D HANNIBAL Mario Bürki DAS WERK Jugend und spanisches Kommando Hannibal war der älteste Sohn des karthagischen Feldher
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D
HANNIBAL Mario Bürki DAS WERK
Jugend und spanisches Kommando Hannibal war der älteste Sohn des karthagischen Feldherrn Hamilkar Barkas, der sich im Ersten Punischen Krieg und im Söldnerkrieg ausgezeichnet hatte. Hannibals jüngere Brüder waren Hasdrubal und Mago, die ebenfalls als karthagische Feldherrn dienten. Die römische Geschichtsschreibung berichtet davon, dass der neunjährige Hannibal zusammen mit seinen Brüdern den Römern ewige Feindschaft schwören musste, doch handelt es sich hierbei um eine Legende. Hannibal wurde von einem Spartaner namens Sosylos erzogen, der später zu seinen Beratern gehörte. 237 v. Chr. begleitete Hannibal als erst neunjähriger Junge seinen Vater in das damals noch wenig zivilisierte Spanien, das reich an Bodenschätzen war. Dort eroberte Hamilkar Barkas große Gebiete, die zum einen die territorialen Verluste Karthagos im letzten Krieg gegen Rom ausgleichen und zum anderen die Machtgrundlage seiner Familie, der Barkiden, sichern sollten. Nach Hamilkars Tod in einer Schlacht gegen aufständische iberische Volksstämme übernahm Hannibals Schwager Hasdrubal das Kommando in Spanien. Dieser vergrößerte die neue karthagische Provinz erheblich, gründete mit Cartagena eine regionale Hauptstadt und schloss mit Rom den Ebro-Vertrag, der den Fluss als Grenze zwischen beiden Mächten festlegte. Hannibal hatte sich mittlerweile wieder nach Karthago begeben, kehrte jedoch 224/3 auf Wunsch seines Schwagers nach Spanien zurück. Als Hasdrubals Kavallerie -Kommandant konnte sich Hannibal in mehreren schweren Kämpfen gegen iberische Stämme hervortun. Nach Hasdrubals Ermordung 221 v. Chr. wurde Hannibal Oberbefehlshaber des Heeres. Sogleich führte er einen ausgedehnten Feldzug gegen die noch unabhängigen iberischen Stämme. In einer Schlacht am Tajo errang Hannibal zum ersten Mal einen Sieg in offener Feldschlacht gegen einen zahlenmäßig weit überlegenen Gegner. Die Stadt Sagunt an der Mittelmeerküste verweigerte ihm aber die Unterwerfung. Hannibal entschied sich, die Stadt ab 220 v. Chr. zu belagern, auch um ihren Einfluss auf die iberischen Stämme einzugrenzen. Die Sagunter schlossen daraufhin ein Bündnis mit Rom. Sogleich forderten römische Gesandte Hannibal auf, die Belagerung der Stadt abzubrechen. Dieser lehnte jedoch aufgrund der klaren Rechtslage ab, da Sagunt weit südlich des Ebro gelegen war. Hannibal fragte in Karthago bezüglich eines weiteren Vorgehens an, dessen Ratsherren ihm aber freie Hand ließen. Im Konflikt um Sagunt wiederholten sich die Ereignisse, die zum Ausbruch des Ersten Punischen Krieges geführt hatten, als Rom die Stadt Messina als Anlass für einen Krieg mit Karthago genutzt hatte. Hannibal schuf daher Fakten und ließ 219 nach achtmonatiger Belagerung Sagunt stürmen und die Bevölkerung töten. Die Römer hatten nichts zur Hilfe Sagunts unternommen, ließen dem karthagischen Rat nun aber ausrichten, dass diese einem Krieg nur durch die Auslieferung Hannibals entgehen könnten. Wiederum standen die Ratsherren aber zu ihrem Kommandeur. Krieg gegen Rom Hannibal zeichnete sich durch ein für seine Zeit ungewöhnliches Bewusstsein über die Möglichkeiten und Grenzen von Zeit und Raum für militärische Manöver aus. Um einem römischen Angriff auf Spanien zuvorzukommen, überschritt er mit wahrscheinlich mehr als 50.000 Soldaten, 9.000 Reitern und 37 Kriegselefanten auf einem heute nicht mehr genau zu bestimmenden Pass (vielleicht Col de Clapier[1]) die winterlichen Alpen und gelangte durch das Gebiet der Salasser nach Aosta und Ivrea. Das Heer erlitt in den Alpen schwere Verluste, konnte jedoch mit Kelten aus der Po-Ebene verstärkt werden. Durch diesen überraschenden Zug gelangte Hannibal für die nächsten Jahre gegenüber den militärisch überlegenen Römern in die strategische Offensive, da er das römische Bundesgenossensystem als Basis der römischen Macht direkt bedrohte. In taktisch defensiven, aber selbstgewählten überlegenen Ausgangspositionen konnte er die taktischen Schwächen des römischen Militärsystems mehrfach mit enormem Erfolg ausnutzen und in den Schlachten am Ticinus, an der Trebia (beide 218) und am Trasimenischen See (217) die meist deutlich überlegenen römischen Legionen schlagen. Schließlich traf Hannibal am 2. August des Jahres 216 v. Chr. bei Cannae auf eine römische Armee von 16 Legionen (etwa 80.000 Mann), die er mit seinen etwa 50.000 Soldaten durch ein Umfassungsmanöver fast vollständig vernichten konnte. Hannibal unternahm jedoch trotz seiner militärischen Erfolge keinen Marsch gegen die Stadt Rom. In der Geschichtsschreibung wurde ihm dies häufig als strategischer Fehler angelastet. So wurde dem karthagischen Reitergeneral Maharbal in den Mund gelegt: „Du verstehst zu siegen, Hannibal. Den Sieg zu nutzen aber verstehst Du nicht!“ Hannibals Zielsetzung war allerdings nicht die Eroberung der Hauptstadt des Römischen Reiches sondern die Vernichtung seines Bundesgenossensystems. Er hoffte darauf, die italischen Städte von Rom zu lösen und dadurch die Grundlage der römischen Großmachtstellung zu zerstören. Zwar gingen einige italische Bundesgenossen Roms im Jahre 212 v. Chr. zu Hannibal über, darunter auch Capua, doch wurde der Krieg dadurch nicht entschieden. Die Römer hatten ihre anfängliche Strategie unter Einfluss des „Zauderers“ Fabius Maximus gewechselt und griffen die Karthager in Italien und Spanien nur noch in Hannibals Abwesenheit an. Als Capua 211 v. Chr. durch römische Truppen belagert wurde, unternahm Hannibal doch noch einen Scheinangriff auf Rom, um dadurch die Belagerer Capuas zum Rückzug zu bewegen. Laut Cicero (der rund hundert Jahre später lebte) soll dabei der berühmte Ausruf Hannibal ad portas („Hannibal [ist] bei den Toren“), zum Teil auch zitiert als Hannibal ante portas erfolgt sein. Hannibal konnte jedoch den Fall Capuas nicht verhindern, was schon von antiken Historikern als Wendepunkt des Krieges angesehen wurde. Nach jahrelangem Kleinkrieg in Italien, wurde Hannibal schließlich in die Heimat zurückbeordert, da der römische Feldherr Scipio nach der Eroberung Spaniens in Afrika gelandet war. Diesem war es zudem gelungen, den numidischen Reiterfürsten Massinissa zum Seitenwechsel zu bewegen, so dass Hannibal nicht mehr die für seine Taktik wichtige Kavallerie zur Verfügung stand. In der Schlacht bei Zama erlitt Hannibal 202 v. Chr. die erste und auch kriegsentscheidende Niederlage gegen die Römer. Reformator und Exil Nach dem Friedensschluss Karthagos mit Rom musste sich Hannibal zunächst mehrerer innenpolitischer Gegner aus der Aristokratie erwehren. Diese warfen ihm vor, einerseits den Marsch auf Rom verweigert und andererseits Beute unterschlagen zu haben. Der weiterhin beim Volk überaus populäre Hannibal wurde aber in allen Punkten freigesprochen. Damit erlitt er ein günstigeres Schicksal als viele andere karthagische Kommandeure, die als Sündenböcke für Niederlagen herzuhalten hatten. Auf römischen Druck verlor Hannibal aber 200 seine Stellung als karthagischer Stratege. Hannibal wandte sich von nun an der Innenpolitik zu, um die politische und militärische Macht der Stadt wieder aufzubauen. Er wurde 196 zum Sufeten gewählt und reformierte Politik und Wirtschaft Karthagos zu Ungunsten der Aristokratie. Er brachte ein Gesetz durch, das den bisher aristokratisch dominierten Gerichtshof der 104 schwächte: Die bisher auf Lebenszeit ernannten Mitglieder mussten von nun an durch die Volksversammlung gewählt werden und durften gemäß dem Annuitätprinzip nach römischen Vorbild nur für ein Jahr und dann erst wieder nach einem weiteren Jahr Pause kandidieren. Hannibal verschaffte somit einer deutlich breiteren Schicht den Zugang zu hohen politischen Ämtern.
Die karthagische Bevölkerung hatte wegen der Kriegsreparationen an Rom hohe Abgaben zu tragen, welche die Wirtschaft belasteten. Hannibal senkte die Abgaben, indem er hart gegen die Korruption in Karthago vorging. Dadurch vergrößerte er den Kreis seiner innenpolitischen Gegner noch einmal. Diese konnten ihn schließlich 195 ins Exil treiben, indem sie fälschlicherweise behaupteten, er würde gegen Rom konspirieren. Hannibals Reformen blieben jedoch bestehen und hatten einen großen Anteil an dem raschen ökonomischen Wiederaufstieg Karthagos nach dem Zweiten Punischen Krieg. Hannibal floh aus dem römischen Machtbereich. Im östlichen Mittelmeerraum war er unter anderem als Feldherr für Antiochos III. den Großen von Syrien tätig. Als der Seleukidenkönig den Kampf um die Herrschaft über Griechenland gegen Rom annahm, schlug ihm Hannibal vor, einen Zweifrontenkrieg zu führen. Dieser Plan hätte vorgesehen, dass Antiochos einen Teil der römischen Streitkräfte in Griechenland binden sollte, während Hannibal mit karthagischen und fremden Truppen ein zweites Mal in Italien landen würde. Antiochos zeigte sich dem gegenüber zunächst nicht abgeneigt, lehnte jedoch letztlich ab: Er fürchtete, dass Hannibal bei dieser durchaus vielversprechenden Strategie der ganze Ruhm zukäme, was mit seinem Selbstverständnis als hellenistischer König nicht zu vereinbaren war. Anstatt von Hannibals militärischen Fähigkeiten Gebrauch zu machen, übertrug ihm der Seleukide nur den Bau einer Flottille in Phönizien, welche die seleukidische Hauptflotte in der Ägäis verstärken sollte. In der Seeschlacht von Side wurden Hannibals Schiffe aber durch eine rhodische Flotte geschlagen. Nach der endgültigen Niederlage des Antiochos gegen Rom musste Hannibal 190 das Seleukidenreich verlassen. Er hielt sich ein Jahr lang in Kreta auf, bis sich auch dort der römische Einfluss vergrößert hatte. Hannibal floh nun in die hellenistischen Monarchien Kleinasiens. Zunächst trat er in die Dienste des armenischen Königs Artaxias, für den er die Leitung des Baus einer neuen Hauptstadt übernahm. Auf römischen Druck hin musste Hannibal jedoch weiter zu König Prusias I. von Bithynien fliehen. Dieser befand sich in einer militärischen Auseinandersetzung mit dem römischen Bundesgenossen Eumenes II. von Pergamon. Hannibal wurde wiederum als Flottenkommandant eingesetzt, versuchte aber auch in Kleinasien Verbündete für die Sache Bithyniens zu gewinnen. 183 v. Chr. wurde schließlich der in Griechenland überaus populäre Titus Quinctius Flamininus bei Prusias vorstellig und forderte Hannibals Auslieferung, welcher der bithynische König schließlich nachkam. Hannibal entzog sich jedoch der Gefangennahme durch Gift und beging in der Festung von Libyssa (Gebze) Selbstmord.
DER KOMPONIST Mario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studienausweis das Prädikat “Sehr Gut”. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes grosses Werk - Szenen aus: Max und Moritz erreichte am Kompositions-wettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausgezeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester «La Artistica Buñol» in Valencia aufgeführt. Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario Bürki erhält regelmässig Kompositionsaufträge und mehrere Werke wurden als Wettstücke im Inund Ausland gespielt. Ton- und Notenbeispiele seiner Werke können auf der Homepage des Verlages eingesehen werden: www.musikverlagfrank.ch Besuchen Sie die Homepage von Mario Bürki: www.mariobuerki.ch
© 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLAND
www.musikverlag-frank.ch
E
HANNIBAL Mario Bürki THE COMPOSITION
Hannibal, the son of Hamilcar Barca, was born in 248 BC. His father commanded the Carthaginian land forces during the later stages of the First Punic War. He kept his army intact and led a successful guerrilla war against the Romans in Sicily. As soon as he was old enough, Hannibal joined his father›s army in the invasion of Hispania. Hamilcar Barca died in battle in 228 BC. Hannibal›s brother-in-law Hasdrubal the Fair succeeded to his command of the army with Hannibal serving as an officer under him. Hasdrubal signed a treaty with the Romans where Carthage promised not to expand north of the Ebro River. Hasdrubal also endeavored to consolidate Carthaginian power through diplomatic relationships with native tribes. This included arranging the marriage between Hannibal and an Iberian princess named Imilce. Hasdrubal the Fair was assassinated by a Celtic assassin in 221 BC. Hannibal was now proclaimed commander-in-chief by the army. In 218 BC Carthage decided to hit back. Defeated at sea, the Carthaginians decided this time to attack Italy by land from their base in Hispania. Hannibal led an army made up of 30,000 Spanish infantrymen, 9,000 African cavalry and a team of elephants. To attack Rome from Hispania meant that Hannibal had to take his soldiers and animals over the snowcovered Alps. The Romans did not believe it was possible and were taken by surprise. However, the journey had taken its toll and by the time Hannibal reached Italy, he only had 26,000 men left alive. The first battle between the two sides took place at Trebia. Although they had many more men, the Romans were heavily defeated by the Carthaginians. One of the reasons for this was that the Romans had trouble coping with Hannibal›s elephants. The elephants were used at the front of the Carthaginian forces (similar to the way tanks were used in the First World War). Because of the elephants› size and trumpeting, the Romans had great difficulty in persuading their horses to charge Hannibal›s forces. The Romans tried several different tactics against elephants. They were extremely difficult to kill, so the main aim was to make them panic and run amok amongst the Carthaginians. They tried to do this by killing their driver or by stabbing them with javelins in the soft skin under the tail. The Romans also discovered that elephants were frightened of the sound of squealing pigs. Therefore pigs were covered in tar, set alight and let loose amongst the elephants. The Carthaginians attempted to counteract this tactic by giving wine to the elephants before battle and stabling them with pigs so that they would get used to the squealing. Although Hannibal›s elephants survived the Battle of Trebia, most of them died soon afterwards from the cold weather. However, the lack of elephants did not stop Hannibal inflicting a series of defeats on the Romans. The most important of these was at Cannae where over 50,000 Roman soldiers were killed and a further 19,000 were captured. Hannibal, on the other hand, lost less than 6,000 men. Even though they suffered these losses, the Romans refused to surrender. As Hannibal was never strong enough to attack Rome itself, he failed to obtain a total victory over the enemy. The Roman Senate responded to these military reverses by ordering an attack on Carthaginian held Spain. This was a success, and Scipio Africanus, who organised the campaign, became a national hero. Scipio now started to plan an attack on Carthage, and Hannibal was forced to abandon the territory he controlled in Italy in order to defend his homeland. Scipio and his troops landed in Africa in 204 BC. Instead of attacking Carthage, Scipio visited King Masinissa of Numidia, whose cavalry had played such an important part in Hannibal›s victories over the Romans. In exchange for promises of Carthaginian territory, King Masinissa agreed to join forces with Scipio. The Battle of Zama took place in 202 BC. Hannibal had 40,000 men and 80 elephants while Scipio had 25,000 Romans and 11,000 Numidians. Hannibal started the battle by ordering an elephant charge. However, the Romans had learnt by bitter experience how to deal with elephants. Instead of pigs they now used men blowing trumpets. The noise frightened the elephants and many of them turned and stampeded, trampling to death large numbers of Carthaginians. Hannibal›s troops were scattered and they were gradually hunted down by the Numidian cavalry. The Romans were extremely harsh on the defeated Carthaginians. All but ten of their ships were destroyed, vast amounts of money had to be handed over and all overseas territories had to be abandoned. Carthage also had to promise that in future it would gain permission from Rome before forming alliances or going to war with other countries. Hannibal now decided to become a politician and he was elected as suffete, or chief magistrate. He reformed the way Carthage was governed, stipulating that membership of the Hundred and Four be chosen by direct election rather than cooption. He also changed the term of office from life to a year with a term limit of two years. The Romans became concerned by Hannibal›s growing power and in 195 BC they demanded he retired from office. Hannibal moved to Ephesus, where he met Antiochus III of Syria and later became his military adviser. In 190 BC Hannibal was placed in command of a Seleucid fleet but was defeated in a battle off the Eurymedon River. He fled to Crete, before seeking refuge with King Prusias I of Bithynia, who was engaged in warfare with Rome›s ally, King Eumenes II of Pergamon. Hannibal went on to serve the Bithynians in this war. The Romans became concerned about Hannibal›s naval victories and demanded that Prusias I hand him over. Hannibal was determined not to fall into his enemies› hands and at Libyssa he took poison.
