Andy Slide Tab Mag

LeARN learn SLIDE Guitar GUITAR DVD 1 CHAPTER TWO E 2A–Open E tuning: E B E G# B E FIGURE 1 Open E tuning  0 0

Views 164 Downloads 3 File size 2MB

Report DMCA / Copyright

DOWNLOAD FILE

Recommend stories

Citation preview

LeARN learn

SLIDE Guitar

GUITAR DVD 1

CHAPTER TWO

E

2A–Open E tuning: E B E G# B E FIGURE 1 Open E tuning



0

0

0

pitches: E

B

(standard)

E

(up one whole step)

G#

(up one whole step)

0

0

0

B

(up one half step)

0 0 0 0 0 0

E

(standard)

(standard)

2B–Chord forms in open E tuning FIGURE 2a G

A

B

D

5fr

7fr

E 10fr

12fr

111111

111111

111111

111111

111111

3 3 3 3 3 3

5 5 5 5 5 5

7 7 7 7 7 7

10 10 10 10 10 10

12 12 12 12 12 12



FIGURE 2b



F

F#/G¨

G

G#/A¨

A

A#/B¨

B

C

C#/D¨

D

D#/E¨

E

1 1 1 1 1 1

2 2 2 2 2 2

3 3 3 3 3 3

4 4 4 4 4 4

5 5 5 5 5 5

6 6 6 6 6 6

7 7 7 7 7 7

8 8 8 8 8 8

9 9 9 9 9 9

10 10 10 10 10 10

11 11 11 11 11 11

12 12 12 12 12 12

 15

A

FIGURE 2c

33  33  33 G

w/slide

A

B

5 5 5 5 5

7 7 7 7 7

 5

 7

D

 10 10 10 10 10 10

E

G

 12 12 12 12 12 12

15 15 15 15 15

 17

B

D

19 19 19 19 19

22 22 22 22 22 22

 19

17 17 17 17 17



FIGURE 3

Freely G5





0 3 3 3

  3 5  5  3

A5 3 3 3

FIGURE 4a Aadd2/C#

0

2 0 3 2 0 2 0 3 2 0 2 0 3 2 0

5

FIGURE 4b A/C#

G5 2 0 3 2 0 3 3 2 0 3

 5    55  3 0 3 0 3 0 E5

FIGURE 5a B7sus4

A



0

G 5 3 0 3 3 0 5 3 0 3 3 0 5 3 0 3 3 0

N.C.(E)  12 

  12 10 1112  1112 

E

   12 12  12 12   12 12 

11 11 12 12

FIGURE 5b B7

FIGURE 5c E

0

2 1



0 0 1 0 2

2 GUITAR DVD

0

2 13

0 2 1 0 2

0 21

0 0 1 2 0

0 21 3

2 0 1 2 0

Aadd2/C# B7sus4

E

0000 0 0 0 0 0 0

0 0 1 0 2

0 0 1 2 0

0 0 0 0 0 0

2C–Slide Scales for Soloing (all examples performed w/slide) FIGURE 6 E hybrid scale

 

w/slide

12



10

 12   





10

 12 10 

10

12

10

12

10

12

10

9

12

10

10

9

12



   12  12 10  12 12  12

FIGURE 7a

FIGURE 7c

12



 12

10





 

12 10 12

10







12 10 12

10





 



12



10 12 10

12

12 10 12



10

10

12

10

12

10

12





10 12 10

12



11

 12 11



10 12 10

12

12

11





12 11 12

 10 12  10



11

 10 12

12





12 11 12

11





 15

15

 15

15

15

15

15

 15 10





15

17

15

19

(







15

17 15

 

12



12





)







12



10



12 

     12 12 



17

15

 17 17 

15 15



17 17

13 15

17

 15

15 17

19

17

(

12 11 12

)

 15



   

15



 12 12  12 

12 10

3

FIGURE 9b

FIGURE 9c add the sixth (C#) to E hybrid scale E7



15

12 12 12

12 10



22

13 15

24



15

 17  

15 17

3

17

10

   17  15 15  

15

13 15

3

17

15 10

12

3

    12 12



 

    10 

         12   15 15 10 12 16 10   15 10 15 12     12 12 12 12  12 12  12   15    

FIGURE 9a

 17

 15

FIGURE 8b E7

 



12

FIGURE 7b

2F–Expanding Basic Scale Position FIGURE 8a E Hybrid scale

 

10

12

12



etc.

    12

15 12 10 15 17 12 10 12 17 12



  12

GUITAR DVD 3

2G–Using Open Strings (all examples w/slide) FIGURE 10 E hybrid scale





0

3



0

5

3

 0

5

3

5

0

3

FIGURE 11a E minor pentatonic





0

3

 

0

5

3

0

5

 3 5

3

5



 0

3



3

5

5

 3

3



5

5



0

3

0

5

0

3

3

0

3

3

5

5

7

5

5

3

7

7

FIGURE 11b E minor pentatonic w/open strings 0

 7

7

0

5

5

7

3

3

5

0

5

3

5

3

0

3

0

5

3

3

5

3

5

0

3



5

3

0

5

0



5

3

3

3

0

3

0

0 5

3

0

3

0

5

FIGURE 12a Freely E7







4

0

3



03 5

7



3

3



03 5 3 0

3

3

3

 5 3 4

0



0

3

4

0

3

5





0 3 5

0

3

0

5

3

3

0

0

3

0

3

3

3

2

0

3



3

0

3



 

