Le Nozze Di Figaro Schirmer Score

G. SCHIRMER OPERA SCORE EDITIONS Wolfgang Amadeus Mozart THE MARRIAGE OF FIGARO (LE NOZZE DI FIGARO) I NDEX ACT I

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G.

SCHIRMER OPERA SCORE EDITIONS

Wolfgang Amadeus Mozart

THE MARRIAGE OF FIGARO (LE NOZZE DI FIGARO)

I NDEX ACT I

NO .

PAGE

Overt ure . . . .. . . . . . . .. ... . .. ... ...... .... . . .. . . . ... . ..... .... . . .

l

D uettino ... . ... . .. . . . F igaro an d Susanna . .. .. . . .. ... . . .. . .. .

14

Cinque . . . di eci . . . Seven ... fourteen . . .

~ \ 2. / Duettino . .. . .. .. . .. .. F igaro and Susanna . .. .. .. . .. . .. ... . . . .

j___J 3.

24

Se a caso madam a la notte t i chiama Some night if your mistress should ring

Cavatina ... . . . .. . ... Figaro . .. ..... .. ...... . .. . . . . ... . .... .

38

Se vuol ballare Should my dear master want some diversion

4.

Aria . . . .. . .. .. . ... .. . Bartolo . . .. . . . . ........ . . . . .. . . . . . . . . .

47

La vendetta Taking vengeance

5.

Duettino .. .. . . .. . . . . . Marcellina and Susanna .. . . .. ... .. . . . . .

56

Via resti servita T~ reet you, my lady

(

6.

Ari l!,. .. . .... .. ... .... Cherubmo . ... . . . . . ..... .. . .. ..... ... .

~

7.

J

8.

68

Non so piu cosa son, cosa faccio I can 't gi ve you a good explanation

Terzetto . . .. . .. .. . .. . Count_. Basilio, and Susanna . . .. .... . . . . .

83

.!-CQs_a sen to! Tost o andate That's the lim1{! - Gotliis minute!

Chorus .. .. .. . . . .. . . . Country men and women . . . .. . . . ..... . . 103 Giovani liete Strew in his praises

9.

Aria . . . . . . . . . . . . . . . . . Figaro . . ... ... . ..... . ... . .. .. . . . . .. .. . 116 N on piu andrai From now on

10.

ACT II Cavatina . . . . . ... . . . Countess ... .. .. . . .. . .. . . .. .. . . . ..... . . 125 Porgi, am or, qualche ristoro Pour, 0 love, sweet consolat ion

11 . " .A\rietta .... . . ~ ~ . . . . Cherub ino .. . . . . .. .. . . ... . ... .... . .. . . 140 ) '---- V oi, c_!ie sapete' Youlcnow the answer 12 . Aria ....... . .. .. . .. . . Susan na . . . . . . . .. ... .. ... . ....... . ... . 148 Venite, inginocchiatevi Come here and kneel in fro nt of me

13 .

Terzetto . . .. . . . ... ... Count, Countess, an d Susann a . .. .. . . .. . . 164 Susanna, or via sortite ! Susanna, what 's t he matter?

14 .

Duettino ... . .... ... . . Susann a and Cherubino . ... .. . . ... .. .. . . 180 Aprite, presto a prite Unlock the door and hurry !

15 .

Finale of Act II . . . .... Count , Countess, Su sanna, Figaro, Ant onio, Marcellina , Bartolo, and B asilio .. .. ... . 190 Esci omai, garzon malnato Out you come, don't waste a moment XI

)

INDEX

ACT III

N O. ,

16 .

____.

17 .

(continued) PAGE

Duetto .. . .. .. .. . . .. . Count and Susanna . ... .. .... . .. . ... . .. 283 Crude!! perche finora But why, why make me suffer

R ecitative and Aria . . . Count. . . .. . .. . .. . ... . .. ... . ...... . .. . 291 Hai gia vinta la causa ! . . . Vedro mentr 'io sospiro " You have won the decision?" ... Shall I look on desiring

18 .

Sestetto . . . . .. ... . .. . M arcellina, F igaro, Bartolo, Don Curzio, Count, and Susanna . .. ... .. . . . .. . . . ... . 305 Riconosci in questo amplesso Now at last I may embrace you

19 .

Recitative and Aria . .. Countess ... . .. . . ... . .. .. .. . .. .. ... . ... 331 E Susanna non vien ! . . . D ove sono i bei momenti And Susanna is late ... Are they ove r, those cherished moments

20.

Duettino ... . . . . .. .. .. Susanna and Countess . .. . . . .. . ......... 343 Sull ' aria "To R omeo"

21.

Chorus .. ... .. .. . .. .. Country girls . . . . .... .. ... . . .... . .. . . .. 348 Ricevete, o padroncina Mistress dear, accept t hese fl owers

22.

Finale of Act III ... . . . F igaro, Susanna, Countess, Count, and Chorus ... . .. . . . . ... . . ... ....... . . . .. . 358 Ecco la marcia There's t he procession

ACT I V 23 .

Cavatina . . ... . .. . . .. Barbarina . .. .. .... . . .. .. . . .... . ... . . . ~ L 'ho perduta, me meschina I have lost it, H eaven help me !

24 .

~

Aria ... . ..... . .... . . . M arcellina . . ... . . ....... . ......... . ... 383 II capro e la capretta The birds and beasts

25.

Aria . . . . . . . . . . . . . . . . . Basilio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394 In quegli anni Youth is headstrong

26 .

r-

rt7 .

Recitative and Aria . . . Figaro . . . . .. . . . . .. . .... ... ..... . .... . . 403 Tutto e disposto . .. Aprite un po' quegli occhi It won't be long now . . . 0 fellow man, be smarter!

Recitative and Aria .. . Susanna ... .......... .. . . ... ... .... . . . 415 Giunse alfin ii momento . .. Deb vieni, non tardar This at last is t he m oment . . . Beloved, don 't delay

28 .

Finale of Act IV . .. . . . Cherubino, Countess, Count, Susanna, Figaro, Barbarina, Marcellina, Basilo, Bartolo, Antonio, and Don Curzio . . .. .. .... 421 Plain, piani n le andro piu presso On my t iptoes I'll go nearer XU

i

Le Nozze di Figaro The Marriage of Figaro Lorenzo da Ponte Wolfgang Amadeus Mozart

English version by Ruth and Thomas Martin

Ove rture

Piano

l

Copyright, 1947, 1948, 1951, hy G. S chirmer, Inr, . International Copyright Secured U226r

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t4

Aet l (Scene: An incomp letely fu rnish ed r oom , with a n arm-ch air in the middle. Figaro has a rule r in h is h a nd; Susanna is s e ated at a m irro r, trying on a small, flowered hat.)

No. 1. Cinque. . . dieci . .. Seven . . . fourteen . ..

Duettin~ Figaro and Sus anna

i2226

15

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Figaro (measuring)

die - ci fou r- te e n

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4 ~2 28

FE ,

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ta - se - i ty - sev - en .

.,c "Cf u I! d ., o., R ., I

16

Susanna (looking at herself in tl.e mi1·ro1·)

!1,1 :c---d:~iiii~r ~ Ir~ r ~ r~ r~ If~ r ~ r~r~--1 me , me,

se m just

fat ve r

to in ver per thing for

3

Guar-da un po', Won't you look ,

mio

my

ca - ro dar - ling

Cin - que . Sev - en .

Fi - ga-ro, Fi- ga- ro,

guar-da un won't you

die ci. four - t een ...

!~~~~ guar-da un turn a -

ven - ti .. . twen - ty .. .

l

tren - ta .. thir - ty .

--B

17 (conNnuing to look at her -ref/ertion i n th e mirror)

~ - bra

I

JI ~









• !: •

IJ

J ___....__ _ _ _]_£_==1r_~.t£ J ] i

po', guctr-rh a-des..,;o ii mio cap- pel round! Is - n't this a love-1 y b on

the

guar-daa-ries-so il m io cap Is -n't this a love - ly

--------

- se - sev - en .

~ r er

Guar-da un po', mio Tell me frank-ly,

=

ca - ro my dear

tre . . . - thret'. .

~

·-,:a c.n : •,-o :i

~ .:.

es-s o il mio

ca_p -

this

rnio cap-Ji'el-lo' il rnio cap don't you fove the trim- ming

~ C.

-

~

sern

it's

;,fp

.\2226

-

bra

a

i8 :----.

fat - to in pret - ty_

ver_ sight

per _ to _

-------

te, see,

sem and

bra it

fat suits

to in ver you to

per a

Susanna

tel T!

