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Iron Maiden A Matter of Life and Death Different World - 02 These Colours Don't Run - 12 Brighter Than A Thousand Suns -
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Iron Maiden A Matter of Life and Death Different World - 02 These Colours Don't Run - 12 Brighter Than A Thousand Suns - 22 The Pilgrim - 33 The Longest Day – 41 Out Of The Shadows – 51 The Reincarnation Of Benjamin Breeg – 57 For The Greater Good Of God – 70 Lord Of Light – 85 The Legacy – 98
Digital Conversion © 2011 Sorgdal Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any Sorgdal
claim to its accuracy or value as a learning aid.
Different World Words & Music by Steve Harris & Adrian Smith
E5 7fr
C5
D5
3fr
G5
A5
Dsus4
D
G/B
5fr
2fr
Intro q = 185
[E]
Gtr. 1
ff
P.M.
w/dist.
7
9 9 9 10 7 7 7 7
Gtr. 2
9 7
7 7 9 10
ff
7 7
9 9 9 10 7 7 7 7
10 9 7
7 7
9 7
10 9 7 10 9 7
P.M.
w/dist.
0
2 2 2 3 0 0 0 0
0 0
2 0
0 0 2 3
2 2 2 3 0 0 0 0
3 2 0
0 0
2 0
3 2 0 3
2 0
E5
Gtrs. 1+2
Gtr. 3
f
3
Gtr. 1
w/dist.
05
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
Sorgdal
0 5
0 5
0 5
3
05
0 5
0 5
0 5
0 5
0 5
cont. in slashes
7 9 7
Gtr. 2
0 5
P.M.
P.M.
9 7
9 10 7 7
7 7
9 7
7 7
9 10
10 9
7
9 7
9 7
9 10 7 7
7 7
9 7
10 9 7 10 9
P.M.
2 0
2 0
P.M. cont. in slashes
0 2 0
2 0
3 0
0 0
2 0
0 0
2
3
3
2
0
2 0
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3 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited BMG Music Publishing Limited All Rights Reserved. International Copyright Secured.
0 0
2 0
3 2 0 3 2
Verse
C5
1. You
lead me on the I thought I had it
2.
path, all,
keep I
D5
show - ing had it
me all
E5
rhythm cont. sim.
the way. worked out.
Gtr. 2
P.M.
cont. in slashes
0 0
I Just
feel what
a the
lit - tle fu - ture
E5
P.M.
4 5
5
7
2
tle would
C5
strange be
no
of what - ev - er comes my and I took an - oth - er
cont. in slashes
cont. in slashes
9
10
10
9
7
0 0
2
3
3
2
2
D5
to - day. doubt.
P.M. cont. in slashes
Sorgdal
-
7 7
Gtr. 2 1°
lit there
5
a that
hold up
Gtr. 2 2°
P.M.
lost, held,
3
4
7
G5
3
a I think I’ll take came But then the card
Gtr. 1 2°
2
D5
way. turn.
D5
Gtr. 2
P.M.
1.
G5
Then we’ll see what hap pens, take But I don’t know if it’s for - ev -
E5
it er
day that
by I
day. yearn.
cont. in slashes
0 0
2
3
3
2
$
Chorus
2. G5
Ev -’ry - bo
Sorgdal
you to
-
ci
-
ate
dy
has
a
G5
know,
this
- ’rent
when you see
C5
life.
It’s
E5
way
not
late
too
what
view
I would like
E5
things,
to ap - pre -
D5
to
see.
the world.
sim - ple
you
E5
the
me
D5
to
D5
G5
and then tell
diff
C5
-
you can hear
C5
C5
Tell me what
A5
rhythm cont. sim.
G5
C5
E5
learn.
Don’t
Gtr. 3 (2° ad lib.)
9
3
G5
Bridge
C5
D5
E5
want
to be
here,
some
7
8 9
10 9
8 9
8
9
9
G5
-
9
where
8
9
9
-
7
8 9
9
C5
9
10 9
8 9
8
9
G5
D5
-
-
8
9
9
9
C5
I
10 9
8 9
8
9
9
9
9
9
9
E5
be.
But
9
9
8
7
9
9
8 9
D5
get
9
9
A5
there,
I’m a - fraid
7 8
9
9
7 9
10
9
8
9
ther
7 8 9
7
9
10
9
when
9
10
9
9
I’d ra
10
9
7 8
10
9
9
10 9
10 9
9
7
9
9
8 9
9
9
To Coda Ø
C5
Dsus4
D
G5
it’s not
for me.
7
Sorgdal
4
8 9
8
10 9
9
9
9
9
9
8 7 7
8 7 7
8 7 7
7 7 7
Tell me what
7
10 9
7 7 7
C5
Chorus
A5
you can hear
-
dy
has
a
you to
diff
- ’rent
way
C5
to
view
-
ci
-
ate
this
the
the
life.
It’s
not
too
world.
sim - ple
G5
E5
Ev -’ry - bo -
D5
when you see
see.
C5
you
G5
D5
know,
what
E5
me
G5
and then tell
C5
C5
I would like
E5
things,
to ap - pre -
D5
late
to
learn.
Interlude
Gtr. 1 [E]
P.M.
Sorgdal
7
9 7
9 7
9 10 7 7
Gtr. 2
7 7
9 7
7 7
9 10
10 9
7
9 7
9 7
9 10 7 7
P.M.
7 7
9 7
10 9
7 10 9
7
P.M. 0
2 0
2 0
2 0
3 0
0 0
2 0
0 0
2
3
3
2
0
2 0
2 0
2 0
3 0
0 0
2 0
3
2
0 3
2
0
5
P.M.
9 7
9 10 7 7
7 7
9 7
7 7
10 9
7
9 7
9 7
9 10 7 7
7 7
9 7
10 9
7
P.M.
7 10 9
P.M.
10 9 2 0
2 0
2 0
3 0
0 0
2 0
0 0
2
*E5
Gtr. 1
3
3
Gtr. 3
2
7
7 10
9
10
2 0
3 0
0 0
7
2 0
10 9
G5
7
D5
8 8
5
9
10
7 7
4
5
8 8
8 9
5
7 7
7 7
4
5
4
5 5
7 10
8 8
8 9
4
7
7 7
9
9
0
2 0
C5
8 9
9
2
2 0
Gtr. 2
6
9 10
7
Sorgdal
7
9 7
9
*chords implied by bass
E5
8 8
7 7
8 8
8 9
5
C5
4
7 7
5
4
7 7
8 8
8 9
7 7
8 8
8 9
7 7
5 7
5
5
D5
8 8
8 9
G5
4
5
5
4
5
5
4
5 5
E5
8 8
7 7
8 9
5
4
C5
8 8
7 7
8 9
5
4
5
G5
D5
8 8
7 7
8 9
8 8
7 7
8 9
8 8
7 7
7 7
5
4
5
5
4
5
5
4
5 5
Gtr. 4
f w/dist.
Sorgdal
9
7
9 9
7
9 9
7
9 9
7
9 9
7
9
11
7
E5 Gtrs. 1+2
A5
C5
D5
Gtr. 5
f
cont. in slashes
w/dist.
1/2
8 8
7 7
8 8
8 9
5
7 7
4
5
4
5
9
5
7
9
7
9
7
9
D5
E5
rhythm cont. sim.
12
11
G5
9
full
12 12 13 15
15 13 12 13 12
12 14
14 12
11 12 14 12
3 3 C5
4
9
C5
14
G5
12
14
15
14
12
E5
12 10
10
12 12 10 12
11
15
D5
12
8
5
Gtrs. 3+4 tacet
Sorgdal
14
10 7
5
Gtr. solo
7 7
5
8 8
8 9
10 12 10
10 12
10 12 12 12
G5 C5 5
12 8
7
5
12 8 7 5
-1/2
w/bar
12
8
8
12 8 7 5
12 8
7
5
C5
2
3
3
7
12 8 7 5 12 8 5
3
5
12 8 7 5
12 8 7 5
D5
5
5
8 12 8 7 5
8 7 5
5
6
P.M.
5 5
5
7
5
4
5 7
5
4
4 5
5
5
7
9
7
-1/2 D.S. al Coda
G/B
Dsus4
7
9
9
9
Sorgdal
14
15
17
E5
G5
Don’t
or
to
- fused,
be.
what
20
more
C5
what
G5
D5
I
want,
G5
Feel
the
C5
the
days
-
I
C5
ing
want
D5
more
Dsus4
go
C5
where
E5
A5
20
D5
20
know
E5
19
full
G5
17
Gtr. 3 cont. ad lib.
Tell me
full
0
3
Ø Coda
3
9
full
D
D
con
by.
9
Outro
[E]
Gtr. 3
3
05
0 5
0 5
0 5
0 5
0 5
Gtr. 1
0 5
0 5
0 5
9 7
9 10 7 7
7 7
9 7
2 0
2 0
0 0 0 0 12 12 12 12
3 0
0 0
0 12
0 12
9 10
0 0 0 8 8 8
0 8
0 8
0 0 0 0 0 0 0 8 8 8 8 10 10 10
10 9
9 9 9 10 7 7 7 7
7
7 7
9 7
10 9 7 10 9 7
P.M.
0 0
2
9 7
9 7
9 10 7 7
2 0
2 0
2 0
3 0
7 7
9 7
0 0
2 0
3
3
2
2 2 2 3 0 0 0 0
0
0 0
0 0 0 0 0 0 0 12 12 12 15 15 15 15
0 0 0 0 17 17 17 17
0 17
2 0
3 2 0 3 2 0
E5
0 17
0 17
P.M.
10
08
7 7
2 0
Sorgdal
5
0 2 0
0 5
P.M.
0 5
7 9 7
Gtr. 2
0 5
P.M.
0 5
7 7
9 10
10 9
7
9 7
9 7
9 10 7 7
P.M.
0 0
2
3
3
2
0
2 0
2 0
2 0
3 0
7 7
9 7
0 0
2 0
9 7
These Colours Don't Run
Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
Em9 C'9/E D'9/E E5 2fr
5fr
Em9
mf
D5
3fr
P.M.
Csus2 Gsus2
Em9
C'9/E D'9/E
4 4 2
5
5 4 2
5
2
3
0
7
5 4
4
3
2
0
2
9 5
0
10 12 12 12 10
13
9
12
10
12
12
12
12
11
11
0
C'9/E D'9/E
12
mp
10
5
4
9
9
9
7
5
5
9
7
9
5
4
5
Em9
13
12
10
12
12
12
12
11
7 9
9
7
5
11
7
9
5
5
4
12
5 9
2.
C'9/E D'9/E C'9/E D'9/E
10 12 12 12 10
7
1.
C'9/E
9
accel.
w/dist.
7 2
Sorgdal
mp w/dist. Gtrs. 1+2 play Fig. 1
Em9
7
3
0
5
Gtr. 4
7 5 4 2
Em9
4 5
C'9/E Em9
E5*
Fig. 1
F5
P.M.
w/clean tone
Gtr 3.
A5
5fr
C'9/E
G5
3fr
Intro q = 110
Gtrs. 1+2
C5
7fr
4
11 9
5
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured.
4 7
11 9
4 7
q = 148
Em9
Gtrs. 1+2
C'9/E
4 2
5
4
2
you ing
P.M.
3
4
2
9
5
7 5 0
P.M.
5 5 3
3
3
5 5 3
in
-
coun save
when go -
ev that
’ry will
P.M.
4
- try, you,
7 5
5
4
5 3
3
9 9 7 0
D5
leav flames.
0
5 5 3
5 5 3
-
3
5 5 3
3
5 5 3
ing.
9 7 5
7 5
5
P.M. 7 7 5
3
P.M.
E5
P.M.
P.M.
P.M.
3
0
7 7 5
3
P.M.
9 9 7
3
G5
2
0
you’re in
4
5
P.M.
4
3
2
7
Fig. 2
2
5
Sorgdal
9 9 7
say down
Fig. 3
Fig. 2
0
P.M.
5
P.M.
7
0
3
C5
1. It’s the same 2. There is no - one
Gtr. 1
3
5 2
0
7
7
4 2
Gtr. 2
5
-
4 0
2 0
P.M.
4
3
E5
D'9/E
Verse
D'9/E
C'9/E
5
3
Fig. 3
0
5
5
2
7
0
4
2. C'9/E
P.M. ff Fig. 1 w/dist.
1.
Em9
7 7 5
5
5
P.M. 7 7 5
5
Gtr. 1 plays Fig. 2 Gtr. 2 plays Fig. 3
C5
Left be hind, the loved No sur ren - der, cer -
Where you’re go ing, On the shores of
there’s tyr -
G5
wait - ing, death, you
si look
ones tain
C5
ad - ven - ture ra - ny you
in in
the the
hope. eye.
D5
on - ly hu - man
dream wave.
D5
lent it
G5
oth crashed,
ers a
E5
E5
of.
E5
C5
Red and green light, this Pay ing for our free
Pre-chorus
Csus2
- sion,
- dier
G5
is - dom
real and with your
so lone
you - ly,
go to war. un -marked graves.
- ry.
for your coun
-
try.
Gsus2
For the pas -
E5
for the mon
- ey.
D5
What’s the diff - ’rence?
Gtrs. 1+2
D5
rhythm cont. sim.
For the mem -’ries,
Gsus2
for the glo
Csus2
D5
You’re a
sol
All the same.
Chorus q = 103
E5
Sorgdal
Far a - way
C5
E5
C5
D5
E5
rhythm cont. sim.
from the
We sailed a - way
G5
land
D5
be fore.
G5
of our birth,
G5
like our fath - ers
C5
We fly a
E5
flag
in some for - eign earth.
C5
These co - lours don’t run
D5
1. G5
D5
from cold, blood -y
war.
Gtrs. 1+2
0
3
q = 148
Em9
P.M.
C'9/E
4
7
4
5
2
4
2
5
3
D'9/E
4 2
5
4
2
2
9 7
3
5
0
C'9/E D'9/E
5
0
Em9
7
4
3
C'9/E
5
0
Em9
C'9/E
4
5
2
Em9
0
2. G5
D5
cold, blood-y war.
2
Gtr. 2
0
P.M.
4
7 5 4
4 2
5 4 2
5
2
3
0
4 5
4
3
2
0
Gtr. 1
7 5 4 2 3 0
9 7 9 5 7
5
2
0
0
Interlude q = 180
$ [A] Gtr. 3
13 6
15 8
Gtr. 4
f w/dist.
125
13 6
12 5
13 6
12 5
13 6
12 5
13 6
12 5 13 5 14 7
Gtrs. 1+2
Sorgdal
4
P.M. Fig. 4
2
3 3
0
5 5
0
3 7
0
2 5
0
3 3
2 5
3 3
0
5 5
0
3 7
0
2 5
0
3 3
5
(*F5)
(D5)
15 8
13 6
12 5
13 6
Gtrs. 1+2 play Fig. 4
12 5
13 6
[A]
13 6
15 8
12 5
17 10
12 5
13 6
13 6
15 8
P.M.
12 5
13 6
12 5
13 6
12 5
17 10
15 8
13
P.M.
10
12 12
0
Sorgdal
12 5
13 6
10 14
0
15 8
9 12
0
Gtr. 2 plays Fig. 5
13 6
12 5
13 5
14 7
10 10
13 6
12 5
13 6
13 6
12 5
13 5
14 7
12 5
13 6
12 5
13 6
12 5 13 5 14 7
P.M.
9
P.M.
12 12
12 5
13 6
12 5
P.M.
10 14
9 12
0
P.M.
10 10 0
12
0
P.M.
Gtr. 1 plays Fig. 4
10
Fig. 5
9
P.M.
