Partituras Lana Del Rey

Blue Jeans Words & Music by Emile Haynie, Elizabeth Grant & Daniel Heath q = 60 µ               

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Blue Jeans Words & Music by Emile Haynie, Elizabeth Grant & Daniel Heath

q = 60 µ

         



      F‹

     

  

F‹

   Sorgdal



 









Bb/F 6fr

                

  



Eb

1. Blue jeans, 2. Big dreams,

   





   white shirt, gang - sta,

    

walked in - to the room you know you made my eyes burn. said you had to leave to start your life o - ver.

It was I was

                





              



Eb





Bb/F 6fr







like, James Dean, like, no please,

 







 





   for stay

sure. here,

   

        





You’re so fresh to death and sick as ca - can - cer. we don’t need no mon - ey we can make it all work. But he

            

© Copyright 2010 Copyright Control/EMI Music Publishing Ltd All Rights Reserved. International Copyright Secured.





 

F‹

Eb

Bb 6fr

                                 

You were sor -ta punk rock, I grew up on hip hop, but you fit me bet - ter than my fa -vour -ite sweat -er and I know head - ed out on Sun -day, said he’d come home Mon - day. I stayed up wait - in’, an - tici -pat - in’ and pac - in’ but he was

                               

 F‹

   

Eb

   







 F‹

         





Bb/F

                   

and love hurts. But I still re -mem -ber that day we met in De -cem - ber, oh ba - by! pa - per. Caught up in the game that was the last I heard.



                      





Eb



Bb 6fr

         I

will love you till

the end

of





time.

            

           Sorgdal



        

$



6fr

that love is mean, chas ing

  





 

   

      2

       I would wait a

mil - lion years.

         

   

F‹

Eb

Bb 6fr

   

        

  

Prom -ise you’ll re - mem - ber that

you’re mine.

                            

     

Eb

    

        Ba - by, can you see through the tears?

 



F‹





Bb

           

6fr

        

Love

you more

than those bitch -es be -fore.

    

       

Say you’ll re -mem - ber,

say you’ll re -mem - ber, oh ba - by,

                                              



1. F‹

   

Eb µ

                     



I will love you till the end

of

time.

Sorgdal

Fine







time.



       and ba - by that’s al - right.         

                I told you that no mat -ter whatyou did I’d be byyour side.                  

e = q F‹



   

                     



          You wentout ev -’ry night,                     

 

Bb7 6fr



     

        

2.

       

ooh.

   

  

 

   

3

 



 



 



Eb

  

6fr



       



      

                                      ’Cause im - ma ride or

die

wheth -er you fail or

         

fly.

Well, shit at least you tried,

 

F‹

           



                        

but when you walked out that door



          



   

had in

     



died.

Told you

I want - ed more,

 

        

 



 





mind.



 

 



Eb

 

      Just want it





like be - fore.

      We were danc - in’

all night

        



        



 



 



  µ

 q = e D.S. al Fine

               Then they took you a - way,

stole you out of my life.

You just need to re -mem - ber...

                                                  

 Sorgdal



         

 



 

 

          

me



6fr

           it’s not what I

      a piece of

      

4

Born To Die

Words & Music by Elizabeth Grant & Justin Parker

C q = 98

  

     

E‹



D

C

  

    



 

 

 

 

 

E‹

  









Sorgdal

 

       



   





C





Who, me?





Why?

   

  

  

     

     

     

    

G

D



1. Feet,



 

D

Why?

     









 

don’t fail

 

 

G

 

me now.

  

     

     

D

      

Take me

to the fin -ish

line.

            



© Copyright 2011 EMI Music Publishing Limited/Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

 

 

All my heart, it

 

     

C





E‹



breaks









D

     

     

ev -’ry step that I take,

but I’m hop -ing at the gates, they’ll tell me that you’re mine.

      

 

  

             

  

G

   

             

     



 

 Sorgdal

 

 

  

 

 







is it I can



  

by mis - take or de - sign? see but once I was blind.

       

     

  

  

E‹



   



  

  

feel so a - lone was so con - fused

     

 

    I I

 

 

       

C





G

streets, found.

  

D



 

D

2. Walk -ing through the cit - y 3. Lost but now I am

   

   

 

     



     



on as

a a

Fri - day lit - tle

   2

night. child.

      Can you make it feel like Try’n - a take what I could

      

  

  

D







home, get.













if I Scared that

tell I







 























mine? find





 

   









 

      

me

 





don’t make



 



     

     





   













 

  me







 

     

Some -times love



                

   Sorgdal

is not

e-

     

     

     

E‹



- nough and the road gets tough, I don’t know why.



     

cry.

C





D



sad,



It’s like I told you hon - ey: all the ans - wers, hon - ey

E‹

Don’t make





you you’re could - n’t

C

  





   

 

 





   

Keep mak - ing me



      3

laugh.

         

  



  

 

Let’s

go get

high.



     

  

     

 

D

 

 

C

                The road is long, we car - ry



on. Try to have fun in the mean - time.

     

     

 

E‹

D

  

      

   

Let me kiss you hard in the pour -ing

   

 

 

     



  





  



  

Choose your last

 

       Sorgdal

     

 



words.

 

rain.





You like your girls in

- sane.

           

       

 

 



         

D

   This is



 

        

E‹



   

C

           

      

Come and take a walk on the wild side.

          

                    

      

     

the

  

     

  last

4

time,

 

     

  

 

     

 

   

’cause you

   

and

     

C

 

 

 I,



1.







to



 

die.



          

E‹

   



      

we were born

        

2.

µ



 



D

 

  

We were born

to die.

C





   

  

 

                            E‹

 

 



   

  

             

 

Come and take a walk on the wild side.

D



  

                                           Sorgdal

rain.

You like your girls in - sane.

5

 

 

         

 

        

We were born

    

Let me kiss you hard in the pour -ing

                       

to die.

       

C

         



E‹

      

                



       

A‹

 





E‹

    

        

Don’tmake me sad,

don’t make me cry.

                

D



 



C

              

Some -times love

is not



e - nough and the road gets tough, I don’t know why. Keep

                         E‹



 



D

  

 Let’s

go

      





 



- time.



get

 



high.



The road

Sorgdal

laugh.

    

is long, we car - ry

on.

Try to have fun

in

the mean -

                      

on the wild

   



      

You like your girls in

        



side.

        

                        



mak - ing me

                 

Come and take a walk

D



 

C

        

      

rain.

  

   

E‹

 

  



 

Let me kiss you hard

in

the pour - ing

         

 

     

   

 

C

   - sane.