Si, Yes ,

or e it's ver

mio co - re, my sweet-hear t,

·' pm

-

y

~h~

~n~

----0 I

,~225

ra must

si _ ch'io say,_ it's _

son_ con to_ my_

ten - ta, lik - ing,

ver

ra y

si, ver

mio y

0

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I

sl_ ch'io smart and

er 3

I"J' I

(?

son ver

con Y-

t57 (?;t-

co - re,or smart and

e _ piu_ ver - Y -

ten - t a, strik - ing,

se m j ust

bra the

ve r

s em a nd

bra it

suits

to in ver Y- thing

fat

pe r _ . for_

----bel - lo, strik - ing,

fat

-

to in you

ver to

per a

(

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r.,.,

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~

per_ for_

":u

per _ fo r_

me, me,

i

E* * IE J per_ t e, te ,

y

~

to a

T,

T,

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i

per _ to a

me! me!

r.,.,

IE te! T!

Ah!i l

I

mat - ti- no al-le noz - ze vi have made it t,11y - self for the

r ~ ,u ~

Ah!i l You

mat - ti - no al - le noz-z e vi have made it your- self for the

---~ :a

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y

~ mfo

J

~----r J

r:

ci - no , wed - ding,

1-1: • E J• I

l.2226

ci no, wed - ding,

r

qua,nt' as

r

quant' as

p I Ge

yo ur

l

J) ~

Et ~ p 1[Jt r r- p I

dol - ce al mio te - ne - ro bride I am plan-ning to

--

-

so, it,

spo we ar

so, it,

spo wear

p IC] ~ p Up p It J• e my

dol- ce a l t uo t e - ne - r o bride yo u are p lan-ning to

que I'm

r r

-

que I'm

sto 50

~ sto so

:-----

I

20

san - na el- la stes - sa si won - der-fol day that will

be! cap- pel - Ii - no vez - zo - so, che hap - py I hard - ly can bear it! What

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a

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!~=• r[ r r rrr r r I

re: be,

san - na el-la stes - sa si won - der- fol day that will

Su

che what

Su

che what

Su

a

a

~

*1w..Jw•11J,=1 . . r·t rf{1 , J ' 1 1

san - na el- la st es - sa si won - der-ful day that will

re;

san - na el- la stes - sa si won - der- fol day that will

re;

Su My

be!

be!

Su.- san-na, Su - san- na,

! el- la stes - sa, my be - lov - ed !

el - la stes-sa, my Su- san-na!

!' u:a6

che What

Su

che What

Su

a

a

san - na el - la stes - sa si won - der - ful day that will

san - na el - l& stes - sa si won - der - ful day that will

21

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si '"at will

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day! 3

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ti u

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~ __ si ~- : will

ffl u

si

::.at will

. r belle of the

La spo - sa no - ,el - la! So young and su

prtt - ty!

Di Spa - gna l'aSpan-ish

The true

Del What

12226

Con dis

te tance

la bel - la! be - tween us!

a ...-::---.

der mi in her

la de - ere - pi-ta, it old bat - tle -ax,

co! pre- d - pi-to,sean-eor she make fun of me, it is

per Bae How dare

pi-to, of me!

Si - bil De - crep

qua,per Bae grace,how dare

\ Jo ~

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31

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Ul.88

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re- sto qua, a dis- grace,

.

--

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'

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da I'll

co! preshe make

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p .a,;

. -,,

.

la de - ere - pi- ta da ri - der mi ' Iaugh in her it old bat - tie-ax,' 111 l

-

~

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per Bae-co! pre - ci-pi-to, how dare she make fun of me,

I

.

--

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r~

der, da ri - der mi fa., Si- bil right in her face,de-crep '' '

1

,, f .4.

de-ere-pi-ta, old bat - tie-ax,

per Bae how dare

r

3

ci - pi- to,se an-cor fun of me, it is Jo,.

!

J1 .--::--,._

I

4

it

co! pre - ci - pi-to, she make fun of me,

-~- - - - ----

ri laugh

.

la

re-sto a dis -

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r

se an-cor re-sto it is a dis-

---------:

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88

tf;q la it

•r mi

in her

de old

ere bat

pi - ta, tie - ax,

da ri I'll laugh

der in

mi her

~ re-sto a dis -

qua, grace,

I

-.

per Bae - co I how dare she

pre make

ci - pi - to, fun of me,

re - sto a dis

se an - cor it is

~ eta I'll

da I'll

~

'-

ri laugh

der mi in her

fa. face! (E.xit MrtN:ellfoa rmg;·i~IJ.J

pre-

e make

--..,.

it

~

•ai

• Iler

~

•-sto

du;-

une

cor is

'

1J

re - sto qua. a dis - gran·!

'

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I

64

Recitative Susanna and Cherubino Susanna

~

4

l

~

lo.s

i" r' ' Va la, vec-chia pe-dan-te, Con-ceit - ed old spin-ster!

,. dot-to-res-saar-ro-gan- te, Do you think you can snub me,

~~

-0--------

-=--------

...

'

per-che hai just be -

..f!:c-:=:.

Cherubino (entering in

let - ti due Ii - bri, cause in the old days ---.o.-------

e sec-ca - ta ma - da-ma in gio-ven-tu. you taught my mis-tress her A ll Cs? ,-.---..

fO

{t,W, ::e

I

Cherubino

tu? you!

Su-san-net - ta, sei Ah, Su-san - na, it':;

Son io, co - sa vo - le - te? Come here, what is the mat- ter?

Ah!

Ah,

Susanna

mi - o, cheac-ci-den-te! cor he caught me! What mi::;-for-tune!

Cor He

------- - -------

------- -------

,,-.,0..,--..._

{ Cherubino

vo - stro? Co-sa av-ven - ne? II Con-te je - ri, per-che tro-vom-mi sol con Bar - ba caught you? Who has caughtyou? Yes-ter-day. the Count found me vis-it- ing a-lone with Bar - ba -

{

-------

-------

il con-ge - do mi die - de; e se la Con-tes - si - na, lamiabel-la co-ma-re, ri - na, and for that he dis-mis::;ed me, and if my dear-est Count--ess, my kind ben-e-fac-tress,

---

,,_

U22e

--- --

,-....ff..-

65

(anxiously)

ri

I

1--,

,..

-clae hai t be -



-iwg in

~ ,. sei L, it's

Susanna

'\ 7

I

r

}

7

mi - a ! san - na!

I.



---~

{~

~

--

r



:r:::5?r P~p' ~~P' P' r io va-do vi - a, io non ti ve-do piu, Su. san- na I have to leave andwon'bee you a-gain, my dear Su -

r

gra- zia nonrn'in-ter - ce - de, can - not ob-ta in my par - don,

~

I.

r

'

Non ve - de - te piit me! You won't ::;ee me a - gain?

-{ .t1: ► s::::

bra - vo! how dread - full

r

,----,

ma But

dun - que non I al-ways

~ :;ps

I

~

anna

Con - tes - sa, se-cre-ta - men - te il vo-stro cur so- spi - ra? Ah! was the Count-ess who wa,;the ob-ject of your ::oe - cret af-fec-tion! Ah,

~

----

Cor Be

~ \ " ~

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--

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-

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r

r

--·





- - - -:- -

---

-

Fe - Ii - ce Oh,luck-y

te, you,

r

r

~

r,

•-

,..

-

,..

I"

che puo- i ve-der-la quan-do you may al-way,; seeherwhenyou

:::=:~

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f



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~

trop- po ri-spet-toe!-la m'in-spi - ra! la - dy is much touhigh a-bove me!

~

ba -

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r

41

- ---,.. -, :-

che my

,.,~

::

'~

Tl

..___,

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re,

ress,

~

.

I.

---.,-

-,.- - F7 vuo - i) want to,

{f$~~-

----~--

42226

,, -------,-

Y

Y

r

y

r

che la se - ra la spo - gli, you un-dress her each eve-ning,

che la ve - sti il mat-ti - no, you dress her eachmorn-ing, ~~

--~

che le you may

88

(with a sigh)

i mer-let- ti .. . tie her rib - hons .. .

met-ti gli spil-lo - ni, fas-ten all her pins,

ah! se in tuo lo - co. . . cos' hai Were I in your place ... What is

-

---

na- stro, e la not-tur-na cuf - fia one of her fa - vor--i.te rib - hons,

co. Ahil va - go it! Ah, that is

see

---

---

~

l

.

.

I,.

p

p

(snatching the rib/Jon from hetJ l

....,

~

--,.