Gtr. 2
To Coda Ø 12 5
*chords implied by bass
15 8
0
10 10
12
0
13 6
12 5
13 5
14 7
5
F5
12 5
13 6
15 8
17 10
D5
15 8
13 6
C5
12 5
13 6
12 5
13 6
12 5
14 7
Gtr. Solo
D5
13 5
Gtr. 5
ff
w/dist. full
12
15
12 5
13 6
15 8
13 6
12 5
13 6
12 5
13 6
12 5
13 6
12 5
13 5
14 7
Gtr. Solo
q = 103
E5*
G5
12 15 14 15 14 12
15
15 14 12
12 14 12 15
15 14 12
12
15 17 15
12
14
P.M. P.M. P.M.
3
12 14 12 15
G5
6
6
full
12
E5*
Gtrs. 1+2
Fig. 6
2 2 0
0
0
2 2 0
0
0
2 2 0
0
0
5 5 3
5 5 3
2 2 0
E5*
P.M. P.M.
P.M. 0
0
G5
2 2 0
0
0
2 2 0
0
0
5 5 3
E5*
5 5 3
G5
6 3 3 3 6
Gtrs. 1+2 play Fig. 6
Sorgdal
6
13 15 13 15 13
12 13 12
13 12 14
12 13 12 14 12 11 12 14
14 12 14 11 12 11 12 11 14 12 14 12 12 14
14
7
14 12
12 14 0
E5*
G5
3
6
13 12 15 14 12
12 13 12 15
12 13 12 15 14 12
12 12
12 15 14 14 15
14
12 13 12 15
14
14
G5 E5*
3
12 12
11
13
14
14
-1/2
-1/2
8
7
10
-1/2
8
13
-1/2
11
12
Gtr. 6
12 12
10
12
10
12
10
9
10
12
10
D.S. al Coda
14
15
17
17
15
[A]
3 w/dist.
1/2
E5*
G5
19
19
18
19 19
full
10 12
10
10
10 13
13
10 12
P.M.
13
12
12 13 12 5 6 5 13 5 14 7
10 10
12
5
Gtr. Solo
f
9
11
-1/2
Ø Coda
Sorgdal
12
G5
w/bar
12
-1/2
w/bar
12
14
14
E5*
12
3
910
9
Gtr. 2 (Fig. 4)
P.M.
Gtr. 1 plays Fig. 3
2
3 3 0
5 5
0
3 7
0
2 5
0
3 3
2 5
3 3 0
5 5 0
3 7
0
2 5 0
3 3
5
7
15
17
17 15
13
15 13
13
13 15
14
*F5
Gtr. 1 plays Fig. 3 Gtr. 2 plays Fig. 4 17
13
14
13 14
12
D5
12 12
15
13
13
12
12
12 13 15 14
1/2
12
15
12 12
12
14
10
10
9
9
*chords implied by bass
[A]
rake
15
5 6 5 5 4 5 7
5 7 5
7
15
17 18 17 18
5 7
17
19
20
22
17 18
X
7
X
Interlude
E5
Gtr. 3
G5
12
13
15
13
4
5
7
5
12
13
4
5
Fig. 7...
12
Gtrs. 1+2
Sorgdal
8
4
12
4
C5
D5
1.
2.
Oh,
12
14
5
7
...Fig. 7 ends
14
12
14
7
5
E5
Sorgdal
7
5
G5
7
oh,
C5
oh,
4
5
7
5
4
5
4
Gtr. 3 plays Fig. 7 4
4
1. D5
14
4
12
12
2. D5
oh.
Oh,
7
5
7
7
5
7
5
5
5
9
q = 103 Gtr. 3 tacet
E5
C5
Chorus Gtrs. 1+2
Chorus
Far a - way
E5
from the
C5
We sailed a - way
G5
D5
rhythm cont. sim.
land
D5
like our fath - ers
of our birth,
G5
be fore.
C5
E5
We fly a
E5
cold, blood - y war.
E5
These
co - lours don’t run
Outro q = 110
Em9
Gtr. 3
flag
in some for - eign earth.
1. G5
C5
from cold,
C'9/E
blood -y war.
Em9
12
12
10
13
12
10
C'9/E D'9/E
12
12
Gtr. 4
12
12
mp
7 9
9
9
7
11
12
rall.
5
4
5
5
9
7
C'9/E
9
5
Em9
10
13
12
10
12
12
12
12
11
7 9
9
7
5
11
7
9
5
5
4
5
4
12
5 9
4
7
C'9/E D'9/E
10 12 12 12 10
9
11
w/dist.
Em9
10
mp Gtr. 3 w/dist. Gtrs. 1+2 play Fig. 1
Sorgdal
10
D5
D5
12
These co -lours don’t run from cold,blood y war.
rall.
D5
D5
C5
G5 2. G5
G5
11 9
5
4 7
Brighter Than A Thousand Suns Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
D/E 4fr
Em F#m/E G/E 5fr
7fr
E5
Em9 Cmaj7#11 Am9
F5
G/B
D/E Em
Verse
not
the sons
7
8 7 0
D/E
Em
- ple
7
We have crossed the path
he
10
9 0
0
0
trod,
peo
7 7 0
Em
0
D/E
we will feel
10
the
8 11
0
of
7 9
0
pain
7 0
- sen
9
F#m/E
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured. Sorgdal
0
12 0
cho
8 11
12 12
his
0
D/E
10
12
11
not
5 0
Em
0
12
7
12
G/E
4
0
0
D/E
5
we are
12
A5* 5fr
9
8 7
God,
0
F#m/E
now.
of
12
0
11
0
10
10
B5* 7fr
Em
F#m/E
9
C5*
7
0
mf Gtr. 2 w/clean tone + chorus Gtr. 1 plays Fig.1
10 0
G/E
G5 Fmaj7#11
8fr
9
9 0
Gtr. 2
D'4 4fr
9
7
We are
A5
F#m/E
7
F#m/E
1.
0
Em
C
7fr
9fr
5 5
D/E
C5 3fr
F#m/E G/E
Fig. 1 mf let ring w/slight dist. 4
B5
E5*
D/F#
2fr
q = 115
Gtr. 1
G5 3fr
5fr
Intro
F#5
9fr
0
accel. poco a poco
D/E
Em
F#m/E
(1° only)
F#m/E
Em
D/E
his
G/E
be -gin ning.
Gtrs. 1+2
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
Fig. 2 ff w/dist.
5 4 poco accel. 5 a poco
7 7
$
2 0
2 0
2 0
2 0
7
5
10
0
0
7 0
B5 C5 E5
4
9
0
F#5 G5
10
0
E5
9
9
0
9
5 0
D5
0
F#5 G5
B5 C5
P.M.
2 0
4 2
P.M.
4 2
5 3
5 3
0
2 0
2 0
2 0
2 0
7 5 0
4 2
5 3
4 2
5 3
q = 125 Gtrs. 1+2 play Fig. 1
D/E
Em
Sha - dow Knock - ing 4. Yel -low 5. Di -vide and 6. Bomb ers 2. 3.
D/E
Em
sky. hell. him. fall.
Sorgdal
2
F#m/E
q = 125
Verse
fing - ers rise a - bove, heads to - geth - er well, sun, its ev - il twin, con - quer while ye may, launch with no re - call,
F#m/E
G/E
Oh, be Join the We will In a Take a
G/E
F#m/E
Em
ir - on fin - gers raise a ci - ty in the black, the oth ers preach and oth min ute warn - ing
hold the pow er of man, race to su i - cide, split our souls with - in, bunk - er’s where we’ll die, look at your last sky,
F#m/E
on lis at there guess
stab build winds ers of
its ten om the ing
Em
D/E
the de - sert a liv - ing de - liv - er fall and pray. the mis - sile’s
D/E
tow - er read - y for for the tol - ling of seed to nu - clear dust ex e - cu - tion - ers you won’t have the time
the the is they to
E5
F#5 G5
D5 F#5 G5
2, 3, 5. E5
D5 F#5 G5
B5 C5
P.M.
B5 C5
fall. bell. riv en. lie. cry.
Gtrs. 1+2
1, 4. B5 C5 E5
2 0
2 0
2 0
2 0
2 0
P.M.
4 5 2 3 0
4 2
5 3
2 2 0 0
7 5
2 2 0 0
4 4 5 2 2 3
0
P.M.
5 3
2 2 0 0
7 5
2 2 0 0
cont. in slashes
4 4 5 2 2 3
0
5 3
Pre-chorus
C5
of
Un - ho
- ly
Sorgdal
F5
strange
G5
B5 C5
is
1.
E5
D5
F#5 G5
B5 C5
2 0
2 0
P.M.
2 0
2, 3.
2 0
4 2
5 3
4 2
P.M.
5 3
2 0
0
2 0
Cmaj7#11
2 0
re - formed.
born.
Fmaj7#11
love
tri - ni - ty
7 5
2 0
4 2
0
Am9
5 3
4 2
5 3
To Coda Ø
Fmaj7#11
Fig. 3 mf let ring w/slight dist.
G5
Em9 Gtrs. 1+2
a
F#5 G5
2 0
E5
Gtrs. 1+2
u - ni - on,
the un - i - verse,
A5
rhythm cont. sim.
Out
C5
A5
0 0
0 4 2 0
0 0
0 4
4 3
0 0
0 0
5 4
0 0
0 0
2
7
3
0 1
0 2 3
3
Chorus Em9
Cmaj7#11
Out
of
the
Am9
dark
- ness,
bright - er
than
a
Fmaj7#11
thou - sand
suns.
Gtrs. 1+2 play Fig. 3
Em9
Cmaj7#11
Out
of
the
1.
dark
- ness,
2.
-
ness,
bright
- er
bright - er
Am9
Am9
than
a
thou
than
a
Fmaj7#11
thous - and
- sand
suns.
Fmaj7#11
suns.
Chorus
E5* Gtrs. 1+2
C5
Out
of
the
Out
of
dark
C5
the
dark
- ness,
- ness,
bright
- er
bright - er
A5
A5
than
rhythm cont. sim.
than
a
thou - sand
a
thou - sand
F5
F5
E5*
suns.
suns.
Gtr. 3
ff
full
w/dist. 10
Sorgdal
4
14
0
C5 A5 G/B Gtr. Solo
E5
C5
G5* D/F#E5*
full
12 14 15
10
14 12 14 12 14 12 10
141214
12 14
12
14
12 14
12 10
10 12
10
12
10
12
12
Gtrs. 1+2
Fig. 4
9 9 7
9 9 7 7
8
2 2 0
9 10 9 7 8
5 7 8
7
2 2 0
5 2
14
A5
5
15
17
12
12 15
12
15
*Set pitch shift -1 8ve and use pedal to slur into notes.
6
12 17 12 15
12 15 12 15 12 15
G/B
6
C5
12 17 12 15
12 15 12 15
0
0
19
19
C5
A5
3 12
full
full
12 12 15 12
full full
12
Sorgdal
E5*
1/2
12 12
14
12 15
15
full
12 17 12 15
12
G5* D/F#
6
6
12 17 15
15 12
9 9 7
12 9
12 10
C5
12
5 5 3
5
*Gtr. 3 w/pitch shift pedal Gtrs. 1+2 play Fig.4
5 5 3
5 2
15
12 15 12
12 14
full
12 12 15
12 15 12
12
15
15 12
14
5
G/B
full
15
full
15
C5
full
15
full
15
G5* full
17
D/F#
E5*
12
17
15
C5
A5
full
17 11 15 17 12 15 12
17 12 15 12 12 15 17 12 15
12 15 17 12
12 14
full
G/B
12 15 12 12 14 16 12
12
14
14
C5
G5*D/F#
full full
full
12
full
12
15 12
12
full
12 15 12
14
12
12
15 12
14
12
12
15 12
15
12
14
15 12
14
Interlude Double time feel
Gtrs. 1+2
E5
P.M.
P.M.
P.M.
C5
P.M.
P.M.
P.M.
P.M.
P.M.
Fig. 5
Gtr. 3 tacet 9 9 7 0
0
Sorgdal
6
0
9 9 7
0
0
9 9 7
0
0
3
5 5 3
3
3
5 5 3
3
3
5 5 3
3
3
0
A5
F5
P.M.
9 9 7
0
0
P.M.
2 2 0
0
0
P.M.
2 2 0
0
0
P.M.
2 2 0
0
0
P.M.
2 2 0 1
1
P.M.
3 3 1
1
1
P.M.
3 3 1
1
1
P.M.
3 3 1
1
1
3 3 1
(Double time feel) Gtrs. 1+2 play Fig. 5
E5
Bridge
C5
F5
sand. sun.
3
we
made
how
3
bu - ry said to
E5
3
Bu - ry your prob lems and Ev - er would Ro - bert have
A5
3
3
E
e - quals
3
God
with
our
Bu - ry how he
’bout
C5
3
M
C
squared,
3
3
your head in made war with
3
you
can
re
- late
the the
F5
hands.
Gtrs. 1+2
P.M.
your dead, his God,
Gtr. 2
A5
5
5
P.M.
4 5
5
5
P.M.
4 5
5
P.M.
4 5
5
5
P.M.
4 5
5
1
1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
End double time feel
1. [E]
Sorgdal
[E]
C
D'4
What
D'4
Gtr. 3
C
4
4
let ring
2
0 5
4
2
0
2
0 5
4
2
5
0
2
4
3
5
0
let ring
0 5
4
2
0 3
let ring
0
2 2
0
2
4
3 0
let ring
0
4
5
5
4
2
0 2
0
0
2 3
4 5
7
(End double time feel)
2. Bridge [E]
C
All
na tions are ris
-
4
2
ac
[E]
- id veils
of love and
4
2
0
4
3
5
4
2
0
2
5
4
3
0
hate.
let ring
0
2 3
5
0
0 4
2
0
let ring
0
2 2
Fig. 6
let ring
5
0
4
3
5
4
2
0
0
2
5
2
0
4
3
5
0
Chain
D'4
through
0 5
C
let ters of
-
All
na tions are ris
-
Cold
A5
ing,
G5
fu - sion
of
fu
-
ry.
D'4
us
of
A5
love
and
hate.
to this.
C5
veils
C5*
rake
full
7
7
7 9
9
7
9
7 9
7
9
10
10
9
9
10 X
7 9
X
9
Gtrs. 1+2
P.M.
9 7
9 7
9 7
9 7
Fig. 8
Sorgdal
8
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
Fmaj7#11
A5
Gtrs. 1+2
all
led
F5
through ac - id
Gtr. Solo
B5*
C
Un - cer tain ty
[E]
G5
0
tan,
D'4
Sa
F5
ing,
2
Gtr. 3 tacet
C
Fig. 7
Gtrs. 1+2 plays Fig. 6 Gtr. 3 plays Fig. 7
let ring
4
[E]
D'4
9 9 7 7
9 7
9 7
9 7
9 7
9 7
9 7
10 8
A5*
B5*
G5*
3
full
10
10
7
7
3
3
7 10 7
10
12
10
10
7
10 7
7
7 10 7
10
10
10
9
7
7 9
F5
10 8
7 5
9 7
9 7
5 3
3 1
3 1
3 1
3 1
3 1
B5*
3 3 5
Gtrs. 1+2 play Fig. 8 1/2
1/2
1/2
1/2
1/2
1/2
1/2
1/2
12
12
12
12
12
12
12
12 10
7
C5*
3
10
12 10 7 10 7 10 9
B5* G5* F5 A5* 5
11 10
10
3
5
12
10 11 12
12 12 11 10
10
12
12
14
7
9
9
7
1/2
11
9
9
7 9
7
7
9
9
(8va) Harm. B5*
C5*
A5* B5*
G5*
F5
full
full
full
full
full
17
17
17
17
5
5
5
5
17
B5*
C5*
full
full
full
3
full
14
Sorgdal
17
17
17
3
14 17
1/2
17 14
14 17
17 15
15 16
16 14
14 16
16
16
9
A5*
16
14
16
14
12
14
12
ff
Em
w/dist.