THE COMPOSER Born the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory. He also followed courses in composition with Urs Peter Scheider and conducting under the direction of Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a second place in the composition contest in Lucerne organized by the World Association for Symphonic Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were premiered at the MidEurope Conference in Schladming and several have been chosen as set test-piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet and theory. Mario himself plays the trumpet, the piano and the organ.
© 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLAND
www.musikverlag-frank.ch
Full Score
HANNIBAL "Karthago" Lento q = 89
Mario Bürki
Piccolo
Flute 1
Flute 2
1st Oboe
2nd Oboe
Cor Anglais
1st Bassoon
2nd Bassoon
pp
pp
3rd Clarinet in Bb
Alto Clarinet in Eb
2nd Clarinet in Bb
Bass Clarinet in Bb
Contrabass Clarinet in Bb
ff 3
ff 3
ff 3
pp
Clarinet in Eb 1st Clarinet in Bb
ff 3
pp
pp
pp
pp
pp
pp
pp
ff 3
2nd Alto Saxophone
Tenor Saxophone
Baritone Saxophone
1st Alto Saxophone
1st Horn in F
pp
2nd Horn in F
3rd Horn in F
4th Horn in F
1st Trumpet in Bb
1st Trombone
Baritone
Tuba
Double Bass
Piano
Harp
Timpani
Percussion 1
Percussion 2
fff
fff
fff
ff
ff
fff
ff
fff
fff
ff
ff
div
ff
mp
f
B.D. 2 Sticks
Percusion 3
mute
pp one mute
one mute pp
mp
f Tubular Bells
f
mp
ff
mp
f
pp
ff
(motor on) Vibraphone
ff
ff
3
ff
3
3
ff
3
ff
ff
f
ff
2nd Trombone
Bass Trombone
1st Cornet in Bb
2nd Cornet in Bb
ff
3rd Trumpet in Bb
ff
2nd Trumpet in Bb
f
© 2009 by musikverlag frank, Schulhausstrasse 22, CH-4528 Zuchwil (Switzerland)
S.D.
f
f
2
14
9
Picc.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
3
ff
3
3
3
3
3rd Hn
2nd Tpt
3rd Tpt
1st Cor.
3
ff
3
3
3
Tba
Perc.2
Perc.3
p
fff
fff
3
fff
fff
3 fff 3 3 3
fff
fff
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fff
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3 3 3 ff 3 3 3 3 ff 3 3
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fff
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ff 3
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fff
3 3
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mf
fff
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mf
3
C.C.
3
ff
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3
ff Tubular Bells
f
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fff
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ff
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mute
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mf
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3
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ff 33
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6 6 6 3 3 3 3 3 3 3 3 3 fff mf ff 3 3 3 3 3 6 3 3 6 6 3 3 ff fff mf 3 3
3
fff
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ff 3
Perc.1
3
3
fff
Timp.
ff
Hp.
3
Pno.
3
fff
fff
3
D.B.
ff
fff
3
Bar.
ff
open
3 3
open
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2nd Tbn.
3
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2nd Hn.
3
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ff
fff
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3 ff 3 3 3 ff 3
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T. Sax.
B. Tbn.
2nd A. Sax.
1st Tbn.
2nd Cor.
1st Tpt
Cb. Cl.
4th Hn.
1st Hn.
Bar. Sax.
3
B. Cl.
1st A. Sax.
Alto Cl.
3rd Cl.
2nd Cl.
1st Cl.
3
2nd Ob.
3
1st Ob.
2nd Fl.
1st Fl.
mf
S.C.
p
3
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
16
1st Bsn.
mf
3
3
3
6
3
3
6
mf
3
3
3
6
3
3
6
6
2nd Bsn. Eb Cl.
1st Cl.
2nd Cl.
3
3
6
3
3
6
mf
3
3
3
6
3
3
6
6
mf
Alto Cl.
Cb. Cl. B. Cl.
1st A. Sax.
tremolo
3
p
3
3
6
6
3
3
3
6
6
p
3rd Hn
4th Hn.
à2
2nd Hn.
f
3
mf
p
p
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
2nd Tbn.
mf
mf
6 3 3 3 Bar. 3 3 3 6
B. Tbn.
Tba
D.B.
mf
mf
Hp.
Timp.
Perc.1
Perc.3
f
6 3 3 3 3 6 6
6
mf
mf
6 3 3 3 3 3 3 6
mf
mf
6 6 3 3 3 3 6
p
mf
6
mf
Perc.2
Pno.
1st Tpt
p
f
6
6
tremolo
f
p
6
3
3
mf
3
3
p
Bar. Sax. 1st Hn.
3
T. Sax.
mf
6
3rd Cl.
2nd A. Sax.
Xylo (Soft sticks)
p
p
4
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
22
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
24
2nd Cl.
3
3
3
3
3
3
3
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6
6
Cb. Cl.
Bar. Sax.
1st Hn.
f
3
3
f
f
3
3
3
2nd Tpt
1st Cor.
2nd Cor.
3
3
3
f
Perc.3
6
6
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f
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3
f
T.B.
f
p
f B.D.
f
Tam tam f
3
3
3
ff 3
3
ff
3
3
3
open
3
f
3
3
3
3
3
3
3
3
f
6
6 6
3
3
3
6 6
f
3
3
3
3
3
3 3 6 3 3 3 f f
f
f
f
f
f
f
f
f
f
3
mf
Perc. 1
f
Perc.1
3
3
Timp.
3
3
B. Tbn. f Bar.
f
Hp.
f
3
3
Pno.
3
3
D.B.
3
3
f
Tba
1st Tbn. 2nd Tbn.
f
3rd Tpt
f
1st Tpt
3 3 3 3 3 3 3 3
3
4th Hn.
3
f
3
6
f
3rd Hn
3
3
6
6
f
2nd Hn.
B. Cl.
T. Sax.
3
f
3 3 3 3 3 3 3 3
f
2nd A. Sax.
3
f
f
1st A. Sax.
3
3 3 3 3 3 3 3 3 3 3 3 3 6
Alto Cl.
3
ff
3 3 3 3 3 3 3 3 3 3 3 3
f
3rd Cl.
f
f
3
3
3
3
3
3
3
3
3
5
Picc.
1st Ob.
2nd Ob.
C. A.
29
1st Fl.
2nd Fl.
31
1st Bsn.
6
6
2nd Bsn.
3 3
3
3
3
3
3
3
3
3
3
ff
Cb. Cl.
1st A. Sax.
Bar. Sax.
1st Hn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
Tba
D.B.
Pno.
Hp.
Perc. 1
Perc.3
3
3
3
3
3
3
3
3
3
3
ff
ff
ff
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
f
6
6 6
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
6
3
3
Glockenspiel
f
3
3
3
3
6 6
3
3
mf
3
6
6
S.D.
3
6
3
3
mf
3
f
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
6
Timp. Perc.1
f 3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
f
6
6
3
6
3
2nd Cor.
6
3
3
3
Bar.
3
3
3
3
3
3 3
3
3 3
1st Cor.
f
f
3
3
3
3 3
6
3
3
6
3
3
3
3
f
6
3
3
f
3
3
3
3
3
3
3rd Tpt
3
6
f
3
6
3
f 6 6
3
3
B. Tbn.
3
f
f
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
ff
6
f
3
3
3
3
6
3
3
3
3
3
3
6
3
3
2nd Tbn.
6
6 6
6
3
3
3
6 6
2nd Tpt
1st Tbn.
ff
3
f
3
4th Hn. 1st Tpt
3rd Hn
3 6 3 3 3 3
3
3
3
3
3
2nd Hn.
T. Sax.
3
2nd A. Sax.
ff
f
B. Cl.
Alto Cl.
ff
3rd Cl.
f
3
ff
3
3
f
2nd Cl.
3
Eb Cl. 1st Cl.
3
3
ff
3
3
3
3
3
3
6
3
6
3
3
3
6
Picc.
3
3
3
3
3
34
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
3
3
6
6
1st Cl.
2nd Cl.
3rd Cl.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6 6
3
3
3
3
3
3
3
3
3
3
6
6
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
6
6
3 3 3
3
3
6
6
3
3
3 3
3
3
3
3
3
3
3 3
3
6
6
3
3
3 3
6
3
3
3
3
3
3
3 3
3 3
3
3 3
3
3
3
3
3
3
6
6
6
3
6
3
3
6
6
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
3
3
3
6
3
6
3
6
3
6
3
6
3
3
6 Cb. Cl.
6
3
3
3
6
3
6
Bar. Sax.
T. Sax.
2nd A. Sax.
3
1st A. Sax.
B. Cl.
3
3
3
3
Alto Cl.
3
Eb Cl.
3
3
3
3
6
3
3
3
3
3
3
3
3
3
3 3
3
6
6
3
3
3
3
2nd Hn.
3rd Hn
4th Hn.
1st Hn.
1st Tpt
2nd Tpt
3rd Tpt
3
3
3
3
3
3
3
3
3
3
3
3
3
1st Tbn.
2nd Tbn.
B. Tbn.
Tba
D.B.
Pno.
Perc. 1
Xyl.
3
3
3
3
3
3
3
3
3
3
f
3
3
3
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
6
3
3 3
3
3
3
3
3
3
3
3
3
3
3
mf
6
3
3
3
6
6
3
3
3
6
6
3
6
3
3
3
3
3
3
3
6
3
3
3
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
3
3
3
6
3
3
3
3
3
3
3
3
3
3
3
6
6
3
3
ff
3
3
ff
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
Timp. Perc.1
3
3
f
Hp.
3
3
3
Bar.
3
2nd Cor.
3
3
3
3
1st Cor.
3
6
6
3
f
3
3
3
3
6
6
3
3
3
3
3
3
3
3
3
7
39
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
1st Bsn.
Eb Cl. 1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
3 3 3
1st Hn.
2nd Cor.
1st Tbn.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
3
3
f f
f
f
3
6
3
6
3
3
6
3
6
3
3
3
6
3
3
3
3
3
3
3
mf
f
mf
f
3
3
3 3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
f
f
f
3 3 3 3 3 3 3 3
3
3
3
mute 3
3
3
3
3
3
3
3
3
3
3
mf
mf mf 3 3 3 3 3 3 3
mute 3 mf mute 3
3 3 3 3 3 3 3
3
3
3
3
3
3
mf
f
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
6 6 6 6 6 6 6 6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
Rimshots
3
3
6
3
6 6 6 6 6 6 6
3
3
3
3
f
3
3
mute 3
3
f
3
3
mute 3
ff
3
6
3
3
3
f
3
3
f
3
6
6
f
f
mf
6
3
6
6
3
3
3
mf
3
f
3
3
6
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
6
6
3
f
6
f
3
3
f
ff
Bar.
3
3
3
3
3
ff
B. Tbn.
2nd Tbn.
1st Cor.
f
3
3rd Tpt
ff
2nd Tpt
3
3
ff
1st Tpt
3
ff
4th Hn.
3
3rd Hn
3
3
2nd Hn.
3
Bar. Sax.
ff
T. Sax.
3
3
ff
3
2nd A. Sax.
3
ff
3
C. A.
2nd Bsn.
ff
ff
Xylo (hard Sticks) f
8
Picc. 45
1st Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
f
6
f
Eb Cl.
2nd Cl.
3rd Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
Bar. Sax.
1st Hn.
4th Hn.
open
Perc.1
Xyl.
6
f
6
6
3
3
3
f
6
6
3
3
ff
3
3
3
3
mf
6
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
mf
ff
3
mf
6
3
3
3
3 3 3
mute 3
3 3 3 3
mf
3
mf
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
3
3
mf
3
3
3
mf
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
3 3 3 3
3
3
3
3
3
3
3
6
6
3
3
3
3
f
3
3
f
3
3
f
3
3
f
3
3
ff
ff
3
3
mf
mf
3
3
3
3
mf
3
3
3
ff
f C.C. ff
f
3
3
mf
3
3
ff
3
6
3
3
mf
ff
6
3
3
6
3
3
3
f
3
ff
mf
mute 3
3
ff
3
3
3
3 3 3
3
p
ff
S.C.
ff
mf
mf
3
3 3 3
mf
3
3
3
f
3
3
3
3
3
6
3
6
f
3
3
3
3
f
3
3
3
3
3
f
3
3
3
3
ff
3
f
3
3
3
3
3 3 3
3
mf
3
6
3
f
3
3
3
3
3
mf
6 6 6 6 6 6 6 f
cue
3
3
6 3
3
3
3 3 3
6
3
3
f
3
f
3
3
3
6
3
3
3
3
3
3
3
3
mf
6
f
mf
3 3 3 3
f
3
3
mf
3
3 3
3
3
3
3
3
f
3
3
6
3
3
f
Perc. 1
6
f
Timp.
