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Helter Skelter Words and Music by John Lennon and Paul McCartney A5

B5 5 fr

7 fr

134

134

Tune down 1 step: (low to high) D–G–C–F–A–D

Pre-Intro Moderate heavy Rock ** F 7(no 3rd)

= 93 Play 3 times

When I * Gtrs. 1 & 2 (dist.)

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

* Composite arrangement ** Chord symbols reflect overall harmony.

Intro F 7(no 3rd)

get

7 9

7 9

B/F

to the bot tom I

go back

7 9

7 9

7 9

7 9

7 9

7 9

7 9

to the top of the slide.

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 8

7 8

D/F

7 7

7 8

A5

7 7

7 7

I

get

7 7

7 7

to

7 7

7 7

the bot tom and

7 7

7 7

7 7

7 7

I

7 7

see you

7 7

7 7

a

7 7

I

get

7 8

7 8

to the top

7 8

7 8

7 8

A6

7 8

and I

7 8

7 8

2 0

Copyright © 1968 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved

Sorgdal

7 8

7 8

7 8

7 8

A6

I’ll

4 0

ride.

A5

gain,

2 0

7 8

go for a

see you

a

gain.

4 0

75

Verse F 5

F 5

1., 3. Uh,

A5

do Do

you, you,

don’t don’t

you you

want want

me me

to to

love make

4 4 2

4 4 2

you? you?

* 8va †

†

†

P.H. 1

P.M.

4

0

4 2

4 4 2

4 4 2

4 4 2

4 0

Pitch: F G * 8va applies to harmonic pitches only.

2

A5

4 4 2

4 4 2

4 4 2

4 4 2

2 2 0

A5

com in’ down com in’ down †

†

P.M.

0

4 4 2

F 5

I’m I’m †

4 4 2

† 2nd & 3rd times, omit P.M. on the downbeats indicated.

F 5

†

4 4 2

fast fast †

but I’m miles a but don’t let me †

bove break

you. you.

P.M.

2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

2 2 0

4 4 2

0

F 5

4 4 2

2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

2 2 0

A5 Gtr. 1

Oh, uh, †

†

Oh,

tell tell

†

Gtr. 2

†

me, me,

come on, come on,

ba ba

by, by,

(Gtr. 1 cont. in slashes) P.M.

P.M.

0

2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

7 5

7 5

9 5

9 5

Rhy. Fill 1

A5

A6

Gtr. 1

3 3

Gtr. 2

7 5

76 Sorgdal

7 5

9 5

9 5

7 5

7 5

9 5

9 5

9 5

7 5

7 5

9 5

9 5

2nd & 3rd times, Gtrs. 1 & 2: w/ Rhy. Fill 1 (see previous page)

A5

B5

(cont. in notation)

tell tell

me the me the

7 5

an an

7 5

swer. swer.

9 5

9 5

7 5

7 5

7 5

You You

may may

9 7

9 7

7 5

be be

Chorus B5

F 5

lov lov

er er

B6

ter

Hel

a a

skel

but you ain’t no but you ain’t no

dan dan

cer. cer,

B7

ter,

no. * 8va Gtrs. 1 & 2

P.H.

1

P.M.

(4) 2

4

4 2

4 4 2

0 0

4 2

4 2

6 2

2

6 2

1

4

2

1

4

2

pitch: D E D * 8va applies to harmonic pitches only.

To Coda F 5

F 6

hel

ter

skel

F 7

B5

Hel

ter.

B6

ter

skel

B7

ter.

P.M.

P.M.

4 2

4 2

6 2

2

6 2

1

4

2

1

4

4 2

2

1 F 7(no3rd)

4 2

6 2

2

6 2

1

4

2

1

4

2

2 F 7(no3rd)

Fah!

1/2

0

0 7

0 7

0 7

0 7

0 7

0 7

0 7

0 7

0 7

0 7

P.S.