3 ( 3)

5 3 0



0 3 5 3 0



3

3

3

0

 5

0

0



3

4 0

3

 5

3

0

0



3

5

3

3

0

5





 



0 3 5

0

3





0

3



0 35



3

0 0



03 5

3

0

0

3



5

3

0

3

0

5

0

0 3

0

0



0

0



2

3

5



 4 3 4

0

3

let ring



3

FIGURE 12b E7

0 3



let ring

3

0

0

3

FIGURE 12c

 

Freely



 5  5

0

0

3

0

0

5

3 0

0 3



0

5 0 5



0 5 5

0

0

3 0

5

0



5



0 5

5

5

0

 0  0 0 5 5 5

5

3 0 0 0

 5 3

3

3 0

2

3

4 GUITAR DVD

0



0 5



0

3

0 5

5



0

5

0

3



0 5

0

3





0 5

5

0

5

0

3



4 0

    5 3 05 55 3 05 5 3 05 3 05 3 05 5 3 05 3



3



5

FIGURE 13a



 3

3

FIGURE 13c E7



3 0 

3

 

FIGURE 13b



5

1



  3

3

3

3

   0

0

3

3

3

0

3

3

3

0

3

0

3

3

1

3

3

0 5

3

0

1

1

3

3

3

3

1

3

5

 0

3

3

3 0



3

3

1

   5 

0



0

3

5

3

1

3

  7 7

5



1

3

3 0

3

0

5 

2

0

4

3

5

3

3

1







0

0

5

5 

3 0 3

4

0

3

0

3

5

3

3

0

3

0

1

5

3

1

3



0

 

 

1

3 0

2

0

5

3

2H–E Major Pentatonic

 4 4

FIGURE 14



0

4

2

FIGURE 15 Freely





4

0

0

5

2 0

0

0 2

0 4 2 0 3

0

2



E

0

2 0

0 2

2 0 2 0

 0  4 4

3

0

2

2

4

4



0

4

4 2 0 0

3



 4 4

0

3

2 0 0

0 2

0 4 2 0 2 0

3

2 0

0

2 0

4 2 0 4

0

4

2 0 3

0

5

2 0

4

2 0 4

0

0

0 2

3

0

4

0

4

2 0 2



0

0

2

4

0



4 4 5 4 0

0

2 0



5





let ring

0

0 0

3 *note played w/o slide

2

4

0

0

2

2

Freely E

 5

4



5



3

4

4

0

3

0

0

FIGURE 16b

4 2 0 0

0

2

0

3

0 2

4

3

3

0 2 0 2 0 5 3

3

2

0 4

0 2

2

0

*

 

5

4

0 2

2 0 4

3



2

0

0

2I–E Major Pentatonic FIGURE 16a

2

0

0

5 

7 4 2 0 4

3

5  4

7





5

2 0

3

5

4 2 3

5 2 0



 0  4 4



2

5 4 0 5 4 0 4 2 0 4 4 2 0 0

3

3

2 0 0

3

 5

0

3

 5 4

2 0 3 2 0

3

0



4

4 2 0 0 3

3

0

5 4

3

2 0 0

0

2

2 0 3

0

0

5 

7

3

0 0





5

5

3

3 5 3



5

3

GUITAR DVD 5

FIGURE 16c

FIGURE 17

Freely A

5

5

let ring

5

5

5

5

3

5



7

5 5

5

5

5



 E

2



0



5

 5 4 E

4 2 0 4

2 0

2 0

3

5

A    5 5   4 5   

E

0



 

A 5 5 5 5 5 5

5









 4

5

4 0 4 3

2 0

3

3



let ring



2 0 2 0 5

2 0

3

2 0

524



2 0 4

3

 0

2

3

0

5

5 4 2

0

0

3

0

0 3

2J–Medium Slow Shuffle, “Elmore James” Style FIGURE 18 E7





w/slide

   12 

w/o slide

A7







5 7 5 5

A7

12

12



7 5 5 5

 w/oslide 12

12



5 7 5 5





 12



5 7 5 5



12 12 12 12 12 12 12 12 10 12 12 12 12 12 12 12 12 12 12 12 12

0 0 0 0



7 5 5 5

12 12 12 12 12 12 12 12 10 12 12 12 12 12 12 12 12 12 12 12  12 12



E7





5 7 5 5



  12  12 12 

let ring

12 12 12 12 12 12 12 12 10 12 12 12 12 12 12 12 12 12 12



12 12 10

12

12 10

 1210 12 10 12

 

12 12 12

12

12

3

12 12 10

10 1210

12





2

12



B7

(

) (

)

B7

  12 12 12

12

12

 12 12 12 12 11    12 11 12 12 12 0  12 12 12     

let ring

E7

let ring



 12 12 10  12

 12 12 11  12 12 

E7 12



 

2K–Medium Shuffle, “Johnny Winter” Style FIGURE 19 E7





  3

3

3

   12 12 10

3

3

A7



3

3

0 4

3

15   019 00

12

0 7

6 GUITAR DVD

3

steady gliss.



