G. SCHIRMER OPERA SCORE EDITIONS Wolfgang Amadeus Mozart THE MARRIAGE OF FIGARO (LE NOZZE DI FIGARO) I NDEX ACT I
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G.
SCHIRMER OPERA SCORE EDITIONS
Wolfgang Amadeus Mozart
THE MARRIAGE OF FIGARO (LE NOZZE DI FIGARO)
I NDEX ACT I
NO .
PAGE
Overt ure . . . .. . . . . . . .. ... . .. ... ...... .... . . .. . . . ... . ..... .... . . .
l
D uettino ... . ... . .. . . . F igaro an d Susanna . .. .. . . .. ... . . .. . .. .
14
Cinque . . . di eci . . . Seven ... fourteen . . .
~ \ 2. / Duettino . .. . .. .. . .. .. F igaro and Susanna . .. .. .. . .. . .. ... . . . .
j___J 3.
24
Se a caso madam a la notte t i chiama Some night if your mistress should ring
Cavatina ... . . . .. . ... Figaro . .. ..... .. ...... . .. . . . . ... . .... .
38
Se vuol ballare Should my dear master want some diversion
4.
Aria . . . .. . .. .. . ... .. . Bartolo . . .. . . . . ........ . . . . .. . . . . . . . . .
47
La vendetta Taking vengeance
5.
Duettino .. .. . . .. . . . . . Marcellina and Susanna .. . . .. ... .. . . . . .
56
Via resti servita T~ reet you, my lady
(
6.
Ari l!,. .. . .... .. ... .... Cherubmo . ... . . . . . ..... .. . .. ..... ... .
~
7.
J
8.
68
Non so piu cosa son, cosa faccio I can 't gi ve you a good explanation
Terzetto . . .. . .. .. . .. . Count_. Basilio, and Susanna . . .. .... . . . . .
83
.!-CQs_a sen to! Tost o andate That's the lim1{! - Gotliis minute!
Chorus .. .. .. . . . .. . . . Country men and women . . . .. . . . ..... . . 103 Giovani liete Strew in his praises
9.
Aria . . . . . . . . . . . . . . . . . Figaro . . ... ... . ..... . ... . .. .. . . . . .. .. . 116 N on piu andrai From now on
10.
ACT II Cavatina . . . . . ... . . . Countess ... .. .. . . .. . .. . . .. .. . . . ..... . . 125 Porgi, am or, qualche ristoro Pour, 0 love, sweet consolat ion
11 . " .A\rietta .... . . ~ ~ . . . . Cherub ino .. . . . . .. .. . . ... . ... .... . .. . . 140 ) '---- V oi, c_!ie sapete' Youlcnow the answer 12 . Aria ....... . .. .. . .. . . Susan na . . . . . . . .. ... .. ... . ....... . ... . 148 Venite, inginocchiatevi Come here and kneel in fro nt of me
13 .
Terzetto . . .. . . . ... ... Count, Countess, an d Susann a . .. .. . . .. . . 164 Susanna, or via sortite ! Susanna, what 's t he matter?
14 .
Duettino ... . .... ... . . Susann a and Cherubino . ... .. . . ... .. .. . . 180 Aprite, presto a prite Unlock the door and hurry !
15 .
Finale of Act II . . . .... Count , Countess, Su sanna, Figaro, Ant onio, Marcellina , Bartolo, and B asilio .. .. ... . 190 Esci omai, garzon malnato Out you come, don't waste a moment XI
)
INDEX
ACT III
N O. ,
16 .
____.
17 .
(continued) PAGE
Duetto .. . .. .. .. . . .. . Count and Susanna . ... .. .... . .. . ... . .. 283 Crude!! perche finora But why, why make me suffer
R ecitative and Aria . . . Count. . . .. . .. . .. . ... . .. ... . ...... . .. . 291 Hai gia vinta la causa ! . . . Vedro mentr 'io sospiro " You have won the decision?" ... Shall I look on desiring
18 .
Sestetto . . . . .. ... . .. . M arcellina, F igaro, Bartolo, Don Curzio, Count, and Susanna . .. ... .. . . . .. . . . ... . 305 Riconosci in questo amplesso Now at last I may embrace you
19 .
Recitative and Aria . .. Countess ... . .. . . ... . .. .. .. . .. .. ... . ... 331 E Susanna non vien ! . . . D ove sono i bei momenti And Susanna is late ... Are they ove r, those cherished moments
20.
Duettino ... . . . . .. .. .. Susanna and Countess . .. . . . .. . ......... 343 Sull ' aria "To R omeo"
21.
Chorus .. ... .. .. . .. .. Country girls . . . . .... .. ... . . .... . .. . . .. 348 Ricevete, o padroncina Mistress dear, accept t hese fl owers
22.
Finale of Act III ... . . . F igaro, Susanna, Countess, Count, and Chorus ... . .. . . . . ... . . ... ....... . . . .. . 358 Ecco la marcia There's t he procession
ACT I V 23 .
Cavatina . . ... . .. . . .. Barbarina . .. .. .... . . .. .. . . .... . ... . . . ~ L 'ho perduta, me meschina I have lost it, H eaven help me !
24 .
~
Aria ... . ..... . .... . . . M arcellina . . ... . . ....... . ......... . ... 383 II capro e la capretta The birds and beasts
25.
Aria . . . . . . . . . . . . . . . . . Basilio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394 In quegli anni Youth is headstrong
26 .
r-
rt7 .
Recitative and Aria . . . Figaro . . . . .. . . . . .. . .... ... ..... . .... . . 403 Tutto e disposto . .. Aprite un po' quegli occhi It won't be long now . . . 0 fellow man, be smarter!
Recitative and Aria .. . Susanna ... .......... .. . . ... ... .... . . . 415 Giunse alfin ii momento . .. Deb vieni, non tardar This at last is t he m oment . . . Beloved, don 't delay
28 .
Finale of Act IV . .. . . . Cherubino, Countess, Count, Susanna, Figaro, Barbarina, Marcellina, Basilo, Bartolo, Antonio, and Don Curzio . . .. .. .... 421 Plain, piani n le andro piu presso On my t iptoes I'll go nearer XU
i
Le Nozze di Figaro The Marriage of Figaro Lorenzo da Ponte Wolfgang Amadeus Mozart
English version by Ruth and Thomas Martin
Ove rture
Piano
l
Copyright, 1947, 1948, 1951, hy G. S chirmer, Inr, . International Copyright Secured U226r
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Aet l (Scene: An incomp letely fu rnish ed r oom , with a n arm-ch air in the middle. Figaro has a rule r in h is h a nd; Susanna is s e ated at a m irro r, trying on a small, flowered hat.)
No. 1. Cinque. . . dieci . .. Seven . . . fourteen . ..
Duettin~ Figaro and Sus anna
i2226
15
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Figaro (measuring)
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Susanna (looking at herself in tl.e mi1·ro1·)
!1,1 :c---d:~iiii~r ~ Ir~ r ~ r~ r~ If~ r ~ r~r~--1 me , me,
se m just
fat ve r
to in ver per thing for
3
Guar-da un po', Won't you look ,
mio
my
ca - ro dar - ling
Cin - que . Sev - en .
Fi - ga-ro, Fi- ga- ro,
guar-da un won't you
die ci. four - t een ...
!~~~~ guar-da un turn a -
ven - ti .. . twen - ty .. .
l
tren - ta .. thir - ty .
--B
17 (conNnuing to look at her -ref/ertion i n th e mirror)
~ - bra
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po', guctr-rh a-des..,;o ii mio cap- pel round! Is - n't this a love-1 y b on
the
guar-daa-ries-so il m io cap Is -n't this a love - ly
--------
- se - sev - en .
~ r er
Guar-da un po', mio Tell me frank-ly,
=
ca - ro my dear
tre . . . - thret'. .
~
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es-s o il mio
ca_p -
this
rnio cap-Ji'el-lo' il rnio cap don't you fove the trim- ming
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sern
it's
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bra
a
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fat - to in pret - ty_
ver_ sight
per _ to _
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te, see,
sem and
bra it
fat suits
to in ver you to
per a
Susanna
tel T!
