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"SCHISM" Tool As heard on Lateralus

(VOLCA NO)

.

Words and Music by Maynard James Keenan, Adam Jone s, Daniel Carey and Justi n Chancellor • Transcri bed by And y Aledort

All guitars are in drop-D tuning (low to high: DA D G B E). Bass tuning (low to high): D A D G. Bb/0

F

2

o5v11

*Bbmaj7

II

21

DS

FS

II

13

I l l

.•BassplaysB~ root

GS

AS

333

IA]Intro

DSV

II

133

Bbsus2

133

114

BbS

cs

Fsus2

Ill

114

ES

Il l

II

(0:00)

Slowly q =72 Bb/0 F

Gsus4

Gtr. I (elec . w/clean tone)

.............1--3

2 --------~

Bb r.,,

Bb/D

F

Bbmaj7

Gsus4

3 0

2 3

5 5

2 3-----

5

7 7

7 7

let ring ••••••••••••••••••••••.•..

r.,,

wlpick

osv11 r.,,

7 8

5

...... _. ....11----------s--------~ 5

H- .......

EbS

5 5

1--~----~~·~--------~

-=s

..,

r.,,

7 8

[ID(0:14) 4

Faster J =110 ' N.C.(Dm) BMs Bass Fig. I....................•••....•.••••

c1=rI. (0:18)

·-rcrii

i I·-w·1a r I. i I. n-w·1g rr i .•••••••.••.•••••••..•••.••.•••.•••.•••.

3

gradually fade in •••••••••••••••••••

,

Bass plays Bass Fig. I seven times (see meas. 4)

I

3

••••••

•• ...•..........

. ....

• ..• .. •. . • . . ........................

.· .....

3

,

05 7

P.M... . ....

•Gtr. I (w/dist.)

...

*doubledby additionalgtrs. I., 2., 3.

4.

(Om) P.M. •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

,

let ring

P.M.••• , >

II: g i f

i j-w Ii i j- j:- j' trto·:IIi i j'- I 2

3

............~......... ~-

3

............~......... ~-

' I 0

5

I

0

f

od!

I

Copyright© 2001 EMI VIRGIN MUSIC, INC. and TOOLSHEDMUSIC. All Rights Controlled and Administered by EMI VIRGIN MUSIC. INC. All Rights Reserved . International Copyright Secured. Used by Pe(mis.sion . Reprinted by Permission of Hal LeonardCorporation.

1

"SCHISM" (g

1st Verse

(0:41)

I

know

pieces

the

flt

away

fall

watched them

'cause

Bass Bass Fig. 2 10--9-

--

Mildewed

..--...~~

----

19 Otr. I

differing

Fundamental

smoldering

and

--- -

------

Bass plays Bass Fig. 2 three time~·Jsee meas. I 5)

23

motion

Intention

Pure

Dis·

let ring throughout >

The

lntegr.atlng 27

P.M .••• ••• ••• •

8

t( ~+--1....___.__ _.____. f~ t................ ~~11¥e...._...-=-----~)---+"' I1'-+--r ---r --r~·##f"'---F--·~a: , r4I 7

0

~1

-+--r

- 0 ................

h

+----Ir

3

31

light N.C.

that fueled

P.M . ••••••••

••••••••••••

our ••••••••

•••••••••••

then

fire

• - - - - ••• •• ••• •••• ••• - - - - - - - - ••• ••• •••• • •• ,

B!r-i-o.: --...... r'--t,-ffi,Iz'.... 1°===t= _-= ":! .... r= --==:-r - -s 3 Bass plays Bass Fig. I twice (see meas. 4)

cannot

see

reach

to

an

Crippling

end

a

( repeal previ o us two measur es)

hole

betweenus So we

2

E12 -1------ -+l-1- ----~ 2

3

communication

our

P.M .•••• •• •••••••

2

35 Otr. I

burned

has

•••• • •••••••

•••• •• •••• •• ,

Bass

10-

-11---

.............-+_~-~-+;:_-0--+-

3

3

[ID(1:20) 4.

I., 2., 3.