B7

7 

3



3

3

5

1517





0 3 0

10

12

12

3

1

3

0 4

0

5



0 0

0

0

3

2

19 19

12  5

10





3

3

0

0

0

3

3

3

3

3

3

3

3

3

3

12

10

12

12

12 10

 

5 5



0 3 3 0

 

E7

3

0 0

E7

10 12 12

0 3 0





12

A7

3 0

0 0

0 3 0

 15 15 15 15 15 15 1012 12

 3 1

3 0

5

0 3 0

 3 1

 0  0 12 12  12  0 0

3 0

 0 4

  10

12

12

11 12  12 12 12 B7



  

E7 12 12

0

2L–E Shuffle a la Robert Johnson FIGURE 20



   A7

  12  12 12 12 12  

E7

 12

12



(

)

(

)

 10  12  12 10 12 11  12 

11

(

)

(

A7

10

12

12

10



)

12

(

(

12 

10 12

)

12



12 

10

12

12



10

0



12 

12



10

12

12

0 0

12

12

  12  12 10 12 12 12 

12

12 10



(

)

(

)

(

B7

10  12

(

)

(

)

12





12

12

11

)

 B7

let ring

12 10

(

12



E7

  12

  12 12 

12

)



  12  12 10 12 11 12 12 12 12 12  

12

10



 12  12  12 12 

10

0

E7  12 12  0 12 12 12 12 0 12

E7

12

12

)

12 



  12 12  12 12 



12

12





2M–Duane Allman Style FIGURE 22a D hybrid scale

FIGURE 21 D





0 10 10 10 10 10 10

FIGURE 22b



 13

13

10





8

10

8

10

8

10

8

10

FIGURE 22c D minor pentatonic

  13

13

15





 



10

8

10

  10  10 10 (

)

(

13

)

13

13

15 17 20 22



20







14

10

9

10

8

12



10 10





  10 10

10



 13

13

13

13

13

13

13

9



10

8

8

10

10



 22



20 17 15 13

  10 10 10 10

13



10

  10 10 D7

8

10

8

10

10

7

8

8

10

11





10

10

10



( 10 )



3

10

8

10





 

10

9

8

5

10



  10  10 



10

8

10

10

9

10

 A7 10

8

10 10

8



10



10

9

 10

10



10 10

10

13

17



  8

8 (8 )

(

)



13



A7



7

 13 

G7

6

10

 10

8



steady gliss.



8

10

3

8 10 108 10 108

10

15 13 10



D7

G7 13

10

7

FIGURE 22d

FIGURE 23 a la “Statesboro Blues” D7

8

 

 10 D7

9



10

10



GUITAR DVD 7

2B–Chord forms in open E tuning FIGURE FIGURE24A 2a A hybrid Scale (3rd/5th position) A 5 G 3



5



5

3

5fr

5

111111

111111

3 3 3 24b 3 3 3

5 5 5 5 5 5

FIGURE



3

 8



 8

8

5

3

 

17

17

FIGURE FIGURE25b 2c



3 33



!





0 3 3 3

3 3 3

 17

17

 17 15



17

17



10

0

17

15

0 0 1 0 2

 17 !



17

 15

17

17



 17



! 17



17

8 GUITAR DVD

7 7 7 pentatonic minor 7 7 7 8

5

111111

111111

10 10 10 10 10 10

12 12 12 12 12 12

10

12

15

17

C

C#/D¨

D

D#/E¨

7 7 7 7 7 7

8 8 8 8 8 8

9 9 9 9 9 915

10 10 10 10 15 10 10

11 11 11 15 11 11 11

14

17

15

15

14

17

10 10 10

 17 15  12 12 12 12 12 12

G 17 15 15 15 15 15 15

15

17

 A

 17 ! 17

17

B

D

19 19 19 19 19

15 22 22 22 22 22 22

15

17

17 17 17 17 17

17



E

 17

12 12 15 12 12 12 12

17

17  17 17 19

15  17

5



B



FIGURE 26 a la “One Way Out” A7 D E



3

5

6 6 6 6 6 6

 E517 15 17

 17 15 17A

 15 17

2 13

17

15

  20





17

17



17

20

17

20 !

15

20

0 17

20

11 11

B7



21 20 0 0 1 2 0

17

FIGURE 5b

B7sus4 A7

0

12

FIGURE 5a



17 0 2 1 0 2

17

0

0

 17 ! A7

3

A#/B¨

 17 15 17G5

E7 17

2

5

5

5 5 5 5 5 5

15

FIGURE 4b

 17

3

3

12fr

5

A

A/C#

15

3

3



3

  17 17 15 15 17  15 15   15 N.C.(E) E  17 G17   55 55 3300 33 33 00  12 10 12  11  12    5 5 30 33 0  12 11 12 12 12 12     5  3 2 0 3 3 0 12 12 12 5  3 2 0 3 3 0 5 3 D7 2 0 3 3 0    15 17 17 15 20 20 20 20  ! ! ! 17 17 17  !

