DADGAD
lExample 1l l've started by giving you basic triads in DADGAD - voicing these on the sixth, fifth and fourth strings req
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lExample 1l l've started by giving you basic triads in DADGAD - voicing these on the sixth, fifth and fourth strings requires some awkward stretches, hence I have focused instead on the top four strings.
when voiced i* SADGAS but ifw fsw relonance oJ the sixth string (now D) glves a much fuiter ccu*.d tban slardard tur:ing.
fExarnple 2] Standard open chord voicings can become quite tricky
stretches across a*d up errd d{}!;n iF+* netkl
Ex
l
IExample 4] More op*r cbcrd'rsn{l;:gs, ma*y *f {hese demanding wide
Triads
Dm
D G D D
Ex2
Open Chords D
-12
Dm 4
,
D G D D
Ex
3
Dominant 7, 9
E7
D
G D
Ex4
Minor 7, 9
Em7
2
I
4 D G
D D
Ex
5
MajoI 7, 9
DmaiT
D G D
:c
D
October 2006 GuitarTec}niq*es 79