Haydn Canzonets

Twelve Canzonets 1. The Mermaid's Song Transcribed and edited by Liam Hynes Allegretto (e = 112) Joseph Haydn (1732 -

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Twelve Canzonets 1. The Mermaid's Song

Transcribed and edited by Liam Hynes

Allegretto (e = 112)

Joseph Haydn (1732 - 1809) Texts by Anne Hunter (1742 - 1821), except where noted

                3 3



3

f

         

7











3



3

3

3







3

3





3



3

 



3

3

3



3

18

 



3

            3

   

3



3





3

    play lie

      

On Far







          f                       

25

the green be - low

 

             3 3 f        p        

 

p

 

glas - sy roll - ing

sea; waves;

  

1st.Now the

   

danc - ing sun beams

2nd.Come, be - hold what trea - sures                        p           p       

                

and the

   

3

3



3

3

3 3 3 3 3                               

                          p 6 6                         

11

3

3

3

 3             3

      3





              

3

Come, and Rich - es,

I hid

         will lead the from hu - man

way eye,

                                                                                             



2

            

34

 

Where the Dim - ly

pear shine

-

ly in

      



 





way lay,

Where Stor



trea - sures be. O - cean's caves.

                            

41



-

Come, and I will lead the Ebb - ing tides bear no de  

      

      

 

 





the my

pear winds

        



-

 



ly are

trea far

        

-

  -

6

sures a-

                                             6 6 6  6          6

6

6



45

 

  be, way,

6

 

Where the Stor - my 6

 

 

pear - ly winds are 6

 

    trea - sures be, far a - way, 6

  6

       

 

Where the Stor - my

pear - ly winds are 6

6

trea - sures far a 6

                                                                 



49

 





  

Come

with me,



3                        3 3 3 3 3 3 dim.     

be. way.



 

     

  

  

  

and we

   will go

         

 





   

Where the

             

3

       

            

56

rocks of

co - ral

grow, of

co - ral

grow. Fol - low,

           poco f          

 



me.

 



    

67

 





3



3

3



Where



the

  me,

    



  

 

Fol - low,



 

 

fol - low,





 

 

 

 

 

3



3

3





3

 

     

fol - low, fol - low

         

 



         

3





       



rocks

    fz      

71

3

dim.

   

 



fol - low,

       

        Come with me and we will3 go Where the rocks of co - ral                        

3

 

me,

        p          

3

f

grow,

   

 



62

fol - low, fol - low



of

co

-

ral

      fz     

 

 

fol - low

 

 me.

                       

grow.



 





  

  

Fol - low,

 

 



   

   

 

fol - low,

fol - low

     



                  3 3       





 

         

  

4

2. Recollection

Adagio (q = 66)

            p            

                           fz

 7





 

 



14

  you me -

  



p

   

21



  p

 

 

   

re mo -

no I

turn ry

   

 



    

more, trace:

    



comes when first sha - dows of

 

 

  

 

 

 -

you me -

   

 



Why can In fan

But In

not cy

we met, de - light

But In

              fz            

                

        



           

            

1st.The sea - son 2nd.The fleet - ing

                         

 



 3

   



re - turn mo - ry



p3

no I

  

 

    



   

I stop





the days their ra

more. trace:



 

         

p





cantabile

 -

for pid

-

                                                         



5 26

  get, flight,

                            Which time can ne'er re - store? can ne'er re - store? And all the past re - place, the past re - place;  

                                                                



32











 Why In

can fan

-

not cy

                        

                            









I the days for - get, Which time can ne'er re - store? can ne'er re - store? stop their ra - pid flight, And all the past re - place, the past re - place.

                



38

  days ah!

  



 

 too I



    

 fair, wake



                   p p cresc.                                                  

      



                 



too bright to last. Are you in - deed for e - ver past? to end - less woes; And tears the fad - ing vi - sions close.

                   

43

 



    O But

O! But

days ah!







p



    

    too I



fair, wake

     

           

               too bright to last, to end - less woes;

Are you in - deed for And tears the fad - ing

               p                                                 



       

6 48

 

 

  

e - ver past? vi - sions close.

 



  

 

O But

   

   



days ah!

fair, wake

bright end -

too I

                 

55

 



 



 

         

e - ver past? Are you in - deed for vi - sions close, And tears the fad - ing

 



  

 

  

60

         p    



 

e vi

too to

   

          to last, less woes,

-

ver sions

    



              

past? Are you in - deed for close, And tears the fad - ing



past? close.  

