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©DISNEY

STUDIO CAST RECORDING

Music by ALAN MENKEN

Lyrics by STEPHEN SCHWARTZ

Book by PETER PARNELL

Based on the novel by Victor Hugo and songs from the Disney film Album Produced by MICHAEL KOSARIN, ALAN MENKEN, STEPHEN SCHWARTZ and CHRIS MONTAN Executive Producer: KURT DEUTSCH Recorded by Lawrence Manchester and Isaiah Abolin Mixed by Lawrence Manchester with Stephen Schwartz and Britt Bonney Associate Producers: Steve Norman and Greg Brunswick Pro Tools Engineer: Aki Nishimura Assistant Engineers: Tyler Hartman and Tim Marchiafava Mastered by Ryan Smith at Sterling Sound, NYC Music Supervisor, Vocal & Incidental Music Arrangements: Michael Kosarin Music Director: Brent-Alan Huffman Orchestrations: Michael Starobin Additional Orchestrations*: Larry Blank Dance Music Arrangements: Rob Berman Synthesizer and Drum Programmer: Randy Cohen Music Preparation: Anixter/Rice Music Service Music Associate: Britt Bonney Music Coordinator: Seymour Red Press Album Coordinator: Josh Gordon Package Design: Stephanie Layton Recording Studio Photos: Nathan Johnson Production Photos: Jerry Dalia, Matthew Murphy and Kevin Berne Production Assistant: Lee Friedman *“Flight into Egypt” and “In a Place of Miracles”

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Recorded on September 28-30 and October 11, 2015, at Avatar Studios, NYC

ACT ONE

1. OLIM – Congregation & Choir 2. THE BELLS OF NOTRE DAME – Frollo, Jehan, Father Dupin, Congregation & Choir 3. OUT THERE – Frollo & Quasimodo 4. TOPSY TURVY (PART 1) – Clopin, Quasimodo & Revelers 5. REST AND RECREATION – Phoebus, Frollo & Congregation 6. RHYTHM OF THE TAMBOURINE – Clopin, Esmeralda, Frollo, Phoebus & Quasimodo 7. TOPSY TURVY (PART 2) – Clopin, Esmeralda & Revelers 8. INTO NOTRE DAME – Frollo, Quasimodo, Esmeralda & Congregation 9. GOD HELP THE OUTCASTS – Esmeralda, Congregation & Choir 10. TOP OF THE WORLD – Esmeralda, Quasimodo, Statues & Gargoyles 11. TAVERN SONG (THAI MOL PIYAS) – Gypsies, Esmeralda & Frollo 12. HEAVEN’S LIGHT – Quasimodo 13. HELLFIRE – Frollo, Priests & Choir 14. ESMERALDA – Company

ACT TWO

15. ENTR’ACTE – Choir 16. FLIGHT INTO EGYPT – Saint Aphrodisius, Quasimodo, Statues & Gargoyles 17. THE COURT OF MIRACLES – Clopin & Gypsies 18. IN A PLACE OF MIRACLES – Phoebus, Esmeralda, Quasimodo, Clopin & Gypsies 19. JUSTICE IN PARIS – Congregation 20. SOMEDAY – Esmeralda & Phoebus 21. WHILE THE CITY SLUMBERED – Congregation 22. MADE OF STONE – Quasimodo, Statues & Gargoyles 23. FINALE – Company 3

Dom Claude Frollo – PATRICK PAGE Quasimodo – MICHAEL ARDEN Clopin Trouillefou – ERIK LIBERMAN Captain Phoebus de Martin – ANDREW SAMONSKY Esmeralda – CIARA RENÉE

Jehan Frollo – JEREMY STOLLE Father Dupin / Official – WILLIAM MICHALS Saint Aphrodisius – NEAL MAYER Gypsy Ghost – SAMANTHA MASSELL

Congregation

MARY JOE DUGGAN, JULIAN DECKER, IAN PATRICK GIBB, BETH KIRKPATRICK, SAMANTHA MASSELL, NEAL MAYER, NORA MENKEN, WILLIAM MICHALS, ANISE RITCHIE, VINCENT RODRIGUEZ III, RICHARD RUIZ, JOSEPH J. SIMEONE, JEREMY STOLLE, DASHAUN YOUNG

Choir

RENÉ ATCHISON, BEN BARTELS, MAGGIE BOLAND, BRITT BONNEY, BRIAN CALI, JACOB CHRISTOPHER, CLINTON CURTIS, KAREN ELLIOTT, ELIZABETH ESCHEN, IAN GIBB, CALEB HOYER, LAURA INMAN, ALLISON LINKER, ERIK MALMQUIST, KENNY MARTINEZ, COLLEEN MCCORMACK, NORA MENKEN, WILLIAM MICHALS, EMILY MOORE, DEVIN PROVENZANO, TROY QUINN, MATT RICKMEIER, MICHELLE ROMBOLA, KRISTIN RONEY, ANGIE MARIE SMITH, KEITH SNODE, LYSSANDRA STEPHENSON, ALAN M-L WAGER 4

Michael Starobin

Choir

Conductor – BRENT-ALAN HUFFMAN Keyboards – CALEB HOYER, ANNBRITT DUCHATEAU Violins – SEAN CARNEY, CHRISTOPH FRANZGROTE, MAURA GIANNINI, AMY HAMILTON-SOTO,

LISA MATRICARDI, KRISTINA MUSSER, BELINDA WHITNEY, MINEKA YAJIMA, ROBIN ZEH

Violas – DAVID BLINN, RICHARD BRICE, SHELLEY HOLLAND-MORITZ Celli – DIANE BARERE, MAIRI DORMAN-PHANEUF, ROGER SHELL Bass – RICHARD SARPOLA Woodwinds – STEVEN KENYON, CHARLES PILLOW, MARK THRASER French Horn – JUDY LEE Trumpets – JAMES DE LA GARZA, DON DOWNS, ANTHONY KADLECK Trombone/Euphonium – BRUCE BONVISSUTO Drums/Percussion – DANNY TAYLOR

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When Aaron Burr raps of his desperation to be “in the room where it happens” in Lin-Manuel Miranda’s brilliant musical Hamilton, we all know what he means. As head of development for Disney Animation in the early 1990s, I was indeed “in the room where it happened” for many Disney films, and for our stage productions as well. Never did that position provide my close colleague Peter Schneider and me a more interesting perspective than on the journey of The Hunchback of Notre Dame from screen to stage, and stage again. History makes it clear the film underperformed at the box office. Perhaps Janet Maslin was right in her New York Times review: “There’s just no way to delight children with a feel-good version of this story.” I think we all knew that, but Peter and I were trying something new, something that would be groundbreaking, and frankly something intended to avoid an animation “rut.” Or so we thought. What triumphed was the film’s spectacular score by Alan Menken with lyrics by Stephen Schwartz. And therein came the idea of taking Janet Maslin to heart and creating a musical for the adult audience. As the film was opening in 1996, work began on the first stage iteration, led by Stuart Oken, who had been approached by partners in Germany who wanted a new Disney Theatrical production. By 1999, we had opened a German-language version for the stage in Berlin. On reflection, it seems odd that we premiered the show in a language native to none of the creative team. Like the film, that production straddled the fence of “family entertainment” and sophisticated theatre fare. It played a healthy run, but once again the glorious score triumphed over the storytelling. Years later, convinced there was an audience for our musical, I returned to Alan and Stephen with Steve Fickinger, then head of creative affairs at Theatrical. We asked if they would be interested in creating a version that could be licensed by theater and opera companies around the world. The cast album for the German production had circulated among aficionados, and interest for both professional and amateur productions was growing. This time we’d focus on the adult audience and let go of many elements of the animated film. The wonderful Peter Parnell joined the team to shape the book and Scott Schwartz joined as our director. We returned to the source, Victor Hugo’s novel, eliminated the cartoonish Gargoyles, and most importantly returned our villain to his rightful role in the novel. All of this would have been unthinkable in our animated telling, but it seemed completely appropriate for this version. By this time, the inestimable Jane Abramson was at the ready to shepherd our development. I’ve lost count of the number of demos, readings, workshops, and labs we’ve done – all with my longtime producing partner Chris Montan supervising the music. Each iteration made us tear up at the glory of this music and the story’s call for a more tolerant world. That passion is what you’ll hear in this recording.

