Dance of Death (Digital)
Iron Maiden D ance O f D eath Wildest Dreams - 02 Rainmaker - 11 No More Lies - 20 Montsegur - 38 Dance Of Death - 51 Ga
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Iron Maiden D ance O f D eath Wildest Dreams - 02 Rainmaker - 11 No More Lies - 20 Montsegur - 38 Dance Of Death - 51 Gates Of Tomorrow - 75 New Frontier - 88 Paschendale - 100 Face In The Sand - 116 Age Of Innocence – 130 Journeyman – 143
Digital Conversion © 2011 Sorgdal Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any Sorgdal
claim to its accuracy or value as a learning aid.
Wildest Dreams
Words & Music by Adrian Smith & Stephen Harris E5
D5
E
5fr
A
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q = 212
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© Copyright 2003 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
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13
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q = 204
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Gtr. 4 (elec.)
9
7
9
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9
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7
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15
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17
14
19
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14
14
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14
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15
14
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20
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14
17
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13
12
15
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12
12
13
12
12
14
B5
Gtrs. 2, 3 + 5 Fig. 1
Sorgdal
15 12 12
13 12 12
14 12
7
6
4 7
5
4
7
5
4 7
9
5
0
4 2
12
Rain Maker Words & Music by David Murray, Stephen Harris & Bruce Dickinson Gtrs.1+2 6=D 3=G 5=A 2=B 4=D 1=E
D5
Bbsus2
Bb5
C5
5fr
G5
Bb/D 3fr
Csus2 5fr
C
3fr
Dm 3fr
q = 174 D5
Cm/D 6fr
Bbsus2
C/E 8fr
F5*
7fr
D5*
F5
7fr
G5* 3fr
B5
A5
E5
5fr
7fr
Bb5
F5
5fr
D5
C5
Fig. 1
Fig. 1
Gtrs. 1+2
f
15
13
15
14 12
Fig. 1
14
15
15
0
14
0
D5
12
12
Bbsus2
14
0
14
Bb5
Fig. 1
0
14
14
15
Fig. 1
14
0
D5
15 0
14
15
12
14
14 15
7 5
12
15
I
wand -
was
Fig. 1
7 5
7 5
© Copyright 2003 BMG Music Publishing Limited (66.66%)/Warner/Chappell Music Limited (33.34%). All Rights Reserved. International Copyright Secured. Sorgdal
C5
Bb/D
Gtrs. 3+4 1. When 14
Verse
14 15
14
13 0
15 0
0
15
15
f w/dist.
14
15
14 15
Fig. 1
12
12
13
14 15
14
15 15 0
w/dist.
7 5
P.M.
7 5
7 5
8 5
F5
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is
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8 5
8 5
8 5
8 5
10 8
7 5
heard
7 5
7 5
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choir
of
10 7
10 7
10 8
an
8 5
8 5
8 5
10 7
10 7
8 5
I
had
-
ing
out
7 5
7 5
7 5
10 8
Bb/D
feel
-
ing
7 5
7 5
would
nev
-
er
be
10 8
10 8
10 8
P.M.
10 8
10 8
the
8 5
10 7
10 7
10 8
a - gain.
10 7
10 7
3 1
10 8
10 7
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that
8 5
my
life
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8 5
8 5
8 5
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10 8
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same
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face
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3 1
3 1
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the
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5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
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of the pain
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3 3 1
3 3 1
3 1
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me.
as
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up - on
know
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5 3
0
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dream
5 5 3
D5*
And
And the cracks the cracks
the leaves.
I
Gtrs. 3+4
5 3
falls
the
F5
of the rain
that you feel
?
Bb5
D5*
and
5 3
1
Pre Chorus
to - wards
C5
2° Gtr. 1 plays ad lib. fills
3 1
F5
in our lives in the ground
3 3 1
3 3 1
Bb5
like like
3 3 1
cracks cracks
3 1
the our
ground lives
5 3
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5 3
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me
we
we
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can
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the
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3 3
1
tears
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3
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find
8 7
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you
6 7 0
0
?
tell
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6 7
0
?
wash
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C5
rain,
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1
[Bb bass)
change.
8 7
0
to
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the
0
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start
8 7
8 7
can
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all
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6 7
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we
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start
the
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0
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find
8 7
8 7
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[Bb bass)
all
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8 7 0
we
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0
can
that
6 7
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0 ?
tell
?
me
6 7
Gm/D
tell
?
you
0 ?
You
rain,
P.M.
0
3 3
P.M.
5 5 3
3 3
1
1
1
1
Gtr. Solo
1, 3.
And
Fig. 1
13
10
I
know
12
0
3 2 0 0 1
To Coda Ø D5*
2.
D5
Gtr. 1
Gtrs 2+3 cont. in slashes
full
Fig. 1
Bb5
P.M.
full
13
full
13
13
?
P.M.
13
10
C5
12
12
5 Sorgdal
Gtrs 2+3
12
10
12
F5*
10 10
11
10
10 12
11
13
G5*
full
D5*
13
10
13
3
full 10
10
13
10
10 10
13
15
10
12
C5
12
15
17
3
full
15
15
15
17
15 18
D5*
Bb5
3 18
12
13
13
13
13
full
full 10
10
13
10 13
full 10
3
full
12
Bb5
10 13
3
17 18 17 15
17 15 17 15
3
15 17 15 18
C5
15 17
3
15 17 15
18
3
3
15 17 15 17 15 18
F5
5
15 17 15 18
G5*
15 17 18
D5*
15 17 15 18 18
Bb5
3
full 18 18
full 18
17 15 17 17 18 17 15 17 15
18 17 19 19 19
C5
17 15
15 17 18 17 18 15 17 18
B5
17 15 17 15
17 18 17 18 17 15
17
18
20 18
17
18
6 Sorgdal
20 17
18
20 17
18
20 17
20
D/F#
G5
Fig. 1
Gtr. 1
7
7
D5
Fig. 1
E5
10
10
8
7
8
7
7 9
7
9 11 9
7
7
6
7
9
D/F#
6
Fig. 1
7
9 10 9
7
G5
6
A5
14
12
6
7
6
Fig. 1
12 10 12
9
7
9 11 9
10 9 10
7
6
D/F#
Fig. 1
7
7
B5
9
7
9
7
7
6
9 10 9
G5
A5
4
7
4
D5
Fig. 1
7 7
5
7
9 11 9
7
4
E5
B5
10
10
8
7
8
7
7 9
7
5
7 7
7
6
7
6
9
7
7
6
6
7
6
6 9
7 Sorgdal
9
7
7
10
7
6
7
9
B5
7 7
Gtr. 2
9 10 9
A5
9
7
9
D/F#
Fig. 1
7
9 10 9
7
12
A5
14
Fig. 1
Gtrs. 3+4
12 10 12
7
9 11 9
10 9 10
9
7
9
7
7
6
7
F5*
6
of
the
4
2 0 0 ?
3 3 1
G5
and I
dream
that
D5*
And the cracks
Gtr. 1 plays ad lib. fills 3 2 0 0 ?
3 3 1
3 1
Bb5
as it
F5
in the ground
C5
same
me
as
5 3
C5
falls
up - on
the leaves.
3 3 1
Bb5
3 1
8
4
the
like the cracks
3 3 1
5
3 3 1
7
3 1
5
F5
of the rain
7
feel
5 5 3
you
4
Bb5
pain
7
ØCoda
Sorgdal
D.S. al Coda Dm
10 6 7 0
G5
5 3
C5
are
in
our
lives.
5 3
Csus4
They
are
G5
are
15
now
0 14 15
Fig. 1
10
12
way.
D5
0 14
Bb5
C5
Fig. 1
15 0
14 15
12 14 15
Fig. 1
15 14
14 15 0
D5*
15 14
15
0 12
14
12 14
13
Fig. 1
15
15
0 14 15
0 12
Fig. 1
14 15
14 15
14
15
Bbsus2
12 14
D5
14
Fig. 1
13
0 14
a-
Bb5
14 0 14 15
0 12
15 0
15 10 12 10 10 10 12 12
15 14
15
0 14
Gtrs. 3+4 cont. in slashes
Gtrs. 1+2
full
15
Bbsus2
13
Fig. 1
far
Fig. 1
14 0 14 15
D5
3
C5
Gtrs. 3+4
3 1
3
14 15
14 15
0
0 ?
9 Sorgdal
and
D5
13 10 13 10 13 10 13 10 10 12 12
5 5 3
Gtr. 1
sealed
Bb5
No More Lies Words & Music by Stephen Harris
A5
F5
D5
C5
5fr
G5
3fr
G5*
3fr
q = 84
F5 Gtr. 2 Gtr. 1 clean tone mf A5
12
14 7
12 15 9 7 9
12 12 12 15 15 7 9 7 9 9
12
12 12 12 13 15 13 12 12 15 15 6 8 6 15 9 7 9 9 7 9 9 7 9
15 7
15 13 13 7 10 10
12 13 12 13 13 12 13 9 10 9 10 10
9 10
Gtr. 3
mf
let ring 9
7
9
9
7
9
7
9
9
7
7
9
9
9
7
7
9 7
9 7
9
A5 1 Gtr. 12 15 14 14 12 14 12 14 12 7 9 9 9 9 7 9 9 7 7 7 7 7 10 10 10 D5
G5
Sorgdal
3 2 0
2 0
5
9 7
9 7
7 5
9 7
7 5
9 7
7 5
9 7
7 5
5
5 3
G5
9
9
9
7
9
7
9
9 7
7 5
5
6
7 7
5 3
C5
9 9
Gtr. 2
2
5 3
Gtr. 3
2
5
3
F5
0
5
7
7 5
5 7
© Copyright 2003 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
5 3
5 3
3 1
5 3
3 1
7 3
3 1
5 3 3
1
5 3
5 5
3
3
2.
1.
A5
D5
F5
G5
D5
6 9 9
9
9 7
9
9 9
7
9
9
9
7
9
7
F5
G5
6 9 9
9
9
9
7
9
7
2 2 2 9 9 9 9 9 9 9 2 2 2 5 7 5 7 0 7 7 7 7 7 7 7 7 0 0 0 0 3 3 5 5 0 0 0 0 3 3 5 3 5 3 5 7 7 7 7 7 7 7 5
5
5
A5
5
5
5
5
12
1
13
3
3
13
1
1
3
3
G5
13
15
13 12
12
14
1
F5
12
14
Gtr. 3
5
13 12
14
12
let ring Gtr.2 plays Fig. 2
9
9
7
9
7
7
12
9 7
9 7
13
12
14
9
9
7
5
7
5
3
5
3
7
3
3
5
7
7
5
5
5
G5 A5
A5
9
7
F5
13
12
14
13
15
13 12
13 12
14
12 12
Fig. 1 ends
13
14
12
13
14
Gtr. 2
letFig.ring2
Gtr. 3 plays Fig. 1
Sorgdal
1 9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
2 0
2 0
2 0
2
5 0
3
7 3
5
4 5
2
1 4
4 2
4
G5 A5 F5
F5
12
13
15
13 12
13 12
14
12 12
Fig. 2 ends
13
14
12
13
12
14
13
15
13 12
13 12
14
12
0
0
1
1
4
G5
1
4
1
4
1
4
2
4
2
1
4
4
1
4
2
1
4
4
2
Verse
A5
be - fore me, some oth - er day.
Gtr. 2
Sorgdal
sky back
Gtr. 3
F5
(Gtr. 1)
2° only
1. There’s a dark - ’ning 2. May - be I’ll be
9 7
9 7
7 5
9 7
7 5
9
7 7
5
9 7
7 5
9 7
7 5
9 7
7 5
5 7
7 5
3
5 3
5 3
3 1
5 3
3 1
5 3
3 1
5 3
3 1
5 3
3 1
5 3
3 1
3 3
1
1
D5
There’s live a
no - gain
time just
to who
To
G5
pre - pare. can say.
let ring 0
1 4
2 0
2 0
2 0
2 0
2
2
0
0
7 0
5
7 5
5 3
2
0
A5
4
2
Sal - vage In what shape
a or
lost form
7 5
5 3
F5
7 5
5 3
7 5
5 3
5 3
7 5
7 5
5 3
5
7
3
5
5 3
ho - ri - zon, that I might be.
1
0
1° tacet 3
Sorgdal
9 7
9 7
7 5
9 7
7 5
9 7
7 5
9 7
7 5
9 7
7 5
9 7 7
5
5 7
7 5
4
5 3
5 3
3 1
5 3
3 1
5 3
3 1
5 3
3 1
5 3
3 1
5 3
3 1
3 3
1
1
D5
But no an - oth
Just
1. G5
re - grets - er chance
from for
me.
0
1 4 2
4
2 0
2 0
2 0
2
2
0
0
2
2
0
7
0
0
7
5
7
5
5
5
5
3
7 5
5
3
3
7 5
5 3
7
5 3
7
5
5 5
5
7
3
5
5
3
3
2. Pre Chorus
G5
A5
me.
A
Sorgdal
D5
time,
no
hur - ried
dis
grace
in -
1 4
7 5
7 5
5 3
7 5
5 3
7 5
5 3
7 5
5 3
7 5
5 3
7 5
5 3
9
5
7
5 3
9 7
7 3
5
5
9 7
7 5
2 7
7 5
5
0
2 0
2 0
0
C5
G5
- stead
of rac
5
3
to
con - clu
3
one
5
3
3
- sion
5 3
5 5
5 3
5 5
5 3
5 3
now.
5
3
3
there’s
5 3
3
5 5
5 3
more
things
I’d
5 3
G5
5 5
5 3
like
Time
3
C5
Sorgdal
3
day
5
5 3
3
9
5 3
5 3
5 5
5 3
-
5 5
5
I’m
com
5 3
3
0
5 3
5 5
5 3
5 5
5 3
6
but
2
2
0
0
0
D5
to
9 7
9 7
7 5
try
a - agin.
2 7
0
Some
2 0
2 0
0
7 5
5
No
more
5 3
n’t last
5
- ing back
5
then.
it could
2
7
till
7
5
7
wait
0
I’ll
2 0
7
5
be
7 7
no -
2 0
9
7 7
2
D5
5 3
3
5 5
G5
may
5
0
a - way,
5
is up
9 5
7
5
A5
to do.
life
7
5
7
7
5
5 3
7
7
5 5
my
9
7
me
9
7
- ing all
9 5
wish
A5
stop
5 5
D5
and
G5
can
C5
- ing
9 5
C5
A5
5 5
5 3
5 5
5 3
5 5
5 3
5 5
5 3
5 5
5 3
Chorus q = 186 q = h
A5
lies.
F5
No more
7 5
7 5
7 5
7 5
G5
7 5
7 5
7 5
7 5
7 5
7 5
3 1
D5
No more
lies.
lies.
5 3
Verse
5 3
5 3
5 3
5 3
A5
5 3
5 3
5 3
3. 4.
5 3
They’re all So
3 1
3 1
3 1
3 1
3 1
3 1
3 1
1.
No more
5 3
sit - ting just a
7 5
7 5
7 5
7 5
7 5
F5
at word
my of
7 5
7 5
7 5
3 1
2.
7 5
3 1
7 5
7 5
7 5
7 5
ta - ble warn - ing
Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5
5
5
5
D5
5
5
5
5
Fig. 1
5
talk - ing when you’re
Sorgdal
w/dist. Gtrs. 1,2+3 tacet
No more
Gtrs. 4+5
lies.
ff
7 5
7 5
Fig. 1
7 5
7 5
7 5
7 5
5
5
5
5
7 5
5
5
1
tall in
and your
drink deep
1
1
1
1
-
ing est
7 5
7 5
Fig. 1
7 5
7 5
7
7 5
7 5
1
1
1
1
1
1
1
1
1
1
G5
Fig. 1
7 5
1
wine. dreams
Fig. 1
7 5
5
7 5
5 3
5 3
Fig. 1
5 3
5 3
5 3
5 3
5 3
5 3
A5
Their There’s
time is no - thing
up, you
just can
F5
like hide
me. from.
Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1
5 3
5 3
5 3
5 3
3 0
3
7 5
3 1
3 1
3 1
7 5
7 5
7 5
7 5
7 5
3 1
3 1
3 1
7 5
7 5
7 5
7 5
7 5
Fig. 1
7 5
3 1
7 5
7 5
But
they I’ve
just got
don’t my
7 5
3 1
3 1
3 1
3 1
3 1
know eye
Fig. 1
7 5
3 1
it on
7 5
7 5
7 5
Fig. 1
7 5
7 5
7 5
7 5
7 5
7 5
2.
yet. you.
The
Fig. 1
5 3
3 1
7 5
3 1
1. G5
7 5
Fig. 1
7 5
7 5
Fig. 1
3 1
7 5
D5
Fig. 1
7 5
7 5
5
5 3
Fig. 1
5 3
5 3
5 3
5 3
5 3
Fig. 1
5 3
5 3
5 3
5 3
5 3
3 0
3
5
Fig. 1
5 3
5 3
Fig. 1
5 3
5 3
5 3
5 3
5 3
5 3
Pre Chorus
A5
clock
is
fast,
Fig. 1
Sorgdal
7 7
Fig. 1
7 7 5
5
D5
the
hour
5
P.M.
is
Fig. 1
near
Fig. 1
7 7
7 7 5
7 7 5
5
8
5
e - vent
P.M. 7 7
5
5
C5
-
ful
Fig. 1 5 5
5
past
is
Fig. 1 5 5
3
3
P.M. 5 5
3
3
3
G5
ev
-
er
clear.