3
Bar.
Hp.
3 B. Tbn.
Pno.
2nd Tbn.
D.B.
f
2nd Cor.
Tba
open
1st Cor.
open
open
1st Tbn.
f
open
f
3
3rd Tpt
6
2nd Tpt
1st Tpt
3 3
6
3rd Hn
f
2nd Hn.
T. Sax.
3
2nd A. Sax.
Alto Cl.
1st Cl.
6
2nd Fl.
f
mf 3
3
3
6
9
Picc.
53
"Hannibal in Spain"
q = 60
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
3
3
mf
mf
2nd Bsn.
56
rit.
3
mf
mf mf
mf
Eb Cl.
3rd Cl.
Alto Cl.
1st Cl.
2nd Cl.
mf
Cb. Cl.
mf
mf
B. Cl.
1st A. Sax.
mf
59 q = 152
mf mf
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Hn.
6 6 3 3 3
1st Tpt
6
mf
3
6
3
3
3
3
3
open
3
3
6
3
3
3
3
open
mf
mf
mf
mf
harmon mute
Bar.
Tba
mf
mf
3
3
tutti mf
mf
mf
3
3
3
6
p
3
3
3
mf
p
à1
f
solo
2nd Tbn.
Xyl.
Perc. 1
3
mf
Perc.1
3
mute 3
Timp.
3
Hp.
open
mute 3
1st Tbn.
Pno.
1st Cor.
D.B.
mf
3rd Tpt
B. Tbn.
2nd Tpt
2nd Cor.
3
3rd Hn
4th Hn.
6
2nd Hn.
open
6
3
3
p
3
3
mf
p
Vibraphone (motor on)
p
castagnets
mf
10
Picc.
64
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn. Eb Cl.
71
mf mf
mf
mf
f
3rd Cl.
Alto Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Hn.
Timp.
Perc.1
Perc. 1
Xyl.
mf
mf
harmon mute
mf
mp
mf
mf
f
mf
open
mp
mp
mp
pp
mf
3
p
p
3
mf
mf open mf
mf
mf
3
p
mf open
mf
mp
mp
mp
mf
mf
mf
mf
f
mf
f
pp cup mute
f
mf
p
f
mf open
mf
pp cup mute
f
open
cup mute
f
f
f
f
Tba
Hp.
Bar.
Pno.
2nd Tbn.
D.B.
1st Cor.
B. Tbn.
3rd Tpt
1st Tbn.
2nd Tpt
2nd Cor.
3rd Hn
1st Tpt
2nd Hn.
4th Hn.
mf
f
B. Cl.
2nd Cl.
f
f
1st Cl.
f
mp
mp
Xylo
f
11
Picc. 76
1st Fl.
2nd Fl.
mf
f
mf
f
mf
f
mf
f
f
f
f
f
2nd Tbn.
B. Tbn.
Bar. mf
f
p
mf
mf
f
f
f
f
f
3
3
3 3
3
f
3 3
3
3
3 3
3 3
3
f
3
f
3
3
3
3
f
f
fp
f
mp Floor Tom
mp
mf
3
3
mf
f
f
3
3
3
3
3
f
3
fp
mf
p
f
3
3
f
3
3 3
f
3
mf
p 3 S. C.
3 3
f
3
3 3
f
Tba
3
f
mf
f
3
p
p
3
f
3
f
3 3
mf
mf
3 3
f
mf
f
f
f
83
3 3
f
f
mf
f
mf
Xyl.
f
1st Tbn.
Perc. 1
1st Cor.
Perc.1
3rd Tpt
Timp.
2nd Tpt
Hp.
3rd Hn
Pno.
2nd Hn.
D.B.
mf
mf
T. Sax.
2nd Cor.
2nd A. Sax.
1st Tpt
B. Cl.
Alto Cl.
4th Hn.
3rd Cl.
1st Hn.
2nd Cl.
Bar. Sax.
1st Cl.
1st A. Sax.
1st Bsn.
Cb. Cl.
C. A.
Eb Cl.
2nd Ob.
2nd Bsn.
1st Ob.
3
12
3 Picc.
3
86
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
3
3
3
C. A.
3
3
3
3
3
3
3
3
3
3
3rd Cl.
3
2nd A. Sax.
T. Sax.
3rd Tpt
3
3
3 3
3 3
3
3
3 3
3
3
3
3
3
3
D.B.
3
Pno.
Hp.
Timp. Perc.1
Perc. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 Xyl.
3
3
mf
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
fz
3
3
6
fz
3
3
3
3
3
3
f
ff
3
3
ff
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3 3 3 3 3 3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3
3
6
f
3
3
3
3 3
Tba
3
3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
Bar. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
div.
3
2nd Cor.
3
3
3
3
3
3
3
ff div.
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3
3
3
3
3
3 3
3
ff
3
B. Tbn.
ff
3
3
ff
1st Cor.
2nd Tbn.
3
3
3
3
3
3
1st Tbn.
ff
3
3
3
3
3
3
3
3
ff
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3rd Hn
2nd Tpt
3
3
3
2nd Hn.
1st Tpt
3
3
3
4th Hn.
3
3
3
Alto Cl. 3 3 B. Cl. 3 3 Cb. Cl.
3
3
3
3
1st Hn.
3
3 3
2nd Cl.
Bar. Sax.
3
3
3
3
1st Cl.
1st A. Sax.
3
3
3
3
Eb Cl.
3
1st Bsn.
2nd Bsn.
3
3
3 3
3 3
mf
f
3
6
f
3
f
mp
3
3
3
f
6
13
Picc.
1st Fl.
2nd Fl.
1st Ob.
str.mute
95
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
97
3
6
3
3
3
mf
3
3
3
3
3
3
3
mf
3
3
3
3
Alto Cl.
B. Cl.
fz
Cb. Cl.
fz
2nd A. Sax.
T. Sax.
1st A. Sax.
Bar. Sax.
1st Hn.
3
3
3
3
3
3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p 3
3
3
3
3
3
3
3
p
3
3
3
3
3
3
p
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
mf
3 3 3
p
3
3
6
3
3
3
mf
3
3
3
p
euph solo
3
mf
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
p
3
3
3
3
3 3 3 3 3
3
3
3 3 3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
mf
3
3
mp
mp
mp
3
mf
3rd Tpt
mp
3 3
2nd Tpt
str. mute
f str. mute
f str. mute
f
mf
1st Cor.
3 3
f
3
3
3
3
3
3 3
2nd Tbn.
f
3
3
Bar.
3
3
3
mf
3
mf
3
f
3 3
3
3
p
p
3
3
B.D.
3
3
mf
3
3
3
3
3
3
p
3
3
3
3
3
p
3
3
mf
p
3
f
3
3
3
3
3
3
3 3 3 3 3 3 3 3
p
3
f str. mute
3
3
3
3
3
3
3
3
3 3
p
mf
3
mf
3 3
3
3
mf
3 3 Xyl. 3
mf
3
f str. mute
3
3
3
3 3 3 3 3 3
mf
3
3
3
3 3 3 3 3 3 3 6 3 3 3 3 3 3
3
3
p
solo
3
3
3
3
3
3
mf
mf
3
3
fz
p
3
str. mute
3 3 6 3 3 3 3
3 3
Perc. 1
3
3
3
3
fz
3
Perc.1
3
3
f
Timp.
3
f
3
Hp.
mf
3
f
Pno.
3
3
4th Hn.
D.B.
3rd Hn
Tba
f
B. Tbn.
3
1st Tbn.
3 3 3 3
2nd Hn.
2nd Cor.
3
mf
f
1st Tpt
3
3 3 3
3rd Cl.
3
3
3
mf
3
3 3 3 3 3 3 3 3
3 3
2nd Cl.
3
3
f
f
mf
fz
1st Cl.
str. mute
High Splash
Castagnets
3 3 3 3 3 3
p
middle Splash
3 3 3 3 3 3 3 3
p
14
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
106
1st Bsn.
2nd Bsn.
107
117
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
Eb Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
Bar. Sax.
3
3
3
3
3
3
f
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
Kadenza, freely
3
3
f
3 3 3 3
2nd Hn.
3rd Hn
4th Hn.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Hn.
1st Tpt
1st Tbn.
2nd Tbn.
B. Tbn.
Bar. Tba
D.B.
3
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
3 3 3 3
3
3
3
f
3
3
mf
3 3 3 3 3
3
3 3 3 3 3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
Pno.
3
mf 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Kadenza, freely
f
3 3 3 3
3 3 3 3
3
3 3 3 3
3 3 3 3
3 3 3 3 3
3
3 3 3 3 3
3
3
3
3 3 3 3
15
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
118
124
q=172
p
p
3 3 3 3 3 3
mp
mf
3 3 3 3
mf
mp
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
Eb Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
acc.
slow
p
6
p
3
mf
p
3
3
3
3
3
3
3
3
p
3
3
mf
3
3
3
3
3
3
3
3
mp
mf
mf
mp
3
3
mf
3 3 3 3
mf
2nd Hn.
3rd Hn
4th Hn.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Hn.
1st Tpt
mp
3
3
mf
3
3
mf
1st Tbn.
2nd Tbn.
B. Tbn.
Bar. Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
p
acc.
slow
6
mf
3
3
3
3
3
3
3
3
3
p
p
p
mp
pp
mp
Triangle
mp
mf
mf
mp
mp
3
3 3 3 3 3 3 3 3
3
3
3
mf
3
3
mf
3 3
mf
mp
mp
cresc.
mf
16
Picc.
131
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
3
3
3
mf 3
mf
3
B. Cl.
Cb. Cl.
1st A. Sax.
f
f
1st Hn.
1st Tpt
2nd Cor.
f
3
3
3
3
3
3
3
3
f
f
f
3
3
f
3
3
3
3
3
3
fp
3
3
f
Xyl.
Xylo
mf
3
sfz
3
3
3
3 f
3
3
3
mp
ff
3
3
3
3
3
ff
3
3
3
ff
ff
fp
3
3
3
ff
mp
3
3
3
3
3
3
3
ff
ff
mp
3
3
3
3
3
3
f
3
3
3
3
3
1st 3 3 3 3 3 3 3
2nd
3
3
ff
3
3
3
3
3 mp f 3
mp
3
ff
3 3 3 3
f
3 3 fp 3 3 3
3
3
p
3
3
3
3
3
f
3
ff
fp
f
p
3
3
p
3
3
3
fp
3
ff
3
3
3
f
3
3
mp
ff
3
3
3
f 3
3
mf
3
3
3
3
3 3 3 3
3
3
3
p
mp
3
3
3
3
3
3
ff
fp
3
3 3 3 3 3 3 3 3 3 3 3 3 3
3
f
3
3
3
ff
3
3
3
3
ff
3
p
3
f
3
3
3
f
3
ff
f
3
mp ff
p
3
3
3
3 3
3
3
f
3 3
3
3
ff
3
3 3
mp ff f 3 3 3 3 3
3
3
3
f
3
f
3
3
3
3
3
f
3
f
3
3
3
3
ff
3
3
ff
3
ff
3
3
3
sfz
f
3
3
f
3
3
3
3
ff
3
f
3
3 3 3
3
ff
3
3
f
Perc. 1
sfz
Bar.
Perc.1
ff
3 3 ff ff 3 f
3
ff
fp
ff
3
f
3
open
Timp.
Hp.
3
f
open
Pno.
3
f
D.B.
3
3
open
3 3 3
Tba
3
3
3
3
f
3
3 3 3 3 3 3 3 3 3 mp f 3 ff 3 3 3 mp
3
p
3
3
3
ff
3 3 3 3 3 3 fp 3 3
f
3
1st Tbn.
B Trb.
3
2nd Tbn.
p
ff
fp
1st Cor.
fp
3
3rd Tpt
2nd Tpt
3
3
3
3
3
ff
f
3
fp
3
ff
f
f
f
4th Hn.
3rd Hn
3
fp
3
f
2nd Hn.
f
T. Sax.
Bar. Sax.
f
f
3
3
ff
"The Hannibal-Theme"
fp
3
f
2nd A. Sax.
f
3 3 3 3
3
mf
Alto Cl.
f
3 3 3
f
3rd Cl.
3
2nd Cl.
f
3
f
137
3
f
f
f
Eb Cl. 1st Cl.
f
f
ff
mp
3
3
3
ff C.C.
3
3
f
ff mp
3 3 3 ff
3
mp
3
ff
3
3
f
ff
3
mp
mf
mf
17
Picc. 141
1st Fl.
2nd Ob.
C. A.
Eb Cl.
3
3
3
3
mf
mf
3
3
3
3
3
3
3
mf
3
f
3
f
mf
3
3
3
p
3
3
3
3
B. Cl.
2nd A. Sax.
T. Sax.
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
f
3
mf
3
3
3
3
3
3
f
3
3
3
3
f 3
3
f
3
3
3
3
3
3
f
f 3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
f
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
f
3 3
f
f
f
3
3
mf
3
3
f
3rd Hn
3
f
3
3
2nd Hn.
3
3
3 3 3 3 3 mf
f
3
3
3
3
f
3
3
3
f
3
3
f
3
3
f
f
3
3
3
3 p 3
3
3
3
3
3 3 3
3
3 3
3
3
3
3 3
3
3
3 3 3
Alto Cl.
1st Tpt
3
3rd Cl.
4th Hn.
3
3
p
1st Hn.
f
3
Bar. Sax.
3
3
2nd Cl.
1st A. Sax.
f
3 3
1st Cl.
Cb. Cl.
f
3
3 3
1st Bsn.
2nd Bsn.
mf
1st Ob.
3
3
mf
2nd Fl.
3 f 3 mf 3 3
f
3
3
3
3
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
f
2nd Tbn.
3 both 3 3 3 Bar. 3
B Trb.
Tba
D.B.
mf
3
3
Hp.
Timp.
Perc.1
Perc. 1
3
p 3
3
3
3
Xyl.
mf
f
3
3
3
3
f
mf
3 3
3 3
f
mf
3
3 3
f
3
3
3
3
3
3
3
f
3
3
f
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
B.D.
3
f
3
3 3
f
3
f
f
3
f
3
3
f
f
3 3
3
3
mf
3
mf
3
f
3
3
Pno.
f
18
153
Picc.
3
3
3
3
150
1st Fl.
2nd Fl.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
3
3
3
3
3
3
1st Ob.
3
3 3
Eb Cl.
ff
3
3
3
3
2nd Cl.
1st A. Sax.
3
1st Hn.