— Thomas Schumacher President and Producer, Disney Theatrical Productions 6

The earliest memory I have of working on The Hunchback of Notre Dame is an evening in the fall of 1994, when Stephen and Carole Schwartz shared a dinner with Janis and me at our house to celebrate the completion of our work on the Disney animated feature Pocahontas. I was demonstrating my new Yamaha Disklavier grand piano and played a piece I was working on, one totally unconnected with any project. Stephen immediately said, “That’s perfect for Quasimodo’s first song,” during which the hunchback reflects on the world below from high in the bell tower he has never left. When Stephen wrote his lyrics for “Out There” – sitting up in the actual bell tower of Notre Dame during a research trip – every note of that piece I had composed was retained, as if it had been created unconsciously, specifically for that very moment. That experience is typical of our collaboration. There is an amazing fluidity and synchronicity between Stephen and me. With all our years of experience working on musicals for both stage and film, there’s this shorthand and openness to serendipity. The most casual notions, the most fleeting impressions, get picked up and explored. The result is a wonderful marriage of creative impulses. And we both love the process of songwriting and using all of the tools at our disposal to achieve the best results. I think I can speak for both of us in saying that there has never been a project richer and more emotionally fulfilling for us to work on than The Hunchback of Notre Dame. Beginning with our earliest creative meetings at Disney Animation, the potential of this musical felt enormous. And this score – from the ringing of the bells and the chanting of the Latin liturgy to the street music of the Gypsies and the rich tradition of French classical music – exploded from our heads, our hearts, and our voices. From that point to our current theatrical adaptation, this project has continued to bring out the best from us … and so many others along the way. During our twenty-year process, we’ve evolved from a G-rated, family-oriented, cinematic approach to a darker and more nuanced story theater for adults. One of our original devices was a trio of wisecracking Gargoyles – Victor, Hugo, and Laverne – who were a lighthearted outer manifestation of Quasimodo’s inner turmoil, the expression of his hopes and fears. We wrote a comedic, Maurice Chevalier-style number for them called, “A Guy Like You,” in which the Gargoyles bolster Quasimodo’s ego and encourage him to express his romantic feelings for Esmeralda. While we all loved and cherished these characters, it became apparent that we needed a more grounded approach once we began the process of creating our stage adaptation. Where the animated musical ended with Esmeralda surviving the ordeal of being burnt at the stake by Minister of Justice Claude Frollo, the stage adaptation ends in line with Hugo’s novel: Esmeralda perishes at the hands of Archdeacon Frollo. Yet on stage we wanted to retain some way to distinguish between Quasimodo’s monstrous exterior and the beauty of his interior world, to provide some expression of his inner voice. We also wanted to offer a hopeful context for our story’s tragic ending. This is where director Scott Schwartz, book writer Peter Parnell, and our music team began their invaluable contributions. Over the years I’ve watched as Scott’s directing career has blossomed on and off Broadway. At the helm of our project, Scott developed the idea of giving voice to the entire Cathedral of Notre Dame (as opposed to our three Gargoyles) and having our Storytellers fill multiple functions, existing within the story as well as transcending it. He also suggested using an actual choir on stage to comment on and underscore the story, creating a scale both intimate and enormous at the same time. The shorthand Stephen and Peter developed while serving, respectively, as President and Vice-President of the Dramatist Guild served us well, with the three of us coordinating every line of book and score in service of the fully integrated experience 7 audiences have enjoyed at La Jolla and Paper Mill Playhouses and now will enjoy around the world.

During this process, we have been blessed with a great music team, headed by three men who are dear and longtime associates of mine: music supervisor and vocal arranger Michael Kosarin, music director Brent-Alan Huffman, and orchestrator Michael Starobin. The evidence of their profound contributions and those of our extraordinary cast, choir, and musicians is in every second of this album. The Hunchback of Notre Dame has now reached its full flowering with this theatrical adaptation. It’s been an amazing journey, one I’m hopeful will continue through our lifetimes and beyond.

— Alan Menken, composer

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Stephen Schwartz, Alan Menken

ACT ONE Paris, 1482. A Congregation emerges, intoning a Latin chant amid a Choir (Olim). As bells echo throughout the Cathedral, they begin to recount a story: Dom Claude Frollo and his beloved brother Jehan were taken in as orphans by the priests of Notre Dame Cathedral. While Frollo thrived under the strict rules of the Church, carefree Jehan took up with Gypsies and was expelled. Many years passed, until one day now-Archdeacon Frollo was summoned to his estranged brother’s deathbed. Jehan’s dying wish was for his brother to care for his Gypsy baby. In grief, Frollo agreed and kept the deformed child, whom he named “Quasimodo,” secluded in the Cathedral bell tower (The Bells of Notre Dame). Now grown, Quasimodo is the lonely but staunchly obedient bell-ringer at Notre Dame. Frollo continues to offer him sanctuary within the confines of the Cathedral, but Quasimodo longs to be part of the world (Out There). He summons the courage to sneak out of the tower and attend the Feast of Fools, a day when all of Paris indulges in debauched celebration. In the square, Clopin, King of the Gypsies, leads the festivities (Topsy Turvy – Part 1). Captain Phoebus de Martin arrives from the battlefront to take command of the Cathedral Guard – after a little holiday (Rest and Recreation). He runs into Frollo and finds himself assuming his new positon earlier than expected. Both men are instantly captivated by the appearance of the beautiful dancing Gypsy, Esmeralda, as is Quasimodo, peering at her from the shadows (Rhythm of the Tambourine). The crowd then gathers to select and crown the King of Fools, the ugliest person in Paris! After her initial shock at his appearance, Esmeralda with good nature prompts Quasimodo to step up for the honor (Topsy Turvy – Part 2). As the drunken crowd becomes a mob, they brutally abuse Quasimodo while Frollo looks on in cold silence. Esmeralda alone shows kindness to the hunchback and rescues him. Frollo then steps forward to chasten Quasimodo, who promises he will never again leave the bell tower (Into Notre Dame). Concerned about Quasimodo’s welfare, Esmeralda ventures into the Cathedral, where she offers a different prayer from the other parishioners (God Help the Outcasts). Phoebus happens upon her, and there is a palpable spark between them. Esmeralda catches sight of Quasimodo and follows him to the bell tower, where she coaxes him from hiding. Quasimodo shows Esmeralda his view of Paris while his inner voices – his “friends,” the stone statues and gargoyles of Notre Dame – take in the presence of the beautiful Gypsy (Top of the World). Frollo arrives and discovers them. Clearly smitten with Esmeralda, he offers her sanctuary in the Cathedral under his tutelage and protection, but, questioning his motives, she refuses. As his obsession with the Gypsy girl grows, Frollo begins prowling the streets at night, until he comes upon a tavern where the Gypsies spiritedly sing and dance. He sees Phoebus with Esmeralda, and watches in turmoil as their flirtation escalates into a kiss (Tavern Song – Thai Mol Piyas). Back in the bell tower, Quasimodo remains taken by Esmeralda’s beauty and kindness (Heaven’s Light). Meanwhile, Frollo convinces himself that Esmeralda is a demon sent to tempt his very soul (Hellfire). The next morning, Frollo persuades King Louis XI to put out a warrant for Esmeralda’s arrest, and a search commences. Frollo targets a brothel known to harbor Gypsies. When Phoebus refuses a direct order to burn it down, Frollo has him arrested. Esmeralda appears to try to save Phoebus, and in the melee, Frollo stabs Phoebus and blames the Gypsy. Esmeralda and an injured Phoebus escape, and Frollo continues the hunt while an increasingly distraught Quasimodo watches the burning chaos from above (Esmeralda).

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ACT TWO The Choir opens the second act with a Latin Entr’acte. In the bell tower, Esmeralda implores Quasimodo to hide the wounded Phoebus until he regains strength. Quasimodo agrees to help, and she offers him an amulet that will lead him to where she hides, the Gypsies’ mysterious Court of Miracles. Inspired by a statue of the legendary martyr Saint Aphrodisius, Quasimodo envisions himself as Esmeralda’s protector and savior (Flight into Egypt). Frollo arrives to tell Quasimodo that he knows the location of the gypsy hideaway and that his soldiers will attack at dawn. Quasimodo and the injured Phoebus use the amulet to find Esmeralda before Frollo does. Arriving at the secret lair, Phoebus and Quasimodo are captured by Clopin and the Gypsies (The Court of Miracles). Esmeralda intervenes, and the two men warn of Frollo’s impending attack. As the Gypsies prepare to leave Paris, Phoebus decides to go with Esmeralda. She consents and matches his commitment to a life together while Quasimodo watches, heartbroken (In a Place of Miracles). Having tricked Quasimodo into leading him to Esmeralda, Frollo storms in with his soldiers, arrests Esmeralda and Phoebus, and orders his ward be chained in the bell tower (Justice in Paris). In prison, Frollo confesses his love to Esmeralda and forces himself on her. When Esmeralda fights him off, Frollo threatens Phoebus’s life unless she yields to him, and he has Phoebus brought into her cell as an inducement. Esmeralda and Phoebus spend their final doomed night together (Someday). A devastated Quasimodo, now bound in the tower (While the City Slumbered), refuses the entreaties of his “friends” to try to save Esmeralda (Made of Stone). In the square the next morning, Phoebus watches from his cage as Esmeralda is tied to a wooden stake. Frollo again offers to save her if she will be his. She spits in his face, and enraged, he lights the pyre himself. Witnessing the horror from above, Quasimodo is galvanized into action, breaks free of his bonds, and swoops down to free Esmeralda, claiming “Sanctuary!” for her. He bars the doors of Notre Dame and carries her to his tower. Violence breaks out in the square as Clopin frees Phoebus and together they rally the crowd against Frollo. When the soldiers break down the doors and are about to enter, Quasimodo pours molten lead down on them. Quasimodo returns to Esmeralda, thinking he has saved her, but she dies in his arms. Frollo enters and tries to persuade the grieving hunchback that they can now return to the way they were. Quasimodo finally sees the archdeacon for the monster he has become and throws him from the tower to his death. Phoebus arrives and collapses on Esmeralda’s body in grief. Quasimodo comforts him, then picks up Esmeralda and carries her into the square, where the crowd, gathered to mourn, sees the hunchback in a new light (Finale).

