Joseph Haydn COMPLETE PIANO SONATAS In Two Volumes Volume II (Hoboken Nos. 30-52) ai ry Digitized by the Internet
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Joseph Haydn
COMPLETE PIANO SONATAS In
Two Volumes
Volume
II
(Hoboken Nos. 30-52) ai ry
Digitized by the Internet Archive in
2012
http://archive.org/details/completepianosonOOfran
JOSEPH HAYDN Complete Piano Sonatas IN
TWO VOLUMES
VOLUME
II
(Hoboken Mos. 30-52)
DOVER PUBLICATIONS, NEW YORK
INC.
Copyright © 1984 by Dover Publications, Inc. All rights reserved under Pan American and International Copyright Conventions. Published in
Canada by General Publishing Company,
Ltd., 30 Lesmill
Road,
Don
Mills, Toronto, Ontario.
This Dover edition in two volumes,
published
first
in 1984,
contains
all
the music from
the three volumes comprising Serie 14: Klavierwerke [1918] of the complete-works edition
Joseph Haydns
Werke.
Hartel, Leipzig, 1907 specially
for
Erste kntisch durchgesehene Gesamtausgabe, ff.
The
published by Breitkopf
&
and Publisher's Note have been prepared see the Publisher's Note for further bibliographical
table of contents
the present edition;
information.
Manufactured in the United Dover Publications, Inc., 31 East 2nd
States of
America
Mineola, NY. 11501
Street,
Library of Congress Cataloging-in-Publication Data
Haydn, Joseph, 1732-1809. [Sonatas, piano]
Complete piano sonatas. Reprint: Originally published:
Werke. Erste Karl Pasler). Contents: 1.
kritisch
v.
1.
Hoboken
Sonatas (Piano)
M23.H41P33 1984 ISBN 0-486-24726-0 ISBN 0-486-24727-9
Leipzig
:
Breitkopf
&
durchgesehene Gesamtausgabe, Serie
I.
nos. 1-29
—
v.
2.
Pasler, Karl.
84-759555 (v.
1)
(v.
2)
Hoboken
1918 (Joseph Haydns Klavierwerke / edited by
Hartel, 14:
nos. 30-52.
PUBLISHER'S NOTE
The
musical texl of the 52 sonatas included in this two-volume Dover edition is reprinted, without abridgment or change of
sequence, from the three volumes comprising Serie 14: Klavierwerke, n.d. [actually 1918; edited by Karl Pasler], of the Breitkopl
&
Hartel (Leipzig)
Haydn complete-works
edition
inaugurated in 1907 under the general editorship of Eusebius Mandyczewski. Pasler's edition of the piano sonatas was consistently followed, with regard both to pieces included and to their sequence, by the eminent scholar Anthony van Hoboken in the section ("Gruppe XVI") devoted to the sonatas in his authoritative thematic catalogue ol Haydn's works. 2 Thus, the sonata numbers used here are also the "Hoboken numbers" (XVI: 1, XVI:2, etc.) of the sonatas, numbers that are more useful for reference than the misleading opus numbers sometimes associated with the pieces. The dates of composition of the sonatas supplied in the present table of contents are those given by Hoboken, not 1
those given by Pasler.
Inasmuch
.is
as a convenient
these two Dover volumes are intended primarily
and
reliable playing edition, certain other types
of background information have been intentionally omitted.
The (German-language)
editorial
commentary
in the Pasler
edition does not appear here, chiefly for reasons of space.
attempt has been
made even
to
No
in fact originally
plex publication history of the sonatas, a
means
all
-
von
eighteenth century as the first
attributed to
I
laydn by
consult
Hoboken. For analogous reasons, names
are uniformly referred to here as sonatas, even though
were originally published with such mento.
titles
as partita
and
some
diverti-
Nevertheless, despite the intentionally unpedantic approa< h
present edition, it is only proper to point out that 52 sonatas included here are universally accepted as authentic works by Haydn. To take a highly significant instance of dissent, the catalogue of Haydn's works compiled by Georg Feder for the 1980 New Grove Dictionary of Musk and Musicians considers eleven of the Hoboken/Pasler sonatas as doubtful attributions, and two of them as absolutely spurious; see the Grove article for detailed reasons and suggested reattributions (the dates of composition given in Grove for mam of the sonatas also differ from Hobokens). The 47 sonatas listed in Grove as absolutely authentic include the remaining 39 Hoboken/Pasler sonatas, seven lost works and one fragment included by Hoboken under a different category ("Gruppe XI V," Diverti-
taken not
in the
all
menti mil Klavier).