F#m/E
P.M.
4
P.M. 5
P.M.
2 0
2 0
2 0
2 0
4 2
E5
5 3
Ø Coda 2 0
0
7
2 0
2 0
F#5 G5
7 5
D5
F#5 G5
B5 C5
2 0
2 0
5 3
Em9
10
D.S. al Coda 4 5 5 2 3 3
4 2
0
P.M.
4 2
P.M.
4 2
5 3
2 0
0
Cmaj7#11
Out
of
the
B5 C5
2 0
P.M.
2 0
B5 C5 E5
0
Sorgdal
5 0
P.M. 4
2 0
2 0
7 5
2 0
0
Gtrs. 1+2 play Fig. 3
0
D5
2 0
P.M.
9
P.M.
5 3
5
0
4 2
D/E
P.M.
B5 C5 E5
F#5 G5
10 0
F#5 G5
Em
7
10 0
F#m/E
9
9
13
P.M.
9
0
E5
P.M.
7 0
2 0
7
5
2 0
G/E
13
14
F5
14 16
Interlude D/E
G5*
B5*
Am9
dark
-
ness.
4 2
5 3
4 2
5 3
Fmaj7#11
Em9
Cmaj7#11
Out
of
the dark
- ness, bright
er
Am9
than
a
thou - sand
suns.
Chorus
Out
of
4.
the
G5* D/F#
Gtrs 1+2 play Fig. 4
dark
- ness,
E5
5 5 3
Outro
5 5 3
12 12 12 10 10 9
D/E
Gtr. 1
4
7
3 3 1
3 3 1
3 3 1
3 3 1
1, 2, 3. G5* D/F#
E5*
suns.
9
Em
9
D/E
12
11
0
E5
10
12 0
D/E
0
7 9
0
0
sinned.
8 11
5 0
Em
4 7
0
Ho ly Fa - ther, we have
12 12
9 0
5
10 0
F#m/E
7
10
10
0
0
9 0
9
8 7
- sand
C5
3 3 1
(Hi-hat)
7
a thou
F#m/E
F#m/E G/E
mf let ring... w/slight dist.
Sorgdal
0
Em
than
G/E
7
Gtr. 2
5 0
D/E
3 3 1
rall.
5
F#m/E
let ring... mf Gtr. 1 w/slight dist. Gtr. 2 tacet
G/B
3 3 1
2 2 0
Em
A5
bright - er
w/dist.
3 3 1
C5
Gtr. 1
f
E5
Fmaj7#11
7 0
0
2 2 0
11
The Pilgrim Words & Music by Janick Gers & Steve Harris
E5
C5
7fr
D5
3fr
A5
B5
F5
F5*
5fr
B5/A
8fr
4fr
Db5 4fr
Intro
q = 95 µ
E5
Gtr. 3
C5
D5
E5
7
Gtr. 4
C5
4
4 5 4
D5
4
7 7
E5
9
D5
7
C5
10 8 7
4 5 4 7
4
D5
10 10 8 7 7
7 5 4
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
7 7
9
4
7
7
75
A5
9
4 7 5 4
54 7
7
7
7 7 54 7
9
4 7
10 8 7
9
7 5 4
E5
7
97
7 54
10 10
87 9
4 4 7 54 7
7 8 7 10 8 7
10 10 8 7 9
7
Sorgdal
w/dist.
7
4
10 8 7
7 54
4
E5
7
7 7 10 8 7 9
f
7
10 10 9
7
7 8 7 10 8 7
A5
(Drums) f w/dist.
D5
Gtrs. 1+2 7
C5
5 4 5
7
E5
Gtrs. 1+3
P.M. Gtr. 4 tacet
P.M.
9 7 0
0
0
P.M.
9 7
0
0
0
E5
1.
cour
(2.)
age
Gtrs. 1+2+3
P.M.
The keys find
0
0
P.M. 9 7
0
0
D5
0
to and
death and gra - cious
0
hell, will.
0
of sin and the wat - er,
hearts clean
will break, our guilt.
the With
5
Sorgdal
2
5
7 5
0
0
P.M.
2 0
0
Quell - ing Then will
the my
dev il’s judge ap -
P.M. 9 7
0
0
P.M. 9 7
0
0
0
0
might and pear, bear
0
P.M.
9 7
0
0
0
0
0
0
0
doomed to fail.
The
ill.
3
P.M. 5 3
3
3
E5
P.M. 5 3
3
3
P.M. 5 3
3
9 7
3
5 3
3
5 3
0
0
9 7
0
P.M.
9 7
0
0
e - ter - nal - gel that I
fight. hear.
9 7
0
read y for no false an
P.M.
9 7
0
C5
take. will.
P.M.
pil grim’s coursewill do what you us
For
P.M. 9 7
0
0
9 7
P.M. 9 7
0
2 0
P.M.
9 7
0
P.M.
2 0
0
P.M.
5
P.M.
0
7 5
5
0
C5
9 7
A5
P.M.
0
0
P.M.
P.M.
0
9 7
0
P.M.
the ail - ing king dom, De - liv er good from
P.M. 9 7
0
0
P.M.
bonds Clean
0
9 7 0
P.M.
9 7
0
9 7
0
q = 190
Verse
P.M.
3
3
P.M. 5 3
3
3
P.M. 5 3
3
3
P.M. 5 3
3
3
5 3
5 3
A5
$
limbs and ly then I
0
2 0
0
0
0
0
ho - ly to
P.M. 5 3
0
1.
9
Gtr. 2
Li Now
3
3
5 3
7 5
-
ber give
-
ty us
and our
hope ho -
7
7
8
7
4
5
4
wat wat
7
- er - er
in - to in - to
wine. wine.
E5
0
2
9
9
4 5
P.M.
0
P.M. 9 7
0
0
0
0
chang - ing chang - ing
4
5
7
9
5
7
C5
0
C5
to
you
D5
we
the the
bid
fare -
5
7
8 7
9 7
0
So
P.M. 9 7
7
P.M.
9
E5
toll. hell.
di - vine, ly sign,
5
5
take their tern - al
B5
8
0
9 7
D5
P.M.
bat - tles my e -
D5
2. 3.
Gtr. 1
Sorgdal
2 0
P.M.
faint ing soul, will con fess
C5
Gtr. 3
E5
0
Gtr. 4
P.M.
Pre-chorusE5
D5
P.M.
Ach - ing on -
C5
7
8
7
4
5
4
9 5 7
3
B5
F5
well,
king
7
4
-
dom
of
hea
5
[A]
Gtrs. 1+2+3
Sorgdal
4
-
ven
to
hell.
5
7
9
5
7
6
8
3
7
5
7
Spi
-
ho
-
12 12
12 12
rit
13 14
14 14 0
e
-
10 10
9 10
tern
-
12 12
12 12
al.
0
Raise
life
0
ly,
me
up,
take
12 12
12 12
Fig. 1
14 14
Fig. 1 Gtr. 4 tacet
E5
D5
7
Chorus
C5
13 14
me
D5
home.
10 10
0
9 10
7 7 5
7 7 5
Gtrs. 1+2+3 play Fig. 1
[A]
Pil
-
sun
-
-
jour
-
-
gan
ney
pa
ward
rise,
On
grim
sun
-
-
set.
D5
be
To Coda Ø
gun.
Interlude q = 95 E5 Gtr. 3
F5*
P.M.
Gtr. 2
rhythm cont. sim.
Gtr. 1 dbls. ad lib. 8vb
9 9
10
9
9
10
9
10
9
9
10
9
10
9
10
9
10
0
E5
9 9
10
F5
9
9
10
9
10
9
9
10
9
10
9
10
9
10
C5
Db5
5 5
6
5
5
6
5
6
5
1.
C5
5
5
2.
Db5
6
5
6
5
Db5
6
6
Sorgdal
2.
5 6 5
6
5
5 6 5
6 5
5
6
To
5 6 5 6 5
5 6 5
6
5 6 5 6 5
5
q = 190 Gtr. SoloB5
Gtr. 5
3 rake ff w/dist. P.M.
P.M.
4 4
5
C5
7
5
5
5
4
5
4 5
5
4
rhythm cont. sim.
11 4
11
3 3
7
8
7
6
8
8
7
8
7
7
8
11
12
8
7
B5
C5
3
12 11
12
8
11 8
7
B5
7
14
17 15 14 12
10
15 14
12
12
15
12
13
12
10
10
12
B5/A
B5
12
10
12
13
C5
0
13
B5
0
12
11
3 11
12
13
12
13
11 13
full
12
6
14
Sorgdal
4
10 4
full
5
B5/A
1/2
full
B5
X
P.M.
X
full
4
12
14
15
14
15
15
15
B5/A
B5
3 3
3
12
14
full
14
12
15 14 15 14
[A]
up, jour
Interlude
Spi - rit Pil - grim
15
17
17
16
Gtrs. 1+2+3 play Fig. 1
14
16
Ø Coda
me be
ho - ly, sun - rise,
take ney
-
life e pa - gan
-
2.
P.M.
home. gun.
-
F5
Gtr. 2
q = 95
Gtr. 3
Raise me On - ward
1. D5
tern - al. sun - set,
E5
1/2
14
D.S. al Coda
C5 D5
rhythm cont. sim.
Gtr. 1 dbls. ad lib. 8vb
9 9
10
9
9
10
9
10
9
9
10
Sorgdal
9
10
9
F5
10
0
E5
9
10
9
9
10
10
9
9 9
10
9
9
10
9
10
9
10
9
10
7
C5
Db5
5 5
6
5
5
6
5
6
5
5
C5
5 5
Outro
6
C5
5
5
D5
Gtrs. 1+2 Gtr. 3
6
f
6
5
7
7
E5
C5
7
9
10
7
10
7
7
10 8 7
10 8 7
9
9
9
w/dist. 4
4
4 5 4 7 5
4
7
7
4
7
4 7 5 4
4 7 5 4
7
7
7
2.
10
10
8
7
9
D5
8
7
9
8
A5
Sorgdal
5
5
7 8 7 10 8
f
D5
rall.
1. D5
6
w/dist.
6
5
6
E5
Gtr. 4
5
Slower
E5
6
6
Db5
5 5
5
5
6
6
6
7
9
7
7
5
5
4 7
4 7
5
10
E5
A5
10
8
7 7
7
7
4 5
9
5
7
The Longest Day Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
E5 7fr
C5
Cadd9 Eadd9 Dadd9
D5
3fr
G/B
Intro
G5
3fr
5fr
Asus4
2fr
G5*
F#5
10fr
5fr
Badd9 Gadd9 Aadd9 2fr
9fr
3fr
5fr
q = 108 Bass arr. [E] for Gtr.
Gtr 1
[E]
7
7
7
7
7
7
7
7
7
Fig. 1… mf let ring... w/slight dist.
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7 9 7 9
9
10
7
7
10
9 7 9
7
9
10
7
0
7
7
7
9
7
7
0
…Fig. 1 ends
7 9
7
9
9
10
7
10
7
9
7
9
9
7
7
9 7
7
0 2°+3° poco a poco accel...
[E]
Verse
In the 2. Ov - er ris - ing 1.
Gtr. 2
3.
The
gloom - lord, dead,
the your
gath ’ring mast - er fac - es
storm not bloat
-
your ed,
a - bates. God. torn.
P.M. mf Gtr. 2 w/dist.+ flanging Gtr. 1 plays Fig. 1
Sorgdal
0
0
0
0
0
cont. sim.
0
0
0
0
0
0
0
0
0
0
0
0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured.
0
0
0
0
0
0
0
gim - let dawn ing liv - ing
the
at shak got
All The Val
eyes grey wait
sum mers long, world’s a - light, - hal - la waits,
with their
a - wait. scud. turn.
drills cliffs - kyr - ies
A call to arms, These wretch ed souls, Your num ber’s up,
in and
the
the
to
its fate. them here. a - gain.
to sent back
to build e - rupt rise
throw ev - il for those who to hell and
the the Val
To blow them wide, To take a bul - let You still go on
gates. fear. name.
the
- ing your
[B]
Gtr. 1
ham mer puk ing, bul let’s
In the ships, The en - e - my coast, They are re - lieved,
ma flame. fall.
2 4
2
4
2
4
5
2
5
2
2
Gtr. 2
P.M.
cont. sim.
2
Sorgdal
2
2
2
2
- chine, to
4
2
2
2
2
4
2
turn men No es cape, war ri - or tombs
The
2
2
2
2
2
2
blood to shrap - nel for us
5 2
2
2
from flesh and re - morse less lie op - en
4 2
2
2 2
2
4
2
2
2
2
From pap - er sol diers Drown - ing man, A ghost - ly hand
4
2
2
steel. rains. all.
2
2
2
to no
4
4 2
2
bo dies chance for reach es
on the a war - ri - or’s through the
beach. fate. veil,
From A
5
gate!
Slid
5 5 3
Sorgdal
4 4 2
on
our
5 5 3
5 3
5 2
C5
C5
er
is
red
still
a - live,
ing we
7 7 0
7 7 5
7 5
rush
pray to
God
D5
with the
blood
To
the
7 4
5 2
fear
D5
X X X
edge
X X X
9 9 7 0
E5
wat
E5
Oh, but
Oh, the
5 5 3
E5
dead.
Gtrs. 1+2
I
5 3
tide.
D5 of the
5 5 3
7 7 5
7 7 5
G5
5 5 3
on - ly
go,
G5
G5
with the
G5
side.
and we
5 5 3
9 7 0
X X X
0 0 0
9 7 0
D5
wire,
-
C5
C5
9 7 0
9 7 0
of the
- ma - ged don’s reach.
Fig. 2
w/dist.
we
4
-
9 7 0
Gtr. 1 plays Fig. 1
4
Fig. 2
ar
rhythm cont. sim.
4 4
to
2
E5
Pre-chorus
en - ter hell’s will pre - vail!
2
2
ff
sum mer sands chok ing death, blood and sand,
4
2
1.
2 5
2, 3.
I’m
sur - vive.
3
Chorus q = 122
Cadd9
How
Fig. 3 let ring...
long,
Gtrs. 1+2
Eadd9
Dadd9
on this
long
Eadd9
- est
day,
7 4
3
2
3
5
7 5
3
9
Eadd9
long,
Dadd9
on this
long
7 5
7 5
-
4
al
- ly
make
it
through?
5 5 3
5 5 3
0 5 2
2 2 0
0 5 2
4 2
0 5 2
we
A5
0 5 2
’til
0
5 5 3
day,
5
5 5 3
7
2
G/B
Eadd9
9
5
Fig. 3 5 5 3
- est
0
2
7
7
C5 fin
4
3 0
How
through?
5
2
Cadd9
it
7
Fig. 3
make
0
- al - ly
4
5
Dadd9
fin
7
0
’til we
Eadd9
9
5
Cadd9
0 5 2
2 2 0
2 2 0
2 2 0
Gtrs. 1+2 play Fig. 3
Cadd9
How
Eadd9
long,
Dadd9
Sorgdal
4
Cadd9
How
Dadd9
on this
long
Eadd9
Eadd9
long,
- est
on this
day,
Dadd9
’til
we
Eadd9
long - est
Cadd9
day,
Eadd9
To Coda Ø
fin - al - ly
’til we
make
it
through?
