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• Abraham Herrera

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THE SIDEWINDER Lee Morgan

SOUL JAZZ (24-BAR BLUES) q = 160

TRUMPET

A TENOR  Eb7                                                    ( )(PLAY ON REPEAT ONLY)                       SAMPLE BASS LINE                       Eb7 

            

          

  



          Ab7  

                                   

Eb7 

       

   

          

         

     

     

    

     



                    

      

 







   

 

(Eb7#11)                   

            



Transcribed by Ville V. (2008)



  

   

             



   GØ

          



 C7b9

    







   



2

THE SIDEWINDER

F-7                          

              Eb7

 





        

   

          

  

    

    

   











     

Eb7



Bb7b5

           









   



                             

(BREAK)



 



 

     

       )   (     (PLAY AT END OF FINAL SOLO)



SOLOS ON FORM (A). AFTER SOLOS, PLAY HEAD TWICE AND TAKE ENDING.

ENDING





Eb7





                       

  

  Eb7 

VAMP AND FADE



                    

SAMPLE DRUM PART SWING (WITH STICKS) q=160 =160 RIDE CYM.

S. DR.             



  

    

Break at end of letter A is omitted for solos (except at end of final solo). Head is played twice before and after solos. On recording, a piano riff chorus (with bass & drums) precedes the chart. Bass rhythm continues for solos (with variation).



  



  



  