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2

Comme il faut Eduardo Arolas

M 5M

5 5 M 5 M M 5 5 5



M 5 5 E 5 M 5 5 5 5M 5 5M  =  5 55 5 5  =  G Molto ritmico q = 88–92

3

mf

  G  55 =

 = (5) 4 (5)

3

  = 5 5= 5M 5

 = ( 5) 4 (5 I)

=

 5 5

(1892–1924) arr. Gustavo Beytelmann

5 5 5 5 k

= =5

3

5 E 5 E5 5E5 ! 5

5M I5 5 M 5 5M  5 5M 55 5 5M 5 5M 5M 5 5 5 55 M 5 5M M 5 E5M 5M 5M 5 5  = ( 5)(5) = = E5 5 5 = G  3

3

4



p

5 5 5

5

I5 = 55 G B mf I =  55MM  5 5 B

8

mf

5

5 5 5

5 5 5 55 555 5 G  5 5 !5 M M   5  5 =( )  5  5 5 E5 5 M M

12

5

5 E5E5

5 5 I5 5

5 E 5 M 55 55 = 5 = 5 = 5 3 55 

I55 = E 55MM 5I55 !5I5  5 MM  = = = 5 = = = B 4 = 5 5I5 5

I5 I5 !55M M 5 !5 MM  5 =  5

con grazia

5 5E5 5 5 5

5 5 5

M 5 5 = 5  5I

5M 5M 5

1.

555 MMM 5M

© Copyright 2010 by Universal Edition A.G., Wien

= !5 5 5 5 5 M 5M 5I E 55 3

!5 5 5 !5

5

 5 = 5 (

5 !5 55 5M

5M E5 5M E5  5

Universal Edition UE 34 679

5

Cuesta abajo Carlos Gardel (1890 –1935) arr. Gustavo Beytelmann

q = 84

                 mf

              cantabile, profondo

      



mp

mf

 



                              

 





 



$

5

   

  

   (

   )  

p

    

 



mf







mp mf

       3

cantabile

                                    mf cresc. poco a poco mp                           

9

    

                           mf f                                 

13

© Copyright 2010 by Universal Edition A.G., Wien

                

f



    

UE 34 679

8

La loca de amor Pablo José Vázquez (1864 –1897) arr. Gustavo Beytelmann

h. = 50

$

espr.          mf

   

7

 

  

  

                              

  

                       ( )                               

                                   

14



      

21

 

   ( )  

      

   (

to Coda

)   (  )

© Copyright 2010 by Universal Edition A.G., Wien

             )     ( 



  

  

  

Ø 



   



 



 

 

        UE 34 679

12

El esquinazo Angel Villoldo (1868 –1919) arr. Gustavo Beytelmann

Leggiero, giocoso q = 88 –92

$            



               

                   mf

                      

  

 







 

 

                              3                          

    

10

 

3

 

5

 

 

Ø                                                         

15

to Coda

                                 3          ( ) ( ) ()                 

20

© Copyright 2010 by Universal Edition A.G., Wien

      p      UE 34 679

15

El día que me quieras            3 mp   3           Assai libero q = 58

l.v.



       

Carlos Gardel

4

arr. Gustavo Beytelmann



  





                

   

    

                                  3                          ( )            q = 66   7 cantabile ( )                                                         mf mp                              11 3     3                                           3 mf                                  



 

  

poco accel.

3

                 

  poco meno       

a tempo

15



3



      

© Copyright 2010 by Universal Edition A.G., Wien

       mf     

      UE 34 679

18

El Marne Eduardo Arolas arr. Gustavo Beytelmann

Con vigore, preciso q = 96 –100

        



           

                     f

  

                  

        

 

  

4

     

7



 



    

                        

11

 

© Copyright 2010 by Universal Edition A.G., Wien

 





   

$ 



  



          f

            

    

            mf              

con lirismo

  

 

  

          mf           

             

    

       

  

  

 

 

 

     )  (

 ( )   

(

)

UE 34 679

21

El porteñito

Angel Villoldo

Con gioia, leggiero, molto preciso q = 92–96

arr. Gustavo Beytelmann

           

mf

                            (  )      

                                              

5

          



$                                                 

10

                                                    18                                                       14

                                       p                   

23

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24

Ojos negros

Vicente Greco

q = 84

con sentimento

       

 

  

mp legato

      

(1884 –1924) arr. Gustavo Beytelmann

  

       3

       

6

                                 3

     

  

      

 

 

       

                                

                                               

10

 accel.                                                  

13

q = 92 –96

            f     

 

 

    

 3                                  mf                   

       

16





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28

Unión Cívica

Domingo Santa Cruz

                     mf                   Calmo q = 92

       

         

5

 





  

 

                      

9

          

13

  

 





   

                     

© Copyright 2010 by Universal Edition A.G., Wien

 



        

 



         

        

                                       

                           

17

  



     

    

 

     

(1884 –1931) arr. Gustavo Beytelmann



          

                   

      

leggiero

 



                   UE 34 679

32

El entrerriano Rosendo Mendizábal (1868 –1913) arr. Gustavo Beytelmann

Giocoso q = 100 –104

              (      

mf

 )

             ( )   

            



   



                                                      mp                 

4

                             ()             

    

8



mf

  



      

12



 

         ( )  

 

 

 

 

 

                    

 

to Coda

   

 



Ø

           



 

 Maestoso     ()                 

16



f



         



leggiero                           mp   ()  ( ) ()           

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UE 34 679