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Vocal Exercises For All Singers arr. Brenda C. Kayne

1. WAKE-UP CALL q = 120 mp

& 34 Ï

Ï

Ï

Ï

Ï

slight cresc.

Ï

Ma - me - mi - mo - mu, La - la - la - la - la,

Ï

Ï

Ï

Ï

ma - me - mi - mo - mu, la - la - la - la - la,

4.FLEXIBILITY. LEGATO WITH SKIPS.

q = 130 ..44 mf .. Î 44 Ï Ï Ï Ï Ï Ï ú. Ï Ï

mp h = 60 4 & 4 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î 44 #Ï Ï Ï Î > > > Ding ding ding

Ma - me - ma - me - ma - me - ma. "V" -

ä 44

ma - me - mi - mo - mu. la - la - la - la - la.

3. WAKE-UP CALL. TOP EDGE OF TONE. q = 150 mf detached

2. WAKE-UP CALL. CONNECTION FROM TONE TO TONE.

U Ï.

44 Ï Ï Ï Ï

Ma - me - mi - mo - mu.

6. ENERGIZER! ARTICULATION. q = 86 mf

5. FLEXIBILITY AND LEGATO. mf q = 130

& ..44 Ï Ï Ï Ï Ï Ï Ï Ï .. ú. Î 44 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú. Î 44 Ma - me - mi -

mo - mu.

Ma

-

7. FLEXIBILITY. LEGATO SKIPS. q = 120

mf .. & ..44 Ï Ï Ï Ï Ï Ï Ï Ï Ma -

me -

mi

-

mo

-

9. CLARITY WITH LEAPS. INTONATION. CONNECTION OF TONES. q = 120 mf

& ..44 Ï Ï bÏ Ï Ï Ma

-

me

-

mi

Ï Ï

-

mo

me

-

8. CLARITY mf q = 84

Î 24 Ï ú.

Mi Re Zing Hunga

mu.

Ï .. -

bÏ

mi

-

Ï

mo

Ï

-

mu.

Ï

Î

- ne - mi - ne mine. - re - ra - ro ru. - zing - zing - zing zing. - hunga - hunga - hunga - hunga.

10. EVEN TONE (CHEWING EXERCISE) q = 120 dim. mp

44

4 Ï 3 ú. Î 4 Ï bÏ Ï Ï Ï Ï Ï ú. Î 4

mu.

O - i - o - i - o - i - o - i - o.

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2 11. PURITY OF VOWEL RANGE. q = 90

12. FLEXIBILITY, EVENNESS 13. CLARITY. PRECISION. AND CONNECTION OF TONE. EFFICIENCY. ENERGIZER! q = 120 q = 110 mf mp

3

3 mf 3 & 4 Ï Ï Ï Ï Ï Ï Ï Î .. 24 Ï Ï Ï Ï .. Ï Î

U

-

o

-

u.

54 Ï Ï Ï Ï 3 Ï Ï Ï Ï Î 4

Mi - mi - ma - ma - mi

14. STACCATO. COORDINATION. PURITY OF TONE. RANGE.. 15. SAME AS 14. q = 100 3 mf q = 130 mf 3

To - ti - to - ti - to - ti - to - ti

16. SAME AS 14.

. Ï. j j mf q = 130 j . Ï 3 5 4 Ï j Ï ä ä & 4 Ï Ï. Ï. . Ï. Ï. Ïj 4 Ïj Ï. Ï. J J J Ï. Ï. Ïj 4 Ï Ï. Ï. Ï. Ï Ï. Ï. Ï. 34 Ï Ï. Ï. Ï. Ïj ä 44 . . . . . . . . a - a - a - a- a- a - a a -a- a- a- a-a- a- a-a a- a- a- a - a - a - a - a - a - a - a- a-a e - e - e - e - e - e -e i -i -i - i- i- i -i o - o - o - o - o - o -o u - u - u - u - u - u -u

e -e- e- e- e-e- e- e-e i -i-i-i-i -i-i-i-i o -o- o-o -o -o-o -o -o u -u- u-u -u -u-u -u -u

e-e-e-e i-i-i-io- o- o- o u- u- u- u -

17. POWER EXERCISE. BRILLIANCE. 18. WARMTH AND FULL TONE. WARMTH AND FULLNESS OF TONE. LEGATO. q = 100 mf

& 44 ú

q = 100

mp mf 3 Ï Ï 4 ú Î 44 Ï ú

Yo - yo - yo - u Ya - ya - ya - ya

I

love

thee so.

