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A Progression Map for Major Keys #Idim7

IIIm7b5

VI

iim

7,9,b9

#IVm7b5

m7,m9

#IVm7b5

VII

#Vdim7

m7

7

I

IV

7,9,b9

I/3

II

V

V/2

7,9,11,13,sus

bVI bVII 9

I

2,6,M7,M9,sus

#Idim7

iim

#IVm7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Im6

VIIm7b5

III

vim

IIIm7b5

Vm

7,9,b9

7,9,11,13,sus

iiim

7,9,b9

II

V

#IIdim7

VIm7b5 b3

IIIm7b5

VI 7,9,b9

m7,m9

bVI7

IVm7 bII7

Idim/b3

I/5

bVII9 #IVm7b5

IV/1 V/1

Chords in italics have been respelled: bVI7 = bVI(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: I-IV-V-I) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: ii-V-I or vi-IV-ii-V) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for A Major A#dim7

C#m7b5

F#

Bm

7,9,b9

D#m7b5

m7,m9 D#m7b5

G#

E#dim7

m7

7

A

D

7,9,b9

A/C#

B

E

E/B

7,9,11,13,sus

F G 9

A

2,6,M7,M9,sus

A#dim7

Bm

D#m7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Am6

G#m7b5

C#

F#m

C#m7b5

Em

7,9,b9

7,9,11,13,sus

C#m

7,9,b9

B

E

B#dim7

F#m7b5 C

C#m7b5

F# 7,9,b9

m7,m9

F7

Dm7 Bb7

Adim/C

A/E

G9 D#m7b5

D/A E/A

Chords in italics have been respelled: F7 = F(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: A-D-E-A) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Bm-E-A or F#m-D-Bm-E) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for Ab Major Adim7

Cm7b5

F

Bbm

7,9,b9

Dm7b5

m7,m9 Dm7b5

G

Edim7

m7

7

Ab

Db

7,9,b9

Ab/C

Eb

7,9,b9

Eb/Bb

7,9,11,13,sus

Fb Gb 9

Ab

2,6,M7,M9,sus

Adim7

Cm7b5

F

Bbm

Dm7b5

Bb

C

7,9,b9

m7,m9

6,M7,m,m6

Abm6

Gm7b5

Fm

Cm7b5

Ebm

7,9,b9

7,9,11,13,sus

Cm

7,9,b9

Bb

Eb

Bdim7

Fm7b5 Cb

7,9,b9

m7,m9

Abdim/Cb

E7

Dbm7 A7

Ab/Eb

Gb9 Dm7b5

Db/Ab Eb/Ab

Chords in italics have been respelled: A7 = Bbb7, E7 = Fb(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: Ab-Db-Eb-Ab) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Bbm-Eb-Ab or Fm-Db-Bbm-Eb) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for B Major B#dim7

D#m7b5

G#

C#m

7,9,b9

E#m7b5

m7,m9 E#m7b5

A#

Gdim7

m7

7

B

E

7,9,b9

B/D#

F#

7,9,b9

F#/C#

7,9,11,13,sus

G A 9

B

2,6,M7,M9,sus

B#dim7

C#m

E#m7b5

C#

7,9,b9

m7,m9

6,M7,m,m6

Bm6

A#m7b5

D#

G#m

D#m7b5

F#m

7,9,b9

7,9,11,13,sus

D#m

7,9,b9

C#

F#

Ddim7

G#m7b5 D

D#m7b5

G# 7,9,b9

m7,m9

G7

Em7 C7

Bdim/D

B/F#

A9 E#m7b5

E/B F#/B

Chords in italics have been respelled: Ddim7 = Cxdim7, Gdim7 = Fxdim7, G7 = G(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: B-E-F#-B) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: C#m-F#-B or G#m-E-C#m-F#) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for Bb Major Bdim7

Dm7b5

G

Cm

7,9,b9

Em7b5

m7,m9 Em7b5

A

F#dim7

m7

7

Bb

Eb

7,9,b9

Bb/D

C

F

F/C

7,9,11,13,sus

Gb Ab 9

Bb

2,6,M7,M9,sus

Bdim7

Cm

Em7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Bbm6

Am7b5

D

Gm

Dm7b5

Fm

7,9,b9

7,9,11,13,sus

Dm

7,9,b9

C

F

C#dim7

Gm7b5 Db

Dm7b5

G

7,9,b9

m7,m9

Gb7

Ebm7 Cb7

Bbdim/Db

Bb/F

Ab9 Em7b5

Eb/Bb F/Bb

Chords in italics have been respelled: Gb7 = Gb(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: Bb-Eb-F-Bb) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Cm-F-Bb or Gm-Eb-Cm-F) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for C Major C#dim7

