Coldplay Live 2003 PDF
COLDPLÆ LME 2AO3 EQU E-DISCOTH ÈQUE ';tsLIOTH Grand'Place 3810O GRENOBLE This publication is not authorised {or sale
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COLDPLÆ LME 2AO3
EQU E-DISCOTH ÈQUE
';tsLIOTH Grand'Place
3810O GRENOBLE
This publication is not authorised {or sale in the United States of America and / or Canada.
Wise publications part of The Music Sales Group London / NewYork/ Paris/sydney/copenhagen/
Berlin / Madrid/Tokyo
Politik 14 God Put A Smile Upon Your Face 20 A Rush Of Blood To The Head 7 Daylight 28 Trouble 3s One I Love 40 Don't Panic +a Shiver sr See You Soon 60 Everything's Not Lost 68 Moses 73 Yellow Bo The Scientist 87 Clocks e2 ln My Place 1oo Amsterdam rc4 Life ls For Living 110 Guitar Tablature Explained 4
A Rush Of Blood To The Head Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
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l.
gon - na son - na
You said I'm-
this this
buy buv
place place
and and
-
On x see Block Lyrics
nn
Gtr. I (12 string acous.)
ryp
zo+X wlad.lib. reverse gtr.
dou,n.-
start
fire, cont.
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let ring throughout
burn
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ft
1 _1
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feet
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all
un
your_
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ü 1-1 0_0 3_3
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cause
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1
1
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2___2
I'mI'm-
gon - na buy gon - na buy
1_1 0_0 2_2 3_3
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1-1-t 0-0-0---2-2-2 20-
1
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this
place
and
watch
this
place
and
see
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O Copyright 2002 BMG Music Publishing Lirnited All Rights Reserved. lnternational Copyright Secured.
_0_
1
0 2 3
1-0 0-0 2-0
t
here back
be
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side me things it
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Gtr.3
(elec.)
Gtr. I cont. in slashes
Gtr.
1_ 2__
1_1_1_1 _2_2_0_0_2
F
dFig.
I
1_1_1_1 2_2 0_0_2
Fsus2
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/-/=.zTl-rr
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Gtr. 2 (elec.)
nn
Gtr. 2 w/slight crunch
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r_1_1_1_1_1_1_1 2_2_2_2_2_2_2_2 3- 3- 3- 3- 3-.3-
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3
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l
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Verse
Am
C
n
,/ ,/
l
cont. sim.
3.
Said
I'm-
G
na buy
gon
a
gun-
and start
a
Gtr.3
Gtr.3 (on.X)
__-.__
ü
Gtr. 3 tacet for verse
3
Gtr.2 tacet
8_8_8_8_8_8_8_8 8_8_8_8_8_8_8_8 10_ 10_ 10_ 10_
10_10_
10_
1
Em(bol
Em(bol
sav-
blame
-
up
ona
rush- of blood_ to the
Hon-
Gtr. I cont. in
slashe.:
2
9
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Chorus
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/ r .r-l-., li-i , ,-r-.r- /-,
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ments we're
the
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crum
me
Ctr.3
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10 10
8_ 810_ 1010_ 0_
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10 11
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Gtr.2 ll
"f 8-8-8-8-8-8-8-8
0_ 10_ 10_ 10_ 0_ 10- 1010_ 10_ 10_ 10_ 10_ 10_ T01
1
ble
and
on
my
1
1
8_8_8_8_8-8-8-8 11-11_ 11-11- 11-11-
810
10_ 10_ 10- 10- 10- 10- 10--
1
know- the mis
face.
-
10- 10- 1010- 10 - 10 -
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8_ 8- 8- 8- 8-8-810- 10_ 10_ 10_ 10- lG-1011_11_11_11_11-11-11-11
10
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8_8_8_8_8-8-8-l t0- 10- 10- 10- 10- 1010_ 10_ 10- 10- 10- 10-
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1 1
takes
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10- 10-10-10 10_10_10_10_10 -
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10
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8_8_8_8_8_8_8_8
10_ 10_ 10_ 10_ 0_ 10_ 10_ 11- 11-11-11_ 11_11_ 11_ 1
10 11
thev call
-
-
10 11
and
trace
10-10-10-10-10 10-10-10-10-10
10-10-10 10-10-10
10-10-10-10-10-1010-10-10- 10 -10- 10 -
8_8_8_8_8_8_8_8 10_ 10_ 10_ 10_ 10_
10- 10_
8_ 8_ 8_ 8_ 8_ 8_ 8_ 8_ 10_ 10_ 10_ 10_ 10_ 10_ 10_ O_ 10 t0_10_ 10_10_10+ 10_ 10 -
10 10_10_10_10_10_10_
1
10
_
10
-
1
To Coda Gtr. I cont. in
as
they beck
- on-
They
you
say
start
_
10- 1010- 10_10_ _ 10_10_ 10 10_ 10 _ 10 _ 10_ 10 10 _ 10_ 10
as you
mean_
to go_
e
star
e
on.
10-10-10-10-10 - 10 1010-10- 10- 10-10-10-- 10-
10 10
8_ 8_ 8_ 8_
10_ 10_ 10_ 10_ 10_ 10_ 10_ 10_
8_ 8_ 8_
10_ 10_ 10_ 10_ 10_ 10_
8_8_8_8_8_8_8_8 10_ 10_ 10_ 10_ 10_ 10r_ 10_ 11_11_ 11_ 11_11_11_11_11
10
8_8_8_8_8_8_8_8 10_ 10_ 10_ 10_ 10_ 10_ 10_ 10_.10_ 10_ 10_ 10_ 10_ 10_
1 1
Em(bol
n
mP
Vn
VnV
+ echo rePeats
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Gtr. 3 tacet
1_1_1_1_1_1_1 s) 22-2_2*2_0 22-2-O
0_0
1
0 2 3
_1_1_1 _0_0 _2
Gtr 2. tacet
11
1-1-0 0-0-0 2-2-0
1-12_2_2_2 2_2 0-00'
1-1-1_1_1-
0_0_0 2_2_2_
1
D.S. al Coda
1_1 2_2 2_2 0=-0
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1
1
2 2 0
0 0 0
2_2
-1 -2 -2
2_2
1-1-1
0_O_2
Am
Coda
n
Outro
Gtr. I
) 1.(as) You
2. Vocal tacet
(Gtr.3)
---z
pp 13- 13 14 - -
s>-z 14
13 14
-
13 14
-
13 14
-
13 14
-
13 14
-
13 14
-
13 14
-
13 14
13 14
-
13 14
-
-
13 14
Em(bol
2- 12- 12- 12-12 - 12- 12 -12 -12- 12 - 12 -12 - 12
12 -
12
12 - 12-12 - 12 - 12 - 12 -'.t2 - 12 - 12 - 12 - 12
oh, oh,
13 14
_13
_
14
_ _
13 14
_ _
13 14
meet meet
_ 13_13 _ 13 _ _ 14 _ 14 _ 14 _
5-5-5-5-5-5-517 5-5-5-5-5-5-5=-7
me
by-
me
where-
13 14
_13 _ _ 14 _
13_ 14 _
13_ 14 _
12
7-7-7 7 7 7-7 7
the
lake
I
said,
13 14
_ _
13 14
7 7
S_5_Sj7_T_7 7 7 Z 5-5-5*5 5_5_5-7_7_7 7 7 7 5_S_5_S
when
-
am blame
5-5-5-5-5-5-5-5-5-5-5-5-5 5_5_5_5_5_5_5_5_5_5_5_5_5
Em(bol
'--
- ty rush of
that a
12 12
5
_ -
12 12
5-5-5 -5 -
5
pret
Oh, meet
12 12 12 12 12 12 12 12 12 12 12 _12 _ _12_12_12_12_12_ _12 - - 12_12 - 12_12 -
5-5-5-5-
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_5 _
5
_7 _7 _7 _7\5
the
5-5 /7 -7 -77 -7 5-5/7 -7 -7 -7 -7 -7 -7
5 s- s- 5-s-5-5 - -7 -7 -7 -7 -7\s s-55-5-5-5-7-7-7-7-7\s
5-5 -27 5-5-27-7-7-7 -7 -7 -7-7\S -7\5
=27 5-5-5 -5r-r-7-7-7-7\5
5_5_5_5_55_5-5-5-5-
me on-
_7\5 5_5 _5_5_5_ 5_5=27 _7 _7 _7 s_5_ 5_5-7_7_7 _7 _7\5
Verse 4 (X): Said I'm gonna buy this place and see it go And stand here beside me baby, watch the orange glow Some'll laugh and some just sit and cry But you just sit down then you wonder why. Verse 5: So I'm gonna buy a gun etc.
13
Politik Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
A ffi ffi
;b
Db6
Fm7
Ëffi
6fr
.^
m'o
pb
Ebsusa xÂ
muu
m',.
Gtr. I (elec.)
w/clean tone
"!f0-0-0-0-0-0-0-0
0-0-0-0-0-0-0-0 1--1-1-1-1-1-1-1 3-3-3-3-3-3-3-3 2-2-2-2-22-2-2 3-3--3-3-3-3-3-3
1-1-1-1-1-1-1-1 3-3-3-3-3-3-3-s 2-2-2-2-2-2-2-2 3-3-3-3-3-3-3-3
I
t.
1-1-1-1-1-1-1-1 1-1-1-1-1-1-1-1 1-1-1-1-1-1-1-1 3-3-3-3-3-3-3-3 3-3-3-3-3-3-3-3
ll z.
1. Look at 2. Give you //
1- 1-1--1-1-1-1-1 3 -=3--3--3--3--3-3-3 -1-1-1-1-1-_1-1-1 3-3-3- 3--3-3
-3-3
earth- from out one-'cause one-
Piano arr. for gtr.
ry
-0-0-0---0 _1-1-1-1-1-1-1-1 -3-3-3-3 *2-2-2-2 _3_3_3__3 -2-2-23_3
1-1-1-1--1-1-1--1 1-1-1.-1-1-1-1-1 1-1-1-1-1-1-1-1 3-3-3--3-3-3-3-3 3-3-3-3-3--3-_3-3
*piano harmony
(Fmaddrtl
-
ter is
0-0 1_1-1-1-1-1-1-1 -0-0-0 3-3-3-3-3-3-3-3 2-2 --2-2-2 3-3 -3-3-3
'ry - one-
must
the
place.
con
sion
fi
dence.
-
fu
1-1-1-1-1 1_1 1_1_1__1_1_1_1--1 1-1-1-1-1 1_1 3_3 3-3-3-3-3
@ Copyright 2002 Bti/G Music Publishing Limited. All Rights Reserved. lnternational Copyright Secured
1A
1_1_1_1_1_1_1_1 1_1--1_1_1_1_1_1 1_1_1_1-_1_1_1_1 3-3 -3-3-3-3-3
(c?)
(Fmaddtt;
Give Give
me me
and
me
of
and
0_0_0_ 0_0_0_0 1_1_1_.t _1_1_1_1 3-3- _ 33_3_3_3 2_2 2_ 2_2_2 _2 _2 3-33-3-3-3-3
+
_ trust, _
glve
me
(and) don't
for
space,
0_0_0__0_0_0_0_0_ 1_1_1_1_1_1_1_1_ 3-3_3-3_3_3_3_3 2_2_2_2__2_2_2_2
real,
get the
don't rest
1-1 _1_1_1__1__1_1-1-1 1_I 1_1 1_1_1 3_3_3_3_3_3_3_3.-
_
1_
(c7)
me
of
me me
fake. us.