 17

Aadd2/C#

2 171

7 7 7

2 0 3 2 0 2 0 3 2 0 2 0 3 2 0

15

5

17 ! 17   105  7  7 10 7 10

 17 15 A5

17

FIGURE 4a

17

B

5 5 5

Freely 17 G5

4 4 4 4 4 154

17

 A

w/slide

FIGURE 3



17

2

FIGURE 24c A

20 20 !   203  5 5 33 5

G

 

3 3 3 3 15 3 3

E 10fr

111111

F F#/G¨ G G#/A¨ FIGURE 25a A hybrid scale (15th/17th position) 2 2 2 15 2 2 2

D

7fr

3

FIGURE 2b 1 1 115 1 1 1

 

B

20



17

22 15

17

17

20

20

15

17



202 120 315

0 2 0 1 2 0

17

17 15

 17

17 

FIGURE 5c 15

! 17

15



E

15

17



Aadd2/C# B7sus4

E

17

0000 17 0 0 0 0 0 0

15 0 017 1 0 2

17 017 0 1 2 0

15

0 17 0 0 0 0 0

D7

15

17

17

17

17

17

15

17

15

16

0

17

17

17



17

17 17 17

15



FIGURE 27 slow blues in C C7





8

8  

8 8

11

 8 6

8 8

8 8

8 8

8 8

8 8

8 8



11

11

11

11

11

 88 6

11

8

8

6

  6  8

F7 8 6

8

8

8



8

F7

 20

20

8



6



C7   8 8  8 8 88 88 88 88 6    ( 8) 8 8

86

20 18

20

23 



 24 20 18

8

6 8

20  23 

20

8

18

6

8



20

18

8



6 8

 20 

3

    20  11 20



C7

11

11

 11 6

8



   8 8 8 

F7

 11

11

11

11

11

 11 

 20 

11

11

11



11

11

11

11

8

  88

6

8

 88  8

8

 8 6



6

8

   8 8

G7

8

8



8 8

8 8

  8

8



G7

8 8

7 7

8 8



8

6

8

8

 20   20    20 18



C7 8

8

6

20







30

3

6



C7 8 8

8

8



  11



11



20 20 18

11

11



20

11

18



2N–Ry Cooder Style FIGURE 28a Freely E





4

let ring

2 4

2

0

2

0



0





5

5

0 0



4

9

7

24

2

0

2

4



0

0

3



4

2 0

3

5

5

4 0 2

3

4

0 79 7  9

12

9 7 9

7

4

2

2 0 2

4

0

 5 4 5 4 0 2 4

4

2 0

3

2

0

0

5

0

5

0



0

0



GUITAR DVD 9

FIGURE 28b Freely B let ring





7 

0



9

910

10

9

7

9





7

7

7

7

 5



 55

5

3



3 3

9

0 0

3 3

 9 79

10

9



7

5 7

7

5

5

3

3



3

FIGURE 29 sliding harmonic



0 G

7

0

3

A



10 9 10

9

E 0

3

3

3 5

3

w/o slide * N.H.

etc.





0

w/slide

12

0

 12

* Allow natural harmonic to ring as slide ascends string.

20–Derek Trucks Style FIGURE 30a

  9   E



A 9

7

9

10

E

5

A

12 12 14

10 10 12

 16  12  

8 3 5

8



E

E

12 14



3

12

12

12

9

7

E 12



4 



12

14

4

2

0

 12 12 10

12

12

12

12

12

12

12

14

12 14



12 10 12

 

12 14

12

12

12

12

12

1214

2

0

12

14

12 12

12 10

12

14

12

12 10

 16 

12

 12 12

9 9

 12

10

12

12



12



12 14



12

12

12

12



7 9

10 GUITAR DVD

7

9

7

 8

7 9

 7

7 9



 10

7 9





 9

 2

12

12

12

12 14

E

12 14

12

 FIGURE 31 E major pentatonic

2 



12 9 12

14



12

 12 7  9 7  9 9

E

12

0



A

A

 12

0

A

E

12

14

7

 12

A 17 17 16 16 16 14 14 14 12 12



12  14

5

  14 12 (13)

13

E



5



FIGURE 30b

  12 10 12

5

A

8

14

10

9

12

 

8

12

12

12 14



12



  12

12

  7

5

CHAPTER THREE 3A–Open D tuning: D A D F# A D FIGURE 32 Open D tuning

FIGURE 33 Open D tuning

D

F

G

A

C

D

3 3 3 3 3 3

5 5 5 5 5 5

7 7 7 7 7 7

10 10 10 10 10 10

12 12 12 12 12 12

w/o slide



0

0

0

D

A

(down one (standard) whole step)

D

0

0

0

F#

A

0 0 0 0 0 0



D

(standard) (down one (down one (down one half step) whole step) whole step)

FIGURE 34 D

 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12  10   12 12 (12) 12  12   



w/slide

12 12 

12

   ( 12 12)

12

0

5

12 15

0

0



15

15

15

15

15

15

15

15

15

15

15

15

15

15

 12



10

12

12

10

12



12 12 12  

0

15

3

   12 12 (12)  12  12 12 12  

  0 ( 5)

5

0

0

3

0 0





5



3



1

5

0

0

0

5



3

0

0



3

3

7

0

0

3

5



3

3

3

0

3



5

0

3





5

 ( 5)

0

0

3

0

0

 44 

5

 5 5

steady gliss.

