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Section II: Consonants

95

Chapter IX

4~ ~~

Consonants Vocalise No. 22' • This vocalise should be sung in a somewhat marcata fashion. • Other consonants and vowels may be substituted, or vowels may be sung without initial consonants. • This vocalise can qe used to practice articulating consonants at the ends of syllables. Syllables such as [hik], [hit] and [biJ] can be sung, with the final consonant being articulated on the eighth rest. • It may be helpful to practice Breathing Exercise No. 3a before singing this vocalise.

Suggested tempo range:

J = 72-108

...

,

OJ

•

~ dee dee [di] I

dee

dee

bee bee [bi]

..

..

) 'J:

bee

•

bee

kee [ki]

kee

1

kee

•

4-

kee

kee

(etc.)

~

4-

L

I

\

,

I

~

~

•

, (J

.~

,

) ~: \

I

•

•

..

(J

'~~ L.

-96

Section II: Consonants

• Section II: Consonants I

...

..,

r

r

r

r

0

r I

I

I

1\

97

(

~; ..

/

TT

1

1

fl-

e-

..

~~

-.:

~-.;-

-L...I

r

fill

-,.

-

~

I"

,

--,-,1

,

-

~

J

r

-

I

~

-

+-S--

..

I

-

f'-

-,.-

-

..

~

I

r

~

-

--I

-

=t===J

r

r

r

I

I

1 ~:

I

I

I

I

~

f

f ~ I

I

II

~

I

~ 1\

,,;;::-

=r:::r

1

,

---.':.

--;;:r

I

1

/1~ :

J

l

II

~~

qfl-

I

I

"

o

e-

.IO~

" II

-r

r

-.:J ,

r

r

I

II ~

..

I

.

'l

r

f!-

I

1

•

~ I

f

108

Section II: Consonants

Vocalise No. 28 • The tempo can increase gradually with each repetition of the exercise. Singers should be encouraged to continue to produc~ their best tone quality as the tempo increases.

Suggested tempo range: J

= 116-168

tim - id

toads

try - ing

to

trot

to

Tren - ton. (etc.)

Section II: Consonants

"

109

I

.. J ,

. I.

I

I

I

..

-1

I

·

t

~

fI-

I

l'

qfl-

fII

~ ~ I

.10

~

.

I

"

I

--

I

~

fI-

-

--

I ,

I

I

I

t-

~

f'-

·

I

'\..'-

~ I T

..

L~

t

· 1.10+1

~

fl-

-

I

I

I

I

I

t

t

-

-

__

-

'lJ

~ ,

.10 ~

~

·

t

I

I

I

I

fl-

t

qt-

t

72

C)

Section //: Tone QualitY..

Vocalise No. 14 • Carry the characteristic depth and freedom of [u] and [0] into the [0]. • Other initial consonants may be used in place of [k], such as [m], [b] and [t].

Suggested tempo range:

J=

116-152

---

~

.... 77.

I

koo koo koo koo koo oh [1m] [0]

ah

oh

ah

koo koo koo koo koo oh

...

'*

.p

..

/

I

•

I

I

~

• koo koo koo koo koo oh

II

-,j

~

~i

(etc.) I

•

.J

I

I

··

I

µ-

.10

""""J

..

•

I

.. ,

I

L

··

(

~

I

• •• • •

-4

ah__

..

I

,

ah

[a]

j ,)

koo koo koo koo koo

..

• • •••

~v

.10

'*

•

I

, .~'*

I

•

L

I

I

o

o

Section II: Tone QualitY.. .-,

II

""""J

.~

,

73

II

I

I

I

I

•

•

I

.'

~

~

*~v

'*

~.

I

·

I

....

I

I

I

I

......,

~

~

I

I

I

•

0

o

l'

•

•

·

I

I

I

I

I

o

I

~

•

I

'--"" I

,

· -

I

"""""

-

""""""

~

'---'"

......

~

~.

~

•

,

,

I

• I

u

68

(

Section II: Tone QualitY..

Vocalise No. 12 • This vocalise may also be sung using a nasal consonant or any other vowel or combination of vowels.

- Suggested tempo range: ,

.10

'"t.

..-- .---

•

---

[u]

II

'" ~

ii

--.-

•

• •

ah [a]

[0]

•

-,j

•

•

ii

..

..

---

oh

00

,

J = 96-120

----

u~

•

~

•

•

ii

( -rio:

II

,

'-"'"

-,

-

.10

I

--.

/J. •

•

---- - -

ah

oh

00

~

..

-,;

11

-

.. ..

··

(

II II

I

I

~---

---

~

00

~

'II

··

----

•

"----

oh

.10 ~

I

I

\

-------.

~.

"-"'U

t.

-,j

q-,j ~.

TT

•

11 'I

7

'-,j I

•

---

..

I I, I

u

Section II: Tone QualitY.. .10

+I

,

---

~

I'~ .10

,l

II

..

"1

-

-

•

ah "

69

-

----------=

-

00

..

-,;

~

-

..

7

·

C1>.

\

----

~

, (

o

..

---

-

oh

•

ah

•

--------

-

..

..

•

V·

··

(

,

I

.........

~

----

oh

00

ah

--......,.....,

I

I~: fI

•

r'

•

•

•

~.'l

\

,

.10

t.

I

,

--

'----

----

oh

00

....-r-'1

.10

•

~

.

~

ah

• I

•

..

..

I

I 'I

() 60

-

Section II: Tone QualitY..

Nordic Choir Warm-ups Vocalise No. 9c

Suggested tempo: J = 50-72 '

evee

vah

vee - ee

ee - ee

vah - ah - ah - ah - ah (etc.)

