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9 Passing Chords 1.- Chromatic Passing Chords B  maj9 B m9

            

  

B  maj9

C  m11

B  maj9

B m11

      

9

     

B  maj9

     

13

     

B  maj9

     

17

     

  

 

   

     

 

  

      

5

C m9

   

      

C  m11

       

C m11

      

C m11

      

C m9

    

F maj7 (  11) C m11

  

    

C  m7

    

E  m11

   

  

E  m11

    

  

C  m7

       

C  7sus

   

D m7

       D m9

      

D m9

       

D m7

     

D m11

     

D9

     

E maj9

        

F m7

       

E maj 9

        

E  maj9

   

E  maj 9

   

E  maj9

 

  

E  maj9

   

F m11

E 9

 

  

  

6

 

Passing Chords

2

B 2

B 7sus

     

21

 

 

 



C  7sus

B  maj9

     

25

  

     



2. Diminished Passing Chord B B dim

   

29

  

     



B  maj9

B dim7

      

33

 

  

  

   

B dim7 37







1

b3



C m11

     

C m11

C  sus

   

  

   E  7sus

D m11

Cm

    C m9

      

    

C  dim7

     

extensions





b5

6

 

  

C  dim

 9

E 9



 

E 7sus

  



C  sus

6

  

   



  

  

D m11



 

E  maj9 F  7sus E  maj13

    

    

E 9 6

D m7

 



 



E 9 6

 

D m11

 

  





11

b13

7



  B dim7(11 b13)

      

40





   



B2

    

42

   

 



E  maj7

  



B dim7

  

 

Passing Chords

 

C  dim7



 



 

  

  

  

 

D m7

D dim7

   

  

  

 

C diminished scale half - whole W H





H

3. Secundary Dominant Passing Chord B G7 Cm

  

55



      B

    

59

     

 

  

G7

C m7

  

  

 

 

(   )  (  H)  W

  

  

A7

     

A 7 (  9)

    

D m7

      

D m7

     

W

 B  13

 

  

B9

     

E 9

 

6

 

2b. Diminished scale 46

3

H

 E 2

  

E  maj9

  

W



4



63



6 B 9

G 7alt

 

 

4. Tritone Substitution B  maj9

D 9

      

   

  

B 2

D 9

           

    

75

   

B

    

79

    

  

G7

 

D m7 G 13(  9)

       

 

Cm

   C m7

    

 

   

   

E  13

    

   

   

  

  

E m7 (  5 )A 7( 11)

       

E m7(  5)A 7( 11)

      

     

B  13 (  9)

E9 6

  

 

  

  E9 6

E9

D m7

  



D m7



E 9

C m9

  

    

 

  

  

D m7



 

  

5. ii-V-I as Passing Chords B  maj9

    C m9

 

67

71

 

  

     

 

C m11

Passing Chords A 7(  9) D m7

Dm

    Dm

      

   

 

    

 

E 9 6

E7

     

F 9sus

 

B 7

         

F 9sus B  9

  

 

   

  

E2

   

E  maj9

 

  

Passing Chords

5

6. Backdoor Progression Passing Chords (IVm - bVII - I) E  maj9

A  m9

    

83

 

    

   

B 2

 

B 2

   

    A 7(  9)/G

    

93

  

 

B  7(  9)/A 

    

B 7(  9)/A

    

 

 

C 7( 9)/B 

 

C m11





 

 

 

B  m11

 

E 2



 

  



 

B /D

  

   

 

   

A  7/E 

A  m11

G m11

       

 

  

91

A  m11/G  D  7(  5)/F

 

E  m7

7. Parallel Motion Passing Chords

    

 

 

D m7

  

    

F m11

 

6

  



    89

E 9

C m9

    

85

D 9

C  7( 9)/B

      

D 7( 9)/C

 

 

E  7(  9)/D 

    

E 7( 9)/D

     

Passing Chords

6

 



8. Using the melody

101

A  maj7/E  D m11(  5) E  maj9

    

103





         

F m9

106

        

109

G 7alt/F

    

111

      G 7alt/F

    

113

     

 B7

 

 

E6

 

 

 

E  maj9

 

   

  



E  maj7(13)

 

  

  

  

B 2

  

 

  

 

   

  

E m11(  5) A  maj9/E  B  13( 11)

   

 

      



6



  

 

G  9 (#11)

  

 

B  2/F

6



E m11(  5) A  maj9/E  B  13 ( 11) D m11(  5)

   

 G  9/E 

   

E6





  

  

    

E7

    

E 9 6

  

E 9 6

   



Passing Chords B 2

G  dim7 F dim7 E  dim7 D dim7 D m11/C C m

9. Cory's Special Passing Chords

  115           

E m11/D D m

      

117

    

                      







A dim7 B /A  G  dim7 F dim7 C m13/E  E  2

           

         

 

7 A  dim7

A/G F dim7 E dim7                   





D m7/E A /E 

      



B 2

  



