• Author / Uploaded
• Ed Wino CT

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El Castillo Ambulante

Viola

Tema Principal (2004)



      

14

  

      

23

      

32





    







                            

    

    

    

    



    

    



    

    

    

  

  

  

Compuesto por Joe Hisaishi Arreglado por Leonardo Carvajal



 

    

    

     

    

    

    

    

    

    

    

 

                                             50                                              59                               69                     41

   

78

  

88

 

98

 



   





         

   

 



  





               rit.        

L.E.C.V. Talca, 2014

 

 

    

     rit.



    



   

 



 





  

    

  



2

 

112

 

128

 

138

El Castillo Ambulante

                        arco                                                          



pizz.

        

148

      poco a poco cresc.                                                             

                                                                      

 

168

    

179

    



189

   



(**)





  

            

      

rit.            



   

a tempo

   

208

 



rit.

158

199

    



             

       

       

(**) C. 199-202: ideal tocar todo una octava arriba 203: loco



          



     

    



 





      

   



rit.

    

 

    