0

3

3



10 10





12 10



0







 

3

12

12

 12

10



10

5

12 

10

1



5 3

0

0

12 12



12

3



3

1

3

0

 

0 12 12

GUITAR DVD 11

CHAPTER FOUR

4A–Open A tuning: E A E A C# E

4B–Chord forms in open A tuning

FIGURE 35 Open A tuning

FIGURE 36a



0

0

0

pitches: E

A

(standard)

0

E

A

C#

FIGURE 36b

A

C

D

E

G

A

0 0 0 0 0 0

3 3 3 3 3 3

5 5 5 5 5 5

7 7 7 7 7 7

10 10 10 10 10 10

12 12 12 12 12 12

w/o slide

0

0



E

(standard) (up one half step) (standard) (up one whole step) (up one whole step)

Dadd2/F# D/F#

2 1

w/o slide

0 0 0 0 0 0



FIGURE 38

A



 

0 0 0 0 0



0 0 0 0 0 0

E7

21

0 1 0 2

0

2 1 0 2 0

or

Dadd2/F#

0 0 0 0 0

0 1 0 2 0

E7

FIGURE 37a a la Keith Richards w/o slide

2 13

A Dadd2/F# D/F# A

0

A

Dadd2/F# A

0 0 0 0 0

0 1 0 2 0

0

Dadd2/F#

0 0 0 0 0

0 0 0 0 0

0 1 0 2 0

0

0

A

Dadd2/F# A

0 0 0 0 0

0 1 0 2 0

0

2 31

Dadd4/F# E7

0 0 0 0 0

0 1 0 2 0



Dadd4/F# A

0 1 2 0

0 1 2 0 2 0

0 1 0 2

0 0 0 0 0

4C–Slide Scales for Soloing FIGURE 39a A hybrid scale w/slide

12



10

12

12



FIGURE 39b



10

  15

12

17 15









0 3 5



 0 3 5

0 3 5

9

12

10

12

  15 15 15

  15 10

12

10

10

10

12

   17

  3 5 3



0 3 5

 0

  5

3 5

0 3 5





3

3

3

3

5

3

3

3

3

3

0

3





3 3 1

3

0

0



 5

 35

5



3

3

5

3

3

3

0

3 0

0

5

0

5

3

3 0

0

3



7 5



15 13 12

5

(

5)



7

3

2

0

0

0

5

3 3

0

3

0

5

0

4

3

0 0



10

12

3 0

3

5

12 GUITAR DVD

 3

12

10

12

22 24 22 20 17 15

3 0

FIGURE 41a Freely

20

10

10



FIGURE 39d

12 12

FIGURE 40b

9

12

3

4D–Using Open Strings FIGURE 40a

10

FIGURE 39c

15 !

15

10



3

12

11

  12

3 0

1

3

 5 5

0

0

3

etc.

4E–John Lee Hooker style FIGURE 42a Dadd2/C FIGURE 42b w/o slide

0 1 0 2 3



0



0

Dadd2/C



1 0 0 2 2 3 3

   3 5

0

3

1 0 2 3

1 0 2 3 3 3



  

FIGURE 43a

 3

Triple Feel   =    w/o slide A7



1 0 2 3 0 2

0

2

0 1 0 2

X X X X



3

1 0 2 3

X X X X

1 0 2 3

1 0 2 3



1/2

0

3



0

1/4



0

1 0 0 2 3 3 3

3

1 0 2 3

0 0 0

0 0 0

3

 1

3



33



0

  5 5 3

3

3 3



2 2



3 3



3 0

3

2 2



3 3





0

3

 0

5

0

 1

1

1 0 2 3

3

3 0

3

  ( 5) 3 0  1

1/2

0 5 3 0

1 0



3

A7





5

2



2 2

2 0

1 0

0

5

3

 0 5  5  3 0

3



3

3



0

3 0

0

0

2

   5 

1/2

0 0 0

3

0 0 0

 



0 0 0



0 0 0



0 0 0









0 0 0



0 0 0 0 0 0

0 0 0



0 0 0

 3 2 0 3

3



4

1 1

3 3

0 0

0 0 0

0

0 0 0 0 0 0

 3 2 0

3 3

0 0 0 0 0

0 0 0 0

0 0 0



0 0 0 0







00 0 0





0 0 0



0 0 0

0 0 0



3

0 0



3

3 0

0 0

2

0

3

00 0 0

0 0 0

0 0 0 2 3 4

0 0

0 0 0

0 0 0 0



0 0 0

0

0 0 0 0 0 0

0

  



A7



Dadd2/C

w/o slide



0 0 0



1 1

0 0 0

0 0 0 0 0 0 0 0

3 3



5 3 0

5 3





0 0 0



5 3

0 0 0





0 0

0 0 0 0 0 0



0 0 0

0 0 0



1

3

0 0 0

3

3 0 3 0 3 0 3 0 3 1

0 0 0 0 0 0

3 0

3

1



3

3

5 3

3 0 0

0 0 0



4

0 0







0 0 0 3 0

0 0 0 0 0 0

0 0 0

0 0 0

 3 2 0 3

0

5 3



6

3

0

0

5

0

3



5 3



3 0

0 0

0

5

3

3 0 3 0

0

3

0

3

1

3 0

3

1

Dadd2/C

1/2

0 0 3 3

3 3

0 0 0 3 0



0 0 0 0

00 0 0



0 0 3 0

0 0 0 0

00 0 0



0 0 2 0

3

0 1 0 2

 10  0 2



0 2 0



3

0 1 0 2



3

3 0



GUITAR DVD 13

4F–Johnny Winter Style  3    =   

FIGURE 43b Triplet feel A7



 ! 5

w/slide





0

3

0

3

0

3

2

3

 0 5  0 

0



7

3 0

3

 15 15

15

5

0

 15 13

0

0

3

15

15

1

0

3

3

0

3

3

0

0

3

0

10

3

3

5 3  1

0

12

10

15

0

5

0

15

15

15

3



3

3

3

3

0

15

15

3

3

15

3

0

0

0

0

5

5

0 0

10 10

15

15

 12

15

15

0

7

0

0

3

3

3

3

0

3

0

3

3

3

0

3

  0 5 5 0 5 5 0

10

0

3

5



3

0

12 12 12

3

5 0 3 0



15 15 15 15 15 15 15 15 15 15 15 15 15

3

3

3

0 3 0 3 0

0

15



5





 12

3

5

0

0

0

3

5

3



3



0

0 0

0 3 4

3

0 0

0

  5 ! 5

3

4G–Robert Johnson/Sleepy John Estes/Johnny Winter Style 3 3

FIGURE 44

Triplet feel ( jjjq = q q q q )

