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Edited by Marie-Laure Ryan

1 2 2

2004

vi

Contents

1

M arie-Laure Ryan

2

Ryan

Introduction

3

4

Ryan

Introduction

5

6

Ryan

Introduction

I n t I n 11 \ i

11 1

7

8

Ryan

1

Introduction

1

1 .

II

ii.

ii

.....

m i iii

9

10

Ryan

Introduction

11

12

Ryan

Introduction

1

13

14

Ryan

Introduction

15

16

Ryan

A

Introduction

1

1

Mi l

17

18

Ryan

Introduction

hi

19

.!()

Ryan

0 1 ^-1

4

Introduction

1

23

24

Ryan

Introduction

1

1

25

26

Ryan

Introduction

1

27

28

Ryan

Introduction

29

30

Ryan

Introduction

31

32

Ryan

Introduction

1 1

3.3

34 Ryan

1

Introduction

35

36

Ryan

1

Introduction

9

37

38

Ryan

Introduction

77

39

40

Ryan

tu

42

Faee-to-Face Narration

Face-to-Tace Narration

43

44

Face-to-Face Narration

Face-to-Face Narration •Jl p ro p o rtio n al fri r-to -face 1(1 lak e K lc llin g depic t [Metaphor o bject discou rse llii' p lot); World rytellers w h e th e r in g ill in the of re cy c lin g vested the

45

46

Face-to-Face Narration

l )avid

48

H erman

4

Toward a Transmedial N arratology

49

50

Herman

Toward a Transmedial N arratology

51

52

Herman

Toward a Tram m edial N arratology

53

54

Herman

Toward a Transmedial N arratology

(cf. Hfesociated Hssociated

lien’s

fellows, narrative,

q u o t a tio n

extent ,is

,is

55

56

H erman

Toward a Transmedial N arratology

57

58

H erman

Toward a Transmediai N arratology

59

60

H erman

Toward a Transmedial N arratology

No on) variably, llie m ill b len ds even t

ill ity

61

62

H erman

Toward a Transmedial N arratology

63

64

H erman

Toward a Transmedial N arratology

111

65

66

Herman

Toward a Transmedial N arratology

life

67

68

H erman

Toward a Tmnsmedial N arratology

t s

:

11 iia: t s

:

iia:

I

69

70

H erman

Toward a Transmedial N arratology

1

71

72

Herman

Toward a Transmedial N arratology

97

73

74

H erman

Toward a Transmedial N arratology

993

75

2

1

Frame a n d Boundary

Ctrned and

they

Mot

77

Frame a n d B oundary

«ml

79

O)

Taleworld

CO

Storyrealm Realm of Conversation

Frame a n d Boundary

W ann ed

farm , gathered.

the have b e e n those

the t o w ard

to

81

Frame a n d Boundary an

gtories, VCl'sation er events

the are

C

83

84

Young

Frame a n d Boundary I'yrealm of b rie f ¡cate

the

ttiul

of

85

86

Young

Frame a n d Boundary

know ticket,

been turn.

87

88

Young

Frame a n d Boundary

tu re t o

1

6 ).

89

90

Young

Frame a n d Boundary

P re fa c e CO

52

^

co

91

— ->

Taleworld/Storyrealm

Open/ng — >

Storyrealm

B e g in n in g - - >

Taleworld

5 4o

C/5

a:

C lo s in g Coda

Storyrealm

Taleworld

92

Young

1

Frame a n d B oundary

Ill

93

94

Young

95

Frame-for

Realm of Conversation

Frame-in

Storyrealm

Orientation

that

Frame-of

Taleworld

96

Young

96

Young

Frame a n d B oundary also

for

1

97

98

Young

Frame a n d B oundary

99

100

Young

Frame-of

Frame-in

§ |j

E v a l u a t i o n ... t >

Taleworld I Storyrealm

E v a lu a tio n — 1 >

Taleworld I Storyrealm

E v a lu a tio n

Taleworld I Storyrealm

Frame a n d B oundary

o

o CO

CO O

P re fa c e E v a l u a ti o n O p e n in g E v a l u a ti o n O r i e n t a ti o n B e g in n in g O r i e n t a ti o n E v a l u a ti o n End E v a l u a ti o n C lo s in g E v a l u a ti o n C oda E v a l u a ti o n

> > > > >

>

101

Taleworld I Storyrealm Taleworld I Storyrealm Storyrealm Taleworld Taleworld Taleworld Taleworld Taleworld I Storyrealm Storyrealm Taleworld iI Storyrealm Taleworld Taleworld I Storyrealm

102

Young

Frame a n d B oundary

111

Lei

103

104

Young

i

Frame a n d B oundary

105

ma

:

Frame a n d Boundary

107

3

Gesture a n d the Poetics o f Prose

Ucture,

109

110

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose

In text,

111

112

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose

1 13

114

Cassell a n d M cN eill visiiid

Gesture a n d the Poetics o f Prose

M f y v 3-2-)-

As

115

116

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose

117

118

Cassell a n d M cN eill

1

Gesture a n d the Poetics o f Prose

119

120

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose

Narrative level Narr. Iconic Focalization Char.

