A Little Jazz Mass

A Little Jazz Mass BOB CHILCOTT 1. Kyrie Easy tempo q = c.112 SOPRANO                 

Views 127 Downloads 0 File size 276KB

Report DMCA / Copyright

DOWNLOAD FILE

Recommend stories

Citation preview

A Little Jazz Mass BOB CHILCOTT

1. Kyrie Easy tempo q = c.112

SOPRANO

   







  



















ALTO

TENOR

BASS



      

Easy tempo q = c.112

PIANO*

       

f



      

     

         

4

   A. 

      

      mp

          

p

    

 

 



 





Ky - ri - e,



  

T.

B.



 

p

 







 

 





Ky - ri - e,

    



  



 

 

  





    



  



-

ri - e,

 

 -

 Ky

  

   



Ky



  

  

Ky

Ky - ri - e, p

 





ri - e,

  -

ri - e,

             

*The piano part can be played as written or used as a guide. Bass and drum kit can join ad lib. © Oxford University Press 2004 and 2006 OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP Photocopying this copyright material is ILLEGAL.

Printed in Great Britain

6 7

  S. 

mp

       

Ky - ri

-

e

e

   

A.

-

T.

B.



   



  



   



le - i - son,

 e

    

lei

-

    

-

lei

-

e

-

lei



   

 

     -

Ky -





    

 

 Ky -

 Ky -

          

 

 

 ri

-

-

 ri

   

-





Ky - ri mp





Ky - ri mp





Ky - ri -



mp



Ky - ri -

        

-

e

e





-



     

e

e - le



  

e

e - le



  

e

e - le



  

e

e - le





e

e

-

lei



  

 



i - son,

  -

le - i - son,

e



-

  

  

e

  

 

i - son,

  



 

i - son,

  





-

 

e

   

 

  

e

    

lei

-

lei

-





son,

    

 -

i - son,

    

 -

-

   

       



 ri

son,







son,



Ky - ri

  

son,



10

   

    

 -

e



  

  

-

cresc.



 

Ky - ri cresc.



 

Ky - ri cresc.



 

son,

Ky - ri -

    

cresc.

son,

Ky - ri -





        





7 f

13

S. A.

     -e

T. B.



  

      e - le

-

     





i - son,

 



Chri - ste,

  



 

   

Chri



- ste,

 



  



    Chri - ste

e -

   

f





  

    

  

      

       

 

f

cresc.



16



- le - i - son,

  



    

 



 

  

  

 

   



   

   

   

 

   

Chri - ste,

  

  

  

  

 



 

Chri



  - ste,

  

 

      

 

 

    Chri - ste

 

 



e -

    le - i -

   

   

   

 



  



    

   



  son,

 

        

13

2. Gloria 50

Quick 4 with swing q = c.208

      f   

f

  S.  A.    54

Glo

  T.  B.  

-

f

    

 







  

ri - a

ex - cel - sis

       

        

58     

Glo

    

-

  

 

 









  



  

ri - a

ex - cel - sis

        

 











De - o,



  















-

 







    

-

  

    

  





     

   

ri

a!

-

    









    glo



ri - a!





   

    

    

    

  

 

    



     



   

       

 

glo





       

De - o,



  

in



     





  



     







        in

    

  

 









  



    

  







  

    





14

Et 62

  

in

ter - ra



 

              

pax

ho - mi -



oo



    

    

    

  

     





 

        

 

  66             Glo - ri

-

a,



 





    

bo - nae

vo - lun -







     

      

 

  

 

     



 



  



 

 

ta

-



tis,



    













glo - ri - a!

      

                            



      

              





   

ni - bus

 

     

    

 



    

     

     

    

 



15

71

 

S. & A. unis.



f























 







ah

T. & B. unis.



f

 







Lau - da

      

    









-

  



mus

te,

    





  









   - ra

-

       



  



mus

te,



















glo - ri -

  





fi

    





-







di

 -

    

   



     



be - ne -

    

76

  



ca

-



   









ci - mus

te,

    

  













  





mus

te.

    

  











a - do -

      









    





24

     

glo - ri - a





   

De - i

Pa

       

138

 

   





    

 





 

   -

      

  

  

 

     



 



   tris.    