3
3
think
I’m
3
3
My
life
5 5 3
A5
is
7 7
7 5
7 5
7 5
7 5
home.
5 5 3
3 3 0 0 X 3
3 3 0 0 X 3
G5
7 5
7 5
7 5
lies.
Sorgdal
5 3
No more
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
time
is
here.
I
P.M.
5
Fig. 1
Fig. 1
7 7
7 7
5
5
5
5
5
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
F5
No
3 3 0 0 X 3
3 3 0 0 X 3
more
3 3 0 0 X 3
lies.
3 1
3 1
3 1
3 1
3 1
3 1
D5
3 1
3 1
3 1
lies.
7 5
9
No more
No more
5 3
P.M.
7 7 5
3 1
7 5
5
No more
7 5
G5*
lies.
7 5
7 7
5
7 7 5
D5
the
Fig. 1
set
Fig. 1
com - ing
3
3
5 5
5 5
3
C5
A5
P.M.
5 5
Fig. 1
Fig. 1
5 5
Fig. 1
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
A5
F5
more
lies.
lies.
No
No
more
Fig. 1
7 5
7 5
Fig. 1
7 5
7 5
7 5
7 5
7 5
7 5
G5
Fig. 1
7 5
7 5
Fig. 1
7 5
7 5
7 5
7 5
lies.
7 5
7 5
3 1
No
Fig. 1
3 1
Fig. 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
Fig. 1
3 1
3 1
3 1
D5
more
Fig. 1
3 1
3 1
3 1
3 1
lies.
Fig. 1
5 3
5 3
Fig. 1
5 3
5 3
5 3
5 3
Fig. 1
5 3
5 3
5 3
5 3
Fig. 1
5 3
5 3
5 3
5 3
Fig. 1
5 3
7 5
5 3
7 5
Fig. 1
7 5
7 5
7 5
7 5
Fig. 1
7 5
7 5
7 5
7 5
Fig. 1
7 5
7 5
7 5
7 5
7 5
7 5
A5 Gtrs. 4+5
Fig. 1
Fig. 1
Gtr. 6 (elec.)
2° only
f
sim.
9
7
7
w/dist. 6 7
9
9
7
9
9
9
7
9
9
7
8
6
9
9
7
9
7
Gtr. 7 (elec.)
2° only
f
14 Sorgdal
w/dist. 12
12 15
12 15
12
12
12
15
15
10
12 15
12
12 15
13 15 13
12 15 13
D5
10
10
9
10
9
10
15
12
13
9
10
13
12
10
9
7
7
13
13
12
13
14
12
14
F5
2° only
5
Fig. 1
Fig. 1
Fig. 1
Fig. 1
12
9
9
9
7
9
Fig. 1
9
D5
Fig. 1
Fig. 1
Fig. 1
Fig. 1
Fig. 1
9
G5
Fig. 1
9
9
Fig. 1
9
7
9
2.
F5
G5
F5
Fig. 1
Fig. 1
Fig. 1
Fig. 1
9
9
9
7
9
9
7
9
9
9
9
7
9
7
F5
G5
Fig. 1
6 9
6
Fig. 1
6 9
9
G5
sim.
Fig. 1
Sorgdal
12
7
A5
14
6 9 7
5
C5
1.
Gtr. 7 tacet
A5
7
15 14
7
12
A5
7
5
13
9
7
G5*
14
12
13
12
13
12
14
14
11
13
15
13 12
13 12 12
A5
1.
D5
12
13
12
14
F5
13
12
14
14
G5
13
15
13
12
13
12 12
Gtr. Solo
2. F5
A5
G5 Gtr. 8 (elec.)
f 15
13
12
13
13
sim.
5
5
13
5 9
G5
15
full
12
12
15
15
15
3
full 12
15
12 15
13
13
15
14
A5
7
full 12
full
Gtr. 6 tacet
w/dist.
full
C5
3
5 7
F5
3 3
12
10
12 13 14
14
12
1/2 17
12
17
12
13
12
13
12
14
12
14
D5
12
F5
G5
1 1/2 3
3
3
10 12
12
A5
3
1 1/2 15
Sorgdal
13 17 14 12
13 12 14
17
17
12 13 14 12 10
12
19
14
12
18
20
19 20 19
17 19
F5
3 3
C5
G5
w/bar
20
19
18
17 19
19
3
3
w/bar
17 20
A5
w/bar
19
full
full 17
20 17 17 19
D5
F5
3
3
full
3
3
full
19 17 19
full
G5
full
full
17
17 20 17 19
17
20 18 17 18 17
17 18 20
A5
18
20
F5
Gtr. 7
20
20
Fig. 1
22
20
19
19
Fig. 1
sim.
G5
3
3
3
3
3
3
full
Gtr. 8 tacet
5 4 7
5
4
7
5
7
5
3
full
full
8
8
5
5
8
8
7
5
X
7
A5
0 0 0
12
10
9
7 8
5
7
Sorgdal
5
6
8
8
3
5
G5
6
7
7
5
5
7
(8va) wide vib. F5 3
A5
T
19
T 3
12 20 5
3 0
5
X
T
T
3
7
10
9
5 20 12 20 5
T
0
5
9 10
T 3 3
7
7
3
8 12 8
full
5 12 8 10 X
10
X
13
F5
9 10
9
7
10
9
7 10
12
13
A5
12
15
13
Gtr. 9 (elec)
7
7
12
7
12
13
15
12
14
G5
3
full 12
13
15
12
13
15
15
17
15
17
17
15
w/dist. full
13
14
3 3
13
15
F5
Gtr. 7 tacet
9
F5
f
A5
G5
full
full
7
7
*
7 5
7
7
5
7
5
4
4
* Slide picking hand along string to sound harmonics.
G5
3
A5
15
13
12
Sorgdal
13
12 13 12
12
13
15
13 12 14
5 5
D5
F5
G5
full
13
14 7
13
3
4 7
12
full 15
5
15
15
A5
full 15
13
15
15 13 12
15
12
14
15
13
15
17
15
17
full 17
19
A5
17
19
19
3 20
17
17
20
17
20
20
0
3
16
19
0
14
16
14
16 14
14
12
0
14
F5
12
G5
A
15 12
12 15 12
12
15
15
Pre Chorus
A5
Gtrs. 4+5
Gtr. 9 tacet
Fig. 1
to have
5
3
Fig. 1
A5
Fig. 1
5
5
of more
rac - ing things I
in - stead but there’s
P.M.
Fig. 1
7 7
5 5
5
Wish com
P.M.
5 5 3
7 7 5
I’m
3
Fig. 1
C5
12 15
Fig. 1 5 5
5
3
3
P.M. 5 5
3
3
3
5
- sion.
7 7
5
5 5 3
P.M.
Fig. 1
5 5
12 15 12 15
dis - grace - n’t last,
7 7
5
con - clu to do
12 15 12 15
no could
7 7
Fig. 1
12 15 12 15
D5
time up
7 7
G5
12 15 12 15
5
12 15
hur - ried time is
Sorgdal
17
17
17 19
19
3
D5
G5
full 20
20
17
20
20
full
F5
- ing - ing
Fig. 1
7 7 3
all back
Fig. 1
5
life try
5
P.M.
Fig. 1
No Don’t
Fig. 1 7 7
5 5
a - way. a - gain.
7 7
7 7 5
15
your to
7 7 5
D5
5
-
P.M.
7 7 5
5
5
C5
- one tell
can me
stop that
Fig. 1
me this
Fig. 1
5 5
3
3
Fig. 1
A5
Fig. 1
5 5
3
3
3
3
lies.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
G5
7 5
5 3
5 3
5 3
5 3
5 3
A5
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5
Montsegur Words & Music by Janick Gers, Stephen Harris & Bruce Dickinson
E5
D/F#
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© Copyright 2003 BMG Music Publishing Limited (66.66%)/Warner/Chappell Music Limited (33.34%). All Rights Reserved. International Copyright Secured.
10
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7
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7
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7
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9
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7
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9
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12
9
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12
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9
10
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11
and the walls
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D5
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9
9
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9
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11
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9
7
9
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10
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At the
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Gtrs. 1,2+3
B5
A5
9 9 9 7
12
14
B5
12
A5
9 7
E5
9 7
7 5
13
9 7
7 5
9
rall. D5
G5 E5
ad lib. noise + feedback
7 5 3
2 0
2 2 0
Dance Of Death
Words & Music by Janick Gers & Stephen Harris E5
D/F#
7fr
9fr
G5 10fr
D5
C5
5fr
A5
3fr
G/B
12fr
A
Em
5fr
F#5
Em/F#
7fr
A5*
9fr
E5*
F#5*
2fr
D% 5fr
A'9 5fr
Dsus4/F# Em*
9fr
Gtrs. 6+7 6=D 3=G 5=A 2=B 4=D 1=E
q. = 50 E5
Gtr. 1 (acous.)
D/F#
D5
C5
mf
7
7
5
5
10 5
7
Gtr. 2 (elec.)
mf
10 7
5 7
3
9
5
5
3
3
clean tone let ring
9
9
7
7
3
Sorgdal
1
5 3
D5
3 1
12 7
3
3
5
12 9
5 1
5 3
9
E5
5 3
7
7
5
5
7
5
3
7
9
© Copyright 2003 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
1
5
7
7
5 3
7 5
9 7
3 1
5
5
1
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7 3
7 5
3
3
7
5
9
5
9
7
Gtr. 3 (elec.)
mf
D/F#
C5
8
10 8
D5
D5
E5
clean tone
7
7 9
7 10
8 7
9
9
Fig. 1
7
5
7 5
10 5
7
10 7
5 7
3
5 3
3 3
1
3 1
3 1
1
3 1
5 1
3
5 3
7 3
5
7 5
7 5
5
7 5
5
9 7
9 7
Gtr. 4 (elec.)
12 7
9
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7 9
5
Sorgdal
9 9 7
5 5
3
5 3
5 3
3
5 3
7 3
5
7 7 5
5 5 3
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Fig. 2
mf
7 5
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7
clean tone
12 12 9
2
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9 7
7
9 7
D/F#
7
7
D5
A
10
D5
C5
7
7
10
8
E5
7
10 8
10
8 7
9
9
Fig. 1 ends 7
5
7
10
5
5
7
10
5
7
7
5
3
3
5 3
5
3 5
1
2
3 1
5 1
3
5 3
7 3
5
7 5
7 5
5
7 5
5
2
2 9 7
9
12
7
7
9
12 9
7
9
7
5
5
2 5
2
5
0
0
3
5 3
7 3
5
7 5
7
9 7
9 7
7
9 7
7
9 5
Fig. 2 ends
9 9 7
Verse
12 12 9
E5
7 7 5
6 7 0
D/F#
5 5 3
D5
8 9 9 7
7 7 5
C5
Gtr. 1 plays fig. 1
3
3
me tell was ramb
you a sto - ling en - joy
- ry to chill - ing the bright
the bones, moon - light,
Gtr. 2
Sorgdal
Let I
D5
Gtr. 3 tacet Gtr. 4 plays fig. 2 4 2
4 2
7 2
4
’bout a thing gaz - ing up
that I at the
7 4
4
7 5
7 5
5 5
3
3
5 3
5
5 3
7 3
5
7 5
5
E5
night wan a - ware
D5
One Not
7
9
-
A
der - ing of a
in pre
the Ev - sence so near
-
er - glades, to me,
2 9
9
7
saw. stars.
D/F#
7
9 7
7
9 7
C5
9 7
7
9 7
12
D5
I’d watch
one ing
5
-
5
3
drink, my
3
7
5
E5
Feel Then
- ing they
5
0
9
9
7
and moned
0
7
7
I
9
7
7
7
C5
9
D5
scared, sum
2
0
5
2
5
more. move.
D/F#
7
5
but no ev - ’ry
7
3
7 9
E5
12 9
fell ov
to er
my to
7 5
7 5
knees, join
as with
-
me
-
in
P.M.
9 7
9 7
9 7
9 7
9 7
9 7
12 9
12 9
12 9
12 9
12 9
12 9
7 5
7 5
7 5
7 5
5 3
5 3
5 3
5 3
5 3
5 3
Gtrs. 1+4
Sorgdal
Finger-picked Gtr. 3 doubles ad lib.
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
12 12 9
12 12 9
12 12 9
12 12 9
12 12 9
4
12 12 9
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
D5
some them
-
thing to
E5
rushed the
me dance
from of
the the
trees.
dead.
5 3
7 5
7 5
9 7
7 7 5
9 9 7
7
5 3
5 5 3
5 3
5 5 3
5 5 3
5 3
5 3
5 5 3
5 5 3
5 3
5 5 3
7 5
7 7 5
7 5
7 5
7 7 5
7 7 5
7 5
7 7 5
7 7 5
D/F#
In
Took - to
me the
to cir
9 7
9 9 7
9 7
9 9 7
9 7
9 9 7
9 7
9 7
9 9 7
-
an cle
un of
-
12 9
12 9
12 9
9 7
9 7
5
9 7
9 7
4
4
9 7
5
7
D5
9 7
A
ho fire
-
ly
place fol
I
and them,
- lowed
9 7
Sorgdal
4
9 7
9 7
2 0
2 0
2 0
2 0
5 6 7 0
5 6 7 0
5 6 7 0
5 6 7 0
5 6 7 0
9 9 7
9 7
9 9 7
9 7
9 9 7
9 7
9 9 7
12 9
12 12 9
12 9
12 12 9
12 9
12 12 9
12 12 9
12 12 9
5
12 12 9
7 5
7 7 5
7 5
7 7 5
7 5
7 7 5
7 5
7 7 5
7 5
7 7 5
7 5
7 7 5
2 0
0
C5
1.
D5
that is in - to
where the
from was
grace.
5 3
5 3
5 3
5 3
7 5
9 7
5 5 5 3
5 5 5 3
5 5 5 3
9 9 7
5 3
5 3
5 5 5 3
5 5 5 3
5 5 5 3
7 5
7 5
7 7 5
7 5
7 7 5
7 5
7 7 5
7 5
7 7 5
I fell mid - dle I
E5
7 7 5
9 9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 9 7
9 9 7
9 9 7
9 9 7
7
5
4
4
5
7
2. q = 80 Em
led.
0
0 0 0 9 7 0
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
Sorgdal
3
0 0 9 X 7
0 0 9 X 7
3
0 0 9 X 7
0 0 9 X 7
3
3
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0
Gtrs. 2+5
3
0 0 9 X 7
0 0 9 X 7
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
3
3
3
Gtrs. 1+4
0 0 0 9 7 0
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
0 0 7 X 5
3
0 0 9 X 5
6
0 0 9 X 5
0 0 9 X 7
0 0 9 X 7
3
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 11 X 9
3
3
0 0 0 9 7
0 0 0 9 7
0 0 11 X 9
0 0 11 X 9
3
0 0 0 9 7
0 0 0 9 7
0 0 0 9 7
3
0 0 7 X 5
0 0 9 X 5
0 0 9 X 5
Verse
E5*
Em7/F#
if
0 0 0 9 7 0
0 0 0 9 7 0
Fig. 3
As
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
Cmaj7
still
0 0 5 5 3
0 0 5 5 3
Sorgdal
0 0 0 12 9
0 0 0 12 9
0 0 0 12 9
0 0 0 12 9
0 0 0 12 9
0 0 0 12 9
3
stopped
still,
I
was
numb
with
0 0 7 7 5
0 0 7 7 5
0 0 7 7 5
D%
Aadd9
3
0 0 7 7 5
0 0 7 7 5
Em
-
ed
to
0 0 7 7 5
0 0 6 7 7 5
3
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
3
but
go.
0 0 6 7 7 5
0 0 7 7 5
fear
3
3
Fig. 3 ends
0 0 7 7 5
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 7 X 5
0 0 7 X 5
0 0 7 X 5
0
3
had
I want
time
3
0 0 9 9 7
D6/9
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
3
0 0 7 7 5
0 0 7 7 5
0 0 7 7 5
0 0 7 7 5
3
0 0 9 X 7
7
0 0 9 X 7
3
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
3
3
0 0 7 X 5
0 0 9 X 5
0 0 9 X 5
Gtrs. 1+4 play Fig. 3
E5*
Em7/F#
And
the
blaze
0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 0 12 9
the
fire
I walked
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 0 12 9
E5*
0 0 7 7 5
on
3
0 0 7 7 5
Em7/F#
Then I
felt
0 0 7 7 5
- to the
3
0 0 7 7 5
0 0 7 7 5
0 0 7 7 5
no
hurt
up
-
on
3
0 0 6 7 7 5
me,
0 0 6 7 7 5
0 0 6 7 7 5
0 0 6 7 7 5
3
0 0 9 X 7
3
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
Aadd9
-
coals.
D%
I
0 0 7 7 5
Gtr. 2
did
0 0 7 7 5
0 0 5 5 3
0 0 0 12 9
Aadd9
Em
as
0 0 0 12 9
D%
3
of
3
Cmaj7
3
0 0 9 9 7
D6/9
0 0 9 X 7
Cmaj7
and my
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
3
0 0 7 X 5
0 0 9 X 5
0 0 9 X 5
D%
was in a trance
0 0 9 X 7
3
spi - rit
was lift
- ed from
me.