63

 



  

 

    

dim.

                   p         p

 

e vi

          fz fz fz p     

-



ver sions

 

 

     

                      mez.                     



in - deed for the fad - ing

               p                      



 

Are you And tears

                    

 

 



pp





 



 



7

3. Shepherd's Song

                             fz                             Allegretto (e = 96)



 

5





         p          









  

  2.'Tis                                         3 3 3 3 p                                            

1.My



      

9

mo - ther bids sad to think

                      

me the

                  



     

14

rib - bands rare, mos - sy stone,

bind my hair With hands of ro - sy hue, days are gone,When those we lov'd were near;

             

  And And

                      





      

Tie I

                                  

      

lace my bod - dice blue, sigh when none can hear,

   

up sit

my sleeves with up - on this

      

     

 

       

    

Tie up my sleeves with rib -bands I sit up - on this mos - sy

                      fz fz fz                           

8

     

19

rare, And lace, stone, And sigh,

     

  

 

   

and lace and sigh





 

 

my bod - dice blue. when none can hear.

For And

                                                                            

23

 

   

why, while

she cries, I spin



  

sit my

                        



  

26

  

still flax

    and weep, en thread,

 

While o And sing

-

 

  



thers dance my sim

and ple

                              cresc.                     



-

-

                 

 

                 

 The vil - lage seems a - sleep or dead, now                           p                                

 

 

play? lay,

                



f

30

Lu Lu

   

-



  

bin is bin is

a - way, a - way,

                 



A - las!

 

I scarce

    

A - las! The vil -

can

go

    

I scarce lage seems

or creep,

while

       

can go a - sleep

or creep, while or dead, now

                                                                 

9

 

       

34

Lu Lu

   

-

bin bin

is is

a a -

                      



  

37

way, way,



  is is





 



way, way,

while now

 

 Lu Lu

-

bin bin

                                

 





a - way, a - way,

                         





 



is is

  





 

is is

aa-

           



a - way. a - way.

    

 

   





         pp         

 

10

     

4. Despair

Adagio (e = 88)





   

 

5

 





   

   

 



 

                           

     fz      

   

 

              an - guish of my burst - ing heart Till now my tongue hath                      p                  

        

  The 6                     

   

                       ne'er be - tray'd, Till now mytongue hath ne'er be - tray'd,                                                    

fz

10



   

               

15

     



p





at length re

-

veals the smart,

De-

cresc.

           

           

De - spair at length re - veals the smart,



  

19

    

                 fz             No time can cure,



fz

     no hope can

aid,

 

                 p

                    fz                                             spair



     no hope can

   

     f    f



      

aid.

                                    

 

 



    

 

11

 

         De-spair at                  

23



 

3



 

        aid.                      31 verse   2nd     My                    36        27

        length re -veals the          

 

                           smart,

     3       

Notime can cure,

no hope can

                    3



3                                      f fz       p                                                 sor - rows verg - ing to the grave, No more shall pain thy gen -tle breast.No more shall                                                                            pain thy gen - tle breast: Think death givesfree - dom                                              p cresc. fz                                                           41                                       to the slave, Think death gives free - dom to the slave, Nor mourn for                                        fz f                                        

 





12

 

45

me

    

whenI'm at rest,

    

whenI'm at rest.

                                      



             

49

                                   free - dom

to

the

          

slave,



    Thinkdeath gives                        





3

 



     

      3            Nor mourn for me when I'm at rest.    3                             

 

     

3                                        f fz   p                                 

53



3. Yet, if at eve you chance to stray Where silent sleeps the peaceful dead, Give to your kind compassion way, Nor check the tears by pity shed.

4. Whene'er the precious dew drop falls I ne'er can know, I ne'er can see, And if sad thought my fate recalls, A sigh may rise unheard by me.



  

        

                               3                             

Allegretto (e = 116)

     



   

13

5. Pleasing Pain

      3        3 6 6          

5



  

6

            3                3 6 3 6      6        3

                  

8

                p              





  

14

Far from this throb - bing

          

 

         b       





 



 fly,

 fly,

of pleas - ing



pain, Fly ne - ver to



3

6

3

b      

 

    

   

           

        3 6        

fly, fly, ne - ver to re - turn a - gain.





