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A

Guitar

Piano

Bass

AU LAIT

ETHEREALLY q = 111 with a swaying motion

PAT METHENY & LYLE MAYS (1982)

                                    A-7       





 

    

            

  

   

B¨      

B-

C-

                                     

    

           

   

 1.

  

 

         A-7                    

E¨-6        

    

 

     

             



         

                         

   

          C                

            

2.

                

B¨-7          

      

Transcribed by VILLE V. (2010)

   

            

G+                

      

             E7b9                             

B

    

     

   

       

             A7#5/G        

             

   

2

   

  

   

DE¨            

E        



  

                             

  

F

    



                      

G¨/C



       

 F7b9   B¨7b9                                    

E¨-#11          

   



  

  

 

D-^      

   

      

 

 

A¨/F#       



 

     

G¨/A¨          

 

    

   





 

     

    

      

   

  

         

                    G/A      

          

  

  

  

  







               voice

    

F#-7          

E¨

                           F#-/B                                         

         



    

                         

Fsusb9 

 

   



G-/F#         



 

    

       

   

  

   

3

C

  

guitar

  

G/B        

  

  

F#       

 

  

G/C      

   

  A-7

     

A        





  

   

   

       

G/E¨



    

( B¨-9

    

    

F-/B¨      

  

      



         A¨7           

 

    

rall.

 A¨7           

       

     

 

  

 

  )

  



D¨^      

  

 

       



  

  





    



   

   

      

  

   



grad. decresc.

  

  

  

    

   

G-/D      



      

 

                 

  

 

  

  

  



  



  

A¨7

   



 

 

   

  

 

    



   

      

  

4

A tempo ( q = 111) solo, repeat 3 times; D SOLOS  Guitar Piano solo, play letter D once (no repeat) and go on to letter E   background voice, start 2nd time

           G-9              



  

 

     

  

 

     

  

C-11

 

     

 

B¨^

E¨^

AØ

D7b9

                    



  

F7

B¨^

  



       

 



sample bass line (varies on repeat)



(1st time: gtr solo begins)

 

  





F7



G-9





etc.

 C-11

    

 AØ

E¨^



D7b9

G-9



G7

                                      F7

C-7

B¨^

E¨^

                                                AØ D7b9                     

 

F7

          

B¨^

G-9

C-11

        E¨^

              

AØ

D7b9                  

5

E (Piano solo continues) F7 C-11    G-9                                        



B¨^

E¨^

   

  

  



AØ





D7b9

on cue

repeat till cue

        

As played on the Pat Metheny Group's "OFFRAMP" (1982, ECM 1216). Guitar sounds one octave lower than written.

  

G-9



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