257226139 Scorpions Guitar Tab Compilation

from Scorpions - Love at First Sting Big City Nights Words and Music by Klaus Meine and Rudolf Schenker A5 F5 C5 D5

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from Scorpions - Love at First Sting

Big City Nights Words and Music by Klaus Meine and Rudolf Schenker

A5

F5

C5

D5

E5 5fr

11

134

134

134

A5

A(b6)

type2

7fr

134

2

3

Moderate Rock q = 139 Intro Gtr. 1 (dist.)

A5

µ

A(b6) A5

        

 

mf



2 0

X X

A(b6)

A5

      





E5



   

D5 C5

G5

G6

G5

2 0

0

      G       

Gsus4

              

P.M.

3 0

Gtr. 1 Rhy. Fig. 1



F5



Gtr. 2 (dist.)



2 0

3 0

2 0

0

10 8

10 8

F5

E5

 

     

10 8

10 8

9 7

7 5

D5 C5

5 3

5 3

G5

5 3

7 3

G6

P.M.

0

5 3

3

G5

8 8 7

Gsus4

           



8 8 7

8 8 7

8 8 7

8 8 7

9 7



7 5

5 3

5 3

5 3

7 3



2 0

A5

      End Rhy. Fig. 1        

0

8 8 7

8 8 7

8 8 7

8 8 7

8 8 7

7 8 7

2 0

0



mf

      



mf

7 0

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

 Gtr. 2         Gtr. 3 divisi  A(b6) A5

  7

0

P.M.

5 3

3

7 8 7

G

 

Gtr. 3 (dist.) divisi

9

 

P.M.

P.M.

2 0

A5

8 5

E5

10

10

7

8

7

7

7

4

5

4

C5

1 1

10

 7

7

                 

D5



7

3

         

              

F5

5

G5

G6

G5

Gsus4

 

Copyright © 1989 by Edition Arabella Music Muench All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved

G

10 7

7 4

8 5

9 7

7 0

A5

5

7

3

5

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A(b6)

A5

F5





E5

D5



                     Gtr. 3  divisi   Gtr. 2

 9 7

Gtr. 4 (dist.)

8

10

5

7

 

G5

G6

G5

Gsus4



           1

  1 1

Gtr. 3 tacet



      

Gtr. 2





  

A5

the

day -





3

1

15

15









1. When

7

7

G



10

10







C5



13 15 13

14



13

15

15



14

  



mf

7 0

Verse Gtr. 2 tacet *A5



  

 -

Gtr. 2



F





light





8v a



  

is

fall - ing

C5

 



in - to







14

14

Gtr. 4

                    P.M.  P.M. P.M. P.M. 0

Gtr. 1

0

Rhy. Fig. 2

D E 

2 0

0

0

0

7 0

0

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

0

0

0

0

7 0

0

5

                  P.M.  P.M. 0

0

0

0

0

* Chord symbols reflect overall harmony.

2

7 0

3 3 1

1

1

1

1

1

1

1

5 5 3

Dsus4

D

    

  

down

fdbk.



Csus4 C

the

D5

A5

and the

sharks

   



night,



                       let ring

   

7

6 5 5

5 5

5 5 5

8 7 7

8 7 7

7 7 7

8

9

7 7

7 0

                     P.M. P.M. 3

3

3

3

3

3

3

7 7 5

5

5

5

5

5

5

5

2 2 0

F





 

C





try Gtr. 4





to

cut

 

a



0

0

0

0

7 0

0

7 0

0

0

0

0

0

   



big

7 0

0

Esus4

piece out

7



6 5 5

5 5

5 5 5

Esus4 E





life,

      

   

5

of

E

Asus4

  

it feels al -

             

10 9 9

10 9 9

9 9 9

10 9 9

9 9 9

7 7

                                             (cont. in slashes) P.M. P.M. P.M. P.M.

End Rhy. Fig. 2

0

0

0

0

0

0

0

A5

3 3 1

1

1

F5

                     right

to

go

out

to

7 7

7 7

7 7

5 7

7 7

7 7

F5

spin - ning

1

1

3

catch an

7 7

3

3

3

2 2 0

0

9 9 7

0

9 9 7

9 9 7

2 2 0

A5

out - ra - geous

7 7

5 7

thrill.

           6 5 5

5 5

6 5 5

5 5 5

But it’s

            let ring

7 7 7

C5

more

7 7 7

8

9

7 7

7 7

E5

                       

 

wheels

             

3

D5



  

of

for - tune,





                   like

1

3

        

         Rhy. Fig. 3A

7 7

1

3

                                         

Gtr. 1

-

1

5 5 3

C5

Rhy. Fig. 3

Gtr. 4

  

                    P.M.  P.M. P.M. P.M. 0

Gtr. 1



Csus4 C



      

 



which nev - er stand still.

End Rhy. Fig. 3A                         

  



  1

7 7

7 7

7 7

7 7

5 7

7 7

7 7

7 7

7 7

5 7

5 5

6 5 5

6 5 5

5 5 5

9 9 9

9 9 9

9 9 9

9 9 9

11

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus

 3 fr

A5 type2

G

         

End Rhy. Fig. 3



   

    1

11



11

1



11

G6

G5





5 3

7 3

Big

cit - y,

2 0

3 0



 

P.M.

2 0

0

   

10 8

10 8



G









You

keep

me

burn

-



 







3

0

3

0

3

0

3

0

3

0

3

E5

D5

C5

G5

 

  

 

big

cit - y

 

  

9 7

7 5

5 3

0

3

0

5 3

3

0

5 3

  

Big

cit - y,



ing.

  



A(b6)



nights.

  

A5

                   P.M. *  P.H. 0

5 3

  

      

2 0

F5

 



Gsus4

         

A5

Gtr. 1: w/ Rhy. Fig. 1 (2 times)

  



11

11

A(b6)

A5

F5



        

2 0

2 0

3 0

 



P.M.

2 0

10 8

0

* Move pickhand up & down string to achieve random harmonics.

 

D5 C5   

big

cit - y

E5

 

  

G5

 

G6

G5





Gsus4

G



nights.



 

8v a

 

 

 



 





 



 









 





     2. When

9 7

7 5

3

5 3

5 3

5 3

7 3

5 3



5

4

3

2

1

A

Ab

G

F#

F

0

Pitches: D

D

sun -

      

 

1/2

10 8

the



loco

P.H.

10 8







A5

2 2 0

Verse Gtr. 1: w/ Rhy. Fig. 2

A5



  

 -

P.M.

0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





light

         2 2 0

F5

2 2 0

2 2 0

   P.M. 0

3 3 1





  

is

ris - ing

C5

 

up

   

            

Csus4 C

Dsus4

    in

my

eyes,

      

P.M.

1

3 3 1

3 3 1

3 3 1

5

7

5 5

6 5 5

5 5 5

8 7 7

D



D5

A5

and the

long

   



             8 7 7

7 7 7

8

9

7 7

2 2 0

  





F5



night

 

      

0

5 2 2 0

P.M.

2 2 0

0

F6

-

right



 

a



3 3 1

back



3 3 1

 

at some - bod - y’s

  

sweet

min - ute



F6

look - ing

5







3 3 1

F



long

Am

like

       



E

Esus4





side,

   

   

7

C5

5 5 5

Csus4



Asus4

  

it feels al -

             

for

F

hours

9 9 9

10 9 9





Csus4



9 9 9

7 7

D5





some - thing

Chorus



But



it’s

 



C





can’t

find

an

- y -

 

Asus4

 

be - fore.

C5



10 9 9

D

   

like

 

10 9 9

C

  





out

6 5 5

5 5





Am

     

 

left me

1

  

for

has

 

Esus4

P.M.

3 3 1

Gtrs. 1 & 4: w/ Rhy. Figs. 3 & 3A



  

Csus4 C

             



  

P.M.





C5

more

E

 more.

  

Gtr. 1: w/ Rhy. Fig. 1 (3 ¾ times)

A5 type2







   Gtr. 4

  let ring

9 9 9

    

9



12

big

cit - y

 

C5

  

A5

Big

loco

 



 

 

 

2 0

3 0

cit -



12

11

11

 

G5



G6

G5





9

11

2 0

Gsus4



nights.

           

 



10 8

9 7

7 5

5 3



y,

 

P.M.

2 0

0



You keep

me

   





 

3

5

3

3

5

3

3

5

3

5 5 5

3

10 8

 

G

A5



burn - ing.



1/2



 

1/2

1

10 8

F5

1

9

11

  

     

   

  

C

1

9

D5



 





P.H.



E5

 

9

 



A(b6)



1

5 5

3 3

5 5

5 5

5 5

5 5

2 0

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

  

Big

cit - y,

A(b6)

 

A5

        2 0

2 0

 

1/2 1 17 17

-



  C



10 8

0

10 8

G

 

yearn

-

17

16

17

7 5

A5





 

 

16

15

G6

G5







 

1/2

18 15 18

 

  

Big

cit - y,



        

2 0

2 0

5

4

A5  

5



4

     1

3 0

cit

-

5

5



big

 

 

 

4

cit



 

-

 



2 0

5

17 17

  

big

cit - y



10 8

9 7







You

keep

me

burn











8

  

G5

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10 8

9 7

7 5

5 3

G5

nights.

5 3

G

-

ing.





 



  1

8

8

A5







8

G6

G5





Gsus4

nights.



 





 







   8 8 7

8 10 8

17 17

 

C5

1

7

y

7 5



1

0

D5

15 15

           

10 8

0

17 17

17 17

 



P.M.

D5 C5   

E5

y,



7

 

F5



0

15 15

E5





4

17 17

F5

Gsus4

7

Gsus4

1/2

17 17

A5

3

       Big

G5

    



17 17



A(b6)

 

5 3

A(b6)

ing.

1

4

G6

nights.

                 5

 

G5

  

 

9 7

loco

P.H.

5

  

C5

1



17 15

D5

    

P.M.



ways

15



cit - y

               5

Al



big







2 0



  

E5



 

3 0



 

F5

5 3

5 3

7 3

5 3

Half - time feel Bridge

G

Gsus4

µ







8 8 7

8 8 7

8 8 7

8 8 7

7 8 7

8 8 7

8 8 7

8 8 7

8 8 7

8 8 7

 



     if



   

you’re look - ing

 

for



  

5 5 3



0

    

3

2



dream



there’s no

true

5 5 3

 



   

 

G5

C5



   

girl’s

burn - ing the

ice

  

 

 

9 9 7

0

C5

that you can’t make

 



   

5 5 3

 

But

G5

 

E5





love.

4 4 2

no

9 9 7



     

 

2

is

 

µ



3   

There

3

B5

E5





          

                 Gtrs. 1 & 4

8 8 7

µ

5 5 3

5 5 3

End half - time feel

D5 Gtr. 1

 







  a

- way

Gtrs. 1 & 4

 

 





from

my

3

  



(D5) D

          

  

heart,

A5 type2

    *

may - be

 

Gtr. 4

   









 





P.M. (Gtr. 1 cont. in slashes)

5 5 3

Gtr. 2

 Gtr. 3 divisi

 (cont. in slashes)

7 7 5



to - night.

5



7

5 5

7



5 7

7

5 7



  7 0

0

2 0

 

 

5

7

3

5 * w/ delay repeats

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude

 Gtrs. 1&4  A

A(b6)

open





  



A5









 

type2

 Gtr. 3 divisi

F5

open



E5

 9 7



8

7 4

10



5

7

8

4

5

9

        

A5

7 0

7

A(b6)

5

7

A5

3

5

 9

7

G

A5

8v a

Gtr. 5 (dist.)

 







 

      



 

3

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1 10

10

7

7

7

4



D5

C5

 

G5

 



5

          G6

G5

Gsus4

 1

1 1

10

10

15

 7

7

7

13 15 13

14

13

15

A5

F5

    



20



 

      

C5

20





1

1 20

15

 

       



20

20

1 20

     

1

8

1



        

f

20

15

          

 

E5



w/ reverb 1

15

 

10

A(b6)

Gtrs. 1&4



8

Gsus4



           

F5

G5

Guitar Solo

Gtr. 3 tacet

Gtr. 2

G6

7



7

G5

10

                 

5

C5

            

Gtrs. 1 & 4: w/ Rhy. Fig. 1

G

8

D5



        

Gtr. 2

Gtrs. 1 & 4: w/ Rhy. Fig. 1 (last 3 meas.)

A

14

14



Gtr. 2 tacet

D5

 

     loco         Gtr. 5   

20

18

  

17

18

17

15

 



17

  

15

17

C5

    





16

20

17

17

17

12

14

13

                1

12

10





1/2

1

5

8

Gtr. 1

18

17



 

8

12

8

  

 

  

 

  

X X X

X X X

2 2 0

2 2 0

2 2 0

  

 

3 3 1

X X X

10

8

 

    

X X X

3 3 1

3 3 1

3 3 1

 

A5

 



 

 

X X X

X X X

 



 

10

12



     9 9 7

 

2 2 0





    2 2 0

2 2 0

 



5

5 7

D5

 

 





3

3 1

5

5

7

  

12

 



7



20

1

Gtr. 4

1

5

22





     

12

C5







1

20

16

              



 3

22



F5



12

 

1

       

14

F5



  



(Gtr. 4 cont. in notation)





 



 13 12

16

  

8v a

 20



        

       



 

 

E5

 









3

loco

8v a





A5

8

5

  

 

 

 

5 5 3

X X X

X X X

5 5 3

8

8



    5 5 3

5 5 3



   7 7 5

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

                   1   X 5 A5

8

  







 

F5



  



3            



3

grad. bend 1/2

  8v a   

 

C5



  

1 15

8

X X

    7 7 5

5 5

7 7

7

       5 5

7 7

5 5



5

2 2 0

X X X

X X X

5

7

  

loco





15

13

12 13 12

15

12

13

        

     

X X X

5 5 3

X X X

Chorus

5 5 3



5 5 3

A5

A(b6)

  

 

A5



F5



E5



cit - y,

big

5

8

 

2 2 0

2 2 0

1

1

 1

15

15

 

9 9 7

10 9 9 7

  

D5 C5

9 9 7

9 9 7

 

9 9 7



cit - y

8

  

      

    

3 3 1

X X X

3 3 1

X X X

3 3 1

5 5 3

 

A5 type2

 

     

15

13 15 13

13

 

 

 

 

 

 

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7

10 9 9 7



1

 

G6

G





Gsus4

14

15

15



2 0

      You keep

14

 

G

nights.

A5



me burn - ing.





  

3 3 1

   

Gtr. 5 tacet

G5

5

3

12

  

5

   

15

       

5

8



   

   Big

5

           

2 2 0

Gtr. 1: w/ Rhy. Fig. 1 (4 times)

6

 

2 2 0

3

15

7



     

E5

8v a



5 5

               





  



14

          2 0

2 0

3 0

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2 0

                 

P.M.

0

10 8

10 8

9 7

7 5

5 3

        

             1/2

3 3 5 3

X X

X X

7 3

5 3

1/2

5

3

3 3

5

3

2 0



  

Big

cit - y,

A(b6)

  Gtr. 2

A5



  

big

cit - y

F5



E5







 

D5 C5



G5

G6

G5





Gsus4

   

nights.

Al



 -



G



  

ways yearn

-

A5



ing.

      



Gtr. 3 divisi

* w/ octaver

7 0

5

7

3

5

* Set one octave below.

                

Gtr. 4

          2 0

3 0

2 0

10 8

 

  

Big

cit - y,

A(b6)

 

0

10 8

A5

        





Riff A1

  7

  

2 0

 

2 0

  3 0



 

2 0

9 7

7 5

 

 

big

cit

E5







1

6

6

5

5

5



C5

-

y

G5

nights.

               









P.M.

0

10 8

10 8

 

9 7



 

7 5

5

4



7

5

4

7

5

G6

G5





7

8

0

2 0

3

Gsus4

    

1 1

10

10

 7

7

7



4

 

10

5

       

1

6

D5

 8





1

6 5

5 3

F5

Riff A

9





grad. bend 1

P.M.

2 0



  

5 3

  

5 3

 

 

5 3

 

7 3



 



  semi-harm.

5 3

0

3

0

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 







G





          You

keep

me

burn -





7 0

7

3

5

3

0

3

0

3

0

3

0

3

0

 



 7

G6

2 0

2 0

G5





3 0

8

10

5

7



 



 

10 8

0

 



Al

-

ways

yearn

 

8

7

7

7

4

5

4



10

3

5

3

5

3

5

G

3

A5



ing.

 

8

4

7

 

 





End Riff A

 

 

5

7

3

5

7

7 0







5

3 3



6 

6

7

5

5

1

5

-

5

End Riff A1

               3

7

5 3



7

5

10

10 8





10

3

1

    

7 5

 

5

nights.

       9 7

     

3

cit - y



   

5

G5

P.M.

Gsus4

 

 

C5



2 0

      





D5

big

     

 

0

  

E5

cit - y,

9

 P.M.

semi-harm.

0



 5

 

F5

                         1

   

            

3

A5

Big

10



  

A(b6)

ing.

7

 

A5

5

5

  2 0

Outro Gtrs. 1 & 4: w/ Rhy. Fig. 1 (till fade) Gtrs. 2 & 3: w/ Riffs A & A1 (till fade)



  

Big

cit - y,

A(b6)

   

  

Big

cit - y,

A(b6)

  12

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A5

A5

F5





F5





  

big

cit - y

E5

C5



  

big

cit - y

E5



D5

D5

C5

 

G5



G6

G5





Gsus4



nights.

  

G5

nights.

 

G6

G5





Gsus4









You

keep

me

 



Al

-



G



 

A5

 

burn - ing. Play 2 Times & Fade out



ways yearn

 

G

-

ing.



A5



Blackout Words and Music by Herman Rarebell, Klaus Meine, Rudolf Schenker and Sonja Kittelsen D5

E5 5fr

134

G5 7fr

C5

E5/B

10fr

134

134

7fr 134

1134

Intro Fast Rock q = 180 E5 Rhy. Fig. 1

End Rhy. Fig. 1

                  P.M.  P.M. f P.M.

                 P.M.  P.M. P.M.

                 P.M.  P.M. P.M.

                 P.M.  P.M. P.M.



9 9 7

9 9 7

9 9 7

Gtr. 1 (dist.)

9 9 7

X X

X X

  

Gtr. 2 (dist.)

9 9 7

X X

X X

9 9 7

X X

X X

X X



9 9 7

X X

X X

9 9 7

X X



X X

X X

9 9 7

X X

X X

9 9 7

X X

 f

X X

9 9 7

X X

X X

9 9 7

X X

 





w/ bar



X X

steady dive

0

0 -2½ -4

Gtr. 1: w/ Rhy. Fig. 1 (1 ¾ times) * Em7

E5

                        Riff A

Gtr. 2

10 0 0 0

10 0 0 0

10 0 0

10 0 0

10 0 0

10 0 12 12 0 0 0

               

 

 

 

  

10 0 0

12 12 0 0

12 12 0 0

12 12 0 0

12 12 0 0

10 0 0

10 0 0

10 0 0

10 0 0

10 0 12 12 0 0 0

Em7

E5

 

 

 

 

 

  

10 12 0 0

10 12 0 0

12 12 0 0

12 12 0 0

12 12 0 0

12 12 0 0

Em7

 

 

10 12 0 0

10 12 0 0

* Chord symbols reflect overall harmony.



   

P.H.

10 12 0 0



E5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10 12 0 0

12 0 0

12 0 0

10 12 0 0

10 12 0 0

12 0 0

12 0 0

10 12 0 0

10 12 0 0

12 0 0

12 0 0

10 12 0 0

10 12 0 0

12 0 0

12 0 0



 

 

 

   

12 12 0

12 12 0

12 12 0 0

12 12 0 0

Em7

 

End Riff A

0

10 12 0 0

Pitch: A

Copyright © 1982 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





D5

Gtr. 1





Verse E5







  







1. I

re



 



P.M.

 

 



 w/ bar





Rhy. Fig. 2



-

al

-

ize

 

 

 

0 0

9 9 7

X X









 





P.M.

 

P.M.

0 0



  I

 

 

P.M.

9 9 7

X X



P.M.

X X

 



  P.M.

9 9 7

X X

X X

-1½

G5

C5

           





P.M.

missed

P.M.

      a

day,

X X

X X

9 9 7

  

look

 a

   



9 9 7

X X

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

  round



 



9 9 7

X X

X X





14

P.M.

X X

 

too

P.M.

  

wrecked

to

care

 12 12



  9 9 7

 



and

see

this



 

 

9 9 7

X X

P.M.

  

X X



P.M.

      -

P.M.



P.M.

 



way.

I

loco



5 5 3

 

X X

X X



5 5 3

X X



face,



P.M.

                                  P.M.  P.M.  P.M. P.M. P.M. P.M.

 

P.M.

P.M.

X X



P.M.

an - y

P.H.

14





                   

P.M.

15ma     



-

P.M.

2

 

X X ?

Gtr. 1: w/ Rhy. Fig. 2

E5

P.M.

I’m

          P.M. 9 9 7

P.M.

End Rhy. Fig. 2

  9 9 7

  X X ?





X X

5 5 3

5 5 3

X X

X X

X X

G5

 



 

what

the

hell

5 5 3



X X

5 5 3

X X





have

I

X X

15ma   



P.H.

12

14

12 12

14





Pre - Chorus D5

C5

Rhy. Fig. 3









lost

my

taste?



 

  

loco





P.M.

5 5 3

X X









P.M.





X X

want

to

find

    

    

 





5

7







  

5

7 7 5

P.H.



P.M.



5

7



 

9

7

P.M.

5

7

 



P.M.



_1

 _1



7 7 5

7 7 5

7 7 5

 





P.M.



 







P.M.









P.H.

P.H.

3

3



_1

5 5 3

X X

5 5 3

X X



P.M.







End Rhy. Fig. 3

P.M.





_1



w/ bar

6



out,

  

_1



P.M.

    

15ma loco

loco

P.H.

5





15ma

P.H.

5 X X

 

_1

     

C5

 



Don’t

 

 15ma loco

5 5 3

X X

Gtr. 1

X X

X X

   











2

0



P.H.

2

0

3

Pitch: E





D5

C5

        P.M.

       7 7 5













just

want

to

get

out.

   _1





    

7 7 5

7 7 5

7 7 5

_1

w/ bar

     _1

_1



P.M.



P.M.





µ





 



  2. My

_1

   



P.M.

_1

5 5 3

X X

X X



   



P.M.

5 5 3

X X

X X



    P.M.

5 5 3

X X

 





5 5 3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 Verse Gtr. 1: w/ Rhy. Fig. 2 (2 times)  

head ex grab my





-





plodes, things,

0

5

P.M.

5

0

 

ring, run.

my



I

P.M.

can’t On

7

0

5

5

0

12

0

re - mem my way

-

C5

 



  

ber just where I’ve out, an - oth - er

15ma   



P.M.

1/4

    

G5

         

  

P.M. P.H.

7

  

ears make



 







E5    



been. one.

loco



     

X X

X X

P.H.

12 12

14

14



5 5

X X

X X

5 5

5 5

Pitch: C







2nd time, Gtr. 2: w/ Fill 1

  

E5



Last Would like

 



thing to know

I be - fore

 re I

   -



call, stop,

 

8v a





P.M.

  



 





            





   

1/4

5

8

5

5

5

8

5

8

5

5

8

5

 



 





I did

got I

lost make

3



C5

 



in it

a or

deep did

black I

    15ma



7

 

 

 14

5 5 3

 

X X

5



hole. flop?

P.M.

P.H.

12 12

 

loco



P.H.



X X

 

5

0

Fill 1 Gtr. 2

           3

5

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 5 0

3

7

9 7 0

7 5 0

8v a

 

 





 

5 5 3

X X

   





7 5 0

 w/ bar

X X

Fill 2 Gtr. 2







Harm.

P.M.

5



G

B



12

14

10

10

10

E

1

10

10 10

10 10





5

-1

  

1

10

5

5

5

   

1

X X 5

0



3

5

5 0





  X X

5

2nd time, Gtr. 2: w/ Fill 2

P.M.

5 5 3

7

0

Pitches: D

3

 

8 0

G5

loco



Pre - Chorus Gtr. 1: w/ Rhy. Fig. 3

D5



 







Don’t

want

  

   



out,

find

  

C5





  



 _1

 _1



7 7 5

7 7 5

7 7 5

_1



                  P.M. P.M. P.M.

      

5 5 3

3

X X



just

want

to

  

    





get

out.

_1





    

7 7 5

7 7 5

7 7 5

_1

_1

w/ bar

7 7 5

X X

5 5 3

X X

X X

5 5 3

1/4

X X

2

0



3

2

0

µ

       



    



C5



Rhy. Fig. 4A



_1



D5

Rhy. Fig. 4 Gtr. 1

to

_1

w/ bar

7 7 5

 

    

_1

loco

  

P.M.

P.M.





P.M.



E5/B





 

End Rhy. Fig. 4

(cont. in notation)





Black -

_1

_1

   



P.M.

_1

5 5 3

X X



    P.M.

5 5 3

X X



X X



X X

   

P.M.