_
strength, strength,
trol trol
con con
re re
-
0-0_0_0_0_0_0_0_1 1-1-1_1_1 3_3_3_3_3_3_3_3 2_2_2_2_2__2___2 =_3 3-3_3_3_3
1_1_1_1_1_1_1_1 1-1 1_1_1_1_1_1--1_1 -1-1-1-1-1 3-3---3--3-3-3-3-3
0-0 1-1 3-3 2-2 3-3
-e,+++------e-
0-0-0-0 1-1-1-1-1 3- 3-3-3-3 2-2-2-2-3-3-3-3-3
0-0--12 -3--2J, -3--i
(Fmaddttl
me me
heartheart-
and
me
and
me
1_1_1_1_1_1_1_1 1_1_1_1_1_1-_1_1 1_1_1_1_1__1--.*1_1 3-3-3-3-3-_3-3
me
give
us_
Wounds that
and
cracks
Give
-
1-1--1-1-1-1-1-1 1_1_1_1_1_1_1_1 1_1_1_1_1_1_I_1 3-3 --3-3-3-3-3
It. (Fmaddtt;
a
that
0-0 1_1_1_1_1_1_1_1 -0-0-0-0-0 __3_3 3_3 2_2_2_2_2_2_2_2 3_3 3-3 -3--3-3
tell tell
me
po
me
po
1_1 1_1_1_1_1 1_1_1__1_1_1_1_1 1_1 1_1_1 3-3_3_ 3_3_3_3
15
rik
1-1_1 1_1 1_1_1_1_1_1_1_1 _1_1_1 1_1 3_3_3_3_3_3_3_3
- ,.
0_0 1_1_1_1_1_1_1_1 3_3_3_3_3_3_3_3 2_2_2_2_2_2_2_2 3_3_3_3_3_3_3_3
1_1_1_1_1_1_ 1_1_1_1_1_1_1_1 1_1_1_1_1_1_1_1
Chorus
c7
And
op
1_1_1_1_1_1-1-1 1_1_1_1-1-1-1-1 1-1-1-1-1-1-1-1 3-3-3-
en up
your
op
eyes,
Op
1_1_1_1_1 1_1 1_1_1_1_1_1-1-1 1_1_1_1_1 3_3_3_3-3-3-3-3 3-3-3-3-3 -1-1 3_3
1_1_1_1-1-1-1-1 1_1_1-1-1-1-1-1 1_1-1-1-1-1-1-1 3_3_3_3_3_3-3-3 _3_3-3-3-3-3
op
en up
en up
your
your
eyes,
0_0_0-0-0-0-0-0 1_1_1_1_1_1-1-1 3_3_3_3_3 2_2_2-2-2-2-2-2 3_3 3-3
eyes.
1_1_1_1-1-1-1-1 1_1_1_1-1-1-1-1 1_1_1_1_1_1_1_1 3_3_3_3_3_3_3_3 3_3_3_3_3_3-3-3 16
your
0_0_0_0_0_0_0-0 1-1-1-1-1-1-1-1 3_3_3_3_3_3_3_3 2-2-2-2-2-2-2-2 3_3_3_3_3_3_3-3
0-0-0-0-0-0-0-0 1-1-1-1-1-1-1-1 3-3-3-3-3-3-3-3 2-2-2-2-2-2-2-2 3-3-3-3-3-3-3-3
3-3
en up
1_1_1 _4_4_1-1 1_1_1_0 1_1_1-0-1-1-1-1 3_3_3-0-1-1-1-1 3_3_3 _3-3-3-3
3-3 3-3
lt
tik.
And
op
en
up
your
eyes,
Gtr.
1_1_1_1_1_1_1_1 1-1-1-1-1-1 1_1_1_1_1_1_1_1 3-3-33-3-3-3 3_3_3 3_3_3_3
0-0-0-0-0-0-0-0 3-3-3-3-3-3-3-3 -1-1-1-1-1-1 2-2-2-2-2-2-2-2 3-3-3-3-3-3-3-3
op
1_1_1_1_1_1_1_1 1-11-1-1-1-1 1_1_1_1_1_1_1_1 3_3 3_3 3_3_3_3_3_3_3_3
3_3
up
op
)'our
1
en
0_0_0_0_0_0_0_0 1-1-1-1-1-1-1-1 3_3_3_3_3_3_3_3 2_2_2_2_2_2_2_2 3_3_3_3_3_3_3_3
up
1_1__1_1_1_1_1_1 1-1-1-1-1-1-1-1 1_1_1_1_1_1_1_1 3-3-3-3-3-3 3_3_3_3_3_3_3_3
your
eyes,
0_0_0_0_0_0_0_0 1-1-1-1-11-1 3_3_3_3_3_3_3_3 2-22-22-2 3_3 3_3_3_3_3
Fm7
op
up
Just
your
0_0_0_0_0_0_0_0 1_1_1_1_1_1_1_1_3_3 3-3-3-3-3 _2_2 2_2_2__2_2 3_3_3_3_3_3
1_1_1_1_1_1_1_1 1_1 1_1_1_1_1 1-1-1-1-11-1 3-3-3-3-3-3-3-3 3-3 3-3-3-3-3
1-1-1 1-10-4-1-1 1_1_1_ 3-3-3_0_ 3-3-3--3-3
Bridge
(c?)
(Fmaddttl
eyes.
Piano arr. for gtr.
ry
_0-0-00-0 _1_1_1_1_1_1_1_1 .3-3-3 _2_2_2_2_2_2_2_2 _3-3-3
0-00-0 1_1_1_1_1_1_1_1 3-33-3-32_2_2_2_2_2_2_2 3-33-33-3 17
op
1_1_1_ 1
up
1
your
(obol
'!-1-r -1-1-1_1_r 1-l-1-t-r-r-i-i 1-1-t-1-1 3i-i sI 3-3 -3 -3 -3. -à
(Ab)
q-6-6-6-6-6-6_
0-6-6-6-e-e-6Q-0-6-6-o-o-66-6-6-6-e-o 4 -4-4-4-4-a-4--6-
6 =r-6- Q-6 -6-6-6-6-6 6--f-6- q-6-6-6-o-e-6 e -]- o E-A-6-6-o-o-6 - q-6-6-6-0-0-e 6--+-64ï4- 4 -4- 4-4- a- a-4
(Ebsu5+)
q-q-8-8-8-8-8_8
-e-s- ô -e 9 q 9-9q-q-8e -8-a-8-8 6-6-6-6-6-6-6-6
(Eb)
q--q--q-8-8--8_8_8 q-_q_-q-8-B--B-B_à q--q-q-s-B-s--B_à
(Fm)
(o»o;
love
love
Gtr.2 (elec.)
love
this.
-
npf
wlcleantone
*
delay + reverb
16
13__
16 13 15
(eb)
15 13 15
(Ebsus+)
16 13 15
18
(Eh)
15
16 15
(Db6)
You'll give me love
ov - er
ov - er
love
love
ov - er
this.
-
(Ebsus+)
Fm
Gtr.l
nnnnnnnnn
,rTn ÏT))
13
-13 -13 - 13 - 13 - 13 -13 -'t3
,rTT,rry
cont. sim.
13 - 13 - 13 - 13- 13- 13 - 13 - 13
6b
17-17 17 17 17 17-17 17
Db6
r5 -15 -15 - 15 - 15 -15 -15 -15
pb
Ebsusa
17 17 17 17 17 17 17
17
17 17 17 17 17 17 17
19
15-15- 15- 15-15- 15- 15-
17
15 15 15 15 15 15 15
15
15
God Put A Smile Upon Your Face Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
Gtrs. 1+2 (acous.)
6: Cf, 3:
Gtrs.
G#
E6
c#
l+2
chords
O#t DmajT AmajT
ffiffiffiffiffi ooo
oooooo
-l:E# l:Cf
ooo
ooo
ooo
F#adds
Sft
ooo
mrn
Gtr.3 standard tunin
Intro
):126
Gtrs. (1+2
(acous.)
C#
ü 0 0 0
0_0 0_0 0_0 3-33-3-3
n_
0 0
11
0 0
_
0-0_0 0_0 0_0
0 0 0 2
2 2 2
3_3
0---------------v-
o ---------------l al_ 0
2_ .r_
2_Z_1
xbasic chord names
It.
z_1 2t
lE.
(o#z;
DmajT
1.
2_2 1-1 2_ 0*1_1 2_0_1_1
0 0 0
0 0 0
1_1_1_1-1 1_1_1 1_ 1_1_1 1_
0 0 0
Where do
0-0 0_0 0_0
DmajT
D#7
\t'----l
dy
3 3 3
------]
0 0 0 3
3 3 3
0 0 0 3
3 3 3
0_0_ 0_ 2_2_2_2 2_2 2_2
@ Copyright 2002 BMG Music Publishing Limited. All Rights Reserved, lnternational Copyright Secured
20
_^ _0 2 _2_1 2 2
0-1 0_1
we
I've
0_ 0_ 0_
0 0 0
0 0 0 0
I'M
0 0 0
3 3 3
on
0 0 0 3
my
way*--
0 3 3 3
0 0 3
3 3 3
DmajT
\\--l/
grace.
_
Fig. 1...
_0
0_0 0---0
1-1_1 1_1 1_1
1 1 1
3 3 3
0__=.-0*=-0
Dfr7
0 0 0 3
0 0 0 3
3 3 3
3_5_r ^l
DmajT
0_ 0_
0
2_ 2_2 2_2
0 0 0 0
0
f'-
2 2 2
0 0
0 0 0
DmajT
up
0
0 3 3 3
0 3
3 3 3
2_2_2_2_2 2_ 2_2_2 21
0 0 0
0_=_ 0
__=_
_-l:
0-------..----------_
1_1_1_1_1---..---------------.------*
1--1_1---1_
1-----*
Gtr.3 (elec.) (standard tuning)
c#
DmajT
16\
16
13
14217
-
2. 3.
Gtrs. l+2
16-
16\13
14214
16
Where do we Where do we
wlFig.l
to draw the no-bo-dy
go go,
(x2)
-*---------{16
DmajT C#
I've got - ta Don't ev - er
say say
I've
wast
- ed
all
you're on your way-
-
Hon
-
Ey, Hon
where do I God gave you
eY,
when-
6-6-6-6-6-6-6-6
22
go
to
fall
sÿle
and
gave
6-6-6-6-6--6-6-6
from you
D#7
DmajT
6_6_6_
6_6
6_6_6-6_8
8_6
DmajT
smile smile
up up
on on
your your
face
Ah
face
Gtrs. 1+2 cont. in slashes
6-6-6-
Bridge Gtrs.
6-6
6-6-6-6-6-6-6
6-6-6-6-8--.-9-8-6
Amaj'
l+2 )
F#adde
E6
)
,)
when
you work-
it
I'm
out
-
16-16-16-16-16-16 12-12-12-12-12-12 13-13-13-13-13-13
16-16-16-16- 16-16-16 12-12-12-12-14-12-12 13-13-13-13-13-13-13
-ry
worse
-
16-16-16-16-16-16 12-12-12-12-14-12-12-16 13-13-13-13-13-13-13
AmajT cont. sim.
when
14-14-14_14_14_14_14 14_14_14_14_14_14_14 15-15-15-15_15_15_15
-
16_ 16_ 16 _ 16_ 16 12_12_12_14_12_12 13-13-13-13
23
you
work
-
16_-16-16-16-16-16-16-._ 12-12-12-12-14-12_12 =- ) 13 - 13 - 13 - 13-13 -13 -13
E6
AmajT
F#adde
out-
I-
want-
Now-
16-16-16-16-16-16-16 12-12-12-12-14-12-12 13-13-13-13-13-13-13
14-14-14-14-14-14-14 14-14-14-14-14-14-14 15-15-15-15-15-15-15
F#adde
E6
when
you
work-
16_16_16_16_16_16 12_12_12_14_12_12 13_13_13_13_13_13
to-
out
draw-
16-16-16-16-16-16-16 12 12 - 12 -12- 14 -12- 12 13-13-13-13-13-13-13
16_16_16 16_16_16_16 12_ 12_ 12_ 12_ 14 _ 12_ 12 13_13_13_13_13_13_13
the
14-14-14-14-14-14-14 14-14-14-14-14-14-14 15-15-15-15-15-15-15
F#adde
E6
AmajT
IS
good
-
16_16_16_16_16_16 12_ 12_ 12_14_12_ 12 13 13 _13 _13 _13 _ 13
16-16-16-16-16-16-16 12-12-12-12 14-12-12 13-13-13-13-13-13-13
16_16_16_16_16_16_14 12_12_12_12_14_12_14 13_13_13_13_15
It.
cf
Gtrs. l+2 wÆig. I
14 14
14 -14 -14 -14 -14-14 15-14 -14 -1415-15-15-15 -14 -
6_16\13
24
14/17
Di7
Dmaj
16-16\13
lz. cfl
DmajT
D#7
E6
It's as
good
2 enil.