C5
fin - al - ly
G/B
make
it
through?
1. A5
Asus4
e = 190
E5
G5* F#5
D5
9 7
9 7
E5
9 7
12 10
11 9
D5
9 7
9 7
9 7
12 10
E5
7 5
G5* F#5
11 9
3 2 2 0
2 2 0
Gtrs 1+2
2. A5
2 2 0
9 7
9 7
E5
9 7
9 7
7 5
12 10
E5
G5* F#5
9 7
9 7
9 7
E5
12 10
Sorgdal
11 9
G5* F#5
11 9
9 7
[E]
9 7
9 7
12 10
7 5
C5
11 9
5 3
[F]
P.M.
P.M.
2 2 0
3
2
0
2 3
0
3
2
2
0
3
[E]
1
3
3
5
5
3
2
5
5
3
[F]
P.M.
D5
11 9
G5 F#5
2 2 0
G5 F#5
12 10
P.M.
2 2 0
3
2
0
2 3
0
3
2
0
2 3
1
3
5
3
5
5
3
2 5
3
5
[B]
[C]
P.M.
4 4 2
5
4
4
2
5
2
5
4
4
2
5
3
5
5
[B]
7
7
5
4
7
7
1. [C]
2. [C]
ff
P.M.
P.M.
2
5
4
2
4 5
2
5
4
4
2
5
3
5
5
7
7
5
7
5
w/dist.
0 0 0
4
7
14
P.M.
4 4
5
Gtr. 3
P.M.
cont. in slashes
4 2 3
4
5
7
5
Gtr. Solo Eadd9
Gtrs. 1+2
Badd9
full
Gadd9
Aadd9
full
12 14 12
12 15 12
15
15 14 12 14
12
12 14 14
X
Aadd9
6
12 15
15
Sorgdal
rhythm cont. sim.
X
Gadd9
Badd9
12 14 15 14 12 14 12
full
15
15
Eadd9
11 12
12 12
14
14
12
14
Eadd9
12
12
14
12
Badd9
11
11 12
14
14
12
12
14
Gadd9
Aadd9
Eadd9
9
9
9
11
12
12
10
Badd9
10
10
12
12
Gadd9 Aadd9
14
17
17 15
12
12
5
7
Gtr. 4
Gtr. 5
Gtr. 6
Interlude C5
G5
D5
E5
Sorgdal
1.
G5
D5
12
7
9
Gtr. 3 tacet
9
7
7
5
4
7 7
4
5
5 7
5
7
12 9
Interlude
13 10
12
10 8
7
9
7
4
8
10
8
7
7
5
4
9 5
7
7
7
4
C5
10
7
5
4
7 7
10
12
12
7
9
9
13 10
12
10 8
7
9
7
4
5
5
7
5
7 5
9
8
8 5
7
10 7
10
12
7
9
7
2. A5
Gtrs. 1+2
Gtrs 4+5+6 tacet
9 9 9 9 97 97 97 97
6
10
10
7
7
9 9 7
9 9 7
9 9 7
9 9 7
P.M.
0 0
2
2
3
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0
9 9 7
2 2 0
2 2 0
2 2 0
2 2 0
2
2
3
3
C5
2.
Gtr. 4
Gtrs. 1+2 play Fig. 4 Gtr. 3 plays Fig. 5
5
7
Gtr. 6
Sorgdal
8
9 9 7
2 2 0
2 2 0
2 2 0
2 2 0
G5
2 2 0
5
4
2 2 0
2 2 0
2 2 0
2 2 0
0
2 2 0
2 2 0
2 2 0
1.
Fig. 5 9 9 7
9 9 7
9 9 7
9 9 7
3
2
0
D5
2 2 0
2 2 0
2
0
P.M.
Fig. 4
2 2 0
P.M.
2 2 0
3
7
5
2
E5
0 3 2 0 rhythm cont. sim.
Gtr. 3 tacet
Gtr. 5
9 9 7
3
0 0
0
9 9 7
3
P.M.
9 9 7
22 22 22 22
9 9 7
Gtrs. 1+2
0
E5
10
12
7
9
7
9
12 9
13 10
7
7 7
5
5 9
7
4
12
10
8
7
10
8
7
10
12
9
7
5
4
7
5
4
7
9
8
9 7
7
7 5
C5
2, 3. D5
Gtr. 3
7
9
D5
1.
G5
12 13 9 10
7
5
4
5
10
8
7
9
7
5
4
C5
8 10 5 7
8 7
G5
7
10
12
7
9
D5
14
cont. sim.
5
7 7
12
Gtr. Solo
12
7
7
cont. sim.
8 10 57
E5
5
C5
10
12
7
9
G5
3
full
15
12 15
15 12
17
C5
15 12
14
17 15 17
17
14 12 14
D5
E5
17
3
D.S. al Coda 12 14
15
14 15 14 12 14
15 14 15 14 12 14 15 14
12 14 12
12 10 12 10 15
G5
D5
full
Sorgdal
15
12
G5
full
C5
15
12 14
full
14
12 14 15
D5
14 15 14 12
full
14 15 14 12
12 15
14 15
17
17
full
17
10
15
12 14
12
17 17
17
9
Ø Coda
A5
Asus4
Gtr. 1 [E]
2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
7
7
mf let ring... w/slight dist.
9
7
9
9
10
10 7
0
0
Gtr. 2
mf P.M. w/dist.+flanging
0
Sorgdal
10
0
0
0
0
0
0
9
7
9
0
0
0
0
0
0
9
0
10
7
7
0
0
9 7
7
0
0
0
0
0
rall.
9
7
9
10
9
7
7
9
9 7
0
10 7
7
7
7
0
9 7
7
7 10
0
0
0
cont. sim.
9
9
7 0
Out Of The Shadows Words & Music by Bruce Dickinson & Steve Harris
Am
E
C
G
Dm
F
C5
5fr
Asus2
A5
Em
D
D5
3fr
A
Bm
Em7
Csus2 Dsus2
5fr
F#
3fr
D*
5fr
A*
5fr
5fr
Em*
Bm*
7fr
E5
7fr
7fr
Intro q = 85 Am
E
C
Gtr. 3 (acous.)
Gtrs. 1+2
2 2 0
2 2 0
2 2 0
1. F
3 3 1
3 3 1
3 3 1
2 2 0
2 2 0
C5
D5
5 5 3
5 5 3
7 7 5
Sorgdal
2 0
3 0
5 2
5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
1
1
7 7 5
7 7 5
D5
5 5 3
7 7 5
1
Em7
3 3
2
5 5 3
33 33 33 33
Fig. 1 mf w/slight dist. Gtr. 3 tacet 0
5 5 3
0
Am
C5
Csus2
5 5 3
2. F
1
q = 73
2 2 0
5 5 3
3 3 1
Em7
5 5 3
w/dist.
Dm
rhythm cont. sim.
ff
G
Csus2
0 3
3 3
5
0 5
2
3
2 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
3 0
5 2
5 3
3 5 5
Em7
Gtr. 4
f
Csus2
Dsus2
Asus2
w/dist.
full
1/2
full
12
12 15
15
12 15 14 12
14
3 3 0
3
5 2
2
12
3 5 5
0 3
2
5
0
3
0 2
2
0 2
0
3
0
2 0
2
2
2
0
0
Verse Em7
Csus2
Em7
1. Hold a
2. Dust y
Dsus2
Csus2
ha - lo round theworld, gold - en is the day. dreams in fad - ingdaylight,flick er on the walls.
Asus2
Gtr. 4 (2° only)
bur - den is the way. pur - pose to it all?
Em7
Em7
12 14 12
Gtrs. 1+2 play Fig. 1
14
14 12
0
14 12 14
14
Csus2
Princ - es of theun - i - verse,your Nothing new,your life’s a -drift, what
Csus2
So there is no bet -tertime, who Eyes are closed and deathis call - ing,
1/2
7
will be born reaching out
Gtr. 4 (2° only)
Sorgdal
2
5
Csus2
A
7 X X
5
4
gyp - sy child Call up - on
1/2
7
Csus2
to -day? his hand.
7
Em7
rake
5 7
Em7
7
5 7
7
7
9
at day - break, the star - light,
a to sur-
Dsus2
A5 Gtrs 1+2
king for a -round you.
day.
Gtr. 4 (1°)
$
12 12
1/4
15 9
12
14 12
14
14
15
14
12
12 14 12 14
Chorus
Em
C
Gtr. 3 (acous.)
full
2° Gtr. 4 plays ad lib.
Out
D
of
the sha
-
dow,
A
rhythm cont. sim.
and
in
to
the sun.
12
2°+3° Gtr. 4 plays ad lib. fills
Gtrs. 1+2
2 2 0
2 2 0
X X X
Fig. 2
X X X
5 5 3
5 5 3
7 7 5
7 7 5
X X X
X X X
X X X
X X X
7 7 5
7 7 5
X X X
X X X
Gtrs. 1+2 play Fig. 2
Em
Dreams
Sorgdal
D
of
as
the old
the past,
Em
C
C
Oh, there is beau ty,
A
ways
To Coda Ø To Coda ØØ
are done.
D
A
and sure -ly there is pain.
Em
But
we
C
must en - dure it
to
3
D
A
live a - gain.
Gtr. 4
full
15 14
14
Gtrs. 1+2
7 7 5
14
14
7 7 5
X X X
X X X
Gtr. 5
f
w/dist.+echo
7
9
7 7 5
Em7 Csus2 Em7 Csus2 3 3
Em7
Csus2
Gtr. Solo
Gtrs. 1+2 play Fig. 1 Gtrs. 3+4 tacet
12
10
9
9
11 12
12
7
9
9
7 9
7
5
7
7
10
9
9
11 12
12
12
12 10 8
Gtr. Solo
Dsus2
Asus2
3
10
rake
Em7
9
9
7 8 7
7
10
8
7 10
7
8 9
7
Dsus2 Asus2
7
7
3
4 5 7 4 5 7
D.S. al Coda
7 5 7 5 7 5 9
5 7 8 4 5
9 7
5 7 8
4
10
7
Csus2
P.M.
Sorgdal
7
X
Em7
Csus2
P.M.
X
Em7
8 7 7 9
Csus2
8 7 5
5 8
8
10 10
0 8
8
5 12
7
7
6 15 12
6 12
15
15 12 15 12
12 14
14 12
17
Ø Coda
D
A
Gtr 4
1/4
P.M.
full
14
12 14 12
15
full
15 12
14
14
12
14 13
12 10 1210
Gtrs 1+2
livea -gain.
7 7 5
7 X X 7 X X 5 X X
7 7 5
Interlude
q = 93
Bm
F#
Gtr. 3 (acous.)
Fig. 3 Gtr 6 (elec.) dbls. w/dist. Gtrs. 1+2+4 tacet 2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
Em*
7 8 9 9 7
7 8 9 9 7
X X X X X
7 8 9 9 7
X X X X X
7 8 9 9 7
Bm
Gtrs. 1+2
2 3 4 4 2
X X X X X
X X X X X
7 7 7 9 9 7
Sorgdal
A*
2 2 3 4 4 2
2 2 3 4 4 2
X X X X X X
X X X X X X
7 7 7 9 9 7
7 7 7 9 9 7
X X X X X X
X X X X X X
7 7 7 5
G
F#
X X X X
X X X X
Fig. 4
2 2 3 4 4 2
Bm*
D*
7 7 7 5
7 7 7 5
7 7 7 5
X X X X
X X X X
5 5 6 7 7 5
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
5 5 6 7 7 5
5 5 6 7 7 5
X X X X X X
X X X X X X
D5
E5
3 3 4 5 5 3
X X X X X X
X X X X X X
D*
7 7 5
X X X
X X X
9 9 7
X X X
X X X
A*
Gtr. 3 plays Fig. 3 3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
4 4 2
4 4 2
4 4 2
X X X
X X X
7 7 5
7 7 5
7 7 5
7 7 5
X X X
X X X
7 7 5
7 7 5
7 7 5
X X X
X X X
5
Em*
8 9 9 7
8 9 9 7
8 9 9 7
Bm*
8 9 9 7
G
D5
E5
X X X X
X X X X
9 9 7
9 9 7
9 9 7
X X X
12 12 12 12 12 12 12 12 10 10 10 10
X X X
X X X
X X X
7 7 5
X X X
X X X
9 9 7
X X X
X X X
Interlude
Bm
Gtr. 4
F#
D*
A*
Em*
Bm*
Gtrs. 1+2 play Fig. 4
12 12 12 12
12 12 9
11 11
11 9
11
G
11 12 11
D5
E5
12 10
10 12
12 12 11 9 11
12 11 9
ØØ Coda D
A
live a - gain.
Em
Dreams of
D
Sorgdal
6
the past,
sure - ly
there
is
7
7 7
9
of
C
waysare done.
A
Em
But
we
pain.
Em
as the old
A
A
12 10 12 13 15 11 12
D
and
10
the sha - dow,
D
9
9
10
Out
C
12 12 D.S. al Coda ØØ
Em
9 11
9
Gtrs. 1+2 play Fig. 2 Gtr. 4 plays ad lib.
12 11
D5
12 10
9
C5 Gtrs. 1+2+3
P.M.
9
to
the sun.
C
Oh,
must
in
there is
C
en - dure
beau -ty,
it
and
to
D
live
a - gain.
Gtrs. 1+2
7 7 5
q = 75
Outro Em7
Csus2
Em7
Csus2
Gtr. 4
The
3 1/2
15
14
mf let ring... w/slight dist.
0
3 0 2
3 3
3
0 5
0
2
3
3
5 2
2
0
5
5
5
3
0
Em7
Csus2
man
who casts
no
sha -dow,
12
0
0 2
has
7
9
soul.
no
8
Asus2
10 9
7 9
7
3
3 2
Dsus2
12
0 5
5
2
rall.
3
5
2
3 3
0
Sorgdal
14 12 14
14
12
3 0
5 2
5 3
0
3
3 5
2 5
0
0
3 2
0 2
2 0
2 0
0
7
The Reincarnation Of Benjamin Breeg Words & Music by Steve Harris & David Murray
Em
Csus2 Dsus2 Esus2
7fr
3fr
E5
B5
5fr
7fr
C5
F#5
G5
3fr
D5
F5
E5*
3fr
Em
Freely
G#5
7fr
6fr
Csus2
Gtr. 1
A5*
2fr
Intro
D/F# Gsus2
A5
G5
3fr
F5*
5fr
Em7 D6/F# G'9 Fadd#11 7fr
C5*
B5*
10fr
G/B
9fr
2fr
Em
Dsus2
cont. sim.
Gtr. 2
7
3 mf Gtr. 1 w/clean tone + chorus Gtr. 2 w/dist. 7 9 7 4 5
Em
3
5 7
7 9 7 4 5 5 7
Csus2
7
Esus2
3
4 5
5
Sorgdal
9
4
Csus2
7
5
7
9
9
3
7 9 7
Em
5
7
2 2 0
3
Dsus2
cont. sim.
3
4 5
full
3
Em
7
7
full
7 9 7
9 7
7
7 9 7
4 5
5
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
7
9
7
7
7
5
5
Em
Csus2
3
5
tell
7
7
9
4
5
8 7 7
4
5
tell
7
7
let me
tell
8 7
7
5
4
7
10 7
9 7
7
10 7
tell
you of
my
7 0
7
7
7
0
7
to me.
10 7
9 7
7
7
10 7
7 7
7
F'#11
to reach the
0
3
7 7
Let me
7 7
sky.