39

P.M.•••••••••

N.C.(Am) 10--

~ -< A-10-

--9

10---

- 91--

-

3

3

3

3

--

2

"SCHISM" [ID2nd and 3rd

Verses (1:35,2:33)

2. I (3.) was

know time that

a

pieces pieces

the the

flt flt

'cause But

watchedthem watchedthem

Gu . 1

N.C.(Om)

42

P.M.------------- ---- ---- ----------------- ---- -------- ------------------- ------- ---,

3 Bass plays Bass Fig. 2/ourtimes (see meas. 15)

No fault Miidewed

None to blame It smoldering

and

tumble down fall away

Gtr. I substitutes Fill I on 3rd Verse (see next page)

2

3

doesn't mean I Strangledby our

So point I've done the

don't desire coveting

the finger Blame the other math enough to know the

Gtr. I substitutes Fill I on 3rd Verse (see rrext page)

2

46

Watch

temple topple over To bring the pieces back Doomedto crumble unless of our second guessing

the

dangers

Gtr. I substitutes Fill I on 3rd Verse (see next page)

2

52

::I

2

together we growand

Rediscover strengthen

our

P.M·------- -------- -- --------- -- -----

2

============ ~1~1 '.::=========~:::=========~ *~¥~1 ==========::::= =1~ _. 1,,_ (9) _::::_::;-'°-r) ,o-tEJ,Q 3 *Substitute noMs in parenthesis on 3rd Verse.

(2:02,3:00)

Gtr . I

57

communication communication

. .

I

(4th time orr3rd Verse) I 1., 2 ·• 3 · skip ahead to [ID

P.H.

(Am)

------.....------,

(wlechorepeats) >

__

[!]

1st Chorus

......,..... -=-H~ '- 10- - 9 --ffl"-4iill-+--0--,.---0---t---

12-·

---lt'!

l,-

--ff-,III-

(2:17)

poetry

The

61

4.

05

that

GS F5

F5 >

,,.

,,.

0

3 I

I

>

GS

comes fromthe squaring-offbetween N.C.(C5)

>

>

And the clrcllng Is worthIt

2

2

2

2

3 >

>

5-

3

>

>

>

>

3

go back to [fil Verse

beauty

Finding 67

05

F5

>

>

the dissonance

In GS F5 >

3. There N.C.(Om)

GS

Gtr. 2 plays Rhy. Fi/11 (see next page)

>

3

"SCHISM" [Qj (3:13) N.C.(Am) (repea t previous measure)

71

76

--1----

---

____ _

_ __,_ -7

.

,:,..

80 10

10

12

9

0

,:,.. 7•

[IDInterlud e

0-

7

(3:31)

I.

N.C.(Am7)

end Riff A

Rif!A Gtt. 2 (w/delay) P.M .• . ,

84

P.M .•• ,

P.M. .. ,

P.M . .. ,

P.M . .. ,

P.M.•• ,

P.M . •• ,

P.M.

P.M .

P .M.. .. . ...

(notes in parenthesis are echo repeats )

Gtr. l

Bass

0.

Rhy. Fill 1 (2:31)

Fill 1 (2:36,2:43,2:50,2:56)

Gtr. 2 (elec. w/dist.)

Gtr. I

4

P.M .. .........

••••••••••.

.. • ....

.. • ..••••••...

,

"SCHISM" 2.

(3:47) P.M.

P.M.

P.M . •• ,

P.M .

P.M .•• , .

P.M . • . ,

P.M .•• ,

P.M .•• ,

P.M .•• ,

P.M . •• ,

(wlsignal processing effects)

let ring until Ci] (wlsignal processing effects)

P.M .

94

P.M.

P .M.

P.M. . ,

P.M . . ,

P.M . . ,

P.M. . ,

P .M . . ,

P.M . . ,

P.M .. ,

P.M.

P.M.

P.M.

P.M.

P.M.

P.M.

(4:02)

11..2., 3.

w/additional sound effects

4.

Gtr . 2 P.M . . ,

100

P.M .. ,

P.M .. ,

P.M. . ,

P.M . . ,

•synth (arr. for clce. gtr. w/disl .)

..

*wlportamento effect

••Subst;rute no te in parenthesis 3rd and 4th times.

[I) Bridge

P.M.

P.M . . ,

P.M . . ,

P.M.

P.M.

wlbar

v ··----

(4:32)

(cold)

(cold)

(cold}

Cold

silence

N.C.(Am7) Gtr. 2 plays Riff A four times ( see meas. 84) w!additional sound effects

r--r Eff=t.--Bass

let ring throughout

106

I . .

