gyaku Tsuki Hidari

Muso Dori Migi

27

35

V

Omote Gyaku Migi

21

24

Techniques

Take ori Migi + Hidari + Omote + Ura

Oni Kudaki Migi + Hidari + Omote + Ura O Gyaku Migi + Hidari + Omote + Ura

·28·

C

R

E

7th Kyu - Nana kyu Fundamentals 37

Shime Waza

38

Palm of Hand Face Down

39 40 41 42 43 44

Palm of Hand Face Up Palm of Hand Face Up Behind triangular Torso

Pain - Kyusho

46

48 49 50

Hon Jime Migi

Hon Jime Hidari

Gyaku Jime Migi

Gyaku Jime Hidari Sankaku Jime Do Jime

Itami Jime

Te Hodoki Migi + Hidari Tai Hodoki Migi + Hidari

45

47

Techniques

Hajutsu Kyuho

Oya Goroshi Migi + Hidari Ko Goroshi Migi + Hidari

Koshi Kudaki Migi + Hidari

Keri Kudaki Migi + Hidari Omote + Ura Happo Geri 8 Direction Kick

·29·

V

C

R

E

5th Kyu - Go kyu Fundamentals

Jumonji no Kamae Migi + Hidari

2

Hicho no Kamae Migi + Hidari

3

Kosei no Kamae Migi + Hidari

4 5 Kamae

9

Seiza no Kamae

10

Fudoza no Kamae

11

Hanza no Kamae Chi no Kata With a Partner

12 13

16

Hoko no Kamae Migi + Hidari Doko no Kamae Migi + Hidari

8

15

Hira no Kamae Migi + Hidari

Shizen no Kamae Migi + Hidari

7

14

V

Ichimonji no Kamae Migi + Hidari

1

6

Techniques

Gogyo no Kata

Sui no Kata With a Partner Ka no Kata With a Partner Fu no Kata With a Partner Ku no Kata With a Partner

·30·

C

R

E

5th Kyu - Go kyu Fundamentals

Techniques

Kihon Happo Sanpo

Ichimonji no Kata Principle

17 18

Omote Gyaku Principle

20

Omote Tsuki Gyaku Principle

21 22 Kihon Happo Goho no Kata

Muso Dori Priniciple

Oni Kudaki – Tsuki Principle

25 26

28

Ura Gyaku Principle

Musha Dori Principle

24

27

Hicho no Kata Principle

Jumonji no Kata Principle

19

23

V

Fundamentals Kihon Happo

Gansaki Nage - Tsuki Principle Kankaku - Knife

Kankaku - Hanbo

·31·

C

R

E

5th Kyu - Go kyu Fundamentals 29

Shuki Ken

31

Fudo Ken

32

Kiten / Shuto Ken

33

Shishin Ken

34

Shitan Ken

35

37

Shako Ken Hiken Juroppo

38

Shikan Ken Happa Ken

40

Sokki Ken

41

Soku Yaku Ken

42

Soku Gyaku Ken

43

Tai Ken

44

Shizen Ken

45

47

Shito Ken

Koppo Ken

39

46

V

Kikaku Ken

30

36

Techniques

Muto Dori

Ichimonji Kata Migi + Hidari

Hire Ichimonji Kata Migi + Hidari Jumonji Kata Migi + Hidari

·32·

C

R

E

4th Kyu - Yon kyu Fundamentals

Techniques

Kihon Happo Sanpo Forms

Ichimonji Kata Principle

1 2

Omote Gyaku Principle

4 5 Kihon Happo Goho Forms

Chi no Kata With a Partner & Principle

12 13

16

Ura Gyaku Principle

Musha Dori Principle

8

15

Omote Tsuki Gyaku Principle Muso Dori Principle

7

14

Hicho Kata Principle

Jumonji Kata Principle

3

6

V

Gogyo Forms

Sui no Kata With a Partner & Principle Ka no Kata With a Partner & Principle Fu no Kata With a Partner & Principle Ku no Kata With a Partner & Principle

·33·

C

R

E

4th Kyu - Yon kyu Fundamentals 17

Ganseki Otoshi

19

Ganseki Oshi

20

Ganseki Ori

21

Hari Goshi

22 Nage Waza

24

Gyaku Nage Seoi Nage

26

Koshi Nage

27

Osoto Nage

28

Uchi Mata

29

Itami Nage

30

Tomoe Nage

31 Ryusui Nage

33

Tachi Nagare Yoko Nagare

Temakura Nage

34 35

Hane Goshi Taki Otoshi

25

32

V

Ganseki Nage

18

23

Techniques

Kankaku Principles

Kuruma Nage

Startegy, Tactics, Breathing, Effortless

·34·

C

R

E

4th Kyu - Yon kyu Fundamentals 36 37 38

Tanto Jutsu Kamae

Muso no Kamae

Chi no Kata Form + Kankaku

41

44

Jumonji no Kamae Ichi no Kamae

40

43

V

Shizen no Kamae

39

42

Techniques

Tanto Jutsu Gogyo Kata

Sui no Kata Form + Kankaku Ka no Kata Form + Kankaku Fu no Kata Form + Kankaku Ku no Kata Form + Kankaku