Si, Yes ,
or e it's ver
mio co - re, my sweet-hear t,
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----0 I
,~225
ra must
si _ ch'io say,_ it's _
son_ con to_ my_
ten - ta, lik - ing,
ver
ra y
si, ver
mio y
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sl_ ch'io smart and
er 3
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son ver
con Y-
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co - re,or smart and
e _ piu_ ver - Y -
ten - t a, strik - ing,
se m j ust
bra the
ve r
s em a nd
bra it
suits
to in ver Y- thing
fat
pe r _ . for_
----bel - lo, strik - ing,
fat
-
to in you
ver to
per a
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per_ for_
":u
per _ fo r_
me, me,
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y
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to a
T,
T,
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per _ to a
me! me!
r.,.,
IE te! T!
Ah!i l
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mat - ti- no al-le noz - ze vi have made it t,11y - self for the
r ~ ,u ~
Ah!i l You
mat - ti - no al - le noz-z e vi have made it your- self for the
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ci - no , wed - ding,
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l.2226
ci no, wed - ding,
r
qua,nt' as
r
quant' as
p I Ge
yo ur
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Et ~ p 1[Jt r r- p I
dol - ce al mio te - ne - ro bride I am plan-ning to
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so, it,
spo we ar
so, it,
spo wear
p IC] ~ p Up p It J• e my
dol- ce a l t uo t e - ne - r o bride yo u are p lan-ning to
que I'm
r r
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que I'm
sto 50
~ sto so
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I
20
san - na el- la stes - sa si won - der-fol day that will
be! cap- pel - Ii - no vez - zo - so, che hap - py I hard - ly can bear it! What
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re: be,
san - na el-la stes - sa si won - der- fol day that will
Su
che what
Su
che what
Su
a
a
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san - na el- la st es - sa si won - der-ful day that will
re;
san - na el- la stes - sa si won - der- fol day that will
re;
Su My
be!
be!
Su.- san-na, Su - san- na,
! el- la stes - sa, my be - lov - ed !
el - la stes-sa, my Su- san-na!
!' u:a6
che What
Su
che What
Su
a
a
san - na el - la stes - sa si won - der - ful day that will
san - na el - l& stes - sa si won - der - ful day that will
21
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. r belle of the
La spo - sa no - ,el - la! So young and su
prtt - ty!
Di Spa - gna l'aSpan-ish
The true
Del What
12226
Con dis
te tance
la bel - la! be - tween us!
a ...-::---.
der mi in her
la de - ere - pi-ta, it old bat - tle -ax,
co! pre- d - pi-to,sean-eor she make fun of me, it is
per Bae How dare
pi-to, of me!
Si - bil De - crep
qua,per Bae grace,how dare
\ Jo ~
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re- sto qua, a dis- grace,
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da I'll
co! preshe make
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la de - ere - pi- ta da ri - der mi ' Iaugh in her it old bat - tie-ax,' 111 l
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per Bae-co! pre - ci-pi-to, how dare she make fun of me,
I
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der, da ri - der mi fa., Si- bil right in her face,de-crep '' '
1
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de-ere-pi-ta, old bat - tie-ax,
per Bae how dare
r
3
ci - pi- to,se an-cor fun of me, it is Jo,.
!
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it
co! pre - ci - pi-to, she make fun of me,
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ri laugh
.
la
re-sto a dis -
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se an-cor re-sto it is a dis-
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88
tf;q la it
•r mi
in her
de old
ere bat
pi - ta, tie - ax,
da ri I'll laugh
der in
mi her
~ re-sto a dis -
qua, grace,
I
-.
per Bae - co I how dare she
pre make
ci - pi - to, fun of me,
re - sto a dis
se an - cor it is
~ eta I'll
da I'll
~
'-
ri laugh
der mi in her
fa. face! (E.xit MrtN:ellfoa rmg;·i~IJ.J
pre-
e make
--..,.
it
~
•ai
• Iler
~
•-sto
du;-
une
cor is
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re - sto qua. a dis - gran·!
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64
Recitative Susanna and Cherubino Susanna
~
4
l
~
lo.s
i" r' ' Va la, vec-chia pe-dan-te, Con-ceit - ed old spin-ster!
,. dot-to-res-saar-ro-gan- te, Do you think you can snub me,
~~
-0--------
-=--------
...
'
per-che hai just be -
..f!:c-:=:.
Cherubino (entering in
let - ti due Ii - bri, cause in the old days ---.o.-------
e sec-ca - ta ma - da-ma in gio-ven-tu. you taught my mis-tress her A ll Cs? ,-.---..
fO
{t,W, ::e
I
Cherubino
tu? you!
Su-san-net - ta, sei Ah, Su-san - na, it':;
Son io, co - sa vo - le - te? Come here, what is the mat- ter?
Ah!
Ah,
Susanna
mi - o, cheac-ci-den-te! cor he caught me! What mi::;-for-tune!
Cor He
------- - -------
------- -------
,,-.,0..,--..._
{ Cherubino
vo - stro? Co-sa av-ven - ne? II Con-te je - ri, per-che tro-vom-mi sol con Bar - ba caught you? Who has caughtyou? Yes-ter-day. the Count found me vis-it- ing a-lone with Bar - ba -
{
-------
-------
il con-ge - do mi die - de; e se la Con-tes - si - na, lamiabel-la co-ma-re, ri - na, and for that he dis-mis::;ed me, and if my dear-est Count--ess, my kind ben-e-fac-tress,
---
,,_
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--- --
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65
(anxiously)
ri
I
1--,
,..
-clae hai t be -
•
-iwg in
~ ,. sei L, it's
Susanna
'\ 7
I
r
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7
mi - a ! san - na!
I.
•
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r
•
:r:::5?r P~p' ~~P' P' r io va-do vi - a, io non ti ve-do piu, Su. san- na I have to leave andwon'bee you a-gain, my dear Su -
r
gra- zia nonrn'in-ter - ce - de, can - not ob-ta in my par - don,
~
I.
r
'
Non ve - de - te piit me! You won't ::;ee me a - gain?
-{ .t1: ► s::::
bra - vo! how dread - full
r
,----,
ma But
dun - que non I al-ways
~ :;ps
I
~
anna
Con - tes - sa, se-cre-ta - men - te il vo-stro cur so- spi - ra? Ah! was the Count-ess who wa,;the ob-ject of your ::oe - cret af-fec-tion! Ah,
~
----
Cor Be
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r
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-
Fe - Ii - ce Oh,luck-y
te, you,
r
r
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che puo- i ve-der-la quan-do you may al-way,; seeherwhenyou
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trop- po ri-spet-toe!-la m'in-spi - ra! la - dy is much touhigh a-bove me!
~
ba -
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41
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che my
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re,
ress,
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-,.- - F7 vuo - i) want to,
{f$~~-
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42226
,, -------,-
Y
Y
r
y
r
che la se - ra la spo - gli, you un-dress her each eve-ning,
che la ve - sti il mat-ti - no, you dress her eachmorn-ing, ~~
--~
che le you may
88
(with a sigh)
i mer-let- ti .. . tie her rib - hons .. .
met-ti gli spil-lo - ni, fas-ten all her pins,
ah! se in tuo lo - co. . . cos' hai Were I in your place ... What is
-
---
na- stro, e la not-tur-na cuf - fia one of her fa - vor--i.te rib - hons,
co. Ahil va - go it! Ah, that is
see
---
---
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l
.
.
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p
p
(snatching the rib/Jon from hetJ l
....,
~
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si bel - la. Deb her night- cap. Oh,
I
t
I
fl
ma - re longs to ('
Cherubino
dam - me - lo, so-rel - la,
give it
dam-me- lo, per pie to me, Su-san - na,please,you mustlet me
b-e-
,.-..._J
-d
...__,-
ff O . _ _
.__u
Susanna ( tryJing to get it /Jaclt)
Pre - sto quel na - stro. 0 ca - ro, What are you do - ing? 0 sweet-est,
o
bel - lo, o for - tu - na - to love - liest, o most di-vine of
Susanna(Jollowing Mm, hut tlum stopping, as though
she were ea:liausted)
non te'l ren - de - ro che for the whole wide world will ~
42226
col - la vi - ta I Cos' e quest' in - so I re - turn it! How dare you take that
87 Cherubino
m
Jen - za? rib - bon?