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L--3__,J

si bel - la. Deb her night- cap. Oh,

I

t

I

fl

ma - re longs to ('

Cherubino

dam - me - lo, so-rel - la,

give it

dam-me- lo, per pie to me, Su-san - na,please,you mustlet me

b-e-

,.-..._J

-d

...__,-

ff O . _ _

.__u

Susanna ( tryJing to get it /Jaclt)

Pre - sto quel na - stro. 0 ca - ro, What are you do - ing? 0 sweet-est,

o

bel - lo, o for - tu - na - to love - liest, o most di-vine of

Susanna(Jollowing Mm, hut tlum stopping, as though

she were ea:liausted)

non te'l ren - de - ro che for the whole wide world will ~

42226

col - la vi - ta I Cos' e quest' in - so I re - turn it! How dare you take that

87 Cherubino

m

Jen - za? rib - bon?

•• hai at is

Eh via, sta che - ta! Don't get ex- cit - ed!

In

ri - com - pen - sa give you my new

I'll

que-sta in ex -

----·-----

,.___

{

§

po - i lore- :;ong

Cherubino

~ E chenedeb-bo fa- re? Leg-gi-laal-lapamia can-zo-net-taioti vb da-re. change. That will make the bar-gain e - ven. What ,;hall I do with luve-::;ong:;?Sing it to the

Ii COId be-

--------ft------

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§

. . het;)

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~

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...

l

-.

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~

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-----r -- ---,--

r leg - gi - la sing it

dro - na; Count - ess,

pie me

tu to

-,,------,..---- T leg - gi-la a Bar - ba sing it tu Bar - ba T

me - des - ma, your - ::,elf,

---- ----

~~

~

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-----'&----

I ,-.-

~

- na, a Mar - eel - li - na . - na, to l\lar - eel - li - na,

to

Df

leg - gi-laad o - gni don - na ::,ing it to all the la - die,;

del in

----

pa the

.--.,

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Susanna

~

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4

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laz - zo! cas - tle!

j

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41226

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,,_ ~

r

Po ru You must have lost your

-

bin, mind,

b~

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-

:

;:

sie - te voi paz - zo! poor Che - ru - bi - no!

1-.-1

.-

- ..::

18

No. 6. Non so pin cosa son, cosa f accio I can't give you a good explanation Aria

I

Cherubino

Allegro vivace Cherubino ,_

I

..4 .. -

-

'"

J

. r

--

a

-

- co- sa son,

piit Non so I can't give ~

!

-

a,

a,

-

-~-

-'---"-

p

-

~

- - --

co - sa fac - cio, ex-pla - na - tin do it,

eyes_

mai will

or ca now I

si - gno - ra! are o - pen,

sco how

pi see_

me ters

co mat

~

~e,,~ Fl~ t If s n• IF t---l-Ef-i ffi

II'

---·

422:w

"'

ac Noth -

ni! end?

va, stand.

11

Ir co That's

0

Now

I ca ing

"" 11

"'

I:

der wor:,e

I.~

l:i

!I;·

non puo than tl1is

IF

t

I di could

""

t ff t

11

peg-gio, J1ap-pen,

* r s 1~ * t4#4t-=t=·r-- ' Ir I

si the

ne at

fan way

stis last _ _

tut - te all WO

si - ma my eye~

-

le men

si are

:

r

bel-IP, do it.

gno-ra, o - pen,

-·-

11

95

~ sa

-

sa, will

mai

this

this

ra!

w~t J,. > 4,

end.

),__

I

t::>0f)v\T

(to the Count, with malice)

-""'-{

~

- vi

-

•their

!~

ta. Ah, del pag-gio

no show

vi their

hand.What I

co mat -

me ters

stand.

told you

~ me ters

or now

pi see__

ca

I

sco_ how_

va!

----

~

.

.

\

I

-

-

-

-

-

41

\Ir,

~

.

\

I V

-

,

-

I

' ~

quel was

.

••

~ -~-

_,

I

~: '

C,

~

42221\

a

,~ u

1

-

~ C•

~

0

wo

y

t

l

U--1

!

--2

I

l9.---

.

~

I

det - to, ru - mor,

e

I

I

~

~

- -

ra SUS

-

-

,,------_ ~

V

I

I

~~

un with

so - lo pi - cion

rnio no

-

-

-. -. .

-

mere

-

-

1,

J\

chu ho

-

-

,,

.

.

I

I

- -

--

so foun -

I..--..

I

-

,,

-

-

,

,,

.

C½9 •."z -'=ti J, J C

\

.--

f\ {; . 'J•.•

~

~

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:;-

: ·1 •/ ,) (; l

l);!J

/D,)'.,rJJ 1 .c-JlOrt-.~ Ir

,

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lo , ,.J\

11 _, )

r,

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--

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y

4

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. - -·

,.-......__

-- --

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-

-

...-

•-

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:.

:.

--~ .. - -

sa - ra, will end,

-f

trLl1 \,x?

J . "01.J,J4J

stis last_

-

no, no,

no! no!

-

~

ah, ah,

--

giu - sti No one

--- - -

~~:-,_

-

-

or ca now I

- pi see_

-

ma eyes_

,.,

-

si - gno - ra, are 0 - pen,

--------~ -- .. - -

-

I

-

:.

che mai how this

....-

- -

•-

:.

sa - ra! will end!

sco how

eo mat

me val ters stand.

•-

I-&-

- - -

-

..

f

C?YJSC.



\

\

- - -. -

-

si my

'

J

- -- -~

non c'e al - cu - na no - vi - ta, they w.ill nev-er show their hand .1 ~'-' ', t:.~- ; '- 't,_,) t'>" /C\

42226

k

' ,),kV\\

.

r

,)/

f

I} " ., r,



.--.......

-

-

-- -----.. ---- --

-

, () ,,:. A/

I

-

(

l

fan tut -te le bel-le, way all wo - men do it,

Co - si That's the

0- ne Now at I

~~

- -

-

spet-to. da- tion.

-...:;-

tbino embraces Susanna, wko is still confused.)

Figaro - A A

(E.uunf th,e Count and .Basilio)

-

(In- a.-spet-ta-toe ilcol-po.) Ehi, ca-pi-ta-no, (That was a stroke of ge - nius!) Well, mis-ter cap-tain,

- ke

* • ..

a me pu - re la best of luck on your

-----

~

__ . J ~ ~

§

la Su-san-na ab-brackiss Su-san - na good-

l'ul - ti - ma vol - ta. ver - y last time,

,..-.__

-.-

IO,from

Via For

{with fe1·gne.1 .foy)

~ fj -

(Io vuo par- lar - ti (De-spite his or - der,

my

pria che tu par - ta.) stay till to - mor - row.)

Ad - di - o, Good - bye, now,

~

ruto

~

.

-

io-lo Che- ru - bi - no! Co - me lit-tle Che- ru - bi - no! What a

IOd-

·-

~ 42226

can-gia in un pun-to glo - ri - ous fu-ture

--::-.a.

il tuo de - sti - no! lies be - fore you!

'

116

No. 9. Non piu andrai From now on Aria Figaro Vivace

Figaro

(to Cherubino)

Non piu an-drai, far - fal- lo - ne a,..mo - ro From now on, my ad-ven - tur - ous lov

do, !>!ODS.

po - so,

del Such

Nar- ci- set-to,A-don-ci - no d'a-mor, no, myyoungcav- a - lier,

12226

Nar-ci - set - to, A-don-ci - no d'a - mor. · bi - no, my youngcav- a - lier.

not-tee no ro-

bel - le tur-ban- do ii ver - sions are done with

ri and

del - le bel - le tur-bando il ri such di- ver-sions aredonewithand

,..,---:::-

,,,.-.

po - so,

so,

...-

I

~

H'.7

Non phi a, - vrai que-sti bei You had bet - ter for-get

m

.t-te e o ro-

~

quel cap feath-ered

pen-nae-chi - ni, allyour fin - 'ry,

l chio - ma, quell' a - ria bril • quel- la pow-dered ring - lets and cream - like com -

~ ri -

and

~

§

fr------

Ian - te, plex - ion

quel in

quel ver - mi - glio don - ne - sco co - lor, ar - my will soon dis - ap - pear, in the

verthe

fr------

iffr----.._

mi ar

don - ne will soon

sco co dis - ap -

lor!

creac.

Non piu a You had

ti8 'fH"

quel cap feath-ered

quei pen - nae - chi - ni, for - get your fin - 'ry,

vrai best

: ~

quel- la chio-ma, powPz ing, to the tu..."le of trum-pets

~

~ in

I in -

di bom - bar - de, di can bo • ni, wail - ing, while the can - non - balls are

no - ni, hail - ing

tuo - ni, all' o - rec - chio fan fi sail - ing, whis - tling by your pret - ty

schiar. ear.

che and

le the

pal - le in ri - fie

tut - ti i bul - lets

~ ~

Non phi. a You had

~ I -

vrai best

l1S

~

p

12226

quei i,en - nae - chi - ni, for - get your fin - 'ry

f

nonpiu a which you

' ..