ACT ONE

BOTH TAKEN IN BY THE GRACE OF NOTRE DAME …

AND DEFIED AND DEFILED ALL THE LAWS

C ON GR E G AT I O N & C H O I R FROL L O CLAUDE THE OLDER, WHO CARED FOR THE LAWS OF NOTRE DAME … KYRIE ELEISON HIS BROTHER ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

C O NG R EG AT IO N & CHOIR OLIM OLIM DEUS ACCELERE HOC SAECULUM SPLENDIDUM ACCELERE FIAT VENIRE OLIM…

JEH A N YOUNG JEHAN, FULL OF BEAUTY AND CHARM FROL L O & J EH A N AND THEY LIVED AND THEY GREW AND AWOKE TO THE MUSIC OF BELLS C ON GREGA TIO N & C H OIR THE BELLS OF NOTRE DAME … KYRIE ELEISON FROL L O OH DEAR BROTHER, ‘NEATH THESE ARCHES AND THIS SACRED DOME

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

C O NG R EG AT IO N MORNING IN PARIS, THE CITY AWAKES TO THE BELLS OF NOTRE DAME THE FISHERMAN FISHES THE BAKERMAN BAKES TO THE BELLS OF NOTRE DAME TO THE BIG BELLS AS LOUD AS THE THUNDER TO THE LITTLE BELLS SOFT AS A PSALM AND SOME SAY THE SOUL OF THE CITY’S THE TOLL OF THE BELLS THE BELLS OF NOTRE DAME ... LONG YEARS AGO, DID THIS STORY BEGIN IN THIS PLACE CALLED NOTRE DAME TWO ORPHANED BROTHERS WERE

C H OIR KYRIE ELEISON FROL L O WE ARE BLESSED TO FIND OUR SANCTUARY AND OUR HOME …

FA TH ER D U PI N YOU MUST LEAVE, JEHAN THIS HOLY REFUGE WHERE YOU’VE DWELLED C H OIR KYRIE ELEISON FROL L O Leave? But, Father— FA TH ER D U PI N SORRY, CLAUDE, BUT I’VE NO CHOICE – YOUR BROTHER IS EXPELLED! FROL L O And Frollo didn’t hear from his brother for several years. C ON GR E G AT I O N Meanwhile …

FROLLO ASCENDED UNCOMMONLY FAST C ON GREGA TIO N RIGHTEOUS CLAUDE FROLLO WAS EVER THROUGH THE RANKS OF NOTRE DAME MORE DRAWN TILL HE WAS NAMED THE LIKE A SON TO NOTRE DAME ARCHDEACON AT LAST AND GAVE THANKS TO NOTRE DAME JEH A N NOT LIKE HIS PROFLIGATE BROTHER, AND THEN ONE DOLEFUL DAY BROUGHT A MESSAGE … JEHAN WHO’D HAVE NONE OF NOTRE DAME FROL L O C ON GREGA N T AND THE NAME THAT IT BORE WAS THOUGH AS BROTHERS, THEY LOVED “JEHAN”! ONE ANOTHER FROLLO WATCHED IN DESPAIR AND C ON GR E G AT I O N ALARM AND CONCEALING HIS FACE FROLLO STOLE TO A PLACE FAR AWAY JEH A N AWAY FROM NOTRE DAME … AS JEHAN GREW MORE WILD

THE WORLD IS WICKED IT’S I ALONE WHOM YOU CAN TRUST IN THIS WHOLE CITY BROTHER DEAREST, COME WITH ME I AM YOUR ONLY FRIEND WHERE WE WILL FIND A REMEDY I WHO KEEP YOU, FEED YOU, TEACH AND NOTRE DAME ONCE MORE WILL BE YOU, DRESS YOU YOUR SANCTUARY FROL L O I WHO LOOK UPON YOU WITHOUT FEAR HEALING YOU WILL BE MY GOAL Oh Lord, you have sent me a test. This child HOW CAN I PROTECT YOU, BOY, UNLESS NOT JUST YOUR BODY, BUT YOUR SOUL is my cross to bear. I may not have saved my YOU WE’LL BE TOGETHER IN OUR HOLY brother, but I will save this – thing. ALWAYS STAY IN HERE SANCTUARY— AWAY IN HERE ...? SEE THIS LOATHSOME CREATURE J EH AN FROM WHOM LESSER MEN WOULD FLEE Remember what I taught you, Quasimodo ... Enough, Claude. It’s too late for me, anyway. I WILL KEEP AND CARE FOR HIM But if you’ve truly discovered charity at this AND TEACH HIM AT MY KNEE FRO L L O Q U ASI M O D O late date, there’s someone you can help. TO THINK LIKE ME … YOU ARE DEFORMED I AM DEFORMED ... F ROL L O C ON GREGA TIO N AND YOU ARE UGLY A baby? Yours? And Frollo gave the child a name, a cruel AND I AM UGLY name that means “half-formed”— AND THESE ARE (FROLLO sees the baby’s deformed face.) CRIMES FOR WHICH FROL L O THE WORLD SHOWS A monster! It’s God’s judgment on you. The Quasimodo. LITTLE PITY wicked shall not go unpunished. YOU DO NOT COMPREHEND C ON GREGA N T YOU’RE MY DEFENDER NOW … J EH AN OUT THERE THEY’LL HERE IS A RIDDLE TO GUESS IF YOU CAN I should have known. I was a fool to think REVILE YOU SING THE BELLS OF NOTRE DAME that you would look after him. AS A MONSTER I AM MONSTER ... OUT THERE THEY Q U A S IMODO F ROL L O WILL HATE WHAT MAKES A MONSTER? Look after him? Me? AND SCORN AND JEER AND WHAT MAKES A MAN? ONLY MONSTER ... J EH AN WHY INVITE THEIR CURSES C ON GREGA TIO N & C H OIR He has nobody else. Take him, if you can AND THEIR CONSTERNATION? WHAT MAKES A MONSTER AND WHAT STAY IN HERE find it in your heart. MAKES A MAN? BE FAITHFUL TO ME I’M FAITHFUL SING THE BELLS, BELLS, BELLS, BELLS (JEHAN dies.) GRATEFUL TO ME I’M GRATEFUL BELLS, BELLS, BELLS, BELLS … DO AS I SAY BELLS OF NOTRE DAME! F ROL L O OBEY Jehan? Jehan!!! AND STAY IN HERE ... I’LL STAY IN HERE ... C O NG R EG AT I ON & CHOIR DIES IRAE FROL L O DIES IRAE ©1996 Wonderland Music Company, Inc. (BMI), Remember, Quasimodo – this is your DIES ILLA Walt Disney Music Company (ASCAP). All Rights sanctuary. DIES ILLA Reserved. Lyrics reprinted by permission. SOLVET SAECULUM IN FAVILLA QU A S IM O D O FROL L O My sanctuary … KYRIE ELEISON THE WORLD IS CRUEL 12 F ROL L O Jehan, let me take you back. I’ll bring you home.

AND THE SAINTS REGARDED FROLLO FROM THEIR STONE FAÇADE KYRIE ELEISON AND HE FELT THEIR GAZE AS IF IT WERE THE EYES OF GOD

Michael Arden SAFE BEHIND THESE WINDOWS AND THESE PARAPETS OF STONE GAZING AT THE PEOPLE DOWN BELOW ME ALL MY LIFE, I WATCH THEM AS I HIDE UP HERE ALONE HUNGRY FOR THE HISTORIES THEY SHOW ME ALL MY LIFE, I MEMORIZE THEIR FACES KNOWING THEM AS THEY WILL NEVER KNOW ME ALL MY LIFE I WONDER HOW IT FEELS TO PASS A DAY NOT ABOVE THEM

BUT PART OF THEM ... AND OUT THERE LIVING IN THE SUN GIVE ME ONE DAY OUT THERE ALL I ASK IS ONE TO HOLD FOREVER OUT THERE WHERE THEY ALL LIVE UNAWARE WHAT I’D GIVE WHAT I’D DARE JUST TO LIVE ONE DAY OUT THERE OUT THERE AMONG THE MILLERS AND THE

WEAVERS AND THEIR WIVES THROUGH THE ROOFS AND GABLES I CAN SEE THEM EV’RY DAY THEY SHOUT AND SCOLD AND GO ABOUT THEIR LIVES HEEDLESS OF THE GIFT IT IS TO BE THEM IF I WERE IN THEIR SKIN I’D TREASURE EV’RY INSTANT OUT THERE STROLLING BY THE SEINE TASTE A MORNING OUT THERE

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LIKE ORDINARY MEN WHO FREELY WALK ABOUT THERE JUST ONE DAY AND THEN, I SWEAR I’LL BE CONTENT WITH MY SHARE WON’T RESENT WON’T DESPAIR OLD AND BENT I WON’T CARE I’LL HAVE SPENT ONE DAY OUT THERE!

(PART I) ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

REV EL ER S COME ONE, COME ALL LEAVE YOUR LOOMS AND MILKING STOOLS COOP THE HENS AND PEN THE MULES COME ONE, COME ALL CLOSE THE CHURCHES AND THE SCHOOLS IT’S THE DAY FOR BREAKING RULES COME AND JOIN THE FEAST OF ... FOOLS! Q U AS IMOD O OUT HERE …

QU A S IMODO SOMEHOW I CAN WANDER THROUGH THIS HELTER-SKELTER WITHOUT FEAR NOW NO ONE SEES I’M HERE NOW OUT HERE IN THE WORLD …

C ON GR E G ANT S … whose dashing manner and bold swagger could not quite conceal the haunted look in his eyes.

C L OP I N ONCE A YEAR WE THROW A PARTY HERE IN TOWN ONCE A YEAR WE TURN ALL PARIS UPSIDE DOWN EV’RY MAN’S A KING AND EV’RY KING’S A CLOWN ONCE AGAIN IT’S TOPSY-TURVY DAY IT’S THE DAY THE DEVIL IN US GETS RELEASED IT’S THE DAY WE MOCK THE PRIG AND SHOCK THE PRIEST EV’RYTHING IS TOPSY TURVY AT THE FEAST OF FOOLS!

FEMA L E C O NG R E G ANT One of those handsome fellows to whom all the girls take a liking—

REVEL ERS TOPSY TURVY C L OP I N BEAT THE DRUMS AND BLOW THE TRUMPETS C L OP I N & REVEL ERS TOPSY TURVY JOIN THE BUMS AND THIEVES AND STRUMPETS STREAMING IN FROM CHARTRES TO CALAIS

C L OP I N SCURVY KNAVES ARE EXTRA SCURVY REV EL ER S SO EXCITING! COLORS, CROWDS AND ON THE SIXTH OF JANU-URVY SMELLS C L OP I N & REVEL ERS ALL BECAUSE IT’S TOPSY-TURVY DAY! Q U AS IMOD O OUT HERE P H O EBU S Into this crowd strode a young cavalier – REV EL ER S Captain Phoebus de Martin, at your service … WHERE IT’S TWICE AS NOISY AS THE 14BELLS

P H OEBUS New to Paris, just back from the front.