   



re - turn a - gain,

             

          6 3                         6



          

                     

Dear an - xious days



19

             bo - som haste, Ye doubts, ye fears, that lay it waste;                                          

    



  

     6 f      

3



14 23

 



  

  

 

27

6

    3   6       3

  

     

But ah,

-

cy

 





crown'd with flow'rs,



ye

 

 



smil - ing hours,

By





 

 

Come                    p                          

                    fai ry joys and wish es gay, And dance in spor - tive rounds a - way,                                                                              

31



re - turn

   

                            mez.                

                         f                   care - less fan

    

    



  



 



35









 

 



  

  

                          And dance



  



          

in spor - tive rounds

a - way.

                                                 

15 39



                          





fz



fz

                     So shall the mo ments gai - ly glide O'er var - ious life's tu                      

mez.

                                        mul -tuous tide,                

44



       

49



                





b      

 



    

 

             Nor sad re - grets dis - turb their course                                     



 

                   

calm ob - li - vion's peace - ful source,  

         

 

 

 



  

 

To

    

 

       To   calm 6 ob 3- li - vion's          6 3               3 3 3

                 peace ful source, To calm ob - li - vion's peace - ful source.                                       f          fz                                   3 3 3       57                                          

53

 





fz

fz

                                     

16

6. Fidelity

     3           

Allegretto (q = 96)

       



ff

3

     



                

3



     

 

   



6



                 

                   3                    





      

 





While hol - low burst the rush - ing winds, And                                            p                                             p



       

11

       







hea - vy beats the show'r,



                     

16

    

  







bo - som finds

     

      f

No

p



This

  

    an - xious, ach - ing

   

                         

   

com - fort

 



in

its

 pow'r.



 No,



                  fz                                          



   

17

     

20

   

no.



       For

         



fz

  

       



ah, my love, it

lit

- tle knows What

 

 



thy hard fate may

be,

                                    

          

25





      







          What

bit - ter storm of





   

  

       

        

for - tune blows, What tem - pests trou - ble

   

 

                                            f

    

30



thee,

What





tem - pests



 trou

- ble





thee,

What

                                                                       



    

33



tem - pests



 trou

-

ble

 thee.





                                                                     



18

    

36



   



 



A

way - ward fate

hath



spun the thread On

                   p            



        

     

40

 

pend, And dark -ling in the                                          



   

45



 



which our days

de -

     





                            

che - quer'd shade, She draws it

   

 

                        

     





 

to

an

end.

       

 

                                                                              But

what - so - e'er may

be

our doom, the

lot

is cast for



    

50





















    







                                                                  

me,



54

  in

is



cast

   

the tomb, My

for

me,

is



cast

me,

   

   

heart is fix'd, my

heart is fix'd on

                          



for

For

in

    thee, is

fix'd on

the world or

 thee.



                                      

19 59

 







   

 





 





   

                                                                For

64





  thee,

My

   heart

is

in

the world, or

  fix'd

on

 thee,

in

   is

fix'd on

                                  



  

Adagio

69

           in the world, or

in the tomb, My heart,

                                      



75

  

 

1.

 



the tomb, My

thee.

         

   

thee,

                

 For

      

         fix'd on

 



Tempo I

My heart is

heart is fix'd on

my heart

  is

         

     

 

  





   





      But what - so - e'er may                                                                     fix'd



on thee.

20

  

80

  





 



our doom, the

lot

is

for

me







on

  

be

  







cast

 

 



is

 

for

me,













thee,

on



cast



 



is

for

cast

 



                                 

84

 



   



For

on

2.







                                                        me,

thee,

thee,

thee,

on

thee.



88

   

                       p                                     





93







 



 



 



 



  



dim.



       

    





 











 



       

96

               



 

pp



21

             f          

           

Allegretto (e = 120)



 

8

        







    f    

          sea - man furls the                  

15



    

7. The Sailor's Song

                    



                         

      rend ing sail,

      f     

 

          p         

              on the gid - dy bend - ing mast, The  High              p             



              

           

 

      



    

            

 

 

           p           And, fear - less of the

       

rush - ing blast, He

              care - less whist - les to the gale.                  f           

          Ratt - ling ropes and                                      

       



21



               roll ing seas,  Hur - ly, bur - ly, hur - ly, bur- ly,                                        p f                            

26





            

22

        

32

      War



      

           

            p        

nor death





   

 

 

Hur - ly,                         

can him dis -please, can him dis-please.

                f

p

                                    bur - ly,    War nor   hur - ly, bur- ly,hur- ly, bur- ly,hur- ly, bur- ly,                                              

38



        

44

f                                       

                   





death can him dis -please, can him dis - please, can him dis - please.                                  p                                      



                              The hos - tile foe his ves - sel seeks, High bound - ing o'er the                       p                      

50



     



              f            ra - ging main,

   

 

The   p

    

23

                         

57

    



                                    f                              roar - ing can non loud - ly speaks,'Tis Bri-tain's glo - ry we main - tain,



   -         

64





   ry 

  



            

we main - tain.