'i.

,111.· ',f.',·.; :..l · · •

:,·;

!22

\:

1!

,. i,

ti

l:

1._.

quel to

vrai wore

quel - la feath-ered

vrai get

nonpiu a and for -

cap - pel - lo, per - fee - tion,

chio - ma, caps,

non piu a pow-dered

~

r.,.. vrai curls

ro lov

61111

quell' a ria bril - Ian - tel and cream - like com - plex - ion.

so, er,

Non piu an-drai, From now on,

far- fal-lo - nea-momy ad-ven - tur - ous

not-te e gior - no d'in-tor - no gi - ran - do, no ro - man - tic, phi-lan - d'ring ex - cur - sions.

del - le Such di -

123

~

bel - le ver - sion::;

piu& for -

tur- ban - do il are done with

ri - po - so, and o - ver,

Nar - ci - set - to, A - don- ci Che - ru - bi - no, my young

no d'a cav · :\ ·

= ~

ii &

del - le bel - le Such di - ver - sions

mor, lier.

-

lered

tur- ban-do il are done with

ri - po and o -

so, ver,

Nar - ci Che - ru -

• ~

a-mo·- ous

@

l - le h di -

Che - ru - bi-no, al - la Che - ru - bi - no, on

I ":

:r:

I

to - ria, glo - ry,

~2226

~

:r:

~

:r

~

r

~

I:r:

al - la on to

:r :f k

glo - ria vie - t'ry

~

-1 :r: f

mi - Ii and to

-

tar, fame,

}

vit to

F

Che Che -

I

ru ru -

U4

bi- no,al- la bi - no, on

vit - to - ria, to glo- ry,

al - la glo - ria mi - li - tar, on to glo - ry and to fame,

al - la on to

I I 12226

End of Act I

ill

Act II

~

(Scenl9: A lu:i:urious room, wit!,, an alcove and three doors.)

No.10. Porgi, amor, qualche ristoro

I - la

Pour, 0 love, sweet consolation Cavatina

to

II

!l

Countess [Larghetto]

IU&I in

ryvyte)

~

l

Countess

Por Pour,

:t I

12226

gi,a

- mor,_

0

love,_

ri so -

{26

al on

12226

mio

duo

my

lone

lo, ly,

a' my

miei _ _ __ bro

so -

ken

127

~ 80

~

'

I

,

4

ten

~

Ii

lie

\ I

I -

I

I



::'



-. -- -- -- -- -;: I

-

..__/

~~ . ---..... - ~

"

-



-

I

, 0 mi or, I

so - ro, hus-band,

l

,

-

l-

-

.-·

-

J 1

-~

ren - di il mio back my lord



~

...

-. - . -r

-

te and l

-

~

--------. -

~

0 mi Give me

~

• ,

~



--

,

I

scia al-m'en mo - rir,_ you, let me die,_

la beg

--

I

Ir..

-- --

-

.-

I

~

. duo- 1o,a• " .. so Y - spir! nne1 sto - ro al m10 ,;igh! suf-fhng,hear my bro-ken-heart-ed

-

~

-- -- -

...

~

~I

..

-

--

I

i I

al or_

p

~

I)

Iii

J1

o mi give me

rir, die,

r

l

l:f ~I. l .. Ji .. I r!

lt th O J ,.

ri-

la - scia al-men beg_ you, let

ny

U226

..

ffl •

mo - rir! me die!

] ..

f

ren - di il mio back my lord

te - so - ro, and hus - band,

Il .. Ji .. I r!

-

..

~' or,

mi I

l ..

I

-

I

'

I

Ii

I

I

~rIll! t28

Recitative Countess, Susanna,and Figaro

.

~

C

t

-- - - - -

·- - r

41

'

fl

r

r

Vie - ni, ca. - ra. Su-san - na., Come, Su- san - na, sit down here,

-e-. { --·- -- --

,

fi and

-

--

fa.

{

~

~,.,---

-

!"

"'

-

E gia fi That's all there's

I

vol - le se - dur - ti? Oh,il loves you? Oh, say that he

si - gnor Con - te no, my mas - ter

non does-n't

.0:--

ta.i com - pli - men - ti such a com-pli-ment

--~---

col - le to a

don - ne mie girl of my

-

-.

-----

pa. - ri; sta - tion;

-

di da. - na. - ri. me with mon- ey.

Susanna

Ah! ii cru - del

So he

e - gli

he

, --.

Countess

u~

,

V

Susanna

{I ,1: ::·

pay

,. -r

v-

ni - sci - mi l'is - to - ria.. fin - ish the sto - ry.

-9-

Dun- que And you

s

r

Countess

ni - ta. to it:

-

pin non m'a - ma. loves me no long- er.

E co -me How is it,

r,

!29

I

e ge - 10 - so di voi? Co - me lo that he's jeal-ous of you? It is the

--- --~---- --~

lering)

~ fi

so-noi mo-der- ni ma-ri - ti, same way with all mod-em hus-bands,

-

•re's

~ per ge- nio ca- pric - cio - si, by char-ac-ter ca - pri-cious,

~ •

e per or- go - glio poi tut - ti ge and con-ceit- ed e-nough to be

{

s-n't

~ se if

Fi - ga Fi - ga - ro

~

t'a - ma, loves you,

ei sol po-tri - a __ . he might be a - hie ...

,,--,

gli

[Presto] Figaro

~

La

~ ae

it ,

~ H226

(Enter~ singing)

la Ia

Ia

la la

Ia

Ia Ia

la

Ia

Ia la

Ia

Ia la

la la

1.~,:: !~~

!

t.30

Figaro ( witA

Susanna

la.

{

Ee - co - lo, There he is!

-

ma. - da-ma im-pa-zien - te. my la - dy is wait- ing.

vie- ni, a.- mi - co, Come,my dar- ling,

--

A voi non No need to

-------,~-

casual gaiety)

ca ry,

sta- re in pe na there's no rea - son

per what

que - sto.

Al - fin di The mat - ter's

-

si che ver - y

{

trat - ta? sim - ple:

Al my

si- gnor Con - te no - ble lord takes a

-

{

in - di so he

-

{

rit - to late - ly

4.12.38

la to

spo - sa mi - a; my Su - san - na,

-.o.-

se - ere - ta - men - te ri - cu - pe - rar vor - ri - a de - cides in se - cret that he'll re - store a cus - tom

il he

di has

· ~,;;::::::::_

feu - da - le; a - bol - ished;

e

pos - si - bi - le la the thing is ver - y

--_,

{

pia - ce fan - cy

sa co pos- si - ble

e na- tu and ver- y

tat. (toitla

~

non II to

§

ra le. nat - u - ral.

-

Pos Ver - Y

Na - tu - ral?

si bil? pos - si - ble?

Ver - y

Na - tu - ra -

nat - u - ral?

It

is most

vuol, wants

si i~

bi most

,,,.--....

{

~ Bi

lis nat -

~

e

si - ma, u - ral,

-

y

and,

se

if

Su - san - na Su - san - na

pos -

tt,

E



lis - - si - ma. pos - si - ble.



aa,

{

Fi - ni - sci - la u - na When will you ev - er

vol - ta. fin - ish?

Ho gia. fi - ni - to, I have al - read - y.

-e-::::=::::

~ ti has

is

pre- se il par- ti - to, why he de - cid - ed

~

di he

see - glier needs me

-~-

me as

cor - rie - ro, his cour - ier

e la Su and that Su -

~ tuy

san- na san- na

con - si-glie - ra se - gre-ta d'am -ha - scia - ta; should be-come his am-bas- sa-dress in se - cret;

T

~ U226

-

-9',.,.--__

e perch' el - la o - sti and be-cause she has

• 111

t32

~...,

~

na - ta o - gnor stub-born - ly ......... -e- -

ri - fiu - ta ii di - plo - ma rl'o - nor, ch'ei le de - sti - na, re - fused to ac-cept the as - sign - ment, he's of - fend - ed

::::=:~

{~--=--

mi and

~::=:.-.

I .~

e

nae - cia di pro - teg- ger Mar - eel - Ii - na; threat-ens to take sides with Mar - eel - Ii - na:

que-sto that's the

tut gist

---

to of

l'af the

~

-

Susanna

.

71!7

fa - re.

-

sto - ry.

zio ter

pen - si? ser-ious- ly?