P H OEBUS Thank you, ladies.

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

P H OEBUS FOUR YEARS AT THE FRONT GIVE A MAN A ZEST FOR A LITTLE REST AND RECREATION FOR THE CHANCE TO HUNT FOR THE SPICIEST IN THE WAY OF REST AND RECREATION GIVE ME YOUR GIRLS OF PLEASURE YOUR GRAPES OF MERLOT SHOW ME YOUR WARES AND MEASURE ONE LARGE SAMPLE SAMPLE ‘EM AT MY LEISURE THIS THREE-DAY FURLOUGH SHOULD BE AMPLE I HAVE BORNE THE BRUNT OF A SOLDIER’S TEST NOW I’VE MADE MY WAY

WHERE I GET TO PLAY AT REST AND RECREA –

FROL L O Captain! Welcome to the Cathedral Guard.

DANCE LA ESMERALDA ... DANCE!

(PHOEBUS flashes back to the battleground.) P H OEBU S I’m grateful for the opportunity to serve you, my lord. FOUR YEARS AT THE FRONT FOUR YEARS AT THE FRONT … FROL L O Your early arrival is most auspicious. The S O L D IER S’ V OICE S pestilence of these gypsies grows more CANNON FODDER LYING IN THE dangerous every day. FIELD BELOW THE CASTLE IS THIS THE THIRD WEEK OR THE CAPTAIN, YOU AND I FOURTH WEEK OF THE SIEGE? HAVE A TASK WE SHARE THE AIR FILLED WITH THE STENCH STOPPING THEM AND THEIR OF BODIES IN A TRENCH … PROLIFERATION WHOEVER PAYS THE MOST, I CALL: “MY LIEGE …” SUMMONED HERE TO PARIS NOW, I’M FROL L O & P H O EBU S PARIS LOOKS TO US FAR AWAY FROM BATTLE TO RID HER STREETS OF CRIME FROM CLOTTING BLOOD AND THIS IS WAR AND THUS ROTTING WOUNDS THERE IS NO TIME OF DEAD AND DYING MEN … FOR REST AND RECREATION! PH OEBUS & S OLDIE RS’ VOICE S AND WHATEVER I DO I’LL MAKE SURE THIS IS TRUE …

ES MERA LD A HEY, SOLDIER BOY I SEE HOW YOU STARE HEY, BUTCHER MAN I SEE YOU ADMIRE

PH OEBUS I WILL NEVER GO BACK AGAIN!

FRO L L O THIS GIRL … WHO IS SHE?

(PHOEBUS shakes off the memory as a woman catches his attention.) DARLING, TO BE BLUNT YOU ARE WITH THE BEST THAT’S WHY I’VE BEEN BLESSED WITH THIS PROMOTION I’VE BEEN WORKING HARD NOW I’M GONNA BE CAPTAIN OF THE GUARD AIN’T THAT A NOTION? LIKE OTHER TRUE KNIGHTS I’VE GOT AMBITION BUT FOR A FEW NIGHTS FUN IS MY MISSION SO WHAT DO YOU SAY? CARE TO SHARE A DAY OF REST AND RECREATION?!

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

REVEL ERS COME ONE, COME ALL

COME GATHER ‘ROUND HEY, JACQUES AND PIERRE COME SEE ME DANCE TO THE RHYTHM OF THE TAMBOURINE FLASH OF AN ANKLE FLIP OF A SKIRT FEEL THEM EXCITE ENFLAME AND INSPIRE COME SEE ME DANCE HEY, WHAT CAN IT HURT? IT’S JUST A DANCE TO THE RHYTHM OF THE TAMBOURINE … P H O EB U S THIS GIRL … WHO IS SHE?

QU A S IM O D O THIS GIRL … WHO IS SHE? FRO L L O SHE DANCES LIKE THE DEVIL HIMSELF –

P H O EB U S SHE DANCES LIKE AN ANGEL – CLOPIN HURRY, HURRY – HERE’S YOUR CHANCE QU A S IM O D O SEE THE MYSTERY AND ROMANCE AN ANGEL! REVEL ERS COME ONE, COME ALL

P H O EB U S BUT WITH SUCH FIRE …

CLOPIN SEE THE FINEST GIRL IN FRANCE MAKE AN ENTRANCE TO ENTRANCE

FRO L L O SUCH FIRE!

15

EVERYBODY!

FROLLO, QUASIMODO & PHOEBUS WHO IS SHE?

ES MERA L DA & REVEL ERS TOPSY TURVY

E S M ER AL D A MEN OF PARIS BEFORE WE GET OLD COME FEEL THE HEAT COME TASTE THE DESIRE FEEL THEM WITHIN YOU CRIMSON AND GOLD GOLD LIKE THE COINS YOU WILL TOSS INTO MY TAMBOURINE WHEN I DANCE TO THE RHYTHM OF THE TAMBOURINE!

C L OP I N UGLY FOLK, FORGET YOUR SHYNESS

ES MERALD A & R E V E LE R S ONCE A YEAR WE THROW A PARTY HERE IN TOWN

ES MERA L DA & REVEL ERS TOPSY TURVY

CLOPIN HAIL TO THE KING

C L OP I N YOU COULD SOON BE CALLED “YOUR HIGHNESS!”

ES MERALD A & R E V E LE R S ONCE A YEAR WE TURN ALL PARIS UPSIDE DOWN

ALL PUT YOUR FOULEST FEATURES ON DISPLAY BE THE KING OF TOPSY-TURVY DAY

CLOPIN OH, WHAT A KING!

(PART II)

REVEL ERS TOPSY TURVY!

©1996 Wonderland Music Company, Inc. (BMI), Walt Disney Music Company (ASCAP). All Rights ES MERA L DA Reserved. Lyrics reprinted by permission.

C L O P IN And now, ladies and gentlemen, the pièce de résistance! HERE IT IS – THE MOMENT YOU’VE BEEN WAITING FOR HERE IT IS – YOU KNOW EXACTLY WHAT’S IN STORE NOW’S THE TIME WE LAUGH UNTIL OUR SIDES GET SORE NOW’S THE TIME WE CROWN – CLOPIN, ESMERALDA & REVELERS THE KING OF FOOLS! C L O P IN SO MAKE A FACE THAT’S HORRIBLE AND FRIGHTENING MAKE A FACE AS GRUESOME AS A GARGOYLE’S WING FOR THE FACE THAT’S UGLIEST WILL BE THE KING OF FOOLS! Why?

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(To QUASIMODO) Aren’t you going to join in the competition? (Sees his face) My God. REVEL ERS TOPSY TURVY! ES MERA L DA Well, wouldn’t you like to be crowned king for a day? REVEL ERS TOPSY TURVY! ES MERA L DA Why not take advantage of what you’ve got? VA RI O U S REVEL ERS My God! He’s hideous! Is that a mask? It’s his face! C L OP I N Ladies and gentlemen, we’re in luck! We asked for the ugliest face in Paris, and we found him: Quasimodo, the Hunchback of Notre Dame!

ES MERALD A & R E V E LE R S ONCE A YEAR THE UGLIEST WILL WEAR THE CROWN CLOPIN GIRLS, GIVE A KISS ES MERALD A & R E V E LE R S ONCE A YEAR ON TOPSY-TURVY DAY CLOPIN WE’VE NEVER HAD A KING LIKE THIS! ALL AND IT’S THE DAY WE DO THE THINGS THAT WE DEPLORE ON THE OTHER THREE-HUNDRED- AND-SIXTY-FOUR ONCE A YEAR WE LOVE TO DROP IN WHERE THE BEER IS NEVER STOPPIN’ FOR THE CHANCE TO POP SOME POPINJAY AND CROWN A KING WHO PUTS THE “TOP” IN TOPSY-TURVY DAY! TOPSY TURVY! MAD AND CRAZY, UPSY-DAISY, TOPSY-TURVY DAY! HEY!

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

RETREATED BACK IN THROUGH THE DOORS OF NOTRE DAME AND THERE FOLLOWED THE GYPSY GIRL WHO’D NEVER BEEN THROUGH THE DOORS OF NOTRE DAME AND SHE STOPPED AND BEHELD ALL THE BEAUTY LIKE A BEGGAR RECEIVING AN ALM AND EACH WINDOW AND PILLAR AND ARCH SEEMED TO FILL HER WITH LIGHT …

FR OLLO SEE HOW IT’S CRUEL SEE HOW IT’S WICKED SEE HOW I SHELTERED YOU FROM HAVING TO GO THROUGH THIS? HOW COULD YOU DO THIS TO ME?

ES MERA L DA THE LIGHT OF NOTRE DAME …

Q U AS IMOD O Forgive, master. Won’t ever leave again.

