from Green Day - ¡Dos! Amy Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately q = 123 *
Views 214 Downloads 2 File size 1022KB
from Green Day - ¡Dos!
Amy Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately q = 123 * D#m
A#m
D#m
A#m
Rhy. Fig. 1
Gtr. 1 (clean)
mf
w/ fingers & slap echo
7 8
X
6
7 8
X X
6
6 8 0
6
X X
6 8 6
6
7 8
7 8
6 8
6
6
End Rhy. Fig. 1
6
0
X X
6 8 0
6
6 8
X X
6 8
6
6
6
*Chord symbols reflect implied harmony.
Verse
F#
D#m
1., 3. 2.
Is Did
your you
Rhy. Fig. 2
11 11 9
sing - ing too a
out of luck - y
X
heart tat -
11 11 9
X X
X X
11 9
tune? charm
7 8
7 8
7 8 6
X X
6
X X
11 11 9
11 11 9
11 11 9
9
X
your to
rec - ords off
11 11 9
eyes just keep you out
6
Dirt - y Ward - ing
Are
blues? way?
F#
B
sing - ing harm’s
the
8 9
8 9 X
7
X
A#m
an
of
7
from all
-
oth - er e - vil
time, signs,
7
some but
End Rhy. Fig. 2
X X
6 8
0
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
6
X X
6 8 6
6 8 6
6
1
B
blood nev -
C#
er
stains real -
ly
on kept
8 9
your
8 9
7
10 11
X
7
shoes. safe.
you
X
7
10 11
X X
9
10 11
9
9
9
Gtr. 1: w/ Rhy. Fig. 2
F#
D#m
(1.) No one (2.) Now you’re too (3.) May I
real - ly young have
knows a for the this
F#
name. placed. meet?
of a can
bunch walked we
C#
-
Gtr.1
fools way sing
drowned from you
8 9 X
I the by
shame. drink. sleep?
-
know been we
9
your re should
and and
a you so
-
lies trace, by
my
don’t
you
-
11 11
9
9
A
real - ly bin’s if
post - ing out a lull - a
11 11
9
A#m
and gone with a
bare - ly rec - ord chance
F#
10 11
7
rhy - thms sev - en write me
in your to
and ’cause
soul, age, dance,
Burn - ing Twen - ty Can you
B
bout your gold - en last
B
X X
9
Chorus
D#m
go.
I
want
you
let ring
7 8 6
2
7 8 6
7 8 6
7 8 6
F#
7 8 6
a
6
6
-
round.
let ring
11 11 9
X
11 11 9
11 11 9
9
D#m
whoa,
oh,
oh,
Sing - ing,
let ring
11 11 9
11 11
11 11
9
9
9
9
A#m
7 8
6
C#
wan - na
be
a
friend
of
8 9
10
7
X
mine?
Do
11 11
X
9
9
X
go.
X X
6 8
you
6 8 6
6
C#
you
9
B
wan - na
be
a
7
of
8 9
X
friend
11 11
9
Do
6
11 11
9
6
F#
6 8
X
6
To Coda
B
please don’t
7 8 0
10 11 X
9
X X
0
1.
Interlude Gtr. 1: w/ Rhy. Fig. 1
D#m
A#m
D#m
A#m
mine?
2.
Bridge
F#11
B
A - my, please
don’t
let ring
9 9 9 9 9
9 9
9 9
9
9
9 9 9
9 9 9
9
Bm
go.
let ring
8 9 0
7
8 9
7
X X
7 7
7 7
9
7 9 7
7
7
0
3
D.S. al Coda
F#11
A - my, please
9 9 9
Coda
9
9
9
B
C#
be
of
8 9
10 11
7
7
X X
9
7 9 7
7
mine?
7
11 11
9
9
9
you
7
9
9
9
9
C#
wan - na
be
a friend
8 9 0
10 11
11
10 11
X X
B
Do
11 11
let ring
10 11
7
9
7 9
F#
let ring
11 11 9
9 9
9
C#
oh.
0
a friend
9
9
wan - na
go,
9 9
don’t
let ring
9 9 9
Bm
7
of
10 11 7
9
10 9
0
Outro Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
D#m
A#m
D#m
mine?
D#m
Gtr. 1
7 8 6
4
D#m
A#m
A#m
X
7 8 6
F#
w/ bar
X X
6 8 0
A#m
6
X X
6 8
6
6
6
6
11 11 11 9
11 11 11 9
from Green Day - ¡Dos!
Ashley Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Chorus Fast q = 192
E5
Ash
-
A5
ley,
*Gtrs. 1 & 2 (dist.)
are you
9 9 7
9 9 7
f
9 9 7
E5
7 7 5
0 0
7 7 5
a - round?
9 9 7
9 9 7
run - ning
cry - ing
9 9 7
out
in
9 9 7
D5
Are you
9 9 7
X X X
G5
12 12 10
9 9 7
12 12 10
blood - y
12 12 10
0 0
mur -
12 12 10
12 12 10
12 12 10
0 0
*Composite arrangement
G5
-
E5
der?
Ash
12 12 10
G5
cry
-
12 12 10
12 12 10
ing
on
12 12 10
12 12 10
12 12 10
-
ley,
are
E5
you
bum - ming
a - round?
You’re
Rhy. Fig. 1
12 12 10
A5
9 9 7
9 9 7
9 9 7
9 9 7
D5
my
cold
9 9 7
G5
shoul
-
9 9 7
7 7 5
7 7 5
0 0
X X X
9 9 7
9 9 7
9 9 7
9 9 7
der. End Rhy. Fig. 1
12 12 10
12 12 10
12 12 10
0 0
12 12 10
12 12 10
12 12 10
0 0
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
0 0
1
Verse
* E5
1. You 2. I
used to taste the
dan cig
G5
-
gle a
my rettes
-
heart and
D5
with liq -
A5
your uor
pup on
-
pet your
strings. breath.
Gtr. 1
0
0
0
0
0
0
0
0
3
3
3
3
3
3
3
5
3
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
Gtr. 2
0
0
0
0
0
0
0
0
3
3
3
3
3
3
0
3
5
5
5
5
5
5
5
0
5
5
5
5
5
5
5
5
*Chord symbols reflect implied harmony.
2nd time, Gtrs. 1 & 2: w/ Fill 1
E5
You We
dan - gled used to
0
0
0
0
0
0
0
0
0
0
0
0
0
your call
0
G5
0
0
de it
-
sires speed,
right but
3
3
3
3
3
3
3
3
3
3
3
3
3
in now
3
D5
3
0
front it’s
2
of crys
-
my tal
5
5
5
5
5
5
face. meth.
5
5
2
2
2
2
2
2
2
2
5
2
Fill 1 Gtrs. 1 & 2
B5
2
2
2
2
2
5
5
5
5
5
5
0
2
2
2
2
2
2
2
E5
You Back
led me when I
G5
to loved
the you,
well, but
but you’re
would scar
7
7
7
7
7
7
7
5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
3
3
3
3
3
7
0
A5
3
3
-
Swal - low - ing my This care - less
n’t ing
let me
me to
drink. death.
7
7
7
7
7
7
7
5
5
5
5
5
5
5
G5
0
E5
D5
pride mem
-
and o
I -
nev ry
7
0
-
er and
e now
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
0
3
3
3
3
3
3
3
D5
-
E5
ven I
got could
the care
7
7
7
7
7
0 0 0
0 0 0
5
5
5
5
5
5
taste. less.
7
5
0
But ’Cause
7 7 5
0
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
0 0 0
0 0
0 0
3
Pre-Chorus C5
G5
time
comes,
D5
a
-
round
and
I’m
not
E5
**Voc. Fig. 1
na
so
-
Rhy. Fig. 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
I ah.)
fi
-
say
look
-
ing
touch
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0 0
’cause
you’re
fine,
like
hell
you’re
so
out
5 5 3
5 5 3
5 5 3
5 5 3
D5
but
I
know
0 0
of
reach.
You
and
you’re
no
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
you
-
ain’t.
You’re
fuck
E5
that
B
5 5 3
E5
2nd time, Gtrs. 1 & 2: w/ Rhy. Fill 1
G5
Bkgd. Voc.: w/ Voc. Fig. 1
G5
5 5 3
9 9 7
7 7 5
D5
Gtrs. 1 & 2
7 7 5
Bkgd. Voc.: w/ Voc. Fig. 1
G5
lost
that
C5
nal - ly
C5
**Refers to upstemmed voc. only.
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
C5
End Rhy. Fig. 2
0 0
*Composite arrangement
End Voc. Fig. 1
ive.
(Ah, *Gtrs. 1&2
ing
saint.
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
0 0
Chorus 1st time, Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times) 2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
E5
Ash - ley,
A5
are
run - ning
you
Rhy. Fill 1 Gtrs. 1 & 2
4
E5
G5
a - round?
D5
Are you
cry - ing
out
in blood - y
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
mur
G5
-
der?
E5
Ash -
bum - ming
you
are
run - ning
you
E5
E5
G5
cry - ing
G5
bum - ming a - round?
cry - ing
out
shoul
-
D5
G5
D5
You’re
cry - ing on
mur
der.
-
E5
der?
G5
shoul
-
yes.
der,
15ma
To Coda
my cold
in blood - y
G5
my cold
Are you
G5
on
D5
You’re
a - round?
A5
are you
a - round?
ley,
E5
A5
Gtr. 3 (dist.)
are
Ash - ley,
A5
Ash - ley,
E5
loco
f *fdbk.