{ HHb

-

i..

i..

r Pr r--r Ed hai co - rag- gio di trat - tar scher - zan - do How can you treat such a ser - ious busi - ness

un ne as a

;:::=:.o.::=:::

(°,L.,,,.-..__

{

t.

si of

vi

--

Areri't you

Ee - coil

Here

is

ba hap - PY

pro - get - to: my proj - ect:

--~-

che scher-:i:an - do that I don't take

io it

ci

per Ba - si - Iioun bi-gliet - to io gli through Ba- si - lio I'll send a lit - tle

133

( to tlte

~ Iii

fo note

-

Uld

-

...... ,......_

{

~

'

E af le

che per that the

ca - pi - tar, che l'av-ver - ti - sea di cer - to a11-pun-ta - men - to, to the Count to in - form him a - bout an ap - point - ment

del bal - lo a. un a sup - pos - ed - ly

-

man - te voi made with a

--

0 ciel! Good Lord!

de - ste. lov - er.

,,--...,--ft--

~

a

-

With a

~

An- co - ra me-glio, So much the bet - ter.

-

so

{

co Be -

l ;,1

~

w

ci

si cauH:>

~

{

-

po -trem piu. pre-sto im-ba-raz-zar-lo, we can more read - i - ly at - tack him, ~

con - fun - der- lo, and baf-fle him,

im-bro-gliar-lo, dis-con-cert him,

-;::::=:::,_

~

gli ,tie

ro - ve-sciar-gli i pro-get - ti, get him whol - ly be -wil- de red,

{

~

HH& ~

em - pier - lo di so - spet- ti, in - flame him with sus - pi - cion,

--

e por-gli in andmakehim

I,1

t.84

te - sta, che la mo-der- na fe - sta grasp that what he does to oth - ers

ch'ei di fa - re & me ten - t&, al- tri a lui they will do un - to him, and e - ven with

--.n-I!..

T

fac - cia, in - t'restf

1..---r'l[i

-

-.o.-

-

r

r

r

~

tem-po,i - vi time as well

la

,

--,

7'

qua per - da ii is los - ing

--,-

trac - cia, as his bear-ings,

;:=::-12-

co our

+::::::::: 7

~ r

r

r

on - de While he

~

t:i

-- ...

~ ~

~

~ ~ •

r

r

r

p

~

~

si qua-si ex ab - rup - to, e sen-za ch'ab-bia fat - to per fra- sto - nar- ci al- cun di wed-ding hour will come be-fore he ev - er finds an op - por - tu - ni - ty to

{r-

::::...-.;::=:::::

--:~

=I

se - gno vien I'o - ra del- le noz - ze, hin-der us from get-tingmar-ried,

--

{

in fao-ci& a lei non fia, ch'o-si dop-por-si ai vo - ti or has a chance to make an - y ef - fec-tive op - po -

,.._,

Susanna

mie- i. si - tion.

-

~

~2228

E ver, That's true,

main di lui but in his

ve - ce s·op-por-ra. Mar-eel-Ii - na. stead Mar- eel - Ii - na will op-pose us.

AI

135

~

spet - ta, know it,

lui with

~

~

Con - te there- fore:

~

~

fa - rai 'su - bi - to dir, che ver - so you give the Count a hint that late this

-.o.-

at - ten - da - ti in giar you'll meet him in the

co our

di - no; gar - den,

---

bi - no, per mio con - si - glio non an - cor par - ti - to, bi - no (on my ad - vice he has not yet de - part - ed),

~

to

~

-

al so

----

{

~

sti - to, wo - man,

-ti

---

-po -

Che - ru Che - ru -

da fem-mi - na as dressed up

ve a

...-r--,,

fa - re - mo che in sua ve - ce i - vi sen va - da; w111 keep the ren - dez - vous in place of Su -san - na.

.n---

~

pie - ciol lit - tle

-

e

que-sta That's the

..ro

~

A-

l

sor-pre-so l'u - ni - ca stra- da, on - de Mon - su lordship, sur-prised on - ly so - tu - tion where - by his

~ -12226

da Ma-da - ma, by my la - dy,

sia co can be

136

stret - to a far poi quel che si bra - ma. forced to ac - cede to all her die - tates.

Non c'e mal. Good e - nough.

Che ti par? How is that?

Susanna

e

Nel no - stro ca - so ... Quand' e-gli per All things con-sid-ered... If bethinks it will

e

sua-so ... E do-ve il tem-po? work... but is there time left?

I-toe il The

~

Con - te al - la

-

cac - cia,

Coant has gone hunt- ing ,......,_____ ~

-

per qualch' o - ra e and won't come back

non sa - ra for at least

ri di sev - 'ral

~

io I'll

va - do, go now

e and

to - sto Che - ru - bi - no vi man - do, sendyouChe-ru-bi - no im-med-iate-ly.

-

la,.scioa You have

.:;::=:::;

J. cu - ra time to

U.:i!2ff

-

E po - i? And then?

,i

137

Figaro Allegretto

~ Se vuol bal - la - re, si - gnor Con - ti - no, Should my d~ar mas- ter want ~ome di - ver-sion,

l&I. iagh.

.

ii chi - tar - ri - no I'll play the mu - sic

-

~

~

(B.i:it .Figaro.)

t-toe u

lte

ro,

le suo - ne si, on my gui - tar, yes,

~

le suo - ne - ro, si, I'll play the mu- ,,jc

le suo - ne - ro. on my gui - tar!

~

ri 'ral

Recitative Countess, Susanna, and Cherubino

~

Countess

~



~

"

I,.

r

-

Quan - to duol - mi, How it grieves me,

I~#.lm

..o..---.

Su Su -

r

r

san - na, san - na,

~::=:::

che que - sto gio - vi to think that Che - ru -

acioa

1have

~

ab- bl.adelCon- te le stra-va-gan-ze u-di - to! no heard all the non-sense my way-ward hus-band told you.

ah! tu non Ah, you don't

-Q-

~

.,.

- sa r whatearth-ly

~

ma rea- son

,---::::,

42226

me

in

you

!38

Susanna

is;

ap- pun - to fac-ciam che ce la. can - ti. as soon as he comes we'll have him sing it.



Zit - to, vien Lis- ten, who

(Ifnter Clleru/Ji?W)

is

it?

Our

Cherubino

a.-va.n-ti,il.-V&n-ti, si-gnor uf-fi- zi - a - le! Ah,nonchiahe - ro! Come in,come in, most worth-y ma-jor gen- 'ral. Please do not

-

---

,.,..-..__

~

'

r

r

mar- mi call me

-- ,~::::::::~-

p Ip p

con by

no - me such a

~~

l

J)

:h p p ,p

si fa - ta. - le! fa - tal ti - tle, _

..

~ lzg I lzp

~p

ei mi ram - men - ta,

for it

re - minds me

.,

~

che abthat

b~e::=::

co - ma - re tan - to my dear- est, kind-est

buo - na! E tan - to la - dy. . . Who is so

-_.--,

------,9r-

Susanna (mocking Mm)

si, sweet,

-,e.~2226

so

si, sweet,

---e-::::=::::

cer- to! so love- ly!

i - po-cri You lit-tie

I

{39

r

~

I\

I

~

v ,v~vp

Z

-

to ne! hyp-o-crite,

Tien who

-

I(

i-1: - "

via pre - sto Ia can - zo - ne, now quick- ly sing that luve-song

-~-

----

lino

.

"'

~

,.

v

P

r

r

Susanna(poi,iting to Cherubino) I.

"

-

~~-

I

r

Y

che sta-ma-ne a me de - ste, which you gave me this morn-ing

l

Chi n'e l'au - tor? Who wrote the song?

~:::=:::

Jl'1::i l'

Countess

,r-l'r p•,, a ma- da - ma can-ta - te. so the Count-ess may hear it.

4

1chi&lonot

,.

r

l'

~....--._

----------

...

l

r

r

Guar - da - te, Who wrote it?

e-gli hadue Look at his

Countess

f=

• ab-

tllat

~f:'e

ros - sor him blush

sul - la like a

fac - cia. school-girl.

Pren - di la mia Take my gui-tar,

~

~

-to

liO

e san - na,

l'ac-com-pa and ac- com-pa - ny.

-

Io To

so - no si day I'm not

--

tre - man - te, in voice,

~ -eri ,tie

- ma vuo- Je- Lo if ma-dame de - sires- She

vuo - le, si, lo vuol, man- co pa. - ro- le. sure- ly does, come on, no more pre - am-bles.

--

~ 12228

L -

~.

chi Su -

140

No.11. Voi, che sapete You know the answer Arletta Cherubino

Andante con moto

che sa know the

.\

I ~

(Susanna plays the Ritornello on the guitar.)

pe an

- - -.