          6







         

 



  

Choose your last

 

  

     

 

words.

 

E‹

 

 



D

  

last time,

  

      



 

 



   

     

C





  

This is the



C

 

    



     



’cause you and

         

E‹

 

              

    

             



  

           

           

 

E‹

G

   

  

           

           

Sorgdal





     

              C

 

             

D

  

to die.



   

   

we were born



E‹



  

C

  



      

G

   

 

I,

µ



   7

  

 

  

 

Carmen Words & Music by Elizabeth Grant & Justin Parker

q = 115 C#‹'2

   

C#‹



            C#‹

A'2



  



   



 

   

 





  



 

E

A

  

     

        

        

     

   



  



C#‹

 

 E

        

            



Ly - in’ to her - self ’cause her li -quor’s top shelf. It’s a On - ly sev - en - teen, but she walks the streets so mean. It’s a -

                





A

F#‹

4fr

- larm - ing, ho -nest - ly, how charm -ing she can be. - larm - ing, tru - ly, how dis - arm - ing you can be.

 

F#‹

4fr

1. Darl - in’, darl - in’, does -n’t have a prob - lem. 2. Car - men, Car - men, stay -ing up till morn -ing.

Sorgdal

F#‹

4fr





               Fool -ing ev -’ry - one tell -ing how she’s hav -ing fun. Eat - in’ soft ice cream, Co - ney Is - land queen.

                   

© Copyright 2012 EMI Music Publishing Limited/Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.



C#‹

 

E 4fr

           

She says,“You don’t want to She says,“You don’t want to

be like be like

         

me. me,

Don’t want to see all the things I’ve seen.” I’m look - in’ for fun, get - tin’ high for free.” I’m

                 



 

 





A

 



 -

in’, in’,

 



I’m I’m

dy dy

    



-

in’. in’.

Sorgdal

          



    

    

 



A

  

F#‹

          



       She says,“You don’t want to get this way, She says,“You don’t want to get this way,

 

Ly tir

             







     

fa - mous and dumb at an ear - ly age.” street walk at night and a star by day.” It’s

 

  

C#‹

    

E

 



F#‹



  



 



4fr

dy dy

 



           

 2

   -

in’, in’,

  

        I’m

ly tir

-

in’. in’.

         

    



   

The

  



    

A F#‹ G#‹ $ C#‹                             4fr

   

4fr

boys,

the girls,

they

all

like Car - men. She gives them but - ter - flies, bats her

  

 

 

    

 



She

F#‹



G#‹ 4fr

            like God,

her mind’s like

    

     

  

Sorgdal

       

A

 

a dia - mond.

  

like

light

     

      

 -

ning,

   

Au - di - o - tune lies.

          

 

F#‹

  

 

        

A

 



4fr

laughs

 

eyes.

                                   

C#‹

 

car - toon



white light

                 3

  

     

F#‹

          

   

She’s still shin - in’

        

A

oh,

   

 

To Coda Ø

-

       



        



         



ning.

B

     

C#‹

G#‹ 4fr

    

 

Ba - by’s all dressed up



with no - where

      

 



A

4fr



   to

       

go.

That’s the

lit - tle

sto - ry

of

the

   

         





B

C#‹

A

                            

ty - ing cher -ry knots,smil - ing,

  



4fr

girl

you

know.

Re - ly -ing on the kind -ness of

stran

-

gers,

     

                                             



F#‹

       

    

do - ing par - ty fa - vours.

              Sorgdal

A

Put your red dress

      

  

    

on. Sing your song, song,

     

      

on,

 4

put your lip - stick



    



F#‹

     

now the ca -mera’s on.



    

And you’re a - live

      





a - gain…

                   

             

  

F#‹

G#‹

 

A



French spoken words: Mon amour,





 

          

 

je sais que tu m’aimes aussi,

 





 





 











tu as besoin de moi, tu as besoin de mon dans ta vie.



 

 









 



F#‹

 





 

4fr



      

  



G#‹







Tu ne peux plus vivre sans moi et je mourrais sans toi. Je tuerais pour toi.

Sorgdal



C#‹'2

A



 

4fr

   



 

      

C#‹'2

 



    

µ



D.S. al Coda

 

The

  

                 



 

5

 

Ø Coda

A

F#‹

      







...like

light

 





 





 

 







 







       



 



 



light

 





 





oh,



-



 



 





ning.



 

 



 



 









  



  



  







E

A

F#‹

     

             

4fr

   

       

Darl - in’, darl - in’,

Sorgdal



white

C#‹



ning,

 

F#‹

  

 



-

A

 





does -n’t have a prob - lem.

Ly - in’ to her - self ’cause her

li -quor’s top





shelf.

                 

      

6

Dark Paradise Words & Music by Richard Nowels & Elizabeth Grant

q = 66 µ

   

    



   













 

 















A

 

 









C#‹

                       4fr

1. All my friends tell 2. All my friends ask

me I should move on. me why I stay strong.

I’m

ly - ing in the o - cean sing -ing your Tell ’em when you find true love, it lives

  song. on.

                                         1º only

A

     

Sorgdal

C#‹ 4fr

             Ah. Ah.

              

      That’s how you sang

it.

      

© Copyright 2012 EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.

    

A

   



C#‹ 4fr

      Lov -ing you for -ev - er

  

      

   

can’t

      

   

    be

wrong.

       

E - ven though you’re not here,

 



 

       

    

Ah.

          

    

 

 

 Sorgdal

          

That’s how we played it. That’s why I stay here.

         

 





  



And there’s

no

  



     

A

2fr

 

               rem -e - dy for mem -o - ry, your face is like a mel -o - dy.

   

  

It won’t leave my head.

  

                 

E/G#

    Your soul

     

           

    

ev -’ry - thing is fine.

              

  

 

    

A

      

 2

But

I

wish

I

is

      

2fr

haunt -ing me and tell -ing me that

 

on.

      

    

E/G#

F#‹

 

won’t move

C#‹

F#‹

 

   

4fr

     

  

 

A

 

  

was

      

 

  

dead. (Dead, dead.)

  



         

C#‹

   

B

 

eyes,

       

 

 

  Sorgdal

like a dark

        

No one

   

    B

I’m scared that you

       

won’t be

wait -ing

on the oth - er

B

  



F#‹







 

 

side.

                

    

com -

    

 

          

to you.

   

pa - ra - dise.

     

    

C#‹

4fr

B 4fr

     



Ev -’ry time I close my

eyes,

       

 



       

 

it’s

        

like a dark



pa - ra - dise.

         

    No one

 

   

   

E

     

            

to you.