•• hai at is
Eh via, sta che - ta! Don't get ex- cit - ed!
In
ri - com - pen - sa give you my new
I'll
que-sta in ex -
----·-----
,.___
{
§
po - i lore- :;ong
Cherubino
~ E chenedeb-bo fa- re? Leg-gi-laal-lapamia can-zo-net-taioti vb da-re. change. That will make the bar-gain e - ven. What ,;hall I do with luve-::;ong:;?Sing it to the
Ii COId be-
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r leg - gi - la sing it
dro - na; Count - ess,
pie me
tu to
-,,------,..---- T leg - gi-la a Bar - ba sing it tu Bar - ba T
me - des - ma, your - ::,elf,
---- ----
~~
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- na, a Mar - eel - li - na . - na, to l\lar - eel - li - na,
to
Df
leg - gi-laad o - gni don - na ::,ing it to all the la - die,;
del in
----
pa the
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Susanna
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laz - zo! cas - tle!
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41226
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- - " - ro" Che ve
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Po ru You must have lost your
-
bin, mind,
b~
--
_,,_
_
r
L) ~
~
r
r
-
:
;:
sie - te voi paz - zo! poor Che - ru - bi - no!
1-.-1
.-
- ..::
18
No. 6. Non so pin cosa son, cosa f accio I can't give you a good explanation Aria
I
Cherubino
Allegro vivace Cherubino ,_
I
..4 .. -
-
'"
J
. r
--
a
-
- co- sa son,
piit Non so I can't give ~
!
-
a,
a,
-
-~-
-'---"-
p
-
~
- - --
co - sa fac - cio, ex-pla - na - tin do it,
eyes_
mai will
or ca now I
si - gno - ra! are o - pen,
sco how
pi see_
me ters
co mat
~
~e,,~ Fl~ t If s n• IF t---l-Ef-i ffi
II'
---·
422:w
"'
ac Noth -
ni! end?
va, stand.
11
Ir co That's
0
Now
I ca ing
"" 11
"'
I:
der wor:,e
I.~
l:i
!I;·
non puo than tl1is
IF
t
I di could
""
t ff t
11
peg-gio, J1ap-pen,
* r s 1~ * t4#4t-=t=·r-- ' Ir I
si the
ne at
fan way
stis last _ _
tut - te all WO
si - ma my eye~
-
le men
si are
:
r
bel-IP, do it.
gno-ra, o - pen,
-·-
11
95
~ sa
-
sa, will
mai
this
this
ra!
w~t J,. > 4,
end.
),__
I
t::>0f)v\T
(to the Count, with malice)
-""'-{
~
- vi
-
•their
!~
ta. Ah, del pag-gio
no show
vi their
hand.What I
co mat -
me ters
stand.
told you
~ me ters
or now
pi see__
ca
I
sco_ how_
va!
----
~
.
.
\
I
-
-
-
-
-
41
\Ir,
~
.
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I V
-
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quel was
.
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C,
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42221\
a
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wo
y
t
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--2
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l9.---
.
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I
det - to, ru - mor,
e
I
I
~
~
- -
ra SUS
-
-
,,------_ ~
V
I
I
~~
un with
so - lo pi - cion
rnio no
-
-
-. -. .
-
mere
-
-
1,
J\
chu ho
-
-
,,
.
.
I
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so foun -
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-
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.
C½9 •."z -'=ti J, J C
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...-
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--~ .. - -
sa - ra, will end,
-f
trLl1 \,x?
J . "01.J,J4J
stis last_
-
no, no,
no! no!
-
~
ah, ah,
--
giu - sti No one
--- - -
~~:-,_
-
-
or ca now I
- pi see_
-
ma eyes_
,.,
-
si - gno - ra, are 0 - pen,
--------~ -- .. - -
-
I
-
:.
che mai how this
....-
- -
•-
:.
sa - ra! will end!
sco how
eo mat
me val ters stand.
•-
I-&-
- - -
-
..
f
C?YJSC.
•
\
\
- - -. -
-
si my
'
J
- -- -~
non c'e al - cu - na no - vi - ta, they w.ill nev-er show their hand .1 ~'-' ', t:.~- ; '- 't,_,) t'>" /C\
42226
k
' ,),kV\\
.
r
,)/
f
I} " ., r,
•
.--.......
-
-
-- -----.. ---- --
-
, () ,,:. A/
I
-
(
l
fan tut -te le bel-le, way all wo - men do it,
Co - si That's the
0- ne Now at I
~~
- -
-
spet-to. da- tion.
-...:;-
tbino embraces Susanna, wko is still confused.)
Figaro - A A
(E.uunf th,e Count and .Basilio)
-
(In- a.-spet-ta-toe ilcol-po.) Ehi, ca-pi-ta-no, (That was a stroke of ge - nius!) Well, mis-ter cap-tain,
- ke
* • ..
a me pu - re la best of luck on your
-----
~
__ . J ~ ~
§
la Su-san-na ab-brackiss Su-san - na good-
l'ul - ti - ma vol - ta. ver - y last time,
,..-.__
-.-
IO,from
Via For
{with fe1·gne.1 .foy)
~ fj -
(Io vuo par- lar - ti (De-spite his or - der,
my
pria che tu par - ta.) stay till to - mor - row.)
Ad - di - o, Good - bye, now,
~
ruto
~
.
-
io-lo Che- ru - bi - no! Co - me lit-tle Che- ru - bi - no! What a
IOd-
·-
~ 42226
can-gia in un pun-to glo - ri - ous fu-ture
--::-.a.
il tuo de - sti - no! lies be - fore you!
'
116
No. 9. Non piu andrai From now on Aria Figaro Vivace
Figaro
(to Cherubino)
Non piu an-drai, far - fal- lo - ne a,..mo - ro From now on, my ad-ven - tur - ous lov
do, !>!ODS.
po - so,
del Such
Nar- ci- set-to,A-don-ci - no d'a-mor, no, myyoungcav- a - lier,
12226
Nar-ci - set - to, A-don-ci - no d'a - mor. · bi - no, my youngcav- a - lier.
not-tee no ro-
bel - le tur-ban- do ii ver - sions are done with
ri and
del - le bel - le tur-bando il ri such di- ver-sions aredonewithand
,..,---:::-
,,,.-.
po - so,
so,
...-
I
~
H'.7
Non phi a, - vrai que-sti bei You had bet - ter for-get
m
.t-te e o ro-
~
quel cap feath-ered
pen-nae-chi - ni, allyour fin - 'ry,
l chio - ma, quell' a - ria bril • quel- la pow-dered ring - lets and cream - like com -
~ ri -
and
~
§
fr------
Ian - te, plex - ion
quel in
quel ver - mi - glio don - ne - sco co - lor, ar - my will soon dis - ap - pear, in the
verthe
fr------
iffr----.._
mi ar
don - ne will soon
sco co dis - ap -
lor!
creac.
Non piu a You had
ti8 'fH"
quel cap feath-ered
quei pen - nae - chi - ni, for - get your fin - 'ry,
vrai best
: ~
quel- la chio-ma, powPz ing, to the tu..."le of trum-pets
~
~ in
I in -
di bom - bar - de, di can bo • ni, wail - ing, while the can - non - balls are
no - ni, hail - ing
tuo - ni, all' o - rec - chio fan fi sail - ing, whis - tling by your pret - ty
schiar. ear.
che and
le the
pal - le in ri - fie
tut - ti i bul - lets
~ ~
Non phi. a You had
~ I -
vrai best
l1S
~
p
12226
quei i,en - nae - chi - ni, for - get your fin - 'ry
f
nonpiu a which you
' ..
'i.
,111.· ',f.',·.; :..l · · •
:,·;
!22
\:
1!