e-e i-i o-o u-u

- e -e- i - i - o- o- u- u-

e- e-e i - i -i o-o-o u-u-u

19. EVEN TONE. LEGATO PHRASING

q = 92

e - o - e - o - e - o- e - o - e i -a-i -a-i -a- i- a - i

mf & 44 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î e -o- e - o - e - o- e- o - a

-

Î 44mf Ï Ï Ï Ï Ï Ï 24 mp Î 44 Ï Ï Ï

Ï Ï ú

20. FLOATING THE TONE. LEGATO. q = 92 mf

e-e i-i o-o u-u

21. ENERGIZER! FOR RANGE "THROW-AWAY EXERCISE." q = 132 3 3 mf

34

Ï Ï j ä 98 Ï Ï Ï Ï Ï

mi - mi - mi - o

22. COORDINATION. 23. FREEING THE TONE. INVIGORATING THE TONE. FLOATING THE TONE. 24. FLOATING THE TONE. LEGATO. BRILLIANCE. WARMTH. mp q = 100 3 mf q. = 90 cresc. f mf q = 120

U . Ï. Ï. U 9 4 Ï Ï ä &8 Ï Ï Ï 4Ï Ï Ï ú mi - mi - mi - o - o - o - o

mi - mi - mi - o

44 Î 54 Ï Ï Ï Ï Ï Ï Ï 34 Ï Ï Ï Ï mi - mi - a - e

- i

-

o

-

u

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3 25. FLOATING THE TONE. q = 110 LEGATO. 3 mf

& 44

26. FLEXIBILITY. COLORATURA. q = 96 3 mf

44 Ï Ï Ï Ï Ï Ï 44 Ï Ï Ï Î 47 Ï. Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï ÏÏ Ï Ï Ï Ï Ï

mi - mi - mi -a - e - i

-

o

-

u

mi - mi - mi - o mi - mi - mi - a a

27. CONNECTION AND EVENNESS OF TONE. q = 150 mf

-

-

-

-

-

-

u u

28. RANGE, FLEXIBILITY, CONNECTION q = 92 AND EVENNESS OF TONE. mf

& 44 Ï Ï Ï Ï Ï Ï Ï Ï 34 Ï Ï Ïj ä 54 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj ä 68 o - i-o-i -o-i-o -i

-

o - i - o

o- i - o -i - o- i - o - i - o -i - o- i - o - i - o -i - o i - a - i - a- i - a - i - a -i - a- i - a - i - a - i - a - i e -o - e -o -e - o- e -o - e -o -e -o - e -o - e -o -e

29. RANGE. FLEXIBILITY. LOOSENESS OF JAW. ARTICULATION.

q. = 100 mf mp Ï 6 &8 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï i

-

a

-

i

-

a

cresc.

-

i

-

a

-

i

-

a

i

-

a

-

30. LOOSENESS OF JAW. INTONATION. EVENNESS OF TONE. mf q = 80

& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä 54 ä ÏJ Ï Ï Ï Ï Ï Ï Ï Ï 34 Ï Ï Ï Ï Ï 44 -i

-

a

-

i

-

a

-

i

-

a

i-a-i-a -i-a-i-a-i

31. LIGHTNESS AND EVENNESS OF TONE. q = 70 CLARITY. mf

-

a-i-a-i-a

32. COLORATURA. "ROSSINI EXERCISE." q = 106

mf Ï Ï Ï Ï Ï & 44 Ï Ï Ï Ï Ï Ï Ï Ï Ïj ä 44 Ï Ï Ï Ï. Ï Ï Ï. Ï Ï Ï Ï Ï 54 . za - za - za - za - zi - zi - zi - zi - za e o a 33. SINGING WITH TEXT. PURITY OF VOWEL. q = 132 mf

Ï. Ï Ï Ï. Ï Ï Ï Ï 5 4 2 4 2 &4 . Ï Ï Ï Ï Ï Ïj ä 4 Ï Ï Ï Ï 4 Ï Î 4 Ï Ï Ï Ï Ï Ï 4 How are you to

& 24 Ï

44 Ï

24 Ï Ï Ï

CRISPNESS OF CONSONANT. LEGATO. WARM-UP.

you?

Î

Do

Ï

you

Ï

think

it will

rain?

Î

- day?

44 Ï

No,

Ï I

I'm ver - y well, how are

Ï

think

24 Ï Ï Ï

Î

not to - day.

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