Ole borud
Keep Moving Solos Ole Børud Transcription by Lucas Bastos High Time "High Time" solo part's key is Dm. There are two "I
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Keep Moving Solos Ole Børud Transcription by Lucas Bastos
High Time "High Time" solo part's key is Dm. There are two "II, V" progression (over C and D respectively). He apllies "Dm pentatonic" over the first two chords, "Em pentatonic" over Em7 and "A Altered Scale" over A7. Repeats the same idea on next four measures. = 106 Dmin7
G
full
44 6 full 15
15 13 15 13
12 14
10 15
12 10
12 12
12 14 12
12
14 14
A7
Emin7
full
3
6 full 17
15 12 14
12
12 14
15 13
15 17 14
15 20 15 14 13 16
16
15 15 14
14 17
14
G
Dmin7
1/4
5
1/4
17
1/2
full
full
full
20
17 18
18 19
19
20
19
19
1/2
19
17
15
17
Emin7
7
6 17 15
15 17
17
15 14
12
11
12 11
14 14
12
14
16
17
14
17
A7 full
8
6
6
6
6 full
15 18 15 17 15 14 18 14 16 14 15 14
14 15 17
14 16 18
17 18
20
18
17
17
Broken People Basically, this solo idea is to create a melody using the chord's notes and approach notes most of the time. Over B6(9) he apllies "E Melodic Minor" scale. The chords notes are painted red.
F♯maj7(9) Emin7(9)
= 73 10
A7(♭13)
full
1/2
full
1/2
9 9
9 11
9
7
6
7 8
6
6 8
8
10
10
11
7
Dmaj7(9)
A / C♯
B♭/ D
10
9 11
F♯maj7(9)
13
5
6 6
2
7 7
7
9 10
8
14 11 10
11
11
9
9 11
10
7
B7(9)
B6(9)
15
9
10
9
7
9
7
6
7 8
6
6 7
6
5
7
7
8
9
9
A7(♭13)
Emin7(9) 16
full
full
full
7
9
10
10
full
12
12
12
10
10
Amin7
10
11
10
8
D7(♭9)
17
6 12g 7
10
8
12
10
6
li ss.
10
14g
14
li ss.
16
12
16 14 13 14 16
20
13
Make a Change This part's key is Cm. The harmony is organized in a four measures sequence. First measure is a "II, V" progression over Bb and he applies "C dorian scale" and "Cm pentatonic". Second measure is another "II, V" sequence over Ab this time. "Bb dorian" is used now. Third measure repeats the first misure idea. Fourth measure is a "II, V" over Cm. Over the first chord he applies "C dorian" and "C Harmonic Minor" over the second one. Cmin7
F7(9)
Swing Feel = 90 19
6
11 12 13
13
16
15
13
11 15 12
15 15
14 13
3
B♭min7
D♭7(9)
E♭7(9)
Cmin7
F7(9)
21
1/2
1/2
13
12 10 13 11 10
13 10
13
12
13 12 10
10
13 11
10 13
G7(♭9)
12
Cmin7
10
8
10
F7(9)
A♭maj7 1/2
23
6
1/2
13 11
15
16 11
12
13
12
13 16 15
13 16
13
8 12
11 12
10 1110 8
10
10
8
11
D♭7(9)
E♭7(9)
B♭7 25
6
6
6 6
8
11
10
8
9
11
8
9
9
7
8
11
8
11
10
9
8
10
10
11
8 10
F7(9)
Cmin7 26
full
full
1/4
full
full
1/4
8 8 10
8
8 8
G7(♭9)
1/2
full
full
6 1/2
15 16 15 13
15 15
17
16 18
18
1/2 15
10
27
1/2
11
11
A♭maj7
4
8
full
18 15
full
15 1820
15 1820
20
Heaven is on My Side The key is Am on this section. Basically he applies "Am pentatonic" scale with the addition of major 6 over all the sequence featuring the Dorian mode.
Amin7 G
C
D
= 165 29
full
1/4 full
full
full
full
1/4 full
full
full
12 13
13 15
15
15
15
12 14
13 12
15 14
9 12
12
13 14 12 11
5
14
Amin7
G
34
C
full
1/2
full
1/2
5 5 5
7
5
8
7
7
6
5 7
7
12
12 14
14
14
14 17
17
17
Amin7 D 37
22 17 20 17 20 17
19
21
19
17 22 17 20 17 20
17 22 17 20
21
19
5
G
Amin7
C D
39
1/4
1/4
1/4
1/4
20 17 20 17 20 17
17 20 17 18 17 19
19 17
20 17
17
15 12
19
5
7
16
14
D C
G full
43
full
1/2
3 full
1/2
17
17
17
15
full
19
17
19
20
22
22
15
Souls in Chains Here we have another solo played with the "improvisation over chords" idea. But at this time, he applies this idea over all the solo. The chord notes are painted red again. (1st Sax Solo 2'59" - 3'15") = 108 D♭9(♯11)
C7(13) 46
43
44
8 8
10
11
11
10
8
11
8
9
11
9
8
10
E♭9(13)
10
A♭7(9/13)
48
44
43
44 9
8
10 10
9 10
8 10 10
6
8
11
11 11
8
11 11
10
D♭maj7(9)
G7alt
50
44
43
44 6
6
6 8
8
9
8 10
8 11
8
8
6
8
8
(2nd Sax Solo 3'45" - 4'03")
A♭maj7
D7alt C7(13)
52
44
43
44
43
18 20 8
8
16
20 18
10
20
20
11
15 17
13 13
10
17
8 9
12
D♭9(♯11)
10 10
E♭9(13)
56
43
44
43 12
11
8
10 8
11 13
10 10 10
8
12
8 A♭7(9/13) D♭maj7(9) 58
43
44
43
11 11
10
8 13
11
10 11
9
8
8
8 11
9
8
11
11
G7alt Dmin7
60
43
44
43
9 11 12 11
9
11
9
12
11
9 12
10 10 12
8
7
E7(♯9) 62
43
44 8
9
8
6
8
6 5 6
5 8 8
6
5
Resting Days "Improvisation over chords" idea again. But this time we have a more static harmony. We have two "II, V" cadences (over C and Bb, respectively) and another one (over Dmin) to return to the first chords. He applies a "B Altered Scale" over B7(# 5) chord and then two more "II, V" cadences (over Bb and D, respectively) with "A Altered Scale" over the last chord.
= 100 Dmin7(9)
Cmin7(9) G7(13)
Dmin7(9)
G7(13)
64
10 8 8 7 5 7
8 7
7
10 8
11 7
9
9
7
12
10 10 8
131210 12 13
7
7
E♭7(9)
Emin7 F7(♭9/13)
B♭maj7
/
69
10 14 10
10
13
11
1012
12
14
12
16 14
12
Dmin7(9)
1213
15 14 12
13 15 14
15 14 12
16 14
G7(13)
Dmin7(9)
G7(13)
72
10 8
12
13
10
13 17 1412 10 12 9 12
15
8
14
10
9
9
12
5
3
Cmin7(9) 76
15
11
13 15
11
13
10
11 10
12
Bmin7(9)
B7(♯5)
8
F7(9/♯11)
77
6
6
6
3 10 13 10 11 10 10 12 13 10 12
12 13 12 10
10 12
10
15
13
10 12 13 12
8 10 12 13
Emin7(9/11)
A7(♯9/♭13)
79
17
15
17
18
17
15 18
16
15 17
15
14
9