       

 But  

I’m scared that you there’s no you,

B

won’t be wait -ing on the oth - er side. ex - cept in my dreams to - night.

3

  





  

Oh - oh - oh -

                

    

com -

    

A

- pares

 

it’s

E

   

B



A

C#‹

 

       



    

     

 



Ev -’ry time I close my

- pares

 

C#‹ 4fr

     

     

F#‹

4fr

    

       

e=q A

   

B





- oh

-





  

 

 



hah - hah

- hah

 

 





 





 

 







C#‹

 

B

  

wake up

from this







I

don’t

want

to

hah.



    

   

    





 



A

4fr

     

 



     Sorgdal





Oh - oh

 -

oh

 -

oh

 

 



      



   





   



B

  



to - night.

  

  



 -



   

 

hah - hah - hah

hah.

    



   

C#‹ 4fr



 



I don’t

 

  

  

want to

wake up

from this

          

 

  

    

    4

 





to - night.

µ



  There’s

 



   

 



 

q = e A

G#

                             4fr

                        no

re - lief, I

see you in my sleep. And ev -’ry -bod -y’s rush -ing me, but



                        



 

A

                  re - lease,

I



C#‹



 

 Sorgdal

feel you in my dreams.

 



Tell - ing

             

 



me

fine.



I’m

  

   

B

 



   

F#‹

C#‹

B 4fr

     



Ev -’ry time I close my

eyes,

       

 

 



       

 

it’s

    

like a dark

pa - ra - dise.

             



No one

   

     

          

I’m scared that you

com -

    

 

E

to you.

   



A

- pares

 



4fr

     

 

4fr

      

  

no

 

 

G#

  

 

I can feel you touch -ing me.There’s



B

won’t be

wait -ing

on the oth - er



   

     5

  





 

 

side.

              

    



    

C#‹

   

B

Ev -’ry time I close my

eyes,

       

 

 



- pares





   

it’s

 



    

     to you.

 





 

Sorgdal

com -

    

 

   

         



no you,

ex - cept in

 

   B





my dreams to - night.

             

 



   

 

Oh - oh - oh -



 

  

    

C#‹

     

   

   

    

- oh - hah - hah - hah - hah.

   

A

 

No one

B

But there’s

    

pa - ra - dise.

   

E

   

B 4fr

     

like a dark

µ



          

A

 

       





A

 

C#‹ 4fr

     

     

F#‹

4fr

I don’t want to

 

B

          

wake up from this

to - night.

              

 

C#‹ 4fr



  

 

 

   

  

- oh - hah - hah - hah - hah.

 

   

 

µ

 

I don’t want to

wake up

from this

    

  

 

 

Oh - oh - oh -

  6

  

to - night.

  

  

Diet Mountain Dew Words & Music by Mike Daly & Elizabeth Grant

q = 90 µ

           You’re no

good

for



me,

ba - by

          



    



    



You’re

    

no





  



     

 good

 



want

you,

I













      



I



   







want...



 

Ab

              

Di - et Moun -tain Dew ba - by, New York Di - et Moun -tain Dew ba - by, New York

4fr

 

Cit - y. Cit - y.

                                 Sorgdal



     

   

Bb‹

me.



but

  

for



for

  

good



     

 

    ba - by

you’re no

 

   me,

     

 

Nev -er was there ev - er a Can we hit it now, low

girl down

  

so pret - ty. and grit - ty?

                      

© Copyright 2011 Chrysalis Music Limited/EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.



Gb

       

Adim



           

       



                                              Do you think we’llbe

in love

for - ev - er?

Do you think we’ll be in love?



Gb

           

Eb‹

Bb

6fr

   

    

   

     

    

1. Ba - by put on heart - shaped sun - glass - es, ’cause we’re gon - na take 2. Let’s take Je - sus off the dash - board. Got e - nough on

                                   



Gb

Eb‹

 



  

Bb

                

a his

ride. mind.

     

6fr

I’m not gon - na lis - ten to what the past We both know just what we’re here

     

says. for.

I been wait -ing up all Saved too man - y

                                   

      



Gb

         

Take an - oth - er drag, turn May - be I like this

Eb‹

night. times.

   

    

me to roll - er

ash - es. coast - er.

                              

   2

       

Read - y for an - oth - er May - be it keeps me

lie. high.

           



 

        



6fr

 Sorgdal

 

 

 



 

     

Ab

Gb 4fr

               Says he’s gon - na teach me just what fast May - be the speed it brings me clo

is. ser.

                                 -

µ

       

Say it’s gon - na I could spark - le

                     Gb

Di - et Moun -tain Dew ba - by, New York



   

  

Do you think we’ll be

in

love

         

Bb‹



4fr

 

Cit - y.

 

   

       

   

      

Nev - er was there ev - er

a



girl

  

so

pret - ty.

                      

Adim

           

for - ev - er?

Do you think we’ll be

in

      

                Di - et Moun -tain Dew ba - by, New York Cit - y.                                3

   Ab





love?

            

 Sorgdal



Ab

             

   



                



Bb‹

be al - right. up your eye.





     

4fr

     

Can we hit it

now, low



down

  

and grit - ty?

                     

Gb

       

Adim µ

in love

         

   



Eb‹

     



  

Bb‹

Db

6fr

                         

                      

    

6fr

Bb‹

Eb‹

  

want

you, I

            

want

you.

    



 

Ab

   



 

 



Eb‹ 6fr

You’re no good for me,

but ba - by I

                     Bb‹

      

You’re no good for me,

   



         



ba -by you’re no good for me.



  

4fr

                   You’re no good for me,



            for -ev - er? Do you think we’ll be in love?                    

       

Do you think we’ll be



ba - by you’re no good for me.

       

           

   



    

Adim

   

F7

4fr

              You’re no good for me,

but ba - by

I

 want

                                 

 Sorgdal

4

   you,

I

want

      

 

  you,

I





want

you.

      

 



       

   

Bb‹

Ab 4fr

                Di - et Moun -tain Dew



ba - by, New York

Cit - y.

Nev - er was there ev - er

                        Gb

   

girl

so

pret - ty.

            



                     in

love

for - ev - er?

Do you think we’ll be

in

love?

                                     Bb‹

   

Ab 4fr

     

Ba - by, stop -ping at

Sev -

                    Gb

       



en

 

-

  

    

e - lev - en.

There in his white Pon - ti

  

   



Adim

-

  

ac heav - en.

                    

           



       

for - ev - er?

         

                 

Do you think we’ll be

    Sorgdal

a

F7

Do you think we’ll be



          



in love

      

Do you think we’ll be

   5



in love?