 

5 5 3

X X

5 5 3

End Rhy. Fig. 4A



  



9 9 7 7

T o Coda Chorus

 

**



D5

      

E5





out.

I

real - ly

had

a



D5



E5









black - out.

Black -

Rhy. Fig. 5

   

End Rhy. Fig. 5

*Gtrs. 1 & 2

7 7 5 5

 

0



0

   

           P.M.

 

3

0

9 9 7 7

7 7 5 5

2

0

3

3

2

0

X X X

X X X

 

0

0

   

           P.M.

3

0

2

0

3

3

2

0

X X X

X X X

9 9 7 7

* Composite arrangement ** Chord symbols reflect implied harmony.

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 









real - ly

had

a

black

Gtrs. 1 & 2: w/ Rhy. Fig. 5 ( 2 ½ times)

D5



E5









out,





I

D5  

E5







out,

I



 







D5

Black

 

D5



E5



   





real

- ly

had

0

0



0

0





Black





a

black



D5

-



real

E5

E5





I

G5



-









ly

had

a

black













                     3

2

0

3

3

2

0

3

3

2

0



3



                     3

2

0

3

3

2

0

3

3

2

0

3

 grad. bend

3



Gtr. 1: w/ Rhy. Fig. 1 ( 2 ¾ times)

E5









w/ bar



steady dive

0 -2½ -3½

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

-

G5

Interlude Gtr. 2

-

out.



out,

E5



out.



  





Gtr. 2

7 7 5 5



  

-



E5

E5



Gtr. 1

7 7 5 5

-

G5

out.

   





D5

1





D5









3. I

  

  7 0

Gtr. 2

5

w/ bar Harm.

5 5 5

5 5

 Coda

-2½

Gtrs. 1 & 2: w/ Rhy. Fig. 5 ( 2 ½ times)

  



 



E5



 

 

Pitches: G D A

D5

 



8v a





D.S. al Coda









Gtr. 1



Gtr. 2: w/ Riff A

















real

- ly

had

a

black



 





out,

I



D5

-

E5







out.

(Yeah.







 



Black

 

D5

-

 

E5











out,

  



 



E5













 I

Ah,

D5



 





out.



real

- ly



 had





a

black

-

ah









Black

D5

-









real - ly

had

a

black

E5







out,

 I



-

yeah.)



D5  

E5

G5







out.



E5

G5





Yeah,



Gtr. 3 (dist.)



  





  

E5

yeah,



G5

yeah,



              I real - ly had a black - out







ba - by.









f

1

14

                        



Gtrs. 1 & 2

7 7 5 5

0

0

3

2

0

3

3

2

0

3

3

2

     0

3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Guitar Solo Gtr. 2 tacet

E5

             



1

12

1

12

15 12

15 12

14

    





P.M.

9 9 7

X X

B5





8v a



15 12



9 9 7

X X

P.M.

X X



     

9 9 7

9 9 7

P.M.

P.M.

X X

X X

loco    

P.M.

9 9 7

X X



1









P.M.

4 4

X X

X X

 

C5







 

  

P.M.

4 4

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X X



X X



15

 X X

15 12

 

9 9 7

7 4

 

P.M.

X X



 

14

 X X







P.M.

X X

X X

X X

4 4



P.M.

X X

4 5

X X





3

14



15

X X



15



P.M.

5 5

X X

X X



14





4 5

3

12

14

X X





X X

P.M.

6 4

X X

4 5



P.M.

5 4

X X

   



15

14

12







P.M.

X X







12



15 12



X X

  

12

P.M.

8

7

14





4 5

X X



X X



P.M.

4 5

X X

3          



P.M.

5 5



17 12 14 12



X X

12

  P.M.

4 5

X X

  



D5

7

12



P.M.

      

12



15



15 12

1

14



17 12 14 12

    

1

P.M.

3

P.M.

5 5



  

12

   

12

3

15



X X

1

17 17

  

X X



14



17 12

14

     



12

15 12

14

   

B5addb9

               

G

1 17

15 12

B5add9

8v a

1

12

14

   

X X

1

12

14

Rhy. Fig. 6

Gtr. 1

1

12

Bm

           

Gtr. 3



9

7



P.M.

7 7

X X

X X

9



7



9

7



3

5

7



P.M.

7 7

X X

X X



5



7

5



End Rhy. Fig. 6

P.M.

7 7

X X

Gtr. 1: w/ Rhy. Fig. 6

E5





   Gtr. 3





1

 



2







  P.H. 1

1

2



 



8v a

1

2

1

2

    3 loco 3 3 3                     P.H. P.M.   Bm

2

2

0

2

2

Pitches: G

B5



3



P.M.



3



C5



4

7



7



4



3





 

5

4

7



 



 

15

15

14

14

3

1

12

15

5



14

D5





3









4

5

7

5





 

7

15 14





3







1

15

14







12

10

14





3



3

1

15 15

14

3

3

1

12

4

7

let ring 1

   

3

1

14

15

 

 



1

7





P.M.

1

4

7

B5addb9

B

G            



5

B5add9

12



1

12

15

12

12

15

15

14

12

14

12

9

12

9

9

9

12

12

Pre - Chorus Gtr. 1: w/ Rhy. Fig. 3

D5

  







Don’t

want

     

10

w/ bar

 



  

 

to

out,

find

  

  

C5









                  P.M. P.M. P.M.

* 8v a

             

P.H.



+2

0

0

0

5 5 3

X X

X X

5 5 3

X X

X X

5 5 3

X X

3

2

0

3

2

0

*8va applies to P.H. only. -2½

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4A

D5

  

C5











just

want

to

get

out.





Chorus

D5   



E5











real - ly

had

a

black



out,





 I

D5

E5





 

 

 











out,

I



D5







real - ly

had

a

black







-







out.

Black

E5



-



-



E5

D5







E5

Black



Gtrs. 1 & 3: w/ Rhy. Fig. 5 (5½ times)



µ







  

 





-



out.

Black -

(Yeah,





out,



E5



 





real - ly

had

          





out,

I

real - ly had

a black





D5



black oh

-

a

black

  



-

E5



















out.

Black

E5















D5

E5







 oh

 

E5





   





 







 

yeah,

 







out.

yeah,

Black oh

yeah,

oh

yeah,

oh

yeah,

Outro

















  

Band tacet

E5



D5







10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

yeah,







µ

(Glass shattering)   





out. oh

oh

yeah,

-

Black - out,



 











 



D5

- out. yeah,

Yeah,





D5





I





D5







  









E5



 

D5

oh

yeah.

Ah.)

-

Coming Home Words and Music by Klaus Meine and Rudolf Schenker E5

C5

D5

B5

7fr

B5 IX

5fr

134

134

134

G5

F#5

9fr 134

A5

10fr

134

134

C#5 5fr

134

134

4fr 134

Intro Slowly q = 82

Cadd9

C

Cadd9

C

Asus4

A

Asus4

A

Riff A Gtr. 1 (clean)

 

End Riff A

                                mp let ring throughout



3

3

0

2

1

0

2

0

2

3

3

1

0

2

0

2

2

3

2

2

2

2

0

3

2

2

2

2

Gtr. 1: w/ Riff A

Cadd9

C

Riff A1 Gtr. 2 (clean)

Cadd9

C

Asus4

A

Asus4

A End Riff A1

 

  

 

 

  



 



 

  

mp

 



 

  

 



let ring throughout

3 3

3

0

2

3

3

0

2

0

3

2

2

2

2

0

Verse Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)

Cadd9

 



1. Ev

- ’ry

Cadd9

 

Trucks





C



 

morn

-

ing

when I

C

    still

roll

-





Cadd9



wake





ing through the

ear

Cadd9



-







C

up

yawn

-

ing

  I’m

Asus4

 still

C



  

far

a - way.

      

Asus4

ly

place

morn

-

ing

to the



Copyright © 1984 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved

   we

A

Asus4

A

Asus4









A

A

play.

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

Dsus4

 

Boy,

 Dm 

you’re home,

  0



3

1

0

2

3





 



3

  

3

2

you

2

  

 

Boy,

you’re home

Gtr. 2

0

3

2

3

you

3

2

0

Dream

      we’re go

-

A



2

2

2

0

     

Riff C

  

3

3

2

2

Asus4



     





A

3

   

  

2

3

2

0

2

break?

  

2

A

2

End Riff C

2 0

a

2

    

  

2

just

3

2

2

2

2

0

  0

2

Gtr. 2: w/ Riff C

C

 

3

2

2

Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff A1 (1st 2 meas.)

Cadd9



               

3

you’re hav - ing



a - way?

2

know

Asus4

End Riff B

    

  

2

A

Dm Dsus2 Asus4          

Dsus4

  



0

far

0

you’re dream - ing. Don’t

   

  

1

    

2

0

Dm Duss2



3

3

 

2

that you’re still

0

Gtr. 1: w/ Riff B

Dsus4

know

      

0

  

Dm Dsus2 Asus4          

Dsus4



you’re dream - ing. Don’t

 

Gtr. 2

0



  

Riff B

Gtr. 1

Dsus2

ing



out on

Cadd9



stage,

C

Asus4

        

  

it

a - gain.

feels

like

com - ing

home

A

Asus4







A

Gtr. 2: w/ Riff A1

Cadd9

 

Dream

C

       we’re go

Gtr. 3 (dist.)



-



ing out on

Cadd9

stage,



C

Asus4

       

  

it

a - gain.

feels

like



com - ing

home



A

Asus4

  

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



A

      

mp 2 3

2





2

3

5

7

5

7

8

Cadd9

C

      





Dream

Gtr. 3



we’re go

    

-

ing out on

Cadd9

   



   

stage,

    



Gtr. 1

8

it

feels

13

9



like...

12

  





rit.

    

   



8 10

9

fdbk.



10

10

      



rit.

Gtr. 2

0

0

2

0

2

3

     

  



1

3

1

0

2

0

     

  

2

3

2

2

2

2

     

  

rit.

3 3

2

3

0 3

3

0

2

C5



 0

Interlude Very fast q = 221

E5

2 2 2 0

2

2

0



   



3

2







  

A



 

1 13

      



Asus4



   8 10

C

Gtr. 3 tacet

D5

B5

                               f     Gtr. 3       Rhy. Fig. 1

End Rhy. Fig. 1

Gtr. 4 (dist.)



10

Riff D Gtr. 5 (dist.)



 

    



    



    



 

X X

8 9

X X

8 9

X X

8 9

7 7

f 8 9

8 9

8 9

7 7

8 9

8 9

7 7

8 9

8 9

7 7

EndRiff D



3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      

C5

      

D5

Riff E

    



    



    

8 9

X X

8 9

X X

8 9

X X

E5

 

Gtr. 5





      

B5 IX

End Riff E   

 8 9

8 9

Gtr. 4: w/ Rhy. Fig. 1 (2 times)



      

E5

 





8 9

X X

8 9

B5     

7 7



7 7



C5







8 9

7 7

8 9

X X

8 9

 E5  

3

7

8 9



 



8 9







X X

8 9

8 9

8 9

7 7

12 11





D5







8 9

7 7

8 9

X X

8 9









C5







8 9

7 7

8 9

X X

8 9







8 9

7 7





8 9

7 7



10

7

10

9

7

7

8 9

7

 



2., 4. Year

af

Verse

D5

B5

E5

Rhy. Fig. 2





Gtr. 4





    



  



 



    



3

3

    3

  -

ter

year,

Riff F

        P.M.

1

1

12 14

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

12

12

15

1

12

15

1

12

15

1

12

12

15

12 14

14

12

14

7

7

7

7

7

7

7

7





 







B5









out

on

the

road,



End Rhy. Fig. 2













C5

 it’s

 

* 8v a

































P.M.

7

7

7

7

7

7

7

7

7

7

7

7

7

7

7



 

P.H.

7

2 Pitch: A *8va applies to P.H. only.

Gtr. 4: w/ Rhy. Fig. 2



 E5  great





loco









to

be

here





C5



 















7

7

7

7

7

7



   





see

you

all.

loco



P.H.

















8

8

8

8

8

8

8

8

P.M.

5



7





 rock 

to ** 15ma

P.M.

7





4

5 7

Pitch: G **15ma applies to P.H. only.



 

B5



Chorus µ



End Riff F      







I

know

for

* 8v a

   Gtr. 5





loco

P.H.

9

9

1

9





Gtr. 4 Riff G





 1

7

 7

7

*8va applies to P.H. only



  

7

   7

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

me

it

 

 













is

like



com

-

T o Coda

ing



 semi-harm.

7

7

 

 



 



1



 



9





End Riff G



1

7

7

9

Interlude Gtr. 4: w/ Rhy. Fig. 1 (4 times)

  E5



C5



D5





home.

 





8 9

X X

8 9

Gtr. 5





B5    





3

7

8

7

9











8 9

7 7

8 9

X X

8 9

 



9

7

7

8



E5







8 9

X X

8 9











8 9

7 7

8 9

X X

8 9







C5







8 9

7 7

8 9

X X

8 9

B5

    





3









8 9

8





9





8 9

7 7

10

D5





  









3





  

E5







8 9

X X

8 9







8 9

7 7



P.H.

7

10

7

10

9

7

8 9

12

8

7

9

7

10

8 10

9 Pitch: F#

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



C5



 





 



 

D5











1

8 9

E5



 

X X

8 9





8 9





7

















7





7

   





1

8

7

9

D5







8

9



 1

8

9

C5

B5

1

8

9





1

7

9





9





3

  



3

8 9

X X

8 9

8 9

7 7

8 9

X X

8 9

7

8 9

9

8

7

10

9

8

7

7

9

8

7

Verse Gtr. 4: w/ Rhy. Fig. 2 (2 times) Gtr. 5: w/ Riff F

 



B5





9

7



3. Day

af









9

8

7











out

on

the

road,





-





ter

day,









7

10

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we

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-

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place

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n’t

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 7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus









We

go

wher

µ



     



Gtr. 4: w/ Riff G







ev

-

7

7



er

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1

9

-

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8v a

Gtr. 5

 







you

like



 





1

7

7

9

Guitar Solo

 





Rock

’n’

Roll.

 



to



 



E5





















C5







Gtr. 4: w/ Rhy. Fig. 1 (4 times)



































string noise 1

1

1

12 15

12

1

1

12

15

1

12

15

1

12

15

12

15

12

15

15

X X

D5

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1

12

12

C5



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12



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12





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P.H. 1

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8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

10

12

11

11

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7

12

12







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3

        3



1

12 12

12 12

14

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14 14

12 12 0

0

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  1

3 P.H. 1

1

1

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0

2







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2



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2

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15

15 2

2

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12

1

12

15

14

12

12

14

Pitch: G

  



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12

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12

15



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12

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B5

   



  

12 12

12 12



1

12 15

15

12

12 14

 Gtr. 4      

12

14

15

14

12 12

15 15

      

G5

14 14

12 12

14 14

      

D5

8v a



Gtr. 5



   

Gtr. 6 (dist.) divisi

 

   



14 15

15 17







17 19

17 19

 

3

   

 

Gtrs. 5 & 6



  







mp 1

14

 16 17

1/2

15 16

19

20

22

19

20

19

22

19

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



B5

























 

 





put

you

D5



the

End Rhy. Fig. 3

          

air.





7

9

 7 7



9





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7 7

 





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B5 

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a

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let

me

hear

you

out

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 

 

 

 

  

8 7 7

8 7 7

8 7 7

8 7 7

8 7 7

7 7 7

7 7 7

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

your

A5

 

10

Sorgdal

in





The

 



D5

hands

  

there.

Gtr. 5

 









22



Give

 

1





   on

loco

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Gtr. 5

           

Gtr. 4: w/ Rhy. Fig. 3 (2 times) Gtr. 5 tacet





B5

seats,





22

       



Jump

 1

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-

 



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 

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9

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

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9 9 7

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11 11 9

 

11 11 9











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9





the







 



 

11 11 9

11 11 9

11 11 9

Interlude







E5

 





8 9

X X

8 9

Gtr. 5



Gtr. 4: w/ Rhy. Fig. 1 (4 times) Gtr. 5: w/ Riff D







8 9

7 7



Gtr. 5: w/ Riff E

C5



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

8 9

X X

8 9

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



8 9

7 7

   

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10

8

3

7

8

7

10

7

8

10

8

7

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 

B5





7

7

7







10

9

7



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3

12

12

12

15

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14

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8 9

7 7

8 9

X X

8 9

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 8 9

D.S. al Coda

B5









15

14

12



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

14

13



3

3

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E5

10

D5





14

17

14

12

12

14

12

 Coda

Gtr. 4: w/ Rhy. Fig. 1 (2 times) Gtr. 5: w/ Riff D

  E5



C5



D5



B5





home.

 

  

E5



C5

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Gtr. 5



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12

12



let ring

8 9

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8 9

8 9

7 7

8 9

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µ









7 7



know

for



14

Sorgdal

*15ma applies to P.H. only.

loco   

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 14

11

I

Pitches: E F#

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

11



7

12

12



P.H. 1

14

11



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 

9



7





 

 

me

it

  



 







is

like

7

-

ing



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1



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7

 



4

Interlude Gtr. 4: w/ Rhy. Fig. 1 (4 times) Gtr. 5: w/ Riff D



 E5 

C5



D5



B5





home.

Gtr. 5: w/ Riff E

 

 

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Gtr. 5: w/ Riff D





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Outro-Guitar Solo

B5

   



Gtr. 4: w/ Rhy. Fig. 1 (till fade)





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 -

ing



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           

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3

9

7

3

8

7

8

3

7

9

7

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8

7

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8

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13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 D5 





7

7

8



3

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10

12

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3

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10

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12

14

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12

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12



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7

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3

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10

12

10

12

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12

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12

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3

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12

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8

Begin fade E5

 



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12

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12

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12

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.







3

3

Sorgdal

10



3

14

12

7

9

3

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3



3

  







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8

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3

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12



  

15

12



3







 3



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15



 15



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12

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  

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12

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15

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12

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 

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ing

home.



3

P.H. 1

15

12

15

12

15

12

15

Pitch: A

E5



C5

  





D5



B5



 







                             Com - ing





loco

3

3



 

E5

3



15 12 15 12

15 12

 15 12

C5





3

3



15 12 15 12

3



15 12 15 12

P.H. 1

15 12 15 12 15 12

D5





3

15



B5





Like

                                8v a



home.

15ma

15 12 15 12



 

3



19 15 19 15

3



19 15 19 15

3



19 15 19 15

3



19 15 19 15

3



19 15 19 15

3



 

 

Fade out

com - ing...

  

3

1 1/2

19 15 19 15 19 15

19

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

from Scorpions - Lovedrive

Holiday Words and Music by Klaus Meine and Rudolf Schenker A

Bb5

111

13

Intro Medium Ballad q = 115 Gtr. 1 (acous.) * Dm

  

Dm7/C





mf

w/ delay



3

5

Riff A ** Gtr. 2 (acous.)

   



















mf













let ring throughout

1



1

3

0

1

3

2

1

1

3

2

0

3

2

2

3

* Chord symbols reflect implied harmony. ** Doubled throughout



Bbmaj7

 

5





7



5



1 1



3





1 2



3



Asus4

A5





5

7





0 2





0 2



3





0 2



3







0 2

Copyright © 1979 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved



5 2



5





5 2



5





End Riff A

5 2

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2: w/ Riff A (3 times)

Dm Gtr. 3 (acous.)

 







 

 

p let ring

1 2

Gtr. 1

   3

Asus4

 



1

3

3







0

3



0

1

1

2

2

 

  

5

5







7

 0

2





 





Bbmaj7







0

1

1

2



7

7





2

2





2

0 2

2



3

2













0

1





let ring





5

6

2

2





5

6







6

5

6



7



Dm





let ring

0



1

3

3

 

A



3

 



 

let ring

let ring

2

Dm7/C





let ring

5

6

2

7

7







8

5

6

*





7







1

5

8

7

7

* Played behind the beat.

Dm7/C

 















Bbmaj7

















let ring

6 7

  7

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 7

6

5

7





5

6

6

6 7



7





5

6



7

5 7

6

5

6



Asus4





7

5















let ring

5

7







5

5 7

7







2

3

5

5

7

7





A

  













let ring

6

5

5

5

6

7

6

 







5

7

5

3

 

Bbmaj7

let ring



6















5

5 7

6

5

6

  

5



6



5 7

6





Asus4







5



Dm7/C

6









6

A



let ring

5

7

5 7

7

7













5

5 7

6

5

6





7

7

 

 let ring 5

7



let ring

7

7











5



8





grad. bend

5





5

7

6





 

5



let ring

let ring

6





Dm

6





5 7



6



7





6



1

8

Verse Gtrs. 1 & 3 tacet

 

Dm













1. Let

me

take

you

far

a

- way,





Riff B Gtr. 2

 

1 0

3





1 2



3









C



 you’d



1 2





1 0



3





1 2



3







like







0

a



0

2



1





0 0



1





0 0

3

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

  

  

Dm



hol

-

i

Gtr. 3

-

day.





 











0

1















0

1



let ring

1

End Riff B

Gtr. 2

   



2

   Let

me

take

   Gtr. 3



you



3



2



 1

2



a - way,

  





0

 

far

 1

2

 





0

2

2

Gtr. 2: w/ Riff B

 



2

2

2





Riff C

3

 

 3

1



 

0

3

1

1

3

2

Dm



3

1 2

 



day.

Riff D Gtr. 2





4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

1





3





1 2



3







1 2



1 0



3





1 2

1

 3

0

C







like



3

3

2



 1

2

End Riff C





 1

3

2

Gtr. 3 tacet

A





a

hol

 -





i

-



2



Ex - change

1 0

3





2



let ring

3





you’d

     

1

3

 

C

the

cold

End Riff D



3





 

Riff E



0

 days

 0

2 3

 



1



 



for

the





0 0

1



 0

0

Dm

 







sun,



 

1







1

3

2

0





 

 

G5

a

good





3

3







time,



3

2

 





and









3

3





3

3

0







3

0







3

3

0

3

3

0





0

3

Gtr. 2: w/ Riff B







A



fun.

    2 2













2

2





2 2

C





Dm7/C











2

2

like



















Let

me

take

you

far

a

- way,



0 2

Gtr. 2: w/ Riff A (2 times)

A





a

hol

Dm



 -

i

-

day.

Asus4











2

2





End Riff E

Bbmaj7

   



2

you’d

Gtr. 3



2

2

2





Dm

































let ring

1

0

1

1

0

1

3

1

0

1

3

2

3 2

2

3 2

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Interlude Dm

A5

  



  let ring

3

 let ring 2

Bbmaj7

 









2

2







1

0

1





2

2

2





Dm7/C

















1

0

1

3

1

0

1



Asus4







3

2







A5





3

2

2

Dm

  











2. Let

me

take

you

far

a









1

0

1

    hol



-

i



 -



Sorgdal

0

1

1















3

2

2

2



C

you’d





let ring

 







2

2





2





like

a





   

Gtr. 2: w/ Riff C

Dm

-





day.



 1

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

2

way,





let ring

6



3



A



2

2

Verse

 

  

2

let ring

Gtr. 2: w/ Riff B



3























let ring

0 2

 1

3

0 2

3

1 2

3

2



Gtr. 2: w/ Riff B Gtr. 3 tacet

Dm    











Let

me

take

you

far

a

   



A

hol

-

 

i

Gtr. 3



-

 -





 



way,

 C

you’d



like



a



day.

 



 

Gtr. 2: w/ Riff D

Dm



 



Ex - change

















0

1





your







let ring

1

Gtr. 2: w/ Riff E Gtr. 3 tacet

  



C

trou

-

 

bles





for

some

1

3



2



3

2

Dm





 



love,



G5

 



wher

-

ev

3

2

-

   

er (ev



  





 

 









you

  

 

 

 

 

Let

me

take

you

far









1

0

1

Gtr. 2: w/ Riff B

Dm

Gtr. 3

 



A



-

er)



are.

 

  a

  -

 

Gtr. 3 tacet





way,

 

 

 

C

you’d



let ring

 





like



a



0

    

 

A

hol



Gtr. 2: w/ Riff A (2 times)

-

i

Dm

    -

day.



Dm7/C







3



Oo,

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bbmaj7







3



oo,

Asus4



A5











  

 





Dm7/C



 





 



ah,

 



ah,

Dm

Gtr. 3

 

   

Bbmaj7

3

ah,















1

0

1

3

1

0

1







0















1

0

1

3

1

0

1

0

     Asus4

Gtr. 2: w/ Riff A (1st 3 meas.)





 

A5

Dm



  

 

ah,

 

















 let ring

let ring

3 2

3

2

2

 

  

Dm7/C





2

2

2

2





  





2 2

 2





















1

0

1

3

1

0

1

2

2

 

 

Bbmaj7

 

 

3

ah,

 































let ring

6

0

6 7

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

0 7

6

0

6 7

0

0 7







Free time A



Gtr. 2











Faster q = 128 Gtrs. 2 & 3 tacet

µ

  



 





Long

-

     



      







ing

for

the



 5 6 7 7 5

  

Chorus D5

     



sun,

you will

* Gtr. 4 (elec.) Rhy. Fig. 1

       w/ dist. P.M.