2nd Tbn.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3 3
3
3 3
3
3
3
3 3
3 3
3
3
3
3 3
3
3
3
3
3
3
3
3
f
f
f
3 3 3
3 3 3 3 3
3
f
3 3 3 3 3 3 f
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3 3
f
3 3
3
3
3
3 3 3
Xylophone
f
3
3
3
3
ff
3 3
3
f
3
3 3 3
ff
3
3
3
3 3
ff
3
ff
3
3 3
3 3
3 3
ff
3
3 3
3 3
3
3 3 3 3
3 3
ff
3 3
3
ff
3
3 3 3 3
3
3
3
ff
ff
3
3 3 3 3
3 3
Glockenspiel 3 f
ff
3
3
3
3
3 3
3
3
3 3
3
ff
3
3
3 3 3
3
3
ff
3 3
3
3
3 3 3 3
3
ff
3
3 3 3 3
3
ff
3
3 3 3
ff 3
3
3 3 3 3
3 3 3
ff
3
3 3 3 3 3 3 3
ff
3
3
3
3 3 3
3
3
3
3
3 3 3
ff
3
3
3 3 3
Pno.
3
2nd Cor.
D.B.
3
3 3 3
ff
3
ff
3
3
3
ff
3
ff
Tba
3
159
3
3 3 3
ff
1st Cor.
Bar.
3
ff
3
3
3 3 3
ff
3
3
3 3 3
3
3
3
3 3 3
ff
3
3rd Tpt
B Trb.
3
3
3
3
3
3
3
3
3 3 3 3
ff
3
2nd Tpt
1st Tbn.
3
3
3
3
3
3
3 3 3
3
ff
3rd Hn
1st Tpt
3
3
3
2nd Hn.
4th Hn.
3
3
3
Bar. Sax.
3
T. Sax.
3
3
3
3 3
3 3
3
ff
3
3
2nd A. Sax.
3
ff
3
3
3
ff
3
3
3
Cb. Cl.
3
3
3
3
3
ff
3
3
ff
3
3
B. Cl.
3
3
3
3 3 3
ff
Alto Cl.
ff
1st Cl.
3rd Cl.
3
ff
3
3
3
ff
3
3
3 3 3
ff
3
3
3
3
3
3
Floor Tom 3
3
3
f
3
3
19
Picc. 1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
168
3
3
162
f
3
f
3
3
f
f
f
3rd Cl.
Alto Cl.
1st Cl.
2nd Cl.
Cb. Cl.
1st A. Sax.
Bar. Sax.
1st Hn.
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
3
2nd Tpt
3rd Tpt
3
3
1st Tbn.
3
2nd Tbn.
B Trb.
D.B.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
mf
f
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
C.C.
f
3
3
3
mf
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
st. mute
st. mute
st. mute
3
3
3
3 3
3
3
3
3
3
3
fp
3
3
3
3
3 3
3 3
3
3
3
3
3 f mf
3
3
3
3
fp
f
3
fp
f
3
3
3
3
3
3
3
f
mf
3
mf
f
3
3
f
3
mf
f
3
3
mf
3
3
f
3
3
3
mf
f
3
mf
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
f
3
3
3
3
3
3
3 3
f
f
3
3
3
3
3
3
3
3
f
3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 f
3
f
f
3
3
3
3
3
f mf 3 3 3
3
3
f
3
mf
3
3
mf
3
3
3
3
f
3 f 3 mf 3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
f
3 3
mf 3 f 3 3
3
3
f
3
f
3
f
3
3
mf
3
3
mf
3
f
3
f
3
f
f
3
3
3
3
3
3
3
f
3
mf
3
3
3
3
3
3
f
f
3
mf
3
mf
3
3
3 mf 3
f
3
3
mf
3 3 3
Pno.
3
f
3
3
3
Bar. Tba
3
mf
3
3
f
3
3
3
2nd Cor.
3
f mf 3 3
f
mf
3
mf 3
mf
f
3
f
mf 3
f3
3
f
3
3
3
3
3
3
3
mf
f mf
3
f
f
3
3
3
3
mf
3
f
f
f
mf
3
3
f
3
1st Cor.
mf
3
3
3
3
3
f
T. Sax.
f
2nd A. Sax.
B. Cl.
3 3
mf
3
f
f
mf
3
3
3
3
f
mf
f
mf
3
3
3
3
Eb Cl.
3
mf
f
3
3 f mf 3
3
20
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
173
1st Bsn.
176
3
3
3
3
1st Cl.
2nd Cl.
3rd Cl.
2nd Bsn.
Eb Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
mf
3
mf
3
f
3
3
3
f
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
f
3 3
f
f mute
f
mute
f
fp
mf
3
f
3
f
mf
mf
fp
mf
fp
mf
mf
3
f
3
f
fp
fp
3
3
3
3
3
3
3
f
3 3
3
3 3
3
3
3
3
3
3
3
3
3 3
3
3
f
ff
ff
3
f
ff
open
open
f
f
f
3
f
open
f
mf
Woodblock
mf
f
f Floortom
3
3
f
3
Xylophone
mf
f
3
3
3
Glockenspiel
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
mf
fp
3
f
mf
3
3
3
f
f
3
3
3
f
f mute
3
3
f
f
mute
3
f
3
3
f
3
f
f
f
f
f
3
mf
Tba
2nd Tbn.
Bar.
3
3
1st Cor.
B Trb.
3
mf
3
3rd Tpt
1st Tbn.
3
3
3
2nd Tpt
2nd Cor.
3rd Hn
1st Tpt
2nd Hn.
4th Hn.
f
T. Sax.
1st Hn.
2nd A. Sax.
Bar. Sax.
"Hannibal leads to the Alps"
21
188
Picc.
1st Ob.
2nd Ob.
184
1st Fl.
2nd Fl.
1st Bsn.
2nd Bsn.
2nd Cl.
3rd Cl.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3 3
3 3 3 3 3 3
3 3
3 3
3 3
3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 3
2nd Tbn.
3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3 3
3
3 3
3
3
3
3
3
3 3
3
3 3
3 3
3 3
3
3
3
3
3
3
3
f
open
3
3
f
3
3
3 3
3
3
3
3
3 3 3
3
3
3
3
3 3
3 3
3 3
3 3 3 3 3 3
mf
3 3 3 3
cresc.
3
mf 3
cresc. 3
3
mf cresc. 3
3
3
3 3 3 3 3 3 3
3
3
3
3
3
3 3 3 3 3 3 3 3 3
3
3
3
3
3 3
3
3
3
mf
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3 3 3 3
3 3 3 3 3 3
3
3 3 3 3
3
3
3
f
f
3
3
B.D.
3
3
3
3
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3
3
3
3
3
3
3
3
3
3 3 3
3
3
3 3
3
f open
3 3 3 3
3 3 3 3 3 3
3 3
1st Tbn.
3
f open
3
mf
2nd Cor.
3
open
3 3
3
f
3
3
3
f
3
3 3 3 3
3
3
3
3
3
f
3
f
3
3
mf 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
mf
3
mf
3
192
3
3
3
3 3
3
f
3
f
Xyl.
3
Perc. 1
3
3
Perc.1
3
1st Cor.
Timp.
3
mf
f
Hp.
3
mf
3
3rd Tpt
Pno.
3
2nd Tpt
D.B.
3
3rd Hn
Tba
3
2nd Hn.
Bar.
3
T. Sax.
B Trb.
3
2nd A. Sax.
1st Tpt
3
4th Hn.
3
Cb. Cl.
1st Hn.
3
Bar. Sax.
3
B. Cl.
1st A. Sax.
3
3
Alto Cl.
3
3
Eb Cl. 1st Cl.
3
mf
C. A.
3
3
3
3
22
Picc.
195
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
cresc.
mf
3
mf
cresc.
3
f
3
3
3
mf
f
cresc.
1st Hn.
3rd Tpt
1st Cor.
2nd Cor.
B Trb.
Bar.
Tba
D.B.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
3
3
ff
3
ff
f
ff
3
3
3
3
3
3
3
3
3
f cresc.
3
3
3
3
3
3
3
3
3
3
3
3
f
cresc.
3
3
f
cresc.
3
3
3
3
3
3
f
cresc. 3
3
f
cresc.
3
3
3
3
mf
f
cresc.
3
3
3
3
mf
f
cresc.
3
3
3
3
f
cresc.
mf
3
3
3
3
f
cresc.
mf
ff
3
3
3
3
3
ff
3 3
mf
ff
ff
ff
3
3
ff
ff
3
3
3
mf
mf
ff
ff
ff
3
mf
ff
3 3 3 3 3 3 3
3
3
f
mf
3
ff
3 3 3 3 3
f
3
3
ff
3
ff
3 3 3 3 3 3 3
f
f
cresc.
3 3 3 3 mf
f
cresc.
3
3
ff
3
3 3
ff
3
ff
3
3
3
ff
3 3
f
ff
C.C.
f
f
3
3
f
cresc.
3
3
C.C.
ff
ff
ff
ff
ff
3
3
3
f 3
3
3
ff
3
f
3
f
3
3
f 3
ff
ff 3
3
ff
3
3
ff
ff
3
ff
ff
ff
ff
ff
ff
ff
f
3
3 3 3 3 3 3 3
cresc.
3 3 3 3 3
3 3 3 3 3 3 3 3 3
ff
f
ff
3 3 3 3 3 3 3
ff
f
ff
3
ff
f
ff
ff
ff
ff
mf
3
ff
f
mf
ff
3
3
3 3 3 3 3
cresc.
3
f
ff
3
3
3 3 3 3 3
mf
3 3 3 3
ff
ff
ff
3 3 3 3 3 3 3
f
3
ff
ff
3
3
3
ff
ff
f
3
mf
3 3
mf
3
ff
mf
3
3 3 3 3 3
3
mf
3 3 3
3
3
3
mf
ff
3
3
3
ff
f cresc.
mf
mf
f
3 3
f
cresc.
mf
ff
3
3
Pno.
3
mf
3
2nd Tbn.
3
f
3
f
cresc.
2nd Tpt
3
f
3
mf
1st Tbn.
mf
3 3 3 3 3 3
3
3 3
mf
3 3 3 3 3 3 3
3rd Hn
1st Tpt
2nd Hn.
4th Hn.
T. Sax.
Bar. Sax.
ff
3
3
3
2nd A. Sax.
3 3
ff 3
1st A. Sax.
ff
f
f
3
Cb. Cl.
3 3 ff
f
ff
B. Cl.
poco a poco crescendo
f 3 3 3 3 3 3 3
Alto Cl.
ff
200
3rd Cl.
3 3
f
3
2nd Cl.
f 3
Eb Cl. 1st Cl.
3 3
ff
ff
3
23
Picc.
3
3
3
3
3
206
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
2nd Cl.
3rd Cl.
Alto Cl.
Cb. Cl.
1st A. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
ff
div.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
both
3 3
3
3
3
3
3
3
3
3
3
3
3
3
Tam Tam
f
3
3
Glockenspiel
ff
3
3
3
3
3
3
3
3
3
Bar.
3
3
3
3
3
3
2nd Tbn.
1st Tbn.
1st Cor.
3rd Tpt
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2nd Tpt
Xyl.
3
Perc. 1
3
Perc.1
3
3
3
3
3
3
3
3
4th Hn.
Timp.
3
3
3
3
Hp.
Pno.
3rd Hn
D.B.
3
Tba
3
3
B Trb.
3
3
2nd Hn.
2nd Cor.
3
3
1st Tpt
T. Sax.
1st Hn.
3
3
2nd A. Sax.
Bar. Sax.
1st Cl.
B. Cl.
3
3
3
mf
3
3
3
3
24
Picc. 212
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
2nd Cl.
Cb. Cl.
1st A. Sax.
mp 3 3 3
3
3
3
mf
3 3
mf
3
3
mf
3 3
mf
3 3
3 3
mp
3
3
3
3
3 3 3 3
mp
3
3
3
3
3
3
3
3
3
p
p
3
3
p
3 3
mp
3
3 3
mp
3
3
3
p
3
3
3
p
3
mp
3
3 3
mp
3 3
3
3
3
3
3
3
p
3
3
p
3
3
p
3
3
p
3
3 3 3 3 3 3
3
3
3
mp
mp
3
3
3
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
2nd Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
3
3
3
3 3
3
3
3
3
p
3
mp
p
mp
3 3
3
3
3 3 p
f
p
mp
3 3
3 3
3 3
3 3
3
mp
mp
mp
3
3 3
3
3
3
mp
mp
3
3
3
3
3
3
3
mp
3
3
3
mp
3
3
mp 3
3 3
3
mp
3
mf
3
3 3
3
3
3
3
3
mp
3 3
3 3
3
3
mp
Bar. Sax.
1st Tpt
T. Sax.
4th Hn.
3rd Hn
2nd Hn.
1st Hn.
2nd A. Sax.
B. Cl.
Alto Cl.
3rd Cl.
Eb Cl. 1st Cl.
mp Xylophone
3 3
3 3
mp
3 3
25
217
Picc.
calmando q =86
f
1st Fl.
f
2nd Fl.
f
1st Ob.
f
2nd Ob.
f
C. A.
f
1st Bsn.
2nd Bsn.
Eb Cl.
f
f
f
1st Cl.
f-pp
2nd Cl.
f-pp
3rd Cl.
f-pp
Alto Cl.
Cb. Cl.
1st A. Sax.
f-pp
B. Cl.
mp
mp
Pno.
Timp.
Perc.1
Perc. 1
Xyl.
p
f-pp
f-pp
one, Cup mute p one, Cup mute
p one, Cup mute
p
mp
p
open
mf
mf
open
mf
mf
open
mp
mute
mp
mp
mf
mute
p
open
mp
mute
mute
mp
mp
mf
mp
mf
mf
solo
mf
mp
mp
mp
mf
f
f
mp
pp
mf
mf
open mf
mf
pp
p3
3
p 3
3
p 3
3
mf
pp
f
pp mute
pp
mf
f
pp mute
pp
pp mute
f
mute
pp
mp
Hp.
pp
mp
D.B.
Bar. Tba
mf
2nd Tbn.
B Trb.
1st Cor.
1st Tbn.
mp
f-pp
2nd Cor.
p
3rd Tpt
2nd Tpt
mf
f-pp
1st Tpt
pp
f-pp
4th Hn.
mp
3rd Hn
2nd Hn.
f-pp
1st Hn.
f-pp
Bar. Sax.
T. Sax.
2nd A. Sax.
226 "Crossing the Alps" q = 86
p
p
mp
mf
Vibraphone (motor off)
pp
p
Congas
3
mp
mf
3
mp
26
Picc.
1st Fl.
2nd Fl.
228
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
mf
Alto Cl.
B. Cl.
p
p
mf 3
f
T. Sax.
Bar. Sax.
mf
mf
p
f
p
f
3
mf
mf p
p
3
mf
p
mf
f
p
f
3
p
mf
mf
p
f
3
3
mf
3
mp
mf
3
mf
3
3
3
mf
mf
3
3
3
f
3
3
f
p
p
f
3
mf
mf mp
f
f
p
3
3
3
mf
3
mf
3
p
mf
3
f
p
3
3
3
p
3
3
3
p
3 p p
3 p
Solo
3
p
p
3
mf
mf
p
p
mf
3
3
mf
3
3
mf 3
p
f
mf
mf
mf
f
mf
3
f
mf 3
f
mf
p
mf
3 3 3 3 3 3 mf mp 3 3 f
mf
f
f
f
f
mf
3
3
3
Xyl.