Gtr. 3 tacet
cf
DmajT
D#7
E6
\-.-----
It's as
good
,rw Lli.'t',i, *,r,r ,
6-6-6-6-6-6-6-6
\ ___--'---
6-6-6-6-6-6-6-6
6-6-6-6-6-6-6-6
Na-
na
na
na_
na
na
na
na.
Gtrs. l+2 wlFig.2
6-6-6-6-6
6-6-6-6-8-9-8-6
good
Gtrs. 1+2 cont. in slashes
-6-6-6
6-6-6-6-6-6-6-6
6-6-6-6-6-6-6-6
25
6-6-6-6-8-9-8-6
I
AmajT Gtrs.
b2
,rTT-.fm,W
)
6_6
5_ 5_ 6_6_
6_6_6_6_6
5_ 6_
open
E6
,))
6-6
5_5_5_5_ 6_6_6_6_6
t,2,3.
6-6-6
t----l ,/,///-
6-6-6-6-6-6
5
F#adde
6-6-6-6
6--6-6
6_6_6_6_8_9_8_6
12_ 12_ 12_ 12_12_ 12_ 12_
13_ 13_ 13_ 13_ 13_ 13_ 13_
Where
-
Gtr.3
do
ryP
0_0
1+_14_14_ 14_ 14_14_ _15_15_15_15-15_15-
knows?--
we
Gtr. 4 tacel
0_0 0_0 0_0 0-_--0 0_0
1
0 0 0
0 0 0
3-3-3
3 3
-3 26
you'fe on
2 2 2
0 0 0 0
0
0 0
0 0
0
0 0 0 3
3 3 3
your
way_
0 0 0 3
3 3 3
\--,i
L-z
when=-
0----0
0 0 0
:l-r_l_,
1-_'=-1_1 1-_.-1_1
2_2_2
1-1-1
gave
n_
0 0 0
^^l
ft_
^_
0:
o-l o --l
^
grace
3 3 3
0 0 0 3
3 3 3
3 3 3
_0 _0
0_0 2_2_2_2_2 2_ 2_2_2
2 2 2
-1
DmajT
and put
a
on
your
face.
-
Freely
â
1__-
1r
I
Daylight Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
Gtr.2 chords
Gtrs. l+2+3
G(#r; r#
E6
6:E 3:G : A 2:Cil -§ -l:D 1:Cf,
ïffiii
ffi,' ffiii
DmajT
ffi'-ffiror'
EiËi
Piano chords (arr. for gtr. - standard tuning)
E6
ïffiii
):132
Intro
(rfis1 Piano cue
Gtr. I
A
F#s
))
)
G(#u1 riËËri
Ffi5
n,m
)) )-,D) ),) )-,D) ),) )-,D) )) )
(elec.)
ngf wlslide *
compression
3_3_4_4_6
3_3_4_4_6
6_9_9_9
6_9_9-9-9\6_:
-9\6
G(#tt;
E6
Gtr.2 see
m_,m
11n
./1l
(elec.)
tuning
./
Gtr 2 ÿclean tone Fig. 1...
9_s_116
4-
llz.
It.
Ffl
nn
,TTT.=.,W
),)
'TT
'-,D
6_e
3-4
@ Copyright 2002 BMG Music Publishing Limited All Rights Reserved. International Copyright Secured.
)a
,)
916
G(#tt;
_ _
pnse top
Piano cue for gtr. (standard tuning)
nn
Vn +
= :>
Gtrs. l+2 tacet
2-2 0-
x_x_x_x
0_
2_2 o_4 _4 3_2
x_x_x_x 2-2-2 4_ 4_
(r)
4_
4_ 4_4 2_
G(iltt;
on my onas§
day
NVV
cont. sim.
+
x_x_x_x_ 4_4_4_4
2_2_2_2_2 1_1_1_1_0 2_2_2_2_O 2_2_2_2_X 0-0-0-0
1
4_4_4_4_2 2_2_
=
2_2_ 2_2 0_0_0_0_x 0-0-4 x_x 3_ x_x_4 3_2
G(#tt;
I Like
saw a
first
T
2_2_2_2_2 x_x--x_x_x 2_2_
4_4_
4
x_x 4_ 4_
x_x_
4_ 4_ 4_ 2_2_2_O
1
sa\tr
child.
+
+ 0
_
0_0_
x_x_x_x
2_2 0_x 0-0-4_4 3_2
2-2-2 x_x_x_x_x 4_4_4_4 4_ 2_
4_
29
4_ 4_4 2_2
-
T
G(#tt;
E6
F#s
light.
-
2_2-2-2-2 0_0 0_0 -0-0-0-4-x x-x-x-x 3-3-3-2
2-2-2-2-2 1_1-1-1-0 2_2_2-2 2_2_2_2 0-0-0-0-3
4_ 4_ 4-4-4 2-2-2-2-2
-4
-X Yerse
2-2-2-2 x-x-x-x-x 4_ 4_ 4-4-
4
I
am
On
a
2_2_2-2-2 x_x-x-x-1 4-4-2 4_4_ 4-4-2 4_4_ 2_2_2-2-0
E6
F#s
G(#tt1
in the dark. ona tuIl_
2" Gtr
1
|
@a)
2-2-2-2-2 1-1-1-1-0 2_2_2-2-O 2_2_2 0-0-0-0-3 -2-X
2-2-2-2-2 0-0 0-0-0-0-4 -0-x
x_x-x-x 3-3-3-3
2_2-2-2-2 x_x-x-x-x 4_ 4_ 4- 4-4 4-4-4-4 2_2-2-2-2
-4 -2
2-2-2-2-2 x-x-x-x4_ 4- 44- 42-2-2-2-
4-2 4- 4-2
And
the
clouds
to
feel
dark
flight
2_2-2-2-2 1-1-1 2-2-2-2-O-1-0 2-X 2-2-2 0_0-0-0-3-
2_2-2-2-2 x-x-x-x-x 4_4_4-4-4
0_0-0-0-x 0-0-0-0-4 x_x-x-x-4 3-3
4_ 4- 4-4 4_ 2_2-2-2
-3-2
G(#u;
0
E6
F#5
G(#tt1
1
2-2-2-2 x_x_x-x 4-4-4-4 4-4-4-4 2_2-2-2
_2 _2 --1
^
E6
Ffi5
burst-
show the
NCSS
the day
-
2-2-2-2-2 1-1-1-1-0 2-2-2-2-O 2-X 2_2-2 0-0-0-0-3-
2-2-2-2-2 x-x-x-x-x 4-4-4-4-4
2-2-2-2-2 0- 0-0-0 0-0-0-0
-x x_x-x-x 3-3 -4 3-4
4-4-4-4-4 2-2-2-2-2
30
2-2-2-2-2 x-x-x-x-4-4-2 4-44- 4- 4-4-2 2-2-2-2-0
1
-
G(#tti
2-2 1-1-1-1 -2-2
Chorus
2-2-2-2-2 x-x -x-x 4- 4- 4-4-4
2-2-2-2-2 0-0-0-x x- 0-0-0x-x 3-3 -4 -4
4_ 4- 4-4-4 2-2-2-2-2
A
etr.2
2-2-2-2 x_x-x-x44_4_
1
4-2 4- 44_4_ 2-2-2
2
DmajT
)
in the sun-
Ooh,
shine.
Gtr.3 (12 str. elec.)
.f
+,/
Ct .3 w/slight dist.
0-0 13-13-13
0-0
0_0 0_0-0
0_0
0-0-0 0_0 14_14_14
0__0__0
I
10- 10- 10- 10- 10- 10- 1G- 10
10- 10- 10- lG- 10- 10- 10-
6
7_7_7_7_7_7-7-7
7-7-7-7-7-7-7-7
13-13-13
14-14
Gtr. 4 (elec.)-standard tuning
nnnnnilnn
-f ct .3 w/clean tone 9-9- 99- 9-9-96- 6- 6-6-66- 6-
9-9- 9-9-9-9-96- 6- 6- 6-6-6-
6-
ona
0_0
15_15_15
8_ 8_ 8_ 8_ 8_8_ 8_8
0_0 15_15_15
0_0_0
star - ry
0_0
13_13_13
9_9_9_9_9_9_9_9 6_6_6_6_6_6_6_6
8_8_8_8_8_8_8_8
31
0_0_0
13-13
9_9_9_9_9_9_9_9 6_6_6_6_6_ 6_ 6_
1
DmajT
when I
0_ 0_0 13--13-=-13
9-9-9-9-9-9-96-6- 6- 6-6-
13-..-13
6- 6-6
9_9_ 9_ 9_ 9_ 6-6-6-6-6-6-6-
14
_
0-0-0 0_0 14
_14
10-- 10- 10- 10- 10- 10- 10-
9_9_
7_7_7_7_7_7_7_7
0_0
0--0-0 0---0 15_15--15
0_-0-0 15-15-15
11-11- 11-11-11-11-11-11
11-11- 11- 11-11-11-11-
8-8-_8-8-8-8-8-8
8_ 8_ 8- 8- 8-
0=---0-0 0--0 16_16__16
8-
14_14_14
11
8-
32
12- 12-
9-9-9-
12-12-12-'l 9- 9-9- 9-
12- 12-
7_7_7_7_7_7_7_7
0_0 16_16-16
12- 12- 12- 12- 12- 12-'.tz- 12
9- 9- 9- 9-9-9-
9-
To Coda
DmajT
could
I part-
0_0 13_13_13
9-9-9-99-9-96- 6- 6- 6- 6- 6- 6-
§
with-out,
0_0 o -o--;l 14-14-141'
0_ 0_0 _14_14_14
9_ 9_ 9_ 9_ 9_9_ 6_ 6_ 6_ 6_ 6_6_
9_ 6_
10- 106
10- 10-'t0- 10- 10-
7-7-7-7-7-7-7-7
10- 10- 10- 10- 10- 10- 10-
7-7-7-7-7-7-7
10
-7
Gtrs. 3+4 tacet
3_3
_4__4_6
E6 n
VnVnVnV
n I
Gtr.z
)
6-9-9--
,7»-.i»r»
3_3 _4_4_6
6 9_9_9__9\6
9\6
F#
3-4
4-6
6_9
9_e\6
mm
contsim
3_3 _4_4_6
33
6 I 9-9 -9\6
_-__Â
6I9_9_9\6-
'|
-
§
Coda
Piano cue for gtr.
n\/n
ü
(Gtrs.3+4)
0-_-.-0_'-0
2_2_2_2_2 (15)+x (8)J 4 4- X-X 4- 4_ 4 2_2 2__2_2
14-14
2_2_2_2 x_x_x_x 4_ 4_4_4
4_4
(Gtrs.3+4) Outro
E6
4_ 4_ 4_ 4_2
2_2_
2_2_2_2 x_ 4_4_4_4 2_2_2_2
4_4
G(#tt1
VnVn
nn
Gtr.l
x_x
,TD
I
_1__0_+_ 2_ X__F_ 0_+__ _2_ _-
-0-g
I
day
light,
0_0_0_ x____l 0_0 0_ 4 _1 _X _ X_X 4__1 g_g
3_2
t
1,2,3.
through- the
break
E6
2_2 1_1 2_2 0_0
1
I
through- the
break
2_2_2 x__x_x_
4_4_4_4_4_4 2-2-2-2-2-2
2-2
G(#tt;
Slow
2-2-2-2 x_x_x_x_x 4_4_4_4_4
4_4__4
-2-
(r)
the
day
2_2_2_2_2
2__2_2_2 x-xx-x 4_4_4_4
x-x-1
4_ 4_ 4_4_2 4-4-42_2_2_2_
F#
VnVnVnVn
'TT,TT7)
)
day
0
4_ 2_2_2_2
Repeat to fade
VnVnVnV
,77)-.rTT r» day
Gtr.2 wlFig. Gtr. 3 tacet lo 12
_10 *
12_12 _
10_
12
12-10_13_12
10 10
34
10
12_10_12_12_10_12
12-10_13_12
10 10
10
Trouble Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
G oooo
Bm
Em7
ffiffi o
ooo
Effii
Piano arr. for gtr.