Following
is
a three-way
concordance of the sonatas making
Hoboken "authentic" numbers, the 47 Grove numbers and the frequently used 62 WU numbers
use of the 52
("Wiener Urtext," ed. by C.
i.e., J.
Haydn: Samtliche Kin, 'in
sonaten, 3 vols.,
Landon, Vienna, 1964-66).
Joseph Haydn. Thematisch-bibliographisches Werkverzeichnis zusammengeslellt
Anthom van Hoboken,
B. Schott's
Sohne, Mainz. 1957
of
original dedicatees are also omitted here. Moreover, the pieces
"authentic" Joseph Haydns Werke Erste kritisch durchgesehene Gesamlausga.be. In the three-volume Serie 14, the first volume contained Sonatas 1-22; the second, 23-38; the third, 39-52. 1
in the
Pasler in 1918; the reader interested in these matters should by
summarize the extremely com-
number of which were
published
work of other composers and were
1
Ediu\
Stanley Sadie: Macmillan Publishers Limited, London.
GROVE
wu
HOBOKEN
1
doubtful
10
14
2
doubtful
11
15
HOBOKEN
GROVE 2
wu
HOBOKEN
GROVE
wu
HOBOKEN
GROVE
wu
16
27
25
42
40
40
54
28
26
43
41
41
55
29
27
44
42
42
56
30
28
45
43
37
35
3
3
14
16
doubtful
4
4
9
17
spurious
— — —
5
doubtful
8
18
17
20
31
29
46
44
18
32
13
19
14
30
32
30
47
45
13
29
36
33
33
38
34
16
31
spurious
6
1
7
doubtful
2
20
8
doubtful
1
21
19
36
34
39
53
46 47
12
57 (&
20
37
35
31
48
48
43
58
38
36
32
49
49
44
59
9
doubtful
3
10
doubtful
6
23
21
11
doubtful
5
24
22
39
37
33
50
50
46
60
12
doubtful
12
25
23
40
38
34
51
51
47
61
13
doubtful
15
26
24
41
39
35
52
52
45
62
GROVE
HOBOKEN
wu
GROVE
HOBOKEN
wu
GROVE
HOBOKEN
wu
GROVE
HOBOKEN
wu
6
13
18
44
32
29
31
46
40
40
54
14
16
19
21
36
30
32
47
41
41
55
42
42
56 58
19)
22
1
2 3
4
5-11
3
4 (lost)
14
20
22
37
31
35
48
9
21
23
38
32
36
49
43
48
22
24
39
33
37
50
44
49
59
21-27
12
47
57 (& 19)
23
25
40
34
38
51
45
52
62
13
45
29
24
26
41
35
39
52
46
50
60
14
19
30
25
27
42
36
20
33
47
51
61
43
37
43
35
15
(fragment)
28
26
28
16
46
31
27
29
44
38
33
34
17
18
20
28
30
45
39
34
53
wu
HOBOKEN
GROVE
wu
HOBOKEN
GROVE
wu
HOBOKEN
GROVE
wu
HOBOKEN
GROVE
8
doubtful
t5
13
doubtful
35
43
37
36
32
2
7
doubtful
16
3
9
doubtful
17
1
14
4
doubtful
doubtful
18
5
11
doubtful
19
— — —
6
10
doubtful
20
18
doubtful
21-27
36
21
19
49 50
37
33
doubtful
37
22
20
51
38
34
doubtful
38
23
21
52
39
35
12(a)
39
24
22
53
34
39
17
40
25
23
54
40
40
5-11
41
26
24
55
41
41
2
7
—
8
5
doubtful
28
(fragment)
15
42
27
25
56
42
42
9
4
4
29
45
13
43
28
26
57
47
12(b)
10
1
doubtful
30
19
14
44
29
27
58
48
43
11
2
doubtful
31
46
16
45
30
28
12
doubtful
32
44
18
46
31
29
59 60
49 50
44
12 13
6
1
33
20
36
47
32
30
61
51
47
14
3
3
34
33
38
48
35
31
62
52
45
2
a-h
(lost)
46
CONTENTS The dates are those of composition,
Hoboken
as given by
in his
thematic
catalogue.