0 0 7 7 5
0 0 7 7 5
0 0 5 5 3
0 0 5 5 3
0 0 7 7 5
Gtrs. 1, 4+5 doubles ad lib. 0 0 9 9 7
0 0 9 9 7
0 0 9 9 7
0 0 0 12 9
Em
0 0 0 12 9
0 0 0 12 9
Sorgdal
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 6 7 7 5
0 0 6 7 7 5
0 0 9 X 7
0 0 9 X 7
0 0 11 X 9
0 0 6 7 7 5
0 0 5 5 3
0 0 7 7 5
E5*
0 0 11 X 9
0 0 11 X 9
0 0 7 X 5
0 0 9 X 5
8
And
0 0 9 X 5
0 0 9 9 7
0 0 7 7 5
Em7/F#
0 0 9 X 7
0 0 7 7 5
0 0 9 9 7
0 0 9 9 7
if
on
-
ly
0 0 0 12 9
0 0 0 12 9
0 0 0 12 9
D6/9
Aadd9
one
had
the
some
0 0 7 7 5
-
0 0 7 7 5
0 0 7 7 5
Em
0 0 6 7 7 5
chance
0 0 9 X 7
0 0 9 X 7
0 0 6 7 7 5
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
and
0 0 7 7 5
0 0 7 7 5
Sorgdal
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 7 X 5
0 0 9 X 5
I
sang
with
them.
0 0 7 7 5
0 0 6 7 7 5
what
hap
0 0 9 9 7
0 0 9 9 7
0 0 6 7 7 5
0 0 7 7 5
0 0 7 7 5
Em7/F#
I
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 9 X 7
0 0 11 X 9
0 0 11 X 9
0 0 11 X 9
0 0 7 X 5
0 0 9 X 5
9
ne.
0 0 7 7 5
danced,
and
I
0 0 0 12 9
0 0 0 12 9
D%
0 0 0 12 9
All
had
death
in
their
eyes.
0 0 5 5 3
0 0 5 5 3
0 0 5 5 3
0 0 7 7 5
0 0 7 7 5
Life
0 0 9 X 5
0 0 9 9 7
0 0 7 7 5
Em7/F#
to
- pened
0 0 6 7 7 5
E5*
0 0 9 9 7
Cmaj7
And
0 0 9 X 5
Em
0 0 9 X 7
ness
D%
E5*
-
0 0 6 7 7 5
wit
Aadd9
pranced
to
D%
0 0 9 X 7
Cmaj7
0 0 9 9 7
0 0 9 9 7
- less
fig - ures,
0 0 0 12 9
0 0 0 12 9
0 0 0 12 9
Aadd9
were un - dead, all
of them.
They
they
0 0 7 7 5
Cmaj7
0 0 7 7 5
0 0 7 7 5
0 0 6 7 7 5
q = 115
0 0 6 7 7 5
rall.
D%
had as - cend
-
ed -
0 0 6 7 7 5
0 0 5 5 3
0 0 7 7 5
0 0 5 5 3
0 0 7 7 5
from
0 0 5 5 3
Em
0 0 7 7 5
Hell.
D%
0 0 0 7 7 0
Interlude N.C. Gtrs. 1,4+5 tacet
Gtr. 3
7
8 7
7 8 7
9
9 7 9
9
7 9 7 9
8 7
9
7 9 7 9
7 7 7
7 7
9 9
E5
D/F#
chords implied by bass
G5
E5
Gtrs. 5+6 (elec.)
ff
8 7
Sorgdal
5 7 9 7 9
w/dist.
7 8 7
7 8
8 10
10 8 7 8
8 8
8 7
9
7
7 7 8 7
9 7
7 9 7 9
9
Gtr. 7 (elec.) (6=D)
ff
4 7
Fig. 4
w/dist.
5 4
4 5
5 7 9 7 5 4 5
7
5 5
5 4
4 7 5
10
4 4 5 4
4 7 5 7
7
E5 D/F# G5 E5
8 7
7 8 7 9 7 9
9
7 9 7 9
7 7 7
7 7 8 7
9 9
7 9 7 9
8 7
9
7 8 7 9 7 9
9
9 7 9
9 9
5 4
4 5 4 7 5 7
7
4 7 5 7
4 4 4
4 4 5 4
7 7
4 7 5 7
5 4
7
4 5 4 7 5 7
7
7 5 7
7 7
poco a poco accel.
D/F#
G5
E5
D/F#
G5
E5
7
7
7 7 7
7 7 8 7
5 7
8 7
9 7 9
7 8
8 10
10 8 7 8
8 8
8 7
9
7
7 7 8 7
9 7
7 9 7 9
9
7 4
4 4 4
4 4 5 4
5 7
9 7
7 5 7
7 9
9 10
10 9 7 9
9 9
9 7
10
7
7 7 9 7
10 9
7 10 9 10 10
D/F# G5 E5 7
8
7
7
8
8
10
10
8
7
8
8
8
8
7
9
7 9
7
7
8
7
7
9
7
9
Fig. 4 ends
Sorgdal
7 9
7
7
9
9
10
10
9
7
9
9
9
10
9
7
7 10
11
9
7
7
9
7 10
9
10
q = 126 Pre-Chorus Gtr. 5 tacet
E5
D/F#
As I danced Un - til the time
with the came to
dead my free re - un - ite
A5
- spi - rit was us, both my
9 7
12 9
12 10
14 12
2 2
5 4
5 5
7 7
Gtr. 6
G5
laugh - ing spi - rit
and
G5
howl - ing came back
Fig. 5
D5
7 5
12 10
Gtr. 7
Fig. 6
E5
down down
at me, to me.
Sorgdal
E5
be - low I did
0 0
D/F#
my un - dead not know
5 5
G5
A5
bo - dy just if I was a - live or dead, as the
4 0
9 7
12 9
12 10
14 12
2 2
5 4
5 5
7 7
5 4 9 7
7 5 7 5
5 4 7 5 7 5 2 2
4 0
12
D5
danced oth -
the ers
1. E5
G5
cir - cle of all joined
2. E5
G/B
7 5
9 7
0 0
Chorus
12 10
5 5
E5
5 3
5 2
Fig. 6 ends
5 3
2 2
luck then a skir - mish
start - ed and took
8
7
Sorgdal
7 9
When
7 9 7
2 2
5 3
5 2
5 3
5 2
G5
the at - ten - tion
E5
a - way
from
me.
Gtr. 7 plays Fig. 4
8
5 2
Gtrs. 5+6
me.
9
Gtr. 6
with
By
G/B
D/F#
2° only
in
Fig. 5 ends
C5
death.
C5
7
9
8
they took
9
7
their
9
9
7
7
gaze
8
7
7
8
from
me was the
7
7
9
9
13
9
mo - ment
7 9
7
5 9
9
7
9
D/F#
7 7
7 9
7 9
7
9
that
I
7
7
7
7
9
G5
E5
fled.
7
7
7
8
7
5 9
7
9
7
D/F#
G5
E5
did
not
I
ran like
hell
fast - er than
the
wind
but
be - hind,
I
glance.
7
8
7
7
8
8 10
10 8
7
8
8
8
8
7
9
7 9
7
7
8
7
7
7
9
7
9
9
1.
D/F#
One
thing
that
I did
not
G5
E5
dare
was
to
8
8
8
7
8
7
7
8
8
10
10
8
7
G5
8
just
straight
7
7 9
E5
E5
7
8
7
7 9
7
9
9
a - head.
7
8
7
5
7 9
7
w/dist.
9
7
7
9
7 9
A5
Gtr. 8 (elec.)
ff 7
G5
7 5
9
7
D/F#
7
Gtr. 7
Sorgdal
7 7
Gtr. Solo
D/F#
look
7 9
2.
8
9
7
7
7
Gtr. 5 tacet Gtr. 6 plays Fig. 5 Gtr. 7 plays Fig. 6
9
10
14
7
7
9
9
10 7
5
D5
G5 3
7
5
0 0 0
0 0
5 7
7
5
D/F#
G5
0 0 0
10
15
D5
G5
E5
C5
G/B
3
full
full
12
3
12 14 15 14 12
10
3 3 3
3
w/wah-wah full full
7
A5
3
7 7
E5
E5
12 15 12
15
12
15 12
14
24
17 17 14 12
14
14
12
11
14
12
14
14
12
E5
D/F#
G5
19 15
15 15 19 15 19 15 19
D5
15 15 19 15 15 19
1/2
15
19 15
19
15 19 15 19 15
3
3
19
19
12
19 0
E5
3
3
15 19 15 19 15
E5
G5
3 full
3
6
6
6
A5
D/F#
3
3
1/4
10
Sorgdal
15 12
12 15 14
14 12
12
14
14 14 13 12 10 12
15
15 12 17 12 14
0 14
12 14
10 15
12 12
14 14
G5
A5
D5
G5
E5
C5
G/B
3
3
3
3
3
1/2
1 1/2 15 17 15 14 15 14
12 0
14 17
full
14 15 14 17 15
17
17
17
17
17 19 19
17 19 19 20
17 19 20
20
20
F#5
Gtrs. 6+7
A5*
P.H. ff w/dist. Gtr. 5
full
full
full
4
4
4
D5
A5*
E5*
w/bar
3
w/bar
5
3
full
Gtr. 5
10 12 10 6
4
4
F#5
4
2
2
12
10 12 12 10
12
10 9
11
11 9 11 9 7 9 7 9 7 6
A5*
D5*
A5*
3 3 5 full
full
full
9
9 10 12
9 12
14
2 10
12 10 9 10
11
11
F#5
6
6
3
full
Sorgdal
17
14
1/2
1/4 14 17 14 17 14 17 14 14 14 17 14 17 14
16
14 15 14 12 16
16
17
9
9
14 17 14 16 14 14 17
11 9 7
E5*
14
9 10 9
full
14 17 16 14
16
16 14 16 16
16
F#5*
Interlude
ff
D5
9
7
6
Gtr. 5 Gtr. 6
A5
A5
E5
6
7
6
w/dist.
6
9
9
7
9
7
9
Gtr. 7
Fig. 1
4 4 4 4 4 4 4 4 Gtr. 8 tacet
4 4 4 4 4 4
4 4 7 4 4 7
7 7 7 7
F#5*
0 0
0 0
0 0
0 0
0 7 0 7
7 7 7 7
2 2
2 2 2 2 2 2
A5
D5
9
7
6
2 2 7 2 2 7
6
7
4 4 4 4 4 4
4 4 4 4 4 4
4 4 4 4 4 4
Fig. 1
4 4
4 4 4 4 4 4
4 4 4 4 4 4
4 4 7 4 4 7
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
9
7
9
7
6
2 2
2 2
4 4
2 2
2 2
2 2
2 2
2 2
2 2
4 4
7 7 7 7
9
2 2
7 7
F#5*
7 7 7 7
Fig. 1
6
7 7
9
4 4
2 2 2 2 2 2
A5
11
Sorgdal
0 0
0 0
E5
0 0
6 9
0 0
4 4
17
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
0
Solo
E5
Gtrs. 6+7
Gtr. 8
G5
C5
3
3
5
full
G5
5 3
3
15
15
17 15 13 12 13 12 13
12 10 12
13
0 12
14
14 12 11 9 14
13 12 15 14 15 12 15 12 12
D5
G5
E5
3
5
15 14 12
12
rake....
14 12
12
15
12 15
12 15 14 12
12 14
14
13
12
12 14
E5
G5
X
14 12 10
C5
13
X
G5
3 5 5 6 5 6
10 8 7
12 13 12
12 13 0 12
8
15 12
7 8
7 10 8 7 8
7 8 10 8
12
G5
E5
5
6
10 7 0 7 8 10 8
8 12 8
G5
4
8 10 8 10
8 12 8
0
4
0
5
0
5
12 8
7
18
0
9
0
7 8
G5
E5
5
10 8 7
D5
5
8 12 8 8
G5
0
X
5
10
C5
3
6
10
E5
Sorgdal
7 10 8 7 8
15 12
D5
7 8
12 16 12
11
5
7 10 8 7 8
0
12
0
7 8
full
14
E5
G5
C5
G5
6
5
12
12
15
12 15 12 15
12 15
12 15 12 15
12 15
12 15 12 15
D5
1214 12 15
6 12
6
12 14 12 15
12 12 15 12 14 12 15
14
3 6
full
12 12 15
12 15
12 15 12 14 1412 15
E5
12 15
G5
12 15
6
6
6
12 12
15 12
15
14 12
12 15
15
14 12 14 14
13 12 14 12
13 12 10 12
12
Pre-chorus
E5
When
you
know
that
9 7
12 9
Gtr. 6
G5
D/F#
your
time
A5
has
come
D5
a - round,
12 10
you
know
G5
you’ll
14 12
7 5
be pre -
12 10
Gtr. 7 plays Fig. 6
E5
- pared
Sorgdal
for
it.
Say
your
last
5
9 7
E5
D/F#
G5
good
byes
12 9
12 10
A5
- ’ry - one
and
to
ev
4 7
5
7
5
4 5
9 7
19
14 12
D5
drink
G5
and
say
a
prayer
for
it.
7 5
Interlude
C5
G5
D5
7
5
5
4
Gtr. 5
4
9 7
G5
9
7
C5
G/B
5 3
5 2
12 10
E5
Gtr. 7
E5
G5
9
7
5
7
5
7
Gtr. 6
Fig. 1
9 7
9 9 9 7 7 7
9 9 9 7 7 7
9 9 7 7 5 5
5 5 5 5
E5
Sorgdal
5 5 5 3 3 3
5 5 5 3 3 3
4
5 5 3 3 5 5
7 5
5 5 5 5
7 7 7 5 5 5
7 7 7 5 5 5
7 7 5 5 5 5
G5
C5
G5
4
7
5
4
2
5 3
5 5 5 5
4
5
7
2 2
2 2 2 2 2 2
2 2 2 2 2 2
2 2 2 2 2 2
Fig. 1
9 7
9 9 9 7 7 7
9 9 9 7 7 7
20
9 9 7 7 5 5
5 5 5 5
5 3
5 5 5 3 3 3
5 5 5 3 3 3
5 5 3 3 5 5
5 5 5 5
D5
2.
E5
1.
G5
E5
5
7
5
4 7
C5 G/B
4 7
7
7 5
Chorus
7 7 7 5 5 5
7 7 7 5 5 5
7 7 5 5 5 5
5 5 5 5
2 2
2 2 2 2 2 2
2 2 2 2 2 2
2 2 2 2 2 2
2 2
2 2 2 2 2 2
5 2 2 3 2 2
5 2
Gtr. 7 plays Fig. 4
E5
Ly
- ing
in
your
Gtrs. 5+6
9
7
9
9
2° only
sleep,
when
ly
- ing
in
your
bed,
and
you
7
8
7 9
7
9
9
9
you’re
7
E5
wake
from
your
dreams,
go
danc
- ing
with
to
7
7
7
7
7
8
7
7
G5
Sorgdal
D/F#
8
21
the
dead.
When
you’re
9
7
9
5
7
Ly
-
sleep,
might
be
ly
7
ing
in
your
9
7
9
7
ing
in
your
8
7 9
7
9
-
9
D/F#
bed,
and
you
9
9
G5
E5
wake
from
your
dreams,
to
go
danc
7
7
8
7
7
7
7
-
8
ing
with
the
9
7
9
dead.
7
5
7
D/F#
G5
E5
7
8
7
7
8
8
10
10
8
7
8
8
8
8
7
9
7 9
7
7
8
7
7
7
9
7
9
9
1.2.
D/F#
G5
E5
1° only
When you’re
7
Sorgdal
8
7
7
8
8
10
10
8
7
8
8
8
9
8
7
7 9
22
7
7
7
8
7
7 9
7
9
9
3.
Gtr. 6
D/F#
G5
E5
D5
Gtr. 9
8
7
7 9
7
7
8
7
7
9
7
9
D5
8
7
E5
D5
5
9
7 5
5
7
5
7
7
7
9
7
9
E5
Gtr. 6
Gtr. 9
10
D/F#
5
5
7
9 7
7 5
5
9 10
7 9
9 7
D5
7
C5
Gtr. 5
10
7 5
10
D5
3
9
7 9
9 10
Gtr. 7
9
7
Gtr. 8
7 9
7
Gtr. 5
E5
7 5
E5
Gtr. 8
4 10
Gtr. 3
mf
8
10 8
clean tone 7
7 9
7 10
8 7
9
9
mf clean tone Gtr. 2
Sorgdal
9 7
9 7
12 7
9
12 9
7 9
5
7 5
5 5
3
5 3
23
5 3
3
5 3
7 3
5
7 5
9 5
7
9 7
9 7
7
9 7
7
E5
Dsus4/F#
7
A
Gtr. 4
D5
7 10
C5
D5
7 8
7 10
E5
7
10 8
10
8 7
9
9
2 9 7
9 7
12
7
9
12 9
7 9
Verse Gtr. 4 plays Fig. 2
E5
D/F#
5
5
2 5
To this day
2
5
0
D5
7
0
3
C5
I guess I’ll
5 3
7
5
9
5
5
9
7
7
9 7
7
E5
D5
nev - er know
7 3
let me
7
just why they
9 7
go.