Em7b5

A

Dm

7,9,b9

F#m7b5

m7,m9 F#m7b5

B

G#dim7

m7

7

C

F

7,9,b9

C/E

D

G

G/D

7,9,11,13,sus

Ab Bb 9

C

2,6,M7,M9,sus

C#dim7

Dm

F#m7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Cm6

Bm7b5

E

Am

Em7b5

Gm

7,9,b9

7,9,11,13,sus

Em

7,9,b9

D

G

D#dim7

Am7b5 Eb

Em7b5

A

7,9,b9

m7,m9

Ab7

Fm7 Db7

Cdim/Eb

C/G

Bb9 F#m7b5

F/C G/C

Chords in italics have been respelled: Ab7 = Ab(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: C-F-G-C) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Dm-G-C or Am-F-Dm-G) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for D Major D#dim7

F#m7b5

B

Em

7,9,b9

G#m7b5

m7,m9 G#m7b5

C#

A#dim7

m7

7

D

G

7,9,b9

D/F#

E

A

A/E

7,9,11,13,sus

Bb C 9

D

2,6,M7,M9,sus

D#dim7

Em

G#m7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Dm6

C#m7b5

F#

Bm

F#m7b5

Am

7,9,b9

7,9,11,13,sus

F#m

7,9,b9

E

A

E#dim7

Bm7b5 F

F#m7b5

B

7,9,b9

m7,m9

Bb7

Gm7 Eb7

Ddim/F

D/A

C9 G#m7b5

G/D A/D

Chords in italics have been respelled: Bb7 = Bb(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: D-G-A-D) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Em-A-D or Bm-G-Em-A) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for Db Major Ddim7

Fm7b5

Bb

Ebm

7,9,b9

Gm7b5

m7,m9 Gm7b5

C

Adim7

m7

7

Db

Gb

7,9,b9

Db/F

Ab

7,9,b9

Ab/Eb

7,9,11,13,sus

A B 9

Db

2,6,M7,M9,sus

Ddim7

Fm7b5

Bb

Ebm

Gm7b5

Eb

7,9,b9

m7,m9

6,M7,m,m6

Dbm6

Cm7b5

F

Bbm

Fm7b5

Abm

7,9,b9

7,9,11,13,sus

Fm

7,9,b9

Eb

Ab

Edim7

Bbm7b5 Fb

7,9,b9

m7,m9

Dbdim/Fb

A7

Gbm7 D7

Db/Ab

B9 Gm7b5

Gb/Db Ab/Db

Chords in italics have been respelled: A = Bbb, B = Cb, D7 = Ebb7, A7 = Bbb(aug6), B9 = Cb9

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: Db-Gb-Ab-Db) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Ebm-Ab-Db or Bbm-Gb-Ebm-Ab) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for E Major E#dim7

G#m7b5

C#

F#m

7,9,b9

A#m7b5

m7,m9 A#m7b5

D#

B#dim7

m7

7

E

A

7,9,b9

E/G#

B

7,9,b9

B/F#

7,9,11,13,sus

C D 9

E

2,6,M7,M9,sus

E#dim7

F#m

A#m7b5

F#

7,9,b9

m7,m9

6,M7,m,m6

Em6

D#m7b5

G#

C#m

G#m7b5

Bm

7,9,b9

7,9,11,13,sus

G#m

7,9,b9

F#

B

Gdim7

C#m7b5 G

G#m7b5

C# 7,9,b9

m7,m9

C7

Am7 F7

Edim/G

E/B

D9 A#m7b5

A/E B/E

Chords in italics have been respelled: Gdim7 = Fxdim7, C7 = C(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: E-A-B-E) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: F#m-B-E or C#m-A-F#m-B) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for Eb Major Edim7