7 5

7 5

7 5



to

    

7 5

7 5

7 5

7 5

7 5

the





C5

is

-

 



P.M.

7 5

     

come

 



f



land

7 5

with - out

5 3

5 3



Bb5

Long - ing for the End Rhy. Fig. 1

    



3 1

3 1



P.M.

5 3

5 3

   



name.

 



7 5

 



    

P.M.

7 5

 

5 3

5 3

3 1

3 1

3 1

* Doubled throughout

  

    



Gtr. 4: w/ Rhy. Fig. 1 (6 ¾ times)

D5



sun,

be

  

D5

  

D5



  

- come

Be

-

  



sun,

you

wel

wel



will









is

the

-

is

     



come

  

the

on





to

the

is



D5



C5

  

on



come

     



 

land

C5



-



land

C5



-

land



C5

 



man - y

 



with - out

miles

 

  

man - y



Bb5



Bb5

name.



Bb5

miles

Bb5



     

 

a - way

home.





from

  

Long - ing

     a - way

 

from



A - way



Voc. Fig. 1



















for

 

the

home.

  from End Voc. Fig. 1



(Oh,)

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  



Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)

D5





C5

Bb5



 



home.

A - way

  



Dm



 

C5





  

A - way





from

Bb5

home. Gtr. 5 (elec.)

 

















w/ dist. 1

semi-harm. 1 1

1

13

13

Gtr. 6 (nylon-str. acous.)

                  

13







3

mf



from

1

13

13

13

                   

 

   

 

 

 

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

   

   

mp 1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

  

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0



Dm



C5

home.

























3 1

1

13

1

13

1

13

1

13

1 3 2 0

1 3 2 0

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

grad. release

13

13

                                                                 

Sorgdal



1 3 2 0

1 3 2 0

   





Gtr. 5 tacet

Bb5

   Gtr. 4

Gtr. 4 tacet

µ

 

















13

   

              



3

3

1 3 2 0

2

3

5

5

3

2

3

2

3

5

2

3

          3

2

5

2

3

2

3

2

2

5

3



5

3

Outro-Guitar Solo Gtr. 2: w/ Riff A (till fade) Gtr. 6 tacet

        

Gtr. 3

       

Dm

Dm7/C

let ring

3

Gtr. 5

1

0

A5

 

0

1

3

  



1

3

1

Dm



3

0

 

1

      

Bbmaj7

1

3

1



1

5

7

Gtr. 3

          let ring  let ring 2

2

2

2 2

7

7

Riff F



2

0

3

      

let ring

0

0

3

2

Bbmaj7



 



Asus4

3

3

1 2

3

1 2

1



7

7

5 7

        1

3

1 2

2

  

       

 let ring

let ring

1 2

7

      

1

0



Dm7/C



let ring

  

3

1 2

1

3

1 2

3

0 2

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

      Asus4

A5

 6

 

6

















let ring

0

0

0

3

3

2





 5





7

End Riff F







let ring

2

2

  

2

2

2

2

2

Gtr. 3: w/ Riff F (till fade)

Dm

Gtr. 5

 



Dm7/C







Bbmaj7





1





Asus4

8

5

1 8

7

7

A5

 

5



5

  

6

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Dm



  



Dm7/C







1

5

Asus4



7

7

7

7

  





6



  

Dm







7



7









7

7



1

5 7



1

5

A5

Bbmaj7

7

Dm7/C



Bbmaj7













Asus4

8

5



 



A5



Dm







1

8

 

Dm7/C





  

6

5 6

5





Asus4

5 6 7

6 7

5 6

Bbmaj7

5 5

Dm

5

Dm7/C

Bbmaj7



 



 

A5

 

 





3

5 6

5 5

A5

6 7



   

Asus4 8v a

   

A5

 15 14

6 7

5 6



 

13 12

11 10



5 6 7

 





13 11 10

Dm



Dm7/C

loco



6 7

  

Bbmaj7

12 13

steady gliss.

15 14



10 10

5 6 7

6 7

Dm7/C



Asus4

3

5 6

Dm



10 10







12 13

13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

Bbmaj7



Asus4

 



13 11 10



15 X

Bbmaj7

Asus4

A5

 

 

   7 0



 

17 17

17 17

A5

8v a

   









3

Bbmaj7

 

3

3

12

10

 









Dm



3

10

12

Asus4

13

A5









3







  7 0

10 10



Dm7/C

loco



7 0

Dm7/C

Dm



12





13

11

13

   

3 1

10

10 10

Dm







12

13

13

10 10

12

13

12

13

                 

Dm7/C

3

3

12



Bbmaj7

1

12

10

12

11

  

10

12

11

12

   

3

11



12

       1

12

14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

12

11

10

12



Asus4

10

12

12

 



1

12

10

12

12



  



11

10

12

10

12

12

1

13

12

10

11

10

12

10



A5



3

1

Sorgdal



10

13

10





11

hold bend

1









10

12

10

12

10

12





Dm

   

  

 

  

          

Dm7/C

10

10

10

13

12

10



3

1

1

1

     

10

12

10

13

13

10

10

13

13

10

10

13

13

10

13

13

10

12

10

13

10

13

Begin fade

Bbmaj7







3

 



Asus4

       

       3



 







3 P.M.

1

13

13

A5

 

3





11

10

11

10

10

12

12

10

12



10

0

Dm



1

12

10

12

Dm7/C 3







   

10

12

10

10 12

12

Bbmaj7 3



         

8

7

1

12

12

12

10

8

10

Asus4

  

7

10

 





7

10

            3

8

7

8

10

12

11

13

10

Bbmaj7

      

10

12

13 12 10

13

10

12

13

12

12

13

12

13

13

7

10

3

12

8

7

10

7

3

13 12 10

Asus4



  

3

13

8

           

1

13 12 10

7

10

Dm

      

10

Dm7/C



7

A5

   

8

8

10

13

13 12 10

13

10

12

 

Fade out

     

A5



 1

3

 13

12

13

11

10 11 10

12

10

12

15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

I Can’t Explain Words and Music by Peter Townshend F#5

E5

C#5

D#5

4fr

4fr

134

134

134

Intro Moderate Rock q = 129 F#5 E5 Rhy. Fig. 1

       

Gtr. 1 (dist.)

    P.M.

f



B5

      

Gtr. 1

P.M.

5 4 2

   P.M.

    





2

2

5 5



5 4

2

2

2 2

4 4

    P.M.

2 2 2







2

 

2 2

   P.M.

2 2

2



2

    P.M.

2

2

2



   P.M.

2

2

5 4

2





 

2

2

4 4

2



2

2

   

F#5

P.M.

5 4

  P.M.

5 4

B5

 

 

2 2

2

5 4 2

                

E5 End Rhy. Fig. 1

E5

2

Gtr. 2 (dist.)

124

 

4 4 2

  

4 4

134

F#5

P.M.

4 4

4 4

2

 



F#5/C# 6fr

134

B5

 

2 2

B5 6fr

 2

2

4

                                               

Rhy. Fig. 2

End Rhy. Fig. 2

f

P.S.

 X X X X  X X

    

Gtr. 3 (dist.)



9 7 6

X X X

X X X

X X X

X X X

9 7 6

Rhy. Fig. 2A

 

f





P.M.

 

6 4

9 7 6

 

X X X

 P.M.

X X X

9 7 6

X X X

  

4 2 2

2

2

2

2

2

X X X

9 7 6

X X X

  

X X X

X X X



P.M.

4 2

X X X

9 7 6

 

9 7 6

 

X X X

X X X

9 7 6

X X X

X X X

End Rhy. Fig. 2A

 P.M.

  

2

2

6 4 2

2

2

Copyright © 1968 FABULOUS MUSIC LTD. Copyright Renewed All Rights in the Western Hemisphere Controlled and Administered by UNIVERSAL - CHAMPION MUSIC CORP. All Rights Reserved Used by Permission

2

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Sorgdal

    

Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (2 times)

      

E5

Gtr. 1

    P.M.



2 2

2 2 2

2

4





4 4

4

2 2

4 4

2 2

4 4

E5

B5

2

X X

X X



 







10

10

 

1

9 9

11 11

11 11

F#5

 







12

10



1

12

X X

      

1

11 11

10 9

11 11

12 11

10 9

 







11

12

         

 

     

       

       

X X X

9 7 6

X X X

X X X

X X X

X X X

X X X

9 7 6

Gtr. 3







P.M.



6 4

X X X

9 7 6

P.M.





2

2

4 2 2

got

a

12

12

X X X



      1  1. I

     

9 7 6



grad. bend

2

Gtr. 1

     

E5 B5 F#5                 

 

1



Gtr. 2

F#5

     

4 4

    

11

B5

  

2

2

X X X

9 7 6

 



X X X

X X X

 

X X X

4 4 2



P.M.





 

2

2

2

4 4 2

4 2

   

   

Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2 tacet

F#5

E5

B5

 

F#5





feel - ing in - side. Rhy. Fig. 3

       Gtr. 3

It’s

   

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

2

cer

E5

B5

   -

F#5



 



tain kind.

I

End Rhy. Fig. 3

  

P.M.

6 4 4

a





            

2

2

4 2 2

                P.M. P.M. P.M.

2

2

2

4 2

2

2

2

6 4 4

2

2

2

 

   

  

P.M.

6 4 4

2

2

2

4 2 2

                P.M. P.M. P.M.

2

2

2

4 2

2

2

2

6 4 4

2

2

2

E5

feel hot and

      



 

F#5





cold

   

 

P.M.

P.M.

2 2

5 4 2





 

   

5 4

2 2

2

2

2

2

2 2

2

4 2 2

2

2

2

2

Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Rhy. Fig. 3 (2 times)

2

2

ex

-



B5

2

2





plain.



2

2

I’m





2

   I





   

   

P.M.

2

2

 

2

2

2

  

P.M.

2 2

6 6

2

said I

P.M.

0 0

2 2

2

2

2

                        P.M. P.M. P.M. P.M. 6 4 4

feel - ing

F#5

soul.

   

2

2



P.M.

2

  

F#5



can’t

  E5  

2

6 4 4

C#5

2

2

2

   good

4 2 2

6 6 2

2

6 4

2

2

E5

e - nough

2

2

B5

  

2

F#5





        

4 2

in my

2 2

                              P.M. P.M. P.M. P.M. 2

E5

P.M.

4 4

2

  

P.M.

Gtr. 3

6 4 4

    

deep down

 

Gtr. 1

2

B5



         

2

2

  



ba - by.

I’m

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

E5

    

*Voc. Fig. 1

 



 

diz - zy (Oo.)

    

in

  

my



 

head

and

    P.M.

 

    P.M.

6 4 2

    

B5

µ

F#5

E5

End Voc. Fig. 1







I’m

  

feel - in’



 

blue.

 



  

The things you

  loco   

 

said,

well

8v a

Gtr. 3

Gtr. 1

F#5

2

2

2

Rhy. Fig. 4

 P.M.

 

 P.M.

2

2

 

7 6 2

2

       P.M.

4 2 2



 

2

2



 P.M.

2

2

 

5 4 2

2

2

2

2

4 2

    



P.H.

2

2

4

2

4

4

P.M.

P.M.

4

6 4

          

P.M.

4 4 2

2

2

4

2

4

4



4 2 2

Pitch: A#

 

 

 

2

 P.M.

2

 

7 6

2



5 4 2

2

*Bkgd. Vocs. only

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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F#

     

B5





may - be

    

E5

    

 

  loco        

true.

      P.M.

2



P.M.

2

2

I’m

get - ting fun - ny

*Voc. Fig. 2

     

2

F#5



a - gain

and

 

dreams

 

know (Oo.)

       

2

2

2

4

4

4

  P.M.

P.M.



B5

µ



 

 

a - gain.

2

P.M.



2

2

2

4

P.M.





I

what

it



 

 

X X X

5 4 2



2

2

2

 



P.M.

2

2

2

    

4 2

2

 

    

4 4 2

2

2



2

4

(cont. in slashes)

2



C#5

4

4

2

4

End Rhy. Fig. 4

End Voc. Fig. 2

   



2

5 4

 



      P.M.

2

7 6

4

E5

2



2



7 6 4

4

2





4 4 2

 4 2

          

 



6 4

4

Pitch: A#

2

 Gtr. 1 

 P.H.

4 2

 

F#5

Gtr. 3

they’re

F#5

8v a

2

    

µ

 

 

 

means



but,

  



 

  

X X X

   

6 6 6 4

*Bkgd. Vocs. only

Pre-Chorus Gtr. 2: w/ Rhy. Fig. 2 (2 times)

F#5

                    Rhy. Fig. 5

can’t ex -

      9 7 6

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

plain,

     9 7 6

I

D#5

            

B5

                        

think it’s

love.

Try to

            9 7 6

9 7 6

9 7 6

9 7 6

9 7 6

9 7 6

say

to

C#5



you

when

I feel

End Rhy. Fig. 5



blue,





but

I

End Fill 1 Fill 1                             

4 4 2

4 4 4

5 4 4

4 4 4

5 4 4

4 4 4

7 6 6

6 6 6

6

4

5

4

2 4 2

4

2

Chorus Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (2 times)

F#5

can’t ex

B5

    

 

E5

F#5





            

 





- plain.

Just hear what I’m (Can’t ex

-

say - in’

B5





       

E5

F#5

 



  

 



ba - by.



Ah,

plain.

Can’t ex - plain.)

Guitar Solo Gtr. 2: w/ Rhy. Fig. 2 (4 times)

       F#5

E5





B5

F#5





ho.

    

Gtr. 4 (dist.)



   

   



3



 

3



 



 

3

3





3

 

    

E

loco



3

f

P.H. 1

1

14 17

17 14

1

14

17 14

17

1

14 17

17 14

1

14 17

17 14

grad. bend

1

14 17

17 14 16

16

16

1

14 16

Pitch: F#

  Rhy. Fig. 6    

Gtr. 3

4 4

P.M.

  

2

2

 

2 2

2

Gtr. 3: w/ Rhy. Fig. 6 (3 times)

    

Gtr. 4



P.M.

  

2

2

   

4 2

2

E5



5

9

12

9

11

9

4 2

4 2

B5







1

9

14

9

13

9

14

9

14

9

9

14

9



1

9

4 4

F#5

semi-harm

14









 

2

2

2

2

P.M.

                 P.M.

 

End Rhy. Fig. 6

  

       E



P.M.

1

9

12

9

9

11

9



P.H.

11

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

       

E5

E





 11 11

B5

  

P.H.







   

F#5 loco

P.H.

w/ bar

+1

11

1

6

11

 



17

F#5

19

17

17

17

19

17

  17

Bkgd. Voc.: w/ Voc. Fig. 1 (3 times) Gtr. 1: w/ Rhy. Fig. 4 2nd time, Gtr. 4: w/ Fill 2



F#5



2., 3. Diz



  

 

Verse

   Gtr. 4                     3   

 



1

17

loco

8v a

E5

1

   B5  

 

8v a

-





zy

in



 

my

 

E5



head



and

I’m



6

16

14

1

14 19 14

      

17

14

17 14

14 16

 

Gtr. 3



16



16 14

16

14

16

15 14

17



14

 

    

 

   

P.M.

4 2

4 2

2 2 X 4 4

4 2

P.M.



6 4 2

2

2

  4 2

2

2

2

2

2

Gtr. 4 tacet

F#5

B5



feel - in’

     Gtr. 3

       P.M.

2

2

2

µ

  

2

4 2

bad.

 

 



F#5

          The things you



2

2

4

2

   

P.M.



 

2



2



2

2

B5

µ

real

mad.

  

me

       P.M.

4 2

2

14



got

6 4

4

14

Sorgdal



     P.M.

        

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

  

said

Fill 2 Gtr. 4

6

E5



     

2

2

2

2

4 2

  I’m

    

2

2

4

2

4

         

  

F#5

get - tin’ fun - ny

dreams

           4



E5

  P.M. 

a - gain

 

  

B5

and

a - gain.

   P.M.

4 2

4 2

2

2

2

        

µ

2

   

4 2

2

I

2

2

2

4

4

F#5

E5

C#

know what it

means



but...

             7 6 4

X X X



5 4 2

X X X

   

6 6 6 4

Pre-Chorus Gtr. 1: w/ Rhy. Fig. 5

Gtr. 2: w/ Rhy. Fig. 7

F#5/C#

B5

                      

                     

Gtr. 2

Can’t ex

       

-

plain,

I

   

4 4 2

think it’s



 

4 4 2

Bsus4 B Bsus4 B

End Rhy. Fig. 7

Rhy. Fig. 7

love.

  

 

6

4 6

4

Try



to

  

say



to

 

you

when

      

 

4 4 4

4 4 2

5 4 4

4 4 4

5 4 4

4 4 4

Chorus Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (2 times)

2nd time, Gtr. 3: w/ Fill 1

C#sus4

        I

     

C#

feel

 

blue,

 

7

C#5

   



6

but

      3

7 6

I

6

7

6

6

F#5

 



can’t

ex

E5

     -



B5

 



(Can’t

ex

 



F#5



plain.



  

Just -

hear

 me

plain.



6

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

    

 



one

more

T o Coda 

E5

 

3

 



time

ba

     Gtr. 4

 -



B5





Can’t

ex



F#5



 



 





by.

Ah, -

plain.)

              





P.S.

X X X

            

0

Guitar Solo Gtr. 2: w/ Rhy. Fig. 6 (2 times)

  

F#5



    

E5



B5

F#5





ho.

     Gtr. 4



   



3

17

17 14

4 4





17 14

17

P.M.

  

2

2

    1

14 17

 

2 2

2



   

3

1

14

Rhy. Fig. 8



    3

1

14

    



3

1

Gtr. 3

   

E5

17 14





1

14

17 14

17

P.M.

  

2

2

14 17

2

   

17

14

16 16

   

  

 14

16 16

 

 



4 2

4 2

4 4

16 16

14

14

14

End Rhy. Fig. 8

   

4 4

2 2

D.S. al Coda

Gtr. 3: w/ Rhy. Fig. 8

                        3 F#5

E5

B5



Gtr. 4



P.M.

F#5 E5             



1/4

14

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

16

14

14

13 14 13

16

14

16

14

14 14 16

15

14

17

14

15

16

14

16

14

16

15

14

17

14

15

14

17

 Coda

Gtr. 1: w/ Rhy. Fig. 1 (5 times) Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A (2 times)

B5

F#5

     







E5



 



She Can’t

ex

-





 



drive

B5

*Voc. Fig. 3

me

    

out

of

my

  



F#5

 





 

End Voc. Fig. 3



mind.

She

plain.

Can’t ex

-



 



drive

me

plain.

*Bkgd. Vocs. only

Bkgd. Voc.: w/ Voc. Fig. 3 (4 times)

         

E5



Gtr. 2: w/ Rhy. Fig. 7

B5

F#5

       



out of my mind.

      

She drive me





out

of

my,

my,

my,

F#5

  

my,

    

my,

my,

2 2 2 2 2 2 2 2

9 7 6









F#5





you

drive

me

   

                               

X X X

X X X

9 7 6

X X X

9 7 6

9 7 6







out

of

my

         Gtr. 4



9 7 6

9 7 6

X X X

9 7 6



14

14

X X X

X X X

9 7 6

 





9 7 6

9 7 6

9 7 6

9 7 6



17 14

17

17 14



1

14 17

9 7 6

9 7 6

9 7 6

9 7 6

9 7 6

X X X







You

drive

me

       

17 14

14 16

3

1

14

14

1

14 17

X X X

  

3

1

14

X X X



3

1

9 7 6

F#5

                3

9 7 6

B5

mind.

14 17

9 7 6

E5

1

14

X X X

3

1

16



                     

Gtr. 2: w/ Rhy. Fig. 2

    

mind.

2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4

 

B5





     

my,

                                 slight P.M.

Ow, Gtr. 2

  End Riff A

E5

 

B5

 



      

  

Gtr. 3 Riff A

4 4 4 4 4 4 4 4

Gtr. 3: w/ Riff A (2 times)

E5

17 14

1

14

14

14

14 17

17 14

16

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F#5/C#

            Gtr. 2

out

of

my

           14

14











(Can’t

3

17 14

16

1

14

14

14

17

17

14





P.M.

2 2



2

5 4 2

2

                     Gtr. 3

4

F#5

4

4

4

4

     

2

2

P.M.



 

2

2

4 4 2

2

2

2

2 2

2

2

2

2

2

   

8v a

 

  

4 4 2

2

F#5           

Ah,

µ

loco





3

         I can’t ex - plain.

  

Gtr. 4

E5





2

 



   

4





     

4 4

16

        

P.M.

yeah,

14

4 4

2

  

plain.)

17 16 14







P.M.

5 4 2



        



14 16



Gtr. 1



-

1

14

16

      

ex

3

1

17

 



             

       14

 



Oo,

1

14



mind.

Gtr. 4

1

   

Outro Free time

ho.

I can’t ex - plain, ba - by.

8v a



 fdbk.

14

    

  

 

4 4 2

       4 4 2

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     

     

 

   2 2 0

               _1

_1

w/ bar

6 4

4 4

6 4

4 4

6 4

4 4

7 6 4

_1

_1

7 6 4

7 6 4

2 2 0 -2 1/2

       P.S.

X X X

 

  

let ring

2 0

             4 4 2

2

  

4 4 2

 

    

4 4

4 4



Lonely Nights Words and Music by Klaus Meine and Rudolf Schenker

Intro Slowly = 60 Am(add9)

F(add 4)

G(add9/D)

Em(add4)

Am(add9)

F(add 4)

G(add9/D)

N.C. End Rhy. Fig. 1

Rhy. Fig. 1 Gtrs. 1 & 2 (12 String Acous.)

T A B

0

0

5

7

0

Am(add9)

0

5

7

8

F(add 4)

0

0

7

5

G(add9/D)

0

0

7

7

Em(add4)

0

5

7

0

Am(add9)

5

8

0 7

F(add 4)

0

5

0 7

3

0 2

G(add9/D)

1. Since you’re Rhy. Fig. 2

End Rhy. Fig. 2

0

5

0

0 7

0

5

7

8

0

0

7

5

0

0

7

7

5

0

0 7

5

0 0 7 5

7

8

Verse Gtrs. 1 & 2: w/Rhy. Fig. 1, 2 times

G(add9/D)

Am(add9) F(add 4)

Am(add9)

Em(add4)

F(add 4)

G(add9/D)

N.C.

3

gone, gone,

there there

Am(add9)

F(add 4)

emp lone

an a

is is

G(add9/D)

ty ly

space. heart.

Since Since

Am(add9)

Em(add4)

F(add 4)

you’re you’re

G(add9/D) N.C.

3

the world noth in’

gone, gone,

is is

the it

not like

same. was.

Bridge Am

I go There are

back mem’ries

G

Dm

3

to the plac es we’ve been, all ov er the place

it

Em

C

feels like bring in’

you’re still there. it back all so clear.

Rhy. Fig. 3 Gtr. 1 & 2

0 0

1

0 2

1

0 2

1 0

3

1 2

3

3 2

0 3

0

3 0

0

0 0

0

3

1

0 0

0

0

0

Copyright © 1993 Klaus Meine and Rudolf Schenker All rights for the United States and Canada administered by PolyGram International Publishing, Inc. International Copyright Secured All Rights Reserved

75 Sorgdal

Am

G

Dm

all those mo ments a gain, I live Re mem ber all of those days,

1.

wish ing wish ing

E

you were here. you were here.

2. Since you’re End Rhy. Fig. 3

0

1

0

0

1

2

1

2

1

3

0

0

3

3

2

2

0

0

3

0

0

0

0 0 1 2 2 0

0

3

Chorus Gtr. 1: w/Rhy. Fig. 5

2.

E

Am

F

All those lone ly nights, Rhy. Fig 4 * Gtr. 3

Am

lone ly nights,

P.M.

P.M.

ly nights.

5

3

P.M.

slight P.H.

3 5

2

lone

P.H. (15ma)

P.H.

5

lone ly nights,

P.H. (15ma)

P.M.

0 0 1 2 2 0

F

3 2

Pitch: A * Distorted electric

2

5 5

P.H.

3

3

2

3 5

2

5

3 2

Pitch: A

2

5

Rhy. Fig. 5

Am

*Gtr. 1

F

C

E

play 3 times

let ring

0 1 2 2 0

T A B

let ring

1

2

3

1

2

0

1 1 2 3

2

1

3

1

2

0 1 0 2 3

0

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 0 1 2 2 0

* 12 Str. Acous.

Am

F

0 0 1 2 2 0

C

0 0 1 2 2 0

0 0 1 2 2 0

E

play 3 times

76 Sorgdal

let ring

let ring

0 1 2 2 0

1 1 2 3

2

1

3

1

2

0

2

1

3

1

2

0

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

Am

F

Lone ly nights,

I

E

C

got

ta fight

for

you.

Yes

I

do.

All

(15ma) P.H.

those

End Rhy. Fig. 4

P.M.

P.M. P.H.

3

2

5

5

3

2

5

2

5

5 5 3

2

3

3

5 5 3

9 9 7

9 9 7

Pitch: A

F

Am

lone ly nights,

Am

lone ly nights,

F

lone ly nights,

(15ma) P.H.

