• Author / Uploaded
• Marcelo Beltran

Citation preview

Pasional Pasillo     

solo

Violín

Vln.

Vln.

Vln.

5   10  

               

14 Allegro     

Vln.

Vln.

Qna.

Guit.

Vib.

Voz

Pno.

Bajo

22     

    

        

             

 

        

 





   

3

  

 



 



arco



                          

 

   

 





   

    

      

  

     

 

27          



        

Tempo I

Vln.

                  

   

 

 



    

                               

  

  



 

                

 

          

        

     6           6  5                    6                                           

  

                                                   

Enrique Espín Yépez Arr. Marcelo Beltrán F.

     

                 ©







 





        

pizz.

   

                                                                               

 

   

   

             

 

 



       



    



Pasional

2

Vln.

Qna.

Guit.

Vib.

Voz

Pno.

Bajo

Vln.

Qna.

Guit.

Vib.

Voz

Pno.

Bajo

37            



         



  

   

  

    

   

    42   





                                                                                  

     





 

 



      





            

  

                                                                  

     

 

          

   







        





     







           







  

    



 



      



 

 

  

 

 

   







                             



       

  

         









  



1.



 

   

 

  

  



2.



 

    



 

   

              

 









 

 

  

       

     

ten

ten

       

Pasional

Vln.

Qna.

Guit.

Piú mosso

48      





Vib.



Voz



 

                                                3

      Pno.

Bajo

Vln.

Qna.

Guit.

Vib.

Voz

Pno.

Bajo



 



3

3

     

54 rit.       

5             







    







  







             

   



 



         

     

 





 

 

         

 



   

 





   



 











ten

ten

   



  ten 

ten.





  

ten.

ten.

 

ten













 

 

      

ten

    





  

 

   

    







 











  

6             







  





   



 



                                         



   

        

         

 



3

3

          

Tempo I°



 



 

                       3



                      

        ten





              3       3

3

                       



      



 

 

                   





3

  

  





  



Pasional

4

Vln.

Qna.

Guit.

Vib.

Voz

Pno.

Bajo

60                





  

     

 

                               

 

 

     





rit. para fin.

1.





                      

  









     

      















 

2.



      

  



     

              ten

                                                  



  



ten

      

    

     

  



 

                      

       

Pasional Enrique Espín Yépez Arr. Marcelo Beltrán F.

Pasillo

      solo                                                    

Violín

       6                    3    6 12            6

                         

19   5                   26  

                      





  

 

               

Allegro

Tempo I

                           3

 

6                  



   (voz)

 1.





arco







  

  

2.



 

 

                    6 Tempo I°     54 rit.    5  ten ten ten                                                            rit. para fin. 2. 61  1.                 48    

                

  



                        pizz.                                         

33                 40  

         

Piú mosso 3

3

3

3

3

©

3

3

3

Pasional Quena



      

Allegro





Tempo I



                                    

39                   Piú mosso

48            57  

Enrique Espín Yépez Arr. Marcelo Beltrán F.

Pasillo



Tempo I°

                         

      

      

                         rit. para fin.

©

1.



rit.

  

       1.

2.





 

2.

     





  

Pasional Guitarra



      

                         

51       60  

 

 

 

            

       

     



Allegro

                         2. 44        1.               37  

Enrique Espín Yépez Arr. Marcelo Beltrán F.

Pasillo

 

     

    

©

             



               Piú mosso



rit.        

1.          

rit. para fin.

  

       



Tempo I



     



  





        2.

     

             





  

 

       



Tempo I°

        

Pasional Vibráfono



   

                     

Piú mosso

48           56 ten. ten. ten.            

     Tempo I°

   



Allegro



39            

Enrique Espín Yépez Arr. Marcelo Beltrán F.

Pasillo

 





                                      

       

          

Tempo I

           

      

rit. para fin.

©

1.



       1.

2.

rit.

 

2.

     



 





 

Pasional Piano                





Allegro





Tempo I









                                                   

             



36                      

Enrique Espín Yépez Arr. Marcelo Beltrán F.

Pasillo



                               

         

 

    

43                     

                                                              

51                  

      

1.

Piú mosso

2.



                                                   rit.

1. rit. para fin. 60                                                                     

©

 

            





                           







2.

     



Tempo I°

         

       

Pasional Bajo



    

Allegro

                   

  

Enrique Espín Yépez Arr. Marcelo Beltrán F.

Pasillo 



Tempo I

                  

1. 2. 38                                           

48          

Piú mosso

56    

 

 

   

  

  

 



rit.





 



                                    rit. para fin. 1.

Tempo I°



    

©

2.