Music of the Renaissance and Baroque - Classical Guitar (S.schyga)
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Renacimiento y Barroco by
Stefan Schyga ©2000 Guitar Studio Publishing
Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
About The Author Stefan Schyga received his Masters Degree in Music Eduction in May of 1991. During his studies he also taught the Beginning and Intermediate guitar classes at The University of Texas at El Paso. Teaching these classes and having had problems finding a suitable method for his private studio inspired him to write a new and different guitar method for the adult learner. This new method attempts to teach the basics of classical guitar playing in a more effective and especially more interesting manner.
“With talent and skill beyond imagination, this artist defies the laws of the underground artist, playing classical/flamenco guitar with a flood of emotion and heart. His sprawling and majestic work forces one to conjure up magical warm imagery. All of the songs on his latest album were recorded live in the studio and are absolutely spectacular representations of the beauty that still lives and breathes in music from around the world.” -December 1999, riffage.com From 1993-1996 Stefan was the Mandolin/Electrical Guitar of Telarc Recording Artist La Vienta. La Vienta has released 3 albums with Telarc International. that being sold in 28 countries around the globe During these years La Vienta made their mark on the international music scene with their fresh approach to acoustic guitar music. They performed from San Francisco to New York, climbed to #17 on Billboards Contemporary Jazz charts and to #4 of Mexico City’s Jazz Charts on Garibaldi.
Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
Since the Stefan has released three successful solo albums: A Little World Music: Solo Mandolin-Güiro and Orchestra Spanish Soul: Featuring the Acoustic World Ensemble with Mariachi XO & Friends: Featuring Ricky Martin & Kurt Cubain.
Stefan’s latest success is reflected in the fact that his music was chosen to be featured on the first ever retail mp3 CD featuring Billy Wyman (Rolling Stones) This CD has World Wide distribution and will be carried by the Walmart stores in the US. In addition he was also featured on Riffage’s 2nd MP3 CD that was distributed with Spin Magazine.
The Computer Graphics and the Word Processing were done by Agapito Cuasimodo Pérez Pérez. The illustrations were created by Fulgencio Nicanor Moreno Mata.
Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
Table of Contents
About the Autor Table of Contents Choice of Guitar Main Parts of the Guitar Anonynous – “Aria” Anonymous – “Canzone” Anonymous – “Galliarde” Anonymous – “Romance” Johann Sebastian Bach – “Air on a G String” Johann Sebastian Bach – “Bourre” Johann Sebastian Bach – “Courante” Johann Sebastian Bach – “Gigue” BWV1006 Johann Sebastian Bach – “Menuett II” BWV1006 Johann Sebastian Bach – “Sleepers Awake” Giuseppe Brescianello – “Partita in A” 1.Prelude Giuseppe Brescianello – “Partita in A” 2. Menuet Giuseppe Brescianello – “Partita in A” 3. Gavotta Giuseppe Brescianello – “Partita in A” 4. Gigue Robert de Visee – “Minuet” Robert de Visee – “Passacaille” Robert de Visee – “Sarabande from a Suite in Dm” Henry Purcell – “Hornpipe” Gaspar Sanz – “Canarios” Dominico Scarlatti – “Gavotte” Dominico Scarlatti – “Sonata in A” K78 Dominico Scarlatti – “Sonata” K238 Dominico Scarlatti – “Sonata” K322 Congratulations
2 4 5 6 7 8 9 10 12 14 18 21 24 26 28 30 32 33 35 36 38 39 40 42 44 46 48 51
2 Choice of Guitar
There are two basic types of acoustic guitars: the classical and the Dreadnought steel string. Electric guitars should not be used with this method. If you do not own a guitar yet, your best choice would be a classical guitar. The classical guitar uses six nylon strings, with the three bass strings being silver wound. The steel string guitar, as the name implies, is strung with six steel strings. The body of the steel string guitar is also slightly larger than that of the classical guitar. It is possible to use a steel string guitar with this method, but in my opinion it would be better for a beginner to use the classical guitar, since most music presented in this method has been written for classical guitar. Classical guitars are available to the beginning guitarist for about 150-400 dollars. The best guitars for their price are available in Mexico. Japanese guitars are more expensive, but they are still a good product for their price. The best choice for a classical guitarist would still be a guitar from Spain, which is not quite as easy to find. When you choose a guitar make sure that it feels comfortable, and that there are no buzzing sounds when you strum the strings. A nice full sound on the high strings is more desirable than a strong bass string sound.