    

Bb‹

Ab 4fr

                                 

 

Di - et Moun -tain Dew ba - by, New York

Gb

       

Cit - y.

in



Bb‹

for - ev - er?

Di - et Moun -tain Dew ba - by, New York

   

Do you think we’ll be

in love



pret - ty.



Do you think we’ll be

in

love?



   Ab



     

4fr

 

Cit - y.

     

Can we hit it

 

   

         

    Sorgdal

  

       

so

            

             

   

girl

Adim

      

Gb

a

  

           

love

                   



                      

   

         

   

Nev - er was there ev - er

 

  

       

Do you think we’ll be

      

Adim

now, low

down

  

and grit - ty?

                     

           

for -ev - er?



Do you think we’ll be



in love?

                 

      

   6



    

Bb‹

Ab 4fr

           You’re no

good

for

        

me,

ba - by you’re no

good

for



me.

                                                



Gb

Adim

           You’re no

good for

me,

    but ba - by

I

 want

you,

I

                                    



Bb‹

     You’re

          



You’re

    



    

Sorgdal



     

4fr

 no



 good



   for



me,

  

ba - by







you’re

no

 



 

 



  

good



for



  

4fr

no



 good



  

   

for

but

me,

  

ba - by

I

   

7



me.

Ab





want...

Ab

Gb

    





 

µ









want

you,

I

want...

 





 





Million Dollar Man Words & Music by Chris Braide & Elizabeth Grant

q. = 75 G#‹7

   

C#/G#

4fr

     



     



   

tight strange,

         Sorgdal

       

C#‹/G#



said I got the

was world,



C#‹/G#

        our hard

fi to

-

            



tic at what

flower, price?

 

 

hour. fine.

  

hold Some



  



   

-





ing me thing so

       

C#‹

   

4fr





4fr

nal de -

G#‹7 4fr



G#‹

4fr

in

ex - o ba - by,

     

            

G#‹

     

the most but

   

  



4fr



  



    



4fr



4fr





C#/G#

C#/G# 4fr

        

4fr

1. You 2. You’ve

           



 

G#‹

4fr





G#‹7

     

C#‹/G#

4fr

4fr





         It

I don’t know how you is - n’t that hard, boy,

 

con to

                         

© Copyright 2012 EMI Music Publishing Limited/Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

F#

  

D#

         



                                         

   

and get them, or love you.

   



boy.

 



  





 

It’s You’re

       

F#

              

un - be - lie - va - ble. un - be - lie - va - ble.

B

get o - ver, just grab me

        

D#

get o - ver and take me.

                 

   

   

  

G#‹ 6fr

     

          

And I don’t know how you If you’re go - ing cra - zy,

4fr

     

some -one as dan - ge - rous, taint - ed and flawed as I’d fol - low you down, down, down

Sorgdal

  



4fr

                          

  

do. down.

I don’t know what you I’d fol - low you down, down,

C#‹

  

4fr

            

   

  

G#‹ 6fr

- vince them like you

  

B

    you.

                                                2

      an - y - where, an - y - where.

           



 



$

B

D#

      



  

   One for the

   

    





G#‹

       



  



 

love you

  

and two for the

F#



        

    

hon - ey.

I’m read - y, I’m

to

go.

 

        

   E

6fr

         

How did you



get

that

  

way?

    



     

              

            

I don’t

                        



 



know.

You’re screwed up and bril - liant. You

1.

D#

Sorgdal

read - y

         

  

 

   

  D#

                  

show,

4fr

  



B

   

   

                              

        

   

    

C#‹

4fr

I



       

mon - ey,

  

  

6fr

G#‹ 6fr

        

 look like        

a mil - li - on

         

dol -lar man.

    



To Coda Ø

      So why

is my

          3



heart

      

4fr

    



broke?

        

   

  

2. G#‹7

  

C#/G#

4fr

C#‹/G#

4fr

    

             broke?

G#‹

4fr

4fr



          





       







    

  

 





  

D.S. al Coda G#‹7

C#/G#

   

4fr

C#‹/G#

4fr

     Ø Coda

        

       





 



B

     

 

    

  



 



D#

  

Sorgdal

      

E









      

  I don’t

         

     



 

   

        

           

 know.

You’re screwed up and bril - liant. You

                D#

  

F# 4fr

6fr

broke?

  

G#‹

4fr

G#‹ 6fr

        

4fr



     

                                      look like a mil - li - on

dol -lar man.

So why

4

is my

heart

    

    



broke?

     

 

 

 

National Anthem Words & Music by David Sneddon, James Bauer-Mein, Elizabeth Grant & Justin Parker

q = 85 Ab

C‹ 4fr

   

Bb

G‹7

3fr

Ab 3fr



C‹ 4fr

3fr





                                      

   

 

1.

2.

Bb

G‹7

Bb 3fr

  



µ





                     





     





  

   

 

Mon -ey is the an - them

    





         

Sorgdal

 

 

 



       



 

of suc - cess. So be - fore we go

out, what’s your

  





   

       

  



 

 

© Copyright 2011 Sony/ATV Music Publishing/EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.



 

 

ad - dress? 1. I’m your

  

 



Eb

C‹

G‹

6fr

3fr

          

3fr

              

   

na - tion - al an - them. God, you’re so hand - some. Take me to the Hamp - tons, Bu - gat - ti vey - ron. (2.) na - tion - al an - them while I am stand - in’ o - ver your bod - y, hold you like a py - thon.

    

 

      

 

Eb

  

 





G‹ 3fr

3fr

            

                     

C‹ 6fr

loves to ro - mance ’em. Reck -less can’t keep your hands off me or

  

 

    

 

Eb

   a - ban - don, your pants on.

 





  

Sorgdal

to be cool, but to be cool, but



    

hold - in’ me for ran - som, up - per e - che - lon. See what you’ve done to me, king of che - v - ron.

3fr

 

   

I don’t know how yet. I’m al - read - y cool - est.

   

He He

G‹ 3fr

              says said

                                  

C‹ 6fr

He And you

 

 2

     

Wind in my hair, hand on the back of my neck. I said to get real, don’t you know who you’re deal -ing with?

      



 

 



        



Eb

C‹ 6fr

G‹ 3fr

                 I

     

     Ab

   

me

          

I’m your

na





Sorgdal

-

tion - al

an

     

yes.”



 

   

  

G‹7

them. (Boo - yah, ba - by bow down mak - ing me say wow now.