9
9
7
7
12 9
7 9
But I’ll nev
5
7
5
5
5
D5
3
5 3
- er go danc
5 3
A
5
3
3
7 3
C5
5
7 5
9 5
D5
- ing no more,
9
D/F#
12 7
’til
I dance
with the
Sorgdal
9 7
7
dead.
0 0 2
2 9 7
9 7
12 7
9
12 9
7 9
5
7 5
2 5
2
0
5 0
24
3
5 3
7 3
5
7 5
5
0 0 2 2 2
7
0
0
9 7
Gtr. 3
9 7
Em*
7
Gates Of Tomorrow Words & Music by David Murray, Stephen Harris & Bruce Dickinson D5
F5
5fr
C5
3fr
G5
A5
Bb5
Gm
3fr
Eb/G
3fr
D
Gm/D
3fr
Dm7
2fr
5fr
Gtrs. 1-5 6=D 3=G 5=A 2=B 4=D 1=E
q = 165
G5
Gtr. 1
F5
finger-picked
ff
w/dist.
3 3
3 3
3 3
5 3
3 3
3 3
7 3
3 3
3 3
5 3
3 3
3 3
5 3
3 3
3 3
3 3
3 3
1 1
1 1
1 1
1 1
1 1
3 1
1 1
1 1
5 1
1 1
1 1
3 1
1 1
1 1
1 1
G5
1.
F5
Fig. 1 3 3
3 3
3 3
5 3
3 3
3 3
7 3
3 3
3 3
5 3
3 3
3 3
5 3
3 3
3 3
3 3
3 3
1 1
1 1
1 1
1 1
1 1
3 1
1 1
1 1
5 1
1 1
1 1
3 1
1 1
1 1
1 1
2.
Eb5 F5
Fig. 1 ends
Sorgdal
1 1
5 1
1 1
1 1
3 1
1 1
1 1
0
Fig. 2 4 3
4 3
4 3
6 3
4 3
4 3
3 4
3 4
3 4
Gtr. 2
ff 1 1 1
w/dist.
4 3
3 4
3 4
4 4
3 4
4 3
6 5
6 5
6 5
3 3 3
© Copyright 2003 BMG Music Publishing Limited (66.66%)/Warner/Chappell Music Limited (33.34%). All Rights Reserved. International Copyright Secured.
6 5
8 5
6 5
6 5
5 6
5 6
G5
Gtr. 1 plays Fig. 1 Gtr. 3 Fig. 2 ends
1.
5 6
2.
8 6
5 6
5 6
6 6
5 6
6 5
4 3
5 6
5 6
6 6
5 6
6 5
5
F5
5
5
Fig. 1
5
5
5
5
5
5
5
5
5
5
5
5 5
5 5
5
5
5 5
5
5
5
5 5 5
5
5 5 5
5
5
5
5
5 5
5
5
5
5
5
5
5
5
5
5
5
5
Fig. 1
5
5
5
5
5
5
5
5
5
5
5
5
5
5
3
3
3
3
3
5
3
3
3
3
1
1.
1
1
1
1
1
1
1
1
2.
F5
5
Fig. 1 Fig. 1 P.M. Fig. 1 P.M. P.M. P.M. P.M. Fig. 1 Fig. 1 Fig. 1 Fig. 1 3 3 3 3 3 3 1 1 1 1 1 11 3 3 3 3 3 3 1 1 1 1 1
F5
Fig. 1 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55
Fig. 1
Sorgdal
5
Eb5
5
Fig. 1 Fig. 1 Fig. 1 P.M. P.M.
5 5 5
5
Gtr. 1 plays Fig. 2
8 6
5 6
Fig. 1 ff w/dist.
3 3
Fig. 1
3 3 3
3
Fig. 1
3 3 3
3
3 3 3
3 3
3
2
Fig. 1
Fig. 1
1
3 3
3 3 3
3
3 3 3
3
1
poco a poco accel. G5
F5
Gtr. 4 Gtr. 1 plays Fig. 1
ff
w/dist.
5
5
5
7
5
5
9
5
7
5
5
7
5
5
5
Fig. 1
5 5
Fig. 1
5 5 5
5
Fig. 1
5 5 5
5
Fig. 1
5 5 5
3 3
5
5
5 5
5 5
1 1
1 1
3
7
3
7
3
3
5
3
Fig. 1
3 3
3 3 3
3 3 3
3
1
3
3
3
5
3
3
3
3
3
5
3
Fig. 1
1 1
3 3
Fig. 1
3 3
1
3
- ing - men
a and
thread child
’round - ren,
3 3
3
3
heart souls
and of
your the
soul, dead,
10
12
13
de I’ve
3 3
3
your the
3 3
1 1
Gtr. 4 tacet Gtr. 5
3
F5
3
G5
ff
3 3
5
Fig. 1
1
12
Sorgdal
P.M.
Weav wo
5
F5
3
P.M.
3 1 1 3 1 1 1 1 1 3 1 1 1
3
Eb5
Verse
3
P.M.
5 5
5
Gtr. 1 plays Fig. 2
5
3
Gtr. 3 doubles ad lib.
5
w/dist. 12
13
15
13 14
Fig. 1 Fig. 1 Fig. 1 P.M.
Fig. 1
5 5
5 5 5
5
5 5 5
5
5 5 5
5
5 5 5
5
10
P.M.
5 5
Fig. 1
3 3
5
5
3
Fig. 1
3 3 3
3
Fig. 1
Fig. 1
3 3 3
3
3 3 3
3
3
P.M.
3 3 3
P.M.
3 3 3
3
G5
F5
- ceiv op
-
ing ened
-
your their
12
eyes book
and and
de no
13
15
Fig. 1
5 5
Fig. 1
5 5 5
5
Fig. 1
5 5 5
5
-
lay mer
14
10
Fig. 1
5
P.M.
5 5
5
Ships You
in want
Sorgdal
ing cy
your is
5 5
5
goal. shed.
12
13
13
Fig. 1 P.M. P.M. P.M. Fig. 1 Fig. 1 Fig. 1 3 3
5
3 3
5
3
the for
night - give
8
10
-
when ness
they and
11
3 3
3
3
3 3
3
3
3
3
3 3 3
3 3 3
3
10
pass you
out want
of it
sight, cheap,
10
11
13
13
8
8
de I
10
Fig. 1 Fig. 1
Fig. 1
F5
-
Eb5
10
5 5 5
13
12
1 1
1 1 1
1
1 1 1
1
1
P.M. P.M.
Fig. 1
1 1 1
1 1
1
1
1 1
Fig. 1
3 3
1
1
4
Fig. 1
3 3 3
3
Fig. 1
3 3 3
3
Fig. 1
3 3 3
3
P.M.
3 3 3
3
P.M.
3 3 3
3
Eb5
-
ver give
their car re - demp
-
- li don’t
1.
F5
go tion,
of re
- earth - wards
-
ly for
de the
- lights
to
the
full
8
10
11
10
8
10
8
11
13
13
13
10
Fig. 1 P.M. P.M. Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 P.M. P.M.
1 1
1 1 1
1 1
1
1
1
1 1 1
1 1
1
1
1 1
1
3 3
1
1
3 3 3
3
3 3 3
3 3
3
3
3
3 3 3
3
3 3 3
3
$ Pre-Chorus
Eb5
2.
meek.
Suff
Gtr. 3
F5
G5
’ring e
-
vil
Fig. 3
when you
Eb5
pay the price of fame.
Fig. 3 ends
8
8 6
8 8 8 6 6 6
10 8
10 10 10 8 8 8
12 10
12 12 12 12 10 10 10 10
12 12 10 10
12 10
12 12 12 10 10 10 10 8
Gtr. 5 tacet
Gtr. 2
P.M.
Sorgdal
3 3 3
P.M.
Fig. 1
3 3 3 3
3 3 3
Fig. 4
1 1 1
Fig. 1 Fig. 1 Fig. 1
Fig. 4 ends
3 3 3
5 5 5
5
5 5
5 5 5
5
5 5 5
5
5 5 5 5
5 5
1 1 1
F5
There is
no God
G5
to
save
you,
if
you don’t
save
your
Fig. 1 Fig. 1
3 3 3
5 5 5
F5
You can’t blame a
mad - man
5 5
5 5 5
self
Gtr. 3 plays Fig. 3
Eb5
Fig. 1
5 5
5
5
5 5
5
5
5 5
5
G5
for
if
this,
Eb5
you go in - sane.
1 1 1
P.M.
P.M.
Fig. 1
Gtr. 3 doubles ad lib.
3 3 3
Sorgdal
me the
strength
3 3 3
5 5
5 5
5
F5
Give
5 5
so
D5
I
3 3 3
car - ry
on
0 0 0
6
5 5
5
5
5
5 5 5
Eb5
F5
0 0 0
1 1 1
3 3 3
0 0 0
X X X
1 1 1
Chorus
G5
Trapped Trapped Trapped Trapped
in in in in
the the the the
Eb5
web, web, web web,
but
I slaves but I no mer
cut to cut cy
-
the the the is
threads. dead. threads. shed.
Gtr. 3
Fig. 1
12 10 10 10
Fig. 1
Fig. 1
12 10 10 10
12 10 10
10
Fig. 1
Fig. 1
P.M.
12 10 10 10
12 10 10
12 10
8 6
6
Fig. 1
8 6
6
6
Fig. 1
8 6
6
6
Fig. 1
8 6
6
6
8 6
6
8 6
Gtr. 2
Fig. 1
Fig. 1
5 5
5 5 5
5
5
Fig. 1
5 5 5
5
you
the
gates
10 8 8
Fig. 1
Sorgdal
10 8 8
8
3 3
Fig. 1
3 3 3
3
10 8
8
3
3
3 3 3
5 3
5
Fig. 1
5 5 5
5 5
1 1
5
5
Fig. 1
1 1 1
1
Fig. 1
1 1 1
Fig. 1
1 1
1
1
1
1
1 1 1
1
1 1 1
G5
of
to -
mor
Fig. 1 Fig. 1 Fig. 1 Fig. 1
P.M.
C5
Show
Fig. 1
5 5
5
F5
3
5 3
3
3
3
Fig. 1
10 10
Fig. 1
10 10 10 10
10 10 10
-
row.
Fig. 1
Fig. 1
5 3
12 10 10 10
12 10 10 10
12 10 10
Fig. 1
10 10 10
5 5
Fig. 1
5 5 5
7
5
Fig. 1
10
Fig. 1
5 5 5
5
Fig. 1
5
P.M.
P.M.
12 10 10 10
12 10 10
12 10 10
Fig. 1
5 5 5
P.M.
5 5 5
5
P.M.
5 5 5
5
Eb5
Trapped Trapped Trapped Trapped
in in in in
the the the the
web, web web, web
no but
mer I slaves I
but
-
cy cut to cut
is the the the
shed. threads. dead. threads.
Fig. 1 P.M. Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 1
12 10 10 10
12 10 10 10
12 10 10
Fig. 1
Fig. 1
5 5
5 5 5
5
10
Fig. 1
5 5 5
5
12 10 10 10
12 10 10
12 10
Fig. 1
5 5 5
5
8 6
5
6
P.M.
8 6
6
Fig. 1
5 5 5
5 5 5
8 6
6
8 6
6
1 1 1
6
1
1
8 6
1 1
1
8 6
6
Fig. 1
1 1 1
6
Fig. 1 Fig. 1
1 1
5
6
1
1
1
1 1 1
1 1 1
1. 3. F5
C5
Show
you
the
gates
of
to -
mor
Fig. 1 Fig. 1 Fig. 1 Fig. 1
10 8 8
10 8 8 8
Fig. 1
Sorgdal
10 8 8
3 3
Fig. 1
3 3 3
3
3
3
3 3 3
5 3
To Coda Ø
G5
3
5 3
3
3 3
10 10
Fig. 1
5 3
10 10
10 10 10
10 10 10
Fig. 1
12 10 10
Fig. 1
5 5 5
5
Fig. 1
12 10 10 10
5 5
8
12 10 10 10
Fig. 1
10 10
row.
Fig. 1
-
10
Fig. 1 5 5
5
5
Fig. 1
12 10 10 10
5
P.M.
12 10 10
Fig. 1
5 5 5
5 5
5 5 5
12 10
12 10
5 5 5
Eb5
2.
F5
Interlude
P.M.
12 10
Fig. 1
ff w/dist. 3
3 5
11 10 8
1
5
11 10
2
3
1
5
11 10 8
11 10
10
12
10 8
3
3
1.
2.
12
10 8
10 8 10
10
2 3
F5
3 3 P.H.
P.H. w/dist. full
full
G5
12 3
11 10 10
10 8
D5
1
15
D5
3
3 full
10 12
12
3
10 12
5
Eb5
G5
Gtr. 6 (standard tuning)
2
3
11 8 3
11 10
ff
10 8
10
Solo
11 10
F5 6
6
10
2
5 5 5
12 10 Gtr. 4
P.M.
10 8
Eb5
Gtr. 2 plays Fig. 4 11 10
10
G5
10
12
12 10 12 10
10 10
13 10
13
14
13
12 12 10
8 10
0
Gtr. 2
Fig. 1 Fig. 5
Sorgdal
0 0
Fig. 1
0 0 0
0
Fig. 1
0 0 0
0
3 3 3
5 5 5
Fig. 1
0 0 0
0
0
9
0
Fig. 1
0 0
0
P.M.
Fig. 1
0 0 0
0 0 0
0
0
G5
F5
D5
F5
3
3
3
3
10 13 12 10
12 12
10
12
10 11 10
12
10 12 12 11 10
10 12
0 0
0 0 0
Fig. 1
P.M.
3
0
0
Fig. 1
3 3 3
5
12 10
10
12
Fig. 1
0 0
10
0
0
0 0
0
0
F5
3 3 3
5 5 5
Fig. 1
G5
0
0
D5
full
12 10 8
10 11
13
15
15
12
0 0
0
10 13 12 10
11 12
12
Fig. 1
0 0 0
10 12
12
C5
G5
full
full
15
11 10 12
12
10 X
12
13
5
5
12 10 Gtr. 2 plays Fig. 5
Fig. 1
Fig. 1
Fig. 1
Fig. 1
Gtr. 4
5 3
3
5 3
3
3
F5
Fig. 1
G5
3
5 3
3
3
3
3 3 3
5 5 5
7 5
5
5
6 5 3
5 3
Fig. 1
7 5
5
7 5
5
5
10 8
3 2 0 3
5 3
3
G5
2
5
F5
2 0
7 5
5
5
7 5
5
4
Fig. 1
12 10
Fig. 1
2 5 3 2
4
5
5
D5
3 5 3 5 3 2
Sorgdal
5 3
Fig. 1
3
Fig. 6
Fig. 5 ends
7 5
5
10
Fig. 1
5
5
Fig. 1
7 5
5
Fig. 1
7 5
5
5
12 10
12 0
10 8
Gtr. 2 only -----|
D5
F5
G5
3
C5
full 13
10
10 12 13 15 13
10
15
7 5
5
D5
Fig. 1
7 5
5
5
5
7 5
5
5
7 5
5
5
15
13
10 8
12 10
15
15
5 3
F5
G5
15
13
12 13 12 13 12 8
3
3
5 3
3
3
5 3
3
3
5 3
3
D5
13
10
9
9
10
9
full 13
13
12
12
F5
full
15
15
13
G5
10
10
12
12
12
3
13 15
13 15
15 13 12
15
13 12 13 12
13
15 13
3
full
10 12
10
9
C5
full 13
F5
full
full 13
F5
10
C5
15
G5
10 12
D5
5 3
13
13
14
Gtr. 5
12 3 10
12 15
Gtr. 2 plays Fig. 5 Gtr. 3 plays Fig. 6
Sorgdal
full
full
Fig. 1 Fig. 1 Fig. 1 Fig. 1 Fig. 6 ends
Fig. 1
full
15
Fig. 1
G5
10
full 13 13 10
Fig. 1
F5
12
12
10 12
12
12 10
9
10
9 10 9 12 10
11
Solo
Gtr. 7
D5
F5
ff
w/dist.
10
12 10
10 13
12 X
13
10 10 12 10
X
9
12
10
G5
10
9
10 12 10
10
9
12 10
9
D5
G5
F5
3
13
10
12 10
0 10 12 10
12
8 12
12 13 15 13
0
10 9
13
12
13
12 13
3
15
10
12
13
12 13
10 9
D5
10
12 15 13
F5
G5
3
10 13
12
10
9
10
13 13
12
10
7 11
10
10
X
X
12
D.S. al Coda
Sorgdal
Bb5
13
0
12
0 10 10
0 13 13 0
12
0 10 10 0
12
13
13
0
12
0 10 10 0
13 13
0
Eb5
12 0
10 10
ØCoda
G5
G5
Gtr. 3
P.M.
Fig. 1
12 10
10
P.M.
finger-picked
10
12 10
5 5 5
5 5 5
10
12 10
10
Gtr. 2
P.M.
Fig. 1
5 5 5
5
5
3 3
5 3
3 3
3 3
5 3
Fig. 1
5 5 5
G5*
3 3
3 3
3 3
Bb5*
3 3
5 3
3 3
3 3
Fig. 1
Sorgdal
5 5
Fig. 1
5 5 5
5
7 3
3 3
Fig. 1
5
1 1
1 1
3 3
3 3
3 3
Fig. 1 Gtr. 3 doubles ad lib.