Some trustworthy brands:
Japan:
México:
Spain:
Yamaha
Jom
Artesano
Takamini
Gilb
P. Saez
Ibanez
Paracho
Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
3
Main Parts of the Guitar
Machine Heads
Low E-String (6th)
High E-String (1st)
Frets
Sound Hole
Bridge
Feel free to copy this method for your friends, but please leave the credits intact. The method are copyrighted.
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¡ ÏR 3 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï & 4 #Ï ú. Ï V-------------------------------------------------------------------Transcribed by Kevin J. Manges
Andante
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1
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J.S. Bach
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2
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V-----------------------------
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IV---
4
1
1
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7
4
3
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Ï Ï Ï Ï #Ï Ï Ï Ï Ï Ï Ï Ï Ï nÏ Ï Ï ÏÏ ÅÏÏÏÏ Ï Ï Ï ú. ú.
V-------------------------------------
¡ Ï Ï & Ï ú. ¢Ú
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5 5
5 7
5 5
7
8
2
3
2
2
3
3
2
2
2
0
5
1 10
8
7
5
4
3 5
2 7
5
7
4
4
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7
5
4
6
4
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5 7
0
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--------------------------r r Å Å Å Å Ï Ï Ï Ï Ï #Ï Ï Ï Ï Ï #Ï Ï Å Ïr Å Ïr Ï Ï Ï Ï ¡ ú ú Ï Ï Ï Ï & V--------------------------------------------------------------------------------------1
4
3
3
1
4
1
1
1
2
3
3
4
3
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5
7
8
7
5
5
5
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8
7
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5
6
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9
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7
Å Å r Å r Ï Ï Ï Ï #Ï Ï Ï Ï Ï #Ï Ï Ï ¡ #ú Ï Ï Ï Ï Ï Ï j .. & Ï ú ÏJ .. 5 7 8 7 5 5 5 4 5 0 0 9 5 5 1 1 . 8 2 2 2 . 0 0 ¢Ú V----------------------------------------1
3
2
4
2
4
4
2
4
3
3
2
The majority is played in the first position and makes extensive use of open strings. Don't be intimidated by this book. This pieces not as difficult as it sounds. Good luck!!!
Gigue-BWV1006 Transcribed by Kevin J. Manges
j Ï # ¡ ## # 6 & 8 Andante
Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä ÏÏ Ï ä ä ä Ï Ï Ï
4
1
J.S. Bach
0
0
2
1
4
1
3
1
4
3
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2
1
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4
2
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3
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2
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4
II------------------------------------------
IV-----------
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4
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6
6
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II----
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4
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3
4
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3
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1
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1
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IV------------
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1
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7
2
2
2
2
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4
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1
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4
2
2
4
4
4
3
3
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IV-------------------
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4
1
2
3
3
2
3
0
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2
0
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4
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2
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4
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II---
II------------------------------------
0
4
II---
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4
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II------------------
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4
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2
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2
1
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4
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4
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6
7
4
4
J.S. Bach
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4
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3
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4
4
4
4
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7
4
6
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4
4
7
7
7
1
7
4
3
4
2
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4
4
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5
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4
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II---------------------
Ï Ï Ï Ï #### Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï & Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ü Ï
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from BWV 1006a Transcribed by Kevin J. Manges
Andante
IV--------------------------------
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Menuett II
2
2
Ï Ï Ï Ï #Ï Ï Ï Ï Ï
0
4
2 1
2
4
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4
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3
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.. . .
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5
1 1 4
4
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6
1
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4
3
4
7
6
1
5
7
4
7
0
7
3
4
1
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6
7
1
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6
4
4
6
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4
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4
2
2
4
5
2
2
1
4
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1 1
0
2 2
4 4
3
4
2 1 2
3
3
2
0
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2
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2
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0
3
0
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2
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1
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4
d U . UJCV . V
3
4
U U U #V CCU U U VU . U U U U V 3 1 2
0
4
2
0
VV U #U U V U U CV 1
1
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0
3
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0
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1
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3
V #UU %UV U #U U U U 5
2
4
3
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2
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4
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0
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V V V
3
U U U #V CCU U U U VU . U U U V C
7
4
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V VV V
1
1
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2
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4
2
1
1
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0 0 0 2
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2 1
2
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#V V F VV T A B
3
2
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2
1
0
U U #U U #U V .