  

 

  



 

  

  

 

Bb

   na

yes,

            

6fr

I’m your





3fr

Eb

          



  

   

4fr

me



Bb

  

Ab

Tell

 

3fr

 

    

   

C‹ 4fr

Tell



said, “Yes, said, “Can we par - ty la - ter on?” He Umm, do you think you’ll buy me lots of dia - monds?

 

    

3fr

tion - al

G‹7

          

   -

  

an

3fr



them. Su - gar, su - gar how now take your bod - y down - town.)

  

 

    

  3



  

  

 

 



Ab

C‹ 4fr

      Red,

           

Bb

G‹7

3fr

3fr

         white,

blue is in the sky.

           

 



 

                Sum -mer’s in the air and ba - by, heav - en’s in your eyes.



                            

1. Ab

     

Eb 4fr



Bb 6fr

  

      

I’m your na - tion - al



µ

an

-

      

them.

Mon - ey is the rea - son

    

      

we ex - ist.



                  



2. Bb

                     

Sorgdal

  

Ev -’ry -bod - y knows it, it’s a fact. Kiss, kiss. 2. I sing the



  

    



    4

-





them.



  It’s a

  

  

      

G‹

F

Eb

3fr

                     love

sto - ry for the new age,

    

 



6fr

    for the sixth

page.

       

  

 



     We’re on

a quick, sick

  ram - page,

               

C‹ 3fr

     

   

            

win - ing and din - ing, drink - ing and driv - ing.

                       

G‹

F

                    

drugs and our love and our dreams

    

 



Ex - ces -sive buy - ing,

o - ver -dose and dy - ing on our

                         

Eb

3fr

Sorgdal

 

  

F

  





6fr

  

      

  

and our rage.

Blur -ring the lines be -tween real

and the fake,

      

   5

                     

F

C‹

      

G‹ 3fr

 

dark

and lone

-

      



ly,

I need some -bod - y

to hold

me.

                                      

   



 

Eb

He will

ver - y well,

                     

F

C‹ 3fr

    can

do

 



6fr

I

F 3fr

tell,

I

 

   

can tell.

Keep me

safe,

in

 

his bell

-



tow

 

-

er

ho

-



tel.

                                                                                 µ

Mon - ey



    

is the an - them



Eb

put on

mas - ca - ra

na - tion - al

an - them. Boy,



    

 

   

and your par - ty dress. I’m your

 

C‹

        

Sorgdal

so

 6fr

  

of suc - cess,

G‹ 3fr

3fr

    put your hands up.

 

            Give me a stand - ing o - va - ti - on.                 

 6

 



 



Eb

C‹ 6fr

            



 

Ab

  

of

Tell

me

           

   na

 

Ab



     me

-

tion - al

an

  

 

  

      

     



 

  

  

 

Bb

   na

G‹7

them. (Boo - yah, ba - by bow down mak - ing me say wow now.

6fr

I’m your

                     

            

Eb 4fr

Sai - gon.

3fr

  

    

sweet - ness and dan - ger queen of

Bb 3fr

I’m your

           



C‹

    

    

in the land

 



4fr

Tell

3fr

   

Boy, you have land - ed. Babe,

    

Sorgdal

G‹ 3fr

tion - al

G‹7

          

   -

  

an

3fr



them. Su - gar, su - gar how now take your bod - y down - town.)

  

 

    

  7



  

  

 

 



Ab

C‹ 4fr

      Red,

           

  

white,





 

 



 

 

Bb 6fr







I’m

your

na

 



 

 

 -









tion - al

an

-

them.



 







   



 

Eb 4fr

          Mon - ey

                

     

Eb

Ab

Sorgdal

Sum -mer’s in the air and ba - by, heav - en’s in your eyes.

          

4fr

 

   







  

 



 

 

Bb 6fr

is the an - them. God,

 

    

               

blue is in the sky.

 

    

  

G‹7 3fr

        

Ab

  

Bb 3fr

   

      

you’re so hand - some. Mon - ey

is the an - them

   



  8

 

   of suc - cess.

  

 

 

Ab

Eb 4fr

          Mon - ey

Bb 6fr

is the an - them. God,

               



 



   

                 

you’re so hand - some. Mon - ey

 



is the an - them

of suc - cess.

   

Eb 4fr

6fr

Mon -

      









ey

is

the

an









      



-











them.

God,

you’re

so

hand



 













1.

2.

Bb

Bb

          Mon - ey

is

the an - them





 -

some.





µ

          

   of suc - cess.

                         Sorgdal

  

     

Ab

     



   

Mon - ey

is the an - them

of suc - cess.

 

         

 

    9

 

 

Off To The Races Words & Music by Timothy Larcombe & Elizabeth Grant

q = 85

  

µ

   

1. My old man 2. My old man

  

is is





   

a bad man, but a tough man, but



                      

 

          

  

  









 

he he

grabs shows

me, me,

he has me by my he knows me every inch of 3

heart. my tar black soul.







 





  

        





            

He does -n’t mind I have a Las Ve - gas past. He does -n’t mind I have a flat, broke -down life.

                  Sorgdal

I can’t de - ny the way he holds my hand. And he got a soul as sweet as blood red jam. And

3

   





          

 

      

 



 

  



 

  







           

He does -n’t mind I have an L. A. In fact, he says he thinks it’s what he

crass might

way like

           

   

 

© Copyright 2011 EMI Music Publishing Limited/Copyright Control. All Rights Reserved. International Copyright Secured.

   



 

 

 

 

 

a - bout a - bout

me. me,

 

 

    

       

He loves me ad -mires me,



beat roll

     





Edim



E‹



Edim 2fr

          

       



Edim

with my red nail off po - lish. Watch me in the slip - pin’ on my red dress, put -tin’ on my make - up.

   

 

       

E‹

  

2fr

           

rip - ples, you sit - tin’, sip - pin’ on cog - nac, li - lac fumes,

               

   



Edim

2fr

     Sorgdal





              

swim - ming pool,bright blue Glass room, per - fume,



    

         

E‹



 

      

            

      



     

2fr

Swim -ming pool glim -mer - ing, darl - ing, white bik - i - ni room, bath - room, Cha - teau Mar - mont, glass



   

   





of his co - caine heart. like a roll - ing stone. Likes to watch me in the

      



E‹



with ev -’ry the way I

   

   

 2

     your black cris - tal, says it feels like

yeah. heav - en to him.

    

   

 

 

        

E‹

E‹7



              

Light of my life, Light of his life,

fire of my loins, fire of his loins,

       

  

 

be a good ba - by, keep me for - ev - er,

    

   



  



        

  



do what I want. tell me you own me.