·35·

C

R

E

3rd Kyu - San kyu Fundamentals

Techniques

Kihon Happo Sanpo Forms

Ichimonji Kata Principle

1 2

Omote Gyaku Principle

4 5 Kihon Happo Goho Forms

Chi no Kata With a Partner & Principle

12 13

16

Ura Gyaku Principle

Musha Dori Principle

8

15

Omote Tsuki Gyaku Principle Muso Dori Principle

7

14

Hicho Kata Principle

Jumonji Kata Principle

3

6

V

Gogyo Forms

Sui no Kata With a Partner & Principle Ka no Kata With a Partner & Principle Fu no Kata With a Partner & Principle Ku no Kata With a Partner & Principle

·36·

C

R

E

3rd Kyu - San kyu Fundamentals 17 18

Jin Ryaku no Maki Suwari Gata Forms

20

Setsuyaku Jin Ryaku no Maki Tsuki Uchi Forms

25

Musan

Gekkan Hibari

26

Shi ho Dori

27

Moguri Dori

28

30

Osai Koma Both Sides

Hisakku

22

29

Ichi Geki Both Sides

Koyoku

21

24

V

Ude Ori Both Sides

19

23

Techniques

Katamaki Jin Ryaku no Maki Muto Dori Gata

Ken Nagare Tsuki Kiri Knife Ken Nagare Do Kiri Knife

·37·

C

R

E

3rd Kyu - San kyu Fundamentals 31

Jin Ryaku no Maki Katate Dori Forms

34

Kana Shibari

37

Tengu Dori Jin Ryaku no Maki Ryote Dori Forms

40

Ransetsu

43

Sayu Shizen Kamae

44

Jumonji Kamae

45

48 49

Koki

Sotoh

42

47

Ryote Gake Shizen

41

46

Hiki Otoshi Hoteki

36

39

Settoh Fudo

35

38

V

Ate Nage

32 33

Techniques

Kunai no Kamae

Kagete Kamae

Mizu Tori Kamae Ichi Kamae

Seigan Kamae

Ten no Kamae

·38·

C

R

E

3rd Kyu - San kyu Fundamentals 50 51 52

Juppo Sessho Forms Origin Jutte-Jutsu

Rakka

Mizu Tori

Gorin Kudaki

54

Mawari Dori Chi no Kata Kankaku

55 56 Juppo Sessho Gogyo Sanshin no Kata

Sui no kata Kankaku Ka no Kata Kankaku Fu no Kata Kankaku

58 59 60

V

Kiri no Hito Ha

53

57

Techniques

Kunai or Knife

Ku no Kata Kankaku

Kihon Happo Juppo Sessho

·39·

C

R

E

2nd Kyu – Ni kyu

1 2

Fundamentals

Techniques

Kihon Happo Sanpo Forms

Ichimonji Kata Principle

3

Omote Gyaku Principle

5 Kihon Happo Goho Forms

7

Chi no Kata

10 Gogyo Forms

12

18

Ka no Kata

Ku no Kata

14

17

Sui no Kata Fu no Kata

13

16

Take Ori Principle O Gyaku Principle

9

15

Omote Tsuki Gyaku Principle Oni Kudaki Principle

8

11

Hicho Kata Principle

Jumonji Kata Principle

4

6

V

Shi Sai Jin Ryaku no Maki Haibu Yori

Sakketsu

Kin Kudaki

Ketsumaku Tei Ken

·40·

C

R

E

2nd Kyu – Ni kyu Fundamentals 19

Jin Ryaku no Maki Keri ni Taisuru Uke

22

Hire Ichimonji Kamae

25 Hanbo Jutsu kamae

27

Naname Ushiro Omote Waki Uchi Naname Mae Ura Waki uchi

30 31

35 36

Munen Muso Kamae Kage Kamae

29

34

Tate no Kamae

Otonashi Kamae

28

33

Huko

Yume Makure

24

32

Keri ni Taishite koto Keta Oshi

23

26

V

Jigoku Otoshi

20 21

Techniques

Hanbo Jutsu Basic Movements

Naname Mae Omote Waki Uchi

Mawashi Kote Uchi Omote Mawashi Kote Uchi Ura Kote Uchi Omote Kote Uchi Ura Kata te Tsuki