A7





w/o slide

1/2

5 6 7

5 6 7

5 6 7

5 5 7

5 6 7

0

0 0 0

0

5

5  5  55

5 5 5

*

8 5 5 5

8 5 5 5

5 5 5 5

5 5 5 5

*

8 5 5 5

5 5 5 5



3



D(7) 5 5 5

0

5 5 5 5

C

D

D(7)

3 3 3 3

5 5 5 5

5 5 5 5



3

2



3

5

5

0

0

0

 3

5 5 5 5

8 5 5 5

E

3

7  7  77

0

A(7)

5 

0

14 GUITAR DVD

0 0

5 6 7

5 6 7

0

5

0

7 7

1/2

w/o slide

5 6 7

3

0 0

5 3 0

A(7) *

8 5 5 5

5 5 5 5

*fret first string w/slide

5

5 3 0

0

6 6

 12 12

8 5 5 5



7 7 7 7

12

7 7 7

5 5 5 5

5 5 5 5

12

  (55) 

5 5 5

12

w/slide

0

D

7 7 7



12

X X X

0 0 0

5 5

11

12

5 3 0

3 3 0

5 3 0

5 3 0

5 3 0

5 3 0

  5  0 3  0

0 0

12

5

0



3

4



5 3 0

5

0

0 0 0

0

0

0 0 0

3

0

4H–Muddy Waters Style FIGURE 45

A



5

w/slide





0

0

5

5



0 0

5

5

 

 33 

0 0 0

5

0 0

0

5

3

3

0

3

0

3

 33

0 0

0 0

33 

0 0 0

3

0 0

0 0



D



0 0 0

0

0 0 0

0

  5

5

0 0 0

5 5 5 5



0 0

3

 33

0 0

5 5 5 5

5 5 5 5



0 0

0 0

   7  7

0

3

5

0

3

5

10

5



12

12

10



5



5

12

0

12

3

0 0

0

5

10



7

4

3

12

12

12

12

3

3

5

0

3

5

2

0

0 0

3

0 0

3

0 0

0 0

0

 3  3

0 0

3 3



0 0

3

0

 33

0 0



15

10

0

3

0

0 0 0



5

5

3

0

5

0

3

3

5 5

3 3

0 0

5

3

0

 12

12

0 0 0

0

0

3

0

 33

0 0

0 0



3

10

 3   33 

0

3

3

2

0



5

0 0



3

0 0

5 5 5

 33 

0

5

0 0



  3  3

 33

0 0



0

0

3

D

  10

7

 00  0

5 5 5 5



0 0



2

5 5 5 5

33 

0 0 0

3

5 5 5 5



E

15

0 0 0 0



 55 5 5

0

 33 

2



0 0

3

5

 12  12



0

3  12   12  12

3



3

0

5

A

3 3 3

3  3 3 

0 0 0

2

3 3

0 0 0 0

3

0 0

0 0 0

0 0

3  33

12 12 12



0 0

0 0 0



GUITAR DVD 15

CHAPTER FIVE 5A–Open G tuning: D G D G B D FIGURE 46



G

pitches: D

G

D

(down one whole step) (down one whole step)

G

(standard)



0

 3

12

0

5

3





 0

5

3

0

5

3

FIGURE 47b



10

12 10

12 10

12 10

9

12 10

B

(standard)

5B–Slide Scales for Soloing FIGURE 47a

0

0

0

0

0

5

0

3

3

 5 5

3

0

3

(down one whole step)

3

1

0

5



15 17

0 0 0 0 0 0

D

(standard)

  20

 15

0

22 20 24 22 20 17 15

3

15

0

10

5

3

5

0



12

12 10



3

5

0

  10 9  12

12

12

5C–Muddy Waters/Johnny Winter Style FIGURE 48



G7

w/slide

 



0

0 0 4

0  3

0

0

0

3 4



D

 77  77

7

0 0

7 7

 0 0 0 3



2 0

C

 7 5

7

5

w/slide

0 0 0



0 0 3 0 0 0 0

0

0

0

55 



0 0 0 0 2 0

3 4



w/slide



3

0 5 0 3 0 0 3 2

16 GUITAR DVD

0 0

32

3 3

4

0 0

0 3 0

 5 3

0  3

7

0

4 0 3

0 4

0

3

5

 5 5  5  55 55 5 5 5  5  G7



5 0 3



0 3 4

0

 5 0

5 03 3

0 0 0

2 0

5





0 7

0 4

0

3

0 3 0

5 5 5

Bb

 55  55

3 0 3 0 3 0

4 0 3

0

5



0



5 3 0

3

0

5

5 5 5



w/o slide



5 0 4

0

3

0

0 3 3

0

2

0

0

0

0

G7

  3 0 3 4 0 0 0 0

0 0



0

2 0

0

0 0

0

 5 3 0 5 5 3 0

4 34

0

3

0 0

 00  3

5 3 2 0 1

5

0

0

3 4

4

0 0 0 0 3



3 0

5 0 3

3 0

  3 0 2

2 0

0

3

0 0 0 0

0 0

0 0 0 0 0

0

0 0 0

w/o slide

5 1

2

1/2

D 5

0

w/slide

0 0



0

3 4

w/o slide

4

w/slide

0

0

  5  0 3 5 5 0

C 

C

5 3 0 5 3 0

0

0



0

w/o slide

 

