Karl Fulves Riffle Shuffle Technique Part 1 Ready2Print A4OCR

~ ~ ~ ~riffle ~ ~ shuffle technique ~ This is part onct of a series on riffle- ,~ contemporary shuffle 111etho

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~riffle

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shuffle technique

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This is part onct of a series on riffle-

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contemporary shuffle 111ethods in a stuightfor-

count of the original New Phoenix article. The 11ajor addition is a atep-by-step series of drawings by Joseph K. Schrt;idt to illustrate

~- . J shuffle technique. The intent is .to present

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Although riffle- shuffle techniques have long been recognized as a valuable adjunct to ~·card •agic and card table artifice, shuf-fle ~ethods have been slow to gain general accap~ taace a111oung card 111anipulators. The situation ~ay date back to Erdnase. In The Expert At The Card Table be wrote "The possibilities of the l~~ riffle, for all practical purposes at the card table, are li~ited to retaining the top or bot~~~tom stock ••••• "

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Once the shuffle technique is acquired ~~· the student will want to loarn how to apply rij~ Dai Vernon was the first mag1c~an to ex- it. Roy Walton has kindly provided an article , plore tho possibilities of riffle-shuffle work. that servos just this purpose, a short course · : Ris discoveries and those of Jacob Daley, aloutlining ~~~any t>..eic (and so~r.e advanced) ap- .1~: though largely unpublished, established the plic&tions of the Zarro• shuffle. Notes fro~t (t~ starting point for current interest in the sub· the Southall/Zarrow correspondence describe ject. In the area of published works, the Ver· two straightforward effects devised by the r •t~ · non material in ~ore Inner Secrets and the late Gus Southall. I ae grateful to Herb Zar