,. i,
ti
l:
1._.
quel to
vrai wore
quel - la feath-ered
vrai get
nonpiu a and for -
cap - pel - lo, per - fee - tion,
chio - ma, caps,
non piu a pow-dered
~
r.,.. vrai curls
ro lov
61111
quell' a ria bril - Ian - tel and cream - like com - plex - ion.
so, er,
Non piu an-drai, From now on,
far- fal-lo - nea-momy ad-ven - tur - ous
not-te e gior - no d'in-tor - no gi - ran - do, no ro - man - tic, phi-lan - d'ring ex - cur - sions.
del - le Such di -
123
~
bel - le ver - sion::;
piu& for -
tur- ban - do il are done with
ri - po - so, and o - ver,
Nar - ci - set - to, A - don- ci Che - ru - bi - no, my young
no d'a cav · :\ ·
= ~
ii &
del - le bel - le Such di - ver - sions
mor, lier.
-
lered
tur- ban-do il are done with
ri - po and o -
so, ver,
Nar - ci Che - ru -
• ~
a-mo·- ous
@
l - le h di -
Che - ru - bi-no, al - la Che - ru - bi - no, on
I ":
:r:
I
to - ria, glo - ry,
~2226
~
:r:
~
:r
~
r
~
I:r:
al - la on to
:r :f k
glo - ria vie - t'ry
~
-1 :r: f
mi - Ii and to
-
tar, fame,
}
vit to
F
Che Che -
I
ru ru -
U4
bi- no,al- la bi - no, on
vit - to - ria, to glo- ry,
al - la glo - ria mi - li - tar, on to glo - ry and to fame,
al - la on to
I I 12226
End of Act I
ill
Act II
~
(Scenl9: A lu:i:urious room, wit!,, an alcove and three doors.)
No.10. Porgi, amor, qualche ristoro
I - la
Pour, 0 love, sweet consolation Cavatina
to
II
!l
Countess [Larghetto]
IU&I in
ryvyte)
~
l
Countess
Por Pour,
:t I
12226
gi,a
- mor,_
0
love,_
ri so -
{26
al on
12226
mio
duo
my
lone
lo, ly,
a' my
miei _ _ __ bro
so -
ken
127
~ 80
~
'
I
,
4
ten
~
Ii
lie
\ I
I -
I
I
"·
::'
•
-. -- -- -- -- -;: I
-
..__/
~~ . ---..... - ~
"
-
-·
-
I
, 0 mi or, I
so - ro, hus-band,
l
,
-
l-
-
.-·
-
J 1
-~
ren - di il mio back my lord
•
~
...
-. - . -r
-
te and l
-
~
--------. -
~
0 mi Give me
~
• ,
~
•
--
,
I
scia al-m'en mo - rir,_ you, let me die,_
la beg
--
I
Ir..
-- --
-
.-
I
~
. duo- 1o,a• " .. so Y - spir! nne1 sto - ro al m10 ,;igh! suf-fhng,hear my bro-ken-heart-ed
-
~
-- -- -
...
~
~I
..
-
--
I
i I
al or_
p
~
I)
Iii
J1
o mi give me
rir, die,
r
l
l:f ~I. l .. Ji .. I r!
lt th O J ,.
ri-
la - scia al-men beg_ you, let
ny
U226
..
ffl •
mo - rir! me die!
] ..
f
ren - di il mio back my lord
te - so - ro, and hus - band,
Il .. Ji .. I r!
-
..
~' or,
mi I
l ..
I
-
I
'
I
Ii
I
I
~rIll! t28
Recitative Countess, Susanna,and Figaro
.
~
C
t
-- - - - -
·- - r
41
'
fl
r
r
Vie - ni, ca. - ra. Su-san - na., Come, Su- san - na, sit down here,
-e-. { --·- -- --
,
fi and
-
--
fa.
{
~
~,.,---
-
!"
"'
-
E gia fi That's all there's
I
vol - le se - dur - ti? Oh,il loves you? Oh, say that he
si - gnor Con - te no, my mas - ter
non does-n't
.0:--
ta.i com - pli - men - ti such a com-pli-ment
--~---
col - le to a
don - ne mie girl of my
-
-.
-----
pa. - ri; sta - tion;
-
di da. - na. - ri. me with mon- ey.
Susanna
Ah! ii cru - del
So he
e - gli
he
, --.
Countess
u~
,
V
Susanna
{I ,1: ::·
pay
,. -r
v-
ni - sci - mi l'is - to - ria.. fin - ish the sto - ry.
-9-
Dun- que And you
s
r
Countess
ni - ta. to it:
-
pin non m'a - ma. loves me no long- er.
E co -me How is it,
r,
!29
I
e ge - 10 - so di voi? Co - me lo that he's jeal-ous of you? It is the
--- --~---- --~
lering)
~ fi
so-noi mo-der- ni ma-ri - ti, same way with all mod-em hus-bands,
-
•re's
~ per ge- nio ca- pric - cio - si, by char-ac-ter ca - pri-cious,
~ •
e per or- go - glio poi tut - ti ge and con-ceit- ed e-nough to be
{
s-n't
~ se if
Fi - ga Fi - ga - ro
~
t'a - ma, loves you,
ei sol po-tri - a __ . he might be a - hie ...
,,--,
gli
[Presto] Figaro
~
La
~ ae
it ,
~ H226
(Enter~ singing)
la Ia
Ia
la la
Ia
Ia Ia
la
Ia
Ia la
Ia
Ia la
la la
1.~,:: !~~
!
t.30
Figaro ( witA
Susanna
la.
{
Ee - co - lo, There he is!
-
ma. - da-ma im-pa-zien - te. my la - dy is wait- ing.
vie- ni, a.- mi - co, Come,my dar- ling,
--
A voi non No need to
-------,~-
casual gaiety)
ca ry,
sta- re in pe na there's no rea - son
per what
que - sto.
Al - fin di The mat - ter's
-
si che ver - y
{
trat - ta? sim - ple:
Al my
si- gnor Con - te no - ble lord takes a
-
{
in - di so he
-
{
rit - to late - ly
4.12.38
la to
spo - sa mi - a; my Su - san - na,
-.o.-
se - ere - ta - men - te ri - cu - pe - rar vor - ri - a de - cides in se - cret that he'll re - store a cus - tom
il he
di has
· ~,;;::::::::_
feu - da - le; a - bol - ished;
e
pos - si - bi - le la the thing is ver - y
--_,
{
pia - ce fan - cy
sa co pos- si - ble
e na- tu and ver- y
tat. (toitla
~
non II to
§
ra le. nat - u - ral.
-
Pos Ver - Y
Na - tu - ral?
si bil? pos - si - ble?
Ver - y
Na - tu - ra -
nat - u - ral?
It
is most
vuol, wants
si i~
bi most
,,,.--....
{
~ Bi
lis nat -
~
e
si - ma, u - ral,
-
y
and,
se
if
Su - san - na Su - san - na
pos -
tt,
E
L·
lis - - si - ma. pos - si - ble.
•
aa,
{
Fi - ni - sci - la u - na When will you ev - er
vol - ta. fin - ish?
Ho gia. fi - ni - to, I have al - read - y.
-e-::::=::::
~ ti has
is
pre- se il par- ti - to, why he de - cid - ed
~
di he
see - glier needs me
-~-
me as
cor - rie - ro, his cour - ier
e la Su and that Su -
~ tuy
san- na san- na
con - si-glie - ra se - gre-ta d'am -ha - scia - ta; should be-come his am-bas- sa-dress in se - cret;
T
~ U226
-
-9',.,.--__
e perch' el - la o - sti and be-cause she has
• 111
t32
~...,
~
na - ta o - gnor stub-born - ly ......... -e- -
ri - fiu - ta ii di - plo - ma rl'o - nor, ch'ei le de - sti - na, re - fused to ac-cept the as - sign - ment, he's of - fend - ed
::::=:~
{~--=--
mi and
~::=:.-.
I .~
e
nae - cia di pro - teg- ger Mar - eel - Ii - na; threat-ens to take sides with Mar - eel - Ii - na:
que-sto that's the
tut gist
---
to of
l'af the
~
-
Susanna
.
71!7
fa - re.
-
sto - ry.
zio ter
pen - si? ser-ious- ly?