0 0
X
Gtrs. 1&2
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
X X X
7 7 5
7 7 5
0 0
12 12 10
12 12 10
12 12 10
*Microphonic fdbk., not caused by string vibration.
0 0
12 12 10
12 12 10
12 12 10
0 0
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
12 12 10
0 0 0
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
E5
E5
0 5
0 0
0 0
Gtr. 3
A5
G5
D5
G5
1
Gtr. 4 (dist.)
0 0
0 0
0 0
0 3
0 3
0 0 3 3
0 5
5
0 5
0 5
5
8
8
8
8
7
7
7
7
Riff A
7
12
mf 5
8
8
8
8
7
7
7
7
8
E5
8
0 0 0
14
0 0 0
End Riff A
8
5
Gtr. 4 tacet
Gtr. 4: w/ Riff A
A5
0 5
0 0
0 0
Gtr. 3
E5
G5
D5
G5
1
0 0
0 0
0 0
0 3
0 3
0 0 3 3
0 5
5
0 5
0 5
8
5
8
8
8
7
7
7
7
7
12
0 5
0 0
0 0
Gtr. 3
E5
G5
D5
1
0 0
0 0
0 0
0 3
0 3
0 0 3 3
A5
0 5
5
0 5
0 5
8
5
E5
8
8
8
7
G5
7
7
7
D5
7
12
G5
14
Gtr. 4: w/ Riff A
A5
E5
E5
14
G5
μ
You
0 5
0 0
0 0
Gtr. 3
1
Gtr. 4
0 0
0 0
0 3
0 3
0 0 3 3
9 9 7
9 9 7
0 5
5
Gtrs. 1 & 2
6
0 0
0 5
0 5
9 9 7
9 9 7
9 9 7
0 0
7 7 5
7 7 5
X X X
9 9 7
9 9 7
9 9 7
9 9 7
5
8
8
8
8
7
7
7
7
7
12
5
8
8
8
8
12 12 10
12 12 10
12 12 10
8
7
7
7
7
0 0
12 12 10
12 12 10
12 12 10
0 0
14
14
8
steady gliss.
12 12 10
12 12 10
12 12 10
12 12 10
12
0 5
Bridge Gtrs. 3 & 4 tacet
G5
where
are (Ah.
E5
you
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
are,
Gtrs. 1 & 2
G5
a
wish Ah.)
on
a
E5
shoot - ing
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
5 5 3
5 5 3
0 0
5 5 3
5 5 3
5 5 3
5 5 3
0 0
star.
You
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
4 2 2 0
0 0
D.S. al Coda
C5
thought
in
G5
are
a filth
-
y
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Coda
5 5 3
Ash
-
0 0
ley,
my
5 5 3
5 5 3
5 5 3
5 5 3
A5
are
you
mem
A5
5 5 3
5 5 3
0 0
bum - ming
a
2 2 0
2 2 0
-
round?
o - ry.
E5
-
G5
You’re
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
cry - ing
on
2 2 0
2 2 0
2 2 0
2 2 0
D5
2 2 0
2 2 0
my
cold
shoul -
Outro
G5
-
Gtr. 5 (dist.)
E5
der,
and...
Ash - ley.
E5
steady gliss.
19
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
Gtrs. 1, 2 & 5
μ
Ash - ley.
mf
19
μ
E5
μ
Ash - ley.
E5
μ
Ash - ley.
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
7
from Green Day - ¡Dos!
Baby Eyes Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Fast q = 180 μ
Go!
Go!
Go!
*Gtr. 1 (dist.)
B
F#
7 7 8 9 9 7
7 7 8 9 9 7
f 7 7 8 9 9 7
G
(Reverse echo)
2 3 4 4 2
2 3 4 4 2
3 3 4 5 5 3
*Two gtrs. arr. for one.
E5
**Gtr. 2 (dist.)
G
C5
f
1/2
4 X 2
**Doubled throughout
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
0 0 4 2 2 0
0 0 4 2 2 0
Gtr. 1
B
F#
0 0
0 0
0 0
G
3 3 4 5 5 3
3 3 4 5 5 3
G
0 0
C5
1/2
4
4 X 2
2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
E5
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
Rhy. Fig. 1
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
0 0 4 2 2 0
0 0 4 2 2 0
0 0 0 0
0 0
3 3 4 5 5 3
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
3 3 4 5 5 3
X X X
5 5 3
End Rhy. Fig. 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0
1
Verse
Gtr. 2 tacet
B
of the pulled the
rat, trig
1. Year 2. I
E
last ger
-
B
of for
the the
lit shoot
ing
-
ter. stars.
4 2
Rhy. Fig. 2
E5
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
Gtr. 1
2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
F#
Some - bod - y I am
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
shot the mo -
0 0 4 2 2 0
0 0 4 2 2 0
2 2 3 4 4 2
0 0
the tor
0 0
ba in
-
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
sit - ing
ter. car.
B
by your
crash
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
End Rhy. Fig. 2
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
0 0
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
Gtr. 1: w/ Rhy. Fig. 2
They I
E5
the I
2
E
say am
my
mid cher
the
kind you am the
F#
keep bul
-
name in
dle ub
-
a let
is the
from your
dan -
Ar
way in
B
ab
stran
-
ger, Spring.
B
mag
a
-
gers. zine.
I
say,
0
Chorus E5
F#
“Whoa,
I’m
Gtr. 1
let ring
0 0 4 2 2 0
2 2 0
2 2 0
when I
0 0 4 2 2 0
2 2 0
2 2 0
2 2 0
out
of con
-
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
0
pret
-
ty
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
well, ba -
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
2 2 0
2 2 0
0
0
I
4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
0 0 4 2 2 0
F#
“Whoa,
God
let ring
0 0 4 2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
3 4 4 2
C#sus4 C# C#sus4
7 6 6 4
6 6 6 4
7 6 6 4
7 6 6 4
7 6 6 4
7 6 6 4
6 6 6 4
rest
your
fuck - ing
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
6 6 4
6 6 4
0
6 6 4
X X X X X X
E5
F#
6 6 4
0
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 4
μ
by,
ba - by,
I
let ring
2 2 0
0 0 4 2 2 0
2 2 0
2 2 0
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
-
2 2 0
0 0
soul,”
’cause, ba
C#
C#
G#5
0 0 4 2 2 0
say,
To Coda
E5
face.
3 4 4 2
B
trol,”
your
3 4 4 2
E5
see
let ring
2 2 0
by,
3 4 4 2
F#
-
2 2 0
2 2 0
B
was
born
to
3 4 4 2
3
Interlude Gtr. 1: w/ Rhy. Fig. 1 (2 times)
B
F#
G
E5
G
C5
kill.
Gtr. 2
1/2
4 X 2
D.S. al Coda
B
F#
G
E5
G
C5
1/2
4
4 X 2
2
Coda
C#sus4
C#
6 6 6 4
E5
2 2 0
4
by,
7 6 6 4
6 6 6 4
6 6 6 4
2 2 0
2 2 0
2 2 0
3 4 4 2
-
6 6 6 4
6 6 6 4
7 6 6 4
Eyes,
Ba - by
let ring
F#
0 0 4 2 2 0
E5
’cause, Ba
-
0
by,
2 2 0
0 0 4 2 2 0
oh, ba
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
Ba - by
F#
-
by,
ba - by,
3 4 4 2
0 0 4 2 2 0
0
let ring
2 2 0
2 2 0
2 2 0
3 4 4 2
3 4 4 2
3 4 4 2
rit.
was
rit.
3 4 4 2
Ba -
I
oh,
3 4 4 2
2 2 0
2 2 0
2 2 0
Eyes,
E5
2 2 0
let ring
F#
born
3 4 4 2
3 4 4 2
to
3 4 4 2
0
Outro A tempo Gtr. 1: w/ Rhy. Fig. 1 (3 times)
B
F#
G
E5
G
C5
B
F#
G
kill.
Gtr. 2
1/2
4
4 X 2
E5
G
C5
B
F#
2
G
E5
G
C5
1/2
4
B
4
4 X 2
2
Gtr. 2
1/2
4 X 2
2
F#
G
4 2
Gtr. 1
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
2 3 4 4 2
2 3 4 4 2
3 3 4 5 5 3
E5
2 3 4 4 2
G
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
1/2
0 0
0 0
2
3 3 4 5 5 3
3 3 4 5 5 3
X X X
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
8 9 9 7
8 9 9 7
0 0
4
4 X 2
0 0 4 2 2 0
B
2
0 0 4 2 2 0
C5
4
0 0
5
from Green Day - ¡Dos!
Fuck Time Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool
Intro Moderately fast q = 130 μ
(Drums)
D5 G5 D5
μ
D5 G5 D5
Rhy. Fig. 1
*Gtr. 1 (dist.)
f
E5
7 7 5
7 5 5
7 7 5
End Rhy. Fig. 1
7 7 5
9 9 7
7 5 5
7 7 5
*Two gtrs. arr. for one.
Verse Gtr. 1: w/ Rhy. Fig. 1 (3 times) 2nd time, Gtr. 2 tacet
E5
μ
1. Oh, drop your laun - dry and A - man - da Jones, Your 2. Oh,
give blue
me in
more. the
D5
G5
D5
G5
D5
E5
face.
I
μ
Got
slam the door. Hol - y Grace,
E5
μ
a beg - gar, but I’m and dirt - y thoughts
I a
I want your love, so wan - na choke you ’til you’re
D5
D5
don’t want dirt - y
a dime. mind.
G5
D5
Chorus
E5
μ
Ah.