5 5
7 3
Fig. 1
5
3 1
1 1
5
3
3
5
Bb5*
G5*
5 3
3 3
3 3
3 3
3 3
Fig. 1
5
F5*
5
13
5
3 1
1 1
3 3
3 3 3
3 3 3
3 3 3
3 3
3 3
3 3
3 3
3 3
5
5 5 5
P.M.
5 5 5
G5*
1 1
P.M.
5 5 5
1 1
3
3 3
1 1
5 5
5
5 1
3 3
Fig. 1
5 5
3 3
5 5 5
1 1
3 3
5 5 5
1 1
5
Gtr. 4
5 3
1 1
1 1
5 5
C5*
3 3
3 3
P.M.
5
3 3
5 5
5
12 10
3 3
P.M.
F5
3 3
5 5 5
3 3
Gtr 1
5 5 5
5 5 5
5 5 5
New Frontier Words & Music by Nicko McBrain, Stephen Harris & Bruce Dickinson D5
F5
5fr
C5
3fr
E5
3fr
7fr
G5
A5
Bb5
Gm
3fr
Eb/G
3fr
Gm/D
3fr
2fr
D 2fr
Dm7 5fr
q = 208
D5
ff
F5
w/dist.
C5
Gtrs. 1,2+3
6 5 3 3
7 7 5
G5
D5
5 5 3
7 7 5
5 5 3
D5 F5
Fig. 1
Sorgdal
0
Fig. 1
Fig. 1
10 12
0
C5
5
Fig. 1
10 12
0
C5
0
0
3 3 1
9
0
12
0
Gtrs. 1, 2+3
5 5 3
9 7
0
© Copyright 2003 BMG Music Publishing Limited (66.66%)/Warner/Chappell Music Limited (33.34%). All Rights Reserved. International Copyright Secured.
G5
Fig. 1
10 12
7
Fig. 1
0
10 12
Gtr. 4
5 5 3
Fig. 1
0
5 9
F5
10 12
7 0
Gtrs. 1,2+3
Bb5
10 12
10
Fig. 1
10 12
G5
5 5 3
Fig. 1
6 5 3 3
ff w/dist.
C5
E5
Gtr. 4 tacet
9 7
0
9 7
Cursed I
ing, by want
you the to
tried ang end
P.M.
9 7
9 7
Sorgdal
0
the who life
to and Re
give who - cy
9 7
0
P.M.
P.M.
7 7
Fig. 1
9 7 0
2
0
of me don’t
my from know
10
9 7 0
E5
new and a
life where life -
0
in is time
7 7
9 7
0
0
E5
7 7
Fig. 1
9 7
D5
D5
9 7
0
9 7
Bleed
9 7
sum saves I
the who but
0
0
0
10
0
0
Fig. 1
9 7
9 7
7 7
a - way, my God, a - gain,
9 7
9 7
0
them is cled
0
Fig. 1
E5
start, fell, now,
0
-
E5
0
9 7
0
D5
0
9 7
A5
6 7 0
P.M.
0
7 7
0
Fig. 1
9 7
from el my
P.M.
E
9 7
E5
6 7 0
parts, Hell, how.
9 7
0
E5
Fig. 1
-
9 7
10
0
Fig. 1
9 7 0
Fig. 1
0
A5
7 7 0
P.M.
9 7
9 7
E
9 7
0
P.M.
0
7 7
P.M.
0
P.M.
9 7
E5
Fig. 1
E5
6 7 0
$ E5
9 7 0
D5
Fig. 1
0
A5
9 7
0
9 7
P.M.
0
Fig. 1
7 7
0
P.M.
E
E5
6 7
0
P.M.
Verse
9 7
E5
A5
Fig. 1
9 7 0
Fig. 1
E
10
9 7
a my of
7 5
D
Some
The
7 5
7 5
7 5
Fig. 1
9 7
9 9 7 7
P.M.
0 0
Fig. 1
5 3
5 3
1. D5
P.M.
7 7
Nev - er
- end
0
5 3
3
2 3
3
Bb5
ing,
10 9 7
0 0
0
for - ev - er
search
7 7
C5
dreams
Sorgdal
the
dreams
3 1
of
5 3
C5
2 0
A5
my
heart.
3
5 3
Al - ways
3 1
3 1
2
seek - ing,
Gtr. 4
Bb5
Gtrs. 1,2+3
A5
Chas - ing
Bb5
5 3
10 9 7
- ing.
3 1
3 3
2, 3.
E5
7 7
9 9 7 7
0 0
Fig. 1
9 7
0
-
Fig. 1
9 7
Pre-Chorus
Damned for all too young to Dev - il has
the
5 3
E5
6 7
0
7 5
P.M.
5 5
A5
jump, man,
C5
0
E
time. run. planned.
stein
F5
0
E5
5 5
C
4 5 0
Fig. 1
Frank - en tired to of a
new Too spawn
C5
day. soul? pain.
G5
5
3
C5
al - ways
ask - ing.
Out
Fig. 1
10 7
yond
the
-
Fig. 1 10
12 0
play - ing
God
with - out
10 7
Fig. 1 10
0
Fig. 1
10 12 0
Fig. 1
Cre - ate
a
beast,
Fig. 1
Sorgdal
7 10 7
Fig. 1
made
10 0
Fig. 1 10
12 0
Fig. 1
0
-
ier,
with - out
fear.
Fig. 1 10
Fig. 1 10
12 0
10 10 0
0
Fig. 1
9
0
7
7
Fig. 1 12
0
10 12 0
soul.
14
0
14 0
Gtrs. 1,2+3
14 12 0
10 12 0 0
4
Bb5
Is it
10 12 0
0
D5
a
5
0
Fig. 1
12 0
with - out
10 12 0
Fig. 1
G5
Fig. 1
10
0
Fig. 1
7
9
10 7
a man
5 3
7 12 0
G5
0
3 1
Fig. 1
10
D5
Fig. 1
12 0
C5
front
mer - cy,
12 0
F5
5
G5
3
new
10 12 0
7
D5
Fig. 1
10 12 0
5
C5
10
12 0
10
12 0
start.
the
G5
from
Fig. 1
0
10
Fig. 1
Fig. 1
12 0
F5
C5
5
Fig. 1
0
7
10
12
5
right
F5
be
Ques - tions
F5
Chorus
Bb5
3 1
To Coda ØØ C5
Gtr. 4 tacet
worth
the
risk,
To Coda Ø
a
war
of
God
and
Fig. 1
Fig. 1
9 7
D.S. al Coda
9 7
5 3
Man?
[E]
9 7
P.M.
9 7 0
0
6 7 0
7 7
P.M.
7 7
0
ØCoda
Fig. 1
9 7
0
9 7
0
0
9 7
0
Is it
worth
the
risk,
10 9 7
9 7
9 7 0
a
war of God and
Man.
3 1
0
P.M.
0
C5
7 7
9 7
0
Bb5
Fig. 1
5 3
5 3
7 5
Interlude
D5
E5
Gtrs. 2+3 tacet
Fig. 1 Fig. 1 Gtr. 1
Fig. 1
Sorgdal
7 5
5
F5
5
5
7 5
5
5
5
7 5
9 7
G5
C5
Gtr. 1 Fig. 1 Fig. 1
Gtrs. 1,2+3
10 8
5
12 10
5 3
5 3
3
3
3
5 3
3
3
3
F5
E5
C5
D5
E5
Gtrs.2+3 tacet
F5
G5 Bb5
C5
Gtrs. 1,2+3 Gtrs. 1,2+3 Gtr. 1 Fig. 1 Fig. 1
5 3
D5
10 8
9 7
5 3
7 5
7 5
5
5
7 5
5
5
5
E5
F5
9 7
10 8
G5
12 10
C5
3 1
Fig. 1 ends
3 1
5 3
Gtrs.2+3 tacet
Gtr. 1
Gtr. 1 Fig. 1 Fig. 1 Gtrs. 2+3 tacet
7 5
5
Gtrs. 1,2+3
7 5
5
5
F5 E5
7 5
5
C5
7 5
5
5
5
D5
Gtrs.2+3 tacet
Fig. 1
9 7
10 8
10 8
12 10
E5 F5
5 3
5 3
3
3
5 3
C5
G5 Bb5
Gtrs. 1,2+3 Gtr. 1 Fig. 1 Fig. 1
3
Fig. 1
3
3
3
D5
Gtrs. 1,2+3
5 3
10 8
9 7
5 3
Gtr. 5
harm.
ff
7 5
7 5
5
5
5
7 5
5
5
5
7 5
9 7
10 8
12 10
3 1
3 1
5 3
7 5
w/bar
w/dist. + wah-wah
full
slow dive 8
Sorgdal
3 7
6
Gtr. Solo
D5
E5 F5
G5
8
D5
E5
X X
10
13 10
13
E5
F5
C5
G5
12
13 17
Bb5
3
3
3
17 13
3
3
13 17 13 17 13 17
3
3
13 17
3
3
3
3
3
12 17 13
13 10 13 10
10 13
12 10 12 10 9
10 9
7
9 12 10 12 10 8 10 8
C5
3
D5
E5
F5
G5
7
5
7
F5
5
8
5
E5
C5
15
15 17 18
15 8
15 17 17 18
15 17 18 17 15 18
D5
E5
F5
15 17 18
3
3
3
15 17 18 18 17
15
14
14
15 18
X
C5
5
7
3
w/bar
Sorgdal
12
F5
3
2
rake
full
13
C5
3
15 17 18 15 17 18
7
3
Bb5
3
15 17 15 17 18
G5
15
17
Gm
C5
Gtrs. 1,2+3
3 1
3 1
3 1
3 1
5 3
3 1
5 3
5 3
5 3
5 3
Gtr. 1
Fig. 2
5
Fig. 3
7
3
3
full 18
15
17
18
15
17
20
full 20
20
20
0
Interlude Chords implied by harmony Gtr. 5 tacet
Fig. 2 ends
7
7
Eb/G
3
Gm/D
8 5
8
D
Gm
5
5
5
5
8 5
8
5
8
7 5
5
7
4
5 5
Fig. 3 ends
15
15 11
16
16 13
12
12 12
15
14
14 11
12 12
12
Gtr. 6
ff
Sorgdal
15 12
12
w/dist. 12
8
Gtr. 1 plays Fig. 2 Gtr. 2 plays Fig. 3
Eb/D
D
Gm/D
10 11 13
13 11 13 13 15
Gm
16 15 13
15 13 11
13 11 12
Eb/D D Gm/D Gm
11
11 10
13
13 11 10
12 12
15
15 13 11
13
11
13 11 10
11
12
D.S.S. al Coda 2 Eb/G
Gm/D
Bb5
4
A5
Gtr. 1
C5
5
8
10
15
7
11
13
2 0
2 0
Sorgdal
11
11 10
13 12 12
13 11 10
15 11
15 13 11
10 11
9
12
11
ØØCoda
Chorus
2
F5
D5
war of God and
Man.
Out
10 7 5
G5
new
front
10 0
-
Fig. 1
ier,
Fig. 1
10 12 0
Fig. 1
0
0
Sorgdal
0
mer - cy,
with - out
fear.
Fig. 1
10 7 0
Fig. 1 10
0
Fig. 1 10
12 0
7
Fig. 1 12
0
Fig. 1
10
Fig. 1 10
12 0
12 0
C5
play - ing
God
Fig. 1
Fig. 1
10 0
with - out
Fig. 1
10 12 0
Fig. 1
Fig. 1
10 12 0
10 12 0
12 0
C5
a
beast,
made
a man
Fig. 1 14
12 0
Cre - ate
Fig. 1
F5
the
10
D5
0
- yond
12 0
Fig. 1
0
10 7 7
G5
5 9
F5
Fig. 1
7 9
10
12
Fig. 1
7 12 0
be
D5
Fig. 1
Gtr. 4
C5
0
14 0
7 10 7
10 0
10
Fig. 1
Fig. 1 10
12 0
Fig. 1 10
12 0
Fig. 1 10
12 0
0
0
G5
with - out
10 10
a
0
10 12
soul.
Bb5
10 12
14
0
12
0
it
war
of
God
and
Man?
worth
the
0
risk,
5 3
C5
Is
3 1
it
worth
the
risk,
a
3 1
5 3
D5
war
of
Sorgdal
a
Bb5
10 12
Gtrs. 1,2+3
0
Is
C5 Gtr. 4 tacet
God and
Man?
E5
F5
G5
C5
7 5
7 5
11
7 5
7 5
7 5
7 5
7 5
7 5
7 5
9 7
10 8
10 8
12 10
5 3
F5
E5
D5
C5
E5
F5
G5 Bb5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
10 8
9 7
5 3
C5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
D5
10 8
E5
F5
9 7
12 10
3 1
G5
C5
3 1
3 1
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5 3
5 3
5 3
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
9 7
10 8
12 10
5 3
D5
5 3
7 5
7 5
7 5
5 3
5 3
5 3
E5
F5
5 3
5 3
5 3
G5
Bb5
5 3
F5
5 3
E5
10 8
C5
9 7
5 3
7 5
9 7
10 8
12 10
3 1
3 1
3 1
3 1
3 1
3 1
3 1
12
7 5
7 5
7 5
7 5
C5
Dm7
5 3
6 5 X 5
6 5 X 5
Sorgdal
7 5
5 3
5 3
5 3
5 3
5 3
7 5
Paschendale
Words & Music by Stephen Harris & Adrian Smith C5
B5
A5
3fr
G5
F#5
E5
3fr
G5*
F#5*
10fr
9fr
A5**
C
G5**
G5***
5fr
5fr
q = 84 Drums
E5*
D5
7fr
5fr
A5***
C#5
7fr
E5**
4fr
8fr
F#5**
B5**
A5*
7fr
G#5
4fr
4fr
12fr
E5*** 2fr
F5 3fr
µ
C5*
7fr
Gtr. 1
mf
w/dist.
0 10 12 0 8 12 0 7 12 0 5 12 0 7 12
0 7 12 0 5 12 0 3 12 0 2 12 0 12
0 10 12 0 8 12 0 7 12 0 5 12 0 7 12
0 7 12 0 5 12 0 3 12 0 2 12 0 12
Verse
C5
B5
A5
G5
A5
Chords implied by bass
In a
field
0 10 12 0
fo - reign
8 12
0
7 12
he
0
5
lay,
12 0
7 12
G5
E5
lone - ly sol - dier, un - known
0
7 12 0
5
12 0
Sorgdal
F#5
© Copyright 2003 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
3
12
grave.
0
2
12
0
12
C5
B5
A5
On his
0 10 12 0
G5
dy - ing
8 12
0
words
he
0
prays,
7 12
5
12
0
7 12
A5
tell
0
G5
F#5
the world
7 12 0
of Pa - schen - dale.
5 12
E5
0
3
12
0
D5
C5
2 12
0
E5*
D5
C5
B5
C5
Gtrs. 2,3+4
Gtr. 1 tacet
ff
P.M. w/dist.
P.M.
P.M.
4 4 2
N.C.
Gtr. 1
5 5 3
D5
5 5 3
E5
E5
5 5 4 4 2 2 5 5 4 4 2 2 3 3 0 2 2 0 0 0
E5**
7 7 5
0
7 7 5
0
7 7 5
7 7 5
0
9 9 7 0
9 9 7 7 5 5 4 4 9 9 7 7 5 5 4 4 7 7 0 5 5 0 3 3 0 2 2
2 2 2 2 0 0 0
Drums
B5
P.M. P.M. P.M.
P.M.
P.M. P.M. P.M.
A5
P.M. P.M.
9 9 7 7 5 5 4 4 9 9 7 7 5 5 4 4 7 7 0 5 5 0 3 3 0 2 2
C5
B5
9 9 7 0
mf w/dist. Gtrs 2,3+4 tacet 0
10 12
0
8
12
0
7
12
0
5
12
0
7
12
Sorgdal
2
0
7
12
0
5
12
0
3
12
0
2
12
0
12
Verse
Chords implied by bass
C5
B5
Re - live
all
0 10
A5
12 0
G5
that he’s
8 12 0
7
been through,
12
0
5
12
0
A5
last
0
F#5
E5
7 12 0
5
12 0
3
soul.
12
com - mun - ion of his
7 12
G5
0
2 12
0
12
C5
B5
Rust
A5
your bull - lets
0 10 12 0
8
12
0
G5
with his
tears,
7 12
0
A5
5 12
0
let
7 12
0
G5
me tell you
7 12 0
5
0
years.
3 12
E5
’bout his
12
F#5
0
2 12
0
C5*
B5*
A5*
G5*
A5*
F#5* G5*
G5*
F#5*
E5*
D5E5*
Gtrs. 2+3
P.M. w/dist. Gtr 1 tacet
ff
0
10 X 8
C5*
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
14 14 12
10 9 9 X X X 8 0 7 7 0
B5*
14 14 12
P.M.