Let me
2 0
0
2 0
10
0 0
7
0
2 0
3
7 2
9 7
2 0
0
Let me
7 9 7
9 7
0
of my need
7 7
8 7
0 10
Gadd9
2 9
0
hope,
7
7 7
D6/F#
dreams.
al - ways real
0
that hap - pen,
7 7
you ’bout my
7 9 7
0
things
7 9
7
0
7 9
you ’bout the
9
7 9
7
0
life,
0
2
7
you ’bout my
7 9
Sorgdal
Let me
[E5]
1.
Em7
mf Gtr. 3 let ring w/clean tone Gtrs 1+2 tacet
X
X
4 5
Gtr. 3
q = 110
rake
7 9 7
Verse
Esus2
1
2 3
3
3
[E5]
9
an
7 7
9 7
7 0
D6/F#
Gadd9
awk - ward jour - ney,
10 7
0
you on
7
take
let
10
me tell
7
7
7
9 7
you why.
10
7
7
7 7
F'#11
0 2 0
0
0
2 0
2
0
0
3
3
3
3
1
9 7
10
7
7
9
7
7
10
Gtr. 4
7
7
7
7
9
7
7
7
10 7
7 7
7
0
7
7
0
0
10
7
0
9
you why.
2
3
me tell
7 2
7
0
2 0
7 7
Gtrs. 3+4
0
2 0
7
[E5]
0
10
7
Let
9
7
0
Harm.
12
12
12
12
12
Gtr. 3 plays Fig. 1
Sorgdal
12 12
12
12
12
12
12
7 9 7 0
10 7
7 7
9 7
7 0
10 7
7 7
7 0
9 7
7
9 7
7
9 7
7
9 7
7
7
0
3
Harm.
12
12
12
12
12
12
7 9
ff
7
9
7
7
7
0
B5 C5
7
P.M. Gtrs. 3+4 tacet 4 4 2 0
15
F#5 G5 F#5 E5
w/dist.
9 7
0
E5
7
9 7
Gtrs. 5+6
5 5 3
0
X
4 4 2
5 5 3
4 4 2
E5
B5 C5
F#5 G5 F#5 E5
P.M.
cont. in slashes
4 4 2
2 2 0
0
5 5 3
0
X
4 4 2
5 5 3
4 4 2
2 2 0
Verse
E5
Gtrs. 5+6
Verse
D/F#
Why should these
E5
B5
f
Gtrs. 5+6
P.M.
Sorgdal
4
4 4 2
0
0
w/dist. 12 15
3
cur ses
3
be laid up - on
F#5 G5 F#5
E5
A5
me?
I won’t be
3 3
3
E5
B5
for - giv - en ’til
C5
I
can
F#5 G5 F#5
break
E5
free.
C5
Gtr. 7
3
Gsus2
full
12
12
15
5 5 3 X
4 4 2
5 5 3
4 4 2
2 2 0
P.M.
cont. in slashes
4 4 2 0
0
5 5 3 X
4 4 2
5 5 3
4 4 2
2 2 0
Verse
E5
D/F#
Gtrs. 5+6
3
3
3
did I do to de serve all this I know they’re cry ing for help, reach ing
E5
2. What 3.
Gsus2
B5
C5
F#5 G5 F#5
E5
A5
3
guilt? Paid for my out. The bur den of
E5
B5
3
sins with the sale of my them will take me down as
C5
F#5 G5 F#5
E5
soul. well.
Gtr. 7 (1° only)
full
15
Gtrs. 5+6
P.M.
4 4 2 0
5 5 3
0
4 4 2
X
E5 Gtrs. 5+6
5 5 3
4 4 2
2 2 0
D/F#
3
P.M.
4 4 2 0
3
3
5 5 3
0
head, vain.
4 4 2
X
5 5 3
4 4 2
2 2 0
A5
cont. in slashes
Gsus2
De - mons are trapped all in - side of my The sin of a thou sand souls, not died in
3
3
3
my hopes of God, reach for hea ven from re - in - carn - ates to let me, live a -
Gtr. 7
full
12
Sorgdal
15
5
E5
B5
--
C5
F#5 G5 F#5
4 4 2 0
5 5 3
0
X
Chorus
E5
F#5 G5
3
My sins are Some one to 3. Some one to 1.
2.
Gtr. 7
full
12
4 4 2
C5
4 4 2
0
ny, me, me,
5 5 3
0
X
B5
A5
B5
3
My guilt is too some thing to some thing to
cont. in slashes
4 4 2
E5
-
P.M.
2 2 0
D/F#
ma save save
5 5 3
C5
4 4 2
5 5 3
4 4 2
3
G5*
vy. hea save me from my - self. save me from my hell.
P.M.
P.M.
3
5 5 3
3 3 0 0 X 3
Fig. 2
Sorgdal
6
9 7 0
2 2 0
5 2
5 3
5 5 3 0
2 0 X 2
0
2 2 0
4 4 2
2 2 0
4 4 2
2 2 0
15
E5
$
B5
P.M.
E5
15
Gtrs. 5+6
E5
12
F#5 G5 F#5
hell. gain.
C5
E5
F#5 G5
3
C5
D/F#
3
B5
The pres sure of - ing, know To bring sal - va tion, a des - ti - na tion
E5
A5
B5
of how then what I to ex - or - cise this a - way from night this
D5
know. hell. - mare.
3
P.M.
C5
4 4 2
5 5 3
7 7 5
P.M.
Fig. 2
9 7 0
2 2 0
E5
2 2 0
5 2
5 3
I’m a - ble 2. 3. Some one
Gtrs. 5+6 play Fig. 2
C5
to to
E5
B5
things, me,
Gtr. 7
4 4 2
C5
G5*
3
things I don’t want some - thing to save
2 2 0
A5 B5
see save
2 2 0
0
D/F#
3
1.
2 0 X 2
0
F#5 G5
5 5 3
to me
3
see. from
my
-
self.
full
To Coda Ø
12
15
E5
E5
P.M.
Sorgdal
B5
C5
4 4 2 0
B5
0
thou va
- sand souls tion,
5 5 3
C5
4 4 2
0
X
E5
D/F#
E5
4 4 2
5 5 3
X
E5
F#5 G5 F#5 E5
E5
5 5 3
4 4 2
2 2 0
C5
4 4 2 0
4 4 2
B5
P.M.
2 2 0
3
P.M.
0
me.
4 4 2
X
4 4 2 0
5 5 3
C5
F#5 G5 F#5 E5
0
B5
D5
down on weigh hea - vy this ex - or - cise hell.
to
4 4 2
5 5 3
F#5 G5 F#5 E5
0
P.M.
C5
The lives of a To bring sal -
Gtrs. 5+6
F#5 G5
1. B5 A5B5 C5
5 5 3
4 4 2
2 2 0
F#5 G5 F#5 E5
5 5 3 X
4 4 2
5 5 3
4 4 2
2 2 0
7
2. C5
Interlude
D5
E5
C5 B5 E5
1° only
C5 B5 E5
G5 F#5 E5
P.M. 5 5 3
D5 E5
7 7 5
2 0
2 2 0 0
2 0
2 0
2 2 0 0
2 2 0 0
2 0
C5 B5 E5
2 0
P.M.
5 3
2 0
4 2
7 5 0
C5 B5 E5
P.M.
P.M.
5 3
0
0
D5 E5
4 2
0
0
P.M.
5 0 3
4 2
0 0
Play 3 times
C5 B5 E5
G5F#5 E5
P.M. P.M. P.M. P.M. P.M.
5 3
4 2
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
Gtr. 7
P.M.
Gtr. 8
0
0
5 3 0
4 2
0
0
0
5 3
A5
C5
4 2
0
0
F5
cont. in slashes
4 2 2 2 2 0 0 0
E5
7 5
Gtrs. 5+6
4 2
E5
C5 B5 E5
5 3
5 3
2 2 2 0 0 0
2 2 2 0 0 0
C5
2 2 0 0
4 5 7 2
5
4
2
4 5 7
A5
2 3
7
8
10
7
9
10
F5
Play 3 times
8
7
5
9
7
5
Gtr. 9
7 7
Sorgdal
8
10
9
5
2
5 6
10
7
10
8
9
2
4
5
7
4
5
4
2
5
7
3
E5
Gtr. 8
A5
C5
7
8
F5
7
8
7
5
8
10
5
10
6
9
Gtr. 7
2
4
E5
5
4
5
4
2
5
7
2 3
A5
7
C5
Gtr.8
7
8
10
7
9
10
F5
8
7
5
9
7
5
Gtr. 9
7
8
7
5
10
6
9 9
5
10
7
10
2
Gtrs. 5+6
4
E5
5
0
0
0
A5* G#5
4
5
4
2
5
7
E5
5 4 2 0
0
0
2
9 8 6 0
0
0
12 11 9
10 9 7
0
0
0
0
Gtrs. 5+6
P.M.
Gtr. 9
Sorgdal
f
9 8 6
0
Gtr. Solo E5
P.M. 13 12 10
0
A5* G#5
P.M. 10 9 7
0
C5* B5* E5
P.M. 6 5 3
3
F5* E5* E5
7
P.M. Gtrs. 7+8+9 tacet
G/B
C5
3
w/dist.
7 9
9
7
7
5
7
5
4
5
10
7
9
D/F#
Gsus2
3 5
5
7
7
8
7
8
3 7
5
7
5
7
3 5
5
8
8
8
7
5 7
E5
5
7
5
C5 G/B 7
8
7 8 7
4
7 8 7
12
9
9 7 5 7
6
3
3
rhythm cont. sim.
5 7 5
4
13
full
12 13 12
12
12 14
full
12 15 12 14
12 14
D/F# D5 3 3
3
6
full
1/2
full
full
14 15
15 12
12 14
12 14
14 12
12 14
14 12
14
12 14
14 12 14 14 12 10
E5
17
15
14
15 14 15 14
Sorgdal
10
17
19
15
20
19
20
19
20
17
19
20
20
12
14
14 12
12 14
17
D/F#
C5
12 12
11
full
full
full
20
20
19
12
full
19
14
G/B
14
3 17
14
17
12
20
Gsus2
full
20
1/2
14
E5
G/B C5
3
3
full
14
17
12
15
15
13 15 13 12
17
15 17 15 14
15 17 15
15 15 14 12
3
D/F#
D5
3
3
3
3 full
14 15 14
14 12 14 12 17
15
15 13 12 13 12
B5
C5
F#5 G5 F#5 E5
12
Gtrs. 5+6
12 14 14 12 12 14 12
E5
P.M.
full
12
E5
11 12 14
B5
14 12
14
C5
12
14
F#5 G5 F#5 E5
P.M.
D.S. al Coda
4 4 2 0
Sorgdal
0
E5
P.M.
X
B5
0
C5
4 4 2
0
5 5 3
4 4 2
5 5 3
4 4 2
0
F#5 G5 F#5 E5
E5
5 5 3 X
4 4 2
2 2 0
4 4 2
5 5 3
4 4 2
2 2 0
P.M.
0
B5
0
4 4 2
X
C5
4 4 2
0
5 5 3
5 5 3
4 4 2
2 2 0
F#5 G5 F#5 E5
5 5 3 X
4 4 2
5 5 3
4 4 2
2 2 0
11
Ø Coda
E5
B5 C5
F#5 G5F#5 E5
E5
B5 C5
F#5 G5F#5 E5
E5
B5 C5
F#5 G5F#5 E5
Gtrs. 5+6
P.M. P.M. P.M.
4 4 2 0
E5
5 5 3
0
4 4 2
X
B5 C5
5 4 5 4 3 2
F#5 G5F#5 E5
4 4 2
2 2 0
0
E5
P.M.
0
5 5 3
0
X
E5
P.M.
Outro
5 4 5 4 3 2
0
5 5 3
0
A5* G#5 E5
2 2 0
0
0
5 4 2
0
P.M. 10 9 7
0
0
0
9 8 6 0
0
0
[E5]
10 9 7
0
0
rall. 10 9 7
9 8 6
Harm.
12
12
Gtr. 3
12
mf let ring... w/clean tone
Sorgdal
12
12
12
12
12
12
12
12
12
7 9 7 0
10 7
7 7
9 7
7 0
10 7
7 7
7
9 7
7 0
9 7
7
9 7
7 0
9 7
Gtrs. 5+6 tacet
mf let ring... w/clean tone + chorus 12
0
9 8 6
0 0 0 0
A5*G#5
0
P.M.
0 0 0 0
12 11 9
0
2 2 0
A5* G#5
13 12 12 11 10 9
P.M. 13 12 10
0
9 8 6
C5*B5* E5
5 4 5 4 3 2
C5*B5* E5
0 0 0 0
4 4 2
X
P.M. 10 9 7
0 0 0 0
5 4 2
A5*G#5 E5
Gtr. 4
4 4 2
2 2 0
P.M. 6 5 3
P.M. 6 5 3
0
4 4 2
F5*E5* E5
P.M.
4 4 2
X
5 4 5 4 3 2
0
4 4 2
F5*E5* E5
5 5 3
7
7
For The Greater Good Of God Words & Music by Steve Harris
Em
C
G
5fr
D/F# 2fr
Intro
D
3fr
D5
A5
E5
7fr
7fr
G5*
D5*
C5
G5
3fr
3fr
G5/A
B5
C5
5fr
3fr
q = 58
[E]
Gtr. 2
mp
7
Gtr. 1
w/clean tone + chorus + echo
9
5
mp
q. = 43
7
7
9
w/clean tone + chorus + echo
5 5
7
3
5
5
let ring...
2 0 2
2 5
7
0
2
0 2
3
5
2
0 2
0
5
7
7
Bass arr. for Gtr.
7
5
7
0 2
0
0
q. = 43
Gtrs. 1+2+3
Sorgdal
[E]
5
4
5 7
0
4
5 7
0
4
7
4
5
5
7 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
4
5 7
0
4 7
0
1.
5
5
4
7
5
2.
7
0
5
5
4
5
7
7
0
q = 164
Em
C
Verse
Gtr. 3
1. 2.
Are you a A life that’s
man of made to
Gtrs. 1+2
Fig. 1 let ring... 9
5
7
D
5
9
peace, or a man of ho breathe, de - struc - tion or
9
9
G
rhythm cont. sim.
- ly de
war? fence.
-
5
7
5
5
3
5
5
7
7
5
7
5
3
Gtrs. 1+2 play Fig. 1
Sorgdal
2
Em
C
Too ma - ny A mind that’s
Em
So A
ma - ny wolf in
sides vain
C
Don’t know just Or some that
know which an - y bad or good in
-
but
al
a
D
so saint - ly
filled or
with sin
G
how ma - ny would be - lieve,
will a
more. tent.
G
C
D
to you, don’t cor - rup - tion,
full of life, sheep’s cloth - ing,
Em
G
-
pain. ner.
D
live to ho - ly
breathe war win
a
-
gain. ner.
q = 164
E5
Verse
3.
They fire More pain
Gtr. 3 (2° only) 4.
mf
off and
ma ny mi - se
shots - ry
C5
G5
8
8
9
blows. kind.
-
w/dist.+chorus
8
and ma ny part - ing in the hist - ’ry of man
D5
7
9
7
10
7
10
9
7
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Gtrs. 1+2
ff Fig. 2 w/dist.
9 7 0
E5
0
3
C5
tions
be
- yond seems
3
5 5 3
3
3
a reas more like
it
8
- ’ning,
And It
5 2
2
2
P.M.
5 2
would the
as brings
he up
lies on us
-
in hea ven, more
2
or
8 9 10
P.M.
9 7 0
of
10
P.M.