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

FR OLLO NOW, BOY, YOU SEE YOU DON’T BELONG WITH NORMAL MEN YOU ARE HAPPY WHEN YOU’RE IN YOUR SANCTUARY Q U AS IMOD O SANCTUARY … FR OLLO BACK TO YOUR SANCTUARY FR OLLO & QU ASIM ODO NEVER TO COME OUT HERE FR OLLO AGAIN (Motions to PHOEBUS) Take the boy inside. C O NG R EG AT ION SO THE POOR HUNCHBACK

C H OIR SALVE REGINA, MATER MISERICORDIAE VITA, DULCEDO, ET SPES NOSTRA, SALVE AD TE SUSPIRAMUS GEMENTES ET FLENTES IN HAC LACRIMARUM VALLE … ES MERA L DA I DON’T KNOW IF YOU CAN HEAR ME OR IF YOU’RE EVEN THERE I DON’T KNOW IF YOU WOULD LISTEN TO A GYPSY’S PRAYER YES, I KNOW I’M JUST AN OUTCAST I SHOULDN’T SPEAK TO YOU STILL I SEE YOUR FACE AND WONDER WERE YOU ONCE AN OUTCAST TOO? GOD HELP THE OUTCASTS HUNGRY FROM BIRTH

SHOW THEM THE MERCY THEY DON’T FIND ON EARTH GOD HELP MY PEOPLE THEY LOOK TO YOU STILL GOD HELP THE OUTCASTS OR NOBODY WILL ... C O N GR E G ANT S I ASK FOR WEALTH I ASK FOR FAME I ASK FOR GLORY TO SHINE ON MY NAME I ASK FOR LOVE I CAN POSSESS I ASK FOR GOD AND HIS ANGELS TO BLESS ME ES MERA LD A I ASK FOR NOTHING I CAN GET BY BUT I KNOW SO MANY LESS LUCKY THAN I PLEASE HELP MY PEOPLE THE POOR AND DOWNTROD I THOUGHT WE ALL WERE THE CHILDREN OF GOD GOD HELP THE OUTCASTS CHILDREN OF GOD CHILDREN OF GOD

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

QU A S IM O D O Can see everything from up here. City gates. River Seine.

17

AND SHE IS KIND AND WE’RE ADMITTING WE’D GIVE THREE CHEERS TO SEE YOU BOTH FOREVER SITTING LOOK AT YOU SITTING ON TOP OF THE WORLD … ES MERALD A SEEING LIFE FROM THE TOP OF THE WORLD NOTHING NEEDS FIGHTING AND NO ONE NEEDS PITY THANKS FOR GIVING THIS MOMENT TO ME WHEN JUST FOR A MOMENT THINGS STOP HERE AT THE TOP OF THE WORLD HERE AT THE TOP OF THE WORLD S TA TU E S & G AR G O Y LE S QUASIMODO, SAY SOMETHING TAKE OUR ADVICE BE BRAVE AND SAY SOMETHING PLEASE DON’T THINK TWICE QUASIMODO, SAY SOME –

Ciara Renée

Q U A S IM O D O Esmeralda …

ES MERALD A Yes? THANKS FOR GIVING THIS MOMENT TO ME Q U A S IM O D O WHEN JUST FOR A MOMENT THINGS I … I … IT’S NICE STOP THE TWO OF US SITTING … GAZING DOWN FROM THE TOP OF THE HERE AT THE TOP OF THE WORLD … WORLD ES MERALD A SUDDENLY SEEING A DIFFERENT CITY S TA TU ES & GA RGO YL ES THE TWO OF US SITTING … FOR ALL THESE YEARS THINGS LOOK TINY AND FRIENDLY YOU’VE STAYED ALONE AND FAIR S TA TU E S & G AR G O Y LE S AND FREE FROM DANGER SEEN FROM THE TOP OF THE WORLD THE TWO OF YOU SITTING … WHEN YOU LOOK FROM HIGH ABOVE WE SHARED YOUR FEARS IT WASN’T SAFE EVERYTHING SEEMS PRETTY ALL TO TRUST A STRANGER SEEING LIFE FROM THE TOP OF THE SITTING ON TOP OF THE WORLD! BUT MAYBE WE WERE WRONG HERE WORLD COULD SHE BELONG HERE? NOTHING NEEDS FIGHTING AND NO THIS GIRL APPEARS ONE NEEDS PITY ES M ER AL D A Yes. It sparkles in the light. I’m glad I can get to ... to see things down there.

18

ÁNDO BIRTO ZHAS THAI MOL PIYAS AMARE LOVE DAS THAI MOL PIYAS ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

ES MERA L DA WITH THE TASTE OF THE WINE HOLD ME CLOSE WHILE WE’RE DANCING

C O NG R EG ANTS Frollo began to walk the streets, night after night, unable to bring himself to return alone to his cold, dark chambers.

ES MERA L DA & GYP S I ES WHEN I HEAR YOU SIGHING WINTER IS DYING YOU’LL KEEP ME WARM UNTIL MORNING IN THE DARK OF THE NIGHT …

F ROL L O He thought he saw her everywhere …

(ESMERALDA and PHOEBUS kiss.)

G Y PS Y ÁNDO BIRTO ZHAS THAI MOL PIYAS C O NG R EG ANT Until one night, walking down an unknown alley … G Y PS Y AMARE LOVE DAS THAI MOL PIYAS

FROL L O BRAZEN, LEWD AND ODIOUS THIS VILE, DEPRAVED DISPLAY … GYP S I ES IN THE DEAD OF THE WINTER … FROL L O I CANNOT BEAR TO WATCH, AND YET I CANNOT TURN AWAY …

QU A S IM O D O SO MANY TIMES OUT THERE I’VE WATCHED A HAPPY PAIR OF LOVERS WALKING IN THE NIGHT THEY HAD A KIND OF GLOW AROUND THEM IT ALMOST LOOKED LIKE HEAVEN’S LIGHT I KNEW I’D NEVER KNOW THAT WARM AND LOVING GLOW THOUGH I MIGHT WISH WITH ALL MY MIGHT NO FACE AS HIDEOUS AS MY FACE WAS EVER MEANT FOR HEAVEN’S LIGHT BUT SUDDENLY, AN ANGEL HAS SMILED AT ME AND TOUCHED MY FACE WITHOUT A TRACE OF FRIGHT I DARE TO DREAM THAT SHE MIGHT EVEN CARE FOR ME AND AS I RING THE BELLS TONIGHT MY COLD DARK TOWER SEEMS SO BRIGHT I SWEAR IT MUST BE HEAVEN’S LIGHT

H E LL F I R E

GYP S I ES ©1996 Wonderland Music Company, Inc. (BMI), F ROL L O GY PSIE S YOU’LL KEEP ME WARM UNTIL MORNING Walt Disney Music Company (ASCAP). All Rights He heard the ÁNDO BIRTO ZHAS IN THE DARK OF THE NIGHT Reserved. Lyrics reprinted by permission. sound of distant THAI MOL PIYAS IN THE DEAD OF THE WINTER PLEASURE IS FLEETING music and laughter… SO LIPS WILL BE MEETING P RI ES T S COME KEEP ME WARM UNTIL MORNING … CONFITEOR DEO OMNIPOTENTI C O NG R EG ANT BEATAE MARIAE SEMPER VIRGINI Coming from within AMARE LOVE DAS BEATO MICHAELI ARCHANGELO a tavern called – THAI MOL PIYAS SANCTIS APOSTOLIS OMNIBUS SANCTIS G Y PS IES La Pomme d’Eve! FRO L L O BEATA MARIA THAI GILABA YOU KNOW I AM A RIGHTEOUS MAN THAI MOL PIYAS OF MY VIRTUE, I AM JUSTLY PROUD ... IN THE DARK OF THE NIGHT ©1996 Wonderland Music Company, Inc. (BMI), IN THE DEAD OF THE WINTER Walt Disney Music Company (ASCAP). All Rights PLEASURE IS FLEETING P RIES T S Reserved. Lyrics reprinted by permission. SO LIPS WILL BE MEETING ET TIBI PATER ... 19 COME KEEP ME WARM UNTIL MORNING

FR OLLO BEATA MARIA YOU KNOW I’M SO MUCH PURER THAN THE COMMON, VULGAR, WEAK, LICENTIOUS CROWD ... PR IEST S QUIA PECCAVI NIMIS ... FR OLLO THEN TELL ME, MARIA WHY I SEE HER DANCING THERE WHY HER SMOLD’RING EYES STILL SCORCH MY SOUL ... PR IEST S COGITATIONE ...

DON’T LET HER FIRE SEAR MY FLESH AND BONE DESTROY ESMERALDA AND LET HER TASTE THE FIRES OF HELL OR ELSE LET HER BE MINE AND MINE ALONE ... HELLFIRE DARK FIRE NOW GYPSY, IT’S YOUR TURN CHOOSE ME OR YOUR PYRE BE MINE OR YOU WILL BURN ... C H OIR KYRIE ELEISON

FROL L O FR OLLO GOD HAVE MERCY ON HER I FEEL HER, I SEE HER THE SUN CAUGHT IN HER RAVEN HAIR C H OIR IS BLAZING IN ME OUT OF ALL CONTROL ... KYRIE ELEISON PR IEST S VERBO ET OPERE ...

FROL L O GOD HAVE MERCY ON ME

FR OLLO LIKE FIRE HELLFIRE THIS FIRE IN MY SKIN THIS BURNING DESIRE IS TURNING ME TO SIN ...

C H OIR KYRIE ELEISON FROL L O BUT SHE WILL BE MINE OR SHE WILL BURN!