12 12 10
12 12 10
12 12 10
11 11 9
12 12 10
0
A5*
14 14 12
14 14 12
0
G5*
12 12 10 0
A5*
F#5* G5*
12 12 10
11 11 9
11 11 9
0
G5*
9 9 9 9 7 7
9 7 9 9 7 9 7 5 7
0
F#5*
E5*
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
Sorgdal
0
10 X 8
10 9 9 X X X 8 0 7 7 0
14 14 12
14 14 12
P.M. 12 12 10
12 12 10
12 12 10
11 11 9
0
12 12 10
14 14 12 0
3
14 14 12
12 12 10 0
12 12 10
11 11 9 0
11 11 9
9 9 9 9 7 7 0
9 9 7
Pre-Chorus
D5 E5*
D5
Lay - ing low
in a
7 7 5
E5*
9 9 7
9 9 7
9 9 7
9 9 7
D5 E5*
blood
face
7 7 5
9 9 7
7 7 5
7 7 5
9 9 7
9 9 7
9 9 7
I can feel
fall - ing
rain,
the
9 9 7
9 9 7
7 7 5
7 7 5
7 7 5
D5 E5*
9 9 7
9 9 7
9 9 7
In the
smoke,
9 9 7
9 9 7
in the mud
12 12 10
7 7 5
7 7 5
D5
Soon
to
nev - er
and
9 9 7
9 9 7
Sorgdal
7 7 5
9 9 7
9 9 7
9 9 7
9 9 7
7 7 5
7 7 5
go ov - er the
7 7 5
9 9 7
5 5 3
5 5 3
7 7 5
9 9 7
9 9 7
death.
On my
5 5 3
see
7 7 5
7 7 5
7 7 5
C5
my
D5
friends
12 12 10
12 12 10
12 12 10
a - gain.
12 12 10
5 5 3
5 5 3
7 7 5
7 7 5
C5
lead,
smell
the fear
5 5 3
7 7 5
D5
and the feel -ing of
dread.
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
5 5 3
G5*
ra - pid
fire
9 9 7
12 12 10
4
5 5 3
5 5 3
7 7 5
G5
wall,
9 9 7
E5*
be time
9 9 7
E5*
9 9 7
9 9 7
9 9 7
D5 E5*
7 7 5
D5
7 7 5
G5*
9 9 7
kill - ing time ’til my ve - ry own
E5*
D5
filled trench,
7 7 5
D5
C5
12 12 10
12 12 10
12 12 10
7 7 5
7 7 5
A5**
and the end of us
all.
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
E5
C
E5
G5
0 2 3
2 2 0
0 0 X 3
D5
E5
C
G5**
2 2 0
7 7 5
5 5 3
G5**
E5
G5
0 2 3
2 2 0
0 0 X 3
D5
2 2 0
7 7 5
5 5 3
Verse
$
C5*
B5* A5*
G5*
A5*
F#5* G5*
Whist les, shouts and more gun - fire Dodg ing shrap nel and barbed wire,
P.M.
G5*
F#5*
C5*
P.M.
14 9 14 X 12 7 0
9 X 7
0
B5*
P.M.
P.M.
14 14 12
12 12 12 12 10 10
12 11 12 12 11 12 10 9 10
14 14 14 14 12 12
0
A5*
12 12 10
10 10 X X 0 8 8
9 X 0 7
C5*
B5
Ma - ny As we
G5*
Sorgdal
12 12 10
E5*
12 12 10
0
10 10 8
sol - diers eight - een charge the en - e - my
10 9 10 9 8 0 7
9 9 7
P.M.
14 14 14 14 12 12
F#5 G5
P.M.
12 12 12 12 10 10 0
A5
0
7 7 5
years, lines,
drown ing mud a burst of fire
0
5 5 3
4 5 4 5 2 3
5
7 7 0 5
P.M.
5 5 0 3
9 7 9 9 7 9 7 5 7
0
7 7 5
9 9 9 9 7 7
F#5
P.M.
11 11 9
0
5 5 5 5 3 3
11 11 9
G5
3
P.M.
7 7 5
12 11 12 12 11 12 10 9 10
G5
P.M.
D5 E5*
be re -u -nit - ed with my dead friends soon. say a prayer, a sym - pho - ny of death.
0
A5**
P.M.
9 9 7
P.M.
0
9 7 9 7 7 5
0
F#5*
P.M.
14 14 12
9 9 9 9 7 7
0
P.M.
14 14 12
9 X 7 0
11 11 11 11 9 9
0
F#5* G5* A5*
G5*
12 12 10
0
P.M.
wire. fire.
P.M.
P.M.
P.M.
Bat - tle field no- thing but a bloo dy tomb, Run - ning blind as I hold my breath,
D5 E5*
P.M.
life - less bo - dies hang on barbed run - ning straight to can - non
P.M.
10 10 X X 0 8 8
E5*
E5
E5* D5 E5*
no more and we go
tears down.
P.M.
5 5 3 0
P.M.
4 4 2
4 4 2
0
2 2 2 2 0 0
9 7 2 9 7 2 7 5 0
9 9 7
C5*
G5
F#5 G5
P.M.
A5**
Sure - ly a war I choke a cry
B5
10 10 8
0
G5
F#5
E5
kill - ing feel the
E5*
time a - bout to be - gin. blood run down my throat.
P.M.
9 9 7
no - one can win, but no one hears,
P.M.
10 10 0 8
A5
9 9 7
0
P.M.
7 7 5
7 7 5
P.M.
5 5 5 5 3 3
0
5 5 3
4 4 2
5 5 3
P.M.
7 7 0 5
P.M.
7 5 7 5 5 0 3
5 5 3
0
P.M.
4 4 2
4 4 2
2 2 0
0
9 9 9 9 9 9 7 7 7
2 2 0
Chorus
E5**
G5*C5
Home,
D5
E5**
far a - way
from the war.
9 9 7 0
9 9 7 0
9 9 7 0
E5**
9 12 5 9 12 5 7 10 3 0
G5* C5
Home,
7 7 5
7 7 5
7 7 7 7 5 5
7 7 5
7 7 5
D5
9 9 7 0
9 9 7 0
9 9 7 0
9 12 5 9 12 5 7 10 3 0
7 7 5
C5
The
bo
9 9 7 0
9 9 7 0
9 9 7 0
7 7 5
7 7 7 7 5 5
7 7 5
7 7 5
9 9 7 0
0
9 9 7 0
but the war,
12 5 12 5 10 3
5 5 3
G5* C5
A5
B5
Sorgdal
2 2 0
2 2 0
2 2 4 2 2 4 0 0 2
4 4 2
4 4 4 4 2 2
7 7 7 7 7 7 5 5 5
7 7 4 7 7 4 5 5 2
To Coda Ø B5
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
12 5 12 5 10 3
5 5 3
B5
7 7 5
7 7 5
7 7 7 7 7 7 5 5 5
C5
7 7 7 7 7 7 5 5 5
5 5 3
7 7 7 7 5 5
5 5 3
of ours and
5 5 7 5 5 7 3 3 5
our foes,
6
2 2 0
the
2 2 0
2 2 4 2 2 4 0 0 2
4 4 2
4 4 4 4 2 2
4 4 2
D5
dies
7 7 5
A5
5 5 3
7 7 5
no chance to live a - gain.
D5
7 7 5
D5
Bridge
D5
B5
E5**
far a - way
9 9 7 0
9 9 7 0
0
D5
A chance to live a - gain.
9 9 7 0
G5* C5
sea of
5 5 3
death, it
5 5 7 5 5 7 3 3 5
ov - er -
7 7 5
A5
C5
In
no
D5
2 2 0
2 2 4 2 2 4 0 0 2
C5*
4 4 2
4 4 4 4 2 2
B5*
man’s
2 2 0
-flows.
B5
5 5 3
A5*
C5 B5
A5
land, God on - ly
5 5 3
5 5 3
5 5 7 5 5 7 3 3 5
G5*
B5
knows,
in
D5
- to
jaws
2 2 0
F#5* G5*
2 2 0
2 2 4 2 2 4 0 0 2
A5*
4 4 2
4 4 4 4 2 2
G5*
5 5 3
5 5 3
F#5*
of death we
4 4 2
C5
5 5 7 5 5 7 3 3 5
E5*
7 7 5
D5 E5*
go.
P.M.
10 X 8
0
Verse
P.M.
C5*
10 9 9 X X X 8 0 7 7 0
B5*
P.M.
14 14 12
12 12 10
12 12 10
A5*
P.M.
P.M.
12 11 12 11 10 9
12 12 10
P.M.
14 14 12
14 14 12
G5*
F#5*G5*
on
P.M.
12 12 10
0
14 14 12
P.M.
0
Cru - ci - fied as if
P.M.
12 12 10
a cross,
10 X 8
G5*
F#5*
E5*
all - ied troops, they mourn
P.M.
C5*
0
B5*
14 14 12
14 14 12
12 12 12 12 10 10
12 11 12 11 10 9
12 12 10
9 9 7
D5 E5*
their loss.
P.M.
14 14 14 14 12 12 0
G5*
12 12 12 12 10 10 0
9 9 9 9 7 7
9 7 9 7 7 5
P.M.
G5*
3
11 11 9
11 11 9
0
A5*
F#5* G5*
Ger man
9 7 9 7 7 5
P.M.
0
A5*
9 9 9 9 7 7 0
9 9 X X 7 7 0
11 11 9
0
P.M.
10 X 0 8
11 11 9
0
A5*
P.M.
0
F#5*
E5*
pro - pa - gan da a mach ine
such be - fore
9 9 7
D5 E5*
has ne - ver been seen.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
Sorgdal
10 X 0 8
10 9 X X 8 0 7
9 X 7 0
14 14 14 14 12 12
P.M. 12 12 10
12 12 10
12 12 10
11 11 9
0
12 12 10
14 14 12 0
7
14 14 12
12 12 12 12 10 10 0
11 11 11 11 9 9 0
9 9 9 9 7 7 0
9 7 9 7 7 5
9 9 7
C5*
Swear I heard
P.M.
0
G5
10 10 8
10 10 8
C5*
B5
9 9 7
0
7 7 5
A5**
7 7 5
0
5 5 5 5 3 3
5 5 3
F#5 G5
4 5 4 5 2 3
P.M.
Drums
no
E5*
more
D5 E5*
may die.
5 5 3
4 4 2
5 5 3
5 5 3
P.M.
4 4 2
0
E5
4 4 2
0
E5
P.M.
5 5 5 5 0 3 3
P.M.
5 5 0 3
F#5
tell the tale of
P.M.
7 7 5
7 7 5
G5
E5
P.M.
7 7 5
0
A5
So that peo ple know the truth,
10 10 9 9 7 10 10 9 9 7 8 8 0 7 70 5
F#5
pray to God,
P.M.
G5
0
G5
cry,
P.M.
3
P.M.
A5 3
P.M.
9 9 0 7
F#5 G5
the an - gels
P.M.
P.M.
A5**
B5
Pa - schen - dale.
7 7 7 7 0 5 5
P.M.
5 5 5 5 0 3 3 0
4 4 2
0
2 2 0
P.M.
4 4 2
7 9 7 9 5 7
P.M.
9 2 9 2 7 0
2 2 2 2 0 0
2 2 0
Interlude
[E]
Gtr. 4
mf w/dist.
Gtrs. 3+4 tacet 2° Gtr. 3 doubles 7 8 9
7
8 10
8
9
10 12
8
10
7
8
11 9
E5 B5 C5 B5 4 Gtr. Chords implied by harmony
7 8 9
7
8 10
9
8
10 12
8
10
7
8
11 9
ff w/dist.
2+3 Gtrs. 0 2
3 2 0 3 2
0 2 3
Gtr. 3
Fig. 1
ff w/dist.
Sorgdal
17
14 15
14 15 17
14
15 17 19
15 17
14 15
17 16
8
Fig. 1
Fig. 1
4 0 2 0 2 3
4 3 2 0 3 2
C5
G5
D5
3 2 0
A5
3 2 0
C5
B5
C5
1
3 2 0 3
3 2 0
3 2 0
0 2 0 3
3 2 0
5 7
9
0 2 0 3 2 0
Fig. 1
7 7 5
3
Gtr. 3 plays Fig. 1
D5
1
0
Fig. 1
7 7 5
A5
0 2 3
G5
Gtr. 2
Fig. 1 Fig. 1
B5
7 7 5
0 2 0 3
E5
Fig. 1
10 9 7 10 9
10 9
7 9
7 7 10 9 7 5
7 9 7 12 10
Verse
D5 E5*
C5
Cruel
Gtrs. 2,3+4
7 7 5
9 9 7
- ty has
a
hu
ev -’ry man
does
play
his
part.
9 9 7
9 9 7
5 5 3
7 7 5
X X X
4 4 2
5 5 3
5 5 3
C5
of
9 9 7
9 9 7
5 5 3
7 7 5
7 7 5
D5
the
men
we
kill,
7 7 5
7 7 5
7 7 5
7 7 5
4 4 2
B5
the hu - man
5 5 3
C5
heart
5 5 3
4 4 2
is
hung
- ry
still.
5 5 3
X X X
7 7 5
7 7 5
4 4 2
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
4 4 2
4 4 2
5 5 3
5 5 3
3
2 3
D5 E5*
C5
D5
B5
Sorgdal
heart,
I stand my ground for
- man
Ter ror
C5
9 9 7
9 9 7
B5
E5
9 9 7
D5
7 7 5
9 9 7
9 9 7
9 9 7
9 9 7
5 5 3
the
5 5 3
ve - ry last
5 5 3
7 7 5
7 7 5
time,
gun
is rea - dy
7 7 5
7 7 5
9
C5
7 7 5
7 7 5
7 7 5
7 7 5
as
I stand
in
line.
4 4 2
4 4 2
4 4 2
5 5 3
5 5 3
5 5 3
2
E5
C5
D5
B5
Ner vous wait for the whis tle to blow,
9 9 9 9 7 7
9 9 7
9 9 7
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
E5
G5
D5
E5
X 7 7 X 7 7 X 5 5
E5
7 7 5
7 7 5
G5
2 2 0
7 7 5
5 5 3
0 2 3
0 0 X 3
4 4 4 4 4 4 2 2 2
5 5 3
5 5 3
9 9 7
G5
9 9 7
7
9 9 7
9 9 7
7
9 9 7
9 9 7
7
9 9 7
9 9 7
E5
Solo
0
Gtr. 5
ff
w/dist. full full
5 5 3
15
14
0 0 X 3
2 2 0
7 7 5
8 7 5 5
8 7 5 5
G5***
7 7 5
5
7 7 5
7 7 5
5
7 7 5
7 7 5
7 7 5
5
7 7 5
D5
5
G5***
cont. sim.
6
1/2 12
15
5 5 3
0 2 3
2 2 0
3 2
D5
G5***
Gtrs. 2+3
7 7 5
5 5 3
Gtr. 4 tacet E5*
D5 E5
Drums
2 2 0
G5**
ov - er we go.
2 2 0
C
Gtrs. 2+3
Sorgdal
rush of blood and
7 7 5
CG5**
E5
3 2
C5
full 14
12
12 14 12 14 12
12 15
12 15
15
15 12
12 14
10
full
full 12 15 14
E5
G5***
D5
A5**
3 3
3
full
15 14 12 14 12 14 12
3
full
12
12
15
15
12 15 14
14
14
12
15
E5
12 14
G5***
14 15 15 17
D5
17
G5***
3
w/bar
14 15 14
15 14 15 14 17 15 12
14 17
15 14 15 14 17 15 12
E5
12 14 17
12 14 12
15
G5***
15
15
D5
full 15
A5**
3 3
3
7
full
full 15 14 12 14 12 14 12
12 15
15 14 12
15
12 14 13 12 15
15 14 12
14 12 14
14
14 12 14 14
14
C#5
Gtr. 6
Gtr. 5 tacet
full
12
E5*
3
ff
B5
6
6
1/2 8 9 9
9 11 12 11 9
9 12
6
6
full
8
F#5**
1/2
full
9 12 9
9 12 9
11
9 12 9
9 12
11 9
11
9
12
9
12 9 11 9
11
11
C#5
E5*
P.H.
P.H.
P.H.
B5
P.H.
F#5**
P.H. 0
Sorgdal
2
0
2
0 4
8
8 9
X
8 9
X
8 9
9
X
11
11
8
0
4 1
B5 F#5** C#5
E5*
6
11 13 14 11 13 14
3
1/2
3 11 13 14 11 13 14
9 13
11 13 11 13 14
9
11
12 12
9
11
11
9
10 10
14 16 17
E5*
C#5
6
14
16
6
17
16
14
3
14
6
14
17
17
16
14
16
17
17
16
14
17
16
14
16
14
16
B5
16
14
F#5**
6
6
3
14
14
14 13
14
16
G#5
Blood
is
fall
-
ing
Gtr. 6 tacet
Sorgdal
17
14 14
Gtrs. 2,3+4
16
17
16
16
17
17
7
17
16
16
Bridge
16
full
6 6 4
6 6 4
X X X
6 6 4
6 6 4
X X X
6 6 4
6 6 4
X X X
6 6 4
6 6 4
X X X
B5
F#5
like
the
9 9 7
12
C#5
rain,
its
9 9 7
4 4 2
6 6 4
6 6 4
4 4 2
X X X
4 4 2
4 4 2
X X X
4 4 2
4 4 2
X X X
4 4 2
4 4 2
X X X
G#5
B5
son
cloak
crim
6 6 4
-
6 6 4
X X X
6 6 4
6 6 4
X X X
6 6 4
6 6 4
un
X X X
-
6 6 4
6 6 4
of
guns
9 9 7
9 9 7
4 4 2
6 6 4
6 6 4
X X X
6 6 4
6 6 4
X X X
6 6 4
6 6 4
X X X
6 6 4
G#5
6 6 4
hide
the
9 9 7
9 9 7
X X X
we
die
Solo Gtr. 2
6 6 4
6 6 4
X X X
6 6 4
X X X
6 6 4
6 6 4
D5
Gtr. 6
w/bar
6 6 4
P.H. full
full
12
12
4 4 2
4 4 2
X X X
X X X
9 9 7
F5
6
4 4 2
4 4 2
X X X
4 4 2
X X X
4 4 2
4 4 2
X X X
4 4 2
4 4 2
X X X
4 4 2
4 4 2
6 5 7 5
8 5 7 5
Fig. 2 7 7 5
8 5 7 5
6 6 4
and
4 4 2
X X X
4 4 2
4 4 2
X X X
4 4 2
4 4 2
X X X
4 4 2
4 4 2
X X X
cont. sim
6 6 4
6 6 4
6 6 4
6 6 4
G5***
3 full 13 10
12 10
10 13
10 12 10 13
6 5 3 3
13
10 0
8 7 5 5
8 7 5 5
6 5 3 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3
5 5 3
5 5 3
5 5 3
13
5 5 3
5 5 3
10 13
12 10
C5
6 6 4
4 4 2
X X X
C#5
- dale.