        







E‹



               Light of my life, Light of your life,

fire of my loins, fire of your loins,

        

  

   

 

 

give me them tell me you

gold coins, own me,

    

   

 



  





         

µ



give me them coins. And I’m off to the

          

 

E‹

D

   rac

     Sorgdal

 -

es,







cas - es



    



    



of Ba - car - di chas - ers.

        

     Chas - in’ me all



o - ver

    

  

    3

  



town

   

     ’cause he knows I’m

     

     

C





  wast -





   

ed,





fac - in’



   

      

     



   

-





zy

ba

 

 

Be -cause I’m

   

    

                      -

by, I need you to come here and save me.I’m your lit -tle scar - let, star - let, sing - in’ in the gar -den.

                    

        

  



Kiss me on my o -pen mouth.

      

2.

E‹



Read - y for you…

            Kiss me on my o -pen mouth. Yo,I’m off to the

                           

 

         

  

              

Sorgdal

  

C

1.



out.

    



B‹



   

Is - land and I won’t get



     

D

cra

    

time a - gain on Ri - kers



    



    

                

             4

E‹

D





  rac



   

-

es,







    

lac - es,



leath -er on my waist



    

 is

tight and I



        

    

am fall - ing

    

  

   

  

    

down.

I can see your

   



     

     

C



  face

    

  

     

is shame - less,

Ci - pri - a - ni’s base - ment,

   

      

    

   

 Sorgdal

down.

   



   God I’m

so

   

    

B‹

      

love you but I’m go - ing

         



D

cra

        

-





zy

ba

 

 

   -

by,

I’m

sor

     

         

      -

ry that I’m mis - be - hav

       

   

5



     -

ing. I’m your lit - tle

     

    

C





  



  

 

       

har - lot, star - let, queen of Co -ney Is - land, rais - in’ hell all o - ver town.

     







 



 

A‹/E







Sor -ry ’bout it.

                    

    

µ

  

    



E‹

                         

 

3

My old man is



a thief and I’m

gon -na stay and pray with him till the

3

                                

end.

But I

       



  



   

A‹



              trust in

the de -ci - sion of the Lord

to watch o -ver us.

                                         



E‹



     

Sorgdal

Take him when he may,

if he may.

                 

A‹

                      

                                                   I’m not a -fraid to say



      

that I’d die with -out him.

6

Who else is gon -na put up with me this way?

I

E‹

                               need you,I breathe you, I’d nev - er leave you.

They would rue the

day

I was a -lone with -out you.

You’re

                                          



A‹

                   

ly - in’ with your gold chain on,

ci - gar hang - in’ from your

lips

     

I said, “Hun,



                          



E‹

beau - ti

    



 



- ful



    Sorgdal

-

 

as

you

do now,

my man.”



  

 



  



es, plac - es.



 



  

 





E‹





 

 

rac

    



D

  



you nev - er looked so



    





  

 

And we’re off

 



to

  

the

  D

    

Read - y, set, the gate

        

µ



    

is

  

down and now we’re go - ing



in

        

  

    7



   

to Las

    

     

C

D



                       Ve - gas, cha - os,

ca -si -no o - a - sis. Hon - ey it is time to

spin.

Boy you’re so cra



                                

         

C

 

        



love

    

you for -ev - er, not may - be. You are my one

 

 



  

  

D









Ooh,

     Sorgdal



 

 

-

by

 

      C

   ooh,

 

  

 

     

                       8

I

   



        

 

E‹

ba

 

You are my one true love.

         

     

zy

     

true love.

              



         

         

B‹

-



 

         

D





   

 





ooh.

  

B‹

C

  

   



E‹



 

  D

true love.

 

    



D



 B‹



  

 

  

  

  

   

 









 



 



 

 

  



 



 



CŒ„Š7

  

  

     

C







         

         

  

 

You are my one





        

         

    

Sorgdal

  

E‹

   9



   



 

   

 

Radio Words & Music by Elizabeth Grant & Justin Parker

q = 90 D

D

 

   





1. Not

            

 



 

 

F#‹/A

 



 

     

   

e - ven

  they (2.) dreams

  

     

G

 

 

   



Boy, I be I swore I’d

fly chase

   



words streets

      

 Sorgdal



can’t were



 bring paved

 

   -

ing ’em till

o I

  

   

me with

down. gold.

     

    



 

can came

stop true

me now. some - how.





 





   

D

  -



ver - head. was dead.

 

F#‹/A

 



   



Their hea - vy I heard the

   

G

 

    

Boy, I’ve been That’s what my

   



  

raised fa -

from the dead. ther said.

   

  

© Copyright 2012 EMI Music Publishing Limited/Sony/ATV Music Publishing. All Rights Reserved. International Copyright Secured.

 

E‹

   



 

D/F#

         

No one No one

e - ven knows how hard life e - ven knows what life was



    

 





I

fi

-

 





 



n’ly

found



  



    

   

like

     







you.

 

   

 

A

 



         

Sorgdal





(Sing

it

to

me.)

 

   

Like a fuck - in’ dream

I’m

     



 

     

             

liv - in’ in.

  

         

E‹

   

                                            2 Ba - by, love me ’cause I’m play -ing on the ra - di - o.





    

cin - na - mon.

  



 

  D

Now my life is sweet



             

 

     

A

 

I don’t e - ven think a - bout it now, be - cause Now I’m in L. A. and it’s pa - ra - dise.

D

G

 

was. like.

 

 

       



           

         

  

 

G

How do

you like

  me now?

           

G

  

D

Lick me up and take me like a

   

 



                   

     

       

vi - ta - min.

       

  

’Cause my bod -y’s sweet like su - gar ve - nom. Oh

  

       



 

     

       

    

1. A

  yeah.

    

E‹

D

              Ba - by, love me ’cause I’m play -ing on the ra - di - o.

    

       



How do you like me now?

                

     



2. A - me - ri -can

 



     

                 

 

 

2. G

D

  

 Sweet

    Sorgdal

 



 



    like

cin - na - mon.

Like a fuck - in’ dream

   

               

    

 

3

     

     



    I’m

liv - in’ in.

   

         

 

A

   



 

E‹



             

Ba - by, love me ’cause I’m play -ing on the ra - di - o.

 

               

     

       

G

      

 

 

D





  

Sweet

like

cin - na - mon.

 







  

               

 



 



 I

    

G

        

Sorgdal

 

fi

-

 

   

    

n’ly

 found

you.

 



         

Now my life is sweet

like

cin - na - mon.

     



  

         

            

Like a fuck - in’ dream

I’m

liv - in’ in.