3
f
mf
1st Tbn. 3 mf 2nd Tbn.
Perc. 1
1st Cor.
Perc.1
f
3
3
3rd Tpt
Timp.
f
2nd Tpt
Hp.
3
234
3rd Hn
Pno.
f
mf p
2nd Hn.
D.B.
mf
p
mf
Tba
3
p
mf
Bar.
3
3
B Trb.
mf 3
f
2nd Cor.
mf 3
f
1st Tpt
4th Hn.
3
1st Hn.
2nd A. Sax.
3 f 3 f
1st A. Sax.
mf p
3
p
3
p
3
Cb. Cl.
3
mf 3
3rd Cl.
mf 3
2nd Cl.
3
mf
Eb Cl. 1st Cl.
mf 3
mf p
3 mf 3 3 mf 3
mf
mf
3
Xylophone
mf
p
f
3
mp
f
3
27
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
236
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
3
3
3
3
3
3
3
mf
p
mf
3
3 p 3 p
mf
5
3
3
3
3
3
3
3
3
3
3
242
mf
mf mf
f
f
f
p
p
Solo
2nd A. Sax.
T. Sax.
Bar. Sax.
1st A. Sax.
1st Hn.
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
3rd Tpt
1st Cor.
mf
3
3 3 3 3 3
3
mf
3
3
mf
mf
3
3
3
3
3
3 3
3 3
3 3
3
3
mf
mf
mf
f
f
mf
f
f
str. mute
3
str. mute 3
3
3
3
str. mute
3
f
2nd Tpt
2nd Cor.
3 3
p3 str. mute 3 p
p
p3
p
3
3
3
3 3
3
3
3
3
3 3
1st Tbn.
2nd Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
p 3
3
3
3
p
3
p
3
3
3
p
f
mf
p
mf
3
mf mp
3
3
28
Picc.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
245
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
p 3
3
3
p
p 3
3
3
3
p
p 3
3
3
3
p
p 3
3
p
p 3
3 3
f
3
f
3
3
3 3 3
f
3
f
3
3
3
3
3
f
f
3
3
3
3
mf
mf
mf
mf
mf
3 3
mf
mf
mf
3
f
f
3
3
mf
3
3 3
1st A. Sax. Cb. Cl.
3
3
f
3
3
3
3
3
3
250
p
p
3
3 p
f
2nd A. Sax.
T. Sax.
Bar. Sax.
2nd Hn.
3rd Hn
1st Hn.
4th Hn.
1st Tpt
Str. mute
mf
2nd Tbn.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
mf
3 p
1st Cor.
D.B.
p
mf
Tba
3
3rd Tpt
Bar.
mf
mute
p
mf
B Trb.
mf
p
3
2nd Tpt
1st Tbn.
mute
3
mf
2nd Cor.
mute mf mute
mf
mf
3 p Str. mute
3 p Str. mute
p
3
3
3
3
3
3
mf
mf
mf
3
Xyl.
3
3
mf
3
3
f
3
mf
3
mf
3
3
29
Picc.
2nd Ob.
C. A.
255
1st Fl.
2nd Fl.
1st Ob.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
3
3
2nd Cl.
3rd Cl.
Alto Cl.
3
3
3
3
3
3
3
Cb. Cl.
3
f
3 mf p
3
f
3
f
mf 3
f
mf
f
mf
f
3
f
mf
f
p
3
3
3
mf
f
mf mf
f
p
mf
mf
B. Cl.
1st A. Sax.
3
mf
258
3
3 3
T. Sax.
Bar. Sax.
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
3
3
3
3
3
3
3
3
p 3
mf
3
p
mf
mf
p
mf
3
3
3
p
3
3
mf
f
mf
f
mf
3
f
mf
f
3
3
3
3
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
2nd Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Xyl.
3
3
f
f
f
mf
f
3
Perc. 1
p
3
mf
3
3
mf
3
f
mf
f
3
2nd A. Sax.
1st Hn.
3
mf
30
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
263
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
264
2nd Cl.
3
3
3
3
3
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
1st A. Sax.
string. e cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
T. Sax.
Bar. Sax.
3
3
3
3
3
2nd Hn.
3rd Hn
3
3
3
3
3
3
3
3
3
3
4th Hn. 3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
3 3 3 3
mf
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
open
open
2nd Tbn.
open
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Xyl.
f
f
f
3
3
3
3
3
Perc. 1
f
1st Tbn.
3
1st Tpt
3
3
2nd A. Sax.
1st Hn.
3
f Glockenspiel
f
f
3
3
3
3
31
Picc.
269
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
270
fp
fp
fp
fp
1st Bsn.
2nd Bsn.
Eb Cl.
2nd Cl.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
fp
3
3
3
B. Cl.
3
fp
fp
T. Sax.
Bar. Sax.
1st Hn.
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
fp
fp
ff
ff
ff
ff
ff
ff
ff
ff
ff
fp
ff
tutti
ff ff
fp
ff
ff
fp
fp
ff
fp
fp
2nd A. Sax.
3
ff
fp
3
Alto Cl.
1st A. Sax.
3
3rd Cl.
Cb. Cl.
3
3
fp
fp
fp
1st Cl.
Con Fuoco q=144
fp
272
fp
3
3
3
ff
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
2nd Tbn.
B Trb.
Tba
D.B.
Hp.
Timp.
Perc.1
ff
fp
fp
ff
3
3
3
3
3
ff 3
3
3
ff
ff
3
3
3
ff
3
ff
fp
fp
fp
3
Xyl.
3
Perc. 1
Pno.
fp
Bar.
ff
3
fp
f
f
f C.C.
3
f Xylophone
3
3
ff
32
276
Picc.
ff 3
1st Fl.
2nd Fl.
1st Ob.
ff
3
ff
C. A.
1st Bsn.
3
1st Cl.
3
3
3
Cb. Cl.
ff
ff
3
3
3
4th Hn.
2nd Tpt
3rd Tpt
ff
3 3
ff
3
ff
3
3
3
3
3
3
1st Cor.
2nd Cor.
1st Tbn.
ff
2nd Tbn.
ff
B Trb.
Pno.
Hp.
Timp.
ff
3
f
3
ff
3
p
f
f
f
3
3
3
f
p
f
f
f
p f
f
C.C.
3
3
3
3
3
3
fff
f
f
p
f
f
Xyl.
Perc.1 Perc. 1
D.B.
ff
Bar. Tba
f
f
p
f
1st Tpt
3rd Hn
f
3
3
Bar. Sax.
3
2nd Hn.
1st Hn.
ff
T. Sax.
3
3
3
3rd Cl.
3
3
3
3
ff
3
3
3
2nd A. Sax.
3
3
1st A. Sax.
3
B. Cl.
2nd Cl.
Alto Cl.
3
ff
Eb Cl.
3
3
ff
2nd Bsn.
3
3
2nd Ob.
280 "Hannibal fights against Romanian Imperium"
Woodblock
f
f
p
33
290
1st Ob.
2nd Ob.
C. A.
283
Picc.
1st Fl.
2nd Fl.
1st Bsn.
Eb Cl.
1st Cl.
3rd Cl.
Alto Cl.
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
p
f
p
Bar.
Perc.1
Perc. 1
Xyl.
f
f
f
mf
f
mf
mf
f
mf
f
f
mf
p
mf
f
mf
f
f
mf
p
f
mf
f
mf
f
mf
f
f
mf
f
p
p
p
mf
f
mf
f
mf
f
p
mf
f
p
mf
f
p
mf
f
p
mf
p
p
p
mf
f
mf
f
mf
f
mf
f
mf
mf
mf
p
3
p
3
3 f p
3
mp
mf
mp3
mf
3
f 3
f
3
f
f
mf
f
mf
f
f 3
p f
p
mf
f
mf
f
f
mf
mf
p
3 3 3 mp f p mf
p
f
f
mf
p
f
f
mf f
f
f
p
p mf f p mf f
p f p
f
p
f
Timp.
f
Hp.
f
f
p f
Pno.
D.B.
Tba
B Trb.
1st Tbn. 2nd Tbn.
f
1st Hn.
Bar. Sax.
Cb. Cl.
T. Sax.
2nd A. Sax.
B. Cl.
1st A. Sax.
f
2nd Cl.
f
2nd Bsn.
f
p
mf
f
3
3
mf
3
3
34
296
Picc. 294
f
f f f
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
f
fp
fp fp fp
f
f
f
f
mf 3 3 3 f 3 mf 3 3 3
3
f
f
fp
f
f
2nd Hn.
3rd Hn
1st Hn.
4th Hn.
1st Tpt
f
fp
Perc.1
f
Perc. 1
Xyl.
fp
3
fff
fff
fff
fff
fff
Tambourin
3 3 3 f 3
fff
p
mf3
f 3
mf
mf
mf
mf
mf
p3
mf
f
mf
mf
3 3 3
fff
mf
f
fff
mf
mf
f
3 3
f
mf
f
mf
fff
3 3
3 3
fff
f
mf
mf
mf
fff
mf
p
f
f
fff
p
3 p 3
fff
f
f
f
mf
f
3 3 3 3
mf
fp f 3 3 3 f 3 mf
f
3
3
f
3
f
f
3
f
f
fp
mf
Timp.
f
Tba fp
Hp.
f
2nd Tbn.
Pno.
f
f
f
1st Tbn.
D.B.
f
1st Cor.
Bar.
3rd Tpt
B Trb.
2nd Tpt
2nd Cor.
fp
3 3 T. Sax. 3 f 3 mf Bar. Sax.
f
f
f
2nd A. Sax.
fp
1st A. Sax.
f
mf
Cb. Cl.
3
B. Cl.
fp f 3 3 3
Alto Cl.
f
fp
f
3rd Cl.
Eb Cl.
2nd Cl.
f
fp
1st Cl.
f
fp
2nd Bsn.
1st Bsn.
f
C. A.
f
fp
mf
p
3
3
mf
3
35
309
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
307
Picc.
2nd Bsn.
3
f
3
3
3
3
3
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
3
3
3
f
2nd time only 2nd time only
f
f
3
3
3
3
3
f
f
3
f
fff
2nd time only
2nd time only
f
both times
both times
fff
both times
fff
fff
fff
fff
fff
fff
fff
fff
fff
both times
both times
fff both times
fff both times
fff
fff both times
fff both times
3
3
f
3 3 3 3 f
Xyl.
2nd Cor.
Perc. 1
2nd time only
Perc.1
1st Cor.
f
2nd time only
3rd Tpt
Timp.
2nd time only
Hp.
2nd time only
2nd Tpt
f
Pno.
legato
3
D.B.
3
Tba
f
Bar.
f
f
3
3
3
B Trb.
3
2nd Tbn.
f
1st Tbn.
3 3 3 3 legato f 2ndtime only
Bar. Sax.
1st Tpt
3 3 3 3
1st A. Sax.
legato
Cb. Cl.
4th Hn.
3rd Hn
f
2nd Hn.
f
1st Hn.
legato
3
T. Sax.
f
3
2nd A. Sax.
3 legato
B. Cl.
f
Eb Cl.
f
1st Bsn.
f 3 3 f
3
3
f
3
3
f
f
f
f
f
f
36
Picc. 1st Fl. 316 1.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
2.
2nd Bsn. 1st Bsn.
1st Cl.
Eb Cl.
2nd Cl.
3rd Cl.
Alto Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Hn.
3rd Hn
4th Hn.
2nd Tpt
3rd Tpt
2nd Cor. 1st Cor.
1st Tbn.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
mp
mp mp
mp
mp
div. mp
Xyl.
Perc. 1
2nd Tbn.
B Trb.
2nd Hn.
1st Tpt
Cb. Cl.
B. Cl.
318
solo ff mf f
mf
f-mf
Marimbaphone
mf
Xylophone
mf
37
Picc.
326
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
2nd Bsn. 1st Bsn.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
Cb. Cl. 1st A. Sax. B. Cl.
2nd A. Sax.
T. Sax.
Bar. Sax.
Cue Trumpet Solo
mp
p
hit with metal on your stand
p hit with metal on your stand
p hit with metal on your stand p hit with metal on your stand p hit with metal on your stand
mf
p
p hit with metal on your stand
2nd Cor.
1st Tbn.
Tba
D.B.
Pno.
Hp.
Perc. 1
Xyl.
cup mute
cup mute
mp
p
f
p
p
hit with metal on your mute or stand p hit with metal on your mute or stand
p
hit with metal on your mute or stand p
p
metal on your mute or stand hitwith
p
mf hit with metal on your mute or stand
p
p hit with metal on your mute or stand
hit with metal on your mute or stand
hit with metal on your mute or stand
hit with metal on your mute or stand
p hit with metal on your mute or stand
p hit with metal on your mute or stand
p hit with metal on your mute or stand
p hit with metal on your mute or stand
cup mute
hit with metal on your mute or stand
Solo Stand up
Perc.1 Timp.
p
Bar.
p hit with metal on your stand
B Trb.
hit with metal on your stand
2nd Tbn.
p hit with metal on your stand
1st Cor.
3rd Tpt
2nd Tpt
1st Tpt
f
p hit with metal on your stand
4th Hn.
3rd Hn
2nd Hn.
hit with metal on your stand
1st Hn.
p
hit with metal on your stand
p
hit with metal on your stand
Eb Cl.
333
38
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
335
C. A.
2nd Bsn.
1st Bsn.
Eb Cl.
1st Cl.
f
mp
3rd Cl.
Alto Cl.
Cb. Cl. 1st A. Sax.
2nd Cl.
B. Cl.
f
2nd A. Sax.
T. Sax.
Bar. Sax.
2nd Hn.
3rd Hn
4th Hn.
1st Hn.
1st Tpt
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
Bar.
Tba
D.B.
Pno.
Hp.
Perc. 1
Xyl.
f
mp
f
Perc.1 Timp.
2nd Tbn.
B Trb.
39
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
345
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
f
f
3rd Cl.
Alto Cl.
T. Sax.
2nd Hn.
3rd Hn
4th Hn.
2nd Tpt
3rd Tpt
1st Cor.
1st Tpt
2nd Cor.
f
f
mf
Bar.
mf
mf
f
f
f
f
mf
f
f
mf
f
Perc.1
Xyl.
mf
mf
Perc. 1
Timp.
mf
f
2nd Tbn.
Hp.
mf
f
Pno.
f
f
mf
f
mf
mf
D.B.
Tba
f
mf
1st Tbn.
B Trb.
f
mf
f
1st Hn.
f
f
f
f
2nd A. Sax.
Bar. Sax.
f
f
mf
f
f
f
mf
f
Cb. Cl. 1st A. Sax.
f
2nd Cl.
B. Cl.
rit.