Gtr. 1
Oh,
ba - by,
End Rhy. Fig. 2
Rhy. Fig. 2
9 9 7
ba - by, it’s
**A
fuck
time.
Rhy. Fig. 3
0
0
3
4
2
2
4
2
**Chord symbols reflect implied harmony.
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
1
You know
real - ly
wan - na
0
0
A
I
3
2
4
2
0
3
2
4
2
4
2
4
2
0
0
5 4 4 4 2
5 4 4 4 2
5 4 4 4 2
5 4 4 4 2
0 0 0
4
2
0
left
to
3
2
4
2
4
3
2
4
wan - na
hold you ’til you’re
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2
2 2 2 0
2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
a
look
to
my
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
G5
D5
-
2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
eyes.
Rhy. Fig. 4
par - a
-
lyzed.
D5
I
4
G5
Take
C
2
1.
A
it’s
yeah.
4 0
in
0
say,
ba - by,
B
End Rhy. Fig. 3
2
ba - by,
Bridge E
5 4 4 4 2
There’s noth - ing
5 4 4 4 2
Oh,
3
B7
4 4 4 2
0
mine.
let ring
time.
make you
2 0
fuck
0
2
4
E
Ow!
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
End Rhy. Fig. 4
Rhy. Fill 1
End Rhy. Fill 1
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
7 7 5
7 5 5
7 7 5
Interlude Gtr. 1: w/ Rhy. Fig. 1 (2 times)
E5
μ
Gtr. 2 (dist.)
D5 G5 D5
E5
μ
Ha,
ha,
ha,
ha,
f
1/2
D5 G5 D5
ha.
3
3
0 10
2.
Guitar Solo Gtr. 1: w/ Rhy. Fill 1
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
D5
G5
D5
μ
Gtr. 2
mf
steady gliss.
E5
μ
14
3
3
1
12 12
14
D5
14
12 12 12
G5
1
12
12
12 12
G5 D5
15
3
3
E5
μ
15
Ha,
ha,
ha,
ha,
ha,
1
15
0
14
1/2
1
1/2
1
1/2
15
15
15
15
15
D5
E5
μ
G5
ha.
1 15
1
15 12 12 12
14
0 0
Gtr. 1: w/ Rhy. Fig. 2
D5
D5
oh.
1
12 12
0 0
0 0 0
15
D5
f 1/2 Ah,
E5
Yeah!
14 12
3
12 12 12
X X X
X X X
12 12 12
X X X
X X X
12 12 12
X X X
X X X
12 12 12
0 0 0
3
Gtr. 1: w/ Rhy. Fig. 3
A
5 5
7 7
5 5
6
15
5 5
0 0
1 15
1
1
15
15
loco
P.H. 1
15
12
14
7 7
5 5
5 5
6
8va
15
5 5
1
5 5
7
12 X 12
12
12 12
12 12
1
12
15
12 12
13
B
1
15
15
12 15
1
12 12
12 12
1
12 12
12
14
14
14
E
Take a
E
Take a
4
look
look
in
in
to
my
to
my
G5
-
G5
-
14
1
12
15
1
16
16 16
16 16
18
18
18
A
eyes.
eyes.
I
wan - na hold you ’til you’re
A
I
1
12
1 12
B7
1
12 12
16 18
Bridge Gtr. 1: w/ Rhy. Fig. 4 (2 times) Gtr. 2 tacet
12 12
Woo!
14 14
A
5 5
E
wan - na hold you ’til you’re
C
par - a
C
-
par - a
lyzed.
-
lyzed.
D5
G5
D5
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
D5
G5 D5
Gtr. 1
5 5 5 3
7 5 5
7 7 5
7 7 5
Outro Gtr. 1: w/ Rhy. Fig. 1 (4 times)
E5
μ
Ah,
E5
μ
oh.
Uh,
oh,
ha,
ha,
ha,
ha,
ha.
D5
G5
D5
E5
μ
D5
G5 D5
Gtr. 2 tacet
E5
μ
Gtr. 3 (dist.)
D5
mf 1/2
12
G5
D5
μ
15
Gtr. 2
E5
12 15
Gtr. 1
1/2
3
9 9 7
5
from Green Day - ¡Dos!
Lady Cobra Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool
Intro Fast q = 180
__ = 3
B5
(Laughter)
A5
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
Rhy. Fig. 1
Gtr. 1 (dist.)
f
End Rhy. Fig. 1
X X X
7 7 5
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
B5
A5
Gtr. 2 (dist.)
B5
f
7 7 5
A5
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
B5
A5
1. Well,
9 9 7
X X X
9 9 7
X X X
7 7 5
X X X
9 9 7
9 9 7
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
X X X
9 9 7
X X X
I
7 7 5
X X X
9 9 7
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (8 times)
B5
met
B5
heart
a
girl
beats
named
La - dy
Co
-
crim
-
son
and
A5
A5
clo
-
B5
A5
bra.
Her
B5
A5
ver.
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
She
black
gives
1
B5
me
B5
-
chills
and
ing
fe - ver
blis
-
spells
and
B5
A5
ters.
voo - doo
A5
She’s
A5
B5
serv -
A5
shakes.
Well,
she
Pre-Chorus 2nd time, Gtrs. 4 & 5 tacet
D5
A5
just don’t
wants want
to to
get me make you
(She
don’t
high, cry,
B5
stick cross
a my
nee - dle heart and
in my hope to
7 7 5
X X X
7 7 5
X X X
7 7 5
X X X
X X X
7 7 5
X X X
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
Reeks like Draw - ing
hell, blood
lost and
7 7 5
X X X
7 7 5
in temp - ta lone - ly stars.
She
don’t
7 7 5
X X X
9 9 7
B5
tion.
7 7 5
X X X
End Rhy. Fig. 2
X X X
A5
eye. die.
Rhy. Fig. 2
7 7 5
want.
Gtrs. 1 & 2
A5
X X X
Rub - bing Drink - ing
X X X
9 9 7
9 9 7
X X X
9 9 7
9 9 7
9 9 7
X X X
my for
9 9 7
X X X
A5
on piss
X X X
in - ner de cheap gui - tars.
mons.
need.)
Chorus
F#5
I
Gtrs. 1 & 2
want
a
su - i
Rhy. Fig. 3
4 4 2
2
don’t
A5
X X X
4 4 2
X X X
4 4 2
X X X
4 4 2
X X X
7 7 5
X X X
-
cide,
7 7 5
X X X
I
7 7 5
X X X
F#5
don’t
7 7 5
X X X
want
4 4 2
X X X
this
4 4 2
X X X
to
4 4 2
X X X
end.
4 4 2
X X X
To Coda
A5
A#5
B5
μ
I
7 7 5
X X X
7 7 5
7 7 5
9 9 7
X X X
8 8 6
just
wan
B5
-
na
be
μ
your
A5
friend.
9 9 7
End Rhy. Fig. 3
7 7 5
Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
B5
A5
B5
A5
B5
A5
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
B5
2. Cud - dle
up
with
me
real
tight. Riff A
*Gtr. 3 (dist.)
A5
6
8
9
9
11
9
8
End Riff A
f 4
*Doubled throughout
Gtr. 3 tacet
B5
Talk
Pre-Chorus E5
wan
-
Gtr. 3: w/ Riff A
to
me
by
can
na
play
a
game
-
A5
B5
dle - light.
Do
A5
B5
of Twist
er like a
dirt - y old
-
man
with a
ba - by
A5
-
sit
(She
-
ter?
you
don’t.)
Gtrs. 1 & 2
9 9 7
A5
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
7 7 5
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
7 7 5
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
3
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3
F#5
don’t
want
a
su
I
A5
A5
A#5
-
i
-
B5
Well,
I
just
wan
7
don’t
-
want
na
be
your
this
μ
7
10
to
end.
A5
friend.
1
7
A5
Gtr. 4 (dist.)
1
B5
Guitar Solo B5
f
I
F#5
cide,
μ
rake
7
0
X
9
X
Gtr. 5 (dist.)
f grad. bend
0 0
0 0
1 1/2 1
*
1/2
16 19
1/2
1/2
16
16
16
16
16
19
19
19 19
19 19
19 19
19
10
19
10
10
8
*3rd string caught under bend finger.
B5
1 10
A5
1 10
0
1 1/2
1
10
0
10
1
0 10
10
0 10 0
0
B5
0
0
15
14
12
1
0 0 14
0 14
3
14
**w/ DigiTech Whammy pedal
,
16 X 14 -6 **Set for one octave below.
4
1
0
let ring 1/2
16
16
14
14
12
16 X 14
D.S. al Coda
A5
Gtr. 4
B5
A5
1
1/2
14
14
14
14
*
8va
I
1
X
17
Well,
3
1
14
14
17
17
*Push string into pickup polepiece w/ pick.
Gtr. 5
let ring 1
0
3 1/2
7
7 9
0
7
10
1/2
10 10
0
0 0
5
Gtrs. 1 & 2
7
7
7
7 7 5
Coda
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
B5
A5
B5
Oh,
A5
B5
your
friend.
A5
B5
A5
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
X X X
9 9 7
Gtrs. 1 & 2
7 7 5
B5
μ
9 9 7
5
from Green Day - ¡Dos!
Lazy Bones Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool
Intro Fast q = 167
F#m Rhy. Fig. 1 Gtr. 1 (slight dist.)
(Drums)
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
10 11 11 9
f
10 11 11 9
A
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
E
0 0
11 9
14 12
Bm
0 0 0
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
End Rhy. Fig. 1
9 9
Verse Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times)
1. I’m
too
tired
to
be
F#m
Bm
si
-
lence is
so
deaf
I’m
too
men
And
my
F#m
-
bored.