{ HHb
-
i..
i..
r Pr r--r Ed hai co - rag- gio di trat - tar scher - zan - do How can you treat such a ser - ious busi - ness
un ne as a
;:::=:.o.::=:::
(°,L.,,,.-..__
{
t.
si of
vi
--
Areri't you
Ee - coil
Here
is
ba hap - PY
pro - get - to: my proj - ect:
--~-
che scher-:i:an - do that I don't take
io it
ci
per Ba - si - Iioun bi-gliet - to io gli through Ba- si - lio I'll send a lit - tle
133
( to tlte
~ Iii
fo note
-
Uld
-
...... ,......_
{
~
'
E af le
che per that the
ca - pi - tar, che l'av-ver - ti - sea di cer - to a11-pun-ta - men - to, to the Count to in - form him a - bout an ap - point - ment
del bal - lo a. un a sup - pos - ed - ly
-
man - te voi made with a
--
0 ciel! Good Lord!
de - ste. lov - er.
,,--...,--ft--
~
a
-
With a
~
An- co - ra me-glio, So much the bet - ter.
-
so
{
co Be -
l ;,1
~
w
ci
si cauH:>
~
{
-
po -trem piu. pre-sto im-ba-raz-zar-lo, we can more read - i - ly at - tack him, ~
con - fun - der- lo, and baf-fle him,
im-bro-gliar-lo, dis-con-cert him,
-;::::=:::,_
~
gli ,tie
ro - ve-sciar-gli i pro-get - ti, get him whol - ly be -wil- de red,
{
~
HH& ~
em - pier - lo di so - spet- ti, in - flame him with sus - pi - cion,
--
e por-gli in andmakehim
I,1
t.84
te - sta, che la mo-der- na fe - sta grasp that what he does to oth - ers
ch'ei di fa - re & me ten - t&, al- tri a lui they will do un - to him, and e - ven with
--.n-I!..
T
fac - cia, in - t'restf
1..---r'l[i
-
-.o.-
-
r
r
r
~
tem-po,i - vi time as well
la
,
--,
7'
qua per - da ii is los - ing
--,-
trac - cia, as his bear-ings,
;:=::-12-
co our
+::::::::: 7
~ r
r
r
on - de While he
~
t:i
-- ...
~ ~
~
~ ~ •
r
r
r
p
~
~
si qua-si ex ab - rup - to, e sen-za ch'ab-bia fat - to per fra- sto - nar- ci al- cun di wed-ding hour will come be-fore he ev - er finds an op - por - tu - ni - ty to
{r-
::::...-.;::=:::::
--:~
=I
se - gno vien I'o - ra del- le noz - ze, hin-der us from get-tingmar-ried,
--
{
in fao-ci& a lei non fia, ch'o-si dop-por-si ai vo - ti or has a chance to make an - y ef - fec-tive op - po -
,.._,
Susanna
mie- i. si - tion.
-
~
~2228
E ver, That's true,
main di lui but in his
ve - ce s·op-por-ra. Mar-eel-Ii - na. stead Mar- eel - Ii - na will op-pose us.
AI
135
~
spet - ta, know it,
lui with
~
~
Con - te there- fore:
~
~
fa - rai 'su - bi - to dir, che ver - so you give the Count a hint that late this
-.o.-
at - ten - da - ti in giar you'll meet him in the
co our
di - no; gar - den,
---
bi - no, per mio con - si - glio non an - cor par - ti - to, bi - no (on my ad - vice he has not yet de - part - ed),
~
to
~
-
al so
----
{
~
sti - to, wo - man,
-ti
---
-po -
Che - ru Che - ru -
da fem-mi - na as dressed up
ve a
...-r--,,
fa - re - mo che in sua ve - ce i - vi sen va - da; w111 keep the ren - dez - vous in place of Su -san - na.
.n---
~
pie - ciol lit - tle
-
e
que-sta That's the
..ro
~
A-
l
sor-pre-so l'u - ni - ca stra- da, on - de Mon - su lordship, sur-prised on - ly so - tu - tion where - by his
~ -12226
da Ma-da - ma, by my la - dy,
sia co can be
136
stret - to a far poi quel che si bra - ma. forced to ac - cede to all her die - tates.
Non c'e mal. Good e - nough.
Che ti par? How is that?
Susanna
e
Nel no - stro ca - so ... Quand' e-gli per All things con-sid-ered... If bethinks it will
e
sua-so ... E do-ve il tem-po? work... but is there time left?
I-toe il The
~
Con - te al - la
-
cac - cia,
Coant has gone hunt- ing ,......,_____ ~
-
per qualch' o - ra e and won't come back
non sa - ra for at least
ri di sev - 'ral
~
io I'll
va - do, go now
e and
to - sto Che - ru - bi - no vi man - do, sendyouChe-ru-bi - no im-med-iate-ly.
-
la,.scioa You have
.:;::=:::;
J. cu - ra time to
U.:i!2ff
-
E po - i? And then?
,i
137
Figaro Allegretto
~ Se vuol bal - la - re, si - gnor Con - ti - no, Should my d~ar mas- ter want ~ome di - ver-sion,
l&I. iagh.
.
ii chi - tar - ri - no I'll play the mu - sic
-
~
~
(B.i:it .Figaro.)
t-toe u
lte
ro,
le suo - ne si, on my gui - tar, yes,
~
le suo - ne - ro, si, I'll play the mu- ,,jc
le suo - ne - ro. on my gui - tar!
~
ri 'ral
Recitative Countess, Susanna, and Cherubino
~
Countess
~
•
~
"
I,.
r
-
Quan - to duol - mi, How it grieves me,
I~#.lm
..o..---.
Su Su -
r
r
san - na, san - na,
~::=:::
che que - sto gio - vi to think that Che - ru -
acioa
1have
~
ab- bl.adelCon- te le stra-va-gan-ze u-di - to! no heard all the non-sense my way-ward hus-band told you.
ah! tu non Ah, you don't
-Q-
~
.,.
- sa r whatearth-ly
~
ma rea- son
,---::::,
42226
me
in
you
!38
Susanna
is;
ap- pun - to fac-ciam che ce la. can - ti. as soon as he comes we'll have him sing it.
-·
Zit - to, vien Lis- ten, who
(Ifnter Clleru/Ji?W)
is
it?
Our
Cherubino
a.-va.n-ti,il.-V&n-ti, si-gnor uf-fi- zi - a - le! Ah,nonchiahe - ro! Come in,come in, most worth-y ma-jor gen- 'ral. Please do not
-
---
,.,..-..__
~
'
r
r
mar- mi call me
-- ,~::::::::~-
p Ip p
con by
no - me such a
~~
l
J)
:h p p ,p
si fa - ta. - le! fa - tal ti - tle, _
..
~ lzg I lzp
~p
ei mi ram - men - ta,
for it
re - minds me
.,
~
che abthat
b~e::=::
co - ma - re tan - to my dear- est, kind-est
buo - na! E tan - to la - dy. . . Who is so
-_.--,
------,9r-
Susanna (mocking Mm)
si, sweet,
-,e.~2226
so
si, sweet,
---e-::::=::::
cer- to! so love- ly!
i - po-cri You lit-tie
I
{39
r
~
I\
I
~
v ,v~vp
Z
-
to ne! hyp-o-crite,
Tien who
-
I(
i-1: - "
via pre - sto Ia can - zo - ne, now quick- ly sing that luve-song
-~-
----
lino
.
"'
~
,.
v
P
r
r
Susanna(poi,iting to Cherubino) I.
"
-
~~-
I
r
Y
che sta-ma-ne a me de - ste, which you gave me this morn-ing
l
Chi n'e l'au - tor? Who wrote the song?
~:::=:::
Jl'1::i l'
Countess
,r-l'r p•,, a ma- da - ma can-ta - te. so the Count-ess may hear it.
4
1chi&lonot
,.
r
l'
~....--._
----------
...
l
r
r
Guar - da - te, Who wrote it?
e-gli hadue Look at his
Countess
f=
• ab-
tllat
~f:'e
ros - sor him blush
sul - la like a
fac - cia. school-girl.
Pren - di la mia Take my gui-tar,
~
~
-to
liO
e san - na,
l'ac-com-pa and ac- com-pa - ny.
-
Io To
so - no si day I'm not
--
tre - man - te, in voice,
~ -eri ,tie
- ma vuo- Je- Lo if ma-dame de - sires- She
vuo - le, si, lo vuol, man- co pa. - ro- le. sure- ly does, come on, no more pre - am-bles.