-

- -

I

~

~

r

t

Don Love's \

I t


n

tar;

= w

mi fa tor - to quel you of - fend me most

to sto ven - di bold-ness he shall

tra-spor - to, se - vere - ly,

m'ol mo::;t

car-, pay!

trag se

-

ah! com-pren - do in- de - g·na Huw in - de - cent, how out-

wntess

Per veTo dis-

~

tar, way,

~ mo - glie,

~nd)

ra-geous!

Q

ai VO'

for his

l

~ "-

tll..is

m

Ii vo' ,r his

.\2226

mi vo' for his

to - sto ven - di bold-ness he shall

car, pay,

m'ol - trag - gia - te a by ac - cus- ing

du - bi me this (approaching the small room)

mi for

vo' to - sto ven - di his bold-ness he shall

194-

.

(Giv .. Aiw IAIJ hy .)

I

\

-

-

-

.

4

.

E - gli e He is

( turning bacl.·)

. .\

:t:.· ,,,

. ., I V

4 ◄

.

Qua. Let I .,

-.

fl

.

- -· ,.



- --

-

in-no - ren-te! not guilt-y, ~

-

qua. Let

la chh.-ve! me en-ter!

---- _ - ~·. - - .......... ~

I

.P .:.

-.

:

-~

~

~--

-;

.

--

- -·

--

.,,.

~

I

e - gli e in-nohe is not

- - -la chia-ve! me en- ter!

.

- -.

p

.:.

"J.

.

:

.. :--••·-

-;

--

~

-

~

Va Go

voi sa - pe - te. Non You.know bet- ter! I

lon a -

¾

tan way

da-gli oc - chi

at once

mie - i! Un' and leave me, you're

in - fi - da !In' em un - faith - ful and

Countess

cer - chi d'in - fa- mar, cov - ered me with shame,

e

you

mi have

cer cov

chi d'in ered me

fa-mar. with shame.

I

I I f

42226

:f.96

~ in-noaot

~ a _ scol - to, won't tis - ten'

~

~

I

--

~

ai liare

~

-

\

RorH

I

- -

ll the letter.)

Andante

fo - glio ev - er

chi see

ver this

Figaro (pntending to e.xami11e it)

Nol Nev -

nol co nev - er

co - no er saw

Susanna

Nol Nev -

co - no er saw

sci? it?

Countess

Nol Nev -

sco! it.

42226

No! No!

coer

·223

~ '"er -

,

,.

co - no - sci? Nol Nev - er saw it?

thi,;

~

no

I~ ~

co - no - sci? er saw it?

sci? it?

-

saw

Nol co - no Nev - er saw

nol co - no - sci? Nev - er ,;aw it?

sci, it?

no, no!

No, No!

~

no,

no,

co er

t-

Susanna

~

- "

~

t

E nol Did - n't

coer

~

Countess

-

'

-

de - sti a give it

-

'

Don to

--

-

Ba Ba

-

.. --

i -

....I

-

-

--

..:.

..;,

-

....

.

.

-

-

... Tu er. .. What

ro

-

. . ------· ~

11.

-

-

'!"

-

.

Susanna E

ten - di? bout it?

You

oi oh,

"2226

~

...

-

Count

~

r re de -

,,,----_

_.--:----:_

p

~

p ~ Y si - lio? Per si - Jio? To

-

-

no! no!

~ I- ~-- •

~

-

Y

Figaro

~

..

~

-

bb! no!

non don't

224

\

.

.



.

- - sai de! rla - me - ri - no Che ' know lov - er: . . Who a - bout a ~

I:.

L-·• .

,

~



-

-

~

-

y

-

JI•

-

lo at

~

-

~

~

chi in - van e

-

-

~

~

_,.._ ~

l"U

ca re -

fl:

f!:

-

I:

::

- -

di ing

vad

-

, giar - di - no? Gia the gar - den ... You

---------

~-

Cer Stop

Io non Why, not

y

se - ra nel eve - ning in

....

.;._

- ,,-

- ,.,..-

~



:

.

sta thi,;

.

Count

Countess

~

fe and

::

- -

-

sa e de

so. all.

-sru ny

I tl

-

sa, ing,

il

I

tuo can

cef see

!: 't:.

l[ ----- ------ I ,It

gia you

,,_

1

fo

t'ac are

sfp

:.fp

-12226

that

-----::::::::::

c:::

~

ii'i:

I !'I,

[,

~

226

~ ca re -

I

sa, ing,

ve it

hen writ

do is

-

-

-



- .- --

. -

tir. face.

--

'1

I •

-

~ -

I

. -.. ~

-

~

~

~

--

--

..

~'

va - no, rus - es,

..

va - no, rus - es,

- --

I ' --

42226

-

-

--

-

r

-

fe

pa we can

-

-

-

-

-

sa see

- -

--------

I

r

----:7

-· ~-

--

-

toab - biam through your

r

-

~

-

-

-

-

" Htr ex

.

--

fo, io may

gia. lie,

non but

- -- -

~

.,

-- . -r ----

n

-

-

~

~

- -r

~

.

-

r

ca - no, cus - es ,

non and

the

-

ca - no, cus - es,

- r

r

.

v'e

non and

v'e the

:.

men - to. I don't.

====---

I

~

I

-

,_

"

~

-

'

"

._,

--

. cef face

-

'

~.

~-

.. far ex

-

-

JI

-

I

r

l ~

~

len - to a - guz - zi in use of all the

I,,.



r

-

,_

r

- --,,

r

-

- ..

-

sa - to ah - biam see_ through your

--

men - te ii well, my

men - to, I don't,

--

-.

-

7

I

.-

.

-- r- .

non but

-

I

-

pa - le we can

.

.---......

.\ -

---

11

len - to a - guz - zi in use of all the

~

11 ta What's the

J

cef - fo,io gia face may lie,

-

-

JI

11

Countess .

-

- --

r

- ~·

\

.

--,, -· --

Men-teil Well, my .,.---..__

\



-

Figaro

..

-· -

'

~

ta Il What's the '1

-

vuoi in

~

:.

4

~

che ten

-

Susanna

\

~

~

I

cu ly

j

----

7

~

~

---- I

--r

-

~

228 \

-



nul - ra truth you



-

ri de

a

-

TT

nul - la truth you

-

-

dir. ny.

da can't

ri de

-

..~-

dir. ny.

!

Jl.

- ...

.

r

ri your

Che

Whafs

-

-411"""

- -

-

~

..

.

-.

... ..... -=:-..._

••

-

:

...

,~

~

Dun-que a.c - cor - d'? 1. You ad - mit it?

:

,

:

nien - te'. noth - ing.

- -

!

'Q ) -

___,

-

~

.. --·.----

-.

-- - ..... ....r -=- -

-

~

I!" •

,,,-

..

..

-

,

,,,

,,,.

-

Countess

- . -

a,

TT

'

-

! '

-

- . -

-.

-.

..

Eh via che - ta - ti, ha There's no point in tell - ing \

'

~

-.

11

.

12228

:::

-

--

"

,,_

.

-

-.

I

--

-

.~

lor - do, eh via che - ta - ti, ha sto - ries, there's no point in tell - ing

\

JI

-

-

a

~

_,

-

-

11;

:

'ii

I~' 1i:

~

-

r-

!

-

-

-

-

"

.,

.,

r

.....

~

~

.

-

-

,,,

r

r

bur - let - ta ha da. lor - do; la fi sto - ries, you have car - ried things too ~

-

-

- .... "-!'#"~ ,----,

-v

,,,- ,,,-

~

-

...

.

I..

~

. .. ,,, fa bur - let - ta. ha ,.

,

1':'

-

lor - do; da. fi sto - ries, you have car - ried things too

--

I

I

-

-. --

Tl

cor - do! will not!

- ---- -

..:.



I..

-

~

-;-

3

,\

-

.-

-. ,, Non "'acI No,

~

- -~ .

"

:

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r

-

-

Eh " via che - ta - ti, ha. There's no point in tell- ing

.. ..

~

r

..-•

I

'""

----.

~

-

--

"'".

Nien - te, Noth - ing,

..

Susanna

.

-r

-r

- - - ~ - --.

~

' - ...

Figaro

-

-- .

...- -.

:.

r

spon - di? an - swer?

-

- - . : - -- . . - -

4

. ..

Count

-

-

-

-

-

'I.

.

da can't

-

l

,I

-

r

r

\

.-

-

-

cresc. I

-

-

I

:::

- -- I

:;

-

-

227

~ ~

L,_

\

- nir, ' far, \

~

-

-.

r

~

--

la bur - let- ta ha da fi you have car- ried things too

-

~-- -r. II!

