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Keyboard G rooves by GAIL JOHNSON

Dedícated.to Paula, my inspiration and vein, my Groove Master! Thank You: John Baker, my engineer .'Aaron "Vane" Jones, my groove inspiration Tamina, my new musician

ISBN D - b 3 4 - 0 1 ñ 7 ñ - 7

HAL»LEONARD@

C O R F * O R A T I O N

.

• '

Copyright © 2003 by HAL LEONARD CORPORATION International Copyright Secured All Rights Reserved

G Martelf COUiHRB Qt MU9C fc AUDIO

No part of this publication may be reproduced in any form or by any means without the prior written permission of the Publisher. '

Visit Hal Leonard Online at

www.halleonard.com

.*

Contents PAGE

Introduction 1

Dance Grooves

2

..'

AUDIO TRACKS

4 5

1-20

Funk Grooves

11

21-36

3

Jazz Grooves .:

17

37-47

4

Latín Grooves

23

48-61

5

Reggae Grooves :

29

62-72

6

R&B Ballads ...:..

7

Rock 'n' Roll Piano

About the Author ...',•

35 40 46

73-86 87-97

Introduction i here are many loop CDs on the market filled with drum loops and samples. If you're not a great drum programmer, sampling a drum loop ¡s a great.way to get a groove going so that you can begin writing a song. However, there isn't a lot of material out there for nonkeyboard players, or even keyboardists who want a harmonio foundation for their songs. Many young musicians struggle with voicings and try to "match" chords in a pattern, but they are unable to "grab" the chords they hear. In this book, all the grooves are transcribed, so you can fully understand the contení of the music you're working with. The Dictionary of Keyboard Grooves CD is filled with keyboard pattems that can be sampled and looped in a groove. The audio and MIDI files can be edited with respect to tempo, key, and sound, then used to créate songs or play-along tracks. They are also useful as learning tools for knowledge of voicing and style. These loops will be a formidable addition td.'your MIDI production and a great writing tool.

How to Use the CD Sampling On the audio portion of this multimedia CD, each loop has a track number. The loop can be sampled directly into your sampler. Just run the line out of your CD player into your sámpler, check the level, then record and follow procedures set by the manufacturer to save and loop the sample. For use in your sequencer, go to the file menú, then import, open, or load samples from the CD into the sequencer and save to the local hard drive. The samples are storéd in folders according to style, and the loops are individually numbered. If you are using your sampler to record these loops, be careful not to distort the ¡nput level. Listening while you record is the easiest way to know if you're overloaciing the signal. On the other hand, be sure to get a /'not" enough signal so that you don't have to tu.rn up the gain later. A signal around O to -3 dB is safe. The record level meter should peak somewhere in the middle. Of course, you may be able to edit the volume once it is recorded, depénding on your gear and its capabilities; but a good, even recording level is always the best place to start.

IVIusic Rrocjrams

'.

For use with music programs on a compuler, the loops can be loaded'directly from the CD into the sequencer audio track. The loops can then be customized in audio editor software such as Acid, Sound Forge, Wavelab, and many others. These programs can edit pítch and tempo, cut and paste, add effects, and much more.

IVIIDI Files The Dictionary of Keyboard Grooves CD also contains MIDI files. Again, you can import these into any sequencer. The advantage to this is the powerful editing capabilities. The musical contení ¡s there, bul Ihe sound can be routed into your own MIDI gear. The tempo, key, oclave, and any other MIDI function can be implemented. Once the dala is saved as a song in your sequencer, you may prinl out the score. The Índex numbers for Ihe loops will match trie MIDI file tracks for easy referencing.

G Marteír

Chapter One DAHICEE C

Including Disco, House, and Party Song Material using Synth Instrumentation Groove #

Style

BPM

Key

101

Very Fast

120

G A

102

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120

103

'.

Very Fast

120

104

•

Very Fast

120

Fast

109

E^mi

Fast

109

E^mi

107

Slow

80

C

108

Very Fast

120

Ami

Fast

105

Bt

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122

Ami

Fast

105

F

112

Very Fast

122

Gm¡

113

Very Fast

122

Bt>

114

Fast

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Emi

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111

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Standard Pattems Using.Rhodes, Stríngs, Bells, and Pads Some of these slow ballads'are also used frequently in "smooth jazz." These can be very sultry and mood-setting.

Groove # .

Style Moderately Slow

601

BPM

Key

75

Em¡

602

•.Slow

70

C

603

' Slow

70

B^rni

604

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70

Bmi

605

Very Slow

60

Di»

606

Fast

100

C

607

Moderately Slow

75

F

608

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80

Fmi

609

Moderately Slow

75

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C

60

F Lydian

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I

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611 612 613

614

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G Marteíl* COLLEGE OF MUSIC 4. AlIDIO

39

Chaipter Seiren ...

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Licks Popularizad by Little Richard, Fats Domino, and Jerry Lee'Lewis These patterns, mostly on piano, use "power chords," and the tempos can get very fast; you'll need a lot of muscle to keep up!

Groo ve #

40

Style

BPM

Key

701

Fast

115

C

702

Very Fast

125

C

703

Slow

70

Fmi

704

Slow

70

F

705

Very Fast

140

Ú

706

Fast

100

G

707

Very Fast

120

G

708

Fast

100

709

Fast

115

C

710

Very Fast

145

G

711

Very Fast

170

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