F-
Bm7
Gtr.2
All Gtrs: tune top string to D
)=ro
Am
n'Êm n'imi n'T++m
G
Ems
ËiiTI
TiiËil
Bm* n'Tt+ffÏ
Em
Ffm
o'liffii
G*
n'T+ffii
ËliiËi
F6 Amaoall Em7
'mi
Ïiffii
ïtiiËi
lntro G
Piano arr. for gtr.
Bm
Em7
7-5-4---O-
Em7
Piano cont. sim.
Em7
@ Copyright 2000 BMG Music Publishing Limited. All Rights Reserved. lnternational Copyright Secured.
35
is
gled uP_.-- with me..-
I'd
thought of
my-
And I
tan -
o -7-7-7-
Gtr.z(2')
Bm
Em7
G
,r)
m
)
) )))))-)))) --:
Piano cont. as intro.
G
,-
Em7
,ry,-
Verse
Bm
,ry§
G
what's Oh- noI Oh- no---FVNV FV II
2.
Gtr.2 (acous.)
FV
36
-2
3.
Bm*
Am addll
F6
-
a a
E
FV
V
VN
I'1
webweb-
der der
V
and I'm
and it's
caught me
the mid - dle. the mid - dle.
ll
It
n
F
Gtr. 3: wÆig. 2 (2" only)
_1_1_1_1 7_7_7 Bm*
Em9
SoI SoI
;V l.l
\/
turn- to_ run,twist- and- turn,-
F'IU
V
Gtr.4: wÆig. 3 (2'only)
and
thought
but
EFV
V NV
of allI-
here am
ll
in
the stu-pid things-I'd
my lit-tle
V ll l''l ll
ble.
V n ,r
3_3_3_3_3_2_2_2_2 3_0_
7-7-7
I
îig.2
Fig.3
F6
Gtr.4 G
Amaddll
Fig.4
Gtr.3
-
Gtr. 3: wÆig. 4 (2" only)
1_1_1_1_1_1_1_1_.t 2_2_2_2_2_2_2_2_2
Gtr.3 Bm*
bub
Bm8
Am addll
37
Em9
Bm*
0
0 0
Chorus
Aaddll
G
/
F
FI
Gtr. 3+4: wÆig.
I
(both
Singing
times)
And) ^o,t
VIIV
."Jliï
J
slashes
Em7
/
//
I
ah,
l
/n/
/
nev-er meant
/-/
/
to cause-
/
/
cont. sim.
you trou - ble,
-
f
Aaddll
Aaddll
Em7
), ah,_
to do_
Inev_ermeant
And
you wrong._
ah,
-
well
if I
ev -
er caused-
2_2_2_2
Em7
Fig.
Em7
1
Gtr.2+3* G
Em7
Em7
A add 11
Aadd11
Em7
A add
--..-
-a w/slide 1 1 1
2
14_1 14_1 1
12-1 12_1
14_1 14-14 1
12-1 12-1
14_1 14_1 1
* composite part
3R
12-1 12_1
14 14 14
you trou-
Eme
G
,D ,ry,D
Gfi.2
ülf
Bridge
Bm*
,rD ,D.ry1»ffi
Eme
G
m
m
Bm*
Bm
cont. sim.
§
wbottleneck + clean tone
G*
Fflm
Em
And they spun
a web-
Ffm
Em
F#m
me,-
and they-
spun
a web-
Piano arr. for gtr.
tHm
G
,D
Em7
Ffim
Bm*
,D,D ,D ,D,D
G
Em7
mm Bm*
Bm
â
cont. sim.
Gtr.3
mf
w/slide
------.--.
1
7
T
7 7 7
1 1
7 7 7 7
1 1
2
1 1
39
7 7 7 7
One I Love Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
G6/s
Gtr. I
x oooo
6:E 3:G 5:A 2:A -1:D l:E
FFm
;spf"
,m
EiËËï
F+++ll
Ebx
p.slF
,ffi
srrffi
*7:
c6
A5
Gtr. I (elec.
3fr
Êimïi
)=134 Intro
e5lG
DsuszT+
12 str.)
n- 2'Ah
Gtr. 2 (elec.) - normal tuning
f
wlslight crunch
1-102-
2_2_2_2-2 2_2_2_2_2 0_0-0-0-0
3-3-3-3
1-1-1-1-0-0 0-0-02-2-
0-0 0-0
It. Dsus2/a
0--0-0-0-0-0 0_0-
0-0
2_2-2-2 3-3-3-3 lz.
E
@ Dsus2/a
open nilnl.]
0-0-0-0 32-2-2-20-0-0-0-0-0
3-3 2-2
GA
@o 3fr open
A5
,TT,tr)-.-,
r»,rTT
0_0_0_0_0-0_ 3-3-3-3-3-3-3-3-3 2-2-2-2-2-2-2-2-2 0-0-0-0-0-0-0-0-0
0-0-0-0-0-0-0-0-0 5-5-5-5-5-5-5-5-5
O Copyright 2002 BMG Music Publishing Limited. All Rights Reserved. lnternational Copyright Secured
c6 cont sim
0-0-0-0-0-0-0-0-0 5-5-5-5-5-5--5-7-7
0_0 0-0 0-0
I
t.
ll z. Dsus2/a
Dsus2/a
t-à _
f-7
0-0-0-0-0-0-0-0 -7 -7 -7 -7
7
0-0-0-0-0-0-0-0-
0-0-0-0-0-0-0-0-0 7_5_5_5_5 5_5_5
-7
7-5-5-5-5-5-5-5
E
o-tlo
4s7n#
A5
,-») ,TD rT)"P"
,) ,D rfTT
A5IG
as7Ffi
4-4-4-4
x Verse
A5
,77)
,)
1.
Could
2. Could
(on
*
you, you,
could could
you you
E
E
@
@
A5lG
open
asTF#
A5
,T)
) comecome-
oh,
back, in,
could you
come
tell
w/echo repeat)
E
,r7T_.r»
A5IG
AslFil
@
A5
,IT)
) (Oh) put and tie
your your
41
-
self
self
on_ to-
open
A5IG
ssp|,
open
back
to
me_
for
E
@
,J-
open
'TT
m
A5IG
'7T-'M Could ÿou, gon - na
say cause
now
could tear
ô
open
you come us_
E
@
,)- rTT
5_
,rTT) Your shoul gon - na
ders,
teat
E
E
@
AslFil
A5IG
,TD-.|TT \_,
and your part,-
open
A5
)
back-
ate
love,
or
-
A5Ff.
,TT-'TT
-
,rTT_rTT
@
open
)
-
A5lG
4_0_4
A5
A5IG
open
,fTTcont.sim
,fTT
4'Ah.
geth geth
onX ad lib. 3" & 4"
F -v
4-4-2
2_2_2_2_2 2_2_2_2-2 0-0-0-0-0
42
tr-n n - - - n nV
1_1_'l-1-1-1-1-0-0 0-0-0-0-0-0-0-0-0 2-2-2-2-2-2-23-3-3-3
0
-
0
I G6/s
t-:.
DsuszT+
'Cause
0 0 0 0 2 3
0_0_ 0_0_ 2_2_2
one
n
n
0-
3-3-3-3 0_
0_0 0_0
the
0_
0_0
0-0 0-0 0-0
3_3
lt. To Coda§
Dsus2/a
As
n
0-0-0-0-0-0 3-3-3 2_2_ 0-0-0-0-0-0
0_ 2_
0_ 5_5_
2_2
It. Dsus2/a
0-0-0-0-0-0-0-0
lz. Dsus2/a
D.S. al Coda
$com
ss
0-0-0-0-0-0-0-0 7-5-5-5-5-5-5-s
43
0-0-0-0-0-0-0-0-0 7-5 s-5-5-5-5-5
,TT,TT
5_
E
As*
F
A5*
Eb*
'T,-
cont.
sim.
open
,r-r-l ,--/-
,)))
,7.D,._.,-
n Y
@
)
l--l
l
))
,)
,/t-î-t-r ,/ ,/ ./-
f
-5 *5
5-5-5 5-5
5-5-55-5-5-5-5
m
5-5 5_5
ry
As
5-5
0_0_0
7
0_0_0_0
5_5_5_5_
5-5-5-5
44
5-5-5-0-0 5_5_5_5_5_5
DsuszT+
-0-0-0-0-0 7_7
7_7
0_0 7-5
7_1
-------7r-7 -7 7t?t7t
7
-7
(ad lib.
-t
)
,âY--\
Dsus2/a
7-5-7-7-7-5
7-
7_7_
45
5
_7
5-7
7-7-5 5-7 -7 -
c6
G6/s
holdbend tull
gradual fall U2
7_7
_7_
7_7
_7
_
------{
5
A5
Dsus2/a
z-z+
,/:-:
tttwvùtù
w/reverb fix to delay
15-15 14-
12
15-15-15 12_ 14_
12
1514_12
-
15
AAAA oooo 2fr
,T)4,ry open
'z-z-z-z
15_15_15 12-14-12
15_15_15 12-14-12
46
15-15 14- 12
open 2fr
A5IE
A5IF
t-t-'] ,/,/,//
1514-12
,D ),-,)
1512_
15
1514-
,rm ,- ) ,rTT A5IE
A5lF
1514-12
1512_
m
15 12
A5
,W
'TT,W
,TT,T»
'TT
1514-
1514-
15-15-15 12-14-12
15
It.
,TT
15_ 12_
15-15 14-12
15 12
151512_14_12
15 12
1512-
15
1514-
A5IE
A5IF
,-
)_..__.)
15,12_14_12 15-
47
15
16--------116
14--114
15 12
Don't Panic Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
Am FmaiT xo o
'mffi
o
c
ffiiri
)=r* Intro
Fmaie(f
Gtr.21acous.;
FmajT
!)
VltV
Gtr. (elec
tt) Dmadde
'ffi 'm Fmaje
FI
Am*
G6
u''m" u'm'"
tffii
D^ )T.^.,fU^,W V V VFTV VI.TV ll
VV
l# p
lË
wlcleantone
X-3----X-5+-7-7
LE Fmaje
FmajT
Bones
(1,2.) sink (Verse 3 Piano solo) Fl
Gtr.3 (2') Gtr.2 cont. sim.
