Colors of the Wind: from "Pocahontas"

Colors of the Wind   44   Violin 3  You think             sav age one is me,    ig n

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Colors of the Wind   44  

Violin

3



You

think

 



 

       sav age one is me, 

 

ig

no

 

       poco rit.

been so man y plac es,

  

an



  



I'm



       

    

 = 65

 4  4



5

 

  44 

Piano

Alan Meken & Stephen Schwartz

from "Pocahontas"

I guess it must be



so

how

sav

  

 



 

and you've

 

2 4       But still I can not see, 

42



       

can there be

age

 42 

 



rant

 



so much that you don't





rit.

know?

 





   

if the

 

You

don't

 

 

 4 4  4 4  44

8

 4  4



 = 100



 4  4





know...

       44   

13

 



land

   16



on;



  



       the



            

20

  

   

just

a

 







 



 



  

ple

  



 

  

are the

     

  



peo ple

 



  

    



claim;

life, has a spir it, has a

      

peo



dead thing you can

has a



think you own what ev er land you

       

crea ture





You

 

    

ly peo ple who are

       





       

       

          think the on

2



 



I know ev 'ry rock and tree and

  



earth is





   



 

but





    You



        

name.

     

who look and think like

     



          

    





you,

  

26

 



 



if



you walk the foot steps of



       

   





things you nev er knew you nev er

29

   

32

         

 



but



blue





 

 

              

corn

moon,

or

sing with all the voic es of the

   

  

  



        

knew.



    

moun

poco a poco rit.

tain?



   

 

er

you'll learn

     

  

          

                  

  





strag

Have you

ev er heard the wolf cry to the

       





 

a



asked the grin ning bob cat why he

            





  



 

Can you

    

  

             

grinned?

Can you

        

paint with all the col ors of the

 



  

23

3

35

   

 

wind?

 



      

38

     

41

     

44

 

Can you







paint with all the col ors of the

  



 

                

wind?

        Come                                                                           run the hid den pine trails of the for est, come taste the sun sweet ber ries of the                                         

       

earth;

     

come

          4

       

a tempo

       

        

roll in

all the rich es all

a

       

 

round

 

you,

   

and for

       

poco ac

47

 



   

once

           

nev er won der what they're

      50

 



  









ers;



   

ends.

 



















        

to each

  

oth

 

How



er

     









 

high

      

 

friends;

and

        

    

 

  



      in a cir cle      

3                         



       

rain storm and the riv er are my

        

                     we are all con nect ed

 

   

         

53

56



worth.

        poco rit.

         the her on and the ot ter are my     

             broth



    The   

          

in a hoop that nev er

  

     

does the

syc a more

 

      

grow?

   

If you

      

5



    

cut

     

62

65





  it

down,

 

 

   

 

 

    

skinned,

we need to

      

    

 



paint with

 

all

 

the

 

 

then you'll

     





 

a tempo

 

6



          nev er hear the wolf cry       to the                       

68

 



 

col

   er know.    

nev







 





for      

 

corn moon,

      

       

          

of



 

the

   

wind.



      

      

       



 

wheth er we are white or cop per

      of the  



you'll

       

sing with all the voic es

ors

And

              

blue



 

 

 

 

 

 

rit.



 

moun





tain,





      

   

need to





 



59

poco a poco rit.



 

         

You can

 

    

        

own the earth and still

 

      

73

 



wind.



       

   

all you'll

    

     

own is earth un til

          

     

  

         you can paint  with all the col ors of the                            

       

 



 

     



70



7