                  







 



         

Ratt - ling ropes and

          p               

                 roll ing seas, - ly, bur - ly,        Hur- ly, bur- ly, hur                            f                            

70







        

76

      War



      

          

           p      

nor death

    

      

    

  -      

'tis Bri -tain's glo





            

   

Hur - ly,                                                    

can him dis - please, can him dis-please.

24

                                   bur - ly,    hur - ly, bur - ly, hur - ly, bur - ly, hur - ly, bur - ly, War nor                                               f                                                       

82



   

88



    

death

      



         

91

  

 



p

 

 



 







 







 

can



  

 

 

him dis -

 

please, can



  him



him

dis

-

dis

-

      f      

                                            please, can

 



please.

  

 

25

                           p                               

Poco Adagio



 

6



 

              sf    



9. The Wanderer

  









  



                         fz p  dim.                 To

                           lone when the moon faint - ly beam - ing With glim - mer - ing                                     

10



     

wan

-

der a -

   

               

lus - tre darts

through the dark

           shade, Where owls seek for co - vert, and night - birds com - plain - ing, Add sound to the                                                                   cresc.                                                   22                             hor ror that dark - ens the glade, Add sound to the hor - ror that dark - ens the                                                     f p                                                                                   sf                 

16

 

 

26

  

28

glade,



  

        

that

dark - ens, that

dark - ens

                 

the







glade.

                                                  34                                         cresc.                                                  





 

39



               



sf

   

 

     

 





   mez.

        

hap - py; come, daugh - ter

              



dim.

sf

43





of

sor - row, 'Tis







 

not

for

the

                        p          'Tis



 

here

thy sad

  

          thoughts are em - balm'd in

thy

            past, dis - re - gard - ing to - mor - row, There's no thing for                                                                          

                                         





                                                                   

49

tears,



Where, lost in

the

 

cresc.

27

  

55

 



 

         

                 f dim.                      hopes

  

61

fears,

    

and no - thing for



  

There's

no - thing for

     

fears,There's no - thing

    

  

for hopes

 and

     no - thing

for

                                cresc. p                                                      hopes and no - thing for

fears.

                         p     dim.                                              



28

       

9. Sympathy

Andante



   

mf



    



      sf

                                                       

text adapted from Metastasio

                                                  

5



  

 

   





 





   

                                                                         

8



 

11



                f            



      

16





               

                                    fz p    p                             In thee





I bear

 

so

dear

  

a part,

By love

 

so firm, so

  

 

firm am thine, af - fec tion    That each                              p cresc.                                                 



29

 cresc.  

20



 

 

         



   



                                   p cresc.                                            of

thy

  

heart

  



By sym -

pa - thy

is

mine,

That each af -

tempo        rall.              p                        

23

                               rall.      tempo                           fec - tion, That each af- fec-tion of thyheart By sym - pa

-

thy is mine,



 



        p     

                                   sf f                      

27











 

               





is mine.

            

Whenthou art griev'd

32

  

      f    

     p      is mine,

     

  p

  



 

            f    

I grieve no less,

  

 



                                                   p  p cresc.                            My joys, my joys



by thine are known,

And

ev'

-

ry

30

  

36

 

                



                good



     

39

  



f

thou

would'st





pos

- sess

 



Be - comes





 



And

ev'

 

  



       



  

 

 

would'st

pos -

sess



  

   

    

my own,

44

wish

 

 

    



-

 



ry

good

 

thou

      

      

                                     

Be - comes,

 



                     

          

p

                              

wish my own;





                      

41

in



Be - comes in wish

be - comes in

  

my own.

wish my own,



Be - comes in



                            f p                                 



        

31

10. She never told her Love

               f              

Largo assai, e con espressione (e = 92)



p

       

     

  p   



       

       

              fz p fz p fz            

text from Shakespeare

                   fz p               

                     f                             

   



6



11

     She                                                      p p p f                                                p   







    

16

              love,



    

20





                  she



         

ne - ver told

 p  

 

fz

her

        

love,





in

the

bud,

ne - ver told her

  





   

 



like a

              



      



 

 

  

                                          worm

    

But let con - ceal - ment,

pp

 















            dolce e p                    

Feed

on

her

da

-

mask

32

    

24





cheek;                                 f                



    

27







 

                                She



sat

like

p

                         

    

smi

-



    

          

36

           pa - tience  on a mo  - nu- ment                            f

 





-









                             fp                          smi

              p      





smi - ling,

 

p dol.