    



  

          



    (Sing it

 

 

to

me.)

 

D

  

        

 

               



    



me now?



       

 

you like

   

E‹

 

How do

    



A

 

 

   

4

 



  

Like a fuck - in’ dream

I’m

liv - in’ in.

    



    

     

  

         

A

   



 



E‹

Ba - by, love me ’cause I’m play -ing on the ra - di - o.

 

     

  

       



 

     

       

 



 





yeah.

Ba

 



 

1.

 

-





 



 

Sorgdal

 

- o.

    

   

            

            

 



 

’cause

I’m







 





 

 

2.

       



me

 

 

’Cause my bod -y’s sweet like su - gar ve - nom. Oh

love

 

me now?

       

by,

 

 

you like



     

E‹

 



vi - ta - min.

 





 

D

            

A

 

 

          

Lick me up and take me like a

 

How do

               

G

 

   

             

play - ing





  

on

the

ra







-



di



 

E‹

 

 





How do

you like

me

now?

    

        

 5

   - o.

      

µ

 

 





How do

you like

me

now?









-

Summertime Sadness Words & Music by Richard Nowels & Elizabeth Grant

q = 125 A

   

B











C#‹



      

  

  







 C#‹

B

        

          





   

   







F#‹

       



you go,

sum -mer -time

sad

-

       

 





 A

C#‹

B

F#‹

4fr

know

that, ba - by, you

          

 

 







                 

         to



ness.

            

I just wan -ted you

F#‹



B

4fr

Kiss me hard be - fore

Sorgdal

A

4fr

A

 

F#‹

4fr

        

C#‹



the best.

1. I got my

       

© Copyright 2012 EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.



    

A

C#‹

B

              

F#‹

4fr

red dress on (2.) e - lec - tric

 



to - night, to - night,

         

   

       

 

              





C#‹

B

 

  

F#‹

                               Oh

my God,

I

feel it in the air.Tel - e -phone wires

C#‹

B

                       a - bove

are

siz - zlin’ like a snare.Hon -ey

F#‹

4fr

                    

                                         Sorgdal



4fr

A

 

F#‹

  

I’m feel - in’ a - live. I’ll die hap - py to - night.

High heels off, I know if I go,

                                    

     

                

A

 

Done my hair up Got my bad ba - by



B

 

4fr

real big, beaut - y queen style. by my heav -en - ly side.



 



C#‹

       

 

in the pale moon -light. go -in’ ’bout nine -ty - nine.

        



A

 

danc - in’ in the dark cruis - in’down the coast,

 

I’m

on fire,

I

feel it ev -’ry - where. Noth - in’ scares me

2

   

an - y - more.

(Two, three, four.)

 

 

   

 

A $       

C#‹

 

Kiss me hard be -fore you go,



                

  

A



  

C#‹

 

Sorgdal

that,

   

 





 

        

F#‹

ba - by,

 







 



you the best.

                 

C#‹

 

- ness.

       

 

       

         I got that sum -mer - time,                        

sad

B

4fr

to know

A

A

sum -mer -time

                          

             

F#‹

    

   

  

         I just want -ed you

B 4fr

B

        

F#‹

4fr

  

sum -mer -time





sad - ness.

              C#‹

      



       

 

Su -su - sum -mer - time, sum -mer -time

        

   



B

  

Got that sum -mer - time, sum -mer -time

sad - ness. Oh,

                                  3

  

1.

4fr

       

sad - ness.



µ

           oh,

oh.

2. I’m feel - in’

                 

2, 3.

   

To Coda Ø

F#‹

G#‹

C#‹ 4fr









 

  

F#‹

                        4fr





 

sky.

          

                     

like the stars

miss the sun in the

4fr







 

   

  







drive,



     C#‹

e - ven

     

 

B

I’m gon -na

  

La - ter’s bet - ter than nev - er,



if you’re gone

 

C#‹

     



                   

      





drive,

 

    

  







drive.

                                      B

F#‹

       

   



  

   

      

     

     

     

 



 

Sorgdal



                 

G#‹

morn - ing

A



Think I’ll miss you for -ev - er

         

    



A 4fr

4fr

I got that sum -mer - time, sum -mer -time sad - ness.





4

Su -su -sum - mer - time, sum -mer -time sad - ness.





A

    

C#‹

B

F#‹

4fr



      

    

    



Got that sum -mer - time,

sum -mer -time sad - ness.

Oh,

oh,

    



     





 

     

  

oh.

Ø Coda G#‹

 

C#‹ 4fr

          

F#‹

A

       

    

    

G#‹

            

        

  

 

C#‹ 4fr

     

   

4fr

       

D.S. al Coda

4fr

       

           

   

    

  

 

A/B

 

Sorgdal

    

     

    

        

   5

    

       

This Is What Makes Us Girls Words & Music by Timothy Larcombe, Jim Irvin & Elizabeth Grant

q = 74 Bb

   

D‹

  

    D‹



Bb/D

  

 C





  

Bb

C

                             1. Re - mem - ber how we used to par - ty up all night, 2. And that’s where the be -gin -ning of the end be - gan.

sneak - in’ out and look - in’ for a taste of real life, Ev - ’ry - bod - y knew that we had too much fun.

                                    D‹

        

Sorgdal







C

          

Bb



drink - in’ in the small town fi - re - light. We were skip - pin’ school and drink - in’ on the job

            



C

 

      

 

Pabst blue rib - bon on with the boss.

ice.

  







© Copyright 2011 Copyright Control/EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.



D‹

  



C

   

Sweet six - teen Sweet six - teen



Bb

  

and we had and we had

D‹

   

C

     

  

Steal - in’ po - lice cars with the sen - ior guys. cheer - in’ our names in the pink spot - light.



              

 

      There she was, my new Yeah, we used to go

  

  

D‹

 



best friend: break in -

hi.” dive,

           

Bb

   

  C

 

      

  



Tea -chers said we’d nev - er make it out a - live. Drink - in’ cher - ry schnapps in the vel - vet night.

 

       



C

  

        

walk - in’ down the streets as they whis - tle, “hi, Ba - by’s ta - ble -danc -ing at the lo - cal

ar - rived, ar - rived.

                   

C

  Bb

  

  





C

     High heels in her hands, to the ho - tel,

     

sway - in’ in the wind. glim -mer -ing we’d swim,

    Oh, she starts to run - nin’ from the

                                                   



D‹

C

            

Bb

  

A“4

A

       

cry, mas - ca - ra run -ning down her lit - tle Bam - bi eyes. La - na, how I hate those guys. cops in our black bi -ki - ni tops, scream - in’, “Get us while we’re hot. Getus while we’re hot!” (Come take a shot)

                                                 

 Sorgdal

2



Bb

C

   

 



This is what makes

us

                   



Bb

for.