Obs.

Agent Ojher In scene Outside All iconic C-VPT

C-VPT

(Gesture acts out specific character)

O-VPT

a

All iconic O-VPT O-VPT (Gesture either surrounds narrator or is in front)

Paran. Metaph. No Gesture or Deictic or Deictic (Beat signal shifts between levels)

121

122

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose

123

124

Cassell a n d M cN eill

ij>

1

Gesture a n d the Poetics o f Prose

31 |>c

Ml hrml

C-VPT

O-VPT

71

24

66

93

72

6

rcsscs

Vl’T is

o v p t).

U ncodable

N um ber o f Events

125

124

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose

31 [ ’.vent Type ( ientral Peripheral

e y e level

C-VPT

O-VPT

U ncodable

N um ber o f Events

71

24

5

66

6

93

1

72

c

- v i *t ).

125

126

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose

f

from

127

128

Cassell a n d M cN eill

Gesture a n d the Poetics o f Prose (ifsta re s

The.* III

129

130

Cassell a n d M cN eill

1

Gesture a n d the Poetics o f Prose

he lice. fhich

tion the

131

132

Cassell a n d M cN eill

how

Gesture a n d the Poetics o f Prose

133

134

Cassell a n d M cN edl

135 32 ~t

o f clause

(n a tiv e 'irunarrative

Iconic

B eat

D eictic

N one

226

134

M etap h o ric 1

25

146

Total 543

35

134

31

3

44

247

'I mal______________ 261________ 2 6 8 ___________ 43 _____________ 28__________m i ________7 9 0

136

Cassell a n d M cN eill

uk:

Gesture a n d the Poetics o f Prose

137

140

Still Pictures

Still Pictures

141

142

Still Pictures

1

Still Pictures

of

143

144

Still Pictures

66

'ctorial Narrativity endy Steiner

146

Steiner

onr

a h o in

P ictorial N arrativity this filtive Ve e o ry

reover,

Ich Kbe

sc lltin g

d

i.s is

C ertainty. that

ItU k blit Holes

I

147

146

Steiner

P ictorial N arrativity

147

148

Steiner

hi

iuh

P ictorial Narrativity tim e

Ivity Cc, n tin g

Scribes

'e y ly

Very

149

150

Steiner

is

is

P ictorial N arrativity

It 'c r 'ere And, b so lu te 'v eil

f

Or

b oth ttlid th e n , o rd er

isters, the the next

151

152

Steiner

P ictorial N arrativity C

ok.

153

154

Steiner

j

P ictorial N arrativity

Id

155

156

Steiner

P ictorial N arrativity

r that

that

Hum

—

157

158

Steiner

c in q u e e e n io

P ictorial N arrativity

159

160

Steiner

1

P ictorial N arrativity

161

162

Steiner

P ictorial N arrativity

163

164

Steiner

Pictorial, N arrativity

165

166

Steiner

P ictorial Narrativity

1

167

168

Steiner

P ictorial N arrativity

169

170

Steiner

P ictorial N arrativity the b eco m e

171

172

Steiner

P ictorial N arrativity

173

174

Steiner

1

3

P ictorial N arrativity

Bry

175

176

Steiner

\

P ictorial N arrativity

1

177

5

Spiegelmaris Maus a n d Graphic N arrative

179

180

Ewert

fig.