P.M.

P.M.

P.H.

2

5

3

lone

ly

5

3

nights.

(15ma) P.H.

3

5

P.M.

2

Pitch: A

5

2

5

3

2

3

5

P.H.

2

3

5

P.M.

3

Pitch: A

2

2

5

To Coda II Am

F

Lone

ly nights,

I

P.M.

C

got

ta

fight

2

3

for

you.

Yes,

5 5 3

5 5 3

I

do.

P.M. 1/4

2

5

3

5

3

2

5

5

3

2

9 9 7

To Coda I Gtrs. 1 & 2: w/Rhy. Fig. 1

E

Am(add9) F(add 4) G(add4/D) Em(add4) Am(add9) F(add 4) G(add9/D) N.C.

Yes,

I

do.

9 9 9 7

77 Sorgdal

Gtrs. 1 & 2: w/Rhy. Fig. 2

Am(add9) F(add 4) G(add9/D)

Em(add4)

Am(add9)

F(add 4)

G(add9/D)

6

3. Since you’re Verse Gtrs. 1 & 2: w/Rhy. Fig. 1, 2 times

Am(add9)

F(add 4)

G(add9/D)

Em(add4)

Am(add9)

F(add 4)

G(add9/D)

N.C.

3 3

gone,

there

is

a

heart that

bleeds.

Since

you’re

Gtr. 3

P.M.

P.M.

12

Am(add9)

P.M.

P.M.

13

12

15

F(add 4)

P.M.

G(add9/D)

P.M.

P.M.

13

P.M.

12

Am(add9)

Em(add4)

P.M.

13

13

15

F(add 4)

P.M.

G(add9/D)

12

N.C.

3

gone,

I’m not the man I

P.M.

P.M.

12

P.M.

P.M.

13

used

P.M.

12

15

to

be.

P.M.

P.M.

13

P.M.

12

P.M.

13

P.M.

13

15

12

Bridge Gtrs. 1 & 2: w/Rhy. Fig. 3

Dm

Am

I

2 0

78 Sorgdal

fol low your steps

2

3

G

in

the

snow,

the

3

5

C

trac es

dis

3

ap

5

pear.

2

Em

Dm

Am

G

D.S. al Coda I

Em

3

We know what we’ve

2 0

2

lost when it’s gone,

3

I’m

3

wish ing

you were here.

3

5

5

All those

2

Coda I Guitar Solo Gtrs. 1 & 2: w/Rhy. Fig. 1, 2 times

Am(add9) F(add 4)

G(add9/D)

Em(add4)

Am(add9)

F(add 4)

G(add9/D)

N.C.

do. Gtr. 3 8va

3

3 full

full

full

full

full

20

20

20

20

20

17 18 17

17

17

17

19

20

19

22

20 22 22

22

22

D.S. al Coda II (take 2nd ending) Am(add9)

F(add 4)

G(add9/D)

Em(add4)

Am(add9)

F(add 4)

G(add9/D)

N.C.

8va loco

3 full 1/2

full full

1/2

full

20

20

14

14

16

16

17

14 16

Coda II

Am

F

All those lone ly nights,

do.

Am

Lone ly nights,

20

20

20

20

Gtr. 1 & 3: w/Rhy. Figs. 4 & 5

E

C

Yes I

16

full

20

Begin Fade

Gtrs. 1& 3: w/Rhy. Fig. 4, last meas.

you.

16

20 17

lone ly nights,

F

I

got

F

Am

lone ly nights,

for

you.

ly

E

C

ta fight

lone

Yes

I

do.

nights.

Fade out

All

those

79 Sorgdal

Loving You Sunday Morning Words and Music by Herman Rarebell, Klaus Meine and Rudolf Schenker A5

C5

1

F(b5)

134

12

Intro Moderately q = 100

  * D      

Gtr. 1 (dist.)

mf w/ delay let ring



3

2

4



A(#4)

3

4 2



5

A5

4 2

    



A(#4)

3

3

4 2

D

     

5 2

2

4

5

A5

     

4 2

5 2

* Chord symbols reflect implied harmony.

D

             Gtr. 1

       



delay off

µ

A5

     

A7sus4

 



D

 

A

       



Asus4 A

 

 

 

 

2 2 2 0

3 2 2 0

2 2 2 0

1/4

5 5 2

 

A



Faster q = 118 A7sus4

3 3 2

2 3 2 0

2 3 2 0

5 5 2

2 2 2 0

0

Gtr. 2 (dist.) Riff A

3

3 3 2

2 3 2 0

0

2 3 2 0

2 2 2 0

End Riff A

       

mf

       

       

       

0

0

0

P.M.

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0



0

Gtr. 2: w/ Riff A (1 1/2 times)

   Gtr. 1

 

A7sus4

5 5 2

3 3 2

 

D



  

  

2 3 2 0

2 3 2 0

A



   

µ

  



A5





A5





 

A7sus4

5 5 2

3 3 2

 





1/4

2 2 2 0

0

3

Copyright © 1985 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs. Inc. International Copyright Secured All Rights Reserved

0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 2nd time, Gtr. 3 tacet D

      

 

2 3 2 0

2 3 2 0

Gtr. 1

   

A

  



   

   

  

 

2 2 2 0

Gtr. 2



P.M.





0

0

2 0





(cont. in slashes)

2 0

Verse A5

                                                               Rhy. Fig. 1A

End Rhy. Fig. 1A

Gtr. 2

P.M.

 

 

5 5 2

3 3 2



for na

-

 

     

2 3 2 0

2 3 2 0

  I So,

 

give tell

and will

 

 

5 5 2

3 3 2

night. die.



 

     

2 3 2 0

2 3 2 0

1/4

0

3

0

A7sus4

 



you me

all is

I’ve it

D

 

 

got true,

A







take

it or

all. wrong?

µ



 

to

give,

 right







A5

A7sus4















1



   



1

1

  



  

5 4

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

4

2

4

4

4

2

 5

2

2

2

          2

2

4

2

3

2

 



1/4

4

4

  

 

2 2 2 0

mf semi-harm.

Fill 2 Gtr. 3

End Rhy. Fig. 1

 

 

 

2 2 2 0

3 2 2 0

2 2 2 0

2nd time, Gtr. 3: w/ Fill 2



Gtr. 3 (dist.)

      

day love



A5

ev - ’ry our

ya,

2 2 2 0

Gtr. 1: w/ Rhy. Fig. 1 (2 1/4 times) Gtr. 2: w/ Rhy. Fig. 1A (3 times)

  

you lose



Rhy. Fig. 1

   Gtr. 1

all gon



1. Work - ing hard to get it 2. Peo - ple tell me that I’m

    0

2



  

1

4



2

2

 

D

A

Asus4 A

A5



       P.H.



2

  

   











P.H.

P.H.

P.H.

P.H.

P.H.

P.H.

0

0

0

0

0

0

Pitches: G

E

E

C#

C#

2



A5

A7sus4



lone - ly so I

 

deep will

in



know ev - er



D

 



that you’re wan - na

A

 



feel - in’ lose your

 



blue, love,



Asus4 A



µ

 



A

   my

I er



D



change





 

Love nev -

I





P.H. 1

4

  







Gtr. 3 tacet

A7sus4

A5



 



side. life.



’Cause I know Be - lieve in

A7sus4

 



 

how me,

it my

feels love,

2nd time, Gtr. 3: w/ Fill 3

D

A

µ

  

    

to I'm

 

Gtr. 3

 

be com

-



  

a - lone. ing home.







 

P.H. 1

A7sus4





 

8v a

  

A5





D



 



 

         semi-harm.



        



P.H. 1

P.H. 1

P.H. 1

loco

1

5

8

7

7

      

Gtr. 1

2 3 2 0

2 3 2 0

5

Pitch: F# G#

   

  

2 2 2 0

Fill 3

     Gtr. 3

8 8



  

  

  

2 2 2 0

3 2 2 0

2 2 2 0

   1









7

7

5

7

7

 

 

5 5 2

3 3 2

5

7

7

5

8

7

5

7

5

0

          



2 3 2 0

       

1

A

3 2 0

2 2 2 0

     fdbk.

1

8 7

7

5

7

7

5

7

5

5

5

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Chorus Half-time feel C5

 Gtr.  2 Rhy. Fig. 2



Lov - ing you Sun

   

Gtr. 3

   

-

morn

day



-









        



ing,

you were on my



  

mind,



2 2



Riff B







day. End Fill 1

steady gliss.

   



       

let ring

1

0

3

3

3

    A5

  

Rhy. Fig. 3

3



A7sus4

 

 

5 5 2

3 3 2

D



A

 

  

2 3 2 0

2 3 2 0

  

     1

0

2

3

Gtr. 2: w/ Rhy. Fig. 1A Gtr. 3 tacet

Gtr. 1

1

0



3

0

4 4

5 5

End Riff B





3

3



µ

     





 

ev - ’ry



3 Gtr. 1

    

love,

Fill 1



End Rhy. Fig. 2



     

  

     

End half-time feel

A5

A7sus4





 

 

5 5 2

D

A

  

  

3 3 2

2 3 2 0

2 3 2 0

C5

Csus2



  

End Rhy. Fig. 3

 

1/4

2 2 2 0

0

3

0

2 2 2 0

Half-time feel

    

Gtr. 1: w/ Riff B Gtr. 2: w/ Rhy. Fig. 2

  

C5

Csus2

C5

Lov - ing

you

 Sun

   

 

2nd time, Gtr. 3: w/ Fill 4

-



    



Csus2

day

morn

-



 





ing,

  

5

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





your

Fill 4

Gtr. 3











5

5

5



 

C5

 



love

makes

me

fly

End half-time feel Gtr. 3: w/ Fill 1

     

 



so

A5 Gtr. 2

 





  Gtr. 1



A5





  



far

a

-

way.









P.M.

 

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (1st 2 meas.)

 

 

5 5 2

3 3 2

A7sus4





F(b5)





D



To Coda 1 3rd Time, To Coda 2



 

µ







   



A



 

 

4 3

Interlude

A5

A7sus4



D



A



µ

 

A5



A7sus4



D

A





Asus4







Gtr. 1: w/ Rhy. Fig. 1 (1 3/4 times) Gtr. 2: w/ Riff A (3 1/2 times)



 

Gtr. 3

1/4

 

A5

A7sus4



D



2 2

3

A





1/4

0

µ







0

A



A5

A7sus4



3

2 2

D.S. al Coda



1/4

0

3

2 2

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Interlude A5 µ

1

Gtr. 2

 



  Gtr. 3





(cont. in notation)





 





 Coda

Abº

 

Fill 5



End Fill 5

  





0

 













ah, ah.

bop,

6

10

          

bop,

5

7

bop,

5

4

bop,

5

7

bop,

5

6

bop.

8

5

7

Rhy. Fig. 4

3

4

3

 

                      

Whew, (Whew,

 

Gtrs. 1 & 2



let ring

 



10

Gtr. 1



* Voc. Fig. 1

10 9 7 0

8

8

6

End Rhy. Fig. 4

  

 

 

 

 

 

 

 

7 6

4 3

4 3

4 3

4 3

4 3

4 3

4 3

7 6

5

* Applies to lead and background vocals. Gtrs. 1 & 2: w/ Rhy. Fig. 4

A5 µ







Abº





 

 



Whew, Whew,

ah. ah.

    

 

Gtr. 3



10

12

12

µ

 





     

10

Rhy. Fig. 5      

10 9 7 0

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

       

10

12

10

12

10

10

12



 

ah. ah.)

Gtr. 3

Gtr. 1

12

Abº

Whew, Whew,

Sorgdal

    

10











  

1 1/2

Gtr. 2: w/ Rhy. Fig. 4

A5



 

 

  

 1

13

10

12

10

12

10

9

12

E5



End Voc. Fig. 1

        13

12

15

10





13

12

End Rhy. Fig. 5



  7 6





P.M.





2

2

2



 2









5

3

2

Guitar Solo A5 µ

A5



Yeah. Gtr. 4 (dist.)







µ

A5



µ

A5

µ







   



 1

mf w/ slight delay 1 15

15



      1

15







1

1/2

15

 

15

   

Gtr. 3



  14

Rhy. Fig. 6 Gtrs. 1 & 2

 





 



2 0



2 0



   

1

 1

A5 µ 8v a

Gtr. 4



15

15



µ

3

15

12

A5

µ



15

 



2 0

3



2 0

 *          A5

 

 0

Gtrs. 1 & 2: w/ Rhy. Fig. 6 (5 times) Gtr. 3 tacet

 



End Rhy. Fig. 6

A5

3

µ







5

3

2

A5 µ





 



loco





3

3

1

12

15

12

15

   

A5

15

15

1

12 15

µ



15

* Played ahead of the beat.

   A5 µ



A5



  



    

15

13

15

µ

A5 µ

 1 15

15

A5

µ

A5

µ





A5





 13

15

14

µ

   

14

13

12

15

12

12

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A5

µ

A5

µ

A5

                               6

6

µ

A5

µ

               

3



grad. bend

3

3

3



1

8

9

A5





8

 

7



µ

3 1 1/2

8

10

9

8

7

10

8

9

8

7

10

A5

8

9

8

7

10

8

8

9

9

µ

3             

8

7

9

10

A5

µ





8

9

10

7

8

A5



10 8

10

9

µ







6

5





semi-harm.

1

10 8

8

8

9

8

7

10

7

10

8

7

10

7

6

7

6

5

8



5

8

Interlude Lead & Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)

A5



Gtr. 3



    

µ

Abº



10





 5











7

5

4

5

7







5

6

8









5

7

8

5





8

6

    





1

5

5

     Gtr. 4 tacet

A5

6

10

Gtr. 4

µ

Abº

Gtr. 3



10

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 

























1 1/2 12

10













12

10

12

10

9



1

12

12

10

12

10

12

10

10

12

12

Gtr. 1: w/ Rhy. Fig. 4

A5

µ

Abº

    



 

Gtr. 3



  







1

13

13

10

Gtr. 1: w/ Fill 5



10

Gtr. 2

  



   



 

7 6

2 0

  

 

7 6

4 3



 

Verse

A5

  



A7sus4



 

3. Work - ing

D

   

hard

A

 

A5

to

Asus4









get

it

A

A5



A7sus4

  



D





all

for

A

  

µ



Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtr. 2: w/ Rhy. Fig. 1A (4 times) Gtr. 3 tacet

A5





you,







A7sus4

 



 

I

give

you

all

I’ve

got

D

A



Asus4

A



D

 



ev - ’ry

day



A

to

give,

Gtr. 3 tacet

A5



 I

   Gtr. 3

    



5





loco









3 4

2 2

3 4

2 2



 

4

2 2 2

 



   and





nev - er

 



night.



µ





take

it

all.

A7sus4



 

ev - er

wan - na



P.H.

1/2

5



*15ma

A7sus4

 

3 4

2

Pitch: G# *15ma applies to P.H. only

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D

   lose

A



 your





  

 Be





-



lieve

in

  

A7sus4











A7sus4

 



  

I

will

change

my

life.

 



 

me

my

love,

D



   





grad. bend 1



 





I’m

com

-

ing

 home.

D.S.S. al Coda 2

 







grad. release 1/4

5 7

A





 

1 1/2

7



µ

A



Asus4



 



A

A

D





D



A7sus4



Gtr. 3

 so



A5

  

A5

love,

Gtr. 1: w/ Rhy. Fig. 3

A5

µ

7

5

5

5

4

0

2

 Coda Gtr. 2 



Interlude Lead and Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)

Gtr. 1: w/ Fill 5

 

Gtr. 3

A5 µ

Abº

                      



 

10

     A5

µ

Abº

 10

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



 





6

10

 









13

13

12

10

5



7

5

4





12

10

5

5

7

6







13

12

10

8

5

7

8







13

12

10

5

8

6





12

10

1 13

10

13

Gtrs. 1 & 2: w/ Rhy. Fig. 5

     A5

µ

Abº

8v a



17

   



 

 



1

13

20

20



19





17

15



17

Outro - Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 6 (till fade)

Gtr. 3 tacet

A5 µ

A5

µ



A5

µ



A5 µ

A5



µ



Yeah.



8v a



µ





 Gtr. 4

A5



 









































  

 

1

15

1

15

1

15

1

15

1

15

1

15

15

1 15

1 15

 

1 15

1

15

15

loco



3 1

    

12

 12

15

13





 1

7

5

7

loco Gtr. 3









17

               A5

µ

A5

µ

Gtr. 4



1/2

7

7



1

5

7

5

7

7

 7

     A5

 5

5

µ



7

µ    

A5







 1

A5

   

5

 1 5

8

   

µ



 1 5

8

5

  

A5 µ



8

5

8

8

5

5

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





A5 µ



A5

µ

A5

1

8

8

5

5

8

8



A5 µ

A5

 

 



1

7

5

 





µ      

2

5

5

A5



µ



7

6



5

3

A5



  



8





µ





7

µ

A5

 



5

3



5

7 5

   



5

0

0

3

5

A5

  



µ

5

2

  

5

2

5

µ

2

2





A5

8

8

8

10 8

µ

A5





 

5

3

5

3

µ



 

5

3



















µ



7

7

7



    

2

0

2

0

2

5

µ    

A5





 5

A5

8 8

5

8

5

7

µ



A5

  



µ



8

5



10

Fade out





8

10

3

10

12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

10

8

10

10

10

10

9

12

9

12

10

8

10

 1

  



5

µ



5

1

A5

5

A5





3

5

A5 µ

    

µ



1

1

Sorgdal

8

A5 µ

1

3

5

8

1 1/2

8



5

5

µ



5



5

A5

       



2

A5



7

µ

1



A5 µ

Begin fade

5

5

A5

µ

1

7

A5

7

A5



5

  

3

A5 µ

5

µ

5

5

A5

1

5

 

µ

                              5

10

No One Like You Words and Music by Klaus Meine and Rudolf Schenker A5

F5

G5

E5

E5VII

C5

7 fr

11

134

134

Intro Moderate Rock = 120 A5

11

F5

134

134

G5

A5

Rhy. Fig. 1

* Gtrs. 1 & 2 (dist.)

8va loco

Gtr. 3 (dist.)

3 full 1/2

(15)

15

14 16 16

16

14

12

14

(14) 12

14

* composite arrangement

F5

G5

A5

F5

G5

(cont. in notation) 8va

3 2 1/2

full

full

15 14 16 16

(14)

16

14

15

12

15

F5

full

(15)

17

17

17

20

20 17

20

20

E5 loco

Gtr. 3

8va

full

17

20

19

17

19

17

20

full

full

17 20

(19)

19

17

19

(19)

19

Gtrs. 1 & 2

1/4

3 3 1

520 Sorgdal

2 2 0

Copyright © 1982 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs International Copyright Secured All Rights Reserved

1/4 (cont. in slash)

2 0

3

3

0

Gtrs. 1&2

A5

F5

G5

A5

8va loco

Gtr. 4 (dist.)

3 full

20

(20)

13

15 15

15

13

12

13

(13) 12

14

8va loco

Gtr. 3

3 full 1/2

(15)

15

14

F5

G5

16 16

16

14

12

A5

14

(14) 12

14

F5

G5

8va

3 2 full

full

full

20 (14)

17 19 19

19

17

20

16

full

(22)

22

17

17

20

17

20

20 17

20

20

8va

3 2 1/2

full

full

15 (14)

16

14 16 16

14

15

12

F5

full

(15)

15

17

17

20

17

20

20 17

E5

End Rhy. Fig. 1

loco

8va

20

20

* dim.

(Gtr. 1 cont. in notation)

3 full

17 20 19 17 19 17

20

17

full

17 20

20 17

full

17 20 17

20

17

19

20 19 17

19 19

(19) 17 19

17

17

(17)

12

(12)

3 full

10 13 12 10 12 10

13

10

full

10 13

13 10

1/2

10 13 10

13

10

13 12 10 12 12

(12) 10 12

10

12

* Use volume control

521 Sorgdal

Verse Gtrs. 2, 3 & 4 tacet * Am

F

1. Girl, 2. Girl,

s’been a there are

Am

long real

time that ly no

we’ve words

been a strong e

part, nough

much too to de

long scribe

** Gtr. 1

w/ clean tone simile on repeat let ring throughout

0 2

0

1

2

2

0

3

0

1

2

3

2

0

3

2

0

1

2

2

0

* Chord symbols reflect implied tonality. ** doubled w/ acous. gtr. next 17 meas., 2nd time

F

Am

F

C 3 3

for a man all my long

who needs love. ing for love.

I I

miss don’t

you since I’ve been want my feel ings

a re

way. strained.

*

1 3

0

2

2

0

1

2

2

0

3

2

0

1 3

2

0

2

3

2

1

0

0

2

* doubled w/ acous. gtr. next 13 meas., 1st time

Gtr. 3 tacet

E7

F

Am

Babe, Ooh,

was I

babe,

n’t just

eas need

y you

to like

leave nev

you er

a be

2

0

3

5

lone. fore,

Gtr. 1

0

3

4

(2)

0

0

4 0

Gtr. 3

2

2

1

2

0

Gtr. 2

3

2

1

1

Gtr. 2

Gtr. 3 divisi simile on repeat

0

522 Sorgdal

4

2

2

0

2

0 5

3

5

5

3

1

2

3

Am

F

It’s

get ting just im

0 2

0

5

1

2

3

5

hard ag

2

5

er now ine you’d come

gone; door;

if you’d

0 2

0

3

1

F

that I’m through this

1

1

2

3

0

3

Am

3

2

0

2

5

1

2

3

5

5

E5 VII

C5

2

3

I take

0

1

To Coda

Gtr. 2

had the choice all my sor

I would stay. row a way.

There’s no one like

Gtr. 1

3

1

2

3

2

0

2

0

0

1

0

0

3

2

3

0

3

1

Gtr. 3

(cont. in slash)

2

(1)

3

semi-harm.

5

5

7

4

0

0

Chorus * Gtrs. 1 & 2: w/ Rhy. Fig. 1, simile Gtr. 3 tacet

F5

A5

you!

I

can’t

wait

G5

for

the

nights

A5

with

you.

I

im

ag

* w/ dist.

F5

G5

ine

the

things

A5

we

do.

F5

I

just

wan

G5

na

be

loved

by

you.

523 Sorgdal

F5

E5

A5

No

one

like

you!

I

can’t

wait

Gtr. 3

fdbk. full

full

(7)

7

5

(7)

7

(7)

Gtr. 3 tacet

F5

G5

for

the

A5

nights

with

F5

you.

I

im

G5

ine

ag

the

things

we

do. D.S. al Coda

A5

F5

I

just

G5

wan

na

be

loved

F5

by

E5

you.

Coda Chorus * Gtrs. 1 & 2: w/ Rhy. Fig. 1, 1st 14 meas. Gtr. 3 tacet

F5

A5

you.

I

can’t

wait

G5

for

the

nights

A5

with

you.

I

im

ag

by

you.

can’t

wait

* w/ dist.

F5

G5

ine

the

A5

things

we

F5

F5

do.

I

just

E5

one

like

you!

* End Riff A

semi-harm. full

7

full

(7)

5

7

(7)

* Omit tie on recall

524 Sorgdal

na

be

loved

A5

No Gtr. 3 Riff A

wan

G5

I

F5

A5

G5

for

the

nights

with

F5

you.

I

im

G5

ine

ag

the

things

we

do.

* 8va * 8va

loco

P.H.

P.H.

full

(7)

full

7

7

7

(7) 5

7

5

(7)

* applies to harmonics only

A5

7

* see previous footnote

F5

G5

F5

E5

Rhy. Fig. 2

End Rhy. Fig. 2

Gtrs. 1&2

I

P.H.

just

wan

P.H.

na

be

loved

by

semi-harm.

1/2

full

(7)

7

5

you.

7

full

(7) 1

3

3

3

3

5

9 X 7

5

9 X 7

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 1, 1st 6 meas.

A5

F5

G5

A5

1/2

full

semi-harm. full

3/4

7

7

7

7

F5

1/2

7

7

7

7

G5

(

7

7

7

A5

)

7

(7)

5

7

F5

8

5

G5

3 grad. bend 1 1/2

(8) (0)

7

14

grad. bend full

(14)

(14) 12

14

14

13

1/2

7

5

5

8

5

8

7

5

7

525 Sorgdal

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Gtrs. 1 & 2: w/ Rhy. Fig. 1, 1st 8 meas.

F5

E5

A5

F5

* 8va

G5

Gtr. 4

semi-harm.

Gtr. 3 divisi

grad. release full

1/2

**

full

17/20 7

5

7

5

7

7

5

7

6

5

3

19

17

17 19 19

19

17

20 16

(3)

3

* refers to both gtrs. ** Gtr. 3 to left of slash in tab.

Gtr. 4 tacet

A5

17 19 19

F5

G5

A5

8va

Gtr. 3

1/2 full

full full

17

(19/22)

19/22

17

8va

10 17

F5

17

17

full

17

20

17 20

G5

full

17 20

20

full

17 20

full

17 20

full

full

full

17 20

17 20

17

20

full

17 20

17

20

17 20

F5

E5

6

6

P.H. full

full

5:4

1/2 20

20

full

20

20

20

17

20

19

17 20 17

19

17 19 17

19

17 20 17

20

17 20 17

17 20

19

17 20

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1, 1st 15 meas.