--
~ 12228
L -
~.
chi Su -
140
No.11. Voi, che sapete You know the answer Arletta Cherubino
Andante con moto
che sa know the
.\
I ~
(Susanna plays the Ritornello on the guitar.)
pe an
- - -.
-
- -
I
~
~
r
t
Don Love's \
I t
n
tar;
= w
mi fa tor - to quel you of - fend me most
to sto ven - di bold-ness he shall
tra-spor - to, se - vere - ly,
m'ol mo::;t
car-, pay!
trag se
-
ah! com-pren - do in- de - g·na Huw in - de - cent, how out-
wntess
Per veTo dis-
~
tar, way,
~ mo - glie,
~nd)
ra-geous!
Q
ai VO'
for his
l
~ "-
tll..is
m
Ii vo' ,r his
.\2226
mi vo' for his
to - sto ven - di bold-ness he shall
car, pay,
m'ol - trag - gia - te a by ac - cus- ing
du - bi me this (approaching the small room)
mi for
vo' to - sto ven - di his bold-ness he shall
194-
.
(Giv .. Aiw IAIJ hy .)
I
\
-
-
-
.
4
.
E - gli e He is
( turning bacl.·)
. .\
:t:.· ,,,
. ., I V
4 ◄
.
Qua. Let I .,
-.
fl
.
- -· ,.
-·
- --
-
in-no - ren-te! not guilt-y, ~
-
qua. Let
la chh.-ve! me en-ter!
---- _ - ~·. - - .......... ~
I
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-.
:
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~
~--
-;
.
--
- -·
--
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e - gli e in-nohe is not
- - -la chia-ve! me en- ter!
.
- -.
p
.:.
"J.
.
:
.. :--••·-
-;
--
~
-
~
Va Go
voi sa - pe - te. Non You.know bet- ter! I
lon a -
¾
tan way
da-gli oc - chi
at once
mie - i! Un' and leave me, you're
in - fi - da !In' em un - faith - ful and
Countess
cer - chi d'in - fa- mar, cov - ered me with shame,
e
you
mi have
cer cov
chi d'in ered me
fa-mar. with shame.
I
I I f
42226
:f.96
~ in-noaot
~ a _ scol - to, won't tis - ten'
~
~
I
--
~
ai liare
~
-
\
RorH
I
- -
ll the letter.)
Andante
fo - glio ev - er
chi see
ver this
Figaro (pntending to e.xami11e it)
Nol Nev -
nol co nev - er
co - no er saw
Susanna
Nol Nev -
co - no er saw
sci? it?
Countess
Nol Nev -
sco! it.
42226
No! No!
coer
·223
~ '"er -
,
,.
co - no - sci? Nol Nev - er saw it?
thi,;
~
no
I~ ~
co - no - sci? er saw it?
sci? it?
-
saw
Nol co - no Nev - er saw
nol co - no - sci? Nev - er ,;aw it?
sci, it?
no, no!
No, No!
~
no,
no,
co er
t-
Susanna
~
- "
~
t
E nol Did - n't
coer
~
Countess
-
'
-
de - sti a give it
-
'
Don to
--
-
Ba Ba
-
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i -
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-
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--
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..;,
-
....
.
.
-
-
... Tu er. .. What
ro
-
. . ------· ~
11.
-
-
'!"
-
.
Susanna E
ten - di? bout it?
You
oi oh,
"2226
~
...
-
Count
~
r re de -
,,,----_
_.--:----:_
p
~
p ~ Y si - lio? Per si - Jio? To
-
-
no! no!
~ I- ~-- •
~
-
Y
Figaro
~
..
~
-
bb! no!
non don't
224
\
.
.
•
.
- - sai de! rla - me - ri - no Che ' know lov - er: . . Who a - bout a ~
I:.
L-·• .
,
~
•
-
-
~
-
y
-
JI•
-
lo at
~
-
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chi in - van e
-
-
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l"U
ca re -
fl:
f!:
-
I:
::
- -
di ing
vad
-
, giar - di - no? Gia the gar - den ... You
---------
~-
Cer Stop
Io non Why, not
y
se - ra nel eve - ning in
....
.;._
- ,,-
- ,.,..-
~
•
:
.
sta thi,;
.
Count
Countess
~
fe and
::
- -
-
sa e de
so. all.
-sru ny
I tl
-
sa, ing,
il
I
tuo can
cef see
!: 't:.
l[ ----- ------ I ,It
gia you
,,_
1
fo
t'ac are
sfp
:.fp
-12226
that
-----::::::::::
c:::
~
ii'i:
I !'I,
[,
~
226
~ ca re -
I
sa, ing,
ve it
hen writ
do is
-
-
-
•
- .- --
. -
tir. face.
--
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-
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I
. -.. ~
-
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--
--
..
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va - no, rus - es,
..
va - no, rus - es,
- --
I ' --
42226
-
-
--
-
r
-
fe
pa we can
-
-
-
-
-
sa see
- -
--------
I
r
----:7
-· ~-
--
-
toab - biam through your
r
-
~
-
-
-
-
" Htr ex
.
--
fo, io may
gia. lie,
non but
- -- -
~
.,
-- . -r ----
n
-
-
~
~
- -r
~
.
-
r
ca - no, cus - es ,
non and
the
-
ca - no, cus - es,
- r
r
.
v'e
non and
v'e the
:.
men - to. I don't.
====---
I
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,_
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--
. cef face
-
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.. far ex
-
-
JI
-
I
r
l ~
~
len - to a - guz - zi in use of all the
I,,.
-·
r
-
,_
r
- --,,
r
-
- ..
-
sa - to ah - biam see_ through your
--
men - te ii well, my
men - to, I don't,
--
-.
-
7
I
.-
.
-- r- .
non but
-
I
-
pa - le we can
.
.---......
.\ -
---
11
len - to a - guz - zi in use of all the
~
11 ta What's the
J
cef - fo,io gia face may lie,
-
-
JI
11
Countess .
-
- --
r
- ~·
\
.
--,, -· --
Men-teil Well, my .,.---..__
\
•
-
Figaro
..
-· -
'
~
ta Il What's the '1
-
vuoi in
~
:.
4
~
che ten
-
Susanna
\
~
~
I
cu ly
j
----
7
~
~
---- I
--r
-
~
228 \
-
•
nul - ra truth you
•
-
ri de
a
-
TT
nul - la truth you
-
-
dir. ny.
da can't
ri de
-
..~-
dir. ny.
!
Jl.
- ...
.
r
ri your
Che
Whafs
-
-411"""
- -
-
~
..
.
-.
... ..... -=:-..._
••
-
:
...
,~
~
Dun-que a.c - cor - d'? 1. You ad - mit it?
:
,
:
nien - te'. noth - ing.
- -
!
'Q ) -
___,
-
~
.. --·.----
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-- - ..... ....r -=- -
-
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,,,-
..
..
-
,
,,,
,,,.
-
Countess
- . -
a,
TT
'
-
! '
-
- . -
-.
-.
..
Eh via che - ta - ti, ha There's no point in tell - ing \
'
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-.
11
.
12228
:::
-
--
"
,,_
.
-
-.
I
--
-
.~
lor - do, eh via che - ta - ti, ha sto - ries, there's no point in tell - ing
\
JI
-
-
a
~
_,
-
-
11;
:
'ii
I~' 1i:
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r-
!
-
-
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-
"
.,
.,
r
.....
~
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.
-
-
,,,
r
r
bur - let - ta ha da. lor - do; la fi sto - ries, you have car - ried things too ~
-
-
- .... "-!'#"~ ,----,
-v
,,,- ,,,-
~
-
...
.
I..
~
. .. ,,, fa bur - let - ta. ha ,.
,
1':'
-
lor - do; da. fi sto - ries, you have car - ried things too
--
I
I
-
-. --
Tl
cor - do! will not!
- ---- -
..:.
•
I..
-
~
-;-
3
,\
-
.-
-. ,, Non "'acI No,
~
- -~ .
"
:
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r
-
-
Eh " via che - ta - ti, ha. There's no point in tell- ing
.. ..
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r
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I
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----.
~
-
--
"'".
Nien - te, Noth - ing,
..
Susanna
.
-r
-r
- - - ~ - --.
~
' - ...
Figaro
-
-- .