·41·

C

R

E

2nd Kyu – Ni kyu Fundamentals 37 38 39

Hanbo Jutsu Ukemi Gata

40

Ganseki Otoshi Makikomi

45

50 51 52 53

Soku Ho Kaiten

Ganseki Otoshi

44

49

Koho Kaiten

Koshi Ori

43

48

Zenpo Kaiten

Tsuki Iri

42

47

V

Ushiro Nagare

41

46

Techniques

Hanbo Jutsu Against Fist Attacks

Ganseki Otoshi Garami Oni Kudaki

Gyaku ude Garami Kyokotsu Kudaki Ryo Ashi Dori

Hon Gyaku Dori

Omote Gyaku Dori Ura Gyaku Dori Take Ori

·42·

C

R

E

1st Kyu – Ichi kyu

1 2

Fundamentals

Techniques

Kihon Happo Sanpo Forms

Ichimonji Kata Principle

3

Omote Gyaku Principle

5 Kihon Happo Goho Forms

7

Chi no Kata

10 Gogyo Forms

12

Ka no Kata

Ku no Kata

14

Hira Kamae

15

18

Sui no Kata Fu no Kata

13

17

Take Ori Principle O Gyaku Principle

9

16

Omote Tsuki Gyaku Principle Oni Kudaki Principle

8

11

Hicho Kata Principle

Jumonji Kata Principle

4

6

V

Kukishinden Ryû Goho no Kamae

Hira Ichimonji Kamae Seigan Kamae

Katate Hicho Kamae Kosei Kamae

·43·

C

R

E

1st Kyu – Ichi kyu Fundamentals 19

Uyoku Kata

21

Yume Otoshi Kata

22

Suiyoku Kata

23

25

Kukishinden Ryû Shoden Gata

26

Kataho Kata

30

Tatsu Maki Kata

31

Jodan Kamae

32

Chudan Kamae

33

Gedan Kamae

34

38 39

Hosetsu Kata

Fubuki Kata

29

37

Kubiwa Kata

Ryusetsu Kata

28

36

Suisha Kata

Iso Arashi Kata

27

35

V

Seion Kata

20

24

Techniques

Kukishinden Ryû Bojutsu Kamae

Ichimonji Kamae

Hira Ichimonji Kamae Ihen Kamae

Seigan Kamae

Tenchi Kamae Heito Kamae

·44·

C

R

E

1st Kyu – Ichi kyu Fundamentals 40

Kasumi Uchi

42

Tento Uchi

43

Do Uchi

44

Ashi Barai

45 47

Kukishinden Ryû Bojutsu Uchi

48

Yoko Men Uchi

52

Tsuki Gyakute

53

Hane Age

54

Ukemi Gata Mae

55 Kukishinden Ryû Bojutsu Kihon Gata

58

Shiho Bo Furi Goho

61

65

Ashi Barai

Tsuki Hane

60

64

Ukemi Gata Ushiro Men Uchi Harai

59

63

Tuski

Sune Uchi

51

62

Toki Uchi

Men Uchi

50

57

Kote Uchi Furi

49

56

V

Age Uchi

41

46

Techniques

Kukishinden Ryû Bojutsu Sabaki Gata

Ura Goho Sashi Ai

Fune Bari

Tsuru no Hito Ashi Ura Issoku

·45·

C

R

E

SHODAN LEVEL

·46·

1st Dan – Shodan 1 2

Fundamentals

Techniques

Kihon Happo Ninpo Taijutsu

Ichimonji Kata

3

Ganseki Otoshi

5

Ganseki Ori

6

8

Kihon Happo Kansetsu

9

Ura Nami

13

Ten Chi

14

Kata Nami

15

Kasune Gake

16

20 21 22 23

Hara Goshi

Ganseki Kote Nage (wrist)

12

19

Hane Goshi

Koshi Kudaki

11

18

Take Ori

Uchi Mata

10

17

Hicho Kata

Jumonji Kata

4

7

V

Kukishinden Ryu Chuden Gata

Tatsu no Se Shio Kaze

Yama Arashi Ryu Fu

Tatsa Nami Ko

Kasane Iwa Shi Ho Dori

·47·

C

R

E

1st Dan – Shodan Fundamentals 24

27

Kukishinden Ryû Bikenjutsu Kamae

28

Kukishinden Ryû Happo Kiri - Biken

33 34 35 36

Kukishinden Ryû Nuki Katana - Biken

38 39 40

42

Kukishinden Ryû Biken – Juppo Sessho

43 44 45 46 47

Hasso Kamae Kesa Kiri Do Kiri

Kiri Age

Gyaku Kesa Kiri Tate

Gyaku Yoko

37

41

Chudan Kamae Ichi Kamae

30 32

Seigan Kamae Gedan Kamae

29 31

V

Jodan Kamae

25 26

Techniques

Juppo Sessho no Sekai

Tsuki Komi Ni Jigen Sekai Sayu Gyaku Ni Jigen Sekai Tsuki Ni Jigen Sekai Kiri Age San Jigen Sekai Kiri Sage San Jigen Sekai Kinshi San Jigen Sekai Kocho Gaeshi San Jigen Sekai Shi Ho Kiri Yugen no Sekai Happo Kiri Yugen no Sekai Tsuki no Wa Yugen no Sekai

·48·

C

R

E

Notes

·49·

Notes

·50·

Notes

·51·

Dr. Masaaki Hatsumi and Anthony Lucas in Hombu Dojo

·52·