FV
ing like
\/l.l
stones,
FtF
that we've
V I..lV
F,l
FIV
VN
1--X-1-1 2--X-2-2
X X
Vlr
V
V
FIV
mp
pla
ces we ve
grown,
Ft ll
of
us
VII
are
done
V
l'l
1
2
Fmaje(iltt;
FmajT
Amx
Homes,
for.-
fought
for.-
IIV
VFIV
VFtV
VN
Gtrs. 1+2: cont. in
1-|/-lv \2-21-v-X 2 0.\2-2-\12--X-0' x 3-X-3-3 3-3-.-_---3
xx 1-1-12-2-2-
O Copyright 1999 BMG Music Publishing Limited All Rlghts Reserved. international Copyright Secured
AA
O
3
V
slashes
\-erse D m adde
Gtr,2
,TTT,TTT
Gtr.3
l! -FT
But
we
in a beau -ti n 11 cont. sim.
live
FnFl
_____1 0_1 0_1 0_1 0_1 0_1 0_1 __{_1 0_1 0_1 0_1 0_1 0-1 0-1
G6 1
00-
1 1
we
yeah
do,
we
,W,D
W
ful
world
0_1 0_1 0_1 0_1 0-1 0-1 0-1 2_1 2_1 2_1 2-1 3-1 3-1 3-1
D m adde
,TTT,TTT
)-,TTT
)1
yeah
,-TT
Am*
beau-ti-ful
We
do.
,rmw world.-
-
15_15-1 13_12_12_1
t---\
+_.10_10_10_10_10_1 0-1 0-1 0-1 0-1 0-1 0-1 0-1 1
It,z.
FmajT
Fmaje Fmajz Fmaje FmajT Fmaje FmajT
--7-1^t--)--1--.--r--)---I--^f)--7-
FmajT
Gtrs. 1+2 cont.
as Verse pattern
12_12_1 (5)+13-13-13-1
12-12-12-12 13_13_13_13
49
1 1
0_1 0_1 0_1 0-1 0-1 0-1 02_1 2_1 2_1 2-1 3-1 3-1 3-1 3_=-
I 13.
FmajT Fmaje
^ffi1
Fmajz
r--)--),
Fmaje
Fmaje(f tt;
12-12-12-1 13-13-13-1
v
that
Itt
know,
E
there's noth - ing
here
to
It\/
IIVV
V
1-1-1
17--X-7-7-7 v--x-7-7 Fmaje
got
here's
F
E
V
some - bo
dy
V
FI
-5-o 2-2-2ù-rr-
50
from.-
Shiver Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
Guitar 2
m1l Aadds G#m E Esus2 B* B u'ii+ffi o'm 'mu'm ,ffin'li#iio'T+#il ËfiÏii iiËHi Baddli Cfml3 C#me F#m13 BtFfi _Gfm7 a#aim _ Bo Cfmeaug Emaitlçz n'm n'm ,ffi ,ffi n'm o'mo'mo'm-n'm *'m Émai7 Email3/F#
Gtr.2 tuned:
O:D, @:n
@:n @:r @:c @:e
Bmalz n'T++l+i
Ff
t-Guitar
A1l other gtrs. standard tuning
E5
rreffirre Intro Gtr.4
I
o. =78
(etec.)
4-1 Esus2
ffi E sus2
E5
EmajtzlPü
EmajT
r
ausv
Gtr. I (elec.)
corr. t;n
,m,rm,rm,lm,rE
,jT7,rm,rm
Gtr.2 (acous.)
sim.
.-^
p
Gtr.
l: w/slight dist.
Gtr.3:w/Fig. I -12 -12
11-11-11-11-11-11-
Emaj rtlPü
Emajl
p
'mf
let ring...
decho * clean tone
11-12
11_1
12_12
11-12
Emajt
11_12_ 12--12_12_
E maj
9_11_12_9 12-1
12_12_12_12--12--12
@ Copyright 2000 BIMG Music Publishing Limited. AII Rights Reserved. lnternational Copyright Secured
51
r/P
fl
2
EmajrTPfl
EmajT
12_12_12_12 1
Ff mtl
6+8-8-8-7
\ 6-6-61_9 -9-9-9
1-1 1-1 1-1 1-1 1-1
1
Aadde
\\ 6-6
['fl6tt
/-8_g_g_g \\ 6_6_1 _1 _1
_1
+4
_4
_4
Aadde
+g-g-g-8
\s
6-6-1 -1
-1
-1 +4 -4
-4
Fflmtt
1
4___l_1
4_1
4-1 4_1 4/1 6_1
6\1 3_1 3_1 3---€
SoI (So
52
you
E
E
Gtr.2 ) ) ) ,) )
look know
sus2
E
,m
E sus2
cont.sim.
in
your
rec
how
much
need
but you but you
tionyou,-
no at ev - en
pay nev
ten see
And And
t
.\t,
14_12_11 11_11_
I
11_11_11
1
1-1
14_12 1_1
11_ 1_1
E sus2
know you don't lis
this
-
14_12--11 11_11_
I is
1_1
E sus2
ten
cos you
my
chance
say
you see
straight through
of
get
14_12_11 11_11_11
11--
53
11-1
1
1_
Pre-chorus Çfin t:
Cflme
from the
mo
Cflmts
C #me
to the mo - ment
I
sleep,-
C
#mtt
I'll
be
line----
wait
just to
see
1t-11-11*14-14-
Gilm7
a.fl
dim
A.fi
2'Gtr.3: wFig.3 (x3)
Fig.3 Gtr.3
1 1
3-1 3-1 3-1 3-1 3-13-12-12-1 2-12-1 2-12 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3
55
dim
C#meaug
and I
T
know-
want
that you'11
A
^
al
4
FtvvsJ
ç,
Emajt 16ü
t-
I
want -
ed
don't you
to
+8_8_8_8_\_6 _6_1 _1
1 1
1-1 1-1 1-1 1-1 1-11-14-14-14-14-14-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1
56
shi - ver,-
_1 _1 +4 _4 _4 _
+8
-8-8-8+6 -6 -6 +9-9 -9-9 +6-6
Aadde
t8
-8-8-8 t6-6 t1 -1-1 -1 / 4- 4- 4
f
I -8 -B -8t6
-G -G
f9 -9 -9 -9 -€ -€
-;-
Ir.
G#m7
Gflm
1
lz.
4-1
4-1 4-1 4-1 4+1 6-1
6\1 3-1 3-1
3s-6
Gf,m
1 1
2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 22-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-
Aadde
1 1
2-1 2-1 2-1 2-1 21 2-1 2-1 2-1 2-1 21
2-1 2 1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1
2-1 2-1
1
1
2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2 1-11-1 1-1 1-1 1-11-14-14-14-14-14-1
57
9-9-9-9-9-
1 1
22-
EmajT
1 1
2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 2-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1 3-1
2-1 2-
3-1 3-
Aadde
Emajz
you.--_ ,1L11
'
1
_1 2_1 _1
2_ 1 2_1
11
_
11
1
2_1 2_1 1
_1 1 _1
2_1 1_1
2_1 2 _1 2_1 2_ 1 2_1 2 4_1 4_1 4_1 4_ 1 4_1 4
Aadde
ways- be
1
I
1
2_1 2_1 2_1 _ 1 1_1 2_1 1_1 1_I 1_1 1_1
1
2-1 2_1 2_1 2_1 2_1 2_1 2 3-1 3_1 3_1 3_1 3_1 3_1 3
2-1 2-1 2-1 2-1 2-1 3-1 3-1 3-1 3-I 3-1
Emajz
you,-
You,-
wait
2_ 1 2_1
1
2_1 2 _1 2_1 2_1 2_1 2 4_1 4_1 4_14_ 1 4_1
1
2-1 2-1 2-1 2-1 2-1
2-1
2_1 2_1 2_1 2_1
3-13-13-13-13-13
2_1
-13-13-13-1
F#mtt
ts/17-17-17-17 ts/16-16
17-17-17-17-17 16-16-16-16-16
7
_7 _7 _7 _7 _7 _7 _1 0_1 0_1 0_1 0_1 0_
11_11_11_11_11_9_ 1
1
-1
10-10-10-12_
7-7
-10-1 1-1 8-8-1
1_11_11_11_11_11_9
1-1
1_1
1_1 1_1
0-1
0_1 1_1
0-1 0_1 0 1_1 1_9-
1_1
-9-99-9-11-11-11_11-11-11
58
1
and so clear.-
Ioud
10-10-10-12-1 _9____€_9_S-9_9. 1
1-1
1-1 1-1
1-1
1-1
1
['ll
sing
it
and
loud,
7
-7
And
clear.
0-1 0-1 0-1 0-1 0-1 -7 -7 -7 -7 -7 -111-11-11-11-11 11-11-11-11-11-11
0-10-10-1 11-11-11-11-11-11
your di - rec - tion, but IT
Gtr.4: wÆig.
5
Emaj7
Emai7
pay
me
E sus2
Emaj7
,m,
E sus2
but you
no
sim.
59
I'll
E sus2
) )))) ^d I
*
I
you
See You Soon Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
C#m Capo 2nd fret
TIiËIi
6:E 3:D 5:G 2:B 4:D 1:D
B6llr
iËiTi
B/Dfr
m'''IÏihi
l{t"
gaddtt
E 7rr
}"'"i{
A
m--
irïiii .*:.
*i(""
m*nm*ffi,m
] :80
lntro
gaddu
Gtr. 1(acous.) C#m Capo 2nd fret
ryp
let ring throughout
finger style 0
3-5
Fs-
-2-2
0
0
4-4
TAB
0:
Capo 2nd fret
gaddu
hold 2nd string 0
0
0-0
0-0-0 4
hold 2nd string
-2-2
hold 2nd string 0
0
0-0
04
gaddtt
O Copyright 1999 BlüG Music Publishing Limited. All Rights Reserved. International Copyright Secured,
-2-2 0-0-0
l.
So
you
2.
So
they
lost_
come
ryp
0-2_
0_0
2_
your
trust
for
you
f-7 ê--ï_o #__i
and you they come
7_7 0-0 0_0
4
0_0
\-_-nev
should-
snap
at
x_0 2
and you nev they come
-er snap
-
ping
0
x _0 7
break
your
back
3-
0---0 0-2-2
0-0 5-7 0-0-0
x-0-x-0 6-7
0;+--0 0_2 0x-0 2-
0
x_0-0 2
-
3---
/>_
-----+7
-+7
-
lg
could.
ly
r>-
1
1
r>-
e
1-
1
-+e1-
1
75
----+ e ----+
1
full
tulI
tull
full
7-17
e ----+ e ---+ 10 -----110 ----+ 10 ----+112-12-1211
1
/>^ /> tull
.t
--+e ---+e1- ------*e1-
1-11-
1
1-
1
s 1-
/>^
/>.
tull
tulI
tt
t7 "
1>_
7
/>
Eaddellt
(Bm)
(DaodeTtt;
I-
know-
you
then
Cilm
would.
/>^ r>_ />^
/>_
/>,
-----+7 -----+7 ----+7 ----+7 -----+7 9_9_
,/>
I ----l- I
e
___f
11_
e
__+_
11_
e ______f 9
11_1.t_
_+_ 9 1
,/>_
w/delay fx
tull
11_11_
11-
by,
ba
/>.
.11-
1
-----+-
I -----+- I
I -----+-
--f-11_11-1
To Coda
10-10-10 12-12-12
I
12-
12-
14
§
10-10-10-10-10
10-10-10
10-10-10
Eaddelll (oaaaeTtr;
12 _
13-13 12-.i4
10_10_12
13-13-13
76
12- 12- 12-',12- 12- 12-
12
13-13-13-13-13-13-13
10-10-10
10-10-10-10-10
10
_
13-
.,0_
13-
12
13
F#m (Em)
-
Gtr. I
V!
>
0-0-0 0-0-0 2-2-0
0_0_0_0 0-0-0-0 -ü fi)_2-2-2-2-2-22-2-2-2 0_0
12- 12- 12- 12- 12- 12-',12
13-13-13-13-13-13-13
It.