A5

No Gtr. 3 8va

3

(20)

one

you!

like

I

can’t

wait

loco

17

20 17

5:4

20

17

20

19

full

17

19

17

19

18

17

1/2

15

full

(15)

Gtr. 5 (dist.)

(15)

Riff B

End Riff B

P.M.

0

0

0

0

0

0

0

0

Gtr. 5: w/ Riff B, 5 times Gtr. 3 tacet

F5

G5

for

526 Sorgdal

the

nights

A5

with

you.

F5

I

im

ag

G5

ine

the

things

we

do.

Gtr. 3: w/ Riff A, simile

A5

F5

I

just

wan

F5

G5

na

be

loved

by

F5

you!

G5

for the nights

I can’t wait

you.

No one like

Begin Fade A5

Gtr. 5: w/ Riff B, 6 times

A5

E5

F5

with you.

I

G5

ine the things

im ag

we do.

8va Gtr. 3

full

1/2

(15)

15

17 19 19

8va

full

(19) 17

15

17

1/2

(22)

22

17 19 19

(19) 17

15

(15) 13

12

loco

Gtr. 4

full full

20

(20)

A5

13 15 15

full

(15) 13

F5

I

just

wan

12

13

(15)

15

G5

na

be

13 15 15

Fade Out E5

F5

by

loved

you!

8va

3 2 full

17

(17)15

17

17

20

20

20

17 20 19 17 19 17

20

17

full

17 20

20 17

17 20 17 19

3 full

1/2 full

13

(13)12

12 14

15

15

12

(12)

10 13 12 10 12 10

13

10

full

10 13

13 10

10 13 10 12

527 Sorgdal

Passion Rules the Game Words and Music by Klaus Meine and Rudolf Schenker A5

11

Intro Moderate Rock q = 110 A5



Rhy. Fig. 1

Gtrs. 1 & 2 (dist.)



f



 

Gtr. 4 (dist.)

F5

G5

134

134

F5

G5











A5



     











End Rhy. Fig. 1







 

f w/ slight delay 1



15

Riff A Gtr. 3 (clean)

 



mf

    

 

w/ flanger let ring throughout



0

2

2

0

2

2

2

2

3

1

Fmaj13  

 

 

0 0





0

0

0

2

0



A5









End Riff A

    

2

0

G

 



0

3

Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff A * Asus2 Gtr. 4



     

2

0 2

     Asus2

 



steady gliss.

1

1

15

15

14

12 12

12 12

10

7 7

15

1

10

10

* Chord symbols reflect overall harmony.

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times) Gtr. 3: w/ Riff A (4 times)

Asus2











 

   1. Strand - ed

 10

Gtr. 4 tacet

in

this

 

Fmaj13



town,

  my





ma

  - chine

 slows

 down.



G

 













Take

me

where

the



10

Copyright © 1988 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Asus2

   night





be -

gins.

G













I



Drove

a

mil

  Gtr. 5 (dist.)



Play - ing

ev





al

-





ways

take

the

lion



Fmaj13



 

 



- ’ry - where,



  -

 

lov - ing



here

and

Asus2





chance

Fmaj13





to

win.

gam - bling









rules

my

life,

Riff B



mp

there,







miles,









 







 

End Riff B





     



 







      

 

0

0

0

0

0

0

0

0

0

0

P.M.

0

0

0

Gtr. 5: w/ Riff B (3 times)

G

 

   



I

Fmaj13

 

  good

on

-

ly





stop

to

    luck

Pre-Chorus D5

 

Rhy. Fig. 2 * Gtrs. 1 & 2

 

is

ev

 -

Asus2

start

G



 





a

- gain.



’ry - where,









Just

a

lit

- tle

 

  

   





luck

to

- night



  

al

0

  



   can



 

0





-

most touch



A5

0







I

reach

out

through



Asus2

it

with

  

0

my

the

* Composite arrangement

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

7 7 5

7 7 5

7 7 5

3

0

3



air,

   



will

do,



 



 



and



  

1/4

7 7 5

0

hands.



 

0

  

  





  

0



0



0



1/4

0

3

0

3

0





dreams

 

come



   



  





  

1/4

3

0

3



Just

a

lit

 

 



-









tle

luck

to

- night,





   

  

7 7 5

7 7 5

0

3

can’t stop

the wheel

0

7 7 5

0

3







G5

  

  

that

turns

the

ball

steel,

           

of



7 7 5





 

5 5 3

5 5 3

 





 Yeah,

   Gtr. 5

Riff C

 

F







yeah.

Gtr. 6 (dist.)

Riff C1

 



 

pas - sion

rules



the game.

End Rhy. Fig. 2



 



I

  





 

 







  

    



X X

X X

9 10

X X

X X

X X

X X

5 7

X X

X X

X X

X X

  





 

 







  

    



X X

X X

5 7

X X

X X

X X

X X

2 2

X X

X X

X X

7 9

7 9

f

5 7

µ

Ooh,



f 9 10





 Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Am

  when

  

5 5 3





1/4

C5

I





true.

 



D5



  

4 5

4 5

5 7

2 2

7 9

4 5

9 10

 5 7

X X

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G





ain’t

  

9 10

 

5 7



    got

no



con -

Am

 







trol

when







my heart’s



 

   

   

when flames.

in

pas

-

sion

 





rules

the

game.

   



 

 





    

 





X X

X X

9 10

X X

X X

5 7

4 5

5 7

X X

X X

7 9

X X

9 10

   



 

  





    

 





X X

5 7

X X

X X

0 0

2 2

X X

X X

X X

5 7

7 9

4 5

X X

 



7 9

4 5

2 2



 Yeah,

  

  





 

 



7 9

X X

4 5

X X

 F

5 7

5 7

 



yeah.



4 5





To Coda 1 



Ooh,





  



  I

   



 9 10

 

5 7

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

X X

7 9

X X

9 10

  





X X

X X

5 7

4 5

X X

7 9

X X

5 7

X X

X X

5 7

X X

7 9

X X

9 10

X X

X X



 

 







  



   

X X

X X

X X

X X

2 2

X X

X X

5 7

4 5

2 2

4 5

 X X

X X



my

heart’s

in









 





5 7

X X

X X

9 10

X X

7 9

X X

5 7













 





X X

2 2

X X

X X

5 7

X X

4 5

X X

2 2



 

ain’t

got

no

  



 











9 10

X X

7 9

X X

9 10

X X

7 9

 



 







5 7

X X

4 5

X X

5 7

X X









G



To Coda 2

 





when



X X

 4 5





con - trol



Am





   



flames.



End Riff C



End Riff C1

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff A (2 times) Gtr. 5: w/ Riff B (4 times) Gtr. 6 tacet



Asus2

 

2.



Strand - ed

  



til

I’m

 

 

 

in

town,

this

 



Fmaj13







free.

Gtr. 4

 









 a

   12 12

life

takes

me

up











and

down.

  

to

roll

the



girl



12 12

G



Fmaj13



dice,



15

15





  

  1

1

 



Can’t stop



G



 



Asus2

 





I’ll

break

    and



 

in

morn

 

score

 -

ing

un -

 light,



 15

15







Asus2





like

you

is

all

I



 



10

10



the

 

the



   



 need.



14







   13

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal









Don’t

you

need

some

Pre-Chorus Gtr. 1: w/ Rhy. Fig. 2

D5

 

  

    



Rhy. Fig. 3

semi-harm.

3

0

3

     

semi-harm.

3

3

3

0



     

yes

I

do.

3

I



do,



0

3

                 

    

1/4

0

3

3





1/4

3



night?

D5

           







 

Gtr. 2

-

  

A5

13

Gtr. 2



to





 13

love











Gtr. 4



Gtr. 4 tacet

    

0

3

0

3

0

0

3













Don’t

you

need

some

love

to



semi-harm.

3

1/4

     

       semi-harm.

3

3

3

 -



0

0

3

 



night?



How

       semi-harm.



1/4

0

3

0

3

0

3

0

3

0

3

0

3

0

0

3

X X

0

3

3

0

3

D.S. al Coda 1

C5

        can

we

   5 3

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

stand

the

heat,

  when

  love is

  

  

all

need?

G5

we







  When

  

 

5 5 3

5 5 3



µ



pas - sion



 rules

  the

game. 

End Rhy. Fig. 3

 Coda 1

   





ain’t

got

no

con -

 





trol

Gtr. 4

 





when





my heart’s

in



 





Am

 



P.M.







flames.

P.H.

7

X



 







P.H.

9

X

5







Gtrs. 5 & 6: w/ Riffs C & C1 (last 2 meas.)

G

 



 



P.H.

X

10

7

7

7

10

10

Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

       P.H.  A5

µ

F5

µ





G5

8v a

Gtr. 4

10

Gtr. 5



1

10

20

   2 0



    

3

5

5









20 19







  



  

3 1

1

3

 

 







     1

1/2

19

19

 

5

19

19

End Riff D





  

5 3

1

3

F5







   







1

1

1/2 19

19

     3

1



20

19

  

semi-harm.

1 1

20 



20

Gtr. 5: w/ Riff D

8v a

1

3



1



1





1



A5



 

19

19



Riff D

  



µ

19

19 17 19



20 17 20

20



5

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5 Gtr. 5 Gtr. 4



   

 





loco

   

8v a



19

17

17

19









 







loco         

    

1

1

17



 

A5



17

20

19

20

22

1

20

22

17

17

19

17

17

17

17

15 13

17

13

13

13

15

15

13

19

Pre-Chorus Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 3 Gtr. 5 tacet



D5

 

   Don’t



 15



15











you

need

some

love

to

 

yes

I

do.



  

5

7

C5

      can

we

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

stand





night?







  





the

D5



heat,

when







Don’t

you

need

some



7

7



5

  



    

1

6

A5





I

do,

 

  

5

5



  love is

7

  

all

need?

we

5





love

to

 -

  

6



7

 



night?

How





  

G5

6

Gtr. 4 tacet



 





5

-





 

 







   When



µ



pas - sion

 rules

D.S. al Coda 2

 

the

game. 

 Coda 2

Guitar Solo

      

Gtrs. 5 & 6: w/ Riffs C & C1 (last meas.)

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

Am

heart’s in





flames.

8v a



Gtr. 4





1











G5

 



1

1

1



  

 



20

20

20

20

19

19

19

19



 

 

22

22



 

22 22 22

22

    



1 1/2

1

2

22 22

22

  

 



1

1

1 22

8v a

F5



 

A5

  

                    3

6

loco

 

A5

17

18 19

18

16

12

18 17

             

6 1

19

19

19

19 17

17 12

15

14 12 15 17 15 12

16 15 13

1

15

15

13

14

14

13

12

10

12

12

12

10

12

   F5 G5 8v a  3     6                                semi-harm.  1 P.M. 1/2 7 1  T  1 T  17 20 7 7

7 7

7 7

5 5

7 7

5

0 5 7

7 5 0

7 0

7

17 15 17 13

0 5 7 0

12 14

14

15

19

17 19

17 19 19

17 20

Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1 (till fade) Gtrs. 5 & 6: w/ Riffs C & C1 (till fade) Gtr. 7 tacet



A5

  8v a

Gtr. 4

 



 





1

 



 





sion

rules

the

game.



 



 



8v a





1

1/2 17









Yeah,



  





yeah,



3

20

 

 

1

1

20

f

19





-



1

22

Gtr. 7 (dist.)

 

Pas

Am





17

20

17

19

19

17

  

17

19

20 

19



17

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

Begin fade Gtr. 4 tacet

F













ooh,

  



Am

heart’s

 

in



 

flames. When





ain’t

got

no

G

I

 



 

 







con





        pas

-

sion

rules

the

game.





1



22

1



22

F

 

1



22

 



1







1

22

22

8v a



Am

  









22

22



heart’s

 

in







22









 

 

 

1 20



10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

my



 yeah,

G





   

ain’t

got

no

con

 -

 







when

my



trol

     

  20

17

Fade out

 





rules

the

game.









flames.

    20

when

22

pas

-

sion



 







    1

17



22

3

20



       1  1  1 

loco







        



trol

22

I

When 8v a



 

ooh,





22



-

 

Yeah,

8v a

Gtr. 4





17

20

17

15

12

15

13

15

Rhythm of Love Words and Music by Klaus Meine and Rudolf Schenker G5

Bb5

F5

Eb5

134

11

11

F5 type 2

F5 VIII 6fr

134

8fr 134

134

Intro Slow Rock q =88 * G5

F5

G5 C5 Bb5

   

Gtr. 2 (dist.)

F5

G5

F5



G5 F5

G5 C5 Bb5







8v a       

F5



** mf



G5

6 5

6 5



P.H.

3 3

5

** Vol. knob at 7

         

   

      



5 5 3

X X X

Gtr. 1 (dist.)

f w/ delay

5 5 3

3 3 1

5 5 3

3 3 1

X X X

3 3 1

 

           

     

5 5 3

X X X

5 5 3

X X X

5 5 3

5 5 3

3 3 1

3 3 1

5 5 3

    5 5 3

    

     

3 3 1

3 3 1

5 5 3

5 5 3

* Chord symbols reflect overall harmony.

Gtr. 1 tacet

F6

  loco     

  ***

f

7 7 5

Gm











Eb







P.M.

5

   

3

5

3

  1

5

3

5

*** Vol. swell

       3 3 1

  

 

Rhy. Fig. 1 Gtr. 3 (clean)

 

 

 

 

 

3 3 3 5

3 4 3 5

3 4 3 5

X X X X

X X X X

mp 3 3 3 5

Copyright © 1988 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

Gm

F

Eb



  

   





1

5

5

5

             P.M.  1

3 5

 



3

3

5



5

5

 

 

 

 

End Rhy. Fig. 1 

 

 

 

 

 

1&3  Gtrs.        

1 1 2 3

1 1 2 3

X X X X

X X X X

3 3 3 5

3 3 3 5

3 3 3 5

3 3 3 5

3 4 3 5

3 4 3 5

X X X X

X X X X

  

  

3 3 1

 



 

F





6

3

   

Rhy. Fill 1

3 3 1

2nd time, Gtr. 6: w/ Fill 2



5

1

End Rhy. Fill 1

        steady gliss.

 Verse Gtr. 1 tacet

Eb



5 5 3



5 5 3

Gm

  

4 4 2

the the

night top

to - geth - er, to - geth - er,

I one

know you night will

want it nev - er

3 3 1

too. do.

0

 



       spend reach

 



  grad. bend

3

1

 

Gm



     

 

5

Gtr. 3: w/ Rhy. Fig. 1 (2 times) 2nd time, Gtr. 2: w/ Fill 1

G5

 

1. Let’s

5

3

F5

An

ex

The -

Gtr. 2

6





1 1 2 3

* mp

3 4 3 5

3 3 3 5







3 3 3 5

 

 



 



 



 

Gtr. 4 (dist.)

*Vol. knob at 5 Gtr. 5 (dist.) Riff A

 

    

mp

      

 



   

      

 

3

3

3

3

3

3

P.M.

3

3

3

3

3

3

3

        grad. release

3

3

3

3

Fill 1

Fill 2

Gtr. 2

  

6

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

6



Gtr. 6 (clean)

3



3

3

3

3

3

         

mf 5

6

5

3

5

3

5

3

3

3



3



mag ic plod - ing

Eb

of the shot of

- ment plea - sure

 



  

got got

for for

F

 

 

is is

what I’ve what I’ve

Gm

 



you. you.

The Why

 

 





 

mo





 

Gtr. 4

   





Gtr. 2 tacet

 

f





3 4 3 5

1 1 2 3



3 3 3 5



*

3 3 3 5

*Vol. swell

  Gtr. 5

End Riff A

    

      

 

    

      

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Gtr. 5 tacet

Bb5

  



heart - beat don’t you

     Gtr. 4

8 8 6

     Gtr. 1

8 8 6

 of close





F5



Eb5

 



this night your eyes,

  

 

11 10 8 8

10 10 8

 

10 10 8

is





   10 10 8



F



made to let your



 lose feel - ing

 

 

8 8 6

8 8 6







10 10

8 8

8 8



con -









and I

there make

is you



trol, grow?

  

 

 

11 8 8

10 10 10

10 10 10







12 12

12 12

10 10



3



3

some feel



10 10

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   



Bb5 3

-



thing the

    



in taste



8 8 6

 

F5

your

Eb5

eyes life,

of

 

11 10 8 8

10 10 8



 



10 10 8

8 8 6

      

Gtr. 1 tacet

    

Eb

Let us Let us

find find

to - geth to - geth

-

    F



er er

the the

            

beat beat

 





for love

some will

more. flow.



  

 

 

11 8 8

10 10 10

10 10 10

8 8 6

8 8 6













10 10

8 8

8 8

12 12

12 12

10 10



  

we’re we’re

look - ing long - ing



Gtr. 1: w/ Rhy. Fill 1 *Voc. Fig. 1

      for. for.

5

5

5

3

 

 

     

 

 

       

3 3 3 5

3 3 3 5

3 4 3 5

3 4 3 5

X X X X

X X X X

1 1 2 3

X X X X

X X X X

3 3 3 5 *Bkgd. vocs. only

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5







3

5



10 10



   (The

T o Coda 

 

   

rhy - thm

of



 

4





    

 

1 1 2 3





Gm

    Gtr. 3



 

1

5





 

1

5

3

   10 10 8

Gtr. 4

3



that’s long - ing un - til your

  

    

Gm

 



F

Chorus Gtr. 3 tacet

G5



Bb5

 

F5





µ







   

 

Bkgd. Vocs.: w/ Voc. Fig. 1 (3 times) Gtr. 4 tacet

Gtr. 1: w/ Rhy. Fig. 2 (2 times)

Eb5

G5

       

End Voc. Fig. 1

Keeps

F5

me danc

-

ing

on

the



Bb5

F5





road.

µ

 



Got

the

groove

love.)

Gtr. 4







3

Gtrs. 1 & 2 Rhy. Fig. 2

         5 5 3

 



Eb5

5 5 3

3 3

X X





that

hits

     Gtr. 2

8 8 6

G5 Gtr. 1





F5

   the

 

X X X

10 10 8

X X X

F5



 

5 5 3

5 5 3

X X

X X X

 3 3

G5



Bb5



X X X

F5

 3 3



13





 

 

5 5 3

5 5 3

5 5 3

3 3

X X



 

Is

the

µ

 

Is

the

heart



 

-

   8 8 6



game

3 3

 beat

  of

 

5 5 3

Eb5





Eb5





 

     

10 10 8



End Rhy. Fig. 3

Gtr. 2 Rhy. Fig. 3

End Rhy. Fig. 2

bone.

   

 

 

8 8 6

3 3

Bb5

    

     

3 3



 

I’m

look - ing

3 3

F5

 



for.

 

   

 

8 8 6

X X X

10 10 8

X X X







8

20



F5 VIII

  

my

X X









(cont. in notation)



  





 

soul.

 

 

  

X X X

X X X

10 10 8

 

  3

5

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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D.S. al Coda

Interlude Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 5: w/ Riff A

 Gm  



Eb

F

Gm





 

Eb

F5

 

G5





 



                                           grad. bend  P.M. 1 1 1 1  1   2. Let’s

Gtr. 2

3

5

5

3 5

5

5 3 5

  Gtr. 1



3

3 5





5

5

3 5

5



6

4 3

   



  

5

   

      

w/bar

steady gliss.

3 3 1

6 1

5 5 3

5 5 3

4 4 2

3 3 1

0

 Coda

Chorus



Gtr. 1: w/ Rhy. Fig. 2 (3 times) Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 3 tacet

Bkgd. Vocs.: w/ Voc. Fig. 1 (3 times) Gtr. 4 tacet

G5

Eb5

Bb5

   

F5





µ







      

Keeps

  me

danc

F5







  

-

ing

on

the

G5





Bb5

F5



µ

 





road.

Got

the groove

love.)

Gtr. 4







fdbk.

3

Eb5

that

     Gtr. 2

8 8 6

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Sorgdal

F5

    hits

the



Bb5



F5



bone.

X X X

µ

 3 

Is

     

X X X

G5

10 10 8



13



      5 5 3

5 5 3

X X

3 3



3 3



the

Eb5

 

 

I’m

look - ing

game

 

8 8 6

 

F5

 





    

for.

        P.M.

6

X

3

6

3

5

3 3

G5

Bb5

F5

  

µ



    

 

5 5 3

5 5 3

Gtr. 2

 

 

3 3

X X





Eb5



 

Is

the heart



  





5

-

beat

of

3

5

3

5

3

5

4



soul.

H.H. 

3

6

    

 

5 5 3

5 5 3

 

3

3 3

X X

8 8 6

3 3

 





f

F5

C5

Bb5

F5

      



let ring

w/ delay

8 8

X X

8 8

    

X X

3 3                         

Gtr. 1

5 5 3

4 4 2

 33 1

5 5 3

0

F5

loco

3 3

3 3

5



  

10 10 8

3

5 5 3

      8v a

G5



P.H.

1



5 5 3

3 3 1

5

5

5

3

5 3 3           

 

 





G5





3 3 1







3 3 1









5 5 3











 



5 5 3













4 4 2



 33 1





0







grad. bend 1 1/2

*

X X

1

steady gliss.

                      Bb5

grad. bend

 

steady gliss.

5 5 3



3

10 10 8

Gtr. 2 tacet

G5

 

8





steady gliss.

Guitar Solo

Gtr. 7 (dist.)

3

  

  





 

 

w/ bar

Gtr. 1



my

3





F5

           P.M.

3

5



6

1

3 3

 



 XX XX  XX 

10 12

12

12

12

12

12

12

12

12

12

12

12

12

12

12

* Slide fingers up and down open strings.

               

 

 

3

    

3

 



3 3 1

0



steady gliss.

5 5 3

3 3 1

3 3 1

5 5 3

5 5 3

4 4 2

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Sorgdal

                    

F5

 





C5

Bb5

F5

G5

8v a





P.H. 1 1/2

1

12 10 12

12

12

10

1

1

15

17

15

1

15

15 18



1

15

18

    

  1

15

18

15

18

15 15

20

8 Pitch: A

     

     

  

 

 

   

3

 

 



3 3 1

0





3

steady gliss.

5 5 3

5 5 3

3 3 1

3 3 1

Bb5

3 3 1

5 5 3

5 5 3

C5

4 4 2

F5

                                          loco

8v a



P.M.

15

15

      

18



15

17 15

 

17

 

18 17 15



17 15

10 11

0

17

10 11

0

0

0



P.M.

11 12

0

0



P.M.

12 13

0

0

13 14

11 11 11 11 11 11

   

 

(cont. in slashes)

3 3 1

5 5 3

5 5 3

3 3 1



Bkgd. Vocs.: w/ Voc. Fig. 1 (2 times) F5 type 2 Gtr. 1

 



8v a                                               

Gtr. 7



steady gliss.

12 12 12

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12

13 13 13 13 14 14 14 14

13 14

13 14

13 14

13 14

14 15

14 15

14 15

14 15

15 16

15 16

15 16

15 16

16 17

16 17

16 17

16 17

17 18

17 18

17 18

17 18

Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2

G5

 

Bb5



F5









µ

 loco                     6 3  1 1/2 Keeps

me







 

-

ing

on

the

Eb5

danc

F5







road.

8v a

18

22

G5



Gtrs. 1 & 2

15

Bb5



17

15

F5

  

17

15

17

15

17 15

18





Eb5





 

15

µ



 

17











Got

the

groove



F5 VIII





that

hits

  the





  



(cont. in notation)

 

 

 

rhyth - m

of



bone.











(The





1/2 1

grad. bend 1/2 1

5 5

5 5



3 3

5 5

Gtr. 7 tacet

µ

F5

  



         *

 

rhyth - m

 

Love



of

  

  

  

 







is

the

game







 



 

w/bar steady gliss.

10 10 * w/ echo repeats

Eb5



 I’m



love.

Gtr. 2

Gtr. 1

 





look - ing



F5



for.



 

 

8 8 6

10 10 8

 

 

8 8 6

10 10 8



    The

 

 

rhyth - m

 

  of,

10 10 8

-2½

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µ

  



     

 

rhyth - m

of

*



 

 

Love

  

F5

  



 







is

the

heart

Eb5

-

F5









beat

of

my

soul.









love.

 



  

 



 



  



Voc. Fig. 2

 

 

 

 

8 8 6

X X X

X X X

10 10 8

 

 

8 8 6

10 10 8

     

The rhyth - m

 

of

10 10 8

w/bar steady gliss.

10 10 -3½

* w/ echo repeats

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)

G5

    

  

Riff B

 

F5







 

End Voc. Fig. 2

µ











Keeps

me

danc



love.) Gtr. 3

Bkgd. Vocs. : w/ Voc. Fig. 2 (3 times)

Bb5



 



Eb5

F5











-

ing

on

the

road.