-
tal
to
en
I’m
too
bored
E
-
Bm
A
ing,
to
tired.
be
it’s like
pick
-
ing
go
cra
-
zy.
I’m
mind
is
play
-
ing
at
tricks
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
And the
a
sore.
A
too
drunk
to
be
on
me,
pure.
and
1
E
I
can’t
sleep
to
-
night
’cause
I’m
so
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
Gtr. 1
μ
Pre-Chorus
2nd time, Gtr. 3 tacet
A5
F#5
tired.
I can’t
take (Whoa.
it
an - y
-
more.
And with all the
*Gtrs. 1 & 2 (dist.)
Rhy. Fig. 2
f
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
End Rhy. Fig. 2
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
4 4 2
4 4 2
0 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0
*Composite arrangement
Gtrs. 1 & 2: w/ Rhy. Fig. 2
A5
li
-
F#5
ars,
like
a
pris Whoa.)
on
-
er
of
war.
Chorus
3rd time, Gtr. 4 tacet
D
I
don’t
want
your
Rhy. Fig. 3
Gtr. 1
7 7 7 5
Gtr. 2
Rhy. Fig. 3A
7 5
2
7 7 7 5
E
sym
-
C#m
pa - thy.
I
7 7 7 5
7 7 7 5
9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
5 6 6 4
9 7
9 7
9 7
9 7
9 7
9 7
0 0
6 4
don’t
want
your
5 6 6 4
5 6 6 4
F#m
hon - es
5 6 6 4
0 0
4 4 2
-
ty.
2 4 4 2
4 4 2
4 4 2
0 0 0 0
0 0
4 2
4 2
0 0
D
I
just
wan
-
na
7 5
7 5
7 5
get
7 7 7 5 5
7 7 5
E
9 7
some
A5
peace
mind.
End Rhy. Fig. 3
9 9 9 7
9 7
9 7
9 7
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0 0
0 0
End Rhy. Fig. 3A
7 5
9 7
9 7
9 7
of
To Coda 2
9 7
0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0 0
0 0
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
D
It’s
on
F#m
-
E
ly
in
play
my
D
dead.
I
head
don’t
wan
C#m
as
I
roll
o - ver
and
E
-
na
hear
an
-
it
To Coda 1
y
-
Interlude
F#m
A
more.
Gtr. 1
let ring
10 11 11 9
11 9
10 11 11 9
11 9
10 11 11 9
11 9
10 11 11 9
11 9
10 11 11 9
11 9
10 11 11 9
11 9
10 11 11 9
11 9
10 11 11 9
9
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
14 14 14 12
0 0
Gtr. 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0 0
3
Bm
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
7 7 7 9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0 0
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0 0
E
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
Verse
F#m
2. It’s
Bm
o
good
to
10 11 11 9
10 11 11 9
10 11 11 9
Rhy. Fig. 4
Gtr. 1
dor in
the
you,
-
see
but
7 7 7 9 9
7 7 7 9 9
7 7 7 9
I
real
10 11 11 9
10 11 11 9
10 11 11 9
E
7 7 7 9
7 7 7 9
think
7 7 7 9
I
can’t
stand
for
fall
Gtr. 3 (slight dist.) Rhy. Fig. 5
mf
-
ing
ly
must
ad - mit
14 14 14 12
14 14 14 12
14 14 14 12
there’s an
9 9 9 7
9 9 9 7
9 9 9 7
A
2
14 14 14 12
14 14 14 12
14 14 14 12
9 9 9 7
9 9 9 7
9 9 9 7
I’m
too
sick
to
throw
2
4
4
2
shit.
let ring throughout
2 2 2 4 4
like
down.
you look
End Rhy. Fig. 4
Gtr. 1: w/ Rhy. Fig. 4
F#m
I
-
and
air,
A
Gtr. 2 tacet
5 5 6 7 7 5
up.
Bm
Ev
5 5 6 7 7 5
can’t
shut
the
keeps
talk
-
and
ing,
E
fuck
up
9
’cause
I’m
9 9 9 9
7 9 9
7 9 9
7 9 9
7 9 9
7 9 9
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 7
9 9 7
9 9 7
9
D.S. al Coda 1
μ
so
7
9
Gtr. 1
they
7
7 7
Gtr. 3
’ry - one
7 7 7 9 9 7
7
7
E6
6
-
End Rhy. Fig. 5
Coda 1
Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times)
F#m
A
more.
Bm
E
Gtr. 3: w/ Rhy. Fig. 5
F#m
E6
A
E
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
Gtr. 1
Bm
μ
5
Guitar Solo A tempo Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
Gtr. 4 (slight dist.)
A5
f
let ring
1
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
F#5
7
1
7
7
7
9
9
9
0
(Whoa.
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
A5
let ring 1
1
5
5
5
5
5
5
5
5
5
5
5
5
10
10
10
7
7
7
7
7
7
7
7
7
7
7
7
12
12
12
12
D.S.S. al Coda 2
F#5
Whoa.)
1
7
7
7
7
7
7
7
7
7
7
7
7
7
9
9
9
9
9
9
9
9
9
9
9
9
9 7
15
Coda 2
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1st 4 meas.)
D
It’s
6
on - ly
E
in
my
head
as
C#m
I
roll
o - ver
and
F#m
play
dead.
D
I
Gtr. 1
E
don’t
wan
-
na
7 7 7 5
7 7 7 5
9 9 9 7
9 9 9 7
7 5
9 7
9 7
7 7 7 5
7 7 7 5
Gtr. 2
7 5
F#5
a
hear
a
9 7
D5
-
bout
it.
I
4 4 2
4 4 2
4 2
4 2
4 2
4 2
4 2
bout
it,
9 9 9 7
9 9 9 7
9 7
don’t
wan
4 2
7 7 5
7 7 5
7 7 5
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
-
7 7 5
7 7 5
I
don’t
wan
-
na
scream
6 4
0
na
7 7 5
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
0
E5
7 7 5
6 6 4
9 7
-
6 4
6 4
6 4
hear
6 4
it
6 4
6 4
an
-
0
y
-
4 2
C#5
9 9 7
9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9
7 5
9 7
7 5
7 5
7 5
7 5
7 5
7 5
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
Outro Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.) Gtr. 2 tacet
F#m
A
Bm
more.
E
F#m
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9
10 11 11 9
Gtr. 1
μ
7
from Green Day - ¡Dos!
Makeout Party Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Very fast q = 192
A5
G5
f
G5
C5
10 10 8
7 7 5
5 5 3
G5
7 7 5
5 5 3
A5
A5
10 10 8
A5
7 7 5
7 7 5
Rhy. Fig. 1
*Gtrs. 1 & 2
C5
5 5 3
7 7 5
A5
A5
Gtr. 1 (dist.)
G5
7 7 5
5 5 3
A5
G5
G5
A5
G5
7 7 5
5 5 3
A5
10 10 8
7 7 5
A5
10 10 8
C5
5 5 3
7 7 5
C5
7 7 5
5 5 3
7 7 5
A5
A5
G5 End Rhy. Fig. 1
7 7 5
5 5 3
*Gtr. 2 (dist.), played mf.
Verse A5
1. Hey, you’re
μ
so
got your - self pre - cious, you’re
Rhy. Fig. 2
pret - ty fuck - ing
a a
A5
G5
A5
C5
A5
G5
lit - tle mouth. de - lin - quent.
Well, I
End Rhy. Fig. 2
7 7 5
5 5 3
A5
G5
10 10 8
7 7 5
5 5 3
7 7 5
7 7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
A5
μ
got
I think my - self
A5
μ
I
wan jones - ing
A5
na and
rub I
wan - na make -
spin the out
bot - tle, play par - ty on
it need
a game an - oth - er
the wrong some fix -
-
A5
C5
way. in’.
of chick di - men
G5
Do It’s
A5
en? sion,
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
G5
A5
C5
A5
you a
G5
Well, and it’s
1
A5
μ
it’s a tongue gon - na get
Gtrs. 1 & 2
twist - er ’til your crowd - ed with some
lips bad
A5
are bleed in - ten
-
Rhy. Fig. 3
y
-
7 7 7 5
7 7 7 5
A5
G5
A5
an
7 7 5
-
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
A5
G5
A5
A5
Oh,
kiss
me
there.
7 7 5
5 5 3
G5
10 10 8
kiss
me
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
C5
A5
0
Oh,
7 7 5
10 10 8
7 7 5
5 5 3
7 7 5
0 0
7 7 5
where,
7 7 5
5 5 3
y
C5
there.
10 10 8
7 7 5
-
5 5 3
how,
7 7 7 5
-
Oh.
3rd time, Gtr. 4 tacet
A5
Ow!
Chorus
C5
ing. tions.
7 7 5
D
A5
7 7 5
An
G5
0 0
To Coda
E
scream
9 9 7 0
2
and
9 9 9 7 0
D
shout,
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
9 9 9 7 0
0 0
truth
or
7 7 5
7 7 7 5
dare.
7 7 7 5
μ
Kiss
me
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
End Rhy. Fig. 3
1. Gtrs. 1 & 2: w/ Rhy. Fig. 1
A5
G5
A5
A5
G5
A5
oh,
kiss
me
there.
C5
there,
G5
A5
C5
A5
G5
2. Hey,
2.
Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (4 times)
G5
A5
μ
A5
Wow!
8va
Gtr. 3 (dist.)
A5
C5
loco
f
*fdbk.
