Peter Magadini - 26 Polyrhythm Snare Drum Rudiments

The 26 Polyrhythm Rudiments by PETER MAGADINI layout & music notation by SPIROS DAMIANOS *note: When learning & playing

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The 26 Polyrhythm Rudiments by PETER MAGADINI layout & music notation by SPIROS DAMIANOS *note: When learning & playing "The 26 Polyrhythm Rudiments" an underlying basic pulse is required and is written below each rudiment. This is vital because this is what makes the rudiments polyrhythmic. Utilizing a metronome or tapping your foot (i.e. playing the bass drum) is suggested or you may prefer doing both at the same time.

       

     

The 5 Stroke Roll

1. Five Stroke Roll

R

      (5) 

   (5) 

As written

R

R

L

   

L

R

   

R

L

L

R

   

R

L

L

R

   

R

L

(5)

L

L

R

   

L

R

R

L

   

R

L

L

In the polyrhythm

     (5) R 

*(q=126)

 

R

  (5) 6



L

 

  L 

R

  L 

 



R

 



L

 

6

R

 

  R 

L

 



L

Polyrhythm of 6 over 4 = quarter note triplets (rhythmic ratio 1½ beats to 1)

*Metronome tempos are suggested only.

(7)

The 7 Stroke Roll

  

2. Seven Stroke Roll

L L R R L L R

   R

 

(7)

L

R

In the polyrhythm

   R 

(q=110)

 

L

 

 



L

 

5

(7)

R



 

 

R

 

L

L

 

R

 

 

L

R

  L 

 

 



eg. L R

L

etc.

L

5

Polyrhythm of 5 over 4 (rhythmic ratio 1¼ beats to 1) Note - Alternate stickings may be applied

 

 

R

R

L L R R L L R



 

R

 

L

            The 9 Stroke Roll

3. Nine Stroke Roll

1. 2.

As written

   

(9)

R

 

 

R

L

In the polyrhythm

   R 

(q=106)

 

(9)

 

  R

7

L



 

 

(9)

L

 

R L

L R

L R

R L

R

  

 

R

R L

L R

L R

R L

 

 

R

    L  R

(9)

R L

 

L

 

  L

7





L

 

 

L

R

 



  etc. R

Polyrhythm of 7 over 4 (rhythmic ratio 1¾ beats to 1)

The 11 Stroke Roll

  

4. Eleven Stroke Roll As written

  

 

(11)

R

L

 

   R (q=122) 

(11)



L

 

(11)

R

In the polyrhythm

3 

1. 2.



L

 

R



(11)

R R L L R R L L R R L L L R R L L R R L L R

 

 

R

L

  L 

 

 

R

3



R

 



L

 

L



Polyrhythm 0f 3 over 4 = half note triplets (rhythmic ratio ¾ beats to 1) 4

Polyrhythm is slower than the basic 4 pulse

Sticking may be reversed.

                The 13 Stroke Roll

5. Thirteen Stroke Roll

1. R 2. L

As written

   

 

(13)

R

 



R

R L L R R L L R R L L R L R R L L R R L L R R L

 

(13)

L



L

In the polyrhythm

    R (q=176) 

  3





(13)

 

R



  L 

  3





(13)

 

L



Polyrhythm of 3 over 4

6. Flam As written     LR

 

 



 



RL



LR

RL

 



LR

 

 



 



RL



LR

RL

In the polyrhythm     R (q=110)  L

 



RL

4



 



LR



 



RL

 

 R

L

Polyrhythm of 4 over 3

 



RL

4



 



LR



 



RL

7. Flam Tap

As written    

 



LR



R

 



RL



L

 



LR



R



RL

L

 



 



LR



R



RL

 



L

LR



 



 



R



RL

L

In the polyrhythm     R

 





R

L

RL

(q=106)



L

4

 





LR

R



 





RL

L

 

 R

L

 





R

RL

 L

4

 



LR

R







RL

L

Polyrhythm of 4 over 3 (sub-divided into 1/8th notes)

8. Flamacue As written

            

LR

L

R

L

LR

       

 

LR

L

R

L

LR

       

       

 

LR

L

R

L

 