2 2 0
EIB
(D/A)
(D/A)
_0 _0 _0 _0 _3 2 -x -0
-
F#m (Em)
ffiffi,
nVn
0_0_0 _0 0-0-0 2-2-2 _2 2_2_2 -0 -2 0_0
0_0 0-0 0_0 2-2
_ s -2-2-1 --0
0
VnV
0 0 0 2 2 0
Vn
0_0 0_0 0_0 2_2
r
---.1 __-.1
I
-o
-2-0-
0 0 0
I
_0 _0 _2
5
ffiffi,
-V
0_0_0 0-0_0 2-2-0 2_2_0
VrlV
_0_0_ 0-0-0-rr-0-0 _0_0_ 0-0-0-+F0-0 0-0 _4_4_ -2--Tl-0-0 8=8 -0
0_0 0-0 0_0 4_4 -0 -0 5-5 -0
_0 0 _0 -0 x 0 0
B5
ad lib.
0
ll z.
(A5)
2o sim.
Gt r.2 tacet
-0 _0 -0 -0 _0 -2 -0 -2 -0 -2-2-
EIB
>
0-0 0_0 0_0 2_2 _2_ _0_ -2-
V-V
VnV
oh.
V
--
lI\/>V
0-0 0-0 0-0 2_2
0 0
-2_0_ -2_
0
-0 -0
x -0 2
-x
-3
-
It. EIB
ll z. EIB
(D/A)
(D/A)
D6
(c6)
nVnVnV
,TT
'TT
cont. sim.
Mm,-
-
VF
(me.)
V
VN Gtr.
_0 _0 4_4 _4 -0
0_0_0 0_0_0 4_4-2
0-0
0-0 0-0 0_0 4-4 5_5
5_5
1 cont.
V
in slashes
0-0_0 0_0 _o_7
_0 _0 -0 _4
10_
0_0_2 4_4_2
10
10-
10
10-9
D6
(c6)
If the skies- go and fall-
me.
on
t-_l
10_9_9
9_9
9-9-7
10- 10- 10 0_10 10-9
It.
If you're
call
Oh,q+
Lord
a
break
break-
down,
on
oh let
no slide
10--9-9
Outro solo
9_9_9_9_9_7
tr
8:,"iïrig r (+*) 1919----------z:16-16-16 -16/17
10- 10- 10-
10-9
EIB
F#m (Em)
Bs
(As)
9-
(D/A)
19
17
-17
19-
19 17
-17
78
19_19_19_19_19,__19 16-16-16-16-16/17-16
19- 1917 -17
19 17
-17
EIB
F#m (Em)
B5
(A5)
19_ 19____^_21 16-16-16/19
(D/A)
19-
21-21
19
19--{19>\17
n
19_19 17_17_17
^ù 19-19 17 -'17
17
-
Bs
EIB
F#m (Em)
(A5)
(D/A)
(s)'- -
19
16116 -
19
16/17 -------:-
19
17-17
19-19 .,7-17
16
-
16
19-/È\-19 16
/',17
17
_17 19-19 17 -17
Ffim (Em)
Bs
(As)
21_21_
1g_19+2'l
EIB
21\19
1g=..117
19-19 17-17
D6
Eaddel,1 (DaodeTttl
D6 (c6)
(D/A)
19_
(c6)
nVnVnVr-
nVnVnVnVnVnVnVnV
[T)-,TTTA
ü
let ring
1g--(1 17 - 17\- 15
19 17
-
ü
Gtr.2 tacet
17
-
Eaddellt (DuaoTtt;
Eaddellt
D6 (c6)
nVnVnVnV
ÏTT
'77},TTD
,rT7),r»
,rTTrTT nVnVnVnVnVnVnVnV
'TT
(Duad7ttl
riL
rTT,rTT
E @ open
F#m (Em)
)l) A â
^
79
Yellow Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
Gtrs. 1+2
Gtrs. 1+2 Tuned:
B Badd11 F#o EmajT Gf m n'mTi n'mÏi u'm" n'Ëfrr'
O:ofl @:e
n @:c @:
Ë#ii
@:e @:e
EmajT*
u'ïTirii
Eadde B*
Triri+ nixii
Gtr. 3: Standard Tuning
)=r, Int ro G tr.
B
Ê
ffi
addll
B
I (acous.)
Ffimtt
B Gtr.Z(elec.)
VIIVFFIII
;
V Fl
I
F l'l
1Êl
).
» )
cont. sim.
B addll
NJ
1)
IH Gtr.2: w/clean tone
tI
7-7-7-7-7-7-7 7_7_7
l.E Chorus
B
B addll
ll\/È\/lt\/F\itt\/l.'lv
,T7T
,TT
Gtrs. 1+2
Gtr.3 (elec.)
tr llEFt'tFt'tE 'TT
;fJ'cr.3:
7-7-7-7-7-7-7 7_7_7
7-7-7-7-7-7-7 7_7
n ItllF
7-----_--7
Ffl6
I'l \/ i.l
,fTT
v
cont. sim.
w/dist.
Full 1
>-1
1-1 1-1 1-1 1-1 1-1 1-1
Emaj7
Full
7-7-7-7-7-7-7
80 O Copyright 2000 BMG Music Publishrng Limited. All Rights Reserved. lnternational Copyrlght Secured
1
3_1 3_1 3_1 3_1 3_1 3-1 3
(1.) Look
at
the
look how they shine
stars,
ll
l'l llnllFlll"!
for-
you,
cont. sim.
4_4_4_4_4_4_4_ 2_2_2_2_2_
and
ev -
you-
do,-
yeah. theywere
all-
1-1-1-1-1-1-1-1
I
came
(2.) | swam
I wrote a song I jumped a-cross
ÿou, ÿou,
3_3
t4 -4 2_2 -4
81
2
4-44-4-
Emaj7
and oh,
and cause
all
the
whal
a
it
things thing
calledall--
was
you were
yel yel
Gtr.3: wÆig. I
1_1_
i_l _7_7_7
B addll
So then I I drew a
took line
my
for
Emajz
oh, what oh, what
a thing a thing
to've
and and
to
82
it was allit was all-
yeah,
your
skin
Gtr.3:wÆig.3
12-12 13_12
13-13-13_-13-13-13-13 12-12-12--12-12-12--12 14-14-14_--14-14-14--14 12-12-_ 12-12 Fig. Gtr
ffi
H w/clean tone 1 1
6-1 6-1 6-1 6-1 6-1 6-1 6-1 2- 1 2- 1 2-1 2- 1 2-1 2- 1 2- 1
Fig. Gtr
t# w/clean tone
7
H 83
1 1
6-1 6-1 6-1 6-1 6-1 4-1 4-1 4-1 2-1 2-1 2-1 2- 1 2-1 2-1 2-1
EmajTx
to
some-thing beau
- ti - ful.
J
And
I And
youyou-
know know
Emajt G#m
Gtr.l
know I love you so,_...--for you I'd bleed my - self
,TT
you
(Gtr.3)
,D,ry know I
you dry,
for you
love you
7s1
\o/
I
CD:M
OU
Full
Full
2_2 13-13-13-13-13-1
84
so.
I'd bleed my - self
2_2_2_
,J-
B\>-)-p-;-
)-v-,.--|/
Full
.7_7-7-7-7-7-7
look how they
t->->->->->-> Full
1-1 1-1 1-1 1-1 1-1 1-1 1 >_1 3_1 3_1 3_1 3_1 3_1 3_1 1
look
how
for,
85
>-
shine-
look
Full
t-1
11--]--1i
-1
1
1-1 1-1
1
-1
-1
Emaj7
look how
they shine-
look how- they-
for
-E->->->->-
S-S-s-l.-
Full I
1-1 1-1 1-1 1-1 1-1 1-1
1
>-13-13-13-13-13-13-
Gtrs. 2+3: tacet
and
you'
the things
that you-
â o o 1-1-1-1-1
2-2-2-2
2-2-2-
B6
shine.
1
The Scientist Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
Gtrs1,3&4
o oÔ
Capo lst Fret
6:E 5:A 4:D
Gtrsl,3&4
3:E 2:A l:E
Dm7
sb (A)
F (E)
ffi
(Esus2)
: 100
Gtr
2
Gtr
ffi'- ffiiÏi*Ëffi
t+++#
gbF o* r''r# tttatt 'ffi,0r. #l+Î+H tttal I l-11-l# Dm7
.J
C (B)
Fsus2
(C#ml
4:D
Fsus2
C
HTTJ
ffiï
2
6:E 3:G 5:A 2:B
iffifi
*Dm7
gb
F
(C#m7)
(A)
(E)
1=C
Piano
0-0-0 11_
11__11
11-11 11 119_9_9_9_9_9 -11 -
11
-
11
0__ 7_ 7-7-7-7-7-7-7 5-5-5-5-5-5-
11 _9 -
5
*basic chord names
* Symbols in ( ) represent chord names with respect to capoed gtr. (Tab 0 Symbols above represent actual sounding chords.
:
-7 -5
capo I st fret)
X u..." sb
Dm7 (cfim?)
(A)
1.
Come
2.
*Gtr. 1 (acous.)
to
up was
I
guess
il
nV
n
2-2 2_2 2__2_2 2-2-2-2-2-2-2-2 2-2-2-2-2-2-2-2 F(C bass) (E)
0 0
you
how the
11 - 11 11-1111 _11 11 9-9- I -11-11I -11Fsus2 ;Tli3r,ffi:",ijffi""#.:l'uoo"" wr(rr Lrrurur ,rvwrr rrr uv^!J .uuvr
love
pùz
nV
0
2-22-20-0-
2 0 2
_2_2_2_2 _2__2_2_2_2_2 0 0-0-0-0
2
-ly
at
nn
(Esus2)
- a, - ures, nnnn
ÿou, ing
tell num
you I'm
sor
bers and
fig
nV
n
0 0 0
0
11-11
meet-
just
Drn, (c#pz
1
you
are.
I
zles
a
part.
Ques
nnn
n
n
2-2 2_2 2-2-2-
nn
nV
O Copyright 2002 BN4G Music Publishing Limited. Ail Rights Reserved. International Copyright Secured.
87
cont. sim.
0___-.-_ 0_____l _=_]
0 0
2--2 2_2 2-2--2
2_2_2_2_2_2_2_211
had to find_ - tions of sci -
0 11
11 11
-
11 11
11
- 11 -11 _9 - -11
0
11 11
11
- 11:7-7--l '5-5r - I ---,---]
Bb
F(C bass)
(A)
(E)
-
ÿou,
you
I
ence,
ence
and
>
>
0 0 0
0 0 0
7-7-7-7 7 _7 _7 s-5-5-5 -7 -7 Dm7 1ç#nil
needpro -
tell do not
ÿou, gress
you
you
a
part.
speak
AS
my
heart.
