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.O 1983 BY MEL BAY PUBLICATIONS, INC. PACIFIC, MO. ]NTERNATIONAL COPYRIGHT SECURED, ALL RIGHTS RESERVED. PRINTED IN U.S.A,

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ABOUT THE AUTHOR-PAUL T, SMITH Joined Johnny Richards band in 1941 as pianist-arranger. Joined Ozzie Nelson's band in 1942, also arranger for the Red Skelton Radio show at that time. Played with the Les Paul trio qnd the Andrews Sisters in '46 and early'47.. Joined Tommy Dorsey Orche$ra as pianist-arranger in 1947 through'lgftB. Became rehearsal pianist at Warner Bros. studio in 1949. Was NBC staff pianist in Hollywood from 1950 through 7962. Recorded extensively with Billy May, Paul Weston, Les Baxter, Ray Anthony, and other big bands during the '50s. Was an Arranger-Composer on many industrial films and commercials. Was the Accompanist for almost every singer who appeared on NBC in Hollywood between l95O and 7962. PianislConductor for Ella Fitzgerald, Sammy Davis, Jr., Pat Bonne, Steve AILn TV show, Rosemary Clooney, Edie Adams, Joni James, Bing Crosby and others. Has approximately 50 solo albums on Capitol, Verve, MGM, Imperial, Warner Bros., Discwasher and currently recording extensively on Outstanding Records, an independent company based in Huntington Beach, Calif. At this writing, there are L0 albums available on the Outstanding Label. Was a studio musician from 1950 through 1981 and is still at it. Is currently playing at the Velvet Turtle in Redondo Beach, California with his duo, teaching and doing studio work, and currently playing and conducting for Ella Fitzgerald.

3

JAZZ EXERCISES FOR THE PIANO VOLUME II Here is another Series oL Jazz Exercises in a variety of styles to help improve your technique, your weaker fingers, your phrasing and your accenting of certain notes. Other than a brief explanation of each tune, I won't waste a lot of time and space with lengthy dialogue. We will get right into the music and thus have a lot of room f.or more jazz exercises and less talk. Remember one important point Don't try to make anything swing. Don't bounce around on the bench, don't make a lot of unnecessary movements with your head, shoulders and arms. Play smoothly, articulately and with a good sound - don't bang the keys up and down move horizontally from note to note, chord to chord, and play with fluidity. Watch the accents, avoid jerky movements of your body (fingers included) and just think smooth. The more youtry to make something swing, the tackier it sounds, so just relax on these exercises and let them happen. Listen to yourself and concentrate on playing smoothly and with good time. FORWARD HO!

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WILDFIRE The left hand is quietly percussive while the right hand plays all the figures long. Again be aware of the apcents. Letter B should start soft and-build for 4 bais. The lait chord is a whole note aipeggio with the pedal down so all notes ring.

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OTHER BOOKS BY THE AUTHOR (Published by Mel Bay) THE PIANIST'S HANDBOOK J AZZ EXERCISES FOR PIANO MORE JAZZil