 

   

      ling at grief, Smi - ling,                                    p f                              

           

32



ling at

grief.







                             pp fp                         

33

11. Piercing Eyes                                            p  f                                              

     

Allegretto (e = 120)



                               f                  

6



11









                   p           



17

 







 

       p

            

23

                 p

           

          Why asks my fair one if I love?                              p f                         



 

  

                                                            

Why,



          

why, why asks my fair one

if

     

 

       

I love? Those eyes so

             

 

p

pierc - ing bright

  Can

         

                 

        

  

                                             p f                               ev' - ry doubt



of

that re - move, And need no o - ther

light,

And need no o - ther light,

And

34 29



        







       



                                      f p f                                   need no o - ther light.

Those eyes full well

do



                   

34

know my heart, And all

its

work - ings see,

              f  f               



 

     

 

  



E'er since







44







 

 





         f

p

         

  

  

they play'd

 

the con - q'ror's

                                           

           part, And I no more was                              

39

  

  

 



free,



  

       



And I

no more was

         p         

  







                                                f cresc.                                            





free,

E'er since

they play'd

the

conq' - ror's part,

35

  

48

 

 

       

And



  

52



p

 

  

      



     

I

  

no

more

  

        

was

 



free,



    And I     

         



And

I

no more was free,

And

no

more

        I

was

           

                                                       free,

    

no more was

 

free.

      f     

36

12. Content

       3                               3 3 3 3 f p3 3 3 3 3 3                               3 3  6   3 3  3 3  3                                    3 3 3 3 3 3 3    3 3                                    Adagio





3

3

3

     

    

     

          

10

3

3

3





1.Ah me, how scan - ty is my store! 2.When in her sight from morn to eve,



 





 

14

ne'er - heed

  



3

 3    



 3   3   3   3  

Yet, The

for hours

I'd un -

          3 3       3 3 3 3 3 3         







re - pine, ed by,



   3   3    

Though No

of the flocks that whi - ten dark dis - trust our bo - soms

3                  3        

-

33

3

3

3

3

3

p

3

      



  

3 3 3                 

18

o'er grieve,

my - self, they pass



f



 

Yon And

plain care



3

 



3

 

one lamb were on - ly mine, and doubt far dis - tant fly,

one and

3 3     3                                3 3 cresc. 3 f                  



3

3

3

3

3

37

   p            

21





3 3 3            



lamb were on - ly mine. doubt far dis - tant fly.

 



3

'Tis for my love - ly maid a - lone,

This

3 3 3                                            3 3 3 p 3 3                                             



3

  

25





3

3



f



3

3





3

3



3



3

3

3

3

3 3       

p

  

heart This heart, se - cure in its 3    has e'er am - bi - tion3 known,3 3 3  3  3 3                              3 3 3 f 3 3 3 p                                  



3

3

3

3

3

3

3

3

3 3 3   3                   

29

3 3   3            

trea - sure, Is bless'd be- yond mea - sure,



This

3

              3

  3   3   3   3            

31

                mea - sure,



  

3

Nor en - vies the mo - narch his throne,

3

3

3

3

3

3

 3   3   3   3                          

heart,

se - cure in

its trea - sure, Is bless'd be - yond

3

3

3

        3

3

3

3

  

3

3

3

3

33

  

f

  

    

 



the mo - narch his throne.



This

3

3

3



p   3           3 3 3 3  f

3

 

38

  

34

 



heart,



 

3          

3

3

 



3

se - cure in its trea- sure, 3

3

3

3

Is bless'd be - yond mea - sure, 3

3

pp



3



3

3

Nor

3

              pp

 

en

  

 

  

37

3          

3

 3

-

3

vies

 3

the

3

       

   

mo

 

 -



narch

 



   







 

his throne.

            3     3 3             3

3

3

3

3

 