-

r

~

-

-

~

-,. - -

la bur - let - ta ha da fi you have rar- ried things too

- ..

--

-

-

-

nir. far.

-

r

r

mr, fa.r,

-

nir. far.

Figaro

-

~

-

-· r

I"

Per In \

§

- -- -' f, - -

!

- - - - -- -

L -

-

-



-

l

fi the -

-

l

- -

-

"

-

~

r

nir at -

la ri

-

- -

Je

-

~

-

cal

r

ta tra

-

-

-

.P

I

I

-

I

-

I

-

-

- ~-

.,

-

- - - -

-

~

~

e all' u - ~an - za let us have a

te - a hap - PY

tra - k, end - ing,

un' a with a

~

~

sanna by the arm)

mo - nia - le e - bra - tion

~

~

42226

se le fa - re - moo - ra when the fi - nal cur - tain

228

Susanna sotto voce

sta - te, con - so - la nol con - tra word us your per - mis-sion, say the

gnor, give oce

te i miei we long

! lJ)} } ll l l .h I -tJ J con - so te i -

mis- sion, say the

guir.

Deh

nol con - tra - sta - te, con - so us your per - mis- sion, say the

si - gnor, give

fa Us . Won't you

f

~

r

'

sir, hear, \

' -.

...___sir,_ hear,_

- - -

- r

deh

-

r

-

nol con - tra us your per

- -



r

r

- -

r

.,

r

deh won't

Count(asider.!

si

-

..

you r

~

nol con - tra them your per

gnor, give

-.

-

r

r

.....

la word

de to

-

~

tei miei we long

p

-

-

r

sta - te, mis - sion,

- ,-

r

de to

-



la lor word_they long

-

-

gnor,_ give_

won't f

si you

r

-

' sta - te, mis - sion,

.....

-

con - so say the

. -

sir, hear, I

\

I 6f < ' /

I \

42229

J

I

-

-

-

Ii

li

na, na,

A

f..::---.

---

..L

J.

- -

----

rJ

I

-

-

li Ii

-

J

J

-

-

::

:l

J

:J_

-

con - so the say

p

na! na!

' quan - to are you

-- -

con say

-

la - te, hap - PY,

J

I

-

l

I

'

Ii: ~'

-

r

so the

-

-- -- -- p

.

--

.

I 1, i~'

r

p

-

-

-

-

- -•

..L

.

"

r

con - so make us

.. ..

-

.

-

]

Mar - eel Mar - eel _f_

-

P.

r

(Mar - eel (Mar - eel

de to

229

~ de to

-

~ de to

~ de to

-

§

e

~

•e

~

e

~

'

~

'

-

r ra - te i word we

-~,

-· .

\

-

-

--· r

-

de - ::;ir, to_ hear,

miei long

\

- 'J

-

. - .-

- -. - -

&

~

la - te i !or word they lung

,J

. . -

'



- -• - -

y

r

..

,,,

- -

~

-

miei de long to

-

nol at last

tra be

.,

-

"

-

nol con at last

-

::

.. ..

na!

,, .,

,

-

tra be

- na!

-

-

.

- - -

-

,..

-

' con

~

gnor,_ two __

-

-

-

-

si the

deh let

.

g-nor, two

-

com - pa - rir! Mar-cel-li - na,Mar-cel - Ii get - ting here, Mar-eel-Ii - na, Mar-eel - Ii

•'

r la - te i word we

r si us

-

I

sir, to_ hear,



-

deh let

~-

r

tar - dia late m

-r

r

r

r

deh si-gnor, nol con-tra let us two at last be

sir, hear,

I ~ . - - - - - -· -- . - -- -• ~ 11ifp~ r--,, J .J I -·. -- - - - - : - \

~

I

-

l

r--7

I

-

.

~

-

con say

sta - te, mar - ried, 1

& &

te,

. -

sta mar - ried,

.,.

con say

- ~

-

--·. -

-

r

so the

so the

y

la word

r

te i miei we long

.

&

-

- - - la- te i lor word_



-

' de to

'

-

===--

-

-.

-

l II

"2226

~

---== sir,_ hear,-

-

r

,

-- .. --

r

r

con- so - la - tei miei de - sir, say the word we long to hear,

---

-

I

I

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r-1

':

deh let

. si us

~

:

~

:.

-

&

.f.

f

- --......_-- ~ .I .~ -J - - - - J

sir, hear,

~

-

,.___

-

de to

they long

-

.

quan- to tar-di a com-pa - rir! you are late in get-ting here.

sta - te, mar - ried, ~

-

- - ,..-

,,,

- -

.

-



• .,



-

r

r

4

'

-

I

-

deh let

si the

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f-4&-

,

:

Mar - eel Mar - eel ~

~

-- --

T·~ T7

:

230

-

IF ~

-

~

4

"

gnor,_ two_

nol con at last

- -. \

-

.,

I

gnor, two

nol at

..



- -

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)

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,,

-

-

tra be

f_

. con make

19 -· -

sta - te, mar - ried,

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r

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-

..

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::::::::::

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j_

na! na!

-

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l

-

so us

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7

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r so the

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f-

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rir, here,

r

-

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. ..

.

lor long

...- ..

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U226

I

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., "

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✓l

.

- -

con - 80 say the

' I

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.. - - - ---

-

.

la. - tei word we

-

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~

miei long

rniei de lolir tn ~

te i we

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.

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sir. hear.

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de to

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sir. hear.

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r

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com - pa get - ting

-

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sir, hear,

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de to r

tar - di a. in late

r

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la word

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de to

r

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de to_

Allegro molto

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quan - to you are

l

--·

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l

con - 80 - la - te i word they say the

-

corn - pa get - ting

dia in

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r

.

miei long

-

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mfp -

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sir, hear,

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tar late

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con - so - la - te i word we say the

.,

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p

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de to_

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p

con say

-

lor long

they

I

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- --

te i

-

-

miei long

-

quan - to are you

la - te, hap - PY, J

te i we

word

- - - - --

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.f..

sir, hear,

.

-

.-

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-

la

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I

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\

la word ro

con - so say the

rJ

u

r

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p

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r so the

con »ay

sta - te, mar - ried,

Ii Ii

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con - tra be last

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p

-

na, Mar - eel na! Mar - eel

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sa, sight, =

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ro t~r- men - to quest' ni-m{ap - he - ha re - si - ster or fills me with en - vy to see them so ap - py with :-ud - den de -

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IS

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41

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sa. na re - si - ster or py with sud - den de - light.

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r

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11

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sa. or pe - na re - si hap - py with sud - den de - light. ' '

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i !! 1

(.JJ:ceunt tAe Count and .Don Curzio.)

--

11111111!11

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or in

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sa, quest' a - ni-maap light, to_ see them so

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U7

Recitative Marcellina, Bartolo, Susanna, and Figaro

io.)

Marcellina

Ee - co-vi,o ca - ro a - mi - c.o, There he is, dear - est doc - tor,

§

il dol - ce the bloom-ing

frut- to dell' an - ti - co a- mor flow-er of our one - time ro -

§ ~ Or non par - lia - mo di fat- ti si ri- mo - ti, Let's not warm up such o - ver- aged pro-ceed - ings;

no - stro. mance.

e - glie mio he is my

......... __.,,,..-.....

l fi - glio, off-spring,

mia. con-sor - te voi sie - te, you in-deed are his moth- er,

e le noz - ze fa. - rem qua.n- do vo su our mar-riageshallbewhen-ev - er you .~

.0.

Mcl!'.cellina

le - te. want it.

42226

Og - gi, To - day.

(Gives fl,,e note to .Figaro.)

dop - pie sa - ran- no. e It shall be a doub-le wed-ding.

Pren - di, Take this;

que,sto e il bi it is the

328

gliet - to note

del de - nar che a for the mon - ey

me you

de - vi, owe me.

ed e Take it

tua do - te, Pren- di an as dow - ry. Take this

---

~

Bartolo (Does the same.)Figaro

purse to the ground.) _..

t

_h .. • •

..., -.---, cor que-sta bor - sa. purse in ad- di - tion.

h..



E que-staan-ro - ra. Bra - vi! git- ta - te pur, c'hio pi- glio o And al - so this one. Thank you! Justkeepright on, I'm get - ting

---~

{1-J::tl~

=I

Vo-lia.moadin-for-mar d'o-gniav-ven - tu - ra Now let us go and tell all that has hap-pened

Ma - da-ma,e no - stro to theCount-ess and un - cle An -

~

Bartolo

I":'.. zi- o. Chial par di me con-ten-ta. Chial par di me con-ten-ta! to-nio. Who is as glad as I am? Who is as glad as I am!