9
2
C5
7
Gtr. 1 (2° only)
5
9
8 7
5
7
Gtr. 3 (1°+2°)
7
2
5
8
5
7 7 5
10
E5
P.M.
5
7 7 5
3
9
know. blind.
7 7 5
on ly God blind lead - ing
the
3
8
5 2
3
5 5 3
G5
10
5 5 3
3
9
Sorgdal
3
3
5 5 3
0
Their ac some - times
D5
0
5 5 3
Gtrs. 1+2 play Fig. 2
5 5 3
9 7
0
9 7 0
P.M.
P.M.
9 7 0
0
0
P.M. 5 5 3
9 7 0
3
3
P.M. 5 5 3
3
3
P.M. 5 5 3
3
0
3
G5
it fam
could be ine, death
-
8
7
5 2
5 2
2
C5
P.M.
5 2
2
8 9
9 7 0
2
G5
5 2
2
2
P.M.
5 2
2
from be ans - wer
-
P.M.
9 7
0
0
0
0
but
don’t
I
for.
12 9
12
14
10
low,
0
P.M.
9 7
D5
to
P.M.
2
look ing lot
8
P.M.
or a
10
5 2
P.M.
2
here, has
-
some where - li - gion
2
he’s re
7
P.M.
feel know
7
2
I You
9
7
P.M.
hell. war.
E5
in and
D5
12
P.M.
5 5 3
3
5 5 3
3
P.M.
3
3
P.M.
5 5 3
P.M.
5 2
3
2
P.M.
5 2
2
2
P.M.
5 2
2
P.M. 7 7 5
2
5
7 7 5
5
7 7 5
7 7 5
7 7 5
7 7 5
Play 1° only
Pre-Chorus
A5
know.
I
don’t
know.
Gtr. 1
P.M.
20 0 0 Pre-Chorus 2
Sorgdal
4
P.M.
2 2 0
0
0
P.M.
2 2 0
0
P.M.
0
2 2 0
0
0
P.M. P.M.
2 2 0
0
2 2 0
0
P.M.
5 5 3
3
3
P.M.
5 5 3
3
3
P.M.
5 5 3
3
P.M.
7 7 5
5
5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
q = 105
Chorus*E5
Please tell
Gtr. 3
5
me now what life is.
Fig. 4
C5
4
Please tell
5
2 4
P.M.
0 0 0 2 2 2 0
Fig. 3
9
7
love
is.
5
7
4
5
2 2
P.M.
2
2
cont. sim.
P.M.
9
5 7
4 4 4 0 0 0 2 2 2 0
7
10
me now what
P.M.
2
D5
cont. sim.
7
G5
7
P.M.
4 4 4 5 5 5 4
7
9 5
10
7
9
5 5
P.M.
5
7 7 7 4 4 4 5 5 5 4
7
5
*chords implied by bass Gtrs. 1+2 play Fig. 3 Gtr. 4 plays Fig. 4
E5
Well, tell
me now what
A5
war is.
A - gain
C5
D5
tell me what
life
is.
q = 164
E5
Verse
5. And as 6. And all
Sorgdal
they searched to be - cause of
Gtr. 3 (2° only)
C5
Gtrs 1+2 play Fig. 2 8
find it,
the you’d
8 9
D5
bo dies in the think that we’d have
8
7 7
7
10
sand. learned.
9 10
G5
9
7
Gtr. 1 (2° only)
P.M.
5 2
2
2
P.M.
5 2
2
2
P.M.
5 2
2
P.M.
5 2
2
2
P.M.
5 2
2
2
P.M.
5 2
2
5
E5
ash es bo - dy
that count,
are the
C5
They find But still
it’s the
8
G5
8
E5
And Some
C5
as their where there’s
Gtr. 3 (1°+2°)
8
spi - rits some one
9
P.M.
2
G5
whist - le in a
P.M.
5 2
2
2
P.M.
5 2
2
2
D/F#
on for
wind, land,
the - eign
7 7
7 9
7
Gtr. 1 (1°+2°)
5 2
(Gtr. 3)
Sorgdal
6
C5
a shot mean while
is the
fired some where, world is cry -ing,
Gtr. 1 plays Fig. 2 8
8 9
be of
-
12 10
2
1. D5
12 9
10
G5
an - oth - er war stu - pi - di - ty
P.M.
E5
8 10
9 10
seemed to dy - ing
7
Gtr. 1 (2° only)
8 9
7
10
7
5 2
7
10
land. burned.
9
the res
8
9
scat tered a - cross ci - ty fi -
D5
12
2
P.M.
5 2
2
P.M.
5 2
2
2
gins.
Pre-Chorus
2. D5
man,
Gtr. 3
tell
me
A5
why,
tell
me
2 2 0
0
14
Gtrs. 1+2
P.M.
7 7 5
5
5
P.M.
7 7 5
7 7 5
7 7 5
7 7 5
C5
D5
7 7 5
0
3
3
5 5 3
P.M.
2 2 0
0
0
3
7 7 5
P.M.
2 2 0
0
0
P.M.
2 2 0
0
0
P.M.
2 2 0
P.M.
2 2 0
0
0
why?
$
3
3
5 5 3
P.M.
5 5 3
P.M.
P.M.
5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
G5
P.M.
5
q = 105
Chorus
*E5
Gtrs. 1+2 play Fig. 3 Gtr. 3 plays Fig. 4
Please tell
me now what
life
C5
is.
Please tell
D5
me now what love is.
*chords implied by bass
Sorgdal
E5
Well, tell
me now what
war is.
A5
A - gain
tell me what
C5
life
D5
is.
7
Bridge
E5
Gtr. 2
the
Gtr. 3
great - er
Fig. 6
good
rhythm cont. sim.
of
God.
7
7 10
8
7
9
Fig. 5
7 9
Gtr. 1
For
9
7
8
7
8
4 4
7
7 10
4 5
7
10
8
7
9
7
8
10
4 7
7
5
5
4
5
5
4
7
4 7
7
5
4
7
Gtr. 1 plays Fig. 5 Gtr. 3 plays Fig. 6
C5
For
the
great - er
G5
good
of
God.
For
the
great - er
E5
For
the
D5 4° To Coda Ø
God.
A5
B5
good
of
great - er
C5
good
of
D5
God.
Interlude q. = 64
[E]
Gtr. 3
cont. sim.
8 7
Gtrs. 1+2
Sorgdal
8
8 7 9
5 4
7
8
5 4
7 0
10
8 7
9
5 4 7
0
8 7
9
7
4
5
9
5 7
0
7
5 4
7 0
8 9
5 4 7
0
8 7 9
5 4
7 0
8 7 9
5
7
*E5
5 4
5 4 7
5 4
7
0
7
4
5
5 4
5 4
7
7
4
5
5 4 7
7
D5
5 4
5 4
7 0
5
0
C5
5
7
5 4
0
0
7
0
D5
5 4 7
0
A5
5 4 7
0
5 4
0
*chords implied by bass
G5
7
0
E5
C5
7
7
0
5 5
7
0
[E]
G5*
D5*
Gtr. 2
Gtr. 3
8 10 8 7 7 9
9
9 7 9
9
9
7 9
9
9 7 9 9 9 9 9
7 9
9
9 7 9
9
9
8 10 8 7 9 7
9 7
Gtr. 1
Fig. 7
Gtr. 2 cont. in slashes
let ring...
5 7 5 4 5 7 0
7
7 5 7 0
7
7
5 7 0
7
7 5 7 0
7
7
A5
5 7 0
7
7 5 7 0
7
7
G5*
5 7 5 4 7 5
G5/A
D5
7 5
Fig. 8
8 10 8 7 7 9
9
9 7 9
9
9
7 9
9
9 7 9
9
9
7 9
9
9 7 9
9
9
8 10 8 7 9 7
9 7
Sorgdal
5 7 5 4 5 7 0
7
7 5 7 0
7
7
5 7 0
7
7 5 7 0
7
7
5 7 0
7
7 5 7 0
7
7
5 7 5 4 7 5
7 5
9
Gtr. Solo [E]
Gtr. 4
rake
ff Gtr. 4 w/dist. Gtr. 1 plays Fig. 7 Gtr. 3 plays Fig. 8 10
14 15
14 12 14 13
12 10 12
10 9
10
7 6
7
15 10 15 14
10 9
12
A5
14
10 11 12
D5*
14 11 12 11
15
13
X
G5*
full
17 12
X
full
12 15
12 15
12 17
12 15
12 14
12
15 14 12
15
12 11 12 11 14
14
14
14
14
14
14
12
G5*
full
G5/A
D5
full
12
12
12
12
15
12
14
15
15
14
12
12 14 14
12
14
12
10 12
Interlude
[E]
1° only
Gtr. 3 tacet
Gtr. 4 tacet
12
Gtrs. 1+2
P.M.
Sorgdal
10
Fig. 9
7
8
7
0
0
0
7
5
3
0
0
0
5
3
2
0
0
0
3
2
0
0
0
0
[E]
Gtr. 5
rake
full
12
15
15
X
rake
15
15
12
12
12
15
12
12
12
X
full
15
12
15
12
12
15
B5
C5
full
full
10
G5
A5
7
8
10
8
rhythm cont. sim.
7
11
7
10
7 8
Gtr. 6
Gtr. 2 7
7 10
4
4 7
8 45
7
8
4
5
7
B5
C5
10 5 7
8
7
5
4
8
G5
A5
12 14 12 10 12 10
13 12 13 12 10 12 10 12
11 12 11
11 14
14 12 14
7
Sorgdal
X
full
12
full
12
Gtr. 1
X
Gtr. 3
14
full
15
X
full
12
ff Gtr. 5 w/dist.+wah-wah Gtrs. 1+2 play Fig. 9
7 10
4
4 7
8 45 7
7 4
8 5
10 57
8
7
8
5
14
8
10
7
5
7
4
10
8
10
7
5
7
B5
C5
11 4 4
5
4
4 7
7
10
7 10
4
4 7
8 45 7
7
5
7
7
8
4
5
11
G5
A5
B5
C5
G5
A5
Gtr. 5
0 0 0 0 0 0 0 0
2 5
2
4
10 57
8
8
4 5
7
8 9
10 4
5
4
7
7
9
8 45 7
11
12
14
10
7
10
4 7
[E]
9
7 8
10
5
full
5
7
8
4
5
10 57 8
8
7
5
4
10 2
Gtrs. 1+2 play Fig. 9 Gtrs. 3+6 tacet 17 0 0 0 0 0 14 0 0 0 0 0 15 0 0 0 0 0 12 0 0 0 0 0
14 0 0 0 0 0 10 0 0 0 0 0 12 0 0 0 0 0 8 0 0 0 0 0
10 0 0 0 0 0 7 0 0 0 0 0 8 0 0 0 0 0 5 0 0 0 0 0
7 0 0 0 0 0 3 0 0 0 0 0 3
3
full
Sorgdal
12
X X X
X X X
1/2
12 15
15
12
14 14
14 12 15 14 12 15
15 14 15 14 12 14 12
12
14
13 14
full
14
16 16
15
17
15
14
14
17
15
17
17
17
15
17
1.
Interlude B5 Gtrs. 1+3
C5
G5
A5
B5
C5
rhythm cont. sim.
17
Gtr. 6
Gtr. 2
7
8 45
7
7
7
10 4
4 7
4
10 5 7
8
8
8
5
7
5
7 10
8
10
7
5
7
7 10
4
4
4 7
8 45 7
7
8
4
5
2. G5
A5
C5
B5
8
7
5
4
10
8
10
7
5
7
8
10
5
10 5 7
8
Gtr. 3
Gtrs. 1+2
Sorgdal
A5
G5
7
7 10
4
4 7
8 4 5 7
7
8
4
5
7
10 5 7 8
Gtr. 2 cont. in slashes 8
7
5
4
10 7
13
E5
1, 2, 3.
C5
4.
D.S. al Coda (with repeats)
Gtr. 4
G5
rhythm cont. sim.
7
7 8 9
9
7
D5
7
10
8
9
D5
9
9
10
8
7 9
9
9
7
7 9
8
10
9
9
rall.
4
4 5 7
7
Ø Coda
5
4
7
5
7
7
7
7
5
5 7
7
C5
7
7
5 7
5
7
7
7
D5
God.
7
7 9
7
8
7
8
8
7
10
7 10
10
8
7
9
4 4 7
5
Gtr. 3
He gave
his
(Fig. 1) mf let ring... w/clean tone + chorus
Sorgdal
14
5
5
4
7
4 7
C
Gtrs. 1+2
4
7
5
4
7
Em
5
q = 164
Outro
9 9 7
for us,
9
5
9
D
cross.
rhythm cont. sim.
life
G
5
he
fell
up - on
the
5
7
5
5
3
5 3
5 5
7 5
7 7
Gtrs 1+2 play Fig. 1
Em
To
C
die
for
all
Em
of
those
It
was
meant for
- n’t
nev
us
D
who
C
G
to
- er
mourn
his
loss.
G
D
feel
the
pain
a
-
gain.
Tell
me
rit.
A
C
why,
Gtrs.1+2
2
tell
me
2
2
D
why?
7 7
2
2
q. = 43
5
2
5
5
0
Sorgdal
2
2 0
5
3
[E]
rall.
Gtrs.1+2+3
7 7
5 4
5
5 4 7
0
q. = 43
5 4 7
0
5 7
5
7
0
15
Lord Of Light Words & Music by Bruce Dickinson, Steve Harris & Adrian Smith
Emb6
D13 Cmaj7 Am9
Em9
E5
D
7fr
D/F# Cmaj7#11 G5
B5
Am9* G5*
3fr
2fr
5fr
A5
E5*
5fr
10fr
F#5
Eb5
9fr
C#5
6fr
Bb5
4fr
q = 127 Intro
Emb6
Gtrs. 1+2
mf let ring... w/clean tone 0
Verse
1.
0
1
1 4
are
se
1
1
4
4
crets
that
you
1
4
2
-
0
1 4
2
There
1
4
2
0
1
4
4
2
D13
keep.
0
1 2
There I Don’t
Sorgdal
1 4
are can’t de -
se reach ny
crets things me
that I what
you can’t I
0 1 4 2
1 4
4 2
keep, see, am,
0
0 1
4 2
4
1 4
1 4
0
0 1
1
4
D13
0 1
0
1 4
0
1
4
0
1
4 2
0
1
4 2
Emb6
0
1 4
0 1
4
4 0
0 1
1 4
4 0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited (66.67%)/Copyright Control (33.33%). All Rights Reserved. International Copyright Secured.
0 1
1 4
4 0
Cmaj7
There you no
are don’t thing
se see hid
-
-
crets this den
-
tell quite fail
to me a - lone. the same as me. to see the truth.
0 1
4
1 4
1
Emb6
0
1
4
things
1
4 0
you
1 4
can’t
re
0 2
Sorgdal
2
9
5
5
7
0
1
1 4
4 2
4
5
4 7
Gtr. 2
0 1
7
4 2
P.M. Fig. 1
9
4
2
9
1
4
Gtr. 1
5
0
4 2
0 1
1 4
4 2
1
1 4
4 2
Fig. 2 1
0 1
4
2
1 4
Emb6
- veal.
Interlude
4
1
4
2
1 4 0
0 1
4
1
4
0
1 4
are
0
0 1
2
These
0 3
0
1
4 3
0
1 4
3
3. D13
0 1
4
3
1, 2. D13
2
that you strange world still you
0 1
Am9
4
Gtr. 3
Gtr. 3 w/dist. mf Gtr. 1 plays Fig. 1 Gtr. 2 plays Fig. 2
12
12
9
7
10
12
8
10
7
8
7
Gtr. 3 tacet
These
are
things
you
can’t
re
Em9
Gtr. 1
-
veal.
ff
P.M. w/dist.