1
X
1
1
5
5
5
5
5
5
7
7
7
7
7
7
7
A5
1
5
G5
C5
A5 G5
5 7
0 0
12 *Microphonic fdbk., not caused by string vibration.
A5
μ
1
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
A5
1
5
1
5
5
7
7
A5
10
10
10 10
12
G5
5
A5
G5
A5
C5
A5
G5
10 12
12
A5
A5
G5
A5
C5
A5
G5
C5
1
1
7
μ
A5
Gtr. 3 tacet
μ
G5
1
5
A5
Wah! Gtrs. 1 & 2: w/ Rhy. Fig. 3
D
Whoa!
Gtr. 3
1
1
1
10
10
10
12
12
12
5
10 12
10
10 10
12 10
12
10 13 10
10 13
10 13 10
10 13
10 13 10
3
A5
1
10 13
A5
10 13 10
5
12 14
0 0
5
7
A5
3
5 5
13
3
5
5
7
5
8
1
12 14
5
5
7
6
E
5
A5
1
5
7
Gtr. 2
12
14
14
14
0
1
1
17
17
17
19
19
19
μ
0 Pitch: E
Gtr. 1
0
Gtr. 3
0 *Chord symbols reflect implied harmony.
4
5
1
12
fdbk.
0
12
5 5
6
1
17
Interlude *A5
G5
7
8
1
19
7
A5
5
5 5
7
C5
D
C5
1
10 12 10
G5
A5
5
G5
Gtr. 3 tacet
w/ bar
0
0
0 0
0
-1/2
-1/2
fdbk.
0
0
15
Gtrs. 1 & 2 tacet
A5
G5
A5
C5
3
5
5
G5
A5
**Gtr. 4
mf
0
3
E5
G5
A5
G5
A5
0
3
5
3
5
E5
G5
A5
G5
A5
3
3
5
5
5
5
7
7
**Bass arr. for gtr.
A5
C5
3. Ah,
5
Verse A5
you’re
5
3
G5
so
3
5
A5
pre - cious, you’re
3
5
a
0
C5
3
E5
5
G5
3
-
3
5
3
3
5
5
5
6
5
Well, I
3
3
quent.
5 0
A5
fuck - in’ de - lin
0
7
7
7
7
7
7
7
7
5
7
6
5
8
5
0
5
A5
G5
got my - self
jones - ing and
5
7
out
par - ty
on
7
7
7
7
some fix
-
A5
di - men
3
-
7
crowd - ed with some
bad
7
Coda
7
5
5
5
7
7
7
7
A5
G5
A5
there,
A5
G5
7 7 5
6
5 5 3
7 7 5
6
6
5
3
8
5
kiss
me
there,
A5
oh,
kiss
me
there.
7 7 5
5 5 3
7 7 5
0
G5
5
G5
A5
5 5 3
3
A5
C5
Huh!
3
oh,
G5
10 10 8
A5
A5
5
C5
3
Ow!
G5
0
D.S. al Coda
A5
A5
3
5
C5
G5
tions.
5
5
7
E5
7 7 5
A5
Kiss
10 10 8
3
5
5
7
5
A5
G5
oh,
kiss
me
G5
A5 μ
me
7 7 5
5
C5
A5
there, Gtrs. 1 & 2
6
5
C5
14
Gtrs. 1 & 2: w/ Rhy. Fig. 1
-
5
And it’s
in - ten
3
5
A5
a
3
G5
G5
gon - na get
7
5
sion.
A5
3
5
7
5
7
0
7
A5
It’s
7
G5
in’.
an - oth - er
7
G5
3
7
need
E5
5
C5
5
-
I
3
make
A5
5 5 3
there.
7 7 5
7
from Green Day - ¡Dos!
Nightlife Words and Music by Billie Joe Armstrong and Monica Painter
Chorus Moderately slow q = 95 μ Em
Bm
Tak - ing a
Gtr. 1 (slight dist.)
ride
to my
old
8 9 9 7
8 9 9 7
mf
Gtr. 2 (slight dist.)
haunts.
She’s in
8 9 9 7
8 9 9 7
Em
my blood,
I
re - side
7 7 7 9 9 7
7 7 7 9 9 7
in my night - life.
8 9 9 7
8 9 9 7
* pp
mf
0 *Vol. swell
Gtr. 2 tacet *** Bm
My fa - v’rite col - or’s can - dy
ap
**Gtrs. Rhy. Fig. 1 1&3
8 9 9 7
8 9 9 7
**Gtr. 3 (slight dist.), played mf.
-
Em
ple, girl.
And she re - sides
8 9 9 7
8 9 9 7
in my
7 7 7 9 9 7
7 7 7 9 9 7
mind
of my night
-
End Rhy. Fig. 1
8 9 9 7
life.
8 9 9 7
***Chord symbols reflect overall harmony.
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
1
Verse Gtrs. 1 & 3 tacet
E5
1. Female: ’S’at I 2. Female: Short of
*Gtr. 4
hear? breath,
Riff A
You wan - na go for a heart beats
mf
7
5
7
ride? fast.
Oh,
5
don’t be Sounds like
5
7
a - fraid, love,
boy, to come in - side. but you know it won’t last.
5
7
I
got that
5
5
*Bass arr. for gtr.
**Bm
thing that you want, the Cheap cham - pagne stain
Em
7
fix that you need. e - ven cheap - er on an
5
7
Chase this with Hope there’s more
suit.
5
5
7
a
lit - tle lust in your pants
5
7
and than
greed. I’ll be the a bus route. End Riff A
4
5
**Chord symbols reflect implied harmony.
Gtr. 4: w/ Riff A
heart beats black stools Girls hang on bar
dev - il on your shoul - der say - ing, “Hey, boy, come o ver.” My Red vel - vet halls line these sug - ar coat - ed walls.
Bm
crim - son and clo - ver. for late last calls.
So
Em
3
op - er - a - tor, op - er - a - tor, patch my boy in. This is night - life and I’ll get un - der your skin. This town is full of snakes, mis - takes and whis - key shakes. It’s too late I al - read - y cut the brakes.
1. Chorus Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times)
Em
Bm
Male: Tak - ing
ride
to
my
My
2
a
fa - v’rite col - or’s can - dy
old
haunts.
ap - ple, girl.
Em
She’s in
Bm
And she
my blood,
re - sides
I
re - side
in
my night
-
life.
Em
in
my
mind
of
my night
-
life.
2. Bridge Am
Male: Well, I
Em
am roll - ing, stroll - ing
in
B
-
to
town.
Is
it
Em
me
or
am
I
go - ing cra
-
(Come in - side. Gtrs. 1&3
Rhy. Fig. 2
5 5 5 7 7 5
5 5 5 7 7 5
8 9 9 7
8 9 9 7
End Rhy. Fig. 2
8 9 9 7
8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
zy? It’s just
Gtrs. 1 & 3: w/ Rhy. Fig. 2
Am
Em
This dirt - y
cit - y
is
my
sug - ar
B
town.
My lit - tle
you.
Sug - ar
town.
μ
an - gel It,
of
is death me,
my
night up.)
life.
Guitar Solo
Em
Bm
Gtr. 5 (slight dist.)
mf
0
0
0
3
7
5
7
7
3
(Come in -
3
side.
5
0
2
2
0
2
2
0
Bm
you.
Em
0
0
0
3
5
7
7
7
3
Sug - ar
5
3
0
It’s just
1/2 2
2
0
2
2
0
Em
town.)
2
2
0
2
2
0
1/2 2
2
0
2
2
0
3
Verse Gtr. 5 tacet
μ
3. Female: Gon - na make a move
be - fore
if
I
get
bored
you
mp
0
0
0
Gtr. 5
3
5
7
7
7
wan - na
5
3
3
ex - plore
Gtr. 6 (slight dist.)
my
vo - cal
cord.
0
0
-
co
danc - ing the
4
0
2
2
0
2
0
2
0
2
0
0
0
3
2
for one more
round?
hand
one
don’t you stick a - round
cooch,
Co
Ba - by girl Gtr. 6
5
7
7
7
one
This
on my knee,
3
2
hand on the
1/2
place is
a
cir
-
5
3
cus and
0
hooch.
Why
2
0
I know you’ll be
my clown.
’Cause I’m
a
ring
lead - er
I
run the show.
Gtr. 6
And on - ly when I
tell ya
will it
0
2
2
0
2
2
0
2
2
0
2
Gtr. 2
be time to
go.
* pp
mf
0 *Vol. swell
Chorus Gtrs. 1 & 3: w/ Rhy. Fig. 1 (2 times) Gtrs. 2 & 6 tacet
Em
Bm
Male: Tak - ing
a
ride
to
my
old
My
fa - v’rite col - or’s can - dy
haunts.
And she
She
is
my night
-
my night
-
re - sides
you
in
my night
-
life.
in
my
mind
of
my night
-
life.
She
life. See
re - side
life. Hey,
She is (Hey, boy.
I
Em
(Hey, boy.
my blood,
Bm
She’s in
ap - ple, girl.
Outro μ
Em
is
my night
-
life.
boy.
She lat - er.)
is
my night
-
life.
5
from Green Day - ¡Dos!