I - o! I - o! I am! I am!

b~

I - o! I am!

E schiat - ti il si - gnor TheCount is wild with 'P'P ~ 1.. 1o. C1'6ac.

o! bit!

E schiat - ti il si - gnor TheCount is wild with a tempo

bit!

Bartolo Fig_ar

Andante

bJ p

•.i.i:.16

o!

creac.

f ( .All e:z:eunt, embracing.)

329

Illa

~

Recitative Barbarina and Cherubino

Ian flhis

'

(Enter Barbarina and Oherubino.)

Barbarina

~

An - diam, Come on,

~

" • mi fun

~

r

41

an - diam, come on,

bel dear

r

a if

.

r

I

tut - te ri you come a -

;::-p-

r

I'

in ca - sa you will have

---~:::=::

....,--::=:-

~

-

r

pag - gio, page,

J,

tro - ve long to

ra my house.

~

I..

~

~

le piu You will

bel see

le all

ra the

- , a , .- - - -

{~

~

ca - stel - lo, girls of the cas - tie,

-------

di but

tut - te sa - rai tu cer- to il none of them is as beau - ti - ful

piu as

----

~

Cherubino

Ah!_ But,_

se il Con - te mi tro - val mi - se - ro me! if the Count should find me, Heav - en for- bid!

Tu You

----

t

'·I

330

ch., par- ti - to ei mi ere -

l

~p vi turb

0 ve' che ma - ra Since when does that dis -

Yi - glia.

ville.

he be-lieves I haw left

'

glia! you?

p

y

se if

e And

ti he

y

tro - va, found you,

I"

,.

P"

non sa - ra it would not

co - sa be the

{r-ll ~~

I\

l

I

l

J1

t nuo - va. fin;t time.

{

.

.L

.--iT

0 - di ... Lis - ten:

--

an - drem poi pre - sent

'

fi Just

{l~2-

.n l J .b~p p ~

j p,.b VO

You

-

g?ia- mo ve-stir-ti co-me no - i, let us dress you like a girl.

..---

mu~t

• will

p

,

l

~

a a

pre- sen - tar de' nice bou-quet of

p p •p •r

da- ti,o leave it

.

Che - ru - bin, to me, all

~

---

tut-te in Then we

---

,,.-......

(E:ceuntJ

'

p p p Ip di Bar - ba your Bar - ha -

ri ri -

l * na. na.

e

t 11/l~'

,·1·.•.i,i 1·/i

",1 6¥229

1111

;I

fi:11

DI

No.19. E Susanna non vien! ... Dove sono i bei momenti

~

And Susanna is late. • • Are they over, those cherished moments Recitative and Aria

- ra l dis -

Countess (.Enter the Countess,)

Andante

.

Countess

I\

,

- - - -·

,



~

...

r

I

JI'

E Su - san - na non Vien! And Su- san - na is late ...

§

'

~

-'t

I

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l

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per out

co- meil how his

--A

.

ac ac

-

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~

col - se cept- ed

la the

.

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,

r

r

r

pro-po- sta. pro - po - salt

I

-



-

l

- Al-quan-to ar-di -

l ~

I

-

~--- - -

UU6

.. -

I

I must ad-mit

I

-

l

di 8& to find

I

,

~

-., - ~

''I

.,

Con - te lord- ship

' -·..

4

..

-

to

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I

,

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-

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l

-

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r r e ad u - no spo-so and with a bus-band

il pro-get - to mi par, that our proj- ect is bold,

-

- -.

--

,

.

P ..:.~. ,

'

,

u



-

'

So- noan- sio - sa I am anx- ious

.,

-

,


-

-

-

-

Su Su -

Su - san - na! Su - san - na!



1-- ~-~- •-

san- na! quan-ta pe - na mi co - sti! san- na, what de-spair you hare cau:,;ed me!

-

I

~

di me sen-za sa - per - lo. my-self, and did not know it!

j \

1-1,;i

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t' I

~

--· . ------::

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r

,_

p

I

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~

ei go - de - va leg- - g1•n - do; when the Cmmt read her nw::: - :,;age,

~~

~.

.. _

~

-

::

Ill >-

=

-

ron quell' in - ge - nua fac - i

-

nel sen this shock

Ah! Ah!

. -- -. -- - .. mi bat - te ii ~ ~

' I

I\

Ii

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I --·

s

jJ.

-. 'I l

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p qs

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v- --





--

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te ii

ex -

-

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- --

--

426

.

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.

I

4

.

co

re! cd!

-

pert

I\

altr' Un There's a

Countess

'1 .u 4

-, -.

- - -·

n

- - - - -

~

, Via, Go,

.u

-

. -

co

--

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l

7

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42226

n

.

--

ha kiss -

-

- -

cio, you,

-

oh non don't be

--

- .~ .-

fai

,,;o

~

e

VO - Ce sure it\,

que- gli il Che - ru .,

.

,

I

.-

•-

~--~--~ ..--

,_..

- =-====-------I

....

~

,

""' Al -

I

I

-

I

-

.,

An . che un I should

~

-

.

Al - la am I

.

- . -- .

nien - te; ,,;i] - ly.

-

:.

-

- =

--

--

-

sta; way.

_]

si his

7

.

.u

am

.:

way. ~

:

- - - - - -

~

sta;

-

.

in

-

Al - la

r

"

si my

-- - -

~

~

•·~

--·.--

con val

-

.

lei

---..

~ _. her Ii.and in his)

- ...-

r

~•

Dam-mi un Let me

lei in

-

-

' -- I

con val

-

uom fl

-

~

- - "- - -

.... .-

.,_

sta; way.

.

~

r

_;

k,_

altr' Un There's «

~

-

'

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re! ed!

-

uom ri

.-·

.

,

l

--· -

,

.-·

,

altr' Un There's a

-

co pect

.,

,

re! cd!

w-

I\ il

- .-

-

.

pect

-•·

Cherubino (keeping

--

.

4

-

gen - tel chia - mo te,o must call as - :oi:o - tanre!

41

, si his

' lei in

-

n

--· -·

-

,,

r

-

par - ti or I

con val

~-

~

r

uom n



-I

I

-

-

fa

-- -. ;;

VO - CC

~ure

e

it's

rJ

que - gli il Cht> - ru -

- - - ~

am

vo - ce e sure it's

-

--

"

que - gli ii Clw - ru -

--

.

427

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i

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.

-

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I\ .ll,

-II

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1._. ..__,

.

,

r

~

ba kiss

ciol che you, what

te - me-ra - rio! How of-fen - sive ! ~

.-

~

.

-

-

r

co- rag - gio! pre-:,;ump-tion!

-

-

_,

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41

.-

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l

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aside

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L_ ,_

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cre,.J.

. -. ~--

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,,

te - me-ra - rio!

-

\ .u

- quelcheil what the

-·-

,

. 1!Jow of-fen- sivc! aside ., _,

(i

pag - gio, bi - no.

41

--

pag - gio, bi - no

- - · _,J. ,,

"

~

~

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e per - che_ far io non pos - so, Why am I _ not once per-~i!- tfd

--•

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_,

r

r

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pag - gio, bi - no.

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IID It:

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41

i

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b. -

-- -

jjjjjjiiiiil

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te - me-ra - rio! How of-fen- sive! l!!!!!!o...

-

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te - me What ef-

te - me - ra - rio! How in -suit - ing!

·- - -guu1

H• - --·

does ev - 'ry day?

te - me-ra - rio! How in-suit- ing!

12226

te - me-ra - rio! How of-fen- sive!

oh! ve' chesmor-fie! Is it nottime now

oh! ve' ehesmor-fiel to stoppre-tend-ing?

428

.. - • ra fron - .. • -.. . ' --·. -- ,.. .I.I

-

-

:.

rio! t'ry!

-

- . - -,.

·" .I.I

.

te - rt'e - ra What pre-sump -

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rio! tion!

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il

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ve' Vt'r

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u

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ra - rio! ra-geou:,;! r

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--.. -;~

~?.226

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f.

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p

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ra - rio! ra-geous!

3

3

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------=--

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;i -hal - do an-cor

above

.

.

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sta

.

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ri - bal - do an-cor sta this ras - cal keeps in -

~

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i) this ras - cal keeps in -

.

V

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Se ii If

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Se ii

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sta this ras - cal keeps in -

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r

--·. --

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(af above)

.

-

....

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-

smor- fie! Sai c~io fui die-tro ii so mem-ber when I hid be-hind tht> 'chair?

--·. -- -

1~

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me out -

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If

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out -

te

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Count (I11tendi11g to rfve a boa: on the ear to Cliend1ino, he gives it to .l'igar