E SME RALDA

FR OLLO PRIE STS IT’S NOT MY FAULT MEA CULPA I’M NOT TO BLAME MEA CULPA ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / IT IS THE GYPSY GIRL THE WITCH WHO MEA MAXIMA Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics SENT THIS FLAME CULPA reprinted by permission. IT’S NOT MY FAULT MEA CULPA IF IN GOD’S PLAN MEA CULPA HE MADE THE DEVIL O FFIC I A L SO MUCH BY ROYAL EDICT, WARRANT OF ARREST: STRONGER THAN A MAN MEA MAXIMA THE GYPSY KNOWN AS ESMERALDA CULPA BEING UNDER SUSPICION OF SORCERY, WITCHCRAFT PROTECT ME, MARIA AND THE ARTS OF HELL DON’T LET THIS SIREN CAST HER SPELL ANYONE FOUND HARBORING OR 20

HELPING HER WILL BE CHARGED AS WELL FROL L O HUNT DOWN THE GYPSY ESMERALDA DON’T LET HER FLEE AND VANISH IN THE NIGHT THESE ARE THE FLAMES OF ESMERALDA WHILE SHE IS FREE YOUR TORCHES MUST BURN BRIGHT … P H OEB U S & SO LD I E R S HUNT DOWN THE GYPSY ESMERALDA DON’T LET HER FLEE AND VANISH IN THE NIGHT THESE ARE THE FLAMES OF ESMERALDA WHILE SHE IS FREE OUR TORCHES WILL BURN BRIGHT … (FROLLO approaches QUASIMODO in the bell tower.) FROL L O Have no fear, my boy … We will find her and capture her! “THE WICKED SHALL NOT GO UNPUNISH-ED THE HEART OF THE WICKED IS OF LITTLE WORTH THE WICKED SHALL NOT GO UNPUNISH-ED …” C ON GR E G ANT ALL THROUGH THE CITY, AT MORE FEVERED PITCH THAN THE BELLS OF NOTRE DAME … P H OEB U S Two gold pieces for the one who leads us to Esmeralda. C ON GR E G ANT FROLLO’S MEN SOUGHT ESMERALDA, THE WITCH WITH THE MIGHT OF NOTRE DAME …

P HOEBUS Four gold pieces for the one who leads us to Esmeralda. C O NGR EGANTS TILL AT LAST, THEY WERE TOLD OF A BROTHEL WHERE THEY SOMETIMES HID GYPSIES FROM HARM … BUT THE MADAM, THAT WHORE DENIED IT AND SWORE BY THE SAINTS THE SAINTS OF NOTRE DAME ... S O LD IER We’re looking for La Esmeralda. MA D AM Never heard of her. F ROLLO If you want your house to remain standing, give us the gypsy girl. MA D AM I know nothing of gypsy girls. F ROLLO Very well. We’ll set fire to it. Burn it. Did you hear me, Captain?

Andrew Samonsky

THE OUTCASTS ES MERA LD A OR NOBODY No! WILL P HOEBUS FRO L L O AND HE HELD THE TORCH P H OEBU S You see?! There she is! THAT CRACKLED LIKE THE GYPSY’S GOD HELP THE OUTCASTS VOICE … OR NODOBY WILL! GOOD PEOPLE OF PARIS I’VE HEARD THE CALLING OF THE LORD F ROLLO FROL L O THE TIME HAS COME TO TAKE OUR Are you disobeying a direct order? COWARD! TRAITOR! GYPSY’S PAWN! CITY BACK YOU’RE RELIEVED OF YOUR PATROL WE’LL SAVE OUR PARIS P HOEBUS EXPUNGE THIS HEATHEN GYPSY HORDE AND HE KNEW THIS WAS THE MOMENT P H OEBU S BEFORE WE’RE OVERRUN, WE MUST HE MUST MAKE A CHOICE … ATTACK! Consider it my highest honor. F ROLLO CHOIR GOD HELP THE OUTCASTS I knew it. She’s bewitched THEY LOOK you, too. TO YOU STILL You would throw away a GOD HELP

promising career? Captain? Carry out the order!

FROL L O KYRIE ELEISON GOD HAVE MERCY ON YOUR SOUL! Arrest Captain Phoebus.

FRO L L O , SO LD I E R S & C ONG R E G AT I O N HUNT DOWN THE GYPSY AND THE SOLDIER DON’T LET THEM FLEE AND VANISH IN THE NIGHT

21

WE’LL FIND THE GYPSY AND THE SOLDIER WHILE THEY ARE FREE OUR TORCHES WILL BURN BRIGHT! Q U AS IMOD O FIRE! FIRE! SMOKE AND FLAME! ESMERALDA, WHERE ARE YOU? IN THIS DARK, I CALL YOUR NAME IS THAT ALL THAT I CAN DO? PH OEBUS WHAT HAVE I DONE FOR ESMERALDA? WHY DID I HEAR HER WORDS INSIDE MY HEAD? AND STILL I THINK OF ESMERALDA WITH MY CAREER AND BODY LEFT FOR DEAD … Q U AS IMOD O OUT THERE SOMEWHERE SHE IS LOST ... PH OEBUS , F R OLLO SOMEWHERE SHE IS LOST ... Q U AS IMOD O ESMERALDA! QUASIMODO, FROLLO, PHOEBUS, S O L D IER S & CON GRE GA TION WHERE IS THE GIRL CALLED ESMERALDA? THE FLAMES GROW TALL AND SHARP AS FLEURS-DE-LIS C HOIR MISERICORDIA Q U AS IMOD O, FROLLO, PHOE B U S & S OLD IER S ALL PARIS BURNS FOR ESMERALDA QUASIMODO, FROLLO & PHOEBUS AND STILL IT ALL COMES DOWN TO HER AND ME C HOIR ET DONA NOBIS PACEM

22

FRO L L O THE DEVIL DWELLS IN ESMERALDA QUASIMODO & PHOEBUS OH ESMERALDA, OH ESMERALDA FRO L L O RESIST HIS CHARM …

CHOIR PACEM

QU A S IMODO & C O N GREGA TIO N WAKE UP THE CITY AND SOUND THE ALARM! FRO L L O & S O L DI ERS WAKE UP THE CITY AND SOUND THE ALARM! C H O IR WAKE UP THE CITY AND SOUND THE ALARM! FRO L L O , C L OP I N C H O IR & C ON GREGA TIO N THESE ARE THE FLAMES OF ESMERALDA DONA NOBIS PACEM THE NIGHT IS SINGING DONA NOBIS PACEM OF ESMERALDA … DONA NOBIS PACEM EVEN THE BELLS SING THE BELLS OF SING THE BELLS OF NOTRE DAME! OF NOTRE DAME!

ACT TWO

E NT R’ACTE ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

C H OIR LIBERA ME DOMINE DE MORTE AETERNA IN DIE ILLA TREMENDA QUANDO CAELI MOVENDI SALUTARIS, SALUTARIS LIBERA ME DOMINE DE MORTE AETERNA PUTABUM ME NUNQUAM QUOD AURUM CALIDUM PUTABUM ME NUNQUAM QUOD AURUM CALIDUM QUAMVIS TOTIS VIRIBIS VELEM NUNC TURRIM VIDETUR SPLENDIDUM IURO LUCE CAELI SALUTARIS, SALUTARIS HOSTIA QUAE CAELI PANDIS OSTIUM IBI VIVA IN SOLE DABIT ME UNUM DIEM IBI DABIT ME OLIM NOS SUADEBIMUS FELIX ERIMUS IN CLARA DIES USQUE HOC TEMPUS CUM NON ESSET SOLE VIVUNT IN SPE NUNQUAM REDONO VENIET OLIM MUTATIO AMEN

Brent-Alan Huffman & Orchestra Q U A S IMODO Save her? Me?

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

S TAT UE You have to save her!

S TA TU ES & GA RGO YL ES What’s the matter? Are you afraid? Of course he’s afraid! And he should be. But that’s what makes you a hero – doing what you’re afraid of. A hero … or a saint …

S A IN T A PH R O D I SI U S SAINT APHRODISIUS, THE BISHOP OF BÉZIERS I WAS BEHEADED BY A MOB IN PLACE SAINT-CYR AND THOUGH I MADE A CHOICE I DID NOT KNOW WOULD BRING MY GRISLY MARTYRING I WOULDN’T CHANGE A THING FOR I KEPT SAFE AND FREE THE HOLY FAMILY

Q U A S IMODO You mean like Saint … Saint … What’s your ON THEIR FLIGHT INTO EGYPT name again? LAND OF THE DATE AND PALM I OFFERED SHELTER

