HANNIBAl Marcus Miller Med. Funk Shuffle (Half Time Feel) q = 152 synth.
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HANNIBAl Marcus Miller
Med. Funk Shuffle (Half Time Feel)
q = 152 synth.
F‹7
(synth.)
D¨/F
F‹6
synth. (steel pan patch)
synth.
(
F‹
D¨/F 3
[A]
F‹
D¨/F
B7
E7
3
F‹6
A¨/B¨
B¨7/D
3
1.
sample trp. fill
F7b9/A
D¨/F
G¨/A¨
) etc.
D¨/F
D¨6
trumpet
bass cont. sim.
3
F‹6
D¨/F
[d_r_o_p_ _Db_ _ _t_u_n_e_d_ _b_a_s_s_]
F‹
Transcribed by Ville V. (2011)
C7b9/E
3
3
2
[B] F‹
synth. (steel pan patch)
F‹
D¨/F
F‹6
D¨/F
F‹6
G¨^
C7½
D¨/F [B2] F‹ synth. (steel pan patch)
F‹
GØ
D¨/F
3
B¨‹7
F7#9
[C]
F‹6
3
D¨/F
2.
3
F7b9/A
3
D¨/F
B¨‹7/A¨ 3
{F`i`n`e` `-` `o`p`t`.`}
gliss.
D¨/F
3
F‹6
D¨/F
alto sax.
[D] alto sax.
synth.
B¨‹7
3
B¨‹6 E¨‹7 G¨^#11/B¨
D¨
A¨‹7
B¨‹7
F7½
G¨^
F‹
D¨/F
D¨/F
G7½
[B3] F‹
3
C7b9
(ad lib.)
F‹6
F‹6
D¨/F
D¨/F
4
[E] SOLO F‹ synth.
D¨/F
F‹6
[F] μ horns
D¨/F
D¨/F
3
F‹
3
vamp till cue
C7½
F‹6
F5
D.S. al Coda
alto sax.
D¨/F
vamp & fade
opt.: on cue, return to letter A, take 2nd ending 1st time, al Fine.
Bass adds a lot, particularly on the Fm sections (letter B). The form on the studio recording varies from the live recordings. On the live arrangement the letter A is recapitulated once after the Coda (2nd ending taken 1st time), then letter C is played to the Fine.