Chromatically Embellished Static Harmony

Chromatically Embellished Static Harmony There are harmonic progressions that may be described as a chord with a chromat

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Chromatically Embellished Static Harmony There are harmonic progressions that may be described as a chord with a chromatically altered scale degree. Below are some common examples ©2010 Mermikides Major Triad with moving 5th (5,+5,6,+5) I

I+

C

C&

& w w w

I6

I+

C6

C&

w nw w w

#w w w

#w w w

Minor Triad with moving 5th (5,+5,6,+5) Im+

Im

C‹&

C‹

b &b b w w w

Im6

Im+

C‹6

C‹&

nw w w

#w w w

#w w w

Major Triad with moving Root/7th (R,7,b7,6) I

Imaj7

I7

I6

C

CŒ„Š7

C7

C6

& w w w w

w w w w

bw w w w

OR

˙˙˙ ˙

Imaj7 (3rd inv.)

I7 (3rd inv.)

w w w

w bw w

C/B

C

& w w w

VIm7

C/B¨

A‹7

F

˙˙ ˙˙

...similar progression with bass motion I

IV

OR

IV (1st inv.) F/A

˙˙ ˙˙

˙˙ ˙˙

Minor Triad with moving Root/7th (R,7,b7,6) Im C‹

b &b b w w w w

Im C‹

b &b b w w w

Im(maj7) C‹(Œ„Š7)

nw w w w

Im7

Im6

C‹7

C‹6

bw w w w

...similar progression with bass motion

Im(maj7) (3rd inv.) C‹/B

w nw w

Im7 (3rd Inv.) C‹/B¨

w bw w

n˙˙˙ ˙

VIm7(b5)

OR

IV9 F9

˙˙˙˙ ˙

IV9 (1st inv.)

A‹7(b5) OR IV9 C‹/A F9/A

˙˙ n ˙˙

˙˙˙ n ˙˙