4
d CVV .. #U
4
2
5
4
Sarabande from Suite in D Minor Robert deVisee TablEdited by D.Meineke
E B G D A E
1 8
3 4
1
UU U . U. $ F U $V 8 8
T A B
5. 3.
3 3
0. 2. 2.
5
5
8. 7. 8
7
0
5 2 2
UU V
3
3 3
1
1. UJ U U .. $UU UU . V
UU .. V
6 7 5
0
0
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3.
2
2. 0
1
3
3
UU .. V 3. 2. 0
3. 3.
3 3
$ $UU %U F U 2 2 0
0
3
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1.
T A B
1. 3. 2. 0
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5
7
1
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0
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2
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UJ $ UU %UU .. U V
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1
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3
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UU .. U. V
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1. 3.
3
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0
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0
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3
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UU U $U . %UJ U. V U
(0) 3
0
2. 3.
1
2. 2. 0
3
3
Hornpipe Henri Purcell Trans. Jorge Guillen
# 1 U U 3 UJ U 4 U F 8 P
UUUUU U
4
2
1
E B G D A E
H
1 8
3 4
0 2
3
0
3
U
1
UJ UU U UUUUUUUUUU U U U U U U U U U U U
3
1
2
P
0
3
0
2
3
2
H
T A B
0
0
2
3
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0
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2
2
0
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0
0
3
3
0
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0
0
2
4 1
2
3 1 0
2 0
0
3
0 2
4 2
4
UJ U U UUUUUU UU U U U U U U U U UU U U U U H
0 2
3
0
0 1
0 2
4 2
1
3
H
# U U U UJ U U U U U U UJ F UJ U U U U U U U 0
2
1
2
4 1
0
3 1 0 1 3
2
1
0 2
4 2
3
0 1
0
0
0
P
3 1 0
2 0
4 2
0
3
0 2
4
# U UU U #U U UJ U U U U U U U UJ U U U U U U UJ UJ U UJ U U U F UJ U U U U U U U U U U U 1.
2
2.
4
2
1
3
1 4
3
3 1
2
1
2
H
T A B
0
0
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0
P
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2
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0
3
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2
2
0
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3
0
4
0
3
5
0 0
3
3
0
0
P
3 1 0
2
0
3
U U U U UJU U U U U U U UJU U U U U U U #UJU U U U %U # U U U U U U U U U U F UU U U U U U U C II
3
4
3
4
34
3
4
4 2 4 4 1 1
3
4 2 2 3 1 1
1
0 3
2
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3
3
3 5
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0
3
P
3 5 7 5 3 2
3
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0
3
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3
0
3
0
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P
3 1 0 0
2 0
4 2
0 2
4
0 0
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0
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0
2
2
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2
2
P
4 4
2
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2
UU # UUU U UUUUUUU U U U U UUU U F U UU U UU U U U U U U U U 1.
T A B
3 1
1
2
P
0
2 1
2
2
T A B
1
4 3
2 0
0
P
3 1
4
Canarios Gaspar Sanz TablEdited by D.Meineke
## 1 U U 6 U U U U . U U bUU . U U U U UbU U U U . U U U U U U U U U U. U 8 U. U F 4 U@ U . U. U. U. Q U@ U . Q P
E B G D A D
0
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0
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2
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2-3 2.
3
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0
3
2
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0.
3
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2
2
3. 0
0.
H
3
2
0
0.
2
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0
3
4.
5
3
2.
U UJU UJ U U U U UJU UJ U U U ## U U U bU U UUUU U U U U F . U V V U @ P P P P U@ P U P U . U U U. U. H
T A B
2
3
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P 2
0
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2
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3
0
0.
5.
5
3
7
7
9
9
10
10
2
3
0
7
9
0
T A B
3
0
T A B
3
4
0
2
2
3 4
0
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3
H
5
3
2
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4
3
5
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0.
2
3
0.
7 9 10 0. 0. 0. 0
3
2
3
UUUUUU U. U.
10
0.
3
0
3
4
UUU UUU UUU U . U UJ U UU UUUUUU UU .. . UUU U U U U U U U. U. V. V. U U.