Spiegelm aris Maus a n d Graphic Narrative

W N im m k

181

182

Ewert

lernmul

t he . I i.l

nl

Spiegelmaris Mans a n d Graphic Narratine

A

m

III

In

I'.ia d u a lly

1

183

182

Ewert

Spiegelmaris Maus a n d Graphic N arrative

183

“1

184

Hwert

I ey audtttf IK t

hc

recoup M » e . [

.5 1

gi ve s

Spiegclmaris Maus a n d Graphic N arrative

inoiher

185

186

Eivert

1

1

Spiegelm ans Mans a n d Graphic Narrative

its

187

188

Eivert

Spiegelmaris Maus a n d Graphic Narrative

189

190

Ewert

1

Spiegelm ans Maus a n d Graphic Narrative

191

192

Twert

1

(XX

Spiegelmaris Maus a n d Graphic N arrative

193

196

M oving Pictures

1

-.1

M oiling Pictures

1

1

1 97

198

M oving Pictures

M oving Pictures

1 99

200

M oving Pictures

1

M oving Pictures

201

6

1

204

B ordwell

1

1

N eo-Structuralist N arratology

205

2 06

B ordw ell

N eo-Structuralist N arratology

207

208

liord w ell

N eo-Structuralist N arratology

209

210

B ordw ell

1

N eo-Structuralist N arratology

at Itles, t tory, c in g

to ry he

io n Viilley,

ih ifts liv in g l i 'l io n Hie in m o re place

p ro p o sed

211

212

B ordw ell

Ill

1

1

1

N eo-Structuralist N arratology

2 13

214

B ordw ell

N eo-Structuralist N arratology

215

7

21 O R ordwell

1

1

1

N eo-Structuralist Narrato logy In

In

21 1

2 12

B ordw ell

suppo in n

le.mm

wiilnn

f e a t u r e - c e n u i. .1

1

1

N c o - S tr u c lt m i U s t N n r m l o l og y 2 13

1

214

Borduvll

Neo-Structuralist N arratology

J

I

21 5

216

¡íordw ell

N eo-Structuralist Narratology

1

1 17

218

B ordw ell

1

1

N eo-Structuralist N arratology 1

-3

1

2 19

Kamilla Elliott

Literary Film Adaptation

221

222

Elliott

[1

“1

Literary Film Adaptation

223

224

Elliott

1

Literary Film Adaptation

2 25

226

Elliott

Literary Film Adaptation

T il

224

Elliott

h i

Literary Film Adaptation

225

226

Elliott

Literary Film Adaptation as

111

228

Elliott

1

Literary Film A daptation

229

230

Elliott

Literary Film Adaptation

231

232

Elliott

Literary Film Adaptation

233

234

Elliott o ik

—

s u p p e r,

i

Literary Film Adaptation

235

236

Elliott

1

1

“1

Literary Film Adaptation

237

238

Elliott

.ill

Literary Film Adaptation scene, t so 6t)s ite r ia l

c Jiyw ay ”

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Usher s

as

239

240

Elliott

1

CBS

240

Elliott

1 h u m

.

Literary Film Adaptation

241

242

Elliott

n j

:

1

n j

:

1 n j

:

Literary Film Adaptation

243

8

>1

O rdinary H orror on Reality

TV

245

246

Freeland

O rdinary H orror on Reality l'v

TV

2.A1

248

Freeland

“1

O rdinary Horror on Reality

TV

249

250

F reeland

O rdinary H orror on Reality

'TV

251

252

F reeland TV

i;mi

t v

O rdinary H orror on Reality is

TV

1

TV

253

254

Freeland

O rdinary Horror on Reality

TV

255

256

Freeland

O rdinary H orror on Reality

1

IV

257

258

F reeland

O rdinary Horror on Reality

TV

259

260

Freeland

O rdinary H orror on Reality

1

TV

261

262

F reeland

1

Radio

O rdinary H orror on Reality

7

TV

263

O rdinary Horror on Reality

tv

TV

and

u c i.a

r—8 o o - c o l l e c t ,

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nbc

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263

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Or/liihiry I hirror on Reality i\

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Notes

.1

I - a d d in g th e observer -'.•itinued w ith th e dua: - ig h t to sh o w Sylv ester

3

127

Gi’stu re a n d the Poetics o f Prose

:his e first the •vn bv an r. is now n .:r described tim e p o sition

131

S till Pictures

iew

:r.ent.

¿ted to rohibits be .it the the m e H o lv . :n e nved of . .reposition, ¿m ale

tr.-. tim e the

for

143

P ictorial Narrativity

¿1

147

P ictorial Narrativity

149

P ictorial N arrativity

151

Pictorial Narnttivity

1 53

Pictorial Narrativity

:& 9).

15 7

Pictorial Narrativity

:>ie

159

Pictorial Narra :ivity t

tha

at

nts

his

m the

.:e> the

tc

161

Sf icgelm ans Mails a n d Graphic N arrative

183

N eo-Strucniralist N arratolory

1

a> a m ust .rration v.ith

as

211

Literary Film Adap tation

235

Literary film Adaptation cd

239