354 Maestoso q=86
349
40
Picc. 355
1st Fl.
2nd Fl.
2nd Ob.
C. A.
1st Bsn.
Eb Cl.
1st Ob.
2nd Bsn.
Alto Cl.
mf
mf
f
mf
f
f
mf
mf
mf
f
7
f
1st Cor.
2nd Cor.
mf
mf
Timp.
Perc.1
Perc. 1
Xyl.
f
f
f
f
f
mf
mf
mf
f
mf
f
Hp.
f
f
f
mf
f
mf
f
mf
f
mf
f
Bar.
Pno.
f
f
f
mf
f
7
mf
f
f
mf
mf
mf
mf
mf
D.B.
3rd Hn
Tba
B Trb.
7
2nd Tbn.
1st Tbn.
f
3rd Tpt
7
2nd Tpt
1st Tpt
mf
2nd Hn.
4th Hn.
T. Sax.
f
2nd A. Sax.
1st Hn.
B. Cl.
3rd Cl.
2nd Cl.
Bar. Sax.
1st A. Sax.
1st Cl.
Cb. Cl.
7
mf
f
Tubular Bell
mf
41
Picc.
364
363
ff
1st Ob.
2nd Ob.
B. Cl.
Cb. Cl.
1st Fl.
2nd Fl.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
1st A. Sax.
2nd Hn.
3rd Hn
p
molto espressivo
p
p
molto espressivo
mp
mp
mf
mp
mf
molto espressivo
p
Bar. Sax. 1st Hn.
p
T. Sax.
molto espressivo
2nd A. Sax.
mp
mf
mp
f
mf
mf
B Trb.
Bar.
p
mp
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
mf
mf
mf
f
f
f
f
mf
Pno.
mf
Tba
D.B.
f
2nd Tbn.
f
1st Tbn.
f
f
f
2nd Cor.
f
ff
1st Cor.
1st Tpt
3rd Tpt
2nd Tpt
ff
mf
ff
mf
ff
f
ff
f
4th Hn.
mf
mf
f
f
f
f
f
f
f
S.C.
mf
42
"Hannibal near Roma" q = 168
Picc. 375
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
ff
p
mp
p
mp
p
mp
p
mp
ff
ff
ff
p
mp
p
mp
p
mp
p
mp
p
mp
p
mp
mp
mp
p
mp
p
mp
mp
p
ff
mf
mf
mf
mf
mp
mf
mp
mf
mp
mf
mp
mf
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mp
mf
mf
mp
mf
mp
mf
mp
mf
f
f
mf
f
mf
f
mf
f
f
mf
f
mf
f
mf
f
mf
mf
mf
mf
f
f
mf
f
mf
f
mf
f
mf
f
mf
f
mf
mf
f
mf
f
mf
mf
f
mf
f
mf
f
mf
f
f
f
mf
f
mf
f
f
mf
f
mf
f
f
mp
mf
f
f
mf
f
mf
f
mf
f
mf
f
mf
f
f
mf
f
mf
f
mf
mp
mf
mp
mf
mp
mf
1st Cor.
ff
ff
ff
2nd Tbn.
ff
Tba
ff
div.
p
mp
p
p
mp
p
mp
mp
mf
mf
mf
p
mp
p
mp
div.
p
mp
mp
p
p mp
p mp p
mp
p
p
mp
p
mp
mp
mp
p
mp
mf
mf
f
mp
mf
mp
mf
mp
mf
mf
mf
mp
mp
mp mf mp
mf
mf
mp
mf
mp
mp mf mp
mp
mf
f
f
mp mf mf
f
mp
mf
mf
mp
mf
mp
mf
mp
mf
f
f
mf
f
mf
f
mf
f
f
f
mf
f
f
mf
f
f
mf
mf
mf
mf
f
mf
f
f
mf
f
mf
mf
f
f
mf
mf
mp
f
mf
mf
mf
mp
mp
mf
mf
mf
mp
mp
mf
f
mf
mp
mp
mf
mf
f
mf
mf
ff
f
3rd Tpt
mf
f
mf
mf
mf
ff
mf
f
mp
mf
2nd Tpt
mf
ff
mf
ff
mp
mf
f
mf
mf
mp
f
f
mf
mf
mf
f
f
f
mf
mf
mf
f
f
f
f
f
mf
mf
f
mf
f
f
mf
mf
f
mp
f
mf
mp
mf
mf
ff
mf
mp
ff
4th Hn.
p
mp
mp
p
mp
p
p
p
mf
mp
3rd Hn
p
ff
ff
2nd Hn.
Xyl.
Bar. Sax.
Perc. 1
T. Sax.
Perc.1
2nd A. Sax.
Timp.
Hp.
Cb. Cl.
Pno.
D.B.
Bar.
B. Cl.
B Trb.
1st Tbn.
Alto Cl.
2nd Cor.
mp
3rd Cl.
1st Tpt
p
2nd Cl.
1st Hn.
mp
1st Cl.
1st A. Sax.
p
2nd Bsn. Eb Cl.
f
mf
f
mf
f
mf
f
mf
f
mf
mf
f
f
mf
f
mf
mf
f
mf
f
mf
f
f
43
399
Picc.
1st Ob.
2nd Ob.
390
1st Fl.
2nd Fl.
391 piu mosso
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
mp
mp
f
3rd Cl.
f
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mf
mp
mp
mp
mf
mf
p
4th Hn.
2nd Tpt
3rd Tpt
f
f
mf
mf
mp
mf
mf
mf
mp
mf
mp
mf
mf
mp
mp
mf
mf
mp
mf
mf
mp
mf
mp
mp
mf
mp
mf
mf
f
mp
mf
f
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mp
mp
p
p
mf
p
mf
2nd Cor. 1st Tbn.
2nd Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
f
mp
f
f
mf
f
mp
mf
mp
mf
mp
mf
f
mf
f
mf
f
f
mf
f
f
f
mf
f
mf
mf
f
f
f
mf
mf
f
mf
f
f
mf
f
f
mf
mf
mf
mf
f
mf
f
f
mf
f
mf
f
f
mf
f
mf
mf
mp
f
mf
mf
mf
f
mf
f
f
mf
mf
mf
f
f
f
mf
f
mf
mf
f
f
mf
f
f
mp
mf
f
f
f
f
mf
mf
f
f
f
mf
mf
mf
f
f
f
mf
mf
mf
f
f
mf
mf
mf
f
mf
f
mp
p
mf
f-p
f-p
mp
mf
f
f
mf
mf
f
f
mf
mf
f
f
f
mf
mf
mf
f
mf
mf
mf
mf
f
f
f
f
f
mf
mf
f
mf
f
mf
f
mf
mf
f
mf
f
mf
f
mf
mf
f
mf
f
f
mf
f
mf
mp
mf
f
mf
f
mp
mf
mf
mf
f mp mf f-p
mf
f
f
mf
f
mf
f
f
mf
mf
f
f
mf
mf
f
f
1st Cor.
mf
mf
f
f
f
mf
mf
mf
mf
f
mf
f
mf
mp
f
f
piu mosso
mp
mf
mf
mf
f
mp
f
f
mf
mf
mf
mf
mp
mp
f
mf
mf
mf
f
mf
mf
mp
mp
mp
mp
mp
p
mp
mp
mp
mp
1st Tpt
3rd Hn
2nd Hn.
1st Hn.
Bar. Sax.
T. Sax.
f
1st A. Sax. 2nd A. Sax.
f
mf
piu mosso
piu mosso
mf
f
f
mf
f
f
mf
f
Perc. 1
Xyl.
f
f
mf
f
mf
Glockenspiel
mf
mf
f
mf
f
mf
f
44
Picc.
2nd Fl.
1st Ob.
403
1st Fl.
2nd Ob.
C. A.
Eb Cl.
f
f
mf
f
mf
f
mf
f
mf
f
mf
f
mf
f
mf
f
Bar. Sax.
1st Hn.
f
f
f
1st Tpt
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
B Trb.
D.B.
Hp.
Timp.
ff
f
f
f
f
f
p
ff
ff
sfp
ff
sfp
ff
p
ff
ff
p
ff
sfp
ff
ff
ff
ff
ff
ff
ff
ff
mf
f
f
ff
Perc. 1
Xyl.
mf
f
f
ff
ff
ff
ff
sfp
ff
ff
ff
sfp
sfp
ff
ff
ff
sfp
ff
ff
ff
sfp
ff
sfp
ff
sfp
sfp
mf
ff
sfp
ff
sfp
sfp
ff
sfp
ff
ff
sfp
ff
sfp
ff
ff
mf
ff
ff
mf
ff
mf
ff
ff
ff
sfp
ff
mf
ff
ff
ff
mf
mf
ff
ff
sfp
sfp
ff
ff
sfp
sfp
ff
ff
ff
ff
sfp
mf
ff
ff
ff
sfp
ff
mf
ff
ff
sfp
ff
ff
mf
ff
sfp
ff
sfp
ff
sfp
ff
ff
ff
mf
mf
ff p
ff
ff
mf
ff
ff
ff
sfp
ff
sfp
mf
ff
ff Tubular Bells
ff
ff
p
ff
mf
ff
ff
sfp
mf
p
ff
p
ff
sfp
mf
ff
sfp
ff
ff
mf
ff
sfp
ff
p
ff
sfp
sfp
ff
p
ff
ff
p
ff
p
ff
sfp
ff
ff
sfp
ff
p
ff
ff
sfp
ff
f
ff
ff
sfp
ff
ff
p
ff
ff
ff
p
mf
ff
p
f
ff
ff
ff
sfp
ff
sfp
sfp
sfp
sfp
mf
ff
ff
ff
p
ff
mf
sfp
f
ff
ff
ff
ff
ff
ff
sfp
mf
ff
ff
sfp
ff
sfp
sfp
p
sfp
ff
ff
ff
ff
mf
ff
sfp
ff
f
ff
f
ff
mf
f
ff
ff
p
ff
sfp
ff
f
ff
mf
ff
sfp
ff
ff
f
ff
mf
ff
p
ff
ff
f
ff
sfp
ff
ff
f
p
ff
ff
ff
ff
sfp
p ff sfp
p
f
ff
f
f
f
f
f
f
ff
sfp
ff
mf
ff
p
ff p p
f
f
mf
ff
f
mf
f
mf
ff
mf
Perc.1
f
f
mf
ff
mf
f
f
mf
f
q. = 128 e=e
mf
Pno.
f
f
Bar. Tba
ff
mf
f
2nd Tbn.
mf
ff
molto accel.
f
f
4th Hn.
mf
ff
3rd Hn
f
2nd Hn.
ff
mf
f
1st A. Sax.
T. Sax.
mf
2nd A. Sax.
ff
407
mf
f
B. Cl.
Alto Cl.
f
3rd Cl.
2nd Cl.
mf
mf
mf
1st Cl.
Cb. Cl.
1st Bsn.
2nd Bsn.
piu mosso
sfp
45
Picc. 412
1st Fl.
C. A.
Eb Cl.
f
f
ff
mf
mf
Bar. Sax.
ff
f
f
f
f
f
f
f
f
f
f
f
f
f
f
2nd Hn.
3rd Hn
4th Hn.
mf
ff
mf
ff
f
3rd Tpt
2nd Tpt
1st Tpt
T. Sax.
1st Hn.
2nd A. Sax.
B. Cl.
Alto Cl.
3rd Cl.
413 "the last Battle"
2nd Cl.
1st A. Sax.
1st Cl.
Cb. Cl.
1st Bsn.
2nd Bsn.
2nd Ob.
1st Ob.
2nd Fl.
f
f
f
f
f
1st Cor.
2nd Cor.
1st Tbn.
mf
2nd Tbn.
mf
ff
mf
ff
mf
Bar. mf
Tba
D.B.
Pno.
Timp.
Perc.1
Perc. 1
Xyl.
ff
f
mf
Hp.
mf
f
mf
B Trb.
ff
Xylophone ff
f
ff
f double bassdrum
46
421
Picc.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
Eb Cl.
429
1st Fl.
2nd Bsn.
f
f
2nd Cl.
Alto Cl.
f
f
f
f
2nd A. Sax.
T. Sax.
Bar. Sax.
f
f
f
f
f
B Trb.
f
f
f
f
f
f
Perc. 1
Perc.1
Timp.
Hp.
2nd Tbn.
Pno.
1st Tbn.
D.B.
f
f
Tba
Bar.
4th Hn.
2nd Cor.
1st Cor.
3rd Hn
3rd Tpt
2nd Tpt
2nd Hn.
1st Tpt
f
1st Hn.
f
1st A. Sax.
f
f Cb. Cl. B. Cl.
f
1st Cl.
3rd Cl.
f
f
f
f
f
Hihat
Xyl.
f
f
double bassdrum
f
47
Picc.
430
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
Cb. Cl. B. Cl.
Bar. Sax.
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
1st Hn.
T. Sax.
Alto Cl.
2nd A. Sax.
3rd Cl.
1st Cor.
2nd Cor.
2nd Tbn.
B Trb.
fp
fp
fp
f
fp
f
fp
f
fp
f
fp
f
f
f
f
f
f
fp
f
fp
fp
fp
fp
fp
fp Perc.1 Timp.
f
fp
Hp.
f
fp
f
fp
fp
f
Pno.
f
f
f
Tba D.B.
f
fp
f
fp
f
f
fp
3rd Tpt
f
2nd Tpt
Bar.
1st Tbn.
f
437
1st A. Sax.
2nd Cl.
Perc. 1
Xyl.
f
48
446
Picc. 439
1st Fl.
2nd Fl.
2nd Bsn.
1st Ob.
2nd Ob.
C. A.
f
1st Bsn.
f
3
3
3
f 3
f
Eb Cl.
3
f 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
Cb. Cl.
3
3
3
3
f
3
3
3
3
3
3
3
4th Hn.
1st Tpt
f 3
f
f
2nd Hn.
3
3
3
3
3
3
3
3
3
f
2nd Tpt
3rd Tpt
f
Perc.1
Perc. 1
Xyl.
3
3
f
3
f 3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
f
3
3
3
open
sfz
3
3
f
3
3
f
ff
3
3
ff
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
p
f
mf
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f
3
3
3
3
3
3 3 3 3 3 3
3
3
mf
3
3
3
ff 3
3
ff
ff
3
3
ff
3 3 3 3 3
sfz
f
3
3
3 3 3 3 3
3
3
3
3
ff
3
f
3
3
3
3
3
3
3
3
ff
3
3
f
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
f
f
f 3 3
3
3
3
3
3
f
3
f
3
3 3 3 3
3
3
ff
3
3
3
3
3 3 3 3
3 3
f
3
3
ff
3
3
f 3
3
3
3
3
3
f
3
3
3 3
3 3
Timp.
f Bar.
B Trb.
Hp.
f
3
1st Tbn.
Pno.
3
2nd Cor.
f
3
3
D.B.
Tba
3
f
3
3
3
f
2nd Tbn.