9 9 7
The
shame,
12 10
Sorgdal
6 6 4
X X X
13
10
12
Gtr. 3
X X X
4 4 2
C#5
4 4 2
Pa - schen
full
6 6 4
in
4 4 2
F#5
so
X X X
F#5
B5
4 4 2
can’t
sound
a - gain.
B5
C#5
veils
X X X
G#5
F#5
D5
F5
G5***
rake Gtr. 3 plays Fig. 2 full
13 12 10 12 13 13 13
X X
15 rake
D5
3
3
13 12 10 10
13
C5
full 13
13
13
7
8 7
10 12 10 10
9 10 12
10
12
12
F5
3
full
full 13
12
10
10
10
10
13
13
10
10
10
13
10
10
13
10
13
13
C5
G5***
3
12
13
10
10
15
10
10
13
13
10
13
10
15
10
12
10
13
15
13
13
15
13
12 15 12
D5
F5
C5
G5***
3 3
full 13 12 13 12
12 13
12 15 13 12 13
12 13
13 13 10
12
10 13
13 12 10
10 12
12 10 12 11 10 8
8 10
C5*
B5*
A5*
G5*
A5*
F#5* G5*
G5*
F#5*
10
E5*
D5 E5*
Gtrs. 2.3+4
P.M. Gtr. 6 tacet
Sorgdal
0
P.M.
P.M.
10 10 9 9 X X X X 8 8 0 7 7 0
P.M.
P.M.
14 14 14 14 12 12
12 12 12 12 10 10
12 11 12 11 10 9
0
12 12 10
14 14 14 14 12 12 0
14
P.M.
P.M.
12 12 12 12 10 10 0
P.M.
11 11 11 11 9 9 0
9 9 7 0
9 9 7
9 9 7
7 7 5
9 9 7
C5*
B5*
A5*
G5*
F#5* G5* A5*
G5*
F#5*
E5*
D5 E5*
D.S. al Coda
P.M.
P.M.
0
10 10 9 9 X X X X 8 8 0 7 7 0
ØCoda
P.M.
P.M.
14 14 14 14 12 12
P.M.
12 12 12 12 10 10
12 11 12 11 10 9
12 12 10
14 14 12
0
14 14 12
G5* C5
Home,
0
9 9 7 0
9 9 7 0
9 9 7 0
a - way
12 12 10
from
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
a - gain.
0
G5* C5
0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
Home,
9 9 7
war.
far
A chance
12 12 10
D5
G5* C5
9 7 9 7 7 5
the
7 7 5
E5**
D5
live
5 5 3
9 9 9 9 7 7
9 9 7 0
11 11 9
E5**
9 9 7 0
P.M.
11 11 9
0
D5
far
P.M.
12 12 12 12 10 10
0
E5**
P.M.
5 5 3
7 7 5
to
5 5 3
B5 D5
a - way
but the
5 5 3
7 7 5
7 7 5
E5**
war,
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
G5* C5
9 9 7
9 9 7
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
D5
no chance to live
Sorgdal
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
12 12 10
5 5 3
5 5 3
C
7 7 5
7 7 5
7 7 5
7 7 5
G5** E5
4 4 2
G5
7 7 5
D5
a - gain.
9 9 7 0
12 12 10
E5
9 9 7 0
7 7 5
7 7 5
7 7 7 7 7 7 5 5 5
7 7 7 7 7 7 5 5 5
15
7 7 5
2 2 0
0 2 3
0 0 X 3
2 2 0
5 5 3
7 7 5
E5
C G5** E5
0 2 3
2 2 0
0 0 X 3
D5
E5
G5
2 2 0
7 7 5
5 5 3
Drums
2 2 0
N.C.
Gtr. 1
mf
w/dist.
0 10 12 0 8 12 0 7 12 0 5 12 0 7 12
0 7 12 0 5 12 0 3 12 0 2 12 0 12
0 10 12 0 8 12 0 7 12 0 5 12 0 7 12
Gtrs. 2,3+4 tacet Verse
C5
A5
G5
A5
See my spi - rit
on
the
wind,
G5
F#5
E5
a - cross the lines, be yond the
hill.
B5
Chords implied by bass
0 7 12 0 5 12 0 3 12 0 2 12 0 12
0 10 12 0 8
12 0 7 12 0 5
12
0 7 12
0 7
A5
G5
12 0 5
12 0 3
12
0 2 12 0 12
C5
B5
Friend
0 10 12
A5
and foe
0
8
G5
will meet a
12 0
7
12
-
0
again,
5 12
0
7 12
Sorgdal
16
those
0
F#5
who died
7 12 0
5
at Pa - schen -
12 0
3 12
E5
0
2
dale.
12
0
Face In The Sand
Words & Music by Janick Gers & Stephen Harris Em
G
7fr
C5 3fr
E5
D5
A5
Em9 Em9/C
5fr
B5
E5*
D'4 3fr
D5*
Dsus4
D
E5**
G5*
7fr
3fr
q. = 58 Em
G
C5
D5
Em
G
C5
D5
Gtr. 2 Gtr. 1
mf
clean tone 7
9
9
9
7
9
9
7
Gtr. 3
clean tone w/chorus
9
7
G
9
9
9
9
7
5 3
7 5
9 7
D5
7 5
A5
7
9
7
10
C5
9 10 9
7 5
9 7
Em
7 10
C5
5 3
7 5
D5
7 9
Sorgdal
9
9
9
7
7
9
7
10
9
9 7
7 5
5 10 9
5 3
7 5
7
2 0
5
7
7
9
7
9
5 10 9
5 3
7 5
© Copyright 2003 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
5
4
Em
G
C5
5
4
5
7
7 5
Em
5 3
7 5
C5
5
4
5
7
7 5
9 7
Gtr. 3
Gtr. 1 tacet
Em9
let ring
5
3
5 5
5 3
7 5
4
5
5 3
7 5
C5
4
5
5
4
D5
4
5
7
7
9
7
7
2 0
5 3
7 5
3
0
0
4
5
A5
4
7
2 0
7
4
7
5
4
4
D5
D5
7
5 5
4
7
C5
G
A5
5
9 7
4
7
D5
4 0
0
Gtr. 2
P.M.
Sorgdal
0 0 0 0 0 0 0
0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
2
0 0 0 0 0 0
0
0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0
12 14
14 15
10 12
12 14
9 10
10 12
12 14
14 15
10 12
12 14
9 10
10 12
harm.
12 12
7
12
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
12 14
7
12
7
12
14 15
10 12
12 14
9 10
10 12
Sorgdal
12 14
14 15
10 12
12 14
9 10
10 12
12 12 12 12 12
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Fig. 1
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
3
Chords implied by harmony
Em9/C
12 14
14 15
10 12
12 14
9 10
10 12
12 14
Dadd4
14 15
10 12
12 14
9 10
10 12
let ring
3
3
0
3
0
4
0
4
4
0
4
0
0
4
0
4
4
Fig. 1 ends P.M. ends
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Em9
Gtr. 2 plays Fig. 1
w/bar
harm. -1
Sorgdal
14 15
12 12 12
10 12
9 10
-1
7 7 7
10 12
12 14
12 14
14 15
12 14
9 10
10 12
12 14
w/bar -1
C5
10 12
12 14
-1
w/bar
14 15
ff w/dist. 12 12 12
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 3
4
10 12
9 10
12 14
10 12
D5
12 14
14 15
10 12
12 14
9 10
10 12
12 14
[E]
poco a poco accel.
Gtr. 2
Fig. 1 w/dist.
9
9 0 0 0
Sorgdal
10 12
10 12
12 14
9 10
-1 -1 -1 w/bar
12 14
9 10
10 12
12 14
14 15
-1
12 12 12
12 12 12
12 12 12
10 12
12 12 12
Fig. 1
9
11
7
9
7
9
5
7
0 0
Fig. 1
12 12
12 12
0 0 0 0
Fig. 1
11
12
9
10
0 0
11
12
9
11
7
9
11
9
10
7
9
5
7
9
9
11
7
9
12 5
Fig. 1
7
9
5
7
0 0
12 12
12 12
9
11
7
9
7
9
5
7
0
Fig. 1 11
12
9
10
0 0 0 0 0
0 0
Fig. 1
12 10
11
7
Fig. 1
Gtr. 3
14 15
7 0
Gtr. 1 tacet
12 12 12
7 7 5
ff
w/bar
E5
0 0
Fig. 1
9
11
7
9
7
9 12 12 7
5 0 0
11
9
11
7
7
9
5
9
12 5
Fig. 1
11
12
9
10
0 0 0 0
1212
Fig. 1
Fig. 1
9 11 7 0 0 0
7
9
9 12 12 7
5 0 0 0
9
11
9 11
7
9
7
9
7
5
7
5
12 5
9
12 12
[C]
Fig. 1
12 12
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
11
9
11
7
7
9
5
12 5
9
[E]
Fig. 1
0 0 0 0
Verse
11
12
9
10
Fig. 1
0 0
9
11
7
9
Fig. 1
12 12
9
11
9
11
7
9
7
9
7
9
5
7
5
7
12 12
12 12
Fig. 1
0 0 0 0
12 5
11
12
9
10
Fig. 2
11
12
9
11
7
9
11
9
10
7
9
5
7
9
Fig. 1
0 0
9
11
7
9
12 5
9
12 12
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
7
Fig. 1
0 0
[D]
Fig. 1
Fig. 1
7
9
5
7
0 0
0 0 0 0
9
11
7
9
7
9
5
7
q. = c. 70 [E]
Ev - ’ry - one’s Ev - ’ry - one’s
Gtr. 3 plays Fig. 2 Gtr. 2
Sorgdal
12 12
Fig. 1
0
0
0
wait search
-
ing - ing
for but
Fig. 1
11 9 0
12 10
0
some - thing no - thing’s
Fig. 1
9 7 0
11 9
to re -
hap veal
0
-
pen, ing,
Fig. 1
7 5 0
6
9 7 0
0
0
0
0
0
Lu Ev
- na - ’ry
0
0
ev ev
- ’ry - ’ry
0
0
Sorgdal
11
12
9
10
- tics - one’s
0
- ing - ing
for for
some - thing no rea
9
11
7
9 0
wait - ing hop - ing
for for
big love
air ev
to son
save. why.
7
9
5
7
-
Fig. 1
0
Fig. 1
dis er
-
Fig. 1
-
9
11
7
9
7
9
5
7
- one’s - one’s
wait look
11
12
- ing - ing
for at
news death
on from
T. the
V. sky.
7
9
9
10
5
7
0
Fig. 1 9
11
7
9
0
0
ters, ter,
0
0
0
0
0
0
Fig. 1
12 12
-
12 12
Fig. 1
10
-
12
0
as af
9
0
0
11
0
12 12
12 12
0
[C]
Wind Ev
-
ing ’ry - one’s
legs night
at - mares
the are
end go
of - ing
the to
spi hap
-
ral, a pen,
-
3
3
3
Fig. 1
Fig. 1
Fig. 1
0
wait look
0
0
0
Fig. 1
- bo - dy’s - one’s
0
ev - ’ry ev - ’ry
3
3
3
3
3
3
3
3
7
3
3
3
3
3
3
3
3
3
3
3
3
3
[D]
wait ev
- ing - ’ry - bo
5
5
5
[E]
0
0
0
0
look pray
5
- one’s - one’s
for the
5
5
their mask
next from
big thier
thrill. eyes.
12
9
10
- ing - ing
but but
no no
12
11
7
9
0
be tell
in eve
at - ry
9
10 0
11
-
7
9
0
0
5
-
5
list liev
5
5
5
5
-
’ning, ing,
-
Fig. 1 7
9
5
7
0
Fig. 1
9
5
is be
5
- one - one’s
0
0
5
9
Fig. 1 11
5
Fig. 1
5
- dy wants to - dy’s he - roes
5
11
5
Fig. 1
5
0
0
5
Fig. 1
5
eve - ry - bo eve - ry - bo
tors ping
5
0
-
5
Eve - ry Eve - ry
0
ta rip
Fig. 1
dic dy’s
-
0
the one’s
kill. lies.
0
9
5
7
0
0
Fig. 1
7
0
0
0
0
0
Pre-Chorus
B5
Gtrs. 2+3
Sorgdal
4 4 2
I
C5
4 4 2
wait
D5
B5
for
4 4 2
5 5 3
7 7 5
the
C5
D5
4 4 2
4 4 2
4 4 2
5 5 3
7 7 5
signs,
they
8
tell
B5
me
true.
C5
D5
I
4 4 2
4 4 2
4 4 2
5 5 3
see
7 7 5
the
1. B5
signs,
4 4 2
C5
D5
of the end
4 4 2
C5
pray
5 5 3
7 7 5
D5*
Chorus
C5
4 4 2
of the end.
4 4 2
4 4 2
5 5 3
A5
for an an - swer.
An
So
G5
I watch
and
end
I wait,
0
2
Dsus4
in the
5 5 3
world’s
mi - se - ry.
2
E5*
end
3
ne - ver came
3 3 0 0 X 3
2 0
G5
Dsus4
0
3 3 0 0 X 3
3 3 0 0 X 3
0
2
2
2
dig
- ing the graves,
5 5 3
2
3 2 0 0
0
3 3 0 0 X 3
2
But the
3
0
A5
Can the
end
be at
hand?
3 3 0 0 X 3
3 0 2 2 0 2 0
9
3 3 0 0 X 3
3 3 0 0 X 3
C5
and we’re
load
2
- ing the guns
for the
3
2 2 0
2
G5
2 3
D5*
E5*
D
3 3 2 0
Sorgdal
0
C5
and were
kill.
2
2
3 2 0
5 5 3
0
3
3
2 2 0
I
to the strife
and
D
3 3 2 0 0
3 3 0 0 X 3
7 7 5
C5
0
E5*
D5
signs,
4 4 2
time.
$
2. B5
0
C5
Is the
face
0
2
2
0
D5*
in the sand?
Fu - ture
5 5 3
5 5 3
2
2
0
3 2 0 0
3
2
A5
C5
mem
- ’ry of
Dsus4
our
D
tra - ge - dy.
Can the
2 2 0
0
3 2 0
5 5 3
2
2
3 3 2 0
2 3 2 0
3 3 2 0
3 3 2 0
E5*
end
be at
0
0
hand?
Is the
3 3 0 0 X 3
2 0
G5
3 3 0 0 X 3
3 3 0 0 X 3
0
2
To Coda Ø
C5
D5*
face
in the
sand?
2
3 2 0 0
5 5 3
0
A5
C5
fu - ture
mem
3
'ry
our
0
2
D
tra - ge - dy.
2 2 0
2
of
Dsus4
3 3 2 0
5 5 3
2
2 3 2 0
0
Interlude
E5* Gtr. 1
Gtr. 3
E5*
E5*
E5*
Fig. 1
7 7
10
9
9
7
10
9
7
10
7 10
9
7
10
9
9
7
10
9
7
10
10
9
Gtr. 2
Fig. 1
Sorgdal
0 0
3
2
2 3
0
3
2
0
0 3
2
10
0
3
2
2 3
0
3
2
0 3
2
E5*
E5*
C5
ff
w/dist.
5
4
4
7
5
5
9
9
7
10
9
7
10
9 10
9
0 0
3
2
2
0
3
2
P.M.