Sonata No. 30 I:
Sonata No. 31 I:
Moderate.
Sonata No. 32 I:
1
B Minor (1774-76?)
in
19
D
in
Major (1777?) Tempo
29
di Menuetto.
E Minor (before 1778)
in
C Major
in
39
Molto vivace.
49
(before 1780)
Allegro con brio. II: Adagio. Ill: Finale. Allegro.
Sonata No. 36 in C-sharp Minor (before 1780) I:
1
Menuetto, con Variazioni.
II: Allegretto. Ill: Finale. Presto.
Presto. II: Adagio. Ill: Finale.
Sonata No. 35 I:
di
E Major (1774-76?)
in
Allegro. II: Adagio. Ill:
Sonata No. 34 I:
page
(1774-76?) Tempo
Allegro moderato. II: Menuet. Ill: Finale. Presto.
Sonata No. 33 I:
A Major
in
Allegro. II: Adagio. Ill:
Moderato.
II:
Scherzando. Allegro con
brio. Ill:
59
Menuetto.
Moderato.
Sonata No. 37 I:
Finale. Presto,
in E-flat
Major (before 1780)
in
G
Major (before 1780)
82
Allegro con brio. II: Adagio. Ill: Prestissimo.
Sonata No. 40
in
G
Major (1784)
94
Allegretto innocente. II: Presto.
Sonata No. 41 in B-flat Major (1784) I:
Moderato.
Sonata No. 44 I:
Moderato.
Sonata No. 45 I:
in
Andante con
Sonata No. 43 I:
101
Allegro. II: Allegro di molto.
Sonata No. 42 I:
75
Allegro moderato. II: Adagio. Ill: Finale. Allegro.
Sonata No. 39
I:
e sostenuto. Ill:
67
troppo.
Sonata No. 38
I:
Major (before 1780)
Allegro con brio. II: Largo
ma non
I:
D
in
Moderato.
D
Major (1784)
109
espressione. II: Vivace assai.
in A-flat II:
in
Major (before 1783)
Menuetto
G
1
& 2.
Ill:
Rondo.
117
Presto.
Minor (1765/67)
129
II: Allegretto.
in E-flat II:
Major (1765/67)
Andante. Ill: Finale. Allegro
137 di molto.
Sonata No. 46 1:
Major (1765/67)
151
Allegro moderate II: Adagio. Ill: Finale. Presto.
Sonata No. 47 I:'
in A-flat
Moderato.
No. 48 ,k*onataAndante
in II:
in
F Major (1765/67?)
C Major
con espressione.
I:
163
Lai ghetto. Ill: Allegro. 171
(1789) II:
Rondo.
Presto.
Sonata No. 49 in E-flat Major (1789/90) I:
Allegro non troppo. II: Adagio cantabile. Ill: Finale: di
in
C Major
(1794/95)
Andante.
in
D Major
(1794)
211
II: Finale. Presto.
Sonata No. 52 in E-flat Major (1794) I:
195
Allegro. II: Adagio. Ill: Allegro rnolto.
Sonata No. 51 I:
Tempo
Minuet.
Sonata No. 50 I:
181
Allegro moderato. II: Adagio. Ill: Finale. Presto.
219
A Major
Sonata No. 30 in
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Sonata No. 33 in
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