SSA-A Little Jazz Mass-Chilcott

                                  195   san san   na i

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               



              



195





san

san





na

in

na

in

ex  cel

ex  cel





sis,

san



na

in

ex  cel

      



   

 

     

 

     

 

in

sis,

in

                

     



sis,

in

  

ex

ex

ex







cel

         

  



 >

 

 

sis.



       





ff

   

 

sis.



cel

 

sis.



cel

 

       



         



     

 attacca

for Richard and Catherine Webber 5.

199

   S.1 & 2  A. 

Bluesy feel q = c.63



      p

*









     

    

Agnus Dei



  

 

    



   

 

3









    

    

    



 

TUTTI VOICES unis.

203

mp espress.

     

A

      

           

mp

 

3



gnus

       



    3

De

  





i,

   

3

A

   



3

 

  

     

       gnus De



i,



 

 

  





*If playing this movement with bass, the first four bars should be played as a piano solo, with the bass entering at bar 203.

qui

 

     

 

 cresc.

207

                                 

lis



 

cresc.

  



pec  ca

 

   





Mi  se  re  re no  bis,



mp

        215

S.1 S.2

            f



mi  se  re  re no  bis,

     

 

f

    

      



   

 

  

    

di,

  



 

  





 

      

 

mp

   

 

     

3

3

        mi  se



re



3

3

       

    bis,

mi  se



re

                mp           











re:

re:



  





219

     









     









       *

p

     



     



   

           3

 



      

         A.

mp

 



S.1 & 2

bis,

    

     



 



mun





mi  se  re  re,

cresc.



      



3

     

bis,

   

     

mi  se  re  re no

 



 cresc.     

 



mi  se  re  re no

  A.          

  

di,



3

 

mi  se  re  re no  bis,

mun

   

  

    

 



3 ta



   

mi  se  re  re no

      

f

pec  ca

   

  

                     

ta,



mp

211

 

3

3

tol

3

        







    

*If playing with bass, omit the piano left hand in bars 219–222 to allow a bass solo. The left hand re-enters at bar 223.

           