See You Tonight Intro Very fast q = 188 μ
Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool A
Gtr. 1 (unamplified elec.)
mf
Chorus A
May
-
2 2 2 0
2 2 0
X X X X
2 2 2 0
2 2 0
2 2 2 0
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
May
-
be
2 2 0
see
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
3 2 4 0
2 2 2 0
2 2 0
2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 0
2 2 2 0
-
er
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
End Rhy. Fig. 1
2 3 2 0
3 2 0
3 2 0
3 2 0
2 2 2 0
2 2 0
2 2 2 0
2 2 2 0
2 2 0
2 2 2 0
3 2 0
3 2 0
-
be
you’ll
you
0 1
0 1 2 2 0
0 1 2 2 0
Wher - ev
0 1 2 2 0
0 1 2 2 0
D
see
-
2 2 0
2 2 0
2 2 0
2 2 0
to - night.
0 0 1 2 2 0
3 2 0
A
gets,
it
to - night.
A
may
2 2 0
2 2 0
you,
2 2 0
2 2 0
Verse E
2 2 0
2 2 0
you
A
Gtr. 1
you
cold
2 2 0
D
I’ll
see
2 2 0
I’ll
2 2 0
D
Rhy. Fig. 1
2 2 0
A
let ring throughout
be
D/A
er
A
me
too.
the
2 2 0
2 2 0
2 2 0
D
night
2 2 0
takes
1. The
D
won’t
see
me an
2 3 2 0
3 2 0
3 2 0
2 2 2 0
2 2 0
0 1 2 2 0
0 1
3 2 0
-
3 2 0
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
y
3 2 0
3 2 0
A
-
more.
But
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
1
E
there’s
still
a
chance
1 2 2 0
-
be
might
walk
2 2 0
the
tim
0 0 1
1 2 2 0
-
ing’s
to
your
3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3 2 0
door.
A
not
X X X X
X X X X
1 2 2 0
A
3 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
right.
3 2 0
3 2 0
3 2 0
3 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
3 2 0
3 2 0
3 2 0
3 2 0
E
I
won’t
be
see
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1
-
3 2 0
3 2 0
3 2 0
3 2 0
ing you
to - night.
1 2 2 0
0 0 1
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
A
Gtr. 1: w/ Rhy. Fig. 1
A
May
May
Gtr. 1
2 2 2 0
2
-
be
I’ll
-
D
see
0 1 2 2 0
2 2 2 0
2 2 0
2 2 0
2 2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
I’ll
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
A
w/ reverse delay
2 3 2 0
3 2 0
2 2 2 0
2 2 0
2 2 2 0
2 2 2 0
0 2 2 2 0
see
to - night.
D
A
you
be
you
3 2 0
3 2 0
to - night.
3 2 0
0 0 0
Outro-Chorus
0 0 0
3 2 0
0 1 2 2 0
3 2 0
I
0 0 1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
D5
0 1
0 0 1 2 2 0
May
D
3 2 0
0 0
2 2 2
2 2 2 0
2 2 2 0
2 2 0
2 2 0
from Green Day - ¡Dos!
Stop When the Red Lights Flash Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool E5
D5
A5
7fr
Intro Moderately fast q = 134
A5
D5
Gtr. 1 (dist.)
mf
*Gtrs. 1&2
7 7 5
D5 A5
7 5 5
13
G5
A5
X X X
G5 A5
X X X
7 7 5
5 5 3
D5 A5
5fr
13
A5
7 7 5
5fr 134
D5
X X X
A5
G5
A5
7 7 5
X X X
7 7 5
X X X
Play 7 times Gtr. 2 (dist.)
7 7 5
X X X
G5 A5
7 7 5
f
Gtr. 1 divisi
7 5 5
D5 A5
X X X
G5 A5
7 7 5
5 5 3
D5 A5
X X X
7 7 5
G5 A5
Rhy. Fig. 1
End Rhy. Fig. 1
f
7 7 5
7 5 5
X X 7 X X 7 X X 5
7 7 5
5 5 3
7 7 5
5 5 3
X X 7 X X 7 X X 5
7 7 5
7 5 5
X X 7 X X 7 X X 5
X X 7 X X 7 X X 5
7 5 5
7 7 5
X X 7 X X 7 X X 5
5 5 3
X X 7 X X 7 X X 5
7 7 5
7 5 5
X X 7 X X 7 X X 5
7 7 5
5 5 3
X X 0 0 X X 0 0 X X
7 7 5
*Composite arrangement
Verse 2nd time, Bkgd. Voc.: w/ Voc. Fill 1
D5
1. Un 2. Stop
G5
-
com - f’rta when the
-
Rhy. Fig. 2
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Voc. Fill 1
7 7 5
lence, flash.
7 7 5
7 7 5
7 7 5
7 7 5
12 12 10
7 7 5
12 12 10
si lights
ble red
D5
I’ll I’ll
kill it trade you
if blood
12 12 10
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
(Woo.)
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
1
you for
want dirt -
me y
A5
D5
A5
G5
0 0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
like in
Pre-Chorus E5
Out
9 9 7
9 9 7
tra cat
-
vi - o - lence. a combs,
A5
me at
D5
of sight,
out
9 9 7
9 9 7
9 9 7
D5
A5
of
I’ll you
kill it make me
A5
G5
D5 A5
D5
mind.
I’m
not the
hurt
-
9 9 7
9 9 7
9 9 7
if feel
G5 A5
to. home.
9 9 7
-
Gtrs. 1 & 2
9 9 7
0 0 0
0 0 0
X X X
X X X
7 7 5
5 5 3
7 7 5
X X X
X X X
7 7 5
7 5 5
7 7 5
X X X
X X X
7 7 5
5 5 3
7 7 5
X X X
G5
ul the
want I’m
X X X
7 7 5
7 5 5
you like
A5
7 7 5
I’m Life
G5
2nd time, Bkgd. Voc.: w/ Voc. Fill 1
A5
End Rhy. Fig. 2
Gtrs. 1 & 2: w/ Rhy. Fig. 2
D5
D5
to. cash.
7 7 5
A5
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0 0 0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
kind.
I’ll
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
ing
A5
7 7 5
7 7 5
0 0 7 7 0 0 7 7 5 5
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1
D5
A5
make
you
sur
2
D5
A5
make
you
sur
G5
-
ren
A5
-
der.
G5
-
ren
A5
-
der.
I’ll
I’ll
D5
A5
make
you
sur
G5
-
D5
A5
make
you
sur
A5
ren
-
der.
ren
I’ll
G5
-
A5
-
der.
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
D5
*Gtr. 3 (dist.)
Bkgd. Voc.: w/ Voc. Fill 1
f
1
1
G5
D5
1
10
10 10
10 10
12
12
12
1
10 12
10 11
10 11
A5
1
1
1
1
10
10
10 12
12
12
12
12
14
14
14
1
12
12 12 14
*Two gtrs. arr. for one.
D5
A5
G5 A5
D5
A5
let ring 1
14 16
D5
1
17
16
16
16
1
16
D5
A5
1
10
10 10
12
12
12
A5
1
10
D5
G5
10 12
G5 A5
D5
10 11
10 11
A5
G5 A5
Bkgd. Voc.: w/ Voc. Fill 1
G5 A5
Woo!
let ring 1
1
1
1
1
1
10
10
10 12
12
12
12
12
12
12
14
14
14
14
14
12 14
14 16
1
1
1
1
14
14
14
14
16
16
16
16
16 14
* E5
P.M. Gtr. 3 Gtr. 2
16
16
Gtr. 1
P.M.
9 9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
7 7
P.M.
9 9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
7 7
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
3
Bridge Gtr. 3 tacet
E5 Gtr. 2
D5
A5
P.M.
of sight,
out
Out
of
Gtr. 1
9 7
9 7
9 7
9 7
9 7
9 7
mind.
P.M.
9 9 7
9 7 0
9 7
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
9 7 0
0 0
Just
give me
one
more
time.
I’ll
** P.M.
7 7 5
7 7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
**Gradually lift P.M.
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 3 meas., 2 times)
D5
you
sur
you
sur
you
sur
A5
make
D5
A5
make
D5
A5
make
D5
A5
-
ren
-
G5
-
ren
G5
-
ren
D5
der.
I’ll
make
D5
der.
I’ll
make
A5
-
A5
-
der.
sur - ren - der.
I’ll
A5
A5
G5
make you
G5
you
sur
you
sur
you
sur
A5
make
D5
A5
D5
I’ll
A5
A5
G5
make you
A5
-
4
7 7 5
X X X
X X X
7 7 5
5 5 3
7 7 5
X X X
X X X
7 7 5
ren
A5
-
ren
A5
-
D5
ren
A5
-
der.
A5
μ
sur - ren - der.
7 7 5
7 5 5
7 7 5
7 7 5
X X X
X X X
7 7 5
5 5 3
7 7 5
X X X
X X X
7 7 5
I’ll
7 5 5
I’ll
-
der.
G5
I’ll
-
der.
G5
Gtrs. 1 & 2
7 5 5
G5
7 7 5
from Green Day - ¡Dos!
Stray Heart Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool E
G#
C#m
7fr
4fr
1333
134211
__ =
Intro
A
B
4fr
Am
5fr
13421
13421
7fr
5fr
13421
134111
Verse
3
Very fast q = 209 *E
E
(Bass & drums)
1. I 2. I
Gtr. 1 (slight dist.)
lost said
my a
will, thou - sand
ba times
-
by. and
Rhy. Fig. 1
mf
End Rhy. Fig. 1
9 9 9 7
*Chord symbols reflect overall harmony.
Gtr. 1 tacet
G#
This now
a
C#m
A
E
stray heart thou - sand one.
went We’ll
to an - oth nev - er part,
-
A
er.
Can I’ll
you re nev - er
Gtr. 1: w/ Rhy. Fig. 1
B
E
cov - er, ba stray a - gain
C#m
by? from
Oh, you.