 









End Riff B



let ring

3 5

3

3

8

6

5

7

4

5

3

5

6

7

8

6

5

5

Gtr. 3: w/ Riff B (2 times)

G5

  

Bb5

F5

µ









Got

the

groove

Eb5







 

the

bone.







20

18

20



 that

hits

8v a

 

Gtr. 7





1 20

10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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

F5





      20

20





G5

Bb5

F5

  

µ



Eb5







Is

the

game







3





G5 Gtr. 1

Bb5



  

look

Eb5







- ing

 



for.

20

18

19





22

              

F5

   



          1 

3

18

 I’m

8v a

  

F5

22

F5 VIII











Is the heart beat of my soul.              loco              fdbk. 1 1/2 1 1  22 18 15 15 17 17 15  17 17 15  15 15 8v a

Gtr. 7

     Gtr. 3



     

let ring

3 5

3

3

7

8

        

5

Gtr. 2

5 5 3

5 5 3

X X

6





let ring

4

5

5

6





3

   



6 5 7 8 3

       

  





   

                  3

3

3 3

8 8 6

3 3

X X X X X X

10 10 8

10 10 8

9 9 7

8 8 6

7 7 5

6 6 4

5 5 3

4 4 2

3 3 1

2 2

Outro Slower q = 75

Let us

find

to - geth - er



 

 

3 4 3 5

3 4 3

* mp

*Vol knob at 5

the



beat

 

we’re

   look - ing

 

poco rit.

3 3 3





3 3 3 5

F

poco rit.     

1 1 2 3





 

 



     Gtr. 3

Eb

1 1 2

for.

Gm

   



 



    

    

**

f





3 3 3 5



 

   



Gtrs. 1, 2 & 7 tacet

Gm

** Vol. swell

11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Rock You Like A Hurricane Words & Music by Klaus Meine, Rudolf Schenker & Herman Rarebell

E5

G5

7fr

A5

3fr

C5

5fr

q = 127

Intro

               Gtr. 1 (elec.) E5

G5



9 9 7

9 9 7

9 9 7

5 5 3

7fr



C5

D5

E5

7 7 5

5 5 3

7 7 5

7 7 5

G5

7 7 5

9 9 7

9 9 7

9 9 7

5 5 3





A5

            Fig. 1

         

5 5 3

E5*

5fr



A5

 

f w/dist.

D5

3fr

C5

D5

         

5 5 3

7 7 5

5 5 3

7 7 5

7 7 5

7 7 5

                             E5 Gtr. 2 (elec.)

G5

A5

C5

D5



Gtr. 1 w/Fig. 1 f w/dist. 0

0

0

0

0

X

0

0

X

0

X

0

0

0

0

0

0

0

0

X

0

0

X

0

X

0

0

0

 E5 Gtr. 3 (elec.)

G5

A5

C5

D5

                              3

f w/dist. 7

7

7

7

7

X

7

7

X

7

X

7

7

7

7

7

7

7

7

X

7

5

7

5

3



7

5 7

5

4

                             3

0

0

0

0

0

X

0

0

X

0

X

0

0

0

0

0

0

0

0

X

0



3

2

0 3

0 3

© Copyright 1984 Gema (50%)/BMG Music Publishing Limited (50%). All Rights Reserved. International Copyright Secured. Sorgdal

2

2

0



 E5

G5

A5

C5

  

     





full



full

15

 

15





     





full



14

10

A5

C5

  

D5

     





1/2

17 19 17 15

19 19

19

19

     

3



full

 15

E5



1/2

     

10

G5

     

3

 

full

10

E5

    

 19

17

15



D5

full

14 15 14 12

15 15

G5

15

A5

15

C5

D5

                         6

Gtr. 2 doubles full

full

22 19 22

22

22

full

22

full

full

22

22

22

19

22 20 19



20 19 22

         

19 20 19 22 20



22 22 20 19

 12



full

17 15 17

17

 



E5

G5



A5

C5



D5

   

1.It’s Gtrs. 1+2+3                                                 6



full

full

12

 Sorgdal

2

15

full

12 12 15

full

12 15

full

12 15

full

12 15

full

12 15

12 15

6

17 12 15 12 15 14 12

 75 75 7 7

14 12 14 13 12 10

C5       

Verse

     

E5

ear - ly (2.) bo - dy’s



morn - ing, burn - ing,

the it

C5







 

E5

D5

sun comes starts to



 







out. shout.



C5

     

E5

Last night was De - si - re’s



shak - ing com - ing,

and it

                                      Gtr. 1

 



P.M. Fig. 2 Gtrs. 2+3 tacet 5 3

  

C5

5 3

5 3

9 7

D5









pret - ty breaks out

9 7

9 7

9 7

5 3

My cat is Lust is in

pur - ring, cag - es,

 

  



Harm.

5

 

5 3

 

5 3

  

5 3

7 5

7 7 5 5

  

- oth some - one

D5

er I



7 5

7 5

5 3

E5

 5



5



E5











9 7

9 7

9 7

    

wrong make

with it

an with

 

5 5



9 7

C5

So what is Just have to

 



9 7

  

D5







5 3

      

it scratch - es my skin. it’s storm breaks loose.



5 3









Gtr. 1 w/Fig. 2

 

C5

 

sin? choose.



-

7 5



The The

Gtr. 4 (elec.) (two gtrs. arr. for one)



bitch is night is

(tacet 1°)

 

Fig. 3

Sorgdal

7 5

7

C5





C5

7 5

5

P.M. Fig. 2



9 7

7

           



9 7

5 5

w/bar -½



5 3

C5

Gtr. 3 (1° only)

 

5 3

  E5        

 

loud. loud.

 

9 7

0

2

  

E5

 







hung - ry, call - ing,

    

C5

 she I



E5

  

needs to have to

 

D5

 

tell. go.

So The

      





8 7 7

7 7 7



Gtrs. 1+2 w/Fig. 2

3

9 9 7

9 9 7

0

2

3

0

2

3

 



C5





 

give wolf



her is

inch hung





3 C5   

 







 



E5

 -

 

 

9 9 7

9 9 7





and he

feed runs

her the

2

    

C5

new he’s

E5

plac - es rea - dy

to to

go. win.







well. show.













time love

for at

a first



D5

 

show. sting.



 

to to

  

3









5 3

5 3



 

-

leave, night

5 3

9 7



it’s for



(tacet 1°)



full

9 7

9 7

9 7

9 7



  

15



P.M.

4

 

  







    

  

full

full

full

full

15

15

15

15

15

12

7 7 5

         

Sorgdal



            



Gtr. 2

 

P.S.





Gtrs. 1+2





 



7 7 5



P.M.

C5  

    

7 7 5



More He’s

E5

5 3

Gtr. 4

 





C5

I’ve got On the hunt

 

 

 



Gtr. 4 w/Fig. 3





3

D5



D5



  0

 









  

come, lips,

C5



es ry,

E5

days to lick - ing his



5 3

5 3

7 7 5

  

X

  





 

$ E5

Chorus







A5

     Here



G5



1° only



 

I

C5



rock





E5

     



am,



D5



you like

G5

  

a

C5



D5



hur - ri - cane.







Gtrs. 1+2 w/Fig. 1 2° Gtr. 2 w/Fig. 4



full



15

full

15

To CodaØ E5



A5

      Here I

 

G5

A5



C5

D5

      

am,

rock





you like a

1. E5

    

G5

A5

C5







hur - ri - cane.



D5





           

Gtrs. 1+2





7 7 5

5 5 3

7 7 5

7 7 5

7 7 5

2.







    

 Sorgdal



  A5   



C5

2. My



D5

    

E5

Here





I

am,

G5

A5



C5   D5     

rock



you like

a



  5

    E5





  











full



12

12

15

15

C5

    

D5



E5

Here I





           



full

7 7 5

E5



A5

 

hur - ri - cane.

Gtr. 2

G5

G5

A5

     

5 5 3

7 7 5

C5

7 7 5

D5

















full

full

12

12

15

15

7 7 5





hur -ri - cane.



rock



you like

5 5 3

7 7 5











  

a

hur - ri - cane.

            



full

12

full

gradual bend

15

17

17

full

17 15 14





             

Gtrs. 1+2



7 7 5

7 7 5

5 5 3

7 7 5

7 7 5

9 9 7

E5

G5

A5

C5

                      

      

9 9 7

9 9 7

P.S.





D5

7 7 5



 P.M.





7 10 7 10 7 12 7 10 12 7 10 12 10 7 10 7

* Use edge of pick to tap and quickly slide up string.

  



G5



10 7



12 12 15 15 12 12 12 12 14 14 12 12 14 14 X X

X 14 14 X





7 7 5



E5



5 * Gtrs. 1+2 w/Fig. 1

14

 

Solo

6



15



Sorgdal

7 7 5

D5

full



7 7 5

Gtr. 3

  



           



Rock

you like a



 

 

C5



7 7 5

E5

  D5     

A5

 

am,



G5

12 12 15 15 14 14



A5

C5

D5

E5

G5

3 3    3                                           



P.H.

  

full

full

full

17

full

1/2

1/2

12

17



15 12

15

14

14 14

14 12

14

14 12 14 12

14 14

14

 

3

A5

C5

   P.H.







3







D5

P.H.



11



0

12

0

14 14



 

  6

6

6

6

14 12 14 12

14 14

14

G5



P.H.

7

0

14 12 14 12

14 14

                 

 

P.H.

14 14 14

E5

14 10

1/2

13

14

9

7

9

7

9  11

9 11 9 12

 14

12 14 12

12

 14

12 15 12

                                                 A5

C5

D5

G5

full



14

 16

15 17 15 16

 19

17 20 17 19

 21

20 22 20 20 22

19 22 19

A5



6

6

6

6

E5

full

22

D5



full

22 22

C5

22

20 22 19 20 21 17 19 20 21 19



E5

    

    

G5





A5

C5

D5

E5

              





full

G5

          

full

full

full full

full

22

 Sorgdal

17

22

15 14

22

14 17

17 19 20 22

22

22

22

22

22

19

17 19 20 14

17

7

 A5

C5

D5

E5

G5

        3                                  6

22 20 19





20 19 22

19 20 19 22 20

22 20

12

12

14 15

12

15 14 12

15

12 14 12

14



A5

C5

D5

14 12

14

14 14

E5



 

15



3

3                





3







5







2



3. It’s

1/2



2

3

2

3

2



   7 7 5

8

3

 





4







5 5 3

7 7 5

ear - ly Sorgdal

2

 



 

Verse Gtrs. 1,2+3 tacet µ



0

7 7

5

7 7

2

Gtrs. 1+2



0





morn



 - ing,







the







sun comes

 

 

 

  

7 7 5

7 7 5

9 9 7

9 9 7





out.









Last







night was





shak



 - ing







and

    pret - ty









 

 

My

cat is

loud.

     

D5

 

- oth - er sin?



    Gtr. 4

     



pur - ring,

 

C5

E5





The night is



       

and scratched

  





I



C5

E5





 

have to

 

 

my skin.

 

 

call - ing,

   

  



 



So what is

D5

8 7 7

7 7 7

wrong

with

an -

E5

 

 

      

The

wolf is

      



   



C5

go.







hung - ry,



      

he





Gtrs. 1+2 w/Fig. 2



7 7 5

   C5





runs the

  

 Sorgdal



3



D5



7 7 5



5 5 3

9 9 7

 

C5

show.

     7 7 5

7 7 5



3

2

3

lips,

    

C5

he's



     9 9 7

9 9 7

9 9 7

3



lick - ing his

  0

0 2

   E5   

He's



9 9 7

rea - dy



  0

2

E5

to

9 9 7

D5

0 2

  

win.

On the

      





8 7 7

7 7 7

 

3

9

C5

 



   

to





hunt

E5



 -





night

9 9 7

3





    













love

at

first

C5



for

    

9 9 7

0

2



 

D5



sting.



  

  

 X



          P.M.

  

Gtrs. 1+2





5 3

5 3



P.S.

7 7 5

3

D.S. al Coda



  



7 7 5

5 3

Ø Coda

 

E5



  



G5

A5





C5



D5

E5

 

Gtr. 2

 







 





full







full

12

12

15

15





 

Here

I

am,



hur - ri - cane.

G5



               P.H.



0 0 0 0 0

X 0 0 X 0

X 0 0 0

8 7 7 0

A5





C5







X 3 3 X 7



D5



7 X

E5







G5





                              rock

you like

a

hur

- ri - cane.



0

 Sorgdal

10

0

0

0

0

X

0

0

X

0

5

6

5

3

0

0

0

0

0

X

0

0

X

0

X

0

0

0





A5

C5

E5





 

Here

I

am,

D5





G5

 3                                            3

full

full

12



6

full

15 12

15 12

12



12 15 12

14

12



*

full

12

14

5

full

12

14

6





7 10 7 10 7 12 7 10 12 7 10 12 10 7 10 7 15 12

14

12 14

* Use edge of pick to tap and quickly slide up string.

A5





C5





D5







rock

 

 

E5









you

like

a

hur

G5

 -

ri



 -



cane.

                       



P.M.

12 12 15 15





12 12 12 12 14 14 14 14

A5

C5





D5

E5*

   



Here

 6               6

I

Gtrs. 1+2

full

full













am.

  

  

9 9 7 0

9 9 7 0

12 17 12

17

Sorgdal

14 14

12 12 14 14 12 12

   



12 12 15 15

15

15 12 14 12 14 12 14 12 10

9 9 7 0

11

from Scorpions - Taken by Force

Sails of Charon Words and Music by Uli Roth

Intro Moderately fast q = 111

                                                **B5

C5

B5

C5

B5

B











*Gtr. 1 (dist.)



mf



2

16

14 12 10

9

9 10 12

3

3 5 7

2

2

3

3 5 7

2

2

14 12 10

9 10 12

6

6

2

*Uli Jon Roth **Chord symbols reflect implied harmony.

                                                   B5

C5

14

14 12 10

9

9 10 12

3

B5

3

5

7

C5

2

2

B5

3

3

3

5

7

B

2

2

14 12 10

9 10 12

6

6

2

  =   3

B5



C5

        

14 12 10

9 10 12

 

 

9

3



B5

C5 B5 D5 C5

       

2

14 12 10

9 10 12

C5 B5

C5

B5

C5

                                               ***Gtrs. 1 & 2

 

6

14 12 10

5 4 5 4 3 2

9 10 12

7 7 5

5 5 3

5 5 3

4 4 4 4 4 4 2 2 2

X 5 5 X 5 5 X 3 3

4 4 4 4 4 4 2 2 2

X 5 X 5 X 3

***Gtr. 2 (dist.), played mf. Rudolf Schenker

B5

C5

B5

C

B

C

B

                                                    5 5 3

4 4 2

4 4 2

4 4 2

X X X

X X X

X X X

5 5 3

5 5 3

5 5 3

5 5 3

4 4 2

4 4 2

4 4 2

X X X

5 5 5

5 5 5

4 4 4

4 4 4

4 4 4

X X X

5 5 5

5 5 5

4 4 4

4 4 4

4 4 4

Copyright © 1977 by Edition Arabella Music Munchen (A Division of Arabella Music Verlag GmbH) Copyright Renewed All Rights for the U.S. controlled by Universal Music - Careers International Copyright Secured All Rights Reserved Reprinted by Permission of Hal Leonard Corporation

X X X

X X X

X X X

C

     5 5 5

5 5 5

D

C

  7 7 7

5 5 5

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B

C

B

C

                   5 5 5

4 4 4

4 4 4

X 8 X 8 X 9

4 4 4

8 8 9

7 7 8

7 7 8

7 7 8

                         

B

           

Gtr. 1

X 12 X 13 X 12

12 13 12

C



11 11 11 12 12 12 11 11 11

D

X X X 12 X X X 13 X X X 12

12 13 12

14 15 14

C

B

12 13 12

12 13 12

C

B

C5

                 

11 11 11 12 12 12 11 11 11

X 8 X 8 X 9

8 8 9

7 7 8

7 7 8

7 7 8

X 8 X 5 X 5

                                                        Gtr. 2

5 5 5

4 4 4

4 4 4

X 3 X 5 X 5

4 4 4

3 5 5

B5

2 4 4

2 4 4

  

X 8 X 8 X 9

8 8 9

7 7 8

7 7 8

7 7 8

X 2 X 3 X 4 X 5 X 4 X 5

5 7 7

3 5 5

3 5 5

3 5 5

2 4 4

2 4 4

2 4 4

X 5 X 5 X 5

5 5 5

4 4 4

B5





f

C5

B5

C5

B5

  4

12

6

2

                        

10

8

7 4 4

X X X

X X X

X X X

5 5 3

5 5 3

5 5 3

5 5 3

                         4 4 2

4 4 2

4 4 2

X X X

X X X

X X X

5 5 3

5 5 3

4 4 2

4 4 2

4 4 2

X X X

5 5 3

5 5 3

4 4 2

4 4 2

4 4 2

X X X

                       

5 5 3

5 5 3

4 4 2

4 4 2

4 4 2

X X X

5 5 3

5 5 3

4 4 2

4 4 2

4 4 2

X X X

4 4 2

4 4 2

X X X

X X X

X X X

5 5 3

5 5 3

5 5 3

End Rhy. Fig. 1A

                           5 5 3

4 4 2

                       

Rhy. Fig. 1A

5 5 3

17 17

End Rhy. Fig. 1

                          

Gtr. 2

5 5 3

7

Rhy. Fig. 1

Gtr. 1

7 4 4

X 5 X 5 X 3

C5

7

7 4 4

4 4 4

 

5

8 5 5

4 4 4

8va                      

C5

Gtrs. 3 & 4 (dist.)

2 4 4

5 5 3

5 5 3

4 4 2

4 4 2

4 4 2

X X X

X X X

X X X

5 5 3

5 5 3

5 5 3

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (6 1/2 times)

B5

C5

B5

C5

B5

C5

Gtrs. 3 & 4 loco

6 6 6                                        6 6

7 8 10 8 7

9

8 7

9

6

8 9

7 8 7

7

9

6

6

5

8

5

4

5 4 5

4

5

4

7 5 4

                                   1     B5

4

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C5

B5

C5

B5

C5

5

4

4

1

2

4 5 7 5 4

7

4

11 11

9 11 12

12

12 11

   B5

12 13 15

7

5 4

7 5 4

 



6 15

4 5 7

7

C5

B5

 



6

13 12

14

10 12

14

4 5 7 5 4

 



6

12 10

12

8 10

12

7 5 4

7

C5

 

6

10 8

11

7 8

10

8 7

9

B5

C5

                  6     6

8

4 5

6

6 5 4

5 4 5

7

5 3 5 4

                 B5

7 5 4

7 5 4

7

7 5 4

C5 B5

C5

B5

*

4

4

14

X 17 16 14 16

7

16

C5



 

15 14 15 14

14

 



17 16 13 14

16

*Played as even sixteenth-notes.

*  *                           

B5

C5

B5

C5

B5

C5



14

16

14

8va

*      

13 16

14

16

 

C5

X

C5

B5

X

X

C5

                    3

6 11 14 11

11 14 11 11

B5

14

16

B5



   Gtr. 4

17 16 13 14

C5

C5



15 14 15 14 X 17 16 14 16

B5

B5

14

14 11 14

6 11 14 11 14 11 14

6 11 14 11 14 11 14

X

                                            Gtr. 3 *

3

10 9

9

8

7

7

7

13 10

10

7

10

10 13

6

10 13 10 10

13

10 13 10 13 10 13

6

6 10 13 10 13 10 13

10 13 10 13 10 13

  =  

10

                                        B5

C5

B5

A5

B5 C5

8va

Gtr. 4

6

6

6 12 15 12

13 16 13 15 12 15

16 13 17



6

14 17 14

15 18 15 17 15 18

19

                              Gtr. 3

6 11 14 11

12 15 12 14 11 14

    Gtrs. 1 & 2

5 5 3

6

6

6

13 16 13 15 12 15

19

19

19

18 15 18



19

14 17 14 16 13 16

    

8va

19

19

19

17 14 17

   

  

 

   

  

 

 

Rhy. Fig. 2

 

  

   

 

4 4 2

4 4 2

X X X

X X X

5 5 3

5 5 3

5 5 3

4 4 2

4 4 2

X X X

2 2 0

4 4 2

X X X

X X X

   2 2

4 4

5 5

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B5

A5

      

 

8va

Gtrs. 3 & 4

1/2

19

1/2

C5 B5 A5

   

B5

19

19

19

B5 C5

      





1/2

19

A5

17

19

   

19

     4 4 2

  

     

4 4 2

X X X X X X

   

2 2 0

5 5

4 4

A5

C5 B5 A5

              



19 16 19

14

Gtrs. 1 & 2

B5

loco

16

17

19

17

16 19

18

16

15 18 15 18 15 18

 

  

         

 

  

   

    

4 4 2

4 4 2

X X X X X X

4 4 2

4 4 2

X X X X X X

2 2 0

2 2

2 2 0

2 2

4 4

5 5

16

End Rhy. Fig. 2

5 5

4 4

2 2

Verse Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1st 3 meas.)



B5

     

1. Dark

A5

 

night,

  

B5

    

no





light

B5

 



in

realm

the

A5







  

of

the

 

black



B5 C5

mag - ic



18

B5

A5

     

C5 B5 A5







B5

  

man.

Soul’s

     Gtrs. 1 & 2

4 4 2

  



4 4 2

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

   

flight

in

B5 C5

   -

to the

B5





cold

blight

A5

C5 B5 A5

of

the de

   

-

 

  

     

  

 

           

4 4 2

4 4 2

4 4 2

X X X

2 2

4 4 2

4 4 2

X X X

X X X

2 2 0





- er’s

    

A5

           

B5

Sorgdal







stroy

A5 C5 B5 A5

  

there is

Gtrs. 3 & 4

18

Gtrs. 3 & 4 tacet

B5 C5

mag

5 5

4 4

A5

-



2 2

B5

 

 

 

4 4 2

X X X

X X X

2 2 0

B5

2 2 0

4 4

5 5

X X X

X X X

2 2 0

5 5

4 4

2 2



  



  



  

  

     

2 2

4

2

5

4



ic

  

C5

X X X



land.

4 4

5 5

5

2

4

5

2

4

2

5

3

B5 C5

B5

       men

whose spir -its are strong - er,



4 4 2

X X X X X X

B5

2 2 0

2 2

A5

4 5 4 5

B5 C5

C5 B5 A5

B5

A5

            

                

2

A5

they’re the ones who

will

B5 C5

    

reign.

in

 

           

 

           

4 4 2

X X X X X X

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

B5

A5

2 2 0

5 5

4 4

C5 B5 A5

2 2

X X X X X X

A5

2 2 0

2 2

4 4

B5 C5

X X 2 X X 2 X X 0

2 4 2 4

5 5

Soon, black mag - ic’s dy - ing.

3

5 5

    

You’d bet -ter start

X X X X X X

2 2 0

5 4 2 5 4 2

B5

 







    

B5



4 4 2

vain.

       

cry - ing.

 

           

        

    

      

4 4 2

4 4 2

4 4 2

2 2 0

4

Rhy. Fig. 3

4 4 2



    

you’re suck - ing your own blood.

                

A5 C5 B5 A5

 

Your strug -gles are

      3           3                Blind man,

B5



Poor

A5



 

  

X X 2 X X 2 X X 0

5 4 5 4

2 2

4 4 2

End Rhy. Fig. 3

X X X X X X

2 4 2 4

5 5

2

5

2

5 4 5

4 2 4 5

2 4

Interlude

C

B

C

    





 



  



Ah. Riff A1

 5

4

     Gtr. 1

Riff A

 3

C





 





Ah.

     Gtr. 2

B

2

         

 2

5

2

4

5

4

5

2

 

       

 3

5

2

4

5

4

2

5

  

         

5

5



4



7

4

5

7

5

4

7

  

         

2

2



1



4

5

2

4

2

5

4

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B

    

C

  





Ah.

C





B

4

7

4

5

5

7

7

5

7



3

               5

4

B5

5

4

7

5

A5

7

5

C5 B5 A5

4 4 2

4 4 2

Verse B5

X X X

X X X

A5

2 2 0

5 5

4 4

B5 C5

7

9

8 10 12 10 8 12

8 10 12

7

5

B5

2 2

7

4

5

7

5

5

7

A5

5

8

B5 C5

 

             

4 4 2

4 4 2

B5

X X X

A5

X X X

C5 B5

7

2 2 0

2 2

A5

B5

4 4

8



                 

own blood.

    

X X 2 X X 2 X X 0

2 2

4 4

5 5

4 4 2

Soon, black mag - ic’s

7

5 5

4

2

A5

dy - ing.

2

5

B5 C5

4 4 2

4 4

5 5

7

2 2 0

2 2

4 4

5 5

19

5

4

2 2 0

4

2

4

2

     

2 4 2 4

5

3

B5

You’d bet -ter start

X X X X X X

5

  

3

4 4 2

2 2

2 2

            

4 4 2

4 4

2 2 0

B5

            

5 5

19

End Fill 1               

               X X 2 X X 2 X X 0

11

Fill 1

7 5 8



2. Blind man, you’re suck - ing your

11

3

                     

Gtrs. 1 & 2

4 4 2

10 8

7



         

5

                

7

             

     Gtrs. 1 & 2

7

End Riff A

5

4

Fill 1A

                 8

B5 C5

End Fill 1A               

End Riff A1

5

A5

   

Ah.