...- -.
:.
r
spon - di? an - swer?
-
- - . : - -- . . - -
4
. ..
Count
-
-
-
-
-
'I.
.
da can't
-
l
,I
-
r
r
\
.-
-
-
cresc. I
-
-
I
:::
- -- I
:;
-
-
227
~ ~
L,_
\
- nir, ' far, \
~
-
-.
r
~
--
la bur - let- ta ha da fi you have car- ried things too
-
~-- -r. II!
-
r
~
-
-
~
-,. - -
la bur - let - ta ha da fi you have rar- ried things too
- ..
--
-
-
-
nir. far.
-
r
r
mr, fa.r,
-
nir. far.
Figaro
-
~
-
-· r
I"
Per In \
§
- -- -' f, - -
!
- - - - -- -
L -
-
-
-·
-
l
fi the -
-
l
- -
-
"
-
~
r
nir at -
la ri
-
- -
Je
-
~
-
cal
r
ta tra
-
-
-
.P
I
I
-
I
-
I
-
-
- ~-
.,
-
- - - -
-
~
~
e all' u - ~an - za let us have a
te - a hap - PY
tra - k, end - ing,
un' a with a
~
~
sanna by the arm)
mo - nia - le e - bra - tion
~
~
42226
se le fa - re - moo - ra when the fi - nal cur - tain
228
Susanna sotto voce
sta - te, con - so - la nol con - tra word us your per - mis-sion, say the
gnor, give oce
te i miei we long
! lJ)} } ll l l .h I -tJ J con - so te i -
mis- sion, say the
guir.
Deh
nol con - tra - sta - te, con - so us your per - mis- sion, say the
si - gnor, give
fa Us . Won't you
f
~
r
'
sir, hear, \
' -.
...___sir,_ hear,_
- - -
- r
deh
-
r
-
nol con - tra us your per
- -
-·
r
r
- -
r
.,
r
deh won't
Count(asider.!
si
-
..
you r
~
nol con - tra them your per
gnor, give
-.
-
r
r
.....
la word
de to
-
~
tei miei we long
p
-
-
r
sta - te, mis - sion,
- ,-
r
de to
-
•
la lor word_they long
-
-
gnor,_ give_
won't f
si you
r
-
' sta - te, mis - sion,
.....
-
con - so say the
. -
sir, hear, I
\
I 6f < ' /
I \
42229
J
I
-
-
-
Ii
li
na, na,
A
f..::---.
---
..L
J.
- -
----
rJ
I
-
-
li Ii
-
J
J
-
-
::
:l
J
:J_
-
con - so the say
p
na! na!
' quan - to are you
-- -
con say
-
la - te, hap - PY,
J
I
-
l
I
'
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-
r
so the
-
-- -- -- p
.
--
.
I 1, i~'
r
p
-
-
-
-
- -•
..L
.
"
r
con - so make us
.. ..
-
.
-
]
Mar - eel Mar - eel _f_
-
P.
r
(Mar - eel (Mar - eel
de to
229
~ de to
-
~ de to
~ de to
-
§
e
~
•e
~
e
~
'
~
'
-
r ra - te i word we
-~,
-· .
\
-
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--· r
-
de - ::;ir, to_ hear,
miei long
\
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-
. - .-
- -. - -
&
~
la - te i !or word they lung
,J
. . -
'
•
- -• - -
y
r
..
,,,
- -
~
-
miei de long to
-
nol at last
tra be
.,
-
"
-
nol con at last
-
::
.. ..
na!
,, .,
,
-
tra be
- na!
-
-
.
- - -
-
,..
-
' con
~
gnor,_ two __
-
-
-
-
si the
deh let
.
g-nor, two
-
com - pa - rir! Mar-cel-li - na,Mar-cel - Ii get - ting here, Mar-eel-Ii - na, Mar-eel - Ii
•'
r la - te i word we
r si us
-
I
sir, to_ hear,
•
-
deh let
~-
r
tar - dia late m
-r
r
r
r
deh si-gnor, nol con-tra let us two at last be
sir, hear,
I ~ . - - - - - -· -- . - -- -• ~ 11ifp~ r--,, J .J I -·. -- - - - - : - \
~
I
-
l
r--7
I
-
.
~
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con say
sta - te, mar - ried, 1
& &
te,
. -
sta mar - ried,
.,.
con say
- ~
-
--·. -
-
r
so the
so the
y
la word
r
te i miei we long
.
&
-
- - - la- te i lor word_
•
-
' de to
'
-
===--
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-
l II
"2226
~
---== sir,_ hear,-
-
r
,
-- .. --
r
r
con- so - la - tei miei de - sir, say the word we long to hear,
---
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I
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':
deh let
. si us
~
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&
.f.
f
- --......_-- ~ .I .~ -J - - - - J
sir, hear,
~
-
,.___
-
de to
they long
-
.
quan- to tar-di a com-pa - rir! you are late in get-ting here.
sta - te, mar - ried, ~
-
- - ,..-
,,,
- -
.
-
•
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•
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r
r
4
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deh let
si the
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f-4&-
,
:
Mar - eel Mar - eel ~
~
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T·~ T7
:
230
-
IF ~
-
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4
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gnor,_ two_
nol con at last
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gnor, two
nol at
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tra be
f_
. con make
19 -· -
sta - te, mar - ried,
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r
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na! na!
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so us
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r so the
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rir, here,
r
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lor long
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U226
I
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✓l
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con - 80 say the
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-
.
la. - tei word we
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miei long
rniei de lolir tn ~
te i we
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sir. hear.
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de to
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sir. hear.
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r
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com - pa get - ting
-
- -
sir, hear,
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de to r
tar - di a. in late
r
-
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la word
-
de to
r
~
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de to_
Allegro molto
.,_
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-.
quan - to you are
l
--·
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l
con - 80 - la - te i word they say the
-
corn - pa get - ting
dia in
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.
miei long
-
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r
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mfp -
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sir, hear,
--·.
tar late
-
con - so - la - te i word we say the
.,
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p
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de to_
r
p
con say
-
lor long
they
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- --
te i
-
-
miei long
-
quan - to are you
la - te, hap - PY, J
te i we
word
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sir, hear,
.
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.-
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la
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la word ro
con - so say the
rJ
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sa. or pe - na re - si hap - py with sud - den de - light. ' '
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(.JJ:ceunt tAe Count and .Don Curzio.)
--
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sa, quest' a - ni-maap light, to_ see them so
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U7
Recitative Marcellina, Bartolo, Susanna, and Figaro
io.)
Marcellina
Ee - co-vi,o ca - ro a - mi - c.o, There he is, dear - est doc - tor,
§
il dol - ce the bloom-ing
frut- to dell' an - ti - co a- mor flow-er of our one - time ro -
§ ~ Or non par - lia - mo di fat- ti si ri- mo - ti, Let's not warm up such o - ver- aged pro-ceed - ings;
no - stro. mance.
e - glie mio he is my
......... __.,,,..-.....
l fi - glio, off-spring,
mia. con-sor - te voi sie - te, you in-deed are his moth- er,
e le noz - ze fa. - rem qua.n- do vo su our mar-riageshallbewhen-ev - er you .~
.0.
Mcl!'.cellina
le - te. want it.
42226
Og - gi, To - day.
(Gives fl,,e note to .Figaro.)
dop - pie sa - ran- no. e It shall be a doub-le wed-ding.
Pren - di, Take this;
que,sto e il bi it is the
328
gliet - to note
del de - nar che a for the mon - ey
me you
de - vi, owe me.
ed e Take it
tua do - te, Pren- di an as dow - ry. Take this
---
~
Bartolo (Does the same.)Figaro
purse to the ground.) _..
t
_h .. • •
..., -.---, cor que-sta bor - sa. purse in ad- di - tion.
h..
•
E que-staan-ro - ra. Bra - vi! git- ta - te pur, c'hio pi- glio o And al - so this one. Thank you! Justkeepright on, I'm get - ting
---~
{1-J::tl~
=I
Vo-lia.moadin-for-mar d'o-gniav-ven - tu - ra Now let us go and tell all that has hap-pened
Ma - da-ma,e no - stro to theCount-ess and un - cle An -
~
Bartolo
I":'.. zi- o. Chial par di me con-ten-ta. Chial par di me con-ten-ta! to-nio. Who is as glad as I am? Who is as glad as I am!