## U U U F V Q T A B
0
5
U
##bU U F V. 2-3 2
0
2
5
5
2
U U UJU UJ U ## U U U V U UJ U U U@ U U UJ U U F V U P U@ P U P U V Q P P P 2
3
0
5
P
P 3 2
3
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4
3
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2
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0
0.
P
3
2
3
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2
0
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0
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UUU UUUU U U UJU U U U U U U UU U U U U U U U U. U. Q. U. U. V. . V U. P
3 0.
3
3
2
0
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4
2
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2
2
3
2
0
P 4 0.
2
0
4.
0.
0.
3
2
3 0.
3
5
2
U UJ U U Q U UJ ## U V U U F P P 7
7
T A B
9
9
0
10
7
U U U U U #U U U U U U U U U U . U U U U U U U U U@ U . U. U. U. U. H
10 0
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0.
U UJU UJ U . U UJUU UJ U U U UJQ . U UU .. Q . U U U U U. Q. U U ## U U U U U F U. U . U U . P P Q U@ U U U P U P U Q U@ U U U U U U P
7 T A B
P
5
7
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0
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10. 7.
10 7 0
0
0
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9 10
0
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0
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U UJU UJ U UU UJ ## U U U U UU UJ U UU UJ UU .. Q . UU UJ U UU UJ U UU UJ U U UU UJ U UU UJ U U F PU P U U U U U U @ PU P P PU PU P U U P U P U T A B
10 7
10 9 7 10
0
9 10
7 8
7 8
0
5 7
5 7
3 5
0
0
3 5
5 2
0
5 2
2. 3.
2 3
0
0
0
0
0
U U %UbU U U U U U ## . Q. U U UJ UU UJ U F P U U UP U U . U@ U U V U U U U U T A B
0 0
0
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2 2
2 2
10 7
3. 4.
0
0
0
0
U U ## U U U U U UU UU U U F U. U U Q U. P T A B
3 0.
2
3
0
0.
2
3
2 3 2 0
2 3 2 0
10
0
0
8 7-9 7 0
0
10 8
7 0
U U U U U U UU VV U V U. U VV U. V
7
9 10 9 10 9
0. 0.
10 7 7 0
10 7 7 0 0 0 R
3
0
0
2 3
0
0
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0 2
3 4
0
0
U U UbU U U V U U U 2 0
3
2 0-2 0
0
3
2
3 4
2 2
2 2 0
V
3 0 0
U 5
Gavotte
Scarlatti TableEdited by D.Meineke
; U 2 UUUU 4 U U U 4 F 4 V V V 0
T A B
0 1
0
3
0
3
0
U U U U U F U Q V T A B
7 0
2
10
3
3
0
1
7
1
3
7
3 1 1 2 2 0
0
3
U U U UV #U U V V V 0
8
U U UU U U UUUU U U U U V V V
V VV V
3
0
2
UUUU V
1.
2
P 0 1 0 1
3 0 0
0
0 1
0
3
3
0
1
1
P 1 0
3 2
2
3
2
0 0
3 3
3
1
UUV F U U T A B
2
V
0 1 0 3
0
H
1
0 0
1 4
0 2
4 2
3
0
:
UU
P 0 1 0 1
0
0
3
1.
V VV
0
1
3
2 3
1
3
0
2
3
U#U U U $$ V $ %V V V 2.
0
3
2 3
0
0
1 2 3
3 1 2
3 1
3
3
0 3
3
3
H 0 2 3
3
5
3
2
3 H 0 2
4
1
0
0
VV U
H 0 2 2 3
U
4
2
3
1 0 1
2
1
1 3 5
3
3
0
1
0
1
0
0 0 0 2
3
5
4
1
VV U U VU U U U V
UV V UUU UU UUU V #V V 3
3 4 5
5 3
2
2 0
4 2 4 2
2 4
H
0
3 3
3
2
Q #VVV #UUU UV U -S U V. U U U #U V 2
2
V U U U U U U U V V #U #U U U U V V
V 0
0 3
U#U U U
3 0 0
0
3 4 5
2
3
V VV V
2 1 2
U U UU U U UUUU U U U U V V V
U U U F V V 3
1
2 0
0
U
T A B
3
0 0
2.