.'

o

• ',;:>:~\1

"0 ...

Section II: Tone QualitY..

II

~

I

I

.10

*.

I

..

~~

jJ

·

I

I

..

-

-

-

*.

61

•

I

..

~

V.

"

--

-

~

,

-

I

I

I

I

•

•

I

II

( ~

o

•

I

•

I

··

(

.10

_

-

~ ,

II

I

~

··

I

I

-

I

I

•

•

I

-

-

I

I

I

I I

II

I

,

·

I

I

I

~

I

-

-

~

o·

~'l.

II I

I

I

o

Section II: Tone QualitY..

Nordic Choir Warm-ups Vocalise No. 9b

Suggested tempo: J = 100

'----" nay__ [ne]

o

o

nah [na]

_

>-

>-

ah ah ah

ah

>-

ah

[a]

ah

>-

>-

ah (etc.)

59

62

Section II: Tone QualitY..

()

2. Tonal Depth Vocalise No. 10 • This vocalise may also be sung using a nasal consonant or any other vowel or combination of vowels . • To sing this vocalise with ascending modulations, use the accompaniment to vocalise No.1 O.

Suggested tempo range:

J = 84-100

o

o

Section II: Tone QualitY..

-----

63

-----

o

o ,-

64

Section II: Tone QualitY..

o

0-,

()

Section II: Tone QualitY..

57

Nordic Choir Warm-ups Vocalise No. 9a

Suggested tempo: J=76

ay

tel

tee

ah

[0]

tee

oh [0]

oh

oh

oh"-

(etc.)

'-------------------

"

SR

.C;p.r.tinn II:

Tone Q!.!E!.!!ty

II II II

=fi

...I!.-f-

tJ

>-

Jl ~,

II

..r >-

w

l

- '...

~=tt ""'"

tJ

'-"

~

,I

( 7-.::

~

j!

,f-L-

::J[

>-

.---,J

--

--'-

Joel,

to...

L=:J --J

...a. ....

-+-'-

''1 •

~

'it--r

--L

-,J~ '--

-

:::::1S;:: \ ~

LI.

-

.-

•

-

-

,...

V I

t!

:>

Ii..

>-

.:'-

>-

71

---

to...

~;,~*

-.,..

"'-

I

.-

I ...

K'

"-

o

\

-

I

I

t)

>-

"

I

r

t ,

-

.10

~

>-

,

.10

"

>-

_.

...

'--

.10

>-

7

d...

--

---. •

~

··

he-

fl-

>-

-,. I

~

r

>-

>-

--

r

V "..

"..

I

.'

"

,

"-

fl-

·

>-

"

I

,l

:>

II

r

V

t:

f!-

42

Section II: Freedom and Relaxation

Chapter IV

4-"~~ Freedom and Relaxation Vocalise No.3 • This vocalise may also be sung using a nasal consonant or any other vowel or combination of vowels.

= 76-104

Suggested tempo range: J .10

,

--

[u] fI

)

--

-u' 00 .10

,U'

I

I

~:

I

r- r r

-¥

(J

~

I

I

,

~.

I

,. r

\

I

c;

J..'

~:

I

1

I

L

-z;,

~

I

fI

~

..

I

--

----

00

I

I

7

@

-:7

.

r r r

---,

I

~

j

I

I

~ I

TT

~:

W' : h.

I

I

I

r

I

"

L

-6'

.1011

60

4! ,

---

----

.10 ~

I

•

..}

. t Ii

I

j

~ I

I

~ I

I

r r r

,.

~: I

-6'

b. h_

o

I I

I

..

•

•

•

'~

•

·

•

(

~

"1 •

•

~

'~ IT

fI- ". .. ~

~

.......

.'~ IT

(

(

•

•

•

•

"

·

l'

~

• ~

~

~

"1

~ IT

~

I

.#

,

•

•

·'9 A

,

•

"

~

..

•

.1

If IT

·

•

( " II

~ (":l)~ )

~ OJ

"LjOO)

•

A

Sl~j - 00)

~

fl-

OM)

ll-

I

10) - n)

OJ 10

JOO) OJ

1~

-! - se~

)1

sl"

~lj) 0) OM)

'10)-n)

".

(

-

I

(

(

•

l

• •

"; ~lj) pms

'jOO)

~

A ";

0)

·

•

Sl~-)OO) OM) p~JO)-n)

~)n[j

I

";

"1 ~:lUO

e

pgl0j-n)

OljM

1~ -)00)

V

~

A

-

,

,

I

9ZI-Z6

= -r :ggmu

OdWgl pglSgg~ns

S£ ·ON aSlleoOJ\ sweuosuoQ :11 UO!P8S

cc t

.

i 00

4

i 00

------------------------00

4

00

o

. ).5, o

Section II: 'Consonants

H'

~ n

*.

Wn

p

n

m

n ,n

123

I

124

Section II: Consonants

o

84

Section II: Sostenuto

Vocalise No. 18 • This vocalise should be sung on one breath. • The accompaniment can be varied so that the first seven quarter note chords in each repetition are sustained as dotted half notes. Those chords can also be broken up so that the left hand notes are played as written but the right hand notes are sounded on the second beat or second and third beats instead of the first.

Suggested tempo range: J ./"

fI 'TT

-.:J

120-144

........

I

I

I

~

I'

=

ah

[u]

[0]

[a]

tel

•

11

¥

..-

•

. ~.

•

........

I

~ I

¥

I

I

•

I

I

.. ..

~ .,.

0... '

(etc.)

til

(

-

___ 4-

?~-

ee

..

ay

I

1\