Gm7b5

C

Fm

7,9,b9

Am7b5

m7,m9 Am7b5

D

Bdim7

m7

7

Eb

Ab

7,9,b9

Eb/G

F

Bb

Bb/F

7,9,11,13,sus

Cb Db 9

Eb

2,6,M7,M9,sus

Edim7

Gm7b5

C

Fm

Am7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Ebm6

Dm7b5

G

Cm

Gm7b5

Bbm

7,9,b9

7,9,11,13,sus

Gm

7,9,b9

F

Bb

F#dim7

Cm7b5 Gb

7,9,b9

m7,m9

Ebdim/Gb

Cb7

Abm7 Fb7

Eb/Bb

Db9 Am7b5

Ab/Eb Bb/Eb

Chords in italics have been respelled: Cb7 = Cb(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: Eb-Ab-Bb-Eb) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Fm-Bb-Eb or Cm-Ab-Fm-Bb) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for F Major F#dim7

Am7b5

D

Gm

7,9,b9

Bm7b5

m7,m9 Bm7b5

E

C#dim7

m7

7

F

Bb

7,9,b9

F/A

G

C

C/G

7,9,11,13,sus

Db Eb 9

F

2,6,M7,M9,sus

F#dim7

Gm

Bm7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Fm6

Em7b5

A

Dm

Am7b5

Cm

7,9,b9

7,9,11,13,sus

Am

7,9,b9

G

C

G#dim7

Dm7b5 Ab

Am7b5

D

7,9,b9

m7,m9

Db7

Bbm7 Gb7

Fdim/Ab

F/C

Eb9 Bm7b5

Bb/F C/F

Chords in italics have been respelled: Db7 = Db(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: F-Bb-C-F) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Gm-C-F or Dm-Bb-Gm-C) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for G Major G#dim7

Bm7b5

E

Am

7,9,b9

C#m7b5

m7,m9 C#m7b5

F#

D#dim7

m7

7

G

C

7,9,b9

G/B

A

D

D/A

7,9,11,13,sus

Eb F 9

G

2,6,M7,M9,sus

G#dim7

Am

C#m7b5

7,9,b9

7,9,b9

m7,m9

6,M7,m,m6

Gm6

F#m7b5

B

Em

Bm7b5

Dm

7,9,b9

7,9,11,13,sus

Bm

7,9,b9

A

D

A#dim7

Em7b5 Bb

Bm7b5

E

7,9,b9

m7,m9

Eb7

Cm7 Ab7

Gdim/Bb

G/D

F9 C#m7b5

C/G D/G

Chords in italics have been respelled: Eb7 = Eb(aug6)

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: G-C-D-G) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Am-D-G or Em-C-Am-D) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.

A Progression Map for Gb Major Gdim7

Bbm7b5

Eb

Abm

7,9,b9

Cm7b5

m7,m9 Cm7b5

F

Ddim7

m7

7

Gb

Cb

7,9,b9

Gb/Bb

Db

7,9,b9

Db/Ab

7,9,11,13,sus

D E 9

Gb

2,6,M7,M9,sus

Gdim7

Bbm7b5

Eb

Abm

Cm7b5

Ab

7,9,b9

m7,m9

6,M7,m,m6

Gbm6

Fm7b5

Bb

Ebm

Bbm7b5

Dbm

7,9,b9

7,9,11,13,sus

Bbm

7,9,b9

Ab

Db

Adim7

Ebm7b5 Bbb

7,9,b9

Gbdim Bbb

m7,m9

D7

Cbm7 G7

Gb/Db

E9 Cm7b5

Cb/Gb Db/Gb

Chords in italics have been respelled: D = Ebb, E = Fb, G7 = Abb7 D7 = Ebb(aug6), E9 = Fb9

Suggestions for Use 1 - Begin with the blue boxes. Start at I. Jump to another blue area. Follow the arrows back toward I. (Example: Gb-Cb-Db-Gb) 2 - Start with any blue box. Create a 3 or 4-chord progression by following the arrows. (Examples: Abm-Db-Gb or Ebm-Cb-Abm-Db) 3 - You may jump to a green location at any time. When you do, there is a tendency to follow the arrows back toward the blue locations. 4 - If two locations have the same name, you may switch from one to the other. This gives more options for choosing the next chord. 5 - The arrows indicate strong, natural-sounding progressions. For interest, sometimes go opposite the direction of the arrows. The expression X/Y indicates chord X with scale note Y in the bass. Copyright 1995, 2001, 2004, 2017 Stephen Mugglin Permission is given to make not-for-profit copies. - More information at Chordmaps.com.