9 9 7
P.M.
9 9 7 0
0
0
P.M.
9 9 7 0
0
0
0
0
1 4 2
7 0
5
P.M.
9 9 7
Gtr. 2
q = 160 E5 Gtr. 1
Sorgdal
Em9
Em9
7 0
5 0
7
5 5
4 7
5
3
P.M.
Verse
E5
0
We
are
part
P.M.
9 9 7
0
0
0
of
some
9 9 7
0
0
0
0
5
7
bro
9
ther - hood
of
0
Sorgdal
4
7 7 5
5
5
5
7 7 5
5
5
5
5
5
the
slaugh
P.M.
7 7 5
5 9
7
5
7 7 5
5
5
5
0
of
the
9 9 7
7
5
C5
7
5
4 7
5
al
sac
-
5
0
-
P.M.
7 7 5
5
ter
In - fern
7 7 5
5
0
5
-
0
5
P.M.
0
7 7 5
5
9 9 7 0
man?
P.M.
plan.
0
P.M.
7
4 7
9 9 7 0
-
7
5
P.M.
9 9 7
5 9
9
D5
strange
P.M.
D5
7
5
7
P.M. P.M. P.M. P.M.
Why
7 7 5
0
Fig. 3…
0
P.M.
7
0
E5
9 9 7
9 9 7
0
P.M.
P.M. 9 9 7
0
0
Gtrs. 1, 2+3
9 9 7
0
9 9 7 0
P.M.
9 9 7
9
7
5 9
7
5 5 3
3
3
3
P.M.
5 5 3
3
3
3
P.M.
5 5 3
3
3
-
ri
-
P.M.
A5
fice
of
hell.
5 5 3
3
3
E5
5 5 3
3
5 5 3
is
breath - ing, liv ing
lead in
-
as to
they a
all new
E5
Gtr. 2
Gtr. 1
10 12
8
0
0
2 2 0
the the
7 7 5
0
7 7 5
7 7 5
7 7 5
7 7 5
C5
way, past,
7 7 5
our to
bod look
2.
to one. ni - um.
7 7 5
melts time
1.
-
0
… Fig. 3 ends
D5
D5
burn in mil - le
P.M.
0
Re -
10
D5
7
8
7
12 12
10 12
13
10
12
8
10
7 8
9 9
7 9
10
7
9
5
7
4 5
9 7 9 9
7 9
5
7
4
5
4 7 5
Gtr. 3
P.M.
Sorgdal
2 2 0
12 12
2 2 0
A5
P.M.
- ies in
5 5 3
D5
Fire -venge
Interlude
P.M.
Gtrs. 1+2+3 play Fig. 3
9 9 7
P.M.
9 9 7 0 0 0
P.M.
9 9 7 0 0 0
P.M. 9 9 7
0 0
0
P.M. 9 9 9 7 9 9 9 7 7 7 7 5
P.M.
7 7 7 7 5 5 5 5 5 5 5 5
P.M.
7 7 5 5 5
7 7 5 5
P.M.
5 5 5
7 7 7 7 5 5
7 7 7 7 5 5
0 0 0
5
D5
E5
12 12
10 12
8
9
9
7 9
8
7
12 12 10 12
13
10
12
8
10
7 8
5
7
4
5
9
10
7
9
5
7
4 5
4
9
7 9
7 5
9 9 7 0 0 0
Gtrs. 1+2+3 play Fig. 3
E5
Spi - ral Fire -
the was
P.M.
9 9 7
0 0 0
P.M.
9 9 7
Verse
P.M.
7
9 7
10
C5
P.M. 9 9 7
0 0
0
9 9 9 9 9 9 9 9 7 7 7 7
5 5 3
5 5 3
5 5 5 5 3 3
5 5 5 5 3 3
7 7 5
7 7 5
path breath
leads through the maze, - ing, lead the way,
A5
7 7 7 7 5 5
C5
un - der - world an - gel led
down in Lu - ci
-
to fer
2.
D5
D5
1.
fie - ry just an
7 7 7 7 5 5
0 0 0
7 7 7 7 5 5
be - low. a - stray.
q = 80 E5*
D/F#
Chorus
Free
G5
your
soul
D/F# E5*
and
C5
let
E5
Sorgdal
6
2 0
2 0
5 3
Fig. 4…
5 2
5 3
5 3
5 2
2 0
it
fly,
P.M.
5 3 0
P.M.
7 5
0
Gtrs. 1+2+3
D5
9 7
7 5
7 5 0
0
B5
D5
life
to
the
Lord
of
Light.
D5
C5
your
give
P.M.
P.M.
P.M.
E5
P.M.
D5
P.M.
P.M.
…Fig. 4 ends
4 2
7 5
5 3
0
0
5 3
5 3
5 3
5 3 0
7 5
0
0
9 7
0
0
7 5
0
0
0
0
0
Gtrs. 1+2+3 play Fig. 4
E5* D/F# G5
D/F#E5* C5
Keep your se crets and
E5 D5
B5
rain on
D5 C5
me,
all
I
see
are
D5
E5
D5
mys - te - ries.
q = 76 Interlude
E5*
Em9
Gtrs. 1+2+3
Cmaj7#11
Gtrs. 1+2
mf w/clean tone
Fig. 5
Gtr 3 tacet
2 2 0
0 0 0
0 0
4
0 4
0
4
2
0 0 4
0 0
0
0
4
2
0
0 0
0
4
3
4
3
0
Bridge
Gtrs. 1+2 play Fig. 5
Em9
Sorgdal
Am
I not Oth - ers
Em9
We
wor
wait
thy their
in turn,
your their
gath - er de - mons use yours wise - ly
in as
the the
Cmaj7#11
black lives
and were
blaz meant
to
ing eyes? last,
Cmaj7#11
mir - ror light is
ev fad
- ’ry - ing
day. fast.
Free
your
7
Am9*
of fly,
The bridge and let it
soul
Gtrs. 1+2
0
dark - ness
0
0
and all a - gain
our
Time
0
we of
2
0
5
0 5
7
1
5
2 7
0
E5
0
0 0
2
0 2
2
3
3
3
3
1
us.
1
3
P.M. ff w/dist. 9 9 7
We are In our
0 0 0
P.M. 9 9 7
0
0
strang - ers night mare
in this world,
P.M. 9 9 7
0
3
0
9 9 7
G5* F#5 E5
C5
9 9 7
0 0
F#5
0
P.M.
9 9 7
the
Eb5
9 9 7 0
0
P.M.
5 5 3
5 5 3
0 0
Eb5
P.M.
P.M.
5 5 3 0
0
8 8 6 0
land. trust.
9 9 7 0
prom ised one we
P.M.
C5
9 9 7 0 0 0
E5
lone - ly on - ly
9 9 7
0 0
P.M. 10 10 8
P.M.
12 10 12 10 10 8
12 12 10 0
3
3 1
P.M. 9 9 7
0
P.M.
9 9 7
G5*
2
We were cast out by our blood y fath er’s hand. We are the sha dows of the one un - ho - ly ghost.
E5
2
3
0
2
1
0
7
day.
0
0
this
0
5
0
3
3
2
3
give
0
0
2
3
sins to you to pun ish all
re -
0
2
1. Fmaj7#11
0 5
0
3
0
8
0
Sorgdal
sha - dow on us all, caught, I could n’t try.
7
2.
0
7
Am9
a was
1
casts mine
5
0
0
5
7
turns
0
5
Fmaj7#11
5 5 3
8 8 6 0
Gtr. solo
Gtr. 4
D5 C#5
B5
f w/dist.+ pitch shift pedal set one 8vb.
Bb5
B5
G5
full
7
10
9
7
9 7
9
9
9
7
9
Gtrs. 1+2
full
9
P.M. P.M.
P.M.
B5
2
2
2
4 4 2
2
2
4 4 2
4 4 2
2
7 7 5
5
7
7
6 6 4
4 4 2
2
2
2
4 4 2
2
2
5 5 3
3 3 1
5 5 3
3
6
D5
3 6 Gtrs. 1+2 play Fig. 6
C#5
6
B5
6
G5
12
Bb5
6
14 10
5
5
P.M. P.M.
Fig. 6 4 4 2
7
12 11 11
12 11
12 11 14
11 14 12
14 12 11 14 12 11
12 11 14
11 14 12
14 12 10 14 12 10 9 10
B5 C#5 B5 G5 Bb5 D5 cancel pitch P.H. shift pedal 12 11 10 7 6 7 6 10 7 6 11 14 14 11 14 9 7 7 9 7 7 9
B5
D5
6
6
Sorgdal
C#5
6
full
10
7 9 7
7 9 7 9
7 9 7 9
7 9 7 9 7 9
B5
3
7 9
G5
Bb5
full
10
10 7
7
7
7 10
7 9
7 9
9 7 9
9
B5
D5
C#5
B5
G5
w/slide w/pitch shift set 8va.
5
7
10
10
9
9
Bb5
10
12
Gtrs. 1+2
Fig. 7
4 4 4 2 2 2 2 2 2
4 4 4 2 2 2 2 2 2
4 4 4 2 2 2 2 2 2
B5
D5
C#5
4 4 4 2 2 2 2 2 2
7 5 5
B5
12
4 4 4 2 2 2 2 2 2
G5
4 4 4 2 2 2 2 2 2
Bb5
Gtrs. 1+2 play Fig. 7
12
2 0 0
6 4 4
5
17
17
4 4 4 2 2 2 2 2 2
4 4 4 2 2 2 2 2 2
B5
5 5 3
D5
3 3 1
C#5
slow gliss
5
14
19
q = 194
B5
Sorgdal
10
Bb5 Gtr. 5
*E5
f w/dist. w/bar
19
G5
Gtr. solo
full
C5
full
full
full
12
15
15
15
14
12
12 12 15 12 14
14
5 7
7 9
9 10
10 12
9 10
7 9
Fig. 8…
0
*chords implied by bass
0
B5
3
full
12 15 12 14
12 14 12
12 14
14 12
14
12
12
14
12
3
3
5 7
7 9
9 10
10 12
9 10
full
17
14
full
17
17
full
17
full
17
full
full
17
17
12
7 9
5 7
7 9
9 10
0
A5
14
14
15
17
full
14
3
full
14
3
full
7 9
D5
15
17
14
15
17
5 7
4 6
14 15 14
14
17
E5
12
17
5 7
7 9
9 10
10 12
7
8
15 17
16
9 10
7 9
…Fig. 8 ends
0
0
C5
w/bar
7 8 7
Sorgdal
8 7 8 7
7 8 7 9
Gtrs. 1+2 play Fig. 8 5 6 5 9 7 5 7
7 5
3 5 7
5 6 5 7
7 5
4
5 4
w/bar
7 7 7
5 7 5 4
9
9
11
B5
3
12 9
14
14
14
16
15 12
14
14
12
12
12
15
14
14
14
full
12
A5
3
D5
full
full
15 14
12
12
E5
12 15
14
14
12
12
14
12 14
14
14
Gtrs. 1+2
0
Interlude
1° only
C5
B5
Gtr. 4 tacet
Sorgdal
12
5 7
7 9
9 10
10 12
9 10
7 9
5 7
7 9
9 10
10 12
9 10
7 9
0
0
A5
5 7
7 9
7 9
9 10
5 7
4 6 0
D5
1.
5 7
10 12
7 9
9 10
9 10
2.
E5
7 9 0
10 12
9 10
7 9
q = 92 Chorus
Gtrs. 1+2+3 play Fig. 4
E5* D/F# G5
Free your soul
E5* D/F# G5
D5
mys
-
let
te
-
fly,
E5 D5
me,
E5
D5
Sorgdal
D5
all
1, 2.
see
are
D5
to the Lord
D5 C5
I
E5
of
Light.
D5
E5
D5
mys - te - ries.
E5*
ries.
Gtrs. 1+2+3
2 2 0
D5 C5
B5
rain on
B5
give your life
it
D/F# E5* C5
Keep your se crets and
and
E5 D5
3.
D/F# E5* C5
(Hi-hat)
E5
D5
E5
9 9 7
9 9 7
7 7 5
9 9 7
9 9 7
9 9 7
9 9 7
13
The Legacy D7 D9'b6
Dsus4 12fr
8fr
10fr
Dm
Dsus2
10fr
9fr
C5
D5 7fr
D7sus4 5fr
D6
D5*D7/A[omit3]D5** 7fr
Dsus2 Dm7/A D5/A* Dsus4
3fr
12fr
Dsus2/4 Dm* D5*** C/E
A5
5fr
F5
E5
9fr
Dsus2*D7[omit3] G/D
3fr
4fr
E5*
5fr
E5**
7fr
D9
7fr
G5
Dm* Dsus2/4* D
9fr
F5
12fr
G5*
5fr
5fr
Gtr 1 (acoustic); Gtr 2 (acoustic 12 str.); Chord boxes: 6=D 3=G 5=A 2=A 4=D 1=D
7fr
5fr
7fr
12fr
11fr
D/F# 9fr
All other Gtrs. 6=D 3=G 5=A 2=B 4=D 1=E
Intro
D7 D9'b6 D5 D6 D7sus4 Dsus2 D7sus4 cont. sim. Dsus4
Gtr. 1 (acous.)
finger picked; let ring...
mf
12
12 10 0
10
8
0 12
8
11
0
5
5
3
5
2 0
5
0
2
0
D6
2
0 4
0
Dsus2
5
0 5
0
Dm7/A
3
0 7
0
Dsus2
7 0
9
0
D6
7
0
0
D6
Dm7/A
2
Sorgdal
2
3
0 0
3
2
0 2 0
2 0
4
2 3
2
3
0
2
3
0
2
3
3
0
2
0 2 0
0
© Copyright 2006 Iron Maiden Publishing (Overseas) Limited. BMG Music Publishing Limited. All Rights Reserved. International Copyright Secured.
2 0
4
3 2
3 2
0
3 0
Verse
Dsus4
Tell Off
1. 2.
D7
D9'b6
that you to play
D6
D7sus4
ought to know. Two min utes of your time, lit - tle games, and on their re - turn,
D7sus4
you a thing to war
D5
you go. no names.
Tell Some
then on can’t name
Dsus2
7
3
Fig. 1 12
10
8
8
0 12
0 11
5
5
7
0
3
0
D7
tale strange
D9'b6
4
0
of the men yel low gas
all has
2
0
com
-
no
Dsus4
12
in black, with their minds,
0
D6
that has
2. Sent
D5
bounds.
How
D7
D7sus4
most red dened
of their
them, eyes,
not re -
the lies.
As
strange
D6
ma - ny
get
D5
as
it sounds,
D7sus4
well,
on - ly
D7sus4
time
will
8
8
7
7
0
5
0 9
5
3
0 7
3
Dsus2
5
0
0
0
Dsus2
Dm7/A
Dsus2
D6
3
3
2
0 4 0
2 0 2
3 2
0
2 0
Dsus2
3
0
3
2
0
2
0
will tell.
2
4 0
D5*
0 2
3 0
2 0
2 0
5 0
2 3
2
0 4
0
5
0 5
2
tell.
D7sus4
2
death
rall.
10
D6
0
On ly time
2
Dsus2
D6
D7
0
all
Dsus4
11
Dsus2
0
0
- moved
D9'b6
12
0
Dsus2
back.
12 10 0
D7sus4
knows
ing
D9'b6
D7sus4
dressed played
Dsus2
2
2 0
2.
D7sus4
Sorgdal
2
5
0
D5
1.