7
10
5
4
Fig. 1 9
9
5 5 3
3
7
7
10
10
9
7
3 3 2 0
3 3 2 0
7
0
3
4
7
7 7 10
7
D
Gtr. 5
Dsus4
5 5 3
2 3 2 0
2 3 2 0
2
Gtr. Solo
E5**
G5*
w/dist.+ wah-wah full
8
10
10 9
Fig. 3
Sorgdal
8 7
8 7 9
G5*
7 9
9
7 9 7
0 0 X 2 2 0
0 0 X 2
0 0 X 2
Fig. 1
0 0 X 2 5 3
5 3
2 0
0 0 X 2 2 0
9
9 7
5
5
4 7
Fig. 1 0 0 X 2
0 0 X 2
0 0 X 2 5 3
11
A5
7
Gtrs. 2+3
9
5
A5 E5**
5 3
2 0
3 3 3 E5** 3
G5*
A5
C5
G5
10
4 5 4 4 5 4
4 5 7
4 5
11
0 0 X 2
10 12
11 12
10 12 13 12 10
12
10
12
12 11 9
G5* A5
3 2 0 0
3 2 0 0
Fig. 3 ends
0 0 0 0 X X 2 2
5 3
E5**
9 11 12
9
Fig. 1
0 0 X 2 2 0
9 11 11 12
7
9 11 9
7
D5*
5 5 3
2 0
5 3
5 5 3
5 5 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
E5**
3 2 0 0
G5*
A5
Gtrs. 2+3 play Fig. 3
3
full
full
full
12 15 12
0 0
15 12 15
15
15
15
12 17 12 15
12 15 12 15
12 15
full 12
15 12
12 15 12 10
15
12
15 12
0 0
E5**
G5*
A5 C5
G5
D5*
full
12 15 14 12
14
B5
Gtrs. 2+3
Sorgdal
14
14 12 14
14
Interlude
full
full
8
14
E5
7
8
12 14 12
12
D5
11
14 14 14 14
B5
8
C5
7
12
8
9
15
D5
11
17
19
B5
8
20
full
20
20
E5
7
8
12
20
D5
11
B5
7
G5
0
9
3 2 0
So
I
D5*
2
3 3 2 0
3 3 2 0
2 3 2 0
2 3 2 0
2 0
C5
D5*
5 5 3
oh,
2
0
3 2 0 0
3 3 2 0
2 3 2 0
2 3 2 0
A5
C5
2 3 2 0
3
2
0
A5
C5
0
3
oh,
2
2 2 0
0
Dsus4
13
5 5 3
2
0
3 3 2 0
3 3 2 0
2 0
5 5 3
2
0
3 2 0
2
0
D
oh.
2
Oh
oh,
3 3 0 0 X 3
2
oh,
2
G5
2 2 0
2 0
2
oh.
oh,
oh,
Oh,
oh,
E5*
3
3 2 0 0
0
3 3 2 0
5 5 3
D
C5
2
D
- dy.
3
oh,
0
2 0
Dsus4
3 3 0 0 X 3
2
ØCoda
11
oh,
Sorgdal
oh,
8
E5*
Dsus4
2 0
D.S. al Coda D5
8
C5
2 3 2 0
2
Gtr. 1
Em9
mf
clean tone
12 14
14 15
10 12
12 14
9 10
10 12
12 14
clean tone+chorus
0 3 0 4
14 15
10 12
12 14
9 10
10 12
0 4 2
Gtr. 3
mf
Gtr. 2
0
0
Fig. 1 w/dist.
0
0
0
Sorgdal
0
0
0
0
0
12 14
14 15
10 12
12 14
9 10
3
10 12
0
12 14
3
0
0
4
0
0
0
0
14 15
10 12
12 14
9 10
0
0
0
10 12
w/bar
3 0
4
4 2
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
14
0
0
0
0
0
0
0
0
0
0
0
4
0
3
0
4
0
0
rall.
let ring
0
0
0
0
Age Of Innocence Words & Music by David Murray & Stephen Harris
Em9 Em9#5 A/E
C5
C
C add#4 Bsus4
3fr
Gsus2
D5*
G/B
B5
D5
2fr
A/C# B5/F#
G5
A/C#* A7/C# 4fr
D/F#
5fr
E5
C/E
4fr
C5
F#5
3fr
E5* 7fr
q = 62
Em9 Gtr. 2
Em9#5
A/E
Em9#5
mf
harm. clean tone
12
Gtr. 1
mf
let ring clean tone
Gtr. 3
2
Sorgdal
2
4
2
12
0
2
0
0
0
4
3
4
3
4
4
4
3
0
8
8
10
8
0
4 3 0
8
Em9#5
3
10
3
3
10 12 10 8 7
2
0
7
8
8 10 8 7
2 0
0 4
4
4
4
0
© Copyright 2003 BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
3 0
8
0
4 3
4
3
0
A/E
0
4 2
10
0 2
3
2
2
4
3
Em9#5
4
0 4
w/dist.
0
0 0
4
0
9
0 2
Em9
mf
3
4 3
Em9
Em9#5
12
8 10 12 10 8 10
0
Em9
Em9#5
I can’t
be
10 12 10 8 10
0 4
3
10
0
2 0
8
4
2
0
0 4
2
Verse
Em9#5
3
9
A/E
3
8 10 8 7
7
2
0
0
2
8
0
0
4
4
3
4
4
4
3
0
com - pro - mis - ing
3
Em9#5
4
3
0
A/E
8
in
my
thoughts
no
more,
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Em9
Em9#5
I
can’t
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Gtr. 4 doubles 0
2
the times
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my
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2
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Em9
Em9#5
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Em9#5
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0
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Em9
Em9#5
I
feel
I’ve
0
2
lost
with
my pa - tience
0 3
0
3
and all
Gtr. 5
w/dist. Gtrs. 1+4 double ad lib. 2
4
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the world
0
4
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ff
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Fig. 1
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Verse
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4 3
0 0 0 0
Fig. 1
5 3
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Fig. 1
5 3
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Fig. 1
Fig. 1
5 2
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Fig. 1
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-
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4 2
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0 0 0 0
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Fig. 1
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0 0 0 0
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5 3
Fig. 1
4 3
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life laws rights
4 2
0 0 0 0
Fig. 1
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5
Fig. 1
5 2
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5 3
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0 0 0 0
too, are than
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Fig. 1
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0 0 0 0
Fig. 1
5 2
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and with they know they have
for their er they il in
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0 0 0 0
5 3
0 0 0 0
ry - thing much furth er of ev
-
Fig. 1
7 4
man know warn
0 0 0 0
7 4 0 0 0 0
-
5 3
0 0 0 0
5 3
ing lants not
Fig. 1
5 2
5 3
that most
Fig. 1
Cadd#4
Fig. 1
5 3
Fig. 1
5 4
the lies tims’
-
0 0 0 0
0 0 0 0
shame life
and all the vic
Fig. 1
Fig. 1
The work As -sail We can
C
for
0 0 0 0
7 4
and
$ [E]
ses, day,
0 0 0 0
de - ceit are scarred
7 4
-
4 3
-
Fig. 1
pro - mis ho - li
0 0 0 0
low a
Fig. 1
-
Fig. 1
0 0 0 0
5 4
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5 3
C
Cadd#4
was - vic can
-
-
P.M.
2 3
3
4 3
7 5
7 5
7 5
7 5
D/F#
7 5
7 5
A5
7 5
3 2 0 0 2
2 2 0
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A5
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3 3 2 0 X 3
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And
we
3 3 2 0 X 3
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Gsus2
Can we
3 3 2 0 X 3
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6
4 2
7 5
7 5
A/C#
get
3 2 0 0
3 2 0 0
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2 2 4
get
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3 2 0 0
hold
2 2 4
on - to
what
we
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3 2 0 0
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can
we
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3 3 0 0 X 3
3 3 0 0 X 3
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4 2 2
G5
4 2 2
can't
3 3 0 0 X 3
3 3 0 0 X 3
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have,
4 2 2
2 2 4
7 5
life,
7 5
one
2 2 4
7 5
G5
B5/F#
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7 5
B5/F#
2 2 4
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7 5
chance,
on - ly
7 5
one
D5*
3 3 2 0 X 3
3 3 2 0 X 3
we
5 2
4 2
D5*
it.
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3 2 0 X 2
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Gsus2
3 2 0 X 2
Fig. 1 ends
5 2
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2 2
it?
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take
Gsus2
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7 5
D5
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Chorus
Fig. 1
5 3
3
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low.
P.M.
3
a war. es just.
G/B
3
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to be tion chanc not call that
Fig. 1
C5
3 3 0 0 X 3
don’t
ex -
re -
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3 3 0 0 X 3
D/F#
A5
- place
D/F#
Gsus2
it.
3 2 0 0 2
3 2 0 0 2
2 2 0
2 2 0
2 2 0
3 2 0 X 2
2 2 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 2 0 X 3
3 2 0 X 2
G5
of in
- no - cence is
fad
-
ing,
3 3 2 0 X 3
3 3 2 0 X 3
3 2 0 0
3 2 0 0
2 2 4
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 2 4
2 2 4
To Coda Ø
D/F#
3 3 0 0 X 3
A/C#
The age
D5*
like
an
3 3 0 0 X 3
3 3 0 0 X 3
old
3 3 0 0 X 3
dream.
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
3 2 0 X 2
2.
1.
[E]
Fig. 1
0
w/bar
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0
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Fig. 1
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4 2
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Fig. 1
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0
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14 12 10
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7
0
0
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w/bar
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full 12
12 15 12 15 12 15 12 14 12 15 17 15 14 15 12
-3 ½ -2 ½
5 4
0
12
10
Fig. 1
7 4
1/2 full full 14
Gtrs. 4+5 play Fig. 1 Solo Gtr. 6
15
C
C5
Cadd#4 C5
A/C#*
6
6
15 14 15 14
15 14
17
A7/C#A/C#*[E]
w/bar
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10
full 12
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15 12
12 15 12
14
w/bar
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12 11
9
11
9
7
C
C5
Cadd#4
6
6
6
C5
6 15
10 9
11 10
4
A/C#*
10
10
11 10 11 10 11 10 11 10
12
15 14 15 14 12 14
0
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C5
6
20 20
19 20 19 17 19
17
0
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0
Cadd#4
8
0
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0
3
19 17 19 17
17 19 17 20 19 20
A/C#*
7
0
8
0
5
Sorgdal
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3
12
10 12 12
A7/C#A/C# [E]
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7
0
3
0
0
5
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17
[E]
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full 12 14 12
17 17 0 15
17
full
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12
13 15 13 12 13 12 12 13 15
15 12
15
12 15 14 12 14
14
C
C5
Cadd#4
C5
A/C#*
14
14
A7/C#A/C#*
3
3
full
full
3
3
3 full
full
full
12
Interlude
14
Sorgdal
12
15
15
15 12
C5
D5
E5
13
12
13
12
10
12
10
10 11
8
10
12
8
10
8
7
7
8
7
5
7
4
12
12
12
4 5
12 15
10 10
7
C/E
12 15 12 15 14
9
Gtr. 4
12 15 12 14
12
Gtr. 5
14
Chords implied by harmony
E5
12 15 12
full
full 12 14 12
12 15 12
5
7
8
8
5
7
9
4
7
4 7
9
7
4
5
7
C/E
C5
2. D5
1. D5
10
13
12
10
8
8
12
10
7
5
5
10
8
7
7
8
8
7
5
4
Gtrs. 4+5
7
4
7
4 7
E5 F#5
You’ve can’t pro -tect your - selves.
ev -en in
your own
home.
For fear of vi - gi - lan - te
2 0
X X
4 4 4 2 2 2
4 2
Gtr. 6 tacet
8
E5 F#5
4
E5 F#5
10
4
7
12
7
Bridge
Sorgdal
10
8
12
12
11
13
E5
4 2
4 2
X X
4 2
F#5
2 0
4 2
X X
4 2
X X
D5 E5*
cries, the vic - tims wipe their eyes.
2 0
X X
X X
4 2
X X
4 2
4 2
2 0
4 2
X X
4 2
X X
4 2
X X
D5 E5*
4 2
So now the cri - mi - nals, they laugh right in our face,
4 2
X X
4 2
7 5
9 7
X X
10
9 7
X X
9 7
X X
7 5
7 5
9 7
X X
9 7
X X
9 7
X X
2 0
E5 F#5
4 2
X X
Gsus2
4 2
2 0 X 3
2 0 X 3
4 2
X X
do it,
a dis - grace.
4 2
2 0
D/F#
wor - ries
4 2
X X
it
all
2 0 X 2
2 0 X 2
4 2
will
4 2
4 2
A5
Des - spon
- dent
2 2 0
4 2
Gsus2
4 2
where
A5
end
We can’t
2 0 X 2
2 0 X 3
2 2 0
pro
-
D.S. al Coda
Gsus2
- tect
our - selves,
2 0 X 3
2 0 X 3
D/F#
F#5
X X
pub - lic
2 0
ju - di - cial sys - tem lets them
E5
our
kids
from
full
12
12
15
15
12 15
full
the
trend.
2 0 X 2
CODA
Gtr. 3
crime,
2 0 X 2
[E]
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2 0 X 2
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14
17
17
2 0 X 3
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14
Gsus2
14 17
Gtrs. 4+5
Fig. 1
Sorgdal
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full
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18
18
Fig. 1
0
0
q = 62 Em9 Gtrs. 4+5 tacet
4 2 0
0
0
full
17
17
20
20
17 20
7 4 0
Em9#5
0
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12
8 10 12 10 8 10
8
0
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Em9#5
10
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810
3
9
5 4
0
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0
full
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0
Fig. 1
5 2 0
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full
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3
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7
8
8 10 8 7 8
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0
0 4
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3
4
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Em9
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8 10 12 10 8 10
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8
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2
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4
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0
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12 12
rall.
Em9
Em9#5
The age
A/E
of
in - no - cence
is
fad - ing
like an old
dream.
0
0
0 4
2 0
2
0
0
4
4
2
3 0
3
2
0
2 0
0
0
4
4
3
4
4
0
4
3
3
0 4
4
3
2
0
Sorgdal
Em9
Gtr. 3 tacet
Em9#5
0
12 12
13
4
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7
0
Journeyman Words & Music by Nicko McBrain, Stephen Harris & Bruce Dickinson Am
Asus2
Asus4
Asus4*
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5fr
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F5
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1
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1
Gtr. 2 (acous.)
mf
3
Fig. 2
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4 4
4 4
6 4
6 4
6 4
4 4
4 4
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0 0
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© Copyright 2003 BMG Music Publishing Limited (66.66%)/Warner/Chappell Music Limited (33.34%). All Rights Reserved. International Copyright Secured.
2 0
2 0
0
G5
Asus4*
2
2
2
2
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6 4
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6
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6
4
4
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0 1
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1 2
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0
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2 0
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2
2 2
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0 1 2
5 5
2
3 4
2
G5
0 1 2
0 3 4
Gtr. 2 plays Fig. 2 0 1 2
4 2
Fig. 3
4
Fig. 2 ends 4
4
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6 4
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4
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0
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Fig. 1 ends
1
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1 1
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1 1
1
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Fig. 5
2
2
0
2
0
2
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0 2 2
Fig. 4 ends 0 2 2
2
2
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0
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4
4
6
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Fig. 5 ends
6 4
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sky ’ry
-
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Use Thumb on 6 0 0 0 0 1 1 1 1 2 2 2 2 3 3 3 3 3 1
6
4
4
of still
From
the
0 2 2
2
2
2
6
the east, re - mains,
2
4
A
to all
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sun past
6
4
6
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2
2.
0
1.
-
6 4
set years
in not
the so
0 1 2 3 3 1
0 1 2 3
0 1 2 3
0 1 2 3
0 1 2 3 3 1
0 1 2 3
0 1 2 3
0 1 2 3
0 1 2 3 3 1
0 1 2 3
0 1 2 3
0 1 2 3
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
3
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0 2 2 2 0
west. strange.
We
have Our
cheat wint
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
A
us. shroud.
0 2 2 2 0
0 1 2 3 3 1
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 1 2 3 3 1
0 1 2 3
-
ed er
death times
and are
0 1 2 3
0 1 2 3 3 1
0 1 2 3
0 1 2 3
0 1 2 3
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 1 2 3
0 1 2 3
0 1 2 3
he like
0 1 2 3 3 1
0 1 2 3
0 1 2 3
0 1 2 3
has a
cheat - ed si lent
0 1 2 3 3 1
0 1 2 3
0 1 2 3
0 1 2 3
0 1 2 3
And
0 2 2 2 0
0 2 2 2 0
But the
0 2 2 2 0
0 2 2 2 0
that heart
-
was beat
0 1 2 3
0 1 2 3
0 1 2 3
0 1 2 3 3 1
0 1 2 3 3 1
means. way,
0 1 2 3
0 1 2 3
just of
0 1 2 3
0 1 2 3
0 1 2 3 3 1
a the
0 1 2 3
A
Fmaj7
and drives
this
is the
0 1 2 3
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
Fmaj7
We
are and
sleep win
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
dream day
Sorgdal
Fmaj7
4
0 1 2 3 3 1
-
ing -
what mist
0 1 2 3
0 1 2 3
0 1 2 3
it a
0 1 2 3 3 1
-
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
and not
ter’s
we’ll the
0 1 2 3
0 1 2 3
0 1 2 3
A
dream on -
0 1 2 3
0 1 2 3
0 1 2 3 3 1
0 1 2 3
0 1 2 3
2 0
2
0
er a -
more. round.
0 1 2 3
0 1 2 3
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
2
0
for - ev ly dream
0 1 2 3 3 1
And In
2
6
0
6
4
6
4
6
4
6
4
4
6
the your
6
4
4
6 4
$$ Pre-Chorus
C
D
frag ($$) life
-
ment you
A
re may
mains choose
-
of our de - so
-
me - mor - ries, la tion,
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
0 1 0 2 3 3
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
0 2 2 2 0
0 2 2 2 0
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