UU UU UU U U U U U #U U UU #U #UU F V U UU V #U U U V U C T A B
1
U U U U #U U UU UU V V V V U #U U
VV U
3
0 0
0
0 1
3
VU U VVV U U V U 8 7 9 10
8
8
8
5
8
7
UV U U VU %U UV U U VU %U UV U U U U U U UU U U $U V V V V V V 4 5 3
H 3 4
3 5 3
4
4 5 3
6
3
3 5 3
4
4 5 3
6
3
1
3
4 3 1 3 5 4
1
4
$$$%VVU F T A B
V U UV U U V U UU U U V U V UU UU UU U U U U V U V V V U U U U
3 4 5
4 5
1
3 4
0
3
3
3 1
1
1 3
4
1
6 4
4
3
5 3 5 6
4 5
5
6 5
3
3 1 1
4
V VV
UV U U VU %U UV U U V V V
4 0 1
4 5
H 3 4
3
3 5
4 5
4
3
3
6
3
V U $$ VU %U U U U U U U U UU U U %VV UV U U V U UU U U V U V UU UU U $ U U UUU U U #U V F V V V V V V U Q U U U T A B
3 5 3
6
1
3
$$$ VV F V T A B
4
4
3
H 4 3 1
3 5 4
3
6 4
3 4 5
0 0 3
T A B
4
3
$$$%VV F U U 0 0 0 3
3 1
1
0
1
4
0 1
3
3
1 1
3
4 5
6
3
P 4 3 3
3
6 4 4 5 5
3 4 5
3
3
P
0
3 1
3 1 0
3 1
1
0 0
1 3
1 0
3
3 5 3
4
4 5 3
6
3
3 5 3
4
3
6 4 5 3 5 6
4 5
5
3
6 5 4
3 1 1
UV U U VU %U UU U U UU %VV U U UUV V U Q U U 1 1 1
0 0 0
4
3
3
1
4
0 1
3
3
P
3 4
4
1 0
4 5
H 3 4
3
3 5
4
3
4 5
6
3
Q UU -R -R Q %UU -R -RU Q UU U V U U U U U U U UU U UU V U U
V VV
UV U U VU %U UU U U VU %U UU U U U U U U UU U UUV V U Q V U Q V U 4 5
H 1 3
1
Q UU -R Q %UU -R -R U U U -RU U U Q V U U U U UU V UU
4 0 1
3 5
3 4
3
3
$$ VU %U UU U U U U U U UU %UU U U F $V U Q V U U T A B
4 5
1
4
4 5 3
6
3
4 3 3
%UUU U
3
1 1
0
3 1
P 3 1 0
: V %U%U U U 24 V V V %VV V
Da Signo al Coda
6 4 4 5 5
3 4 5
1
3
3
4
1
0
3
0 1
0
1 2 3
3 1
1 1 1 4
3
Sonata in A (K.78) D. Scarlatti Allegro
U ### 2 U F 4 U U E B G D A E
2 4
UUU UU U U U 3
9
10 7
7
0
10
11
9
8
11
10
7
U UUU U U U
7 7 6 7
2
3
7
7
7
6
2
0
2
2
0
2
4
5
5
6
0
7
9
9
7
U UU U U U U U U U U U U U U U U U U U U U U#U U U U U V V V V
3
7 10
7 6
0
3
3
3
T A B
UU U U U U
3
3
7
5 6
7
U ### U U U #U U U U F U U#U U U U 3
UUU U U U U 3
0
9 7
U UUU U U U U
3
3
10 9
U
TablEdited by. D.Meineke 3 3
H
9
457
57
12 11 12 0
H
4
5
7 9 10
4
79
5
7
3
5 2 6
4 4
0
4
3
5
3
3
2 4
2
4
4
5
4
4
2
#U U U U U U U U U U UUU U U ### U U U U U UU Q U U #U U U UU UUU U F V UU U U U U Q U V V 3
3
3
3
3
3
3
3
3
P
5 2
T A B
4
4
5
7 4
4
2
7 5 4
4
7
7 5
10
11 12
12 11
11 9
0
4
12
0
12 9
0
0
1
0
0
2
2
0
0 0 1
2
4
0 R
### UU F U
UU
7 9
9 10
7
0
T A B
UUU UU U 3
U
3
U
U
7 5 4
4
7
UUU U U U U 3
0
5 6
4
U
3
7
7
7
0
3
3
7 7 6
U UUU U U U
UU U U U U 7 7 6 7
3
2
2
2
0
2
2
0
2
0
U UUU UU U U 3
3
11 0
9 10 10 12
9
9
UUU U #U U U # U U %U#U U#U U U U U U%U U#U U%U #U U %U #U ## U U U U U U U U U #U U F U %U U U U U U U U U U #U 3
3
10 9 7 T A B 7
10 9 7
8
6 4 4
3
3
3
5 6 4
7
3
7 4 6
5 6
4
4
7
3
3
4 6 4
6
5 6 4
7
3
4 6 4
3
3
H
6
6
7 4
6
6 7 9
8 6
79
6
679
### U U U U U #U U F U 3
T A B
7
7
7
UU U U U U UU U U
6 4
5
6 4
UU U U # U ## U U U F U U 3
4 5 7
5 7
3
4 7
5
6
4
7
0
9
7
7
5
5
U
H
9 1012
5
0
0
U
UU
U
V
10
0
### U U U U U U F U U 3
2 4 5 T A B
0
0
3
5 4
10
2
### U U F U T A B
9 10 11
9
9 7
UU U U UU V
UU U U
5
5 5 6
3
0
5 2
2
2
0
12
U U UU 9 9
10
7
11
9
10
7
7 9 10
9
10 7
0
7.