LR

LR

L

R

L

LR

In the polyrhythm

           R L R L  R (q=120)  L

L

         R L R L R

6

L

L

        R L R L R L

L

        R L R L R

6

L

L

Sticking may be reversed

Polyrhythm of 6 over 4

9. Flam Accent

As written

 3  3  3  3                   LR

L

R

RL

R

L

In the polyrhythm

LR

L

R

RL

R

L

3 3

 3   3               R L R  L R  L R L R (q=172)  L

R

L

 3  3  3  3                  LR

L

R

RL

R

L

LR

L

R

RL

R

L

3 3

 3   3             L R L  R L  R L R L R

L

R

Polyrhythm of 3 over 4 - (the '3' sub-divided into triplets)

10. Flam Paradiddle As written

                                                LR

L R R

RL

R L L

LR

L R R

RL

R L L

LR

L R R

RL

R L L

LR

L R R

RL

R L L

In the polyrhythm

  3                   R L R R  L R L L R L R R (q=126)  L

R

L

  3                 L R L L R L R R L R L L R

Polyrhythm of 3 over 4

L

R

11. Swiss Army Triplet

As written

 3  3  3  3                    LR R (R L L

L R)

LR

R

L

LR

R

L

LR

R

L

 3  3  3  3                  LR

R

L

LR

R

L

LR

R

L

LR

R

L

In the polyrhythm 5

 3  3  3 3  3                        R R L R R L R R L R R L R R L ( L L R)     (q=110) L R

L

L

L

5

3  3  3 3  3                       

LR

L

R L

LR



R L

LR



R L

LR

R L



LR

R L

Polyrhythm of 5 over 4

12. Flam Paradiddle Diddle As written

                  LR

L

R

R

L

L

RL

R

L

L

R

R

                 LR

L

R

R

L

L

RL

R

L

L

R

R

In the polyrhythm 6

3 3 3 3 3  3                        RL R R L L  L R L L R R R LR R L L (q=74) 

  L

R

L

6

  R

3 3 3 3 3  3                     L R L L RR R L R R L L L RL L R R

Polyrhythm of 6 over 4

L

R

13. Drag

    

 

 

 

 

  

  

  

RR

LL

RR

LL

RR

LL

RR

As written

LL

R

L

R

L

R

L

R

L

In the polyrhythm

      R  (q=124)

 

LL

RR

L

5 



LL

R



  RR



L

  LL

   L

R

RR

   LL

R

5  



RR

L



  



R

LL

   RR

L

Polyrhythm of 5 over 4

14. Single Drag Tap As written

                      LL

R

L

RR

L

R

LL

R

L

RR

L

             

R

LL

R

L

RR

L

R

LL

R

L

RR

L

R

In the polyrhythm

    R 

 



 L

RR

  R



RRL

L

LL





 





LLR



R

  L









 

LLR



RR

L

R





RRL

L

 

  

7

7





LLR



L



LLR

R

  

 





R RL

Polyrhythm of 7 over 4



RRL

L

  R







LLR





 



LLR

R

  L



 





RRL

L

  R

15. Double Drag Tap As written

           LL

R

LL

R

L

       

       

       

RR

LL

RR

L

RR

L

R

R

LL

R

L

L

RR

L

R

In the polyrhythm

 3                R R L   L  L  (q=160) LL

LL

        L L   R RR

RR

RR

3

RR

    R  R   LL

LL

  R    L 

Polyrhythm of 3 over 4

       R  R L 3

LL

LL

       L  L R  3

RR

RR

16. Single Paradiddle As written

     R  L



R

   

R



L

R

   



L

L



R



L

R

   

R



L

R



L



L

Single Paradiddle As Written

In the polyrhythm

6

3 3     3 3                             R L R R L R L   L R L R R L R L L R L R R L R L L 3

3

3

3

                                            R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L L     8

q = 76

Polyrhythms of: 6 over 4 ... & 8 over 4 (rhythmic ratio = 2 to 1)

17. Double Paradiddle As written

                                  R

L

R

L

R

R

L

R

L

R

L

L

R

L

R

L

R

R

L

R

L

R

L

L

In the polyrhythm 6 6                                  R L R L   R R L R L R L L R L R L R R L R L R L L (q-180)

