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Autentico Señor

1er clarinete

        

marcha regular

                                            4                         3            7                                         11                                            3 3 3 3 3 3                                            1.              

    

16

 

21

 

25





2.     

28

31



38



 

Luis Vargas Guevara

                      1. 2.                               3    3                                                        

                  

3

41

2.                    3

3

3

3

46

Harold Garcia De La Cruz





3

3

1.     3

3

        

3

3

3

 

Autentico Señor

Clarinete 2do

       

Marcha regular

                              4              

       

Luis Vargas Guevara

    

  

                                  3

6

  

                              15                                 20                  3 3 3 3 3 3 23                                          1.  2. 26                                   10

30



36



40





                    3       1.     2.                                    3                                        

    

3

3

    

45

1.

                     3

3

3

3

3

3

3

2.

Harold Garcia De La Cruz

3

3

3

        



autentico señor

saxo alto solo





  

5

                                                                 

   

9

marcha regular



            



                        

luis vargas guevara

        3              





15









3 3                                          3 3 3 3  23                                        26      1.           2.                                    solo tacet x 2da vez 1. 31                                        3           34                             3 3 3         solo     2.          37                           19

                                                           3

3

42

45







3

3

3

3

                                   3

1.

3

2.

harold garcia de la cruz

3

3

3

3

3

3



Autentico Señor

saxo alto 2





  

4

7



12



 

marcha regular

        

                              3                                                                                                           

  



18

21



Luis Vargas Guevara

       



                     3

      



3

   3



     3

3

3

        1.     2.                                       

25

                                          3    1. 2. 33                                 3  39                                        29

42







3

3

3

3

                                   3

1.

3

2.

harold garcia de la cruz

3

3

3

3

3

3



autentico señor                    5          

marcha regular

luis vargas guevara [Arranger]

3                                                                                                        11                                        16                                               21                                                                    1. 2.  26                                                   5        3             31                                      3          2. 36 1.                                                                  1.   40                                                          2. 46                            

Percussion

harold garcia de la cruz

autentico señor bone solista

               

marcha regular

Luis Vargas Guevara [Arranger]

                                  

                                                                               11                             14               tutty       18                  22                                              1. 27               2.                                   3 3 31                            3            1.   2. 35                       3 3 3                            38             3 3            41         1.                                 3 3  46 2.                     7

    

solo expresivo

harold garcia de la cruz

3

Autentico Señor

1ra trompeta

macha regular

luis vargas guevara



                                                   3   Bone          6                          

            

15



 

  

          

                                                    1. 2.              27                               23

32



      sax 

     

1.



                             2.

                      solo                    3

3

39



      



43

1.                     

2. tutti              

46

 

        

Harold Garcia De La Cruz 956031856





Autentico Señor

2da trompeta

marcha regular

luis vargas guevara

                        3 5                                        9    bone                                                    

                                             

21

    

25

           

    

1.

            



2.

                                        

29

33







saxo

      2.                                    3

1.

                    

40

2.           

46



3



trop soli

         1.

      

Harold Garcia De La Cruz 956031856





Autentico señor

bajo 1

marcha regular

Luis Vargas Guevara

                                                3        5                                 8                                         12                                          16     3                      21                                            

25

2.                  

28

 

         

   

1.      

           3 3        



 31                            3 1. 2.  36                                                   3

3

3

3

                                        3 3   1. 43             2.                                 3 3  39

3

3





3

harold garcia de la cruz

Tuba Bb

Autentico Señor marcha regular

                        5           

Luis Vargas Guevara

3                                               

                                     14                                 9

                                          1. 23                                              18



28



33



37



39



42



46

                                            3  1.                                2. 3 3                                                                3 3  1. 3 3                                        2.                    

2.

3

3

3

harold garcia de la cruz