0 2 0
2-2 2_ 2_2_2-2 2_2_2_2_2_2-2 2_2_2_2-2-2-2
2_2_2_2_2_2_2 2_2_2_2_2-2-2-2-2 _0_0 0_0_0_0_0
7-7 5-5-0-0 -7 -2-2
-7
Fsus2 (Esus2)
gb (A)
)
And
Tell tell
your you
me me
se
love
,, 11-11
9-9
F(C bass) (E)
crets
and ask me
your
me
and come back
and
oh
tions,
ques
haunt-
let's
go back-
oh when I
ffiO,
rush-
> 0 0 0
0 0 0
0 0 0
7-7-7-7-7-7-7 7 -7 -7 -7 5_5_5_
11-11-11 - 11- 11 -11 . 11 11 _11_11_11-11 -7-7 e_e_s_e_ii-e-:5-5
-7
-7
the
0 2 2 0
_2_2_2_2_2_2_0_0_0-
gb (A)
(C#m7)
the
2-2 2-2 0-0
5-5-0-0 -2-2
Dm7
to to
0 2 0 2 2 0
Run Run
start. start.
com com
cles,
nmg ning
cles,
lng ing
>
2_2_2-2 2_2_2-2 2_2_2_2_2-2-22 2
- - - 2
2
2
2
- -
2-
0 0 0 7 7 5
/. rJ_rJ
(E)
heads
com
2-22-20-0-
0 2 0 2 2 0
afe in'
a a
2-2 2-2 _2-2-2-2 -0-0-0-0-0
back-
ence
a
AS
we
bo
2-2 2-2-2
22_2-2-2 2-2-20
_7_7_7_ -7-7-7_5_5_5-
gb (A)
Fsus2 (Esus2)
F(C bass)
0 0 0 7 7 5
2-2-2-2-2-2-2--=.7
88
-7 5-5
7-77-75-5
0 0 0
7
-
7 5
dy
-2-2 -0-0
it
such
was
7-77-75-5-
0 0 0
7-7 7 -7_ 5 -7-7 -5 -5-5 7
0 0 0 7
0 2 0
7
2 0
2
5
a
0 2 2 0
-2-2-2-2-2-2-0-0-0-
shame- for
'' - 7-7 5-5
part.
us
2_2_ 2_ 2-2_2_2_2_2_2 2_2_2_2_2_2_2
..7
sb (A)
dy
_7 _7
7_7 7_7_7_7_7_7_7 5-5-5-5-5
one
said
7-77-7-7-7 7 _7 _7 _7 _7 _7 _7 5-55-55-0-0
_2_2
2_2_ 2_2_
0 2 0 2 2 0
0 2 2 0
C
hard.
hard.
_2_2_2 _0_0_0
2-2-2 0_0_0
-
Oh,
take
I'm
go
back to back to
2-2-2-2-2-2-2-2 2-2-2-2-2-2-2-2 1-1-1-1-1-1-1-1 2-2-2-2-2-2-2-2
F
sb
(E)
(A)
:>
ü 2_ 0_
0 2 0 2 2 0
_2 _2
0-0-
2_ 2_2_
_2
To Coda
(B)
it would be {this (so_-
ev
0 2 0 2 2 0
7_7 5_5 89
7_ 7_ 5_
0 0 0 7
7 5
7_ 5-5-
0 0 0 7 7 5
the the
+
F (E)
> 0 2
0 2 2 0
22_ 0-
2_
2_2 0_0 2_2 2_2 0_0
Dm7
Bb
(C#m7)
(A)
> 0 0 0 11 11
0 0 0 7 7 5
_0 _ 11 _ 11 _ _11_11_11
11
9
--
11 11
7_7 7_7 5_5
7_
0 0 0
7
Fsus2 (Esus2)
2_2-_2 2_ 2_2 20-
§
Coda
2_2_2_2
F
gb
F
(A)
(E)
f
2_2 _
2_2 O
1
/'11_11
- 9-9
,»,W
wtdist.
U2 11_1 0_0_0_0_0_0_0_0
;f
,TT,W
rfTT
wtdist.
0_0_0_0 ,0_ 0_0=-
t/2
11_11
0
I
D.S. ul Coda
(E)
Gtr.tt2ræ
2-z-1 0-o
7 5
0-0-0-0-0-0-0-0 0-0-0-0-0-0-0-0 0-0-0-0-0-0-0-0 11-11-11-9 -9 -9 -9 -9 0-0-0-0-0-0-0-0
t/2
1_11_11_11 0_0_0_0_0_0_0_0
t/2
,W
Dm7
gb
(C#rpz;
(A)
'TT Vocal tacet
Ah
0-0
11_1
0-0-0-
ooh.
0-0--0-0-0-0-0-0 0-0_'*0-0-0-0-0-0 0-0-0-0-0-0-0-0 11-11-11-9 -9 -9 -9 -9 0-0-0-0-0-0-0-0
11_ 11 -- 11 11 11 11 11 11 9-9-.9-9-9-9 911 _11 _11 _11 _11 _11 _11 _11 1111-11-11-11-11-11
11_11
0_ 0.--_0_ o_0_0_0 4_ 4_ 4_ 4_4_4_ 4_ 2_2_2_2_2_2_2_2 2_2_2_2_2_2_2_2 0_ 0_0_ 0_0_0_0_0
l'
0_0_0_0--0--0-0-0 0-0-0-0-0-0-0-0 0_ 0_ 0_0_ 0_ 0_0_0 11-11-11_.-11-11-11-11-11 11_ 11_11_ 11_ 11_ 11_11_ 9_9_9_9_9_9_9_9
0 4
0_ 0_0_0_0_0_ 0_0_0_0_0_0_0_0 0_0_0_0_0_0_0_0 7_7_7_7_7_7__7_7 I 11-___f_ 7_7_7_7_7_7_7_7 5_5_5_5_5_5_5_5 | |
|
I
§ F
Dm7
sb
F
(E)
(c#pz;
(A)
(E)
-f+"+
11+
J
J
J
-++ -++ ++
1t2 11
0
0-0
11_11----11_11
0_-0-0-
0_ 0_0_ 0_0_0--0 4_4_ 4_4_4_4_4_4 2_2_2_2_2_2_2_2 2_2_2_2_2_2_2_2 0_0_ 0_0_0_0_0_
0-0
x
11-111-11
0-0-0-0-0
0
0
91
11
0
0_0
Clocks Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
GbmajT
pb
Fm
ffiffi
xxxx"
ifffi ):
Intro Keyboard
82 (r'*)
(Bbm)
N.C.(Eb)
arr. for gtr.
11-
o_
11_11.-1 12--1
11_11_1
11=-11_1 10__1
t0__
o_
9_9=-9
t0__1
*Eb
nnn
Gtr. I (elec.)
Wclean tone Keyboard w/Fig. I
8-8-8-8-8-8-8-8
8-8-8-8-8-8-8-8 8-8-8-8-8-8-8-8
10 -10 - 10 - 10- 10- 10 - 10 - 10
8-8-8-8-8-8-8-8 8-8-8-8-8-8-8-8 9-9-9-9-9-9-9-9
10 - 10- 10 - 10-10-10-10- 1011 -11 -11 -11 -11 -11 -11 -11 :
Gtr. 2 (elec.)**
dclean tone
1
1- 10- 10- 10- 10- 10- 10-
*overall harmony
*
8-10
8_8_8_8_8_8
*optional
pb
1.
Lights
2.
Con
go fu -
out
and I
sion
that
can't be nev - er
saved
tides
that
-
I tried
sing
walls
clo
stops,
swimaand tick - in'
gainst.
clocks.
Gtr.3 (2" only)
Keyboard arr. for gtr.
(Gtr.2)
to
o Gtr. 3 w/delay
Gtrs. 1+2 tacet
@ Copyright 2002 BMG Music Publishing Limited. All Rights Reserved. lnternational Copyright Secured.
92
me come
down back
come come
out out
trou
ble
a
part
up-on
and take
with things up
I
said,
-on
that
oh,
my you
seas,
can't
be
of
the
could
I beg, I not stop but
beg
and
Sing
you
now
Sing
shoot an ap - ple off my cursed missed op - por - tu - ni
-_
ati or
ger's am
I
wait part
to be the di
And AmI
tamed. I sease.
-l
Sing
*Eb
nlf
=rh
wlvaiable P.M.
xoverall harmony
8-8-8-8-8-8 8-8-8-8-8-8 6-6-6-6-6-6
8-8-8-8-8-8-8-8 8-8-8-8-8-8-8-8 6-6-6-6-6-6-6-6 93
-8-8-6-{
0
3-3-3-3-3-3-3-3 3-3-3-3-3-3-3-3 1-1-1-1-1-1-1-1
a
Bhm
Eb
8-8-8-8-8-8-8-8 8-8-8-8-8-8-8-8 -6-6-6-6-6-6-6
8-8-8 -8-8-8-8-8 8-8-8-8-8-8-8-8 6-6-6-6-6-6-6-6
8-8-8-8-8-8-8 8-8-8-8-8-8-8 6-6-6-6-6-6-6
-{0
3-3-3-3-3--3-3-3 3-3-3-3-3-3-3-3 1-1-1-1-1-1-1-1
1. gb
Bbm
nn
Fm7
n11
nn
> ilclean tone
8-8-8-8-8-8-8-8
10- 10- 10-10- 10-10 - 10-
8-8-8-8-8-8-8-8 8-8-8-8-8-8-8-8 9-9-9-9-9-9-9-9
10
Gtr. I
wiclean tone
11
-
10- 10- 10- 10- 10- 10-
pb
g_ 9_ 9_ 9_ 9_ 9_9_
B[n
nn
10
Fm7
nn
n
8-8-8-8-8-8-8-8
10-
8_ 10_ 8_ 8_ 8_ 8_ 8_8
-10 -
10
-10-
10
8-8-8-8-8-8-8-8 8-8-8-8-8-8-8-8 9-9-9-9-9-9-9--9
- 10- 10
11-10- 10- 10-10- 10-10-
8- 10- 8- 8-8.-
8-8-
94
4-4--4-8-
8-8-
10-
10- 10- 10 - 10- 10- 10 - 10 - 10 11 - 11 - 11 - 11 - 11 - 11 - 11 - 11
You Vocal Fig.
4...
...Fig. 2
11
-10- 10- 10-10-10-10-10
8-10-8-8-8-8-8-8
9-9-9-9-9-9-9-9
11
ends
-11 -11 -11 -11 -11 -11 -10
s----"Q-
ilreverb * mellow tone
s
You...end vocal Fig.
11
-10 - 10 - 10,10-10 - 10 - 10
8-10-8-8-8-8-8-8
9-9-9-9-9-9-9-9
.-
95
11
A
-11 -11 -11 -11 -11 -11 -10
Pb
,7
| 1,2,3.
Bhn
rD
,»,rTD
,-.r.r r rT,
[^t
,rT}A,rTD
,è
,----a,
J-.
cont. sim.
Fm7
4=
You Vocal 3o only
- 10- 1o- 1o -10-10-10-10-
1o
8-10-8-8-8-8-8-8
11
9-9-9-9-9-9-9-9
-10:8-11 -10-8-11 -10
1-ê
lq.
Bridge
Fmi
,TT
11
T13
-10-8-11
cont. sim,
GbmajT
'77
-10--8-11 -10
,W'TT,ryM
4-4
6_
4-4
6_6_6_
4_ 4_4_4
6_
A tr,
96
6_
6_6
6_6_6_6_6_6_6_6
_4_4
4_4
4_4_4_4_4
6_6_6_6_6_6_6_6
4_4_4_4
4_4_4
6_5_6_6_6_6_6_
4_4_4_4_4
6_6_6_6_6_6_6_6
6_6_6_6_
6_ 6_6_7
4
3-3-3-3-3-3-3-3
4_4_4_4_4_4__:4_4
-5-5 -5-5-5-5-5 6-6-6-6-6-6-6-6
4- 4- 4- 4-4-4- 4-
9_9_9_
9_9_ 9_ 9_ 9_ 9_ 9_
6_6_6_6_6_6_6_6
5
4- 4-4-4-4_ 4_4_
4_4
9_ 9_ 9_ 9_ I
4
*composite part
com -
3_3_3_3_3
3_3
4-44-44-4
pares.
3-3 4_4
3-3-3-3-3 4_4_4_4_4
5_5_5_5_5 6-6-6-6-66-6-.'l
5_5
-6_6_6_6_6_6_
G,_7
9_9_9_9_9_9_9_
97
9_9_9_9_9_9_9_9
i
4-4-4-4-4-4-4-4
4-4-4-4-
4- 4- 4-
6_6_6_6_6_6_6_6
3_3_3_3_3_3_3_
4
4-4-4-4-4-4-4-4
4-4-4-4-4-4-4-4
3_ 3_ 3_3_ 3_ 3_ 3_
6_6_6_6_6_6_6_
3
(r*';
N.C,(Eb)
All gtrs. tacet
9-
11-----11-1 11-._--11-1 1È-1
911_11_11 1(F-1
11_11_1 1G-1
B[n
Eb
Grr.