I - o! I - o! I am! I am!
b~
I - o! I am!
E schiat - ti il si - gnor TheCount is wild with 'P'P ~ 1.. 1o. C1'6ac.
o! bit!
E schiat - ti il si - gnor TheCount is wild with a tempo
bit!
Bartolo Fig_ar
Andante
bJ p
•.i.i:.16
o!
creac.
f ( .All e:z:eunt, embracing.)
329
Illa
~
Recitative Barbarina and Cherubino
Ian flhis
'
(Enter Barbarina and Oherubino.)
Barbarina
~
An - diam, Come on,
~
" • mi fun
~
r
41
an - diam, come on,
bel dear
r
a if
.
r
I
tut - te ri you come a -
;::-p-
r
I'
in ca - sa you will have
---~:::=::
....,--::=:-
~
-
r
pag - gio, page,
J,
tro - ve long to
ra my house.
~
I..
~
~
le piu You will
bel see
le all
ra the
- , a , .- - - -
{~
~
ca - stel - lo, girls of the cas - tie,
-------
di but
tut - te sa - rai tu cer- to il none of them is as beau - ti - ful
piu as
----
~
Cherubino
Ah!_ But,_
se il Con - te mi tro - val mi - se - ro me! if the Count should find me, Heav - en for- bid!
Tu You
----
t
'·I
330
ch., par- ti - to ei mi ere -
l
~p vi turb
0 ve' che ma - ra Since when does that dis -
Yi - glia.
ville.
he be-lieves I haw left
'
glia! you?
p
y
se if
e And
ti he
y
tro - va, found you,
I"
,.
P"
non sa - ra it would not
co - sa be the
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l
I
l
J1
t nuo - va. fin;t time.
{
.
.L
.--iT
0 - di ... Lis - ten:
--
an - drem poi pre - sent
'
fi Just
{l~2-
.n l J .b~p p ~
j p,.b VO
You
-
g?ia- mo ve-stir-ti co-me no - i, let us dress you like a girl.
..---
mu~t
• will
p
,
l
~
a a
pre- sen - tar de' nice bou-quet of
p p •p •r
da- ti,o leave it
.
Che - ru - bin, to me, all
~
---
tut-te in Then we
---
,,.-......
(E:ceuntJ
'
p p p Ip di Bar - ba your Bar - ha -
ri ri -
l * na. na.
e
t 11/l~'
,·1·.•.i,i 1·/i
",1 6¥229
1111
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fi:11
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No.19. E Susanna non vien! ... Dove sono i bei momenti
~
And Susanna is late. • • Are they over, those cherished moments Recitative and Aria
- ra l dis -
Countess (.Enter the Countess,)
Andante
.
Countess
I\
,
- - - -·
,
•
~
...
r
I
JI'
E Su - san - na non Vien! And Su- san - na is late ...
§
'
~
-'t
I
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l
•
•
.
l
-
" I
per out
co- meil how his
--A
.
ac ac
-
- -
~
col - se cept- ed
la the
.
~
,
r
r
r
pro-po- sta. pro - po - salt
I
-
-·
-
l
- Al-quan-to ar-di -
l ~
I
-
~--- - -
UU6
.. -
I
I must ad-mit
I
-
l
di 8& to find
I
,
~
-., - ~
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.,
Con - te lord- ship
' -·..
4
..
-
to
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I
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-
-
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l
-
-
r r e ad u - no spo-so and with a bus-band
il pro-get - to mi par, that our proj- ect is bold,
-
- -.
--
,
.
P ..:.~. ,
'
,
u
◄
-
'
So- noan- sio - sa I am anx- ious
.,
-
,
-
-
-
-
Su Su -
Su - san - na! Su - san - na!
♦
1-- ~-~- •-
san- na! quan-ta pe - na mi co - sti! san- na, what de-spair you hare cau:,;ed me!
-
I
~
di me sen-za sa - per - lo. my-self, and did not know it!
j \
1-1,;i
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t' I
~
--· . ------::
~
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r
,_
p
I
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ei go - de - va leg- - g1•n - do; when the Cmmt read her nw::: - :,;age,
~~
~.
.. _
~
-
::
Ill >-
=
-
ron quell' in - ge - nua fac - i
-
nel sen this shock
Ah! Ah!
. -- -. -- - .. mi bat - te ii ~ ~
' I
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426
.
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.
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4
.
co
re! cd!
-
pert
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altr' Un There's a
Countess
'1 .u 4
-, -.
- - -·
n
- - - - -
~
, Via, Go,
.u
-
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co
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7
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11111
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42226
n
.
--
ha kiss -
-
- -
cio, you,
-
oh non don't be
--
- .~ .-
fai
,,;o
~
e
VO - Ce sure it\,
que- gli il Che - ru .,
.
,
I
.-
•-
~--~--~ ..--
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- =-====-------I
....
~
,
""' Al -
I
I
-
I
-
.,
An . che un I should
~
-
.
Al - la am I
.
- . -- .
nien - te; ,,;i] - ly.
-
:.
-
- =
--
--
-
sta; way.
_]
si his
7
.
.u
am
.:
way. ~
:
- - - - - -
~
sta;
-
.
in
-
Al - la
r
"
si my
-- - -
~
~
•·~
--·.--
con val
-
.
lei
---..
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- ...-
r
~•
Dam-mi un Let me
lei in
-
-
' -- I
con val
-
uom fl
-
~
- - "- - -
.... .-
.,_
sta; way.
.
~
r
_;
k,_
altr' Un There's «
~
-
'
'
re! ed!
-
uom ri
.-·
.
,
l
--· -
,
.-·
,
altr' Un There's a
-
co pect
.,
,
re! cd!
w-
I\ il
- .-
-
.
pect
-•·
Cherubino (keeping
--
.
4
-
gen - tel chia - mo te,o must call as - :oi:o - tanre!
41
, si his
' lei in
-
n
--· -·
-
,,
r
-
par - ti or I
con val
~-
~
r
uom n
•
-I
I
-
-
fa
-- -. ;;
VO - CC
~ure
e
it's
rJ
que - gli il Cht> - ru -
- - - ~
am
vo - ce e sure it's
-
--
"
que - gli ii Clw - ru -
--
.
427
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i
. •
-
.
-
.~-
-
-
I\ .ll,
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- .
1._. ..__,
.
,
r
~
ba kiss
ciol che you, what
te - me-ra - rio! How of-fen - sive ! ~
.-
~
.
-
-
r
co- rag - gio! pre-:,;ump-tion!
-
-
_,
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41
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l
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aside
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L_ ,_
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. -. ~--
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te - me-ra - rio!
-
\ .u
- quelcheil what the
-·-
,
. 1!Jow of-fen- sivc! aside ., _,
(i
pag - gio, bi - no.
41
--
pag - gio, bi - no
- - · _,J. ,,
"
~
~
~
e per - che_ far io non pos - so, Why am I _ not once per-~i!- tfd
--•
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pag - gio, bi - no.
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41
i
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b. -
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jjjjjjiiiiil
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.
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te - me-ra - rio! How of-fen- sive! l!!!!!!o...
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te - me What ef-
te - me - ra - rio! How in -suit - ing!
·- - -guu1
H• - --·
does ev - 'ry day?
te - me-ra - rio! How in-suit- ing!
12226
te - me-ra - rio! How of-fen- sive!
oh! ve' chesmor-fie! Is it nottime now
oh! ve' ehesmor-fiel to stoppre-tend-ing?
428
.. - • ra fron - .. • -.. . ' --·. -- ,.. .I.I
-
-
:.
rio! t'ry!
-
- . - -,.
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.
te - rt'e - ra What pre-sump -
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rio! tion!
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ve' Vt'r
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p
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ra - rio! ra-geous!
3
3
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------=--
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above
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.
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sta
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ri - bal - do an-cor sta this ras - cal keeps in -
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smor- fie! Sai c~io fui die-tro ii so mem-ber when I hid be-hind tht> 'chair?
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430
Count (I11tendi11g to rfve a boa: on the ear to Cliend1ino, he gives it to .l'igar