I

7•

I

r- 14tr

11· I

7

I I

3

12

(Gsus4) 5

~ I

3•

I

1 3·

I

3•

I

1r

ft"

I

5

II r I

10

10

I a

has (F) 111

II

(Dm9)

11s I

I tendency

[J

II

17- E_j;Jt

·"SCHISM" atrophy

to (Am7)

r.a..-· -r·· r· r-t dtr r ·

11 =--l-' 1 1 ===================~=====~== ~1~1~.··====== 1 ~===1~~ --- ,0 -::::+6-~ ~ =±11: 121

(Gsus4)

(F) 5

f=l:;3

I g: I

3•

~ I

g:

I

I g:

(Dm9)

3~·

I

I

com-

of

sense

any

u

passion Gtr. 2

(Am7)

126

P.M.

P.M .• ,

P.M . . ,

P.M .• ,

P.M .. ,

P.M.

P.M .• ,

P.M . . ,

P.M .• ,

P.M . . ,

14 Bass 0 •

becoming gradually louder ••••••••

••••••••••••

•••••••••••••••

•••••••••

• ••••••••••••••••

P.M.

II]

(5:24)

between

AS

(GS)

(CS)

(FS)

-------··--·---- --------------------------- ---------------······-·--- ----------------····-· --------, 138 P.M . ........

••••••••••••••••.

.....

---14

1---

----

--1-'

......

let A string ring

.. ... .• ,

---

+-11iit----

+---4)-----,1---0 --I-'"'-

---+-

.._____

----1-.Q-

--+---~Y

--

--12

------

--+---

cresc.

lovers

supposed

141

N.C.(FS) >

>

0

14

-0

o-- o

(CS)

(GS)

>

>

>

14 0 14 0

>

--- ---14-- -14-....,..,-.f-l!._--10>.--- --r...-__;1-.:1 ----+--,

6

•••

"SCHISM"

>

>

>

>

>

>

I----Q----------.__....,..__o-o--o-o - o- o- o-o-

I

>

>

>

-~Q-----------0-01---'-...__-o-o-o -o- o- o- o-o-

V bd bd bd bd

bd

bd ·bd

---+-1-1---=1-o- o-o-o,__._-+-_____, 1----

bd

bd

bd

. N.C.

5

0-

I

0-5

0

I

I

3.

I

I

0-

3

3--10 /10

[Kl 4th Verse

I

156

...

P.M .••••••••••••••••••..•

JI.

~

J-

I

o-

I

i-

I

5 o-5-2-0-2

I

I

.....

.,

.

•. •• .

bd

...

P.M .• ,

>

>

pieces F5

I

I

11

I

-

o- o- o-o

blbl

1-

ES P.M .. . ,

>

3 3--0--0--2

I

>

2 --

I

bd

>

GS . P.M .•• ,

bd

I

,---- ;I-- --~ .__ ......... ___

.. ,

bd bd

>

7

LJ

05 F5 GS 05 FS GS

J

-0-0-

bd

>

x :: 0110

II]

Ii

-0-0-0

bl

Outro

bl

1R. 8

I

2 2-0-

I

>

P.M .......

i

bl

o-o-11

bl

bl

1

>

9 o-o+-o-of--0

12 - 0-0-o

bd~~bl

~

- 5

o--

I

3

•••••••

.•...

....•.........

.......

•••• • ••• , >

o- 3-5

bbd 3

@· ffi• II:I , 3

3

(play 8 time.r)

>

.:

3

7

\

~8~rj •••••••

>

bbd

.••••. ...

0- -o-o-

I

.,

(6:25)

P.M . ••••••••

b-+d 3

1

GS P.M .• ,

-1-- w l--1 t---+bJd --+--+--+ bbl -+-+-' -U.: .'-'--i°-l.Ll LJ_bld,---6>-+ --bbl

n-- 0

....

flt

ES P .M .• ,

>

I

9

>

I

P.M ... ....

>

0

5-0-3-5-0-3-5 0- 0- 5-0-3-5-0-3

bd

G5(05) .. . ...... >

F5

o- o-~ -o-o-o-::

I

flt

F5

flt

...........

pieces

the

~

4.

pieces

v ES

A.

.• . -- t

••

5

>

,,,

1R.

3-0-2-0-5

o

ES(05)

...

>

A.

o--

F5

~

- 0 •

bd

v

know the

ES

FS

.......

o

1., 2., 3.

know

GS N.C.

I

I

(6:12)

flt

ES

5

o--

I

P.M . ••••••••••••••••••••..

FS

V I

11.. 2., 3.

(5:59)

>

pieces

159

I

I

I

I

152

,,,

3--10 /10

3

I

N.C.

4.

.Q. =-"..._

(05)

0-

cs

-------I 3- 3.=--

3

3

,=:JI

5

i3~