Polyrhythm of 6 over 4

18. Triple Paradiddle As written

                                              R L R L R L R R L R L R L R L L

R L R L R L R R L R L R L R L L

In the polyrhythm

     3         3                               RLRLRLRRLRLRLRL LRLRLRLRR LRLRLRL LRLRLRLRRLRLRLRL L         (q=90) Polyrhythm of 3 over 4

19. Single Ratamacue As written

        3

LL

R

L

R

L

    

     

     

RR

LL

RR

3

L

R

L

R

3

R

L

R

L

3

L

R

L

R

In the polyrhythm 5

5

 3 3 3 3                                     R L R L   L R  L R  R L R L L R L R  R L R  L 3

LL

RR

LL

RR

LL

(e=120)

Polyrhythm of 5 over 4

20. Double Ratamacue As written

3                       3

LLR

LLR

L

R

L

RRL

RRL

R

L

R

3                 3

LLR

LLR

L

R

L

RR

L

RR

L

R

L

R

In the polyrhythm

  3              R  R L R L L L R  L R 3

LL

(q=106)

LL

6

RR

RR

  3               R  R L R L L L R L R 3

LL

LL

Polyrhythm of 6 over 4

6

RR

RR

21. Triple Ratamacue As written

   



LLR





LLR

  

3





LLR

L

R



L





RRL





RRL

  

3





RRL

R

L

R

In the polyrhythm 3

     R  LL





LLR

(q=172)







LLR

3





L

 



R

L

3





RR

 L 





RRL





3





RRL

R



 



L

R



Polyrhythm of 3 over 4

22. Lesson 25 As written

     LLR (R R L

 



L R

R L)





LLR



L

 



R



LLR



L

 

R





LLR



L

 

R

In the polyrhythm

 7    7                         R L R   R L R  R L R  R L R R L  R R L R R L R LL

LL

LL

LL

LL

(q=100)

Polyrhythm of 7 over 4

LL

LL

23. Three Stroke Ruff As written

     LRL

 

 

RLR

 

LRL

RLR

  LRL

  

  

RLR

  

LRL

RLR

In the polyrhythm

     R  RL

  LRL

(q=82)

  5



RLR

 



LRL

  RLR

  L  LR

  RLR

  5



LRL

 

RLR



  LRL

Polyrhythm of 5 over 3

24. Four Stroke Ruff As written

       LRLR

 

 

RLRL

LRLR

  RLRL

 

 

 

    L

 

   

LRLR

RLRL

LRLR

  RLRL

In the polyrhythm

     L (q=76) RLR

  LRLR

  4



RLRL



  LRLR

RLR

LRLR

Polyrhythm of 4 over 3

4



RLRL



  LRLR

25. Double Stroke Roll Play alternating double strokes over a steady pulse with gradual increasing (polyrhythmic) hand speed.

As written:

   R































R

L

L

R

R

L

L

R

R

L

L

R

R

L

L

In the polyrhythm 4

3

5

                            3

3

3

3

R R L L R R L L R R L L

R R L L R R L L

etc...

R R L L R R L L R R L L R R L L R R L L

(q=92)

6

7

                    R R L L R R L L R R L L R R L L

etc...

R R L L R R L L R R L L R R L L

etc...

8

                                  R

R

L

L

R

R

L

L

R

R

L

L

R

R

L

L

etc...

Sticking may be reversed

26. Single Stroke Roll Play alternating single strokes over a steady pulse with gradual increasing (polyrhythmic) hand speed.

As written:

  R































L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

In the polyrhythm 3

4

5

                                               3

*

3

3

3

R L R L R L R L R L R L

R L R L R L R L etc...

R L R L R L R L R L R L etc...

(q=84)

   6      7                                    R L R L R L R L R L R L R L R L etc...

R L R L R L R L R L R L R L R L etc...

8                                           R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L etc...

Sticking may be reversed *#26 Accents are optional

The 26 Polyrhythm Rudiments by Peter Magadini © Copyright 2011 by Peter Magadini (e-mail protected)