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ottu mo op. 4 no. 1_________________________

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El negrito (no. 1 from Two Venezuelan Wa/tzes )........ - ..·-··--···---····-·· 8 Rio by NighL.............................. ............................................ ---

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Swin g Thing ......................................... ...... ... Birds flew over the Spire ... . .. ....... .. ... . Soledad .................................................................. Bonza's Blues...

......... 14

.. ..... ..........................15

..............................

.........16

Technical Suite (Scales, Arpeggios and Exercises) ......... ...... 18

a..ive pieces for this grade (2010-2012): Etude 9 (from Etudes simples 2• serie)

--=

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Eschig ME7998

Etude no. 2 in A minor (from 25 Etudes op. 60) ·coni

Danza del Cuculo (from Modern Times - The Complete Series in one vol.) Floc;ons de neige (from 25 Etudes esquisses)

;::::

Etude 11 in A minor (from Studies op. 100) - =--

Saudades Brasileiras (from Guitar Crackers)

Chanterelle or Orphee ECH470 Chanterelle ECH750 Mel Bay 95430 Schott GA69 Alsbach ALB10482

===.-son

Rumba (from La Guitarra F/amenca)

Hampton Music HG305

=::.= Ita

Sensuel (from Play Piazzolla)

Boosey 9790060119712

pieces t o be performed, chosen from the pieces included in this book or f rom the alternative piece(s) listed e grade, t o form a balanced prog ramme. Full details of alternative pieces are given above and in the current -- · .ar Sy llabus. One piece may be replaced by the candidate's own composition of a similar length and standard :~ - e oth er pieces chosen.

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echnical work ==-= inside back cover for details.

S pporting test s .ests t o be chosen from Au ral, Improvisation, Musical Knowledge ::::- e current Guitar Syllabus for details.

or Sight Reading at candidate's choice.

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'i ates and teachers must refer to the Information & Regulations booklet for all examination requirements equlati ons. Syllabuses and further information can be obtained from you r Trinity Guildhall Centre Representative · · 's Head Office.

: ·eces in this volume have been edited with regard to current concepts of performance practice. Dynamics and fingering :;e-en suggested to assist candidates and their teachers in developing their own interpretations.

-::. =

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ended metronome markings are given as a useful, but not definit ive, performance guide for all pieces. Those uare brackets are the composer's own indication of the appropriate speed for the music.

f more than three bars should be omitted unless instructed otherwise in the syllabus or Trinity music book, but a d dal segno instructions should be observed.

= ::~n --: has been made to trace and acknowledge the copyright owners. If any right has been omitted or if any detail is -=-==- - ·n·t College London apologises an d wi ll rectify this in any subsequent reprints following notification.

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Guitar Grade 5 Pi-eces & Exercises for Trinity Guildhall examinations

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Published by: Trinity College London 89 Albert Embankment London SE1 7TP UK

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T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.trinitygu ildhall.co.u k Copyright © 2009 Trinity College London

Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher. Music processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd , Amersham, Bucks.

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Bonza's Blues William Baulch

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echnical Suite =-:: -=:=:: ::~ s· g Option ii) Tech nical Suite in the Tec hnical Work section of the examination must prepare all the following --= =:: =-==-:;;::;· sand exerci ses.

c es and arpeggios (to be performed from memory) =- ·-

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ui ar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.

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a ic scale starting on E (three octaves), im fingering :::: ::r

o = rest st ro ke; tirando =free stroke

ercises . Chromatic Conundrum (slu rs and glissand i)

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2 . Centra Park in th e Dark (full barre)

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Sca les Th e following scales to be perform ed with dynamics, right hand fingering pattern, rh hmic current Guitar Syll abus fo r examples of rhyt hm ic styl es).

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To be played apoyando: F major (two octaves),f. ma fingering. Straight rhythm. norm. tone Bb major (two octaves),f. ma fingering. Straight rhythm. norm. tone Chromatic starting on E (three octaves),f. im fingering . Swing rhythm. pont. tone To be played tirando: F# natural minor (two octaves), 11ff ma fingering. Swing rhythm. pont. tone F# harmonic minor (two octaves), 11ff ma fingering. Swing rhythm. pont. tone F# melodic minor (two octaves), 11ff ma fingering. Swing rhythm. pont. tone C major pentatonic (two octaves),p, im fingering. Straight rhythm. norm. tone Arpeggios The following arpeggios to be performed 11ffand tirando:

Bb major (two octaves) Dominant 7th in the key of Eb (two octaves, starting on Bb) Exercises

• The following exercises to be performed 11ffand tirando :

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Paired slurs in A major Bb major in 3rds Full barre sequence:

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ii) Technical Suite

Scales and Arpeggios (to be performed from memory) As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall. Scales to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm. Arpeggios to be prepared tirando.

Bb major scale (two octaves), im fingering F# harmonic and melodic minor scales (two octaves), ma fingering Bb major arpeggio (two octaves) Chromatic scale starting on E (three octaves), im fingering

* apoyando = rest stroke; tirando = free stroke Exercises Candidates to prepare all of the following exercises, printed in this book:

1. Chromatic Conundrum (slurs and glissandi) 2. Central Park in the Dark (full bam?) 3. Summer Sunset (slurs)

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