3 43



C

5 3 0 3 3 5 5 3 0 3 3 5 5 3 0 3 3 5

3 3 3 3

3 2

0 0 0 0 3

0

  3

1/2

w/o slide

C

  3 0

0



0

3 2

0

D 

0



3

 5  0

2 2 2 0 0 0

X X



0



G

0

3 4

5D–Keith Richards Style FIGURE 49 slide w/capo Capo 4th fret



 

*

G

C/G

w/o slide

0 0 0 0

0 0 0 0



1 0 2 0

0 0 0

0

G

C/G G

0 0

1 0 2

0

0 0 0

0 0 0

0 0 0

C/G G

34 

3 4

1 2

0 0

1 0 2

w/slide

0 0 0

0 0 0

1 0 2

0

0 0

0

1 0 2

0

0 0 0

0 0 0

1 0 2

0

0 0

0 0

3 3 3

0

5 5 5

*All notes and chords sound in the key of B, two whole steps higher than written.

 5  5 5 5 5 

C

C

5

 

5

4

5

5 5

5

5 5

5 5 5



0 0 0

0 0 0



0 0 0

5

5

2

5 5 5 5

5

 3

5



0 0 0

5



3

6 5 7

3 2

1

0 2

0 0

0

3

0

1 0 0 0

1 0 2 0

0 0 0 0



5

5

3

0

5 5

0 0 0

 

D

7 77 7

G/D D

w/o slide

5 5

5 5

0 0



7 7 7 7

8 7 9

G/D

7 7 7

7 7

w/o slide



0 0 4 2 0

5

0 0 0

4

0

0

0

w/slide

0

2

0

4

10

0

1 0 0 0

0 2

0 2

0 0

0

12 12

1 0 2 0

12 15 12 12 15



0 0 0 0 0 2 4 2 0

15

15

7

5

w/o slide

1

8 7 9

0 0 0



Gsus 42 Gsus4 C/G G w/slide

5

5

0 0 0

0 0 0

Gsus 42 Gsus4 C/G G

F/C C 6 5 7



5 5



15 10

12

0 0 0

0 0 0



12

12

0 0 0

5

5

5





12 0

0

5E–Mick Taylor Style FIGURE 50 G





  12  12 12

0 0 12 12 12

G



12 10

0 0



12

17 

     10 7 7 7  7 12 7 77  7 (7 )  7 7 7 7 7 7 D

w/slide

12

0

   12 12  12 12 (



)



 

0 3 3 3 3



C 15

15

14

13

13





  12 12   0 12 12

0

0 0



12



12 10

 12 10

G

0 7 7 7

12



17

12

12

15



D

 12 

 77 7





12 10



15 14 13

13

  12

12

12

12





0 7 7 7

7 7 7



   12 12

5



12 10



G

12 12

C

0





3 1

3

17



12 10

12

0

12

0 0

17



GUITAR DVD 17

CHAPTER SIX–Standard Tuning 6A–Slide Scales for Soloing





FIGURE 51 E minor pentatonic



3

0

0

2

FIGURE 52a

5 3 03



3

2

0

4

2

4

3

5

Freely

w/o slide

0

2 0



2

3

FIGURE 52c



Freely

  2   2 5 2 5  3 033

0

2 !

 







12 10



12 10

 9 8

9

9

7

9

7 565





    242

1 4 6 4 1



12 15 16

12 14



0





10

12

10

 24 2



0 5

3





18 GUITAR DVD

5

3

0

3

0



2 4

0

4

2



3 0 3 5 3 0 3 0

3

  5 7

0

0 5

3

0 3 5 7

0 2 4







2 4 2 0 2 4 2 0

12 13 12

12 14

8

9

7

  14

9



Freely

8

3

0

9

2

0

2



5 7 9



3

0

0

 3 2

0 0

12 13 14

12 15

12 14

12 15 17

 



0 2 4 4 2 0 2 0

9

9

9

9

9

9

7

9

6



7

7



5

9

2

6

12 14

8

6

9

9



7

9

0 2 4

    99 9

 7

Freely

17

7



4 2

FIGURE 56 key of E



9

0

9

9

9 9







2 4 6

2 4





15 12

14 12

  

9 9 7

9

9



3

7

9

7



7 5 3 4 0

 17 15 12  14 12 14 12

12 15

5

4 42

4 2

12 1517191715

16 15

   7 5

9 7 5 6



2 0

 

7



0

201





8 1012 10 1212 10 121089 97 79

0 2

15

4

2

 



2 4 6

12 14

w/slide

w/slide

0

3







w/o slide

FIGURE 55a E minor pentatonic

FIGURE 58

 12   12 10  9 



0

FIGURE 57 E hybrid scale

12

5

FIGURE 54a E major pentatonic

7

FIGURE 55b w/major thirds



0



FIGURE 54b 2 4

5

w/slide

FIGURE 53

3

Freely

  7 7

5

FIGURE 52b

  05 3 0 

Freely



0

0

 3

9



9

9

9

7

9

9

10

10

12

  12

 9

7

3

9

9



9 !