5 0
5
0
5
0
Gtr. 1 plays Fig. 1
7 0
9
0
Dsus4
10
0
12 0
0 0 2 0 0 0
Fig. 2
0 0 12 0
0 0 10 0
Dsus4 Dm
0 0 12 0
Dsus4 Dm
cont. sim.
0 0 10 0
0 0 12 0
0 0 10 0
0 0 10 0
Dm
q = 73
Interlude Dsus4*
D5*
Gtr. 3 (elec.)
0 0 9 0
D5*
Gtr. 2 (acous. 12 str.)
Dsus2*
(fade in w/vol. control)
mf
cont. sim.
Fig. 3 Gtr. 2 w/clean tone + chorus
11 10 10 11 10 11 10 11 10 10 10 10 12
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
D5*
5
5
5
5
5
5
5
5
5
7
7
7
7
5
3
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
D7[omit3]
Gtr. 3 plays Fig. 2
D5** Gtrs. 4+5 (elec.) f
A5
D5**
Gtr. 6 (elec.)
f Gtrs. 4+5+6 w/dist Gtr 1 plays Fig. 2 Gtrs. 2+3 tacet
Sorgdal
12 10
12
10
12 10
10
9
9
A5
12 10
12
10
12 10
10
9
9
3
D5*
D5*
Gtr. 2 (acous. 12 str.)
Gtr. 3 plays Fig. 3 Gtrs. 4+5 tacet
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
D5*
D7[omit3]
5
5
5
5
5
5
5
5
5
7
7
7
7
5
3
0
7
7
7
7
7
7
7
7
7
8
8
8
8
7
5
0
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
Dsus2/4
Dm*
Gtr. 2 (acous. 12 str.)
Gtr. 3 tacet 0 10 9 0
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Gtrs. 4+5 w/dist. f Gtr. 1 plays Fig. 2 Gtrs. 2+3 tacet
Sorgdal
4
0 0 0
0 10 9 0
0 8 7 0
10 9
A5
Gtrs. 4+5 (elec.)
8 7
0 8 7 0
D5**
0 0 0
0 0 0
0 0 0
8 7
0 0 0
0 0 0
0 0 0
2 2 0
2 2 0
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
8 7
D5**
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
q = 90
A5
D5***
2 2 0
0 0 0
2 2 0
7 5
7 5 0
C/E
P.M.
C5
D5***
7 5
7 5
7 5
0
D5***
E5
7 5
0
F5
P.M.
5 3
0
C5
10 7
0
P.M.
7 5
D5***
C/E
0
3 3
2 2
3 3
F5
E5
P.M.
Fig. 4
7 5
0 0
7 5
7 5
10 7 0
5 3
0
7 5
7 5
7 5
7 5
0
0
0
2 2
3 3
2 2
3 3
2 2
Gtrs. 4+5 play Fig. 4
Verse
D5***
1. 2.
D5***
You lie Tang - led up
in your death bed in a web of
To the prayer of No - thing that we
D5***
Sorgdal
C/E
Brought us on - ly Un - a - ware of
D5***
men.
So Not
C/E
C5
D5***
now, lies,
C5
C5
D5***
D5***
C5
ut - ter trust not a - ware
ho - ly peace, can’t be - lieve,
C/E
but what could have been
ho - ly sin, the con - se -quence,
C/E
F5
did you bring a way
D5***
how could we be such fools? a thing that we could for - see,
and not
to think a sign
E5
a dead - ly thing. the se - crets that you
F5
we did n’t know what was ly - ing to re - veal the fa -cade of
to the ta - ble? to pro - phe - sise.
F5
is of
E5
F5
kept.
E5
un - der - neath. face - less
E5
that we thought you the an - swer. that would tell us the out - come.
5
Pre-Chorus
D5**
Gtrs. 4+5
I You
can’t had
Dsus2*
be - gin us all
to strung
un - der - stand - ing out with pro mis -
P.M.
P.M.
all es
the
P.M.
lies,
of
P.M.
P.M.
Fig. 5
0 0 0
0 0
0 0 0
5 0
5 0
0 0 2 0 0 0
D7[omit3]*
but but
on all
Gtrs. 4+5 play Fig. 5 0 0 5 7 0 0
5 7
7 7
D9
Sorgdal
6
0 0 9 10 0 0
5 0
5 0
5 0
5 0
9 7
Just as Can it
9 10 12 10 10 10 10 10
9 10
7 7
5 7
Dm*
4 5
G/D
5 0
5 0
5 0
5 0
7 5
5 5
4 5
it was
in
9 9
10 9
9 9
your to
eyes. de - ceive.
7 9
clear as all the sweat up -on your put to rights now, on - ly time will
0 0 10 12 0 0
5 5
I can see cov - er plan
0 0 7 9 0 0
5 0
your death - bed a - long your
5 0
0 0 4 5 0 0
peace,
5 0
Gtrs. 1+2 (acous.)
5 0
10 12 14 12 12 12 12 12
10 12
Dsus2/4*
brow, tell,
0 0 12 14 0 0
7 9
it your
real ly makes pro phe cies
12 14 15 14 14 14 14 14
12 14
1. D
sense,
I
can
see
it
clear - ly
now.
0 0 11 12 0 0
2, 3. D
1100 120
will
send
us
all
to
hell
as
well.
0
Pre-Chorus
D5***
Left
Gtr. 4
to
C5 D5*** E5
all
our
D5***
gold - en
7
5
5
7
7
7
sons,
9
[D]
left
to pick
D5**
up
on
the
peace.
5
5
5
4
5
7
5
4 7
Gtr. 5
5
P.M.
Fig. 6
7 5
7 5
5 3
7 5
9 7
7 5
7 5
D5***
You could have giv - en
all
of
them
C5 D5*** E5
Gtr. 5 plays Fig. 6
Sorgdal
7 5
7 5
7 5 4
D5***
7 5
0
7
7
7
5
7
9
a
5
7
5
[D]
4
2
lit - tle chance,
0 0
D5**
at
least.
5 5
5
5
4
5
7
5
4
4 7
7
D5***
C5 D5*** E5
Take the world
7
7
7
to
a
D5***
bet - ter
5
7
place,
D5**
giv - en them
9
[D]
all
just
a
lit - tle hope.
5 5
5
5
4
5
7
5
7
D5** D5***
C5 D5*** E5
D5***
Just
think,what
7
7
7
5
a
le - ga - cy,
7
9
you
now…
will
leave.
5 5
5
5
4
5
7
5
4
4 7
Interlude q = 73
D5**
A5
D5**
Gtr. 6 (elec.)
12 10
12
10
12 10
10
9
12 10
0 0 0
0 0 0
0 0 0 0 0 0
2 2 0
0 0 0
10
12 10
10
9
2 2 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0 0 0 0
2 2 0
0 0 0
9
f w/dist. 0 0 0
12
0 0 0
A5
9
Gtrs. 4+5 (elec.)
[D]
5
Gtr. 5
4
2 2 0
q. = 144
[D]
Gtr. 7 (elec.)
P.M.
P.M.
Fig. 7…
Gtrs. 4+5+6 tacet
Sorgdal
8
5 5
7
8
5 8
6
5
5 8
5 8
7
5
7
8
5 8
7
5
5 8
P.M.
5 5
7
…Fig. 7 ends
5
8
P.M.
7
5
5
8
8
8
8
P.M. Gtr. 5 plays Fig. 7 Gtr. 7 tacet
12
12 14
15
12
5
7
5
5 8
8
13
12
12 15
12 15
8
P.M.
15
7
[D]
Gtr. 4
7
7
14
12
14
15
12
14
12
12
15
15
P.M. P.M.
12 12
14
12
15
Gtrs. 4+5
12
P.M.
12
15
15
D5**E5*
14
15
15
14
12
14
12
14
C5
P.M.
5 5 3
5 5 3
P.M.
12 15
D5***
15
14
15
A5
7 7 5
2 2 0
P.M.
Fig. 8…
0 0
2 2
2 2
2 2 2
2 2 2
D5**E5*
3
3
3
C5
Sorgdal
7 7 5
0
0
2 2 0
0
G5
Gtr. 8
ff w/dist.
14
P.M.
5
5
D5***
5
0 0
2 2
2 2
2 2 2
P.M.
5 5 3
5 5 3
2 2 2
3
3
3
P.M.
5
5
5
P.M.
7 7 5
7 7 5 5
5
5
5 5 5
…Fig. 8 ends
5 5 5
9
Gtr. Solo
D5**E5*
C5
full
Gtrs. 4+5 play Fig. 8
D5***
A5
D5**E5*
full
full
full
15 14 12
15
12
12 15 14 12
16 14
12
15
15
15
12 14
full
15 12
12 14
14
G5
12 14
D5**E5*
C5
D5***
A5
full
17 15 14 15 14
17
14 15
C5
14 15 14 15 17
14 15 17 15 14 17
D5***
12
12
D5**E5*
P.H.
12 17
14
15
14
12 12
D5**E5*
C5
full
12
15
17 15
full
12
14 17
G5
P.H.
full
14
D5***
15
full
12
12 15
14
15 12
15
12
C5
12 12
15
15
15
D5***
A5
4
5
15 12
12 15
D5**E5*
12 15 12 15
12 15
12 15 12 15
12 15
12 16 12 15
12 15 12 15
C5
12 15
15
D5***
full
Sorgdal
10
12 17 12
12 15 12 15
20
19
17
full
12 15 17 19 15
G5
full
20
5
full
1/2
17 17
17
20
20
20
20
20
19
Interlude
Gtr. 4 [D] P.M. P.M.
Gtr. 8 tacet
14
14 16
14
17
15
14
14
17
14
17
17
16
14
Gtr. 5
P.M.
7 7
9
8
7
10
14
16
14
17
16
14
9
14
17
7
17
7 7
9
7
10
7
10
9
7
7
10
10
16
14
16
14
7
16
7
10
17
17
16
10
9
7
9
7
7
9
E5*
17
10
10
14
P.M.
9
P.M.
9
17
17
14
P.M. P.M. 14
14 17
7
10
16
17
7
10
14
17
P.M.
7
10
16
10
10
9
10
C5
4
4
2
2
Gtr. 6
2
4
Gtr. 4
4
2
2
4
2
4
4
4
Fig. 9
10 7
12 9
10 7
8 5
10 7
8 5
8 5
10 7
8 5
7 4
8 5
7 4
A5
4
4
2
2
4
Sorgdal
12 9
10 7
8 5
10 7
8 5
8 5
10 7
8 5
7 4
8 5
F5
2
10 7
10 7
12 10 9 7
8 5
10 7
8 5
8 5
10 7
8 5
7 4
8 5
7 4
4
2
2
4
2
4
4
10 7
12 10 9 7
8 5
10 7
4 8 5
5 5
6 7
5 5
7 7
5 5
11
E5*
P.M.
C5
P.M.
5 5 3
5 5 3
5 5 3
P.M.
P.M.
Fig. 10…
Gtrs. 4+6 play Fig. 9
9 9 7
9 9 7
A5
7
7
9 9 7
7
2 2 0
0
7
7
F5
2 2 0
0
2 2 0
0
0
5 5 3
3
3 3 3
3
3
3
3
P.M.
P.M.
3 3 3
0
3
P.M.
3
0
7
P.M.
2 2 0
9 9 7
…Fig. 10 ends
3 3 3
3 3 3
3
3
0
0
0
Gtrs. 4+6 play Fig. 9 Gtr. 5 plays Fig. 10
Chorus
E5*
We seem
F5
- ged - don
is
C5
dest - ined
to
live
E5*
in
near.
fear,
But where
A5
and
some
there’s
that
C5
a
would say
life,
well
ar
- ma -
there’s hope,
that
Gtr. 6 tacet 2° Gtr. 5 plays Fig. 11
A5
F5
man
won’t self
-
E5*
Gtrs. 4+5
1. 2.
D5**
G5*
with more whole
res - pect and lives
Sorgdal
12
loath - ing thing that
is rife, they learn,
a
C5
the fight
shake of death
D5**
death fire
de - struct.
C5
Why can’t we treat But some are just
D/F#
D5***
-
se
on
all sides with fire,
is life
be is
fel - low men want ing peace,
But The
- ry.
G5*
their
E5*
their hands? and mi
our not
- com - ing cheap.
a
an - ger on -
D/F#
way
and ly
D5***
of
E5
life.
Gtr. 5
We
live But
in if
they
C5
an
un do
P.M.
P.M.
-
cer stop
-
tain to
world, think,
that
5 5 3
5 5 3
3
3
3
5 5 3
P.M.
P.M.
Fig. 11… Gtr. 4 cont. sim.
9 9 7
9 9 7
7
7
D5***
fear man
7 7 5
un -
der is
9 9 7
7
9 9 7
-
stand teet
7 7 5
5
5
7 7 5
5
7
7
-
and ing
- ing - er
P.M.
7
G5*
ig - nor - ance right on
P.M.
7 7 5
5
5
5
is the
5 5 3
D/F#
3
3
D5***
lead - ing brink.
3
to
…Fig. 11 ends
12 10
12 10
12 9
7 5
Gtr. 5 plays Fig. 11
E5
death.
On - ly But do
C5
the culp - sters you think that
Interlude
E5
Gtr. 7
are left, they care?
12 4
12 4
13 5
Gtr. 8
for They
D5***
C5
15 7
15 7
D/F#D5***
vult - ures that prey on their bones. be - ne - fit from death and pain and des pair.
G5*
13 5
12 4
Gtrs. 4+6 play Fig. 9 Gtr. 5 plays Fig. 10
Sorgdal
13
D5***
12 5
14 7
C5
G5*
12 4
13 5
12 4
15 7
Gtr. 8
12 4
13 5
15 7
E5
Sorgdal
14
C5
12 4
12 4
13 5
15 7
15 7
14 7
D5***
13 12 5 4
12 5
12 5
12 4
12 4
13 5
15 13 12 7 5 4
15 7
D5***
14 7
G5*
12 14 4 7
G5*
8 5
D/F#
D5***
G5*
12 5
C5
12 4
D5***
Gtr. 7 E5
E5
14 7
15 7
D/F# D5***
14 12 7 5
14 7
D/F#D5***
14 7
D/F#D5***
[D]
Gtr. 4
P.M. Gtrs. 6, 7+8 tacet
P.M.
12 14 15 12 15 12 13 12 15 12 15 14
12 12 14 15
P.M.
12 14 12 15
12 15
12 12 14 15
P.M.
5 5
7
5
8
P.M.
6
5
5
8
8
5 8
7
5
7
8
5
rall. 7
5
12 14 12
P.M.
5
8
5
7
8
5
P.M.
7
15 14 12 14 12
12 15
5 8
15 14 15
15 14
12 14 12
P.M. 8
7 5
7 5
5 8
8 7 8
8
7
5
7
12 15
15
14 15 14
10
5
8
2.
P.M.
5
10
8
7
8
7
3
3
8
7
12
5 8
15 14
1.
12 15
5
8
P.M.
15
Gtr. 5
5
Outro q = 63
Dsus4* Dm
0 0 10 0
0 0 12 0
0 0 12 0
Dsus4 Dm
0 0 10 0
Dsus4 Dm
Sorgdal
0 0 12 0
0 0 10 0
0 0 12 0
Dsus4 Dm
Dsus4 Dm
Dm
Dsus4*
0 0 10 0
0 0 12 0
0 0 10 0
0 0 10 0
0 0 12 0
0 0 10 0
0 0 10 0
Dsus2*
0 0 9 0
Dsus2*
0 0 9 0
D5*
Gtr. 2 (acous. 12 str.)
0 0 2 0 0 0
15