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Argentina secreta Chamamé 



D m7/F

         

Piano

 

E 7sus 9/F





Antonio Tarragó Ros E7



  





                             



Am

D m6/B



6

  



  







  





                                 B m7

E7



12





   

 



E 7sus  9 /F

18

  

 

  

Am



  

             E7

Am



   

  

 

D m7/F

    



   







 

   

   

 





      

                         Transcripción de Oscar Allorio

Argentina secreta

2 D m6/B 24

 









 B m7

 



25

   

30



  

 

    

E7

 



Am

Dm



      

        

      

     

   

  

 

   

  



        

     

    G7

         

     

              

36



Am



G m7

C



      A7

  

      

      

Dm

                  

       

      

    

     

Argentina secreta

42



C Maj7

C

G7



1, 2        

       

G

D m7/A 5fr.

  

48

         F

   

54

     



    

   

   



   

C 7/G 4fr.

  

D m6/F

      

   

3

3fr.

           

B ºsus4

     

     

      

3

    

      



   

E 7sus4

           

    

    

    

E7



     A m  

        

    

   