9
10
7 0.
9
7
0
6 7
0
3
0
2
U U U UUU UUU U U
10
3
3
12 10 9
9
10 9
UUU U 3 U 8 U@
5
U U U U U. U . U U@ U U.
3
11 9 7 6
3 8
10
7 9
U U U U.
7 6
7
7
UUU U U@ U
5
5
0.
U UU . U
P
9
12 10 9
12 10
12. 12.
9
12
2
2
0
Q Q
10
U U U U U U U U U U U. U U U U U U U. U@ U . U U U U U. U @ U.
10
2
Menuett
7
0
7
4
2
3
0
R
UUU U U@ U
U U U U@ U
3
2
0
3
11
U U UU@ U
9 10 12 10 7
10
0
UUU U # ## F U U@ T A B
12 9
3
3
3
3
5
3
2 3
9 10 12 9 0
0
0
0 2 3
2
U UU UUUU
6
U U U UU U V
4
5
4
3
3
5
5
U U U %U U U U U U U U U U U U U U U 3
3
5
UU U U UU U U 3
12 9 0
4
2
2 3 5
2
7
T A B
U U UU UU U U
3
3
9
7
7
0
10
7
7
9
5. 6. 0.
R
0. R
9 10 7
7
10 9
0 6.
7
9
Sonata (K.238) D. Scarlatti TablEdited by Dirk Meineke
### 4 F 4 U U E B G D A E
4 4
2
UJ U
U U sl
U
0
0
7
6 0
UUU UUU U U UJ U U U U U U U 3 2
0
2
0
0
0
0
3 (3)
2 0 (0)
0
0
0
UJ U
U
UJ U U U U #UU U
0
2
2
1 0
1
4
2
4
1 4
2
UUUUUUU ### U U * U U P U #U U U #U U#U U U %U U U U UU U U U U U U F U U U U U U U U U U U U T A B
4 6 7 6
10 9
4 6 7 6 5 5
7
10 9 7
7
20
9 7
2
0
0
2
0
0
4
0
2
3
0
0
0 4
4
2
1 2
4
0
4
2
2
2
### U U U U U#U U U U U UJ U%U UJ U U UJ U U U U * U P UJ U%U U U U F U #U U U U %U U U U U U %U U U U T A B
2
2
4
2
2 2
2 5 4 7 5 4 4 4 6 4 6
0
6
0
7
64
7
0
2
3
0
0
0 1
0
(0)
0
2
3
3
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Sonata K.322 D. Scarlatti TablEdited by Dirk Meineke
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Congratulations
Tanks to all my friends of ETA in Spain, and México on Plaza Garibaldi (the Mariachi Oro y Plata and Penas de mi Alma), tanks for the drinks, tequila and mezcal, this is very important in my life and my musicial experience… tanks to my family, tanks to my teachers, tanks to my neighboring, tanks to my dog and my cat, tanks to life, tanks to all… I love you.
This book is dedicated to you. Good Luck
Printed in México City, july 2000 in Ediciones Ramírez. (Guitar Publishing) Peña y Peña No. 24- B Col. Morelos (Barrio of Tepito).