• Author / Uploaded
• Vincenzo Capuano

Citation preview

Bordel 1900 Pour Saxophone soprano Sib et Guitar

7

 =180                                                            

                           

Astor Piazzolla

                        3 3                                                                                                                  

12

17

                 3



21

  

24



             

           

                                                   

     10                                                       

30

3

3

3

                                           3

35

  

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     

                                 3

 Fine                                                       

46





                                          

51

                                                  

55

               

60



                      

67





                          3                               

                                                                                                             

72

78

                          

84

    

        

                             

89

    

11

                               

95

             

99

   

105

2

  

 

       

D.C. al Fine



    



   