X X

1

0 0 0

0 7

0 7

0 7

0 7

0 7

0 7

0 7

0 7

0 7

0 7

P.S.

X X

77 Sorgdal

Guitar Solo B5

F 5

Yeah,

Gtr. 3 (dist.)

ah

hah!

Turn on

the pow

A5/D

er!

* w/ bar

7 (10)

Gtrs. 1 & 2

P.M.

4 4 2

4 4 2

4 4 2

4 2

4 4 2

4 2

4 2

4 2

4 4 2

4 2

4 2

2 2 0

4 2

* Gradually depress tremolo bar to the approximate intervals shown while trilling.

F 5

E5

B5

A5

8va

1

(7)

(7)

1

14

17

(7)

14

1

1

1

1

1

14

14

14

14

14

14

17

17

17

17

17

17

-1 1/2 -4 1/2

P.M.

0 0 0

4 4 2

4 2

P.M.

4 2

4 4 2

4 2

P.M.

P.M.

4 2

4 4 2

4 2

4 2

2 2 0

4 2

0

4 2

2

P.M.

4 4 2

4 2

4 2

4 4 2

4 2

4 4 2

4 4 2

F 5

4 4 2

2 2 0

E5

8va

1

14

16

17

17

14

16

17

17

14

P.M.

0

78 Sorgdal

2

4 2

17

18

18

14

17

18

18

18

19

21

21

18

19

21

24

P.M.

4 2

4 4 2

4 2

4 2

4 2

4 2

4 2

4 2

2 0

0

Gtr. 3 tacet

B5

A5

F 7(no3rd)

loco

w/ bar

w/ echo repeat of previous beat

14 (17)

(14)

(14) (14)

(14)

-1 1/2 -4 1/2

P.M.

4 4 2

4 2

P.M.

4 4 2

4 2

4 2

4 4 2

4 2

4 4 2

4 4 2

4 4 2

7 9

2 2 0

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

Interlude F 7(no3rd)

When I

get

to the bot tom I

go back

7 9

7 9

to the top of the slide.

Gtrs. 1 & 2

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

B/F

7 8

7 9

7 9

7 9

7 9

I

get

7 7

7 7

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

D/F

7 8

7 8

I

get

7 8

7 8

to the top,

7 8

7 8

7 8

7 8

7 8

7 8

I

go for

a

ride.

7 8

7 8

7 8

7 8

7 8

7 7

7 7

7 7

to the bot tom and I

7 7

7 7

7 7

7 7

7 7

7 7

7 7

see you a

7 7

7 7

gain,

7 7

79 Sorgdal

Coda

D.S. al Coda A5

A6 A5

F 5

ah,

F 7(no3rd)

I’ll see you a gain.

1/2 P.S.

1/2

0 2 0

4 0

2 0

Outro-Chorus B5

Hel

ter

4

2 0

B6

skel

0

4 2

0 7

0 7

0 7

0 7

0 7

0 7

B7

F 5

ter,

F 6

hel

6 2

2

6 2

B6

Hel ter skel

ter

skel

X X

ter.

1

4

2

1

4

2

4 2

4 2

6 2

2

6 2

1 F 7(no3rd)

B7

1

4

2

6 2

ter.

2

6 2

1

0 7

0 4

2

1

4

0 7

4

3

Com in’ down on

0 7

0 7

0 7

0 7

0 7

0 7

you.

P.S.

0 0 7 7

X X

2

Free time

It’s hel

1

2 F 5

1/2

4 2

0 7

F 7

3

4 2

0 7

P.M.

4 2

B5

0 7

4 4 2

P.M.

4 2

0 7

4 4 2

4 4 2

rit.

ter skel ter. 3

rit.

*

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2

fdbk.

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

* Using a guitar with Les Paul style electronics, set rhythm volume to 0 and lead volume to 10. Strike the strings while the pickup selector switch is in the lead position, then flip the switch in the rhythm indicated to simulate the re-attack.

80 Sorgdal

2