                

2

B

  

cry - ing.

   

5 5

4

2

5

2

5 4 5

4 2 4 5

2 4

Interlude Gtrs. 1 & 2: w/ Riffs A & A1

C

B

C

B

  

            Ah.

B

  

    

Ah.

B5

A5

C

  

    

Ah.

C5 B5 A5

B5

3

A5

B5 C5

 

     

 

           

4 4 2

4 4 2

2 2

4 4 2

4 4 2

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

2 2

2 2

5 5

4 4

2 2

X X X

B

Gtrs. 1 & 2: w/ Fills 1 & 1A

C

B

   

A5 B5 C5

    3



Ah.

     Gtrs. 1 & 2

Sorgdal

C

X X X

2 2 0

2 2

4 4

5 5

B5

             4 4

2

5

2

5

4

5

4

2

4

2

5

3

Verse B5

B5 C5

out

                     4 4 2

2

   

your e -vil de - si

Gtrs. 1 & 2

X X X X X X

2 2 0

2 4 5 2 4 5

A5

    

- re.

C5 B5 A5

3     

         B5

A5

     

B5 C5

 

3

The dark king’s

king - dom

is

B5

   

*







3. Throw

B5



   



      

A5

made out of

mire.

 

            

 

         

  

   

4 4 2

4 4 2

4 4 2

4 4 2

2 4 2 4

4

X X X X X X

2 2 0

5 4 2 5 4 2

X X X X X X

2 2 0

3

3

5 5

2

2

5

5 4 5 4 5

2

5 4

*w/ echo set for triplet eighth-note regeneration, w/ 11 repeats.

Interlude

               



                    C5

Gtr. 1

13

5

 

Gtr. 2

14 12 10

   

 

9

9



Gtr. 2 tacet

B5

10 12

3



B5

3

5

7

2

C5

2

3

B5

3

5

7





2

2



13

5

 B

             14 12 10

C

6

6

2

14

14 12 10

9

Em

  

 

9

10 12

F#º7

 



D



 mp

10 12



      Gtr. 5 (clean)

9

  

         

B5





C5

B

       3

3

5

7

2

G

Am

B

C









9 10

10 12

13 14

14 15

w/ chorus

11 7 9



9 5 7



7 4 5





5 2 3

                         Gtr. 1

7

9

10

12

14

15

18

19

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Verse Gtr. 5 tacet

B5

 

   

4. Throw

A5

B5 C5

B5

      

  

out

- si

your e -vil de

               

     Gtr. 1

16

  

         

 

  

4 4 2

X X X X X X

4 4 2

4 4 2

       

 

 



7

9

Outro C

5 5

B5 C5

for the king - dom of

   

             

is made out of

mire.

         

       



9 11 12

1211

4

5

4

2

         

 

             

 

 

       

X X 2 X X 2 X X 0

4 4 2

4 4 2

4 4 2

4 4 2

X X X X X X X X X X X X X X X X X X

5 4 5 4

2 2

A5 C5 B5 A5

B5

 

  

  

There is

no



2

X X 2 X X 2 X X 0

A

 

dark - ness,

2 4

   

2 4 2 4

B5 C5

5 5

5

4

B5

       there is

no

night.

9

7

9

7

4

5

4

B

C



4

2

5

2

4

5

4

5

2

           

Sorgdal



B5

3

                                

Gtr. 1

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

9

B5 C5

   



8

11

light.

       

3

   

    

B5

Gtr. 2

5

11

     



on

2 4 2 4

A5



Keep Gtr. 2

2 2 0

16

A5

The dark king’s king - dom



16

Gtr. 1: w/ Rhy. Fig. 3

 

re.

14 14 16 17

4 4 2

16

-



w/ wah-wah

B5

      

     

Gtr. 2

16

A5 C5 B5 A5

2

3

5

2

4

5

4

2

5

2

5

5

2

3

4

2

7

7

4 5

4

2

5

2

5 4 5

4 2 4 5

2 4

6                            

B

 5

C

B



4

5



3

7

4 5 7 5 4

7

4

7

5

4

C



7

4

3

5

7

5 7 7

5

7

5

3     6                     

 2



1

2



4

5 7

4

7 5 4 5 4

7

5



4

5

3

7

4 5 7 7

5

4

7

                                        3     8

7

5

5

8

7

7

5

7

5

8

5

7

5

7

4

5

7

5

5

7

8

C

D

7

5

4

7

8

7 5 7

                5



4

5

5

7

7

8

7

5

5

7

5

4

7

5

7

7

4

5

5

7

7

5

4

3

2

5

4

2

5

5

4

2

4

2

4

5

2

4

5

4

7

5

                       

D



D

                      

3

5

4

7

      

5

C

C

11 12 11 9 11

        5

D

6

6

6

7

9

10 12 13

11 12

10 12 14 12 10

13 12 10

12

6

12 10

12 11 12

10 12 10

12

                                        6  7



5

4

7

6

6

5

7

5

7

5

4

5

5

7

Free time

      

7

8

10

7

8

10

8

7

Gtr. 2 tacet

C5

10

8

7

9

6

8

B5

7

9

8

9

7

8

7

9

B

8va

 

Gtr. 6







 

fdbk.

mf

 10

w/ heavy reverb, chorus & pitch shifter

10

        Pitch: G

3

3

    



   

12

9

10 12 10

     

  

9

5

8

7

9

9 6 7

7

Slower q = 77

Repeat and fade

Gtr. 1 tacet

C

     Gtr. 6

 

10

B

C

    

     

10 9

7

6

6

7

9

5 2 3

B5

C

         

   

5 2 3

4 4 2

7 4 5

9 5 7

4 4 2

B

C

        

  

5

5

4

2

4

4

7

7

5

3

6

6

w/ pick & fingers

9 10

B

          

  

7 9

2

5 7

4 6

2 3

4 5

5 7

1 2

 

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Send Me an Angel Words and Music by Klaus Meine and Rudolf Schenker E5

G#5

F#5

134

E5 VII

D#5

11fr

9fr

134

6fr

134

7fr

134

134

Tune down ½ step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Intro Slow Rock q = 52

     *Gtr. 2



Em



Cmaj7

D

  

Bm7



Em

3

3

5

Cmaj7



D



  





4

2

2

 

mf

 

2 4

4

5

* Synth. arr. for gtr. Gtr. 1 (acous.)

                                     Riff A

End Riff A

mf let ring throughout

 



0



Gtr. 2 tacet

Em





 



3

2

4

5

Cmaj7

Gtr. 3 (elec.)

3

0

3



Gtr. 2

0

0

2

Gtr. 1: w/ Riff A (2 times)



0

0

D







** p w/ dist. 1

0 2

2

Em Cmaj7







0

3

5

Em

Cmaj7







4

2

3 4

2

4

D



  







 

4



 



1. The

mp 1

1

3

1

1

1

15

15

15

2

2

Bm7



0

0

2







4

0

0

12

12

12

14

**Vol. swell

Verse Gtr. 3 tacet

Em

Cmaj7

Em/B

Em/G







 

wise man Riff B

   Gtr. 1

2

said,

   0

 

0

“Just



   0

0 3

0

 

  

walk this

 2



3    



0

to



      0

0 3

0

0 0

2

0



the dawn





  0

0 3

3   of

0

 

E5





way,

   0

0



Rhy. Fill 1 Gtr. 4 (elec.)

mf

w/ clean tone

 



the light.

The End Riff B



       

0 5

Copyright © 1990 UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC., KLAUS MEINE and RUDOLF SCHENKER All Rights Controlled and Administered by UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission

4

2

3 4

4

2

4

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Gtr. 1: w/ Riff B (3 times)





wind

Em

Cmaj7





will



 



in

- to

blow





your

 





face,







as

the

years

pass



3



D

of

your

heart.

Gtr. 4: w/ Rhy. Fill 1 (2 times)





 Em 



Cmaj7

Hear

this

voice





Em



Cmaj7

Close

your

eyes,

Em/B





from

deep

in

 

Em/B





you

will

 



and







Riff C

    2

Em/G

2

Em







Cmaj7

it’s

the

call









find

Cmaj7

pas - sage







you

by.

3 



out

of







D



the





dark.”

Gtr. 4 tacet

C#m

  





I

D

2





(Here

I



 





E



2

2

2

1

1

1

you send

me



an an

-

gel?

am.

  

0

0

   



will



3

 

3

am,

      

2

2



side,

  

mp

Here

4

-

Em

3  





    

  

E5



Gtr. 1

Em/G



Chorus

Gtr. 4

D

End Rhy. Fill 1

0

End Riff C

      

1 4

2

1

2 2

1

2

  

 2

2

4

5

   

 4

4

6

7

6

Interlude Gtr. 1: w/ Riff C

Gtr. 4 tacet

   

F#m

E

   



Here I





C#m





am



E 3

        



in the land Here I

 



D 3

of the morn - ing

F#m

Dmaj7

star.

am.)



  

Gtr. 1

 4

Gtr. 4

let ring

6

7

 

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Sorgdal



Gtr. 2

6 7

2



2



           2

2 5

2

5

2

4

7

 4

6

C#m7



2

     

E

5 6

4

4

  



5

5

6

6

Gtr. 3 tacet

  

F#m

Dmaj7

E

F#m



Dmaj7

E

C#m7



F#m

Dmaj7



E

 





2. The

  

Gtr. 3





 



  



  



Gtr. 4

mp rake

mf let ring

1

5

5

X

4

6

X

                             Gtr. 1

2

2

4

2 2

2

2

5

7

   Gtr. 2



6

2

5

4

6

6

4

6

2

2

2

2

4

5

2

5

   



6

6

4

4

7

6

7

2 4

4

6

     4

7

5

4

5

2 2

2

2

5

7



5

6

4

2

7

6

5

4

6

6

4

  



6

4

4

7

6

Verse Gtr. 2 tacet

F#m

 

Dmaj7

wise man

said,

    



 “Just

F#m/C#

F#m/A

 

  

find your

  

F#m



Dmaj7



place,

in the

Gtr. 4



let ring

E

3   

eye

of



the storm.







7

7

         

Gtr. 1

2 4

  

2

2 2 5

2



   2

2 4

2

            2

2 5

2

2 2

4

2

2 2 5

2

7

6

       

2 7

6

4

5 6

6

4

6

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

F#m    Seek

   

  Dmaj7  

F#m/C#   

  

the ros

a - long the

way,

-

es

F#m/A

F#m





2

2

2

2

2

4



2

2

2

5



Gtr. 4 tacet

G#5











(Here

I



Here

I

6

4

4 4

4

4

4

4

2

2 3

3

2



6

4

3

4



4

4

3



E5 VII

     



   







me an an - gel?

4

6

7

4

6

9

Here

I





Here

I

am,

8

6

8

6

4

4

2 4

4

4

4

4

3

2

2 3

3

2









Gtr. 1: w/ Riff A (2 times) Gtr. 4: w/ Rhy. Fill 1 ( 2 times)

F#5



E5



   

   3

3



in

the land

    

of

the morn

-

ing

          

Gtr. 1

4

3

4 4

4

3

 4

   7

6

4

 6







f w/ dist.

    9

            3 3 star.

 





 



X

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

6

             

am.)

4

4

6

Guitar Solo

D#5

6

6

F#5



3

3

am.

3



5

4

6

G#5



will you send

3

7

       

                      4

2

F#5



 

         

5

E5 VII



 

 



2

2

4

am,

Gtr. 1

  2

2

D#5

   





5

F#5

mf

2

 



5 4 2

2

2

2

4

Chorus

Sorgdal

thorns.”



2

Gtr. 5 (elec.)

of the

7 6 4

                     

   





7

Gtr. 3

E

3 



just be - ware

    





Dmaj7

 

8

6

8

12 13 15

X

13

14





12

14

12

13

3

Gtr. 3 tacet

Em Cmaj7



D

 

     

Gtr. 5



 12



1 15

15



D



Bm7

Em Cmaj7



 

1

15 15

15

14

X

X



12 13 15 13 12 14

12 13

14

         

3. The





8v a



1 22

 1

1 22

22 20 19 20

22

12



 











D



                     3  3 1

Gtr. 6 (elec.)



Em Cmaj7







mf w/ clean tone

22

20

 

   

0

2

0 0

2 3

Verse Gtr. 1: w/ Riff B (4 times)

Em

Cmaj7

Gtr. 5 tacet

Gtr. 4: w/ Rhy. Fill 1

Em/B

Em/G

Em

Cmaj7

D

Em

3                     

   wise man

said,

“Just raise your

hand,

and reach out

Cmaj7

Em/B

Em/G

     3       

for the spell.

Find the

door

to the prom - ised

land,

8v a





19











19





 









mp

 0 5 4 2

   mf 0

let ring

3

2 4

0

Em

Cmaj7

D

     3     just be - lieve



in your - self.

Gtr. 6



let ring

5





Em



Cmaj7

Em/B

       

Hear this voice



   3       

Em/G

Em

  



from deep in - side,



Cmaj7

it’s the call

    

mp let ring

0

3

4

D



of your heart.



0 5 4

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Sorgdal

Outro-Chorus Gtr. 1: w/ Riff C (till fade) Gtr. 6 tacet

Em



Cmaj7



Em/B

Em/G

        

Close your eyes,

and you will



the way out

10

D

F#m





E

   



*Voc. Fig. 1





 



of the dark.”

Here I

am, (Here I

  

  



let ring

10

Cmaj7

   3       

find

  

  

Em

5

5

9



mf

    Gtr. 3

5

4

14 12

14

 

 

11 11 9

9 9 7





1

Rhy. Fig. 1

12 14

14

* Downstem background voc. only

C#m

  

D

E

F#m

      



3

3







will you send



E

    

me an an - gel?

Here I

 

6 6 4

7 7 5





Here

I

D



      





    

  

 E

in the land

 

 

 

 

9 9 7

11 11 9

9 9 7

6 6 4

7 7 5









star.

 



 

  

D

       3

3

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E

3





send

me

an





an - gel?

  9 9 7



F#m

   



of the

       

E

F#m

  morn - ing



E

C#m





star.

  

    E

Here

I



am,

D

Will you send

Here I

am.

   

E

         3

3

me an an - gel?





mf 14 15

6

D

End Rhy. Fig. 1

am.

in the land Gtr. 5

  Will you

Here I

C#m

3

of the morn - ing

am.

 

C#m





Bkgd. Voc.: w/ Voc. Fig. 1 (till fade) Gtr. 3: w/ Rhy. Fig. 1 (till fade)

F#m

E End Voc. Fig. 1

3

3

am

am.

   



C#m

14

14 15

14

14 15

    

F#m

E

  

Here

I

C#m



 



am

D

E

      

in the land

   

F#m

3

3



 

of the morn - ing

star.

E

 Here

  

   













14 15

14

14



1

1

14

 

14

14

17

17

1

17 14

I

    am.





1

14 17



16 17



17

Begin fade

C#m

  





D

  

Will you

          

3

send

8v a



E

me

an

an



 -

gel?

Here

     

1

14

14

16

17

1

19



19

19

19

E

I



am



1 19

   

           

6

6



F#m

   



3

16

17

16

17

17

18

16

 17

18

Fade out

C#m

  





 



8v a



1 19

the

land

E

  



of

morn

3



the

     1

19



  in



D

3



1 19



F#m

-



 

ing

star. Here

E

I



am.



 

     

17

16

16



1

19

  

17

17

16

 16

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Still Loving You Words and Music by Klaus Meine and Rudolf Schenker D5

G5

Eb5

5fr 134

Intro Slow Ballad q = 52 Gm/D

  

Gtr. 1 (clean) *    

134

Gm/F

Riff A





Bb5

F5

6fr 134

  

Ebmaj7



Gm/D

6fr

8fr

134

A/E

D/A

6fr

134

9fr

231

7fr

132

      

111

D7

  

 



  

 



mf let ring throughout

6



8

0

6

6

8

7 8

9

8

7

8

6

6

8

7

5

8

7

8 6

6

8

7

5

7 5

7

*Tune up 1/4 step.

    Gm/F   Ebmaj7         

Gtr. 1

 

Gm/D

6

6

8

7

0

8

6

8

9

8

7

8

6

  

 

6

8

7

                   

Gtr. 2 (clean) Riff B



7

8

  



 

5

8

8 6

6

7



End Riff A

 



  



 

5

7 5

3

mf

 

D7

 

 

End Riff B

let ring throughout

5



3

3

3

3

3

3

3

3

3

3

3 6

5 6 5

3

5

6

3

3

5

6

6

5

7 7

Verse 2nd time, Gtr. 3 tacet

Gm/D

   







1. Time, 2. Fight,

it needs time babe I’ll fight

 Riff C           6

8

0

  

6 7

8

6 7

      

Riff C1

5

5

3

3 5



 







    

to to

       6

8

0

6 7

8

3 5

5

3

3 5

3





win win

back back

your your



6 7

      

3

  6

 8

0

 



 love love



5

5

3

   6

7

8

3 5

Copyright © 1984 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved

 

a a -



gain. gain.



6 7

   

3 3

 

3

     I I

will will

be be

    End Riff C    6

8

0

6 7

8

0 7

      

End Riff C1

3 3 5

5

3

3 5

3 3

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

A

   

A/C#





 



I I

be be

there, there,

  

Riff D

will will

9

10

Riff D1

  

9

10

9

   



0

9

9

10

9

11





2

2

0

9 9



2

2

2

10

   

0

2

2

2

0







    3

Love, Love,

on - ly on - ly

A

   





A/C#



Riff E1

  



9 9

9 9

9

2

2 2

10

11

    

0 0

10





2

0

 



I I

be be

9

will will

10

2 2



 3

love wall

2





Sorgdal

 

2

0

 







* pp

2

   2

3

2

0



 



I I

will will

be be







there. there.



   2

3

0





 2

    2

2

 0

f

3

  3

f

 

2

3

T o Coda



0

7 7 5

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



some - day. some - day.

0 2



2

2 2

End Riff D1

0

D5

* Vol. swell

3

0



Rhy. Fill 1

  

2

2

D

9 9

Gtr. 4 (dist.) * pp Gtr. 5 (dist.)



2

0



End Riff D

2

3

2

      

2nd time, Gtrs. 4 & 5: w/ Rhy. Fill 1



    2





  

9

0 2

3

3

2

bring back your break down the

                  10

 0

Riff E

9

2

3

0



can can

there, there,

9

2

0

love, love,





9

 



      

2







  



there. there.

9

Gtrs. 1 & 2: w/ Riffs C & C1

Gm/D

Gtr. 2



              

9

Gtr. 1

D



2 2

0

   2

2

End Riff E

3

2

End Riff E1

Interlude

             

Gtr. 1: w/ Riff A

Gm/D

 

Gtr. 3 (dist.)

 

* mf

Gm/F





2

5

3

3

           

Ebmaj7

5

D7



3

2

3

2

5

2



3

 

grad. bend

2

5

2

3

5

3

1

5

*Vol. knob at 5

  Gtr. 2

   

   

Riff F

    

     

    

End Riff F



3

5

3

3

3 3

3

3

3

3

3

3

3 6

5

6

5

3

6

 8v a                

5

3

3

7

5

6

6

5

Gtr. 2: w/ Riff B

Gm/D

Gm/F

Ebmaj7

Gtr. 3



10

12

11

13

3





** f

11

10

11

   1

11

12

13



D.S. al Coda

D7





5

7

      

loco

 

3 grad. bend

1

 1

13

13

13

11

11

12

13

** Full vol.

Chorus



Gtrs. 1 & 2 tacet

 Coda Gtr. 4

G5

  





If

we’d

 Rhy. Fig. 1A    

Gtr. 5

5 5 3

G5

  

    

Gtrs. 4 & 5

5 5 3





Eb5

Rhy. Fig. 1

Bb5







go

a -

gain









the

way

 

   

8 8 6

8 8 6

3 3 1



Eb5







I

would

try

to

change

8 8 6



all



 









F5









from

the

start,

 

 

(cont. in notation)



3 3 1







things

that

killed

8 8 6

  

Bb5

 

 





 our



 love.

F5

  

10 10 8

    

End Rhy. Figs. 1 & 1A

10 10 8

  3

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5

   

C5

   

    

Your pride has

built

     5 5 3



a

 

 3  real - ly

wall

so

7 7 5

 

  





chance

 

     

Gtr. 5





P.H.

6

6



 



 

   



5

that

5 5 3

P.H.

5

6

5

6

can’t get

through.

to



Is

there

(Gtr. 4 cont. in slashes)

I’m

  

  



 7

8

7



    





a - gain?

8

 



   

start once

5



3

5 5 3

 

 



6

I



 



P.H.

5

 G5  

F5



P.H.



   

strong

 



no





D5

 

Eb5 Gtr. 4

3 

lov - ing

 

  

10 10 8

10 10 8



Pitch: G

Interlude Gtr. 1: w/ Riff A Gtr. 2: w/ Riff F Gtrs. 4 & 5 tacet

Gm/D

Gm/F

Ebmaj7

   



D7

 























you. (You.)

 8v a                Gtr. 2: w/ Riff B

Gm/D

Gm/F

Ebmaj7

Gtr. 3



3



12

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



10

11

13



11

10

11

   





12

11

 

D7



 

3



grad. bend

1

13

  

loco

1

1

13 13

13

11

11

12

13

 

Verse Gtrs. 1 & 2: w/ Riffs C & C1 Gtr. 3 tacet

Gm/D

  

  

ba - by try







   

3. Try,

     Gtr. 4





* mp

6 8 7



 

  

to

 3    trust



in

my

  

love

  



6 8 7



a - gain.

       



6 8 7

9 11 9

11 9

* Vol. knob at 3

    Gtr. 5



      

** mf







5

I

be

 

9 11 9

will

11 9

 

    5 5

5 5

3

3



1/2

1/2

3

  

5

5

3

5

3

** Vol. knob at 5

Gtrs. 1 & 2: w/ Riffs D & D1

A

   

there,

  







   

I



D





will

  



9 10 9

 

 

be



there.



  



9 10 9



 (cont. in slashes)

7 7 7







7 5

5

Gtrs. 1 & 2: w/ Riffs C & C1

Gtr. 4



    Love,

  

Gtr. 5

Gm/D

 

 



 



    our



     3    3    

 

  



love

just



      

should - n’t



be

thrown



a - way.



  



5 5

3

3

5

5

  



I

be

will

   

1/2

1/2

3



5

5 5

3

5

3

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtrs. 1 & 2: w/ Riffs E & E1

 

A/E

    



 









there,

 

I



 

D/A



 





will

be



D5





there.

 



 

 

f

*

 f

*

let ring

8 7 7

7 5

5



7

*Vol. swell

Chorus Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A

G5

  

G5

  

G5

   





Eb5







If

we’d

go

a

- gain





Eb5







I

would

try

to

change

    Your pride has

     Gtrs. 4 & 5





       built

a

wall





3







real - ly

no

chance

       6

6

so

Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.





 

 





6

5

6

Pitch: G

6



all

the

way

Bb5







things

that

killed

D5











from

the

start,





that



our

  





to



 

start once



8





F5



I can’t get

through.

G5



5 5 3



  





a - gain?





7

8



 

 

7

10 10 8

10 10 8

 P.H.

5

6

5

3  there

(Gtr. 4 cont. in slashes)

3 3 1



  

F5

Is

 



F5

love.

F5

 





   

strong

 

P.H.

5



7 7 5

 5



 

  

  

Bb5

3 

5 5 3

Gtr. 5

Sorgdal



C5

Eb5

 



 

5 5 3

Gtr. 4



Gtrs. 4 & 5: w/ Rhy. Figs 1 & 1A

G5

  





Eb5



  

If

we'd

go

a - gain

  Gtr. 3

Bb5

 



F5



      

all

the

way

from the



start,





        6

semi-harm.

1

G5

  





Eb5







I

would

try

to

change





Bb5







things





that killed

        



 



F5





3



love.





P.H.

1

13

13

5

3

3

5

     

our

loco

* 8v a



1

1

11

10

10

5 *8va applies to P.H. only

G5

G5

µ

 

Yes, I’ve

C5

       hurt

your pride,

and I

8v a

  

Gtr. 3







D5



 

  



          

Gtrs. 4 & 5

5 5 3

3 3 1

5 5 3

     5 5 3

18

what



G5

you’vebeen

    1

20

 

know

1 20

 

C5 D5 µ



  

F5



 

through.







3  Youshould



20

20

       7 7 5

5 5 3

7 7 5



  

 

(Gtr. 4 cont. in slashes)

5 5 3

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Eb5 Gtr. 4

 

give me

a

  

 

   

Gtr. 5



 3  

Gtr. 3

 6

  loco

   

 



1

this

 

could be

1

3

3

5

3

5

 

 3 

I’m still lov - ing





3

5

5



3

P.H.



P.H.

5

3

5

5

 





6

end.



loco

Pitches: GA G *15ma applies to P.H. only



 

5

P.H.

the





1



P.H.