This
dog
A
3
you’re the is
on - ly one des - tined for
E
A
Your pre - cious heart We’ll nev - er part.
that a
was I’ll
G#
I’m home
dream - in’ to your
B
of. heart.
torn a - part by me. nev - er stray a - gain
And from
Pre-Chorus
G#
you,
you’re
Gtr. 1
Rhy. Fig. 2
4 4 5 6 6
4 4 5 6 6
not
a
4 4 5 6 6
-
C#m
lone.
4 4 5 6 6
Oh,
4 5 6
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
4 5 6
and
4 5 6
End Rhy. Fig. 2
4 5 6
1
A
I’m now
I’m
where
I
be - long.
not
a
We’re
hold
-
heart
9 9 9
9 9 9
9 9 9
Oh,
and
nev
C5
lone.
μ
*Gtrs. 1&2
2 2 2
2 2 2
2 2 2
2 2 2
9 9 9
C#m
your
Gtr. 1
7 7 8 9
G#
A
7 7 8 9 9
Gtr. 1: w/ Rhy. Fig. 2
E
5 5 6 7 7
5 5 6 7 7
B
I’ll
-
er
let
go.
5 5 3 *Gtr. 2 (slight dist.), played mf. Composite arrangement
C5
D5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
f
Chorus
E
Ev
-
’ry
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
Rhy. Fig. 3
2
-
thing
9 9 9 7
G#
that
I
want,
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
0 0
6 6 4
I
want
from
4 4 5 6 6 4
4 4 5 6 6 4
4 4 5 6 6 4
4 4 5 6 6 4
4 4 5 6 6 4
4 4 5 6 6 4
4 4 5 6 6 4
4 4 5 6 6 4
4 4 5 6 6 4
6 6 4
7 7 5
A
you.
But
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
Am
I
just
can’t
have
6 7 7 5
6 7 7 5
6 7 7 5
5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
you.
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
End Rhy. Fig. 3
5 5 5 7 7 5
5 5 5 7 7 5
To Coda 1st & 2nd times, Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1st 6 meas.) 3rd time, Gtrs. 1 & 2: w/ Rhy. Fig. 3
E
Ev
-
’ry
-
thing
that
I
G#
need,
I
need
from
you.
0
A
But
I
1.
Am
just
Gtrs. 1 & 2
μ
can’t
have
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 7 7 5
5 5 5 7 7 5
you.
Interlude Gtrs. 1 & 2 tacet
E
2.
Am
just
can’t
have
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
Gtrs. 1 & 2
you.
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
7 7 5
3
Guitar Solo B5 μ
Gtr. 3 (dist.)
E
7
Gtrs. 1 & 2
7
7
9 9 7
E 7
9 9 7
Gtrs. 1&2
Gtr. 3
4 5
7
7 7 5
0 0
11
14
12
14
7
11
11
11
11
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
9 9 9 7
0 0
*E Rhy. Fig. 4
7
7
B
5
A5
9 9 7
μ
7
5
9 9 9 7
0 0
B5
μ
f 5
B5
G#
14
(cont. in slashes)
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
C#m
4 5
4 5
4 5
4 4
4 4
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 4
4 4
4 4
4 4
5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
A
E
4
0 4
2
0
3 let ring
0
2
5
A
let ring
0 5
End Rhy. Fig. 4
0
0 4
0 2
0 2
0 2
0 0
0 0
B
0 2
0 2
0 2
0 4
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 4
E
4 5
4 5
4 5
4 5
4 5
4 5
4 5
7 5
4 5
4 5
G#
4 4
4 4
4 4
4 4
0 0
C#m
4 4
4 4
0 0
0 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
A
4 5
4 5
4 5
4 5
4 5
4 5
4 5
5 5 6
5 5 6
5 5 6
5 5 6
9 9
5
A
Gtr. 3
1
1
1
5
5
5
7
7
7
9 9
9 9
9 9
9 9
F#5
1
7
7
1
B
9
6
E
9
7
7
7
9
9
9
10
Gtrs. 1 & 2
6 7 7 5
6 7 7 5
6 7 7 5
X X X
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
4 4 2
Pre-Chorus Gtr. 3 tacet
G#
You’re
Rhy. Fig. 5
Gtrs. 1 & 2
6 6 4
4 4 5 6 6
4 4 5 6 6
A
not
a
-
4 4 5 6 6
B
now
I’m
7 5
6 7 7 5
6 7 7 5
6 7 7 5
8 9 9 7
7
C#m
4 4 5 6 6
4 4 5 6 6
6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
where
I
be - long.
8 9 9 7
8 9 9 7
8 9 9 7
and End Rhy. Fig. 5
Oh,
lone.
E
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
F#5
8 9 9 7
8 9 9 7
8 9 9 7
9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
0 0
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
0
4 4 2
5
Gtrs. 1 & 2: w/ Rhy. Fig. 5
G#
We’re
A
not
a
hold
6 7 7 5
6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
lone.
heart
Gtrs. 1 & 2
-
your
C#m
Oh,
and
nev
C5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
8
μ
I’ll
-
er
let
go.
10 10 8
D.S. al Coda
C5
D5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
Coda
Am
just
can’t
Gtr. 3
have
you.
mf
14
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)
E
Ev
6
-
’ry
-
thing
Riff A
0
0
that
I
G#
want,
I
want
from End Riff A
2
4
2
4
4
3
6
A
you.
But
Am
I
just
can’t
have
you.
1/2
4
2
4
4
Gtr. 3: w/ Riff A
E
Ev
Gtr. 4 (slight dist.)
0
-
’ry
-
thing
that
I
need,
let ring
0 5
0 5
0 5
0 5
0 5
0 5
0 5
you.
But
Gtr. 4
let ring
0 4
Gtr. 3
5
0 5
0 5
0 5
4
4
0 5
0 5
2
0 5
0 5
0 4
A
0 5
0 5
4
0 5
0 5
0 5
need
from
0 5
0 5
0 5
0 5
0 5
0 5
0 5
Am
I
0 5
just,
0 5
5
2
I
f
0 5
2
G#
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0
7
Am
let ring
0 5
0 5
Gtrs. 1&2
Gtr. 4
0 4
5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
Gtr. 3
0
Gtr. 3 tacet
Gtr. 4 tacet
just
can’t
Gtr. 4
(cont. in notation)
have
you.
0 5
Outro E
Gtr. 1
mf
9 9 9 7
8
9 9 9 7
9 9 9 7 Gtr. 2
μ
from Green Day - ¡Dos!
Wild One Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Moderately q = 100 A
Riff A
Gtr. 2 (dist.)
f
let ring
1
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
1
10
10
10
12
12
12
7
10 12
Rhy. Fig. 1
*Gtr. 1 (dist.)
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
f
0
*Doubled throughout
C#
1
1
6
6
6
6
6
6
6
6
6
6
6
6
10
10
10
8
8
8
8
8
8
8
8
8
8
8
8
12
12
12
10 12
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
D
F
1
1
7
7
7
7
7
7
7
9
9
9
9
9
9
9
7 9
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
6
6
6
6
6
6
6
8
8
8
8
8
8
8
6 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
0
1
A
μ
End Riff A
1
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
End Rhy. Fig. 1
Verse Gtr. 2 tacet
A
1., 2. She,
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
D
2. heart is 1. heart is
7 7 7 5
in pan in dan
-
ic; ger
7 7 7 5
6 7 7 5
6 7 7 5
F
her from
7 7 7 5
7 7 7 5
10 10 10 8
A
She,
2
10 10 10 8
10 10 10 8
6 6 6 4
6 6 6 4
lit
-
tle
one.)
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
μ
6 7 7 5
6 7 7 5
C#
My (Wild
A
now. now.
10 10 10 8
one.
6 7 7 5
6 7 7 5
wild
eyes look so man - ic shad - ows and strang - ers
Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
she’s my
Rhy. Fig. 2
Gtr. 1
C#
wild
6 7 7 5
6 7 7 5
End Rhy. Fig. 2
6 7 7 5
6 7 7 5
one.
6 7 7 5
D
(Wild
one.)
My She’s
heart is cov - ered
a in
chas an
-
er; gels
she’s and
-
F
strung out de - mons
on and
ra ha
-
zors los
now. now.
Chorus
3rd time, Gtr. 2 tacet
A
μ
D5
She
gave
for
up
on
Je
-
sus
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
7 7 5
Gtr. 1
End Rhy. Fig. 3
Rhy. Fig. 3
A5
on
Ve
-
nus.
All
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
no
-
where to
7 7 5
7 7 5
7 7 5
7 7 5
go.
7 0
I’m
7 7 5
7 0
G#5
7 7 5
7 7 5
7 0 0
7 0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
A5
1., 2. dressed up with 3. fucked
7 7 5
0 0
D5
liv - ing
0 0
0 0
0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
6 0
6 6 4
6 0
0
To Coda
F#5
A5
drink - ing the Kool - Aid.
I
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
2
G5
jumped on the gre - nade
now that my mind’s
gon - na
E5
μ
blow.
Hel - lo.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
0 0 0 0
2 0
2 0
2 0
2 0
2 0
3
1.
Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A
A
D
C#
F
A
μ
2. Interlude Gtr. 1: w/ Rhy. Fig. 1 (1st 7 meas.) Gtr. 2: w/ Riff A (1st 7 meas.)
A
C#
D
F
A
Guitar Solo
Gtr. 2
Gtr. 1: w/ Rhy. Fig. 2
A
1
1
5
0 0
7
Gtr. 1
1
5
4
C#
1
4
4
4
2
1
1
5
4
4
6 7 7 5
(Wild
D
1
4
4
A
one.)