3
f
1st Cor.
mf
3
f
3
3
3
f
3 3 3 3 3 3 3
3
3
f
3
3
f
3
3
3
3
3
3
f
3rd Hn
3
f
3
3
f 3
3
3
3
3
3
3
f
f
f
1st Hn.
3
mf
Bar. Sax.
3
3
3
3
3
f
3
ff
f
3
T. Sax.
3
mf
3
3 3
3
3
3
3 3 3 3 3 3 3 3 3 3
f
3
3
3
3
3
3
3
3
2nd A. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
f 3
3
3
1st A. Sax. f
f
3
3
f
3
3
3
3rd Cl.
B. Cl.
3
3
3
f
3
3
2nd Cl.
3
3
3
3
f
Alto Cl.
f
1st Cl.
f
mf
f
mf
3 f 3
3
f Triangel
f
f
sfz
3
3
3
3
3
f
3
3
Xylo3 3 mf
3
3
3
f
f
49
450
3
449
Picc.
fp
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
ff
ff
fp
ff
fp
fp
1st Bsn.
ff
3
ff
C. A.
ff
f
3
3
mp
3
mp
3
3
Eb Cl.
1st Cl.
f
3
3
3
fp
ff
3
fp
ff
2nd Cl.
fp
3
3
3
f
ff
3
3
3
3
3
1st A. Sax.
3
ff
ff
ff
3
3 ff
3
3 3
1st Hn.
2nd Hn.
f
3
3
3
ff
ff
ff
3
3
3
f
ff
3
f
3rd Hn
3
3
f
4th Hn. 3
3
fp
ff
2nd Cor.
ff
fp
fp
3
2nd Tbn.
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
f
f
Timp.
Perc.1
Perc. 1
3
3
3
3
3
3
3
3
3
3
f 3 3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3 3
3
3
f 3
3
3
3
3
3
3
3
3
3 3
3
f
3
f
3
3
3 3
3
f
3
3 3
3
3
3
3
3
ff C.C.
f
ff
3
3 3
3
mf
3
3
mf
3
3
f
3
3 Xyl.
f
3
ff
3
3
3
Xylo
3
3
3
3
3
ff
3
3
ff
3
3
3
3
ff
3 3 3 f 3
fp
3
3
f
3
f
mp
3
3
3 3
3
f
f
3
mp
f
3
f
mf
3
3
ff
f
3
3
3
3
f
3
3
f
3
3
3
3
3
3 3
3
3 3 3 3
f
3
mp
Hp.
3
f
mp
f
f
f
3 3 3 f p 3
3
3
3
p
3 3 3 f 3
3
3 3 3
mf
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
f
3
f
3
3
3 3 3 Tba 3 f
Pno.
f
3 3 3
3
f
mf
3 3 3 3 3 3 3 3 3 3 3 3 3 3 Bar. 3 3 3 3 3 f
D.B.
3
mf
3
3
ff
3 3 3
3
ff
1st Tbn.
Btrb.
f
ff
fp
1st Cor.
3rd Tpt
ff
fp
3
f
3
2nd Tpt
3
ff
f
1st Tpt
3
3
3 Bar. Sax.
3
3
T. Sax.
3
3
f
2nd A. Sax.
3
B. Cl.
Cb. Cl.
ff
3
Alto Cl.
3
ff
3rd Cl.
3
3
3
mf
3 3
3
3
3
3
3
3
f
3
3 3 3 3 3 2nd Bsn. 3 3
3 3 3 3 3 3 3
3
3
mf
fp
mp
3
mf
mf
f
3
3 3 3
mf
f
3
3
mf
3
3
3
3
mf
3
3 3
3
f
3
3 3 3
f
3
mf
3
3
f
3
f
3
50
Picc.
459
1st Fl.
2nd Fl.
ff
3
3
3
3
3
3
3
3
ff
ff
2nd Ob.
C. A.
1st Ob.
1st Bsn.
2nd Bsn.
Eb Cl.
3 3 3 3 3
3
3
f
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2nd Cl.
3rd Cl.
Alto Cl.
3
f
1st A. Sax.
f
f
T. Sax.
3
f
4th Hn.
1st Tpt
2nd Tpt
3rd Tpt
3
3
3
3
3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
ff
3
3
3
3
3
3
3
3
3
3
3 3 Bar.
f
f
3
3
f
ff
ff
ff
f
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
ff
Xyl.
Perc. 1
Perc.1
Timp.
ff
Hp.
f
Pno.
D.B.
3
Tba
3
3
f
3
ff
ff
3
3
ff
ff
3
3
3
3
3
3
3
1st Tbn.
Btrb.
3
3
3
3
3
3
2nd Tbn.
3
3
3
3
3
3
3
3
3
3
3
3
f
2nd Cor.
3
1st Cor.
3
3
3rd Hn
2nd Hn.
3 3 3
3
3
1st Hn.
3
f
Bar. Sax.
3
3
2nd A. Sax.
3 3
3
f 3 3 Cb. Cl.
3
ff
3
ff
1st Cl.
B. Cl.
ff
3
3
3
ff
f
B.D.
f
Glockenspiel
f
3
3
f
3
51
468
q = 168
Sing (div.): Picc. Ha - ni-bal Sing (div.): 1st Fl. Ha - ni-bal Sing (div.): 2nd Fl. Sing (div.):
1st Ob.
2nd Bsn.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
pp
f
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Sing (div.):
Alto Cl.
Ha - ni - bal
B. Cl.
f
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Sing (div.): f
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.):
2nd A. Sax.
T. Sax.
Ha - ni - bal
Bar. Sax.
Ha - ni - bal
Sing (div.): f
2nd Hn.
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por - tas!
an - te por - tas!
Ha - ni - bal
an - te por - tas!
an - te por - tas! Ha - ni - bal
Btrb.
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
p
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
an - te por- tas!
an - te por -tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
p
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
p
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por -tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por- tas!
mp
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
mp
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
mp
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por -tas! Ha - ni - bal
Ha - ni - bal
an - te por -tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
mp
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Sing (div.):
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por - tas!
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
mp
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
f
f
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
p
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
p
an - te por - tas!
mp
mf hose (tuned b) mp hose (tuned e)
cresc. poco a poco
cresc. poco a poco
pp
cresc. poco a poco
p
cresc. poco a poco
mp
cresc. poco a poco
mp Vibraphone (motor on)
Xyl.
Ha - ni - bal
Perc. 1
Ha - ni - bal
an - te por - tas!
f
Perc.1
Ha - ni - bal
Ha - ni - bal
Timp.
an - te por- tas!
Ha - ni - bal
pp
Hp.
Ha - ni - bal
Ha - ni - bal
Tba
Pno.
Bar.
D.B.
Ha - ni - bal
Sing (div.):
an - te por - tas! Ha - ni - bal
Sing (div.):
2nd Tbn.
an - te por- tas!
Ha - ni - bal
Sing (div.):
an - te por - tas!
Sing (div.): 2nd Cor.
1st Tbn.
Ha - ni - bal
Sing (div.):
1st Cor.
Ha - ni - bal
Sing (div.): Ha - ni - bal
3rd Tpt
Ha - ni - bal
Ha - ni - bal
2nd Tpt
Ha - ni - bal
Ha - ni - bal
Sing (div.):
3rd Hn
1st Tpt
3rd Cl.
4th Hn.
Sing (div.):
2nd Cl.
1st Hn.
Ha - ni - bal
an - te por - tas!
Sing (div.): Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.): 1st Cl.
1st A. Sax.
an - te por - tas!
an - te por - tas!
Eb Cl.
Cb. Cl.
an - te por - tas!
Ha - ni - bal
1st Bsn.
Ha - ni - bal
Ha - ni - bal
Sing (div.):
C. A.
Ha - ni - bal
Ha - ni - bal
Sing (div.):
2nd Ob.
cresc. poco a poco
mf
52
Picc.
491
482
Ha - ni - bal 1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
1st Bsn.
2nd Bsn.
Ha - ni - bal 1st Cl. Eb Cl.
Ha - ni - bal
2nd Cl.
3rd Cl.
1st Hn.
1st Tpt
Tba
D.B.
Hp.
Timp.
Xyl.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por - tas!
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
cresc. poco a poco
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
ff
ff
ff
ff
repeat freely
repeat freely
repeat freely
repeat freely
repeat freely
repeat freely
ff
ff
repeat freely
ff
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
ff
Ha - ni - bal
ff
Ha - ni - bal
Ha - ni - bal
ff
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
cresc. poco a poco
repeat freely
ff
repeat freely
ff
Ha - ni - bal
Ha - ni - bal
ff
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
mf
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
cresc. poco a poco
mf
cresc. poco a poco
mf
cresc. poco a poco
mf
cresc. poco a poco
mf
ff
cresc. poco a poco
mf
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
mf
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
ff
Ha - ni - bal
repeat freely
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
ff
ff
Perc.1 Perc. 1
Ha - ni - bal
Pno.
2nd Tbn.
Bar.
an - te por - tas!
an - te por - tas!
Ha - ni - bal
Btrb.
an - te por - tas!
Ha - ni - bal
1st Tbn.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
2nd Cor.
Ha - ni - bal
an - te por - tas!
1st Cor.
Ha - ni - bal
an - te por - tas!
3rd Tpt
Ha - ni - bal
2nd Tpt
Ha - ni - bal
Ha - ni - bal
mf
Ha - ni - bal
4th Hn.
cresc. poco a poco
3rd Hn
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
2nd Hn.
Ha - ni - bal
Bar. Sax.
Ha - ni - bal
repeat freely
Ha - ni - bal
T. Sax.
2nd A. Sax.
Ha - ni - bal
Cb. Cl. 1st A. Sax.
Ha - ni - bal
Ha - ni - bal
B. Cl.
an - te por - tas!
mf poco a poco cresc.
Alto Cl.
Ha - ni - bal
Ha - ni - bal
poco a poco accelerando
an - te por - tas!
p
cresc. poco a poco
cresc. poco a poco
ff
Tam Tam
fff
ff
ff
Anvil (two hammers)
ff
53
Picc.
497
496
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
"Hannibal loses"
2nd Cl.
3rd Cl.
Alto Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Hn.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
mf
mf
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
f
f
f
f
f
f
fff
f
fff
fff
Xylophone
f
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
mf
fff
fff
mf
Bar. Tba
f
1st Tbn.
fff
f
f
f
fff
f
f
Btrb.
f
2nd Tbn.
fff
fff
fff
fff
1st Tpt
3rd Hn
f
f
mf
mf
fff
mf
f
2nd Hn.
4th Hn.
fff
1st Cl.
B. Cl.
f
fff
f
mf
fff
f
Eb Cl.
f
fff
54
501
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
3
3
3
3
3
3
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
T. Sax.
Bar. Sax.
1st Hn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3rd Hn
4th Hn.
dim.
dim.
3
3
3
dim.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
2nd Tbn.
Btrb.
Bar.
3
Tba
D.B.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Marimba
3 Xyl.
3
3
dim.
3
3
3
3
dim.
3
dim.
3
3
3
f
Perc. 1
3
C.C. Perc.1 Timp.
3
3
Hp.
3
Pno.
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
dim.
dim.
2nd Hn.
1st Tpt
3
1st A. Sax. 2nd A. Sax.
3
3 3
3
3
3
molto ritardando
3
1st Cl.
503
Picc.
p
3
55
Picc.
"Hannibal poisons himself"
507 cantabile q = 64
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
2nd Bsn.
Eb Cl.
1st Bsn.
pp
Solo
1st Cl.
mf
p
2nd Cl.
Alto Cl.
B. Cl.
mp
3
3
mp3
3
mp3
3
mp3
3
3
3
3
3
3
3
3
3
p
p
3
3
3
3
3
3
3
3
3
poco a poco cresc.
poco a poco cresc.
3
3
poco a poco cresc.
1st A. Sax.
10
3 3 3 3 3 3 3 3 3 3 3 3 p
3rd Cl.
Cb. Cl.
515
3
poco a poco cresc.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Hn.
3rd Hn
4th Hn.
1st Tpt
p
p
p
cup mute
poco a poco cresc.
open
open
open
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
cup mute
cup mute
Xyl.
Perc. 1
Perc.1
Timp.
p
Hp.
pp
Pno.
Tba
D.B.
2nd Tbn.
Bar.
1st Cor.
Btrb.
3rd Tpt
1st Tbn.
2nd Tpt
2nd Cor.
p
2nd Hn.
mp
mp
mp
mp
mp
mp
mute
p
3
3
3
3
3
3
3 3 3 3 3
3
mf
3
3
poco a poco cresc.
p
3
3
3
3
3
3
3
3
3
3
3
3
poco a poco cresc.
S.C.
p
mf
Glockenspiel mp3
3
3
3
56
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
521
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
3
3
poco a poco cresc.
3rd Cl.
B. Cl.
3
3
f
4th Hn.
1st Tpt
D.B.
Pno.
Hp.
Timp.
Xyl.
f
3
3
3
3
3
f
3
3
3
3
3
f
poco a poco cresc.
3
3
3
3
3
f
poco a poco cresc.
3
3
3
3
3
f
3
3
3
3
3
3
3
poco a poco cresc.
3
3
f
f
poco a poco cresc.
fp
fp
fp
fp
f
f
f
fp
fp
3
3
3
3
3
3
3
3
fp
fp
fp
fp
f
f
open
f
fp
f
fp
f
fp
f
f
3
3
fp
fp f
fp
3
fp
fp
3
f
f
fp
3
3
3
3
f
fp
f
fp
B.D.
mp
f
mp
fp
f
mp
f
fp
fp
mp
f
fp
f
f
f
f
fp
f
f
fp
f
f
poco a poco cresc.
fp
3
3
f
fp
fp
3
f
f
f
f
mp
mf
3
mp
f
mf
mp
f
f
3 3
3
fp
f
f
fp
f
3
fp
f
fp
fp
f
f
poco a poco cresc.
fp
Perc.1 Perc. 1
3
poco a poco cresc.
3
Tba
poco a poco cresc.
2nd Tbn.
Bar.
1st Cor.
Btrb.
3
f
3rd Tpt
1st Tbn.
3
poco a poco cresc.
2nd Tpt
2nd Cor.
3
f
3rd Hn
3
fp
2nd Hn.
1st A. Sax.
T. Sax.
2nd A. Sax.
Alto Cl.
1st Hn.
f
f
3
fp
poco a poco cresc.
Bar. Sax.
f
2nd Cl.
Cb. Cl.
527
mp
fp
fp
mp
mp
3
3
mf
mp
3
3
mf
f
soft sticks
p
57
541
Picc. 537
mf
cresc.
mf
cresc.
1st Bsn.
2nd Bsn.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
Eb Cl.
1st Cl.
mf
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
cresc.
mf
cresc.
mf
mf
mf
cresc.
mf
cresc.
mf
cresc.
cresc.
cresc.
cresc.
mf
3rd Hn
mf
cresc.
mf
cresc.
mf
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
f
3
3
3
3
3
3
3
3
f
f
f
3
3
3
3
3
3
3
3
3
3
3
3
mf
f
cresc.
f
tutti
f
f
f
f
f
f
f
f
2nd Hn.