1
8-8
_
10__
Fm7
fr
You Vocal
o _ô
are.
Pla1t 4 times
_
3' + 4o only
nnnnilnnn
nnnnnnnnililill'1nilnn
nnnnnnnn
:>>
nlf
*Gtr2wlFig.2
8-8-8-8-8-8-8-8 8-8-8-8-8-8-8-8 9-9-9-9-9-9-9-9
8-8-8-8-8-8-8--8
10 - 10 -
10- 10 - 10- 10 - 10 - 10
*optional
98
10- 10 - 10- 10 - 10- 10 - 10- 10 11 - 11 - 11 - 11 - 11 - 11 - 11 - 11
2'wlvocal Fig. A
Gtr.2 wlFig. (x2)
Bhn
Eb
rypKeyboard wÆig. - Gtrs. l+2 tacet
Fm7
I
99
Repeat to fade
ln My Place Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
l,lcf,
A
.ffi capoed 2nd fret ffi
ffiffi
rËHir
A Gtr.2 (elec.) Capo 2nd fret
Gtr,l
):74
ü
-,-
Drums
C#m
'
*
delay + reverb
12_12
9_9
12_12
It.
I _9
12-12
ll z.
C#m
12_12
oo
(elec.)
12_12 9_9
12_
x
ooo
e,1cf
Gtr.2 wlclean tone Gtr. I ilclean tone
Ffm
D
r'flrn
o
Gtr.2chords
C#m
12_12_-_--_ 12_14_12_12_
12- 12*---12_14_12_12_ I
9
(A/G#)
In my- place, I was- scared, a
(r#pz1
m
place
I
scared
were
that and
3
I-
could
un -
I(eyboard arr. for gtr.
ry
. . BLIOTHÈQU E.DI§COTHÈQUE Grand'Place 3810O GRENOBLE
Gtrs. I
+ztacet
@ Copyright 2002 BMG Music Publishing Limited. All Rights Reserved. lnternational Copyright Secured
100
der
- n't change, - pre - pared,
I but
was_
oh
_
for
I',ll
And I And if
was
you
I if
lost, 8o,
crossed
was
lines
and leave
you
me
I
have
should
down
my
here
Gtr. 3 (12 string elec.)
C#m
oh for
crossed,
own,
yeah.
ÿou,
5------5
long
Yeah,
nnn\/
n
nVn
you
NV
^--------/
for
cont. sim.
nVnV -
ü t-7-7-7-7-7-7-7 T_7_7 7 -t -T -T -7
must-
5-5
-*---*-7
5-5 5_5_5-5-_5-5-e-e-e
7-7-7 -7
-9-e-7
-7
\-.----
must-
for-
5-5 5-5 5-5-s -9 -7 -9-9-9-9-9 9-9 6-6-6 -s -s-s6-6-9-9 -e-7 9-9 - 9-9-s-7 1_1_1_7_7-7 -9
5-7-9 101
Yeah,-
must_
long
^U--_
wait
tor
5_5_5_5_5_s
_9_9_7 5_5_5_5_5_9_9_9 _9_7 6_6_6 _6 _6_6 _9_=9_9_9_9 5_5_5_5
5_7_9
It.
A
E
AIG*
Gtr.2,- ,rT rry'- ,rT
Gtr.2 Gtr. 2 cont. in slashes
7-7-77-7-75-5-5-5-s-5-s-
7-7-7 7-7-
7-7 7-7 5-5
4
12-12
5
4-4 -__{9
H9
Ff,m
12_
9_9 12--12
l2' A
Gtr.4
(A/G#)
A
(cfim)
(E)
(A)
(nfrptt;
(C#m)
(E)
lz
(etec.)
Gtr. 4 w/clean tone + delay
Gtr. I
ilFis.1
(x2)
9=---9_9
Gtr. 2 tacet
9_9
9---9-9
102
*14-12-12-12
(A/Gf)
9æ
12
-iz-141T14-12
Gn.tD out, -"Please,
c#*
e,1cf.
)--
,ry ,D
,D,ry,D
please,
now,-
-
now,-
Ffm
come back
and
fl9,
to
come on
and
out,
to
,me._ me_
+
-
12_12
I
t.
12_12_
12_12
_
I 12_12 _
ll z.
Cfim E / ,/,/ ,/ ,/ ,/ ,/ /,/,/,/
C#m
Come
on
2
and
sing
come back and
it
(A)
,/ ,/,/ sing
a
+
(A/c#)
.v In my place, in my-
it.
a
?
ÏeYboard arr. for gtr.
12_12____g_9_]r_ 1i14 _ 12_12
#1214
12__=__9_10 _12_ _
12
0__
_
2-
rit. (C#m)
(E6)
(E#rnz1
were
lines
-
that
change. And I was lost,
(E?)
(A)
t&oh
yeah.
All gtrs. tacet
103
l
Amsterdam Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
gb
eb.D
6fr x ^'x
Fsusa
mru ffiii
Intro
):74
4b
sbqb
Âx
padde
AbmajT xx'
x
m'n m'n
pb
ffi
ËËffi
Bb/D
Ebx
Fsusa
Bb/D
Piano arr. for gtr.
sonar sound fx
4
6-6-8-
5-5
3_3_6
1>-
6_6_6_
4
(T optional)
pbpb
Fsusa
3_2
1+
4
5_0
6#
Fsusa
8_8---3_3
3_3
8\6
3_2_5-=-0 4
1+4
6
8_8
@ Copyright 2002 BN/G Music Publishing Limited. All Rights Reserved. lnternational Copyright Secured
104
5_5
Bb/D
l.
Come
on,
Bb/D
Fsusa
.-
my
star
is
fad
let ring...
I
ryP
3_2_5_0 3__6
pb
4b
Fsusa
out of
con
-
3_2
trol.
BbID
And if-
--
4
3-6
Fsusa
\-:----l
I'd,
5_0
3_2 3_3_6 3_6
6
Bb/D
['d not
be
sruck
here
ü
1)--
6_8 105
5_5
T ed.
8-3-3 8_ 3_3 6_6_6_8_s-_5
4
3_6# 3_6_8\6
4b
4
ab/D
2. 3.
ab/D
here, ofl,
ComeCome-
5_5
oh oh
my my
star
fad
and
star
fad
and
I_.-- s\r/erye I see no
9-5-o
3_5
Bb/D
out of of
chance
con
swear know
And And
re
ed on
I
I'^r,
and
the
6_8\6 4
Bb/D
I've got but I
to am
Abmaj7
get scream
l"mp
is on
on your
your
Vn
--
1_1
1_1
1_--1_1 1_1 1=--1_1
106
1_1 1_1 1_1
2'ü
side
4_4_4 3_3 5=--5_5 6-6
4_4 3_3 5_5 6-6
['m
push -
ing
1-1
round,
all
To Coda
for
no
cause
_
1-1
pb
gb
Ebx
it's
-
ryp
3-3 1-1-1 2-2-2 3-3
3-3
3--3-3 3-3-3 3-3 i--1-1
and
down-
you
BbID
con
ü 4----4 3---3 5-5 6-6
3 5 6
8-8--3-3
3----3 3_-.-.--3 3-----3 1--=--1
3 3 3
4
1
6-6-6-8-5
-s
-5
Fsus4
3-2 3--6
1>-
Fsusa
gb
4b
BbID
Fsus4
sbpb
4b
BbID
4
4
s--0
3-3-6---------,â3--6_--8\6
6-6-6-8-5-5-5
1)_-
4
gb
4b
BbID
a
Fsus4
4b
D.S. al Coda
=-
3-2 3-3-6 3-6
-----
8-8-6-3
4 5
6-6-6-8-5--5
1+4
-0
--5 107
3_6
-
It.
§Coda
nV
sb
Ebx
AbmajT
Fadde
Vn
I
"!f 3_3_3
3_3
1_ 2-2-2 3-3
-3-3-3 1_1_1_1_1 ,_1_1_1_1 1_1_1_1
2-2 3-3
endGtr.2
4_4_4_4_4 3_3_3 3--3 5_5_5 5-.5 6-6-6 6--6
this
ball
nn
n
and
n
I\,
cnam_
n
3--3_3 3_3 3_3_3 3_3 3-3 3-3 1_1_1_1_1
and I'm
cont. sim.
(elec)
Gtr.3-
(etec)
3-3-3 r_3_3_3 *3-3-3 7__1_1_1
3-3 3_3 3-3
1f iâ'#iiin,n
cont. sim
6_6_6_6_6_6_6_6
2-2-2-2-2
8-8-8-8-8-8_--8-8 3_ 3_ 3-3---3-3-3-3
2-2
1_1
down,-
8-8-8-8-8-8-8-8
sick to the
8_8_8_8_8_8_8--8 3-3-3-3-3-3-
Stood
yeah.
tied to
on the edge,-
6-6-6-6-6
-6-6
6-6-6-*6-6-6-6-6
You can say what
sto
8-8-8-8-8-8-8--8 8_8_8_8---
8_8-
6_6_6_
108
the
6--6_6
8-
7-7-7-7-7-7-7-7
6-6
5-5-5-_5-5-5-5-5
you
6_6_6
mean-
AbmajT
but it won't
change
['m sick
a
of the
8-8-8-8-8
se
8-8
3_ 3_ 3_ 3_ 3_ 3_ 3_
2_2_2_2_2_2_2_2
6_ 6_ 6_ 6_ 6_ 6_ 6_ 6_
6_6_6-6_6_6_6_6
6_6_6_6_6_6_6_6
7_7_7_7_7_7_7_7 5_
5_5_
and
5_
8l-8-8-8-8-8 3_3_ 3_3_3_
2-2-2-2-2-2-2-
5=- 5_
me_
you
3_ 3_ 3_
5_5
J-f ,l-] J-tr)
Pianoarr'T*"rr
+ echo rpts
8_8_8_8
6_6_6__6_6_6_6_6
8_
6_6_
7-
7_7-7_
5_
5_
5_
7_7 5_
5_5_
3_3_3 1_1_1 2_2 3_3
3_3_ 1_1_ 2_2_ 3_3_
1-
gb
AbmajT
You
long-
came
and you cut
^ 3_3 1-1 1- I -1 1-1-1 -1
3_3 1-1 11-1 1
4-4-4 3_3_3 5_5_5 6_6_6
4--4 3_3 5_5
6-_6
109
Life ls For Living Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin
lntro
J:90
sb
Gm7
ffi
Éffi
HO
Â
Ebs
ffi ffi
Cm7
m'o
EÈffii
Bbsus2
Hffi
l)=)-9-
.»
Bb
Piano arr. for Gtr.
ryp Gtr. I (elec.) 2' wlspatial chorus + delay plays held chord/bar mp
3_3
1-1
fl.---__l-
gb
Bbsus2 gb
Verse
gb
sb
1.
Now
I
(2.) my
Gm7
nev
head-
er
just
to do when I
you_ think-
Bbsus2
@ Copyright 2000 BMG Music Publishing Limited. All Rights Reserved. lnternational Copyright Secured.
110
Gm7
il=3 rÀ-v,
But
then I'm
sor
'Cause
we
all
3
r
3
1
1
U
3_-
let want
it
stand-
to
live-
1
1
3
2 1
1
Bbsus2
don't don't
know,
1
gb
gb
2.
our_ a-
'Cause
I
sing
Chorus
ah.
4-4-4 5-3 1-1-1
111
4-4-4 3-5-31- 1-
1--,
xH'
Vocal on X ad
Fsusa
lib
Freely
D.S. al Coda
sb
(with repeats)
112