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Double Bass

КОНЦЕРТИНО для контрабаса и форепиано

                                           

В.Коршунов

Allegro h = 80

mf

f

       

poco cresc.

       

       

6

        

A Meno mosso             B Allegro moderato q=106 18         



10

rit.



mp

    

23

  

mp

       

28





      mp







  







 



3

  f

 

  





  

                                      3           36                          3 mf

32

3

40

Meno mosso 3

3

              3

3

3

  3

3

 3

3

 

V.S.

Double Bass 2 43



 rall. 6

   

       6

3

      



3

                                       

46 A tempo q=108

                                

50

p

poco cresc.

55

                  

63

  

cantabile

 

mp





     

73



77

  



3

3



 

     



 



             

Andantino sensibile q=84 5

         



mp

             

                       



3

81

85



 

        

69 Moderato 3

   



    

f







                 

   

         



cresc.

   

    

    

Double Bass

    

89



 

     



     

3

f

A tempo q=84

 

92

 

Animato q=96 3

 



sf

  3  

7

rit.





3           



3

accel.   3                               

98

3

subitop

          pizz.           

102 Allegro moderato q=106



107



 

arco



mp

3

3

3

3

          pizz.           cresc.

pp

pp

arco



 

                                        

112

f

                            

116

p

 



f



Double Bass 4

     

123

  p

        

 cresc.

        

                   

128

          

131

            3

f

         

135

3

3

                    



3





                        ff 3



 

3

140

145

 

3

3

 

3

3

             mp port.

. port

 

Più mosso

                         



f

151

                                p

cresc.

155

Allegro

159



                                 p    cresc.       f 

                         

 

                         

166





Allegro moderato

pp

cresc.

pizz.



rit.

arco

Double Bass

          172               3

      Lento

177

mf

 

Cadenza

 



5

3                   

190

3



 

  





poco accel.                    



            



3

 

5

5

rit.

187

           f Allegro moderato

 

3

      3







                  

                             

            Allegro h = 80

197

  

               





pp

     

182

185

    

 rall.  

f

                                                 207            rall.         202

211







  

Allegro moderato

       f



 f

   3

V.S.

Double Bass 6

     

  

                     3 mp mf       220                       216

       

224



        

227

3

3

               

     

p

                mp                3

3

6

6

3

                         3

230

       

234

238



     

pizz.

       

rit.                          

 

Meno mosso

 

mp

      

255

          arco

                      

241

244

     

   

3

        

Andantino sensibile q=84

mp

  



   





  

flag.





 

Double Bass 7

                  

260

265

 



        

269

 











          

ord

3

3

mf

3

3

                     3 3 3 3

f

               3            



ff

3

3

3

3

                           272                         6

6

6

6

6

6

    3                        3                  

275

6

6

  

279



     3

3

                     ff p

                        

282

ff

  

  

 