FIGURE 59a A hybrid scale 17



15

17

15

14

12

14

FIGURE 59b

5





3 0

3 2 0



 

5

3

5

12



2 0

6

3

14

4 04 0 2

2 0

FIGURE 59c

12



Freely

4

7

5

7

5

11

0

2

4

12

 2

2



420

0

0

5 ! 5

5

4

0

0

0

5

10

10

12

2 

1

0

2

2

2

11

12

12

12

14

   5 5 

 2 1

(



2



5

  3 

3 1

3

3 0 3 0

1

1

 9

8

9

8

9

9

15







8 8 10

8

9

15

17



2

5

2

9

 

3

5

17

etc.

 7 

6

  7

7 6

3

3

3

3

8

14

3 0 3 530 3 0

)

Freely

12

14

FIGURE 59d



FIGURE 60 key of G Freely





2 3

0

 6 



6

6 8  6  7 7

0 5

 5 7 4

5 3

   05

0

3

6B–Slow Blues in E FIGURE 61 a la Robert Nighthawk E7



 12  

12

11

E7

 12 12

12

12

  8  12 1012 8 9



12

  12

 

wide vibs

12 11 12 11 12

10

)

!

  9 9

  12 12 12 (

12

12

(

11

A7



)

12 10



A7

12 11 12



12 12



12 11

12 10 12

4:3

9 

8

12

10

15

 10



12 12 11



  8 12 89

  9

15

9

9

8

12

(

  9  9  12 9

12 10

(

12 10 12 8

)

12 12



)

   12 12

E7

12 10

  9 9

   8 12 10 12 89

15

15

9 

 10

 10 12



12

14 10 12

12

12

12

  12

!

   12

12



14 11

12 12

11



12 12



   9 9 9 8  9 9

B7

8

11



B7

12

12

(

)

9

12





E7 12

 

GUITAR DVD 19

FIGURE 62 a la Earl Hooker/wah-wah slide



w/wah w/slide

9  9

  

12

7

9

 12 12

12 12 12 12 12





B7

88 

7 7

7 7

9



0

 

 9  12

9 9

12 12 12 12 12 12

9





9

8

(



8 7



3 2 2

9



3 2 2

3 2 2

3 2 2

5 7 6

10

12

12 

10

12

8

5 7 6

 3 2 2

3 2 2

0

E7

12

5 7 6

B7

)

11

5 7 6

wah off w/o slide

0

 12  9 !

5 7 6 0

A7



 9 12

A7

  9

9 7

7

12 12 12 12 12 12 12 12 12 12 12



wah off w/o slide

  9  12  12 9 9 

9

7

E7



7 7

8

 9 9



  9  9 9  99  9

9



E7

12 10

12

12

 

0



 3  2 (2 ) 

7

8

9

9

 

12

10

7

9  9

9

 

 10  10 12

 

A7

12

(

  9 9

8

)

10

12



3

B7 9

10 9

12





 9

)

10 8 9

12 12

12 10 12 12

(

   12 9 !





9 10 12

  !9  9

9



E7



9 

9  9

0

wah on w/slide

 9  9

E7



wah on w/slide

2:3



12 8 9

10



3



8

E7

 12

12





FIGURE 63 a la “Statesboro Blues” D7



 

10

  7 ! G7

9

10

  10  10 10 (

)

(

)

G7

10

13 

steady gliss.

13 17

  10 8

 11 12

13  108



)

12

G7

10

10

8

10

10

8

 10 9

10

 11

10  10 8 7

D7

 11



  12

 10 

!

D7



20 GUITAR DVD

  7 7

3

  10 12 12 12 12 12    (



 8 108   7 

17

D7

10

10

7

10 108

10

8

7



7



8

5



6

 8



7

 11

7

7

(7)





(7 )

7



7





A7 10 8

10 8



9

8

10



3

   11 12



5 7 5



 10  10 

(7 )

5 7 5



A7





12 (12 )

(12 )

 10





10

 

D7 10

7

CHAPTER EIGHT–Standard Tuning with a Twist SRV’s “G string up one half step to G#”

FIGURE 64a

FIGURE 64b Freely



0

0

E

B

(standard)



0

G#

(standard)

(up one half step)

   =        12 12 12  12  12 12 12  12   12 12 12 12





 12  12 12

12 12 12

12 12 12

12 12 12

12 

12

 12 

12

12

3

12

 10

12

12 10



12

14 !

3

FIGURE 65 a la SRV/Hound Dog Taylor

 3

Triplet Feet E





0

  17  17  17

A (play 4 times)



E



3

2

4

4

0



3

2

4

0

    12 12 12  12  12 12  12   12 12 12 12 12 

7

7

7

7

7



   12 12  12  12 12  12  12 12 12

0

0

  7

let ring  77 7 7 7 7

 12  12 12

 

4





3

4

2

4

   17 17  17  17 17  17  17 17 17

 17  17 17



3

0



4

2

4

0



3

4

2

4

0

    12 12 12  12  12 12  12   12 12 12 12 12

  17 17  17 17  17 17

 17  17 17

12 12 12





12 12 12

12 12 12

12 12 12



   5 5 5 5 5 5 A

5

5



3

 

0 !

4

2

4



GUITAR DVD 21