23

TO HER WHO IS NOTRE DAME IF THAT’S WHAT I COULD DO THEN QUASIMODO, YOU CAN TOO …

S A IN T A P H RODIS I U S , S TA TU ES Too bad you won’t live to talk about it. & GA RGO YL ES IT’S A MAP OF THE CITY FROM ABOVE! MAYBE YOU’VE HEARD OF A TERRIBLE PLACE Q U A S IMODO Q UAS IMOD O WHERE THE SCOUNDRELS OF PARIS I’ll do it! I’ll go out there while it’s dark. I’ll COLLECT IN A LAIR But even if I could go out there – how can find Esmeralda and bring her back! I find her? MAYBE YOU’VE HEARD OF THAT MYTHICAL PLACE JUST LIKE THE ANGEL WHO WARNED CALLED THE COURT OF MIRACLES – S A INT AP H R ODISIU S JOSEPH HE MUST FLEE The amulet she gave you! I’LL SAVE ESMERALDA – HER ANGEL GYP S IE S WILL BE ME G A R GOYL ES THE COURT OF MIRACLES I’LL GIVE HER SANCTUARY, But what is it? Just a web and a jewel … It SOMEWHERE SAFE TO HIDE doesn’t mean anything! C L OP I N PROTECTED AT MY SIDE BROTHER, YOU’RE THERE! A LITTLE LIKE … A BRIDE S A INT AP H R ODISIU S WHERE THE LAME CAN WALK NO, IT MUST BE A CLUE AND THE BLIND CAN SEE S A IN T A P H RODIS I U S , S TA TU ES MADE WITH GUILE AND ART … BUT THE DEAD DON’T TALK & GA RGO YL ES SO YOU WON’T BE AROUND LIKE SAINTS IN STONE AND SONG S TAT UES TO REVEAL WHAT YOU’VE FOUND AND SHE GAVE IT TO YOU WE HAVE A METHOD FOR SPIES AND BECAUSE SHE KNOWS YOU’RE SMART! Q U A S IMODO INTRUDERS FOR HER I WILL BE STRONG THINK, QUASIMODO! NOT TERRIBLY DIFF’RENT FROM BEES IS IT HOPELESS? IN A HIVE ALL HERE IN THE COURT OF MIRACLES AND (Y)OUR FLIGHT INTO EGYPT S A INT AP H R ODISIU S WHERE IT’S A MIRACLE IF YOU GET MAY LAST (Y)OUR WHOLE LIFE LONG OR – OUT ALIVE! YES, THAT FLIGHT INTO EGYPT CAN YOU SEE IN IT SOMETHING WILL LAST … YOU’VE SEEN BEFORE? GYP S IE S The ugly hunchback! He’s bad luck! He’s Q U A S IMODO Q UAS IMOD O cursed! Hang them both! String ‘em up! OUR WHOLE LIFE LONG … Seen before? Wait – I know this! C L OP I N LOOK AT THIS LINE – THAT’S A BRIDGE, My apologies, gentlemen, for your imminent THAT’S A STREET demise. Any last words? I thought not! AND THIS JEWEL – IT MUST SHOW WHERE WE’RE SUPPOSED TO MEET! IT’S ALWAYS SAD WHEN A LIFE’S AT ITS FINISH S A INT AP H R ODISIU S, STATU E S I HAVE TO ADMIT TO A BIT OF A PANG ©2015 Wonderland Music Company, Inc. (BMI), BUT WE MUST PROTECT AT ALL COST & GAR GOYL ES Menken Music & Trunksong Music, Ltd. (BMI) / YOU’VE DONE IT, QUASIMODO! THIS OUR SECRET Walt Disney Music Company & Greydog Music, IT’S OUR LIVES OR YOURS – WE’RE CERTAIN OF … Q UAS IMOD O IT’S A MAP! IT’S A MAP! Look – IT’S THE CITY SEEN FROM ABOVE!

24

Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

CLOPIN Welcome to the Court of Miracles! You’re very clever to have found our little hideaway.

C L OP I N & G Y PSI E S SO YOU’RE GOING TO HANG!

MY MIGHT NO FACE AS HIDEOUS AS MY FACE WAS EVER MEANT FOR HEAVEN’S LIGHT … ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

P HOEBUS HERE WE ARE NEARLY STRANGERS FROM TWO WORLDS THAT HAVE RARELY MET BUT SOMEHOW YOU HAVE MADE ME SOMEONE NEW TRAV’LING FAR ON A JOURNEY THAT’S THE LONGEST I’VE TAKEN YET NOW I’M ASKING IF YOU WILL LET ME COME WITH YOU THOUGH OUR LIVES ARE TATTERED AND TORN ALL I’M FEELING NOW IS REBORN I MUST BE IN A PLACE OF MIRACLES … ES M ER AL D A WHERE THE BLIND CAN SEE ES M ER AL D A & PHOE B U S IN A PLACE OF MIRACLES P HOEBUS A MIRACLE YOU’VE BROUGHT TO ME ES M ER AL D A & PHOE B U S THE SOLDIER AND THE GYPSY LOCKED IN AN EMBRACE IN A PLACE OF MIRACLES … Q UAS IMOD O I KNEW I’D NEVER KNOW THAT WARM AND LOVING GLOW THOUGH I MIGHT WISH WITH ALL

ES MERA L DA ALL THIS TIME

QU A S IMODO THIS TIME IT’S TIME I LEARNED I’VE BEEN CERTAIN NO LOVE WILL THAT MY LIFE BE RETURNED WOULD BE TO ONE WHO’S SPENT ALONE BORN TO BE ALONE AND WHAT’S MORE I PRETENDED NOT TO CARE... WHO LOOKS BOTH LAUGHABLE AND FRIGHT’NING ... P H OEBU S BUT NOW I’M HERE BESIDE YOU

AND NOW I KNOW THERE’LL BE NO MIRACLES FOR ME

P H OEBU S & ES MERA L DA NO MORE NEED FOR A HEART OF STONE BETTER TO HAVE A HEART OF STONE THOUGH WE SET OUT FOR LANDS UNKNOWN THEY’RE LANDS THAT HOLDS WE’LL SHARE … NO HOPE OF HEAVEN’S LIGHT …

KINDER TO OUR RACE? C L OP I N, E SM E R ALD A, PH O E B U S & GYP SI E S IN A PLACE OF MIRACLES …? QU A S IM O D O WHERE’S MY PLACE OF MIRACLES …? ES MERA LD A & PH O E B U S IN A PLACE … ALL … OF MIRACLES

©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

C O N GR E G AT I O N JUSTICE IN PARIS WAS OFTEN DISPLAYED IN THE SQUARE AT NOTRE DAME NOW AS THE WOOD FOR A PYRE WAS LAID IN THE SQUARE AT NOTRE DAME THERE CAME SOME THERE WHO SOUGHT ENTERTAINMENT C L O P I N , ES MERA L DA , P H OEBU S AND SOME WHO WISHED ALL GYPSIES & GYP S IES HARM WILL WE REACH A FRIENDLIER SHORE? FOR THE RUMOR WAS GROWING: WILL WE FIND A HAVEN ONCE MORE A GYPSY WAS GOING TO BURN WHERE WE’LL BE AT DAWN AT NOTRE DAME … IN A PLACE OF MIRACLES? NOW WE LEAVE OUR HOME FOR A PLACE OF MIRACLES … CLOPIN ROMANIES AGAIN MUST ROAM COULD THERE BE A COUNTRY

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©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

E S M ER AL D A I USED TO BELIEVE IN THE DAYS I WAS NAÏVE THAT I’D LIVE TO SEE A DAY OF JUSTICE DAWN AND THOUGH I WILL DIE LONG BEFORE THAT MORNING COMES I’LL DIE WHILE BELIEVING STILL IT WILL COME WHEN I AM GONE SOMEDAY WHEN WE ARE WISER WHEN THE WORLD’S OLDER WHEN WE HAVE LEARNED I PRAY SOMEDAY WE MAY YET LIVE TO LIVE AND LET LIVE E S M ER AL D A & PHOE B U S SOMEDAY LIFE WILL BE FAIRER NEED WILL BE RARER GREED WILL NOT PAY GOD SPEED THIS BRIGHT MILLENNIUM ON ITS WAY LET IT COME SOMEDAY ... PH OEBUS … WHEN THE WORLD’S OLDER WHEN THINGS HAVE CHANGED … E S M ER AL D A & PHOE B U S SOMEDAY THESE DREAMS WILL ALL BE REAL TILL THEN WE’LL WISH UPON THE MOON CHANGE WILL COME …

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P H O EBU S ONE DAY …

Q U A S IM O D O Quiet! Go away.

ES MERA L DA SOMEDAY …

S TA TU E You’re the only one who can save her now.

ES MERA L DA & P H O EBU S SOON …

Q U A S IM O D O You know what happens when I try to help. I only make things worse. S TA TU E S & G AR G O Y LE S You don’t believe that.

©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

C O N GREGA TIO N KYRIE ELEISON … WHILE THE CITY SLUMBERED, QUASIMODO SAT AWAKE AS THE NIGHT CREPT PITILESSLY ONWARD NOT ONE WORD HE UTTERED, NOT ONE MOVEMENT DID HE MAKE AWAITING THE INEXORABLE DAWN KYRIE ELEISON …

Q U A S IM O D O How do you know what I believe? WHAT DO YOU KNOW OF ME? WHAT DO YOU KNOW OF ALL THE THINGS I FEEL? YOU’RE ONLY MADE OF STONE WHO IS IT THAT YOU SEE INSTEAD OF SEEING WHAT I AM FOR REAL – THIS TWISTED FLESH AND BONE? GA RGO Y LE But Quasimodo, it wasn’t your fault – Q U A S IM O D O YOU’RE A LIAR! WITH EV’RY NEW EXCUSE YOU TRY OUT YOU ONLY MAKE ME WANT TO CRY OUT: “WOULD THAT I WERE MADE OF STONE LIKE YOU …” S TA TU E & G AR G O Y LE You don’t mean that. Just take some time to –

©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

GA RGO YL ES Quasimodo, you must try to free yourself! The girl needs your help.

Q U A S IM O D O YOU GIVE SUCH GOOD ADVICE SO WHY HAS NOT ONE SINGLE WORD YOU’VE SAID BEEN ANY HELP AT ALL? S TA TU E S & G AR G O Y LE S Quasimodo –

Patrick Page Q UASIMOD O AND YOU WHO SOUND SO NICE THE MORE YOUR DREAMS AND FANCIES FILL MY HEAD THE FARTHER THAT I FALL SHUT MY BRAIN DOWN! IF I WERE SENSELESS, I’D PREFER IT ANOTHER GARGOYLE ON THIS TURRET SPITTING RAIN DOWN TO THE STONES BELOW I’VE WASTED MY FAITH BELIEVING IN SAINTS OF PLASTER BUT THE ONLY ONE WORTH BELIEVING IN WAS MY MASTER HE’S THE ONE WHO NEVER LIED

HE TOLD ME IT WAS CRUEL OUTSIDE HE TOLD ME HOW I HAD TO HIDE HIS WORDS WERE COLD AS STONE BUT THEY WERE TRUE NOT LIKE YOU TAKE ALL THE DREAMS YOU’VE SOWN TAKE ALL YOUR LIES AND LEAVE ME ALONE! S TA TU ES & GA RGO YL ES ALL RIGHT, QUASIMODO WE’LL LEAVE YOU ALONE ALL RIGHT, QUASIMODO WE’LL TROUBLE YOU NO LONGER YOU’RE RIGHT, QUASIMODO WE’RE ONLY MADE OF STONE WE JUST THOUGHT THAT YOU WERE

MADE OF SOMETHING STRONGER ... QU A S IM O D O AND NOW I’M ON MY OWN NEVER AGAIN TO WONDER WHAT’S “OUT THERE” LET IT REMAIN UNKNOWN AND MY ONE HUMAN EYE WILL EVERMORE BE DRY UNTIL THE DAY I DIE AS IF I WERE MADE OF STONE!

