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Techniques of the Contemporary Composer.pdf

CHA FOU HA CO AN H EXAM 4.3. In varied contex one chord (the secon in each meas is heard as (a) rel~y loca an inte wit t

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The Theory and Practice of Color

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The Theory and Practice of Aeroplane Design

UC-NRI vV^cVVVX> >>-** v $wgss$$&f$ v^.V^V^.N-v. gggMp|;: : ifSi:S;: :;34 *' 4 I>435 I>47> AEROPLANE DESIGN

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The Principles and Practice of Aikido

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The Theory and Practice of Impermanence

This article appeared in Harvard Design Magazine, Fall 1997, Number 3. To order this issue or a subscription, visit the

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The Theory and Practice of Compiler Writing

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