Gtr. 2
F
4
2
4
2
1/2
4
4
4
1/2
2
1/2
4 2
4
2
4
2
4
Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.)
μ
grad. bend
A
1
4
4
1
5
5
7
7
7
X X
1
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
C#
1
5
0 0
15
1
14
14
14
16
16
16
14 16
9
9
9
9
9
9
9
9
11
11
11
11
11
11
11
11
D
(Wild
one.)
1
1
9
9
9
11
11
11
9 11
14
14
14
16
16
16
14
16
14
14
14
16
16
D.S. al Coda Gtr. 1: w/ Rhy. Fig. 3
F
A
1/2
16
16
14
16
1 hold bend
1
14
16
14
16
16
1
17
16
16
14
16
She
16 17
Coda
Outro Gtr. 1: w/ Rhy. Fig. 1 (1st 6 meas.) Gtr. 2: w/ Riff A (1st 6 meas.)
A
Lit - tle
C#
wild
one.
5
heart
is
in
dan
-
ger;
she’s
D
My (Wild
strung out
on
ra
-
F
zors
now.
one.)
Gtr. 1: w/ Rhy. Fig. 3
A
My
Gtr. 2
1
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
heart
is
in
dan
-
ger;
she’s
D
Gtr. 2
F
strung
1
7
7
7
7
7
7
9
9
9
9
9
9
9
out
on
ra
-
Gtr. 1
6 7 7 5
6
zors
7 9
now.
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
6
6
6
6
6
6
6
8
8
8
8
8
8
8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
10 10 10 8
Gtr. 2 tacet
A
1
7
Gtr. 1
μ
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
0
from Green Day - ¡Dos!
Wow! That’s Loud __ =
Words and Music by Billie Joe Armstrong, Mike Dirnt and Tre Cool Intro Very fast q = 208 ** F#7
Riff A
Gtr. 1 (dist.)
f
11
3
9
12
11
*Gtrs. 2 & 3 (dist.)
9
11 12
11
11
9
12
12
11
End Riff A
f
12
*Composite arrangement **Chord symbols reflect implied harmony. Gtr. 1 tacet
F#5
F#5/E
Rhy. Fig. 1
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
Gtrs. 2 & 3
4 4 2
End Rhy. Fig. 1
4 4 0
X X X
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1
F#5
1. Smell 2. Wear
-
your ing
tech a
-
ni psy
-
F#5
Makes your
Gtrs. 2 & 3
me sick bou - quet
with of
col chot
-
or ic
in red
your a -
pleas - ure in flow - ers in
my the
F#5/E
eyes. lert,
mind. dirt.
Rhy. Fig. 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
© 2012 WB MUSIC CORP. and GREEN DAZE MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved Used by Permission
4 4 2
2
1
B
Shake Ra -
it di
-
like o -
it’s ac
-
so tive
en - light - ’ning, and pri - mal,
star nu -
ing cle
-
in ar
the and
sun so
that’s blind de - light -
ing ful.
9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
X X X X
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
F#5
like a Wear - ing
bot - tle Day - Glo
rock - et in where you know
the it
0 0
sky. hurts. End Rhy. Fig. 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
2
Chorus
A
F#5
to
the
nines
like
a
black
Dressed
cat’s
eyes.
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
mess
to
-
night.
Rhy. Fig. 3
A
You’re
such
a
beau
0
0
-
ti
-
F#5
ful
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
5 6 7 7 5
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
2
0
2
0
4 4 2
End Rhy. Fig. 3
0 0
0 0
B
Wow,
that
dirt - y
dress
is
so
C
loud.
3
3
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
4 4 4 2
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
Rhy. Fig. 4
Wow,
that
C#
dirt - y
dress
is
so
loud.
And
it
goes... End Rhy. Fig. 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
6 6 6 4
Gtr. 1: w/ Riff A
F#7
12
Guitar Solo Gtr. 1: w/ Riff A (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1
F#5
F#5/E
Oo.
Gtrs. 2 & 3: w/ Rhy. Fig. 2
F#5
Oo.
Gtr. 4 (dist.)
f 1
9 12
3
B
12
12
12
12
Gtr. 1: w/ Riff A
F#5
1
1
9
9
12
12
12
12
1
12
12
Oo.
let ring
1
7
0 0
9
7
16
Gtrs. 2 & 3: w/ Rhy. Fig. 4
B
3
7
3
7
10
7
10
10
7
10
7
10
3
7
7
10
C
10
3
7
7
10
3
10
7
10
7
10
7
C#
3
7
3
3
10
7
7
10
7
8
11
3
3
8
8
11
3
9
8
3
3
12
3
3
9
9
12
9
9
12
9
12
9
3
9
1
9 9
12
9
9
12
9
9
12
9
12
0
4
10
7
10
7
10
3
7
10
7
3
9
7
10
3
12
9
12
9
9
12
9
9
1
12
9
3
3
3
12
12
9
Interlude
Gtr. 4 tacet
F#5
Gtr. 2
*
fdbk.
2
2
2
Gtr. 3
*
2 *w/ misc. static, microphonic fdbk., etc. (next 48 meas.)
2
2
mp
2
2
2
5
2
1/4
2
2
1/4
2
2
2
5
2
7
6
fdbk. 7
7
9
9
12
12
6
fdbk.
6
6
Pitch: E#
2
Pitch: B
2
12
2
12
7
7
fdbk.
9
7
9
F#
2
7
2
6
P.S.
P.S.
P.S.
P.S.
7
7
7
7
E5
Gtr. 4
9
9
14
9
14
9
14
9
14
Gtr. 2
6
16
2
2
0
P.S.
6
0
Gtr. 3
2
2
0
Verse Gtr. 4 tacet
F#5
3. Smell
your
tech
-
ni
-
col
-
or
in
your
eyes.
Gtr. 2
2
Gtr. 3
2
7
Makes
me
sick
with
pleas - ure
in
my
mind.
2
2
2
2
B5
Shake
it
like
it’s
so
en - light - ’ning,
star
-
ing
at
the
sun
that’s blind
-
7
9
9
ing
fdbk.
7
7
8
7
7
7
7
0
like
a
bot
Gtr. 4
-
tle
rock -
et
in
the
sky.
Gtr. 2
2
P.S. 14
2
Gtr. 3
2
14
14
14
X
14
X X
2
2
Pitch: C#
Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 3 Gtr. 4 tacet
A
F#5
Dressed
to
the
nines
like
a
black
A
You’re
such
a
beau
Gtrs. 2 & 3: w/ Rhy. Fig. 4
B
Wow,
that
dirt
-
Gtr. 4
1
7
ti
-
is
ful
1
so
cat’s
eyes.
F#5
mess
to
-
y dress
-
night.
C
loud.
1
1
1
1
7
7
7
7
7
7
7
7
7
7
7
7
7
8
9
9
9
9
9
9
9
9
9
9
9
9
9
10
9
Wow,
that
dirt
-
y
C#
1
dress
is
1
so
loud.
1
1
And it
1
1
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
11
11
11
11
11
11
11
11
11
11
11
11
11
11
F#5
goes...
1
11
Gtr. 1: w/ Riff A (4 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1 (4 times) Gtr. 4 tacet
11
F#5/E
Oo.
F#5
F#5/E
Oo.
Gtr. 4
P.S.
X X X
X
Outro-Guitar Solo Gtr. 1: w/ Riff A (3 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1
F#5
F#5/E
Oo.
1
4
10
1
1
1
1
1
Play 3 times
1
2
2
2
2
2
2
2
4
4
4
4
4
4
4
F#5
* F#
E/F#
Oo.
Gtr. 4
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
Rhy. Fig. 5A
Gtr. 3
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
12 12 12 11 11 11 11 11 11 9 9 9
11 11 11 9
9 9 9 7
9 9 9 7
9 9 9 7
3
Gtr. 2
9 9 9 7
9 9 9 7
9 9 9 7
End Rhy. Fig. 5A
3
11 11 11 9
11 11 11 9
11 11 11 9
11 11 11 9
11 11 11 9
Rhy. Fig. 5
End Rhy. Fig. 5
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
*Chord symbols reflect combined harmony.
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (2 times)
F#
E/F#
Oo.
Gtr. 4
3
3
3
3
3
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
11
F#
E/F#
3
3
3
1
3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
9
11
11
12
Gtr. 4
3
3
3
1
3
1
F#
3
2
Gtr. 1
Gtr. 3
E/F#
9
11
12
11
3
3
3
3
1
3
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
11 11 11 9
11 11 11 9
11 11 11 9
11 11 11 9
12 11 11 9
9 9 9 7
9 9 9 7
9 9 9 7
9 9 9 7
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
0
Gtr. 2
12
12
11
F#5
12
11
9
fdbk. 1
2
2 4
4
Pitch: F#
2
2
2
2
13
Free time
Gtr. 1 tacet
11
8va
4
X
X
*Microphonic fdbk., not caused by string vibration.
2
* fdbk.
2 4
2
1
2
2
1/2
2
2
Gtr. 4 tacet
Gtr. 3
2
2
Gtr. 2
fdbk.
2
0 Pitch: F#
14
-1/2
-1 1/2
w/ tuning key
0 0
0
2
0
0 0
w/ tuning key +3/4
0
-1/2
2
15ma
* fdbk.
X
X
X
X
X
*Microphonic fdbk., not caused by string vibration.
Gtr. 2 tacet
Gtr. 3
*fdbk.
2
2 *Microphonic fdbk., not caused by string vibration.
15