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©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.

C HOIR JUDEX CREDERIS ESSE VENTURUS IN TE DOMINE SPERAVI NON CONFUNDAR IN AETERNUM SALVUM FAC POPULUM TUUM JUDEX CREDERIS

QU A S IMODO Esmeralda!

FROL L O Captain! Seize the Cathedral.

C H O IR LIBERA ME DOMINE DE MORTE AETERNA

S OL DI E R But sir, the laws of sanctuary –

C O N GREGA N T And at that moment Quasimodo decided – C H O IR IN DIE ILLA TREMENDA QUANDO COELI MOVENDI SUNT C O N GREGA TIO N He could remain stone no longer.

C H O IR COELI ET TERRA FR OLLO DUM VENERIS JUDICARE The prisoner has been found guilty of entering SAECULUM PER IGNEM the city of Paris illegally, guilty of stabbing a O SALUTARIS, SALUTARIS HOSTIA soldier of the Church, and guilty of the crime QUAE CAELI PANDIS OSTIUM of witchcraft. The sentence is death. BELLA PREMUNT HOSTILIA DA ROBUR PER AUXILIUM C HOIR SIT SEMPITERNA GLORIA KYRIE ELEISON … SIT SEMPITERNA GLORIA SIT SEMPITERNA GLORIA FR OLLO GLORIA I will give you this opportunity to recant GLORIA! and save yourself. Think of what I’ve SEMPER SANCTUS! offered. What is your answer? (QUASIMODO jumps, swings from a parapet (ESMERALDA spits in FROLLO’S face.) to the pyre, and frees ESMERALDA. He hoists her over his shoulders.) C HOIR LIBERA ME DOMINE QU A S IMODO Sanctuary! FR OLLO For the justice of the realm and for the C H O IR salvation of Paris, it is my sacred duty to SANCTUS! send this unholy demon back to hell. QU A S IMODO (In the bell tower, QUASIMODO sits, still Sanctuary! motionless as stone, and observes. FROLLO nods to a soldier, who brings up a torch. C H O IR FROLLO grabs it to light the fire himself.) IN EXCELSIS!

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FROL L O I am the Archdeacon of this Cathedral! I negate the laws of sanctuary! Open those doors! Ram them through, if you must! C ON GR E G ANT S As the soldiers attempted to ram open the church doors, they suddenly saw Quasimodo hurl giant stones and wooden beams – S OL DI E R S Watch out!!! C H OIR DIES IRAE DIES IRAE FROL L O Use them to break down the doors! C H OIR DIES IRAE DIES ILLA (PHOEBUS and CLOPIN rally the crowd.) P H OEB U S

C LO PI N & C O NG R E G AT I O N

HEAR ME, PEOPLE OF PARIS

OLIM DEUS ACCELERE HOW MUCH OPPRESSION WILL YOU ALLOW? HOC SAECULUM SPLENDIDUM SOMEDAY YOUR PATIENCE WILL ACCELERE FIN’LLY BREAK FIAT VENIRE OLIM WHY NOT MAKE SOMEDAY COME RIGHT NOW? C O N GR E G ANT S The people fought the soldiers, but could not hold them back. With one final blow, they knocked down the doors –

C O N G R EG ANTS CHOIR QU A S IMODO And Quasimodo ran MORS STUPEBIT Can stay inside here forever. back and forth, ET NATURA trying to find a way CUM RESURGET ES MERA L DA to stop them, until CREATURA I don’t think forever … You are such a good he came upon the JUDICANTI friend, Quasimodo. great vats of molten lead RESPONSURA sitting up on the roof. (ESMERALDA dies.) S O L D IER QU A S IMODO My God! Look! Up there! He’s way up there! Yes. Your friend … Esmeralda … Esmeralda, wake up! Q U AS IMOD O,STA TU E S (FROLLO enters.) & GAR GOYL ES COME ALL YOU SAINTS OF STONE ALL YOU GUARDIANS AND GARGOYLES FRO L L O BLAZE THE FIRE Is she dead? IN THE NIGHT RAISE THE FIRE QU A S IMODO NOW AND LIGHT Because of you! THESE VATS OF LEAD STEAMING, BOILING FRO L L O STREAMS OF LEAD It was my duty. BURNING LEAD AND LET THE FLAMES GROW QU A S IMODO HIGHER Duty? Q U AS IMOD O OH SAINTS AND MONSTERS SHOW YOUR POWER HELP ME TO SEND THIS RAGING SHOWER RAINING FIRE ON THE STONE BELOW ...

FRO L L O Now we can finally go back to the way things were. QU A S IMODO No … never go back.

(QUASIMODO releases molten lead from the FRO L L O bell tower, dispersing the soldiers. He runs to We will. You’ll see. where ESMERALDA lies in the bell tower.) AT LAST WE’RE FREE OF ESMERALDA We’ve done it, Esmeralda! Beaten them NOW THAT SHE’S GONE, HER POISON back! Esmeralda, you are home. DIES WITH HER NOW THAT WE’RE FREE OF ESMERALDA WE CAN GO ON, AS CLOSE AS ONCE E S M ER AL D A WE WERE Home … HERE IN OUR SANCTUARY HERE AGAIN AT THE TOP OF THE WORLD SANCTUARY … TWO FRIENDS ENJOYING THIS BEAUTIFUL MORNING QU A S IMODO IN MY EYES, YOU ARE BEAUTIFUL TOO Sanctuary …? No sanctuary – without her … SHARING THE TOP OF THE WORLD …

FROL L O It was her choice, Quasimodo. I could have helped her. Even … loved her … Q U A S IM O D O Love … What do you know of love? Who have you ever loved? FROL L O I loved ... I loved my brother! I tried to teach him. Q U A S IM O D O You teach him …? FROL L O Yes, as I tried to teach you. But he was wicked! Weak! Q U A S IM O D O No. You are the weak one … You the wicked one. And the wicked shall not go unpunished! JEH A N ’ S G H O ST “THE WICKED SHALL NOT GO UNPUNISH-ED…” GYP S Y G H O ST “THE HEART OF THE WICKED IS OF LITTLE WORTH …” FROL L O Let go of me, Quasimodo. C ON GR E G AT I O N & C H O I R “THE WICKED SHALL NOT GO UNPUNISH-ED…” FROL L O Quasimodo, let go … C ON GR E G AT I O N & C H O I R SOLVET SAECULUM IN FAVILLA TESTE DAVID CUM SYBILLA QUANTUS TREMOR EST FUTURUS QUANDO JUDEX EST VENTURUS ... Q U A S IM O D O I told you, master – I am very strong!

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F ROL L O You don’t want to hurt me— S TAT UES & GA RGOYLE S Yes, you do … C O NG R EG ANTS Quasimodo raised his two huge hands… and with a great bellow threw his master over the edge of the roof into the abyss below! F ROL L O Damnation!

AFTERNOON SPLENDIDUM GOD SPEED THIS BRIGHT ACCELERE FIAT MILLENNIUM VENIRE OLIM HOPE LIVES ON WISH UPON THE MOON LET IT COME ONE DAY ...

BALLADEERS AND THE BELLS OF NOTRE DAME

Q U A S IMODO SOMEDAY

ALL BUT HERE IS A RIDDLE TO GUESS IF YOU CAN SING THE BELLS OF NOTRE DAME WHAT MAKES A MONSTER AND WHAT MAKES A MAN? SING THE BELLS, BELLS, BELLS, BELLS … WHATEVER THEIR PITCH YOU CAN FEEL THEM BEWITCH YOU THE RICH AND THE RITUAL KNELLS OF THE BELLS OF NOTRE DAME!

C ON GREGA TIO N SOON …

(FROLLO falls to his death.)

CLOPIN MORNING IN PARIS, A NEW DAY S TAT UES & GA RGOYLE S APPEARS THE WORLD IS CRUEL SING THE BELLS OF NOTRE DAME THE WORLD IS UGLY ENDING THE TALE OF YOUR POOR BUT THERE ARE TIMES AND THERE ARE PEOPLE WHEN THE WORLD IS NOT AND AT ITS CRUELEST IT’S STILL THE ONLY WORLD WE’VE GOT LIGHT AND DARK FOUL AND FAIR Q UAS IMOD O OUT THERE … (QUASIMODO lifts ESMERALDA and carries her out of the Cathedral and into the square. At first, the crowd recoils. But then, one by one, they approach QUASIMODO with compassion.) C O NG R EG AT I ON & CH OIR

SOMEDAY LIFE WILL BE KINDER LOVE WILL BE BLINDER SOME NEW 30

GYPSY GHOST

C O N GR E G ANT S AND WE WISH WE COULD LEAVE YOU A MORAL LIKE A TRINKET YOU HOLD IN YOUR PALM

Live dramatic performance rights for The Hunchback of Notre Dame are represented exclusively by Music Theatre International (MTI) 421 West 54th Street, New York, NY 10019 mtishows.com For licensing information, please call (212) 541-4684 or email [email protected]

OLIM DEUS ACCELERE HOC SAECULUM SPLENDIDUM OLIM DEUS ACCELERE HOC SAECULUM

Studio Cast Recording based on the American Premiere production directed by Scott Schwartz at La Jolla Playhouse in Fall 2014 and Paper Mill Playhouse in Winter 2015.

Clockwise from top left: Michael Arden / Ciara Renée, Andrew Samonsky / Ciara Renée, Patrick Page, Michael Arden / Congregation 31

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