    A

       

    



        

   

   

     men,      

fff



   



   

a

     -

men.

fff

   



        



   

 

fff

   

 

   

  

3. Sanctus 142

Gentle and rocking q = c.76

     

    

   

p sost.

        

146

S. A.

    

p espress.

            San -

      

 

     

San - ctus

ctus,

   T.       B. 

 

 

    



    

   

     

  

    

    

 

    

Do - mi - nus,

   

 

San - ctus,

 

    



p espress.

     

    

      

   

   

    

  

    

  

   

   

    



25 150

          



    

Do - mi - nus

De - us

        

    

mf

154

 

    

      

         

   

    

   

    



   Sa - ba - oth.

     

     



 

 

     





 

3

               3

ter - ra,

     

ple - ni sunt cae - li et

ter - ra

glo - ri - a 3

              3

cresc.

   

mf

     

  

    

 

mf

      

  

cresc.

Ple - ni sunt cae - li et

         

 

       

 

 

 

cresc.

  

 

 



31

           

195        

- san - na

in

ex - cel

-



 

sis,

      

           

       

   

in

ex - cel

-

         

 







  



         



     



         

       



  

sis.



ff

   

   

    

 



   

    

attacca

for Richard and Catherine Webber

5. Agnus Dei 199

Bluesy feel q = c.63

     







p

*

    

203



   

mp espress.

           

mp

 

3

-

    

    

   

 

gnus









De

    

3

-







      

i,

 



A

   

    

    



3

         S.     A

  

3

-

gnus De

   

  



 

   -

i,

 

 

 



  

3

*If playing this movement with bass, the first four bars should be played as a piano solo, with the bass entering at bar 203.

qui



     

 

32 207

cresc.

     

    lis

210

 

 



 



3

mun - di,

 

   





  B.    



-

ta

 



mun

   





   



      

-



 

  



 

    



no - bis,

mi - se - re - re

no





-

p

 -

p

-

se

-



se





re

-

-



re

-

re

 -



re

 

 re





mi

 

-



p  

 

 se

  mi

  

 

  



     

   

pec - ca

mi - se - re - re

     

    



mp

3

    

ta,

mi

T.

 



3

-





      

- di,

A.

   

pec - ca

 

 



    S.    



3

-

cresc.

  

 

3

tol

     



-



re

 

mp

      

  

   

   



  



33 213

cresc.

        

  

3

- bis,

     no

f

  

     

mi - se - re - re,

  cresc.     no cresc.

  

 -

  

bis,

 -

mi - se - re - re,

  

bis,

  

no

     

 -

bis,



cresc.

    



         

 

no

-

          mi - se - re - re

no

            

 

 

 

 

 

 

f











no - bis,

   

3

       



mi - se mp

-

-

 

mi - se mp

   

   

3

re -

mi - se



3

     



-

re -

   











re:

  

mp

   



re:

       

mi - se

 

3

re -

mp 3

bis,

-



re:

3

bis,

 

-



re:

       



  

3

re -

       



no

-

3

bis,

 

no

  

  

bis,

-

          mi - se - re - re

 

 

  

          mi - se - re - re

f

mi - se - re - re



no - bis,

     

  



mp

216

mi - se - re - re

  

 

no - bis,

mi - se - re - re

mi - se - re - re,

     

mi - se - re - re

     

mi - se - re - re,

  

no - bis,

f

  

cresc.

     

mi - se - re - re f

       

  

  





 

34 219

      

*

 

p

 

   

    

      

 

    



 

    

   

 

3

    

      3

A

 

gnus,

A

-

    

gnus

    



 

   

3

-

 

    



mf espress.

223

S.

 

  

3

De - i,

A

-

gnus,

mf espress.

A.

    

    

3

A

gnus

mf





226

      -

 



gnus

De

         

 

  -

qui

 







 

 

cresc.









qui

tol

3

-

-



   

 





lis

  pec -

gnus De

 



   

lis

 

3

3

   

tol



 

-

 







 



A





cresc.

 

i,

i,

  

3

-



cresc.

        - i,



   



A

De

 

     



3

-

          

   





 















   3

pec - ca

    3

ca

 

-

-

-



ta,

   

*If playing with bass, omit the piano left hand in bars 219–222 to allow a bass solo. The left hand re-enters at bar 223.

  pec -

 

 