4th Hn.
mf
T. Sax.
1st Hn.
2nd A. Sax.
Bar. Sax.
f
2nd Cl.
f
1st Fl.
cresc.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tpt
1st Tbn.
mf
cresc.
2nd Tbn.
mf
cresc.
Btrb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
mf
mp
mf
cresc.
mf
f
f
f
f
cresc.
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
3
3
3
3
3
3
3
3
3
3
3
f
cresc.
mp
mf
cresc.
cresc. S.D.
f
f
3
3
3
3
3
3
3
3
3
3
3
3
mf Floor Tom
mf
Xylophone f
58
550
Picc. 546
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
3
3
3
3
3
3
3
3
3
3
3
mf
3
mf
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
f
Perc.1 Perc. 1
f
3
3
3
f
Bar.
4th Hn.
3
f
3
f
Xyl.
3
3rd Hn
Timp.
3
3
Hp.
3
2nd Hn.
Pno.
3
D.B.
1st A. Sax.
Tba
3
Btrb.
2nd Tbn.
3
1st Tbn.
1st Tpt
Alto Cl.
1st Hn.
Bar. Sax.
3rd Cl.
T. Sax.
2nd A. Sax.
2nd Cl.
Cb. Cl.
B. Cl.
Marciale q = 120
1st Cl.
f
ff
f
3 3 3 3 3 3
mf
f
59
accelerando
2nd Fl.
1st Ob.
552
Picc.
ff
play
ff
ff 1st Fl.
sing (very loud!)
Ha sing (very loud!)
C. A.
Ha
1st Bsn.
2nd Bsn.
Eb Cl.
-
-
Alto Cl.
tas!
por
-
tas!
por
-
tas!
sing (very loud!) -
-
ni
Ha sing (very loud!) -
-
-
-
ni
-
ni
-
ni
-
al
te
-
ba
-
-
ba
-
ba
-
-
ba
-
an
al
an
-
al
an
-
te
-
al
an
-
te
-
-
al
-
-
por
te
-
te
por
-
tas!
ni
Ha sing (very loud!)
ni
-
-
Ha sing (very loud!)
ni
-
sing (very loud!)
ni
-
-
-
Ha sing (very loud!)
ni
Ha sing (very loud!)
ni
3rd Tpt
Ha
ni
-
-
sing (very loud!)
Ha sing (very loud!)
ni
Ha
ni
-
-
-
-
-
-
-
-
-
-
-
-
-
ba
-
ba
-
ba
ba
-
ba
-
ba
-
-
-
-
-
-
ba
-
te
an
an
-
te
al
an
-
te
al
an
-
al
al
-
al
an
-
al
an
-
al
-
-
-
-
ba
-
-
ba
-
2nd Tbn.
3
3
3
-
3
3
3
3
-
-
al
an
al
3
3
3
-
an
3
3
3
3
3
3
3
ff
te
por
ba
-
ba
-
-
ba
-
ni
Ha sing (very loud!)
ni
-
Ha
ni
-
-
-
-
-
an
al
an
-
te
-
al
an
-
te
-
al
an
-
te
-
al
por
-
-
al
an
-
te
por
-
tas!
Ha sing (very loud!)
ni
-
-
ba
-
-
al
an
-
te
por
-
tas!
Ha
-
ni
-
-
ba
-
-
al
an
-
sing (very loud!)
-
ba
-
al
an
-
-
ba
-
al
an
-
-
ba
-
al
an
-
-
ba
-
al
an
-
-
-
por
por
por
-
tas!
-
tas!
-
-
-
tas!
tas!
tas!
3
3
3
Ha sing (very loud!)
ni
Ha sing (very loud!)
ni
Ha
-
ni
sing (very loud!)
Ha sing (very loud!)
ni
Ha
ni
3
3
3
3
3
f
ff
3
3
3
-
-
-
ba
-
-
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
-
tas!
por
-
tas!
te
por
-
tas!
te
por
-
tas!
te
por
-
tas!
te
por
-
tas!
te
por
-
tas!
te
por
-
tas!
por
tas!
ff
-
3
3
3
3
3
3
3
3
3
3
an
3
al
tas!
-
-
-
3
3
-
-
-
3
-
3
3
3
3
-
3
3
3
-
-
3
3
-
tas!
-
ba
-
-
-
-
3 3 3 3 3 3 3 3 3 3 Perc. 1
-
ba
ni
Perc.1
-
sing (very loud!)
-
Ha sing (very loud!)
ni
-
tas!
-
-
f
-
Ha
por
por
Glockenspiel
te
-
Xyl.
an
al
Timp.
-
-
tas!
-
te
ba
3
por
-
-
3
an
tas!
-
al
-
3
-
por
sing (very loud!)
f
te
tas!
-
-
-
3
por
ni
por
3
Hp.
-
te
al
te
3
3
ba
-
an
Ha sing (very loud!)
3
-
an
3
3
play
-
al
-
3
-
tas!
por
te
-
ba
-
te
3
-
-
ba
por
te
-
3
3
3
ni
-
-
3
Pno.
Ha
-
3
ff
te
3
Tba
D.B.
-
f
te
-
an
3
3 Btrb. Bar.
ni
Ha sing (very loud!)
3
3
1st Tbn. 3
Ha sing (very loud!)
tas!
por
-
-
(very loud!) sing
tas!
-
tas!
por
ni
Ha sing (very loud!)
Ha sing (very loud!)
f
sing (very loud!)
2nd Tpt
2nd Cor.
an
-
por
Ha
1st Cor.
-
-
te
4th Hn. 1st Tpt
al
an
Bar. Sax.
3rd Hn
an
-
2nd Hn.
-
-
al
Cb. Cl.
1st Hn.
ba
-
T. Sax.
-
-
-
Ha
2nd A. Sax.
-
-
ba
B. Cl.
1st A. Sax.
ni
ba
te
Ha sing (very loud!)
3rd Cl.
-
-
sing (very loud!)
sing (very loud!)
2nd Cl.
-
ni
Ha
1st Cl.
ni
Ha sing (very loud!)
2nd Ob.
ff
f
f
3 3 3 3 3 3 3 3 3 3 3 3
ff
60
561 "destruction of Karthageno" q =144
560
Picc.
ff
2nd Fl.
1st Ob.
ff ff
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
T. Sax.
1st Hn.
ff
ff
ff
1st Cor.
2nd Cor.
D.B.
f
3
f
f
ff
f
ff
f
ff
ff
ff
f
ff
3
f
f
ff
f
3
ff
f
ff
f
ff
f
ff
f
f
f
3
3
f
3
3
f
ff
f
ff
f
ff
f
ff
ff
ff
f
ff
3 3
ff
f
3
ff
f
3
3
3
ff
3
f
ff
ff
f
3
3
3
ff
ff
f
ff
f
ff
ff
3
3
sim.
ff
3 3
3
ff
3
f
3
ff
ff
f
ff
ff
ff
f
ff
ff
f
ff
ff
ff
sim. ff
sim.
ff
ff
ff
Perc.1 3 3 3 Perc. 1
ff
ff
Timp.
Xyl.
ff
Hp.
Pno.
Bar. Tba
sim.
ff
sim. ff ff
ff
ff
Btrb.
ff
2nd Tbn.
sim.
3rd Tpt
ff
ff
2nd Tpt
ff
sim. sim. ff ff
1st Tbn.
1st Tpt
ff
ff
3rd Hn
4th Hn.
ff
2nd Hn.
ff
2nd A. Sax.
Bar. Sax.
ff
1st Fl.
2nd Ob.
61
569
573
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
3rd Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
3rd Hn
4th Hn.
3
3
3
3
3
3
3rd Tpt
ff
3
3
3
3
3
3
3
3
mf
mf
3
f
3
3 3
mf
mf
mf
mf
mf
Xylophone
mf
f
mf
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3 3 3
mf
3 3 3
3 3 3 Perc. 1
Perc.1
mf
3
Timp.
mf
3 3 3 3 3 3 3 3 3 3 3 3
3
mf
3
3
3
3
3
Tba
Xyl.
ff
ff
Hp.
3
3
Pno.
3 3 3 3 3 3 3 3
D.B.
3
Bar.
2nd Tpt
Btrb.
2nd Tbn.
1st Tbn.
2nd Cor.
3
1st Cor.
3
1st Tpt
3
3
2nd Hn.
3 3 3 3 3
Bar. Sax. 1st Hn.
3
Alto Cl.
mf
62
Picc. 577
f
1st Fl.
2nd Ob.
f
f
f
2nd Bsn.
Eb Cl.
f
1st Bsn.
f
B. Cl.
Cb. Cl.
f
fff
ff
fff mp
fff mp
f
ff
f
ff
mf
f
ff
mp
mf
mp
fff
fff
mp
f
mf
mf
f
Bar.
f
mp
mf
mf
mf
ff
fff mp
mf
ff
fff mp
mf
f
f
ff
fff
f
ff
fff
f
ff
mp
f
ff
fff mp
mf
f
ff
fff
f
ff
fff
f
ff
fff
ff
f
ff
f
ff
f
ff
fff
fff
fff
mp
ff
fff
ff
fff
f
f
mp
mf
mf
f
ff
mf
f
ff
mp
mf
mf
mp
mf
f
ff
mp
mf
f
ff
mp
mp
mf
Tba f
mp
mp
f
f
mp
mf
mf
f
mf
mf
f
mf
mp
mf
f
ff
fff mp
mf
mp
mf
f
ff
fff mp
mf
f fff ff f mp f ff mf mp mf
f
f
f
Perc. 1
Perc.1
Xyl.
ff
f
f
Timp.
f
mp
1st Tbn.
Hp.
fff
f
Pno.
ff
ff
f
D.B.
f
f
f
Btrb.
fff
f
2nd Tbn.
ff
ff
f
2nd Cor.
f
fff
f
1st Cor.
ff
4th Hn.
3rd Tpt
f
f
2nd Tpt
mp f
f
1st Tpt
fff
mp
f
3rd Hn
ff
ff
Bar. Sax.
2nd Hn.
f
fff
f
1st Hn.
ff
f
f
T. Sax.
mf
f
f
2nd A. Sax.
mf
mf
mp
f
1st A. Sax.
mp
f
Alto Cl.
mp
f
3rd Cl.
mp
f
2nd Cl.
f
f
1st Cl.
f
C. A.
1st Ob.
2nd Fl.
f
mp
mp
mp
mf
mf
mf
f
ff
mp
f
ff
mp
f
ff
mp
ff
fff
f
mf
mf
mf
63
Picc. 585
f
1st Fl.
1st Ob.
C. A.
f
2nd Bsn.
Eb Cl.
f
f
B. Cl.
Cb. Cl.
ff
f
f
ff
ff
Alto Cl.
ff
f
3rd Cl.
f
fff
ff
ff
f
f
fff
fff
fff
ff
f
f
1st Hn.
f
2nd Hn.
4th Hn.
1st Tpt
f
f
Bar.
Tba
D.B.
Hp.
Timp.
f
f
f Perc. 1
Perc.1
f
Xyl. f
fff
f
f
f
f
fff
ff
ff
ff
ff
f
f
ff
ff
f
f
ff
ff
ff
f
f
f
ff
ff
ff
ff
f
ff f ff
f
f
f
fff
ff
f
f
ff
ff
ff
ff
ff
f
ff
f
ff
ff
ff
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ff
ff
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ff
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ff
f
ff
f
ff
f
f
f
f
f
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f
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f
f
ff
f
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fff
fff
fff
f
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f
f
ff
ff
ff
f
f
f
ff
ff
ff
ff
f
f
ff
fff
f
f
fff
ff
fff
fff
f
ff f
f
ff
f
ff
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fff
ff
fff
ff
ff
f
f
f
f
ff
f
f
ff
ff f
ff
f
ff
ff
f
fff
ff
f
f
f
ff
Pno.
f
f
f
f
f
ff
f
f
1st Tbn. 2nd Tbn.
ff
ff
f
ff
f
f
fff
ff
f
Btrb.
ff
1st Cor.
ff
3rd Tpt
f
2nd Tpt
2nd Cor.
ff
ff
f
f
f
ff
ff
ff
f
fff
f
3rd Hn
ff
fff
ff
ff
ff f
f
ff
ff
f
f
Bar. Sax.
f
f
f
f
T. Sax.
f
1st A. Sax. 2nd A. Sax.
f
fff
f
fff
f
2nd Cl.
ff
1st Cl.
ff
fff
fff
ff
f
fff
ff
f
fff
f 1st Bsn.
ff
f
f
2nd Ob.
ff
ff
f
2nd Fl.
ff
f
f
64
Picc.
ff
ff
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
ff
ff
ff
ff
2nd Bsn.
ff
ff
ff 1st Cl. Eb Cl.
ff
ff
3rd Cl.
ff
Alto Cl.
ff
T. Sax.
ff
Bar. Sax.
ff
1st Hn.
ff
2nd Hn.
ff
3rd Hn
ff
4th Hn.
ff
1st Tpt
ff
2nd Tpt
ff
3rd Tpt
ff
p
ff
ff
2nd Tbn.
Btrb.
ff
ff
D.B.
Pno.
ff
Hp.
p
p
ff
3
ff
3
3
3
3
3
3
3
3
3
ff
3
ff
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
ff
ff
ff
ff
3
ff
ff
ff
ff
3
ff
3
3
3
. l i ss
ff
ff
iss.
g
gl
gliss.
s. glis
3
3
3
3
ss gli
ss. gli
.
s gli
s. glis
3
3
3
3
s.
ff
ff
Tremolo (2-23)
Tremolo (2-13)
ss. gli
3
3
3
3
3
3 3
3 3
3 3
3
3
3
3
3
3
ff
fff
fff
fff
fff
fff
fff
fff
fff
ff
ff
ff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
ff
fff
ff
3
fff
ff
fff
fff
fff
gliss.
fff
Tremolo (2-23)
fff
Tremolo (2-23)
fff
Tremolo (2-23)
fff
ff
ff
3
fff
ff
ff
fff
fff
ff
fff
3
ff
3
ff
ff
3
3
3
3
3
ff
ff
s. glis
. ss gli
ff
ff
ff
3
ff
3
3
ff
3
3
3
ff
fff
fff
fff
ff
3
3
ff
Xyl.
3
ff
3
p ff Perc.1 ff Perc. 1
ff
3
3
ff
Timp.
3
ff
ff p ff
ff
3
ff
3
Tba
ff
3
3
ff
3
ff
Bar.
ff
2nd Cor. ff 1st Tbn. ff
ff
1st Cor.
3
p
ff
3
3
p
3
p
ff
2nd A. Sax.
1st A. Sax. ff
p
ff
Cb. Cl.
3 ff 3
ff
ff
B. Cl.
molto rit.
1st Bsn.
2nd Cl.
Lento q=80
590
3
3
3
3
3
3
f
ff
ff
ffp
Tamtam
ff
fff
ffp
fff
fff
fff
fff