  It’s

a

Bb

   

us

                   



Bb

  

- bout him,

Sorgdal

 

3

   Don’t cry 3

  

girls.

         

it,

3

    

don’t cry 3

a - bout

               

it.

    

         

C

        

 

We all stick to - geth - er ’cause we put

love first.

 

3

   Don’t cry 3

a -

                                              A“4

3

3

         a - bout him. It’s all

                  

      

D‹

C

don’t cry 3

It’s some -thing that we’d

C

 

a - bout

         

 



love first.

D‹

C

This is what makes



We all look for heav - en and we put

                              

curse.



      

  

 

                   

C

        

C

   die

girls.

D‹

gon - na 3

        

        3

  

A





  



hap - pen.

   

                   





µ











Spoken: The prettiest in-crowd that you had ever seen: Ribbons in our hair and our eyes gleamed mean. A freshman generation of degenerate beauty queens. And you know something?

 



 



 











µ

       on - ly friends I

ev - er

               

 

 

   





   

    had.

      



We got in - to

   

Sorgdal









trou -ble and when stuff

                   

   

 

 

They were the

  

    

 

   

got bad.

I got sent a -

   

       

        

           

- way and was wav - in’ on the train plat - form,





 

                 

 

   

 

        

         

  

 

  

cry - in’ ’cause I know I’m nev - er com - in’

back.

                       

    4

 

   



   

Bb

C

   

 



This is what makes

us

C

for.

It’s

 

a

curse.

                   

 



Bb

   

us

                  



Bb

  

- bout him,

Sorgdal

3

   Don’t cry 3

It’s some -thing that we’d

  

girls.

C

 

a - bout

         

 



love first.

D‹

C

This is what makes

it,

3

    

don’t cry 3

a - bout

               

it.

    

D‹

         

C

        

 

We all stick to - geth - er ’cause we put

love first.

 

3

   Don’t cry 3

A“4

A

                   3

don’t cry 3

a -

                                              C 3

a - bout him. It’s all

                  



We all look for heav - en and we put

                                                

Bb

 

      

 



  

C

        

girls.

                   

die

D‹

gon - na 3

hap - pen.

            

       

5

       

  

           

Bb

C

    

    

C

    



D‹

Bb

      

 

         

        

D‹

 

C





           

         

          

C



C

   

        

   

                   

                    

   

Sorgdal

   

 

  

Bb



C

         

           Bb

D‹



6

        C

 

  

           

A“4

A









       

                   

Video Games Words & Music by Elizabeth Grant & Justin Parker

q = 62

   

F#m

µ

 



    A

   



 

 



 

Sorgdal

A

C#m

D

 



 

 

A

C#m

D

F#m

 

  



   



F#m

A

 

 





F#m

A

4fr





      

     

        

      

 



8vb throughout 1. Swing - ing in the back - yard. Pull up in your fast car, 2. Sing - ing in the old bars. Swing - ing with the old stars.

 

 



 C#m

 



 F#m

F#m

4fr

     

F#m

A

  

  

 

 

 







D

F#m

 A

F#m

 A

4fr

     whis - tl - ing my name. Liv - ing for the fame.

       





               O - pen up a beer and you say get o - ver here and play a Kiss - in’ in the blue dark. Play - in’ pool and wild darts,

                   



© Copyright 2011 Copyright Control. All Rights Reserved. International Copyright Secured.





C#m

     

D

F#m

F#m

4fr



  



vi - de - o vi - de - o

game. games.

   

 





C#m

 





 



 



D





town. of.

C#m



A

    



       



D

      

F#m

C#m

4fr



 

Sorgdal





    





       



F#m

A

    







      







D 4fr



Put his fav -’rite per - fume this is my i - dea of

       

A

I say you the best - est. Lean in for a big kiss. Watch - in’ all our friends fall in and out of Old Paul’s,









      

F#m

          



    



4fr

Take that bod - y down This is all I think

F#m

I’m in his fav -’rite sun dress, watch - in’ me get un - dressed. He holds me in his big arms. Drunk and I am see - in’ stars.



      

A



  on. fun.

  

  



  



Go play a Play - in’

vi - de - o vi - de - o

game. games.

   

 





   

 2







  It’s

 

 



$ A/E       

you,



 

Esus4

 

It’s

  



 



 

for you.

  

Ev

- ’ry - thing





 

it’s you.

all

  





 

D

 



       

time.



E



       



    

I

I

do.

  

  





tell you

     Heav - en

is

a place

      

 on







 

 

 



    





Tell me all the things you

 

      







 



    

Sorgdal

do.

    





D

    

  

I

the

heard that you like

      

bad





girls.

Hon

  



 









          It’s bet - ter than I

 

 

wan - na

-







ey,

is

that



 









ev - er

e - ven





            

knew.

  

3

 true?

  

A

   

the

G



earth with you.

all

    

A

F#m

 

 

G

          They say that the world was built

for

two.

             





F#m

 

D



       











On - ly worth liv - ing

if

some



   

 



 













  



- bod

1. Dm6/F

-

          





you.

   Ba - by, now





  

To Coda Ø



you

  do.





y

F#m

    





 



is

lov - ing



 

 

 





A

F#m

A





    

 

 

 









 



Mm.

  

2. C#m

   

D

   

   



 

D 4fr

     

     

(Now you do.)

 Sorgdal

do.

F#m

 

F#m

  

A

F#m

  

4

 A

 

(Now

 

C#m

   

D 4fr

you

do.)

F#m

       

D.S. al Coda

 

 

 



(Now you do.)

 





   

 

 

do.)



 

(Now you do.)

 

you

 

 

A

  

 (Now

 



C#m

 

A

  



 



  

F#m

4fr

(Now you do.)

 

It’s



Ø Coda









 

F#m

     

  



  down.

F#m

(Now

you do.)

A

 

(Now

you do.)

 

 

 









F#m

(Now, now you do.)

A

C#m



  

     

C#m

   

D 4fr

(Now you do.)

 

 

 

 









D

F#m

D 4fr

  





(Now

 

 





F#m

F#m







F#m

you do.

A



 

 

 



 



 















A

F#m

A

C#m

D



 



 









5



  

F#m

 

 

A

     

4fr

 

Now

 

(Now you do.)



  



you do.)

4fr

 

Sorgdal

A

A

C#m

 

F#m

  

      