France & Low Countries ORNAMENTS (Agrémens) AND OTHER SIGNS Trill1 Carré^^ (1671) x Mordent2 ’ Appoggiatura3 or or
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France & Low Countries ORNAMENTS (Agrémens) AND OTHER SIGNS Trill1 Carré^^ (1671)
x
Mordent2
’
Appoggiatura3
or
or
' Corbetta* (1671)
x
Corbetta* (1674)
x
’
Grennerin^ (1680) De Visée^ (1682/1686)
x
^
’
x
’
x
Derosier^ (1696)
Campion* (1705) LeCocq^ (Castillion Ms., Br. MS.S.5615) Corrette* (1763)
x
’
x
t
c
c b
a
Arpeggio6
(desc.)
/ / / , ( (asc.) , ’ (desc.)
’
+
a b
Vibrato5
(asc.)
x
or
Slur4
or
( ∨ Or
+
or
'
c
or (
/ / /
FRANCE & LOW COUNTRIES: ORNAMENTS, page 2
Alternate ornament designations: 1 tremblement 2 martellement 3 chute (ascending); tirade (descending) 4 same as appoggiatura; coulement 5 miolement; flatement; plainte 6 harpegé; arpège Sources: *From James Tyler, The Early Guitar, 1980. **From the translation by Monica Hall in http://www.lutesoc.co.uk/baroqueguitar.htm ^Taken directly from written explanation. ^^Extrapolated from viewing facsimile of music.
Italy ORNAMENTS (Tremoli) AND OTHER SIGNS Trill1 Foscarini* (c.1630) Bartolotti^ (1640)
Conserto vago* (1645)
Appoggiatura
x
0
Vibrato4
1
0 2
3
3 2
0
0 2
3
3 2
0
0 2
3
3 2
0
or
Arpeggio
(under chord)
1
T•
t
Corbetta^ (1648)
Valdambrini^^ (1646, c.1647)
Slur3
.T.
(next to number) Corbetta^ (1643)
Mordent2
2
2
2
. .
. .
. .
Pellegrini* (1650) Bartolotti^ (c.1655)
•T•
Granata* (1674) Roncalli^^ (1692)
T
’
•_ •
x
1
’
0 2
3 or
3 2 0
ITALY: ORNAMENTS, page 2
Alternate ornament designations: 1 tremolo, trillo 2 mordente 3 strascino 4 accento, acento, trillo, tremolo sforzato
Sources: *From James Tyler, The Early Guitar, 1980. ^Extrapolated from facsimile of tablature. ^^Extrapolated from the tablature by Michael Macmeeken, ed., 1979
Spain ORNAMENTS (Primores, Habilidades) AND OTHER SIGNS
Sanz^ (1674)
Trill1
Mordent2
T
2
Appoggiatura3
Slur4
0
Vibrato5
1
3
0 2
3
3 2
0
Arpeggio6
x
Guerau^ (1694)
Murcia (1714*, 1732*, C.S.#4**)
’ ’
or
1
Alternate ornament designations: 1 trino; aleado 2 mordente 3 esmorsata 4 extrasino; ligadura 5 temblor 6 harpeado
Sources: *Extrapolated from tablature by Craig Russell, “Santiago de Murcia . . . .” (diss., 1982), Vol. 2 ** Extrapolated from tablature by Craig Russell, Santiago de Murcia’s “Códice Saldívar No. 4”, vol. 2: facsimile and transcription (Urbana & Chicago: University of Illinois Press, 1995). ^Taken directly from composer’s explanation.