Photogenic Painting

NO 553 F75704 1999 c. 1 ROBA GILLES DELEUZE MICHEL FOUCAULT IOnsreVISIOnsreVISIOnsreVISIOnsreVISIOnsreVISIOnsreVISIOnS

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NO 553 F75704 1999 c. 1 ROBA

GILLES DELEUZE MICHEL FOUCAULT IOnsreVISIOnsreVISIOnsreVISIOnsreVISIOnsreVISIOnsreVISIOnSreVISIOnsreVIS

,

GERARD FROMANGER

© 1999 Black Dog Publi shing Limited

SEP 2s 2(11

Black Dog Publi shing Limited PO Box 3082 Lo ndo n i'\WI UK



.-\11 o pinio ns expressed in material contained within thi s publication are those of the author and not n ecessaril~-

those o f the publisher.

A11 rights rese n ·ed. No part of thi s publi cati on may be reprodu ced , sto red in a retrienl system, o r tran smitted , in any fo rm or by an:· means, electroni c, mechanical, photocopying, recording o r otherwise, witho ut prio r permission of the publisher. Produced by Duncan McCorquodale. Designed by Christian Kiisters. Printed in the United Arab Emirates. I BN 1 901033562 British Library catalogui ng-in -publicati o n data. A catal ogue record fo r thi s book is avail abl e fro m the British Libran·. O riginally publi shed as Gilles Deleuze : Le peintre ec le modele, Paris, Ah·arez- Baudard , 19 7 3,

and Michel Foucault: "La peinture photogcnique", Le desi r esr panouc, Pari s, Gal erie Jean ne Bucher, 1 9H .

Michel Fo ucau lt - La peinture photogcniqu c Ed iti o ns Gallimard, 1 994-·

Our war mest thanks to Gerard Fromanger for his collaboration. The publication of this book is suppo rted by the Courtauld Institute of Art , Uni ver sity of London and the French Ministry of Culture - Centre nati onal du livre, Paris. M Nicholas Rachlin e' gr eat generosity has been particularly appreciated.

Thanks also to M Jose Ah·arez , Mme GeneYieYe Charpenti er, M Daniel Defer t, Mm e Fanny Dele uze, M Albert Dichy, Professor Eric Ferni e, M Jean-Franc;:ois Jaeger, Mm e Sophi e Mayo ux , M Noe Peyre, M O li vier Poivr e d' Anor, Dafydd Rob erts, M Adrien Sin a, Mme Ann e Solange- oble, Peter Walker.

Cou rta uld Institute of Art

J ean- Fra n~o i s

Lyo tard

The Assassination of Experience by Painting - Monory Introductio n Sa rah Wi lson

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