6

   6



 3      

*15ma

 

5

  

       

 F5





chance,



P.H.

 







        

5

8



P.H.

6

5

6



 7

8

7

10 10 8

Pitch: G

Chorus Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A (till fade)

G5

     



 



 

Bb5

F5





 

you.

I’m 8v a

  

Gtr. 3









1

    

 

















1

13

13

Eb5





1

13

G5



10



  



   



13

13

13

13

Bb5

F5











        1

1

20

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17

18

20

20

20

lov

 -

ing



1

13

Voc. Fig. 1

8v a

still

 

  I’m



3



you.

 





20

20

18

20



3



still

lov

- ing

 

(Still

  20

 

 

3

lov

- ing



Bkgd. Voc.: w/ Voc. Fig. 1

G5

  

 



Eb5





Bb5

 





you.

 



 





 

1

15 17

G5

15

Eb5

 

 

 

         

15

18

Bb5

20

15

15 17 18 17

18

Guitar Solo G5

17

lov -in’ you

15

3

 

13

15

18

G5

3

13 10

13

Eb5



20

18

10 13 10

13

15

20

20

18

20

 



Whew!

13

13

 

 

10 13 10

13

13

10 13 10

13

10 13 10

13

F5

         



3

1

10 13 10 13

10

20 18

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)

Bb5



11

10 13 10

Bb5

1

10 13 10

1



13 13 10

Eb5

13



1

ba - by.

3

13



3

15 17 18 17 15

                         13

lov - ing

 

8v a

10

Still



F5

 

18

  





18

    

1

20

15

       

 

3

1



3

Still

   

 

  

you. 8v a





     

3



16

16

14

love.

need your







1

18

 

    





  

I



End Voc. Fig. 1

you.) 8v a

  



 

 

F5

   

11

13

F5



                       7              



11 10

13

10



3

Still

lov

11

10

 -

ing

loco

6

6

1

13

1

13 13 11

12

11 13 11

12

11 13 11

12

11

1

13 13

13



3

13 5

3

5 5 5 5 5 3

5

3

5 3 5 3

5 3

  P.M.

6 3 6 6

3 3 5

3 5 5

   

3 3 5 3

5

3 5

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Outro-Chorus G5

Eb5

      

 

Bb5

  



you.

I need your love.

              

18

16

1

16

16

I

need your love.

G5



10 11 10



11 10 10 11 10 11 10

you.

 



  





1

Eb5





10

11

  

8v a



 



    

 1

1

13

13 15

16

F5

        

1

16

1

18

18

  

18

11 10

10 11

10

10 11 10

   



11 10 10 11 10 11 10

11

10

G5

Eb5

 

Bb5





loco 8v a              3  1

1

18

18

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

18

  I



  

3



12

11

12

Eb5



Whew!

I need your love.

3

13 11 10

G5

            

10 11 10

3

 18

             1 1 

8va



13

16

  F5   

Bb5

Sorgdal

3

3



need your love.

     

loco            



12

12

18



3

10 11 10

10 11

 3 

F5



       

Bb5

I



Bb5



 

11 10

12

12

Eb5

Begin fade

  

10 11 10



Still lov - ing

16

G5



Whew!

3

10 11 10

12 11 12

  

        

 1

13 11 10



Bkgd. Voc.: w/ Voc. Fig. 1

            

   

10

18

18



     

18

  

F5



3



1

18

     

Bb5

 

13 15

you.

3

3

Eb5

   

Still lov - ing





1

G5

loco           

8v a

1 

F5

    3     

13 15

16

16

Fade out

F5    



need your love.

          

      3

3

1

13 11 10

10 11 10 12 11 12

12

12

11 10

10 11

10

10 11 10

10 11 10 10 11 10 11 10

The Zoo Words and Music by Klaus Meine and Rudolf Schenker E5

Intro Moderately slow q = 100 Rhy. Fig. 1

 3    =   

E5

D5

Gtr. 1 (dist.)

11

End Rhy. Fig. 1

E5

C5

*                    3

3

3

B5

C5

E5

D5

D5 3

3

E5

C5

3

B5

C5

D5

       

 

                 

       

5 5 3

7 7 5

9 9 7

5 5 3

3

f

E5

3

w/ reverb



9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

7 7 5

9 9 7

4 4 2

5 5 3

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

7 7 5

9 9 7

4 4 2

5 5 3

7 7 5

*Tune up 1/4 step.

D5 E5 C5 B5 C5 E5 D5 E5 D5 E5 C5 B5 C5 D5                                        Gtr. 1: w/ Rhy. Fig. 1

Gtr. 2 (dist.)

E5



P.S.

7

X X X

f

fdbk.

7



Gtr. 2



P.S.

7

X X X

fdbk.

     



E5

 7



(cont. in slashes)

       



Gtr. 1



       

       

       

      

0

0

0

0

P.M.





0

0

0

0

0

Gtr. 2 tacet ** E5

       P.M.

0

0

Am Em

Rhy. Fig. 2

0

0

0

0

0

0

 

10 12

9 10

0

0

0

0

0

E5

0

Am Em

       P.M.

0

0

0

0

0

0

0

 

0

0

9 10

0

0

0

0

E5 D E5 Em E5 D E5 Em





P.M.

10 12

0

0





P.M.

7 9

0





P.M.

5 7

0





P.M.

7 9

0

9 10

0

0

0

0

0

E5

10 12

9 10

Am Em

       P.M.

0

 

0

0

0

0

0

 

10 12

9 10

**Chord symbols reflect implied harmony.

Copyright © 1980 by Edition Arabella Music Muenchen All Rights for the U.S. Administered by BMG Songs, Inc. International Copyright Secured All Rights Reserved

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



E5

Am Em

Gtr. 2



E5

Am Em



E5 D E5 Em E5 D E5 Em



 

E5

Am Em

Rhy. Fig. 3







8 10



Gtr. 1



 

       P.M. 0

0

0

0

0

10 12

0

9 10

0

0

0

0

0

End Rhy. Fig. 2

 

       P.M.





10 12

9 10

0





P.M.

0

7 8



P.M.

7 9





P.M.

5 7

0



      P.M.

P.M.

7 9

0

5 7

0

0

0

0

0

0

 



10 12

0

9 10

Gtr. 1: w/ Rhy. Fig. 2 (1st 7 meas.)

E5

Am

   

Gtr. 2



  E5

Am

  

Rhy. Fig. 4



 3rd time, Gtr. 4 tacet   



Em

8 10

7 8



Em

8 10

7 8

Am





Am

E5









Em

8 10

7 8





Em

8 10

7 8

E5



D





 

 

Em

1. The job 2. I meet 3. En - joy

  



Em





5 7

E5

Am



E5









Em

8 10

7 8

E5

D

E5

D

Em



End Rhy. Fig. 3



5 7

E5

 



E5





3 5



Verse

Gtr. 2



E5



Em

5 7

E5

7 8

D

E5

 

 

3 5

5 7



  

is my The

   



done, girl, Zoo,

 

I go she’s dressed to and walk

 





out, kill, down



 3 5

Gtr. 2 tacet

E5

Em

End Rhy. Fig. 4

  an but For -



*

3 5



* Roll back volume knob. Riff A

Gtr. 1

















































 

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

P.M.

2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

End Riff A





 

oth - er all we ty

bor - ing gon - na Sec - ond

man - y streets we you will





I is

E5





worlds call feel

  

 



day. do Street.



Gtr. 2





 

 C5    

3rd time, Gtr. 1: w/ Rhy. Fill 1 3rd time, Gtr. 4: w/ Fill 1

1.





leave it walk a Wan - na



all round be

-







Gtr. 1



















P.M.

3

3

3

      

3

    

Chorus G5

eat the

3

0



0

0





0

    

E5

night,



3

     

D5

Gtr. 3 (dist.)



3



0

0





make our



2.

 

Em





8 10

7 8



 

10 12

0

G5

time,





    

C5

we drink the



  





12

7

12

10

9

7

5

5

9

7

3

5

3



P.M.













 

0

0

0

0

0

0

0

0

      E5

dreams

come true.



 f

 



And       

 12

1

3

3 1

15

12

          let ring P.M. 

12 12 10

7 5



 







5 7

T o Coda

We

15

10

so on and





 

9 10

 

                     let ring  let ring  let ring  let ring

now, thrill too,

 

D5

Rhy. Fig. 5 * Gtrs. 1 & 2

      

be - hind me to catch the ex - cit - ed,

Am

a - way. The Zoo. the heat.



  

     



  

Gtr. 1: w/ Riff A (2 times)

7

9 9 7

5

9 9 7

9 7

9 9 7

14 12

14

  9 9 7

* Composite arrangement

Fill 1

Rhy. Fill 1 Gtr. 1





3



P.M.

       



   Gtr. 4

8v a

 rake X

  22

 grad. bend

 1

1/2

loco







P.M.

X

0

X X X

X X X

X X X

X X X

0

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

G5       

 D5    

hun - gry





 C5    

      E5

eyes

are

pass - ing

       B5

by

on streets we

  



 

D5

E5

call

The



Zoo.



We

          

8v a







3 1 17

                    let ring  let ring  let ring  let ring End Rhy. Fig. 5

12 10

12

     

7 10

7

5

    

G

7

7

5

3

    

Em

night,

5

9

      

D

eat the

9 5

4 4 2

3

         

7 5

    

C

we drink the

      let ring

G5



time,

make our

7

 

1

17 15 17 17

17

9 9 7

7

  



D5

E5

dreams



 

And



8 9





7 9

7

12 7

7

12

12

12 12

13

12 12

12

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

12

7 10

5

7

9 5

7

9

5 7

3

5



3

3

1

15

          let ring

1

15

12

14 12

14

  

 

9 9 7

9 9 7

  

 

9 9 7

9 9 7

12

13

12 12 10

                 let ring  let ring  let ring  let ring 10

Sorgdal

7

        1

        3 3  let ring  let ring 

 let ring

let ring

Gtr. 1





15

Rhy. Fig. 5A

 



loco

           Gtr. 2



come true.

17

17

17 15

  

8v a

Gtr. 3

1

 3

1

15



 



3

  12 12 10

7 5

7

9 9 7

5

9 9 7

              let ring 7 5

7

5

9 9 7

9 9 7

9 9 7

     

 D   

G5

  

    

eyes

are

pass - ing

 

on

B5



µ D5

streets we

call

   E5

The





Zoo.







1

 

by



  

Gtr. 3 tacet

C

    hun - gry



  

Em



14

           let ring

let ring

8 9



9



3

12

7

7

7

7

12

7

        let ring  let ring





12 10

7

12

10

7

5

Interlude A5

    End Rhy. Fig. 5A   



12

12

12

 



   let ring

let ring

9 5

7

7

A5

Gtrs. Rhy. Fig. 6 1&2 3





2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

3

2 2 0

2 2 0

2 2 0

2 2 0

12



5

9

3 3 3                                     

C5

13

2 2 0

3

12

Rhy. Fill 2

  

  4 4 2



  

 

 

5

7 7 5

4 4 2

3

7 7 5

    7 7 5

End Rhy. Fill 2

  

9 9 7

     7 7 5

   

9 9 7 0

3 3                 

3 3                 

2 2 0

2 2 0

C5

A5

 3

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

C5

    

A5

C5

End Rhy. Fig. 6

 3

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0



2 2 0

2 2 0

3

Guitar Solo Gtr. 1: w/ Rhy. Fig. 2 (1st meas.) Gtr. 2 tacet

E5

   

Gtr. 4 (dist.)

f

w/ talk box 1

3 2

Gtr. 1: w/ Rhy. Fig. 2 (1st 7 meas.)

Am Em

E5

 

Am Em

 

E5 _1



 

 

_1

_1

 

Am

_1

 _1

 _1



3 2

3 2

3 2

3 2

w/ bar

Em

_1

_1

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

D.S. al Coda (take 2nd ending) Gtr. 2: w/ Rhy. Fig. 4

















1

3 2

3 2

3 2

3 2



 

E5

D E5 Em E5

15ma _1

_1

fdbk.

w/ bar _1

_1



E5

Em

loco

_1



 

D

_1

_1



3

_1

E5

Am

Em

E5

       1/2  2

0

Am Em E5



Am Em



E5

D E5 Em E5 D E5 Em







2 3

0

 Coda

Chorus

      

    

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (1st 4 meas.)

G5

eat the

night,



Gtr. 3



  

D5

we

       

E5

       

C5

drink the



time,



 

G5

make our

 

D5

dreams



   

µ E5 µ E5 µ

come true.







E5

 



       1





3 3 1

12

15

And

15 12

14 12

14

      

    

G5

  

D5

hun - gry

eyes

are

  

    

Em

      

C5

pass - ing

by

on

    

Gtr. 3



1



B5



D5

streets we

call

 

E5

The

Zoo. 8v a





  17







        let ring  let ring 

12 10

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

12

7 10

5

7

        let ring  let ring 

9 5

7

9

5 7

3

5

       let ring 4

3

2

4

2

7 7 5

   

7 7 5

9 9 7



 

   

22

14

Gtrs. 1 & 2



  

22

We

     

  

 

G

eat

the





8v a



Gtr. 3













1

22

22

     



1

22

µ E5

loco

1



µ



15

we





C

drink the

  



3

17

15

17

    

  And





3

1

15

12

1

14 12 14

14

1

14 12

14

make

our

  

 



 



 

D5

dreams

come



true.



  3

1

15

15

17

12

  

 



eyes

    

Em

  



3

12

 D   

hun - gry

 

3

17 15

17

G5



     

1



   



 

3 1

E5





  

G5

time,



17



    

Em

22

   1



 

3 1



D

night,

  

 

Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A

are

C

pass - ing



 



by



12

on



14

Interlude Gtrs. 1 & 2: w/ Rhy. Fill 2



  

B5



 



µ

streets we 8v a









 

D5



 



The







Zoo.



 

3

3

1

1

17

17



E5

call

15

1 1/2

17

17

17

Gtrs. 1 & 2: w/ Rhy. Fig. 6 Gtr. 3 tacet

15

A5



C5



 





A5

C5



A5

C5





Gtr. 1: w/ Rhy. Fig. 2 (till fade)

E5

E5

Am



w/ talk box grad. bend

3 2









17

Gtr. 1: w/ Rhy. Fig. 2 (1st meas.)



C5

loco

Outro - Guitar Solo Gtr. 4

A5

Em



    

Am Em



3

E5

Am

Em



1

2

0 0

2

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



Gtr. 4



E5

E5 D E5 Em E5 D E5 Em



Am

Em

E5

Am

 



Em

E5



grad. bend

 

1

0





Rhy. Fig. 8











8 10

7 8



Em





8 10

7 8

Am

Em

1

3 2

Gtr. 2



Am

3 2









8 10

7 8

Am

Em





Gtr. 2: w/ Rhy. Fig. 3

E5

D

   

E5

Em

E5

D





 

E5

Em

E5







1/2

3 2

0

2

2



 





5 7



Gtr. 4



  

8 7

  8 7

0 3



E5





3 5

0



End Rhy. Fig. 8



5 7





3 5

Gtr. 2: w/ Rhy. Fig. 8

 

E5

Am

Em

E5

D



10 9

E5

Em

E5

D

8 7

E5



Em

E5

Am

Em



8 7 0

 

* Begin fade

E5









Am



Em



E5

  3

let ring

14



15 14







14

12

15 14

15 14



Am



Em



let ring 1

1

1

1

15



 

15

14

E5



 1 15

14

D

E5 Em E5

D

E5





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Sorgdal

 

3 1 15

12

* City soundscape fades in while band fades out.

8

Em



15 12

      

Gtr. 2: w/ Rhy. Fig. 3



E5



Am

3



 



Em

E5



1

14

14

12

14



D

 



E5

12 12

14



    

Em

E5



D

E5

 

14

14 14

14

  

Em

14 14

Am

Em

Am

    Am



12 12

12 12

Em

E5

  

14



12

14

14

Am

  

Em

  

3

3

3

 14

Em

 12 12

14

E5

 

12 12

E5

 



14 14

 12



    



Em

1/2 1

Gtr. 2: w/ Rhy. Fig. 8

E5

Am

1

12 12

14

12 12

  

1

12

15

12

15

15

15

12

14

Gtr. 2: w/ Rhy. Fig. 3

E5









E5

D

        



E5 Em

E5

D

E5

Em

E5

        

3

15

1

1

15 12

15

12

14

15

14

12

14

14

14 12

15

1

12

12

15

3

3

 1

1/2

12

Em

             3

grad. bend 1

Am



3

3

3



1/2

15

15

12

14 12

14

14 14

14

12 12

14

Fade out

E5









Am



Em



E5



Am





     

14

12 12

15 14



E5



D

E5

Em

  

3

3

1

Em



14

14

14

12

14

12

14

12

E5

15 14

Em

   3

1

14

D

3

1

15



E5

1

12

14

12

15 14

12

14

12

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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Wind of Change Words and Music by Klaus Meine F

Dm

Am

G5

C

F type2

E

AmV

G

7fr 3211

231

231

2

34

32 1

Intro Rock Ballad q = 76

  

*F

   



Whistled: Gtr. 1 (elec.)

   

mf w/ slight dist.



10 8

let ring

10 10

X

10

12 10 12 10 12

134211

   

F



8

10





       

10 10

12 12 10 12 12 10 10 12 12 10 12



10 10

10 10 12

134111







3

134211

 

       



13331

     

Dm



5fr

X

10 12

* Chord symbols reflect implied harmony.

    

Dm

  Whistled:







  

 



1/4

12



     12 10 12 10

12 12



7

 

5 7

Gtr. 1 tacet

     Gm 

 



let ring

10 10

10

Am

 



let ring

7

7 7

(elec.)    Gtr. 2



Riff A





5

5

   

Am7

  



G

       

f w/ clean tone & chorus effect





  







let ring

1

7

3

0

0

1

2

3

0

0

0



0

3

Verse Gtr. 2 tacet

C

  

                   Dm

C

1. I fol -low the Mosk - va

    



 



End Riff A Gtr. 1

down



to Gor - ky Park,

    

Gtr. 1 tacet

 



        

list -’ning

to

the wind

Dm

Am7

of

  

change.

Riff A



 

   

Gtr. 2

         



let ring

0 1 0 2 3

X X

X X

X X

X X

X X

X X

1 X X X X X X X X

0

Copyright © 1990 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. and KLAUS MEINE All Rights Controlled and Administered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved Used by Permission

3

0 2

1

0

0

1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2 tacet

G

C

  

  

       An Au - gust

sum - mer

           let ring



0

0 1 0 2 3

0

3

Dm

Am7





G

  5

Gtr. 2

 

 



of

change.

    

Gtr. 1

4 6





let ring



1

3

0



   

   

5 7

4 5







0

 



1

2





 



 



      

 



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Sorgdal

7 5



3

X X



 0

X

10

12

12 12

10 10

10 10

12

 



0



0



Dm

   









        



   

2

7

      



F

12

5

  



 

Whistled:



  

3

Dm

Gtr. 1

the wind

5 5

f

3

0

0

Gtr. 2 tacet

 

to

Whistled:

4 6



list -’ning

F

 

 

5 7





 



X X

X

Gtr. 3 (acous.)

 



P.M.



3

pas - sing by,

   



 

C

sol - diers

Gtr. 1



 

   

night,

    

 

Dm

1/4

12

X X

X X

10 12

12 12 10 10 12 12 10 10 12

10

        



 

   

10 10

12 10 12 10

 12

12

12







Am

Dm

    

  

  Whistled:

     





10

10 12

12

10

12



Am



    



Verse

G5

 

   





 

 



Gtr. 2: w/ Riff A

 



    

  

5 7

4 5

C



        

 



   





2. The world is

 

 

clos - ing in,



1/4

7 7

10

12

10 10

4 6

Gtr. 2: w/ Riff A

Dm

C

           

  

    

 

  

and did you

ev - er

think





Dm

          

     

  

 





      

that we could

be

so



ers?

 



 

Fill 1



7 7

Dm

     

     

    



   

The fu - ture’s

in

the air,



End Fill 1



 

close,

like



 

broth

5 5

 

7 7

    

    

   





can feel



 



7 7

7 7

 

it

ev - ’ry





-



P.M.

X

5 5

7 7



-

     



C

 

       

    

5 5

G

Am

7 7

5

7 7

where



5

3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C

Dm



          

       



Am

a

Gtr. 1

 



5 5

blow - in’



5 5

X



12

10

the wind

 

of

  











 

12

X

10

10



change.





  





End Riff B

  

1



0

3

2

0

G5

1

3

0

0

Dm

   



let ring

Rhy. Fig. 2B



12

Riff B

Chorus C



P.H.

Gtr. 2



  





with

  

                   

   



G5

0

0



0

3

G5

C

G5

          





 

Take

                                                

me

to the mag - ic

Rhy. Fig. 2

  

3

  

  

   

 

 

0 1 0 2 3

0 1 0 2 3

3 3 0 0 X 3

3 3 0 0 X 3

1 3 2 0

1 3 2 0

4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

-

ry night,

 

where the

 

5 5 3

5 5 3

 

3

on a glo

 

7 7 5

5 5 3

Rhy. Fig. 2A

 

the mo - ment

 

 

5 5 3

of

5 5 3



  

   

 

  

  

  

3

3 3 0 0 X 3

3 3 0 0 X 3

0 1 0 2 3

0 1 0 2 3

3 3 0 0 X 3

3 3 0 0 X 3

3

3

Dm

G5



Am

  

F

G5

                                          chil -dren

of

to - mor

-

row

dream

a - way

 

Voc. Fig. 1





in the wind of



   

 

End Rhy. Fig. 2B





change.

End Voc. Fig. 1





(Dream a - way.)

  

 

 

7 7 5

2 2 0

5 5 3

 

0

  

  

1 3 2 0

1 3 2 0



  

   

3

3 3 0 0 X 3

3 3 0 0 X 3

 



 

  

3 3 1

5 5 3



 



1 0

2

2

3

1

2

   



 0 1 0 2 3



2



0

 

0

3



End Rhy. Fig. 2A



3 3

3

Verse



   



  



 

  





C

          



Mmm. Gtr. 2



let ring

Gtr. 1 tacet

C



 

End Rhy. Fig. 2

3. Walk - ing

        3 3

5

5

 

1

    

 down

(cont. in notation)

  the

street,

    

0 1 0 2 3

5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Gtr. 2 tacet

Dm

  



   Gtr. 3

1 3 2 0

Gtr. 1: w/ Fill 1

 

 

dis - tant

mem - o -

   

   



  

ries

are bur - ied

in

the past

Dm



  

Am

for - ev

 

 

-

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

  

  

  

  

    

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

  

  

G5

C

 



er.

 

Gtr. 2: w/ Riff A

C

   

 

I

the Mosk

fol - low

Dm

    -



va







 

down

to

Gor

- ky Park,

  

  

  

  

  

                                             

  

  

  

  

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

3 3 0 0 X 3

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

  

  

(cont. in slashes)

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

1 3 2 0

1 3 2 0

1 3 2 0

Gtr. 2: w/ Riff B

C Gtr. 3



 

   Gtr. 1

   

Dm



P.M.

5

6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 



  

list -’ning

to

the wind

    

  of



    

1/2

7

7

G5

                    



 

Am

7

5

5 4

7

6 5



 



change.



   

4 6

5  7

 

4 5





Chorus Gtrs. 1, 2 & 3: w/ Rhy. Figs. 2, 2A & 2B (2 times)





   

 

      

G5





me me.

Take (Take

to the mag - ic

 



    

chil - dren

of

to - mor

Dm





 

Dm





G5

-



row

of

G5

the mo

-

 

ment

     



     





G5

  

ry A glo - ry

on a glo

Am

share

    C

        F

their dreams

G5

with

you and

 







   

 

 



night, night.



 

where the





 



me. With you and

Voc. Fig. 2

  



 C

End Voc. Fig. 2

me.





Share their dreams.

C





   





                 

G5

Take

Dm

to the

of

to - mor

of

the mo

-

ment

on a glo

                Bkgd. Voc.: w/ Voc. Fig. 1

G5

chil - dren

mag - ic

-

Am

F





    A glo

      

Dm

G5

C



 

me me.

Take

G5

row

dream

a - way

in the wind of

 

 

G5

   ry -



 

The wind of Gtr. 2

  

  

    

 



change

blows

   let ring

2 2 0

2 2 0



G5

0 2 0

2



straight

   3 3 0 0 X 3

     in - to the



5

 

where the



  



change. change.)

  

              

face

time,

A5

of

         3



night, ry night.

The wind of

Bridge A5

  



5

5

3

like a

storm

wind

that will

 

 

  

2 2 0

2 2 0

0 2 0

ring

3 2

7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

              

            

G5

the free - dom

bell

for peace of

    3 3 0 0 X 3

            

C

mind.

Let

your bal - a - laik - a

Dm

sing

what my gui - tar

  

  

  

  

  

  

  

  

  

3 3 0 0 X 3

3 3 0 0 X 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

1 3 2 0

wants to sing.

  

   

1 3 2 0

1 3 2 0

  

  

  

  

(cont. in slashes)

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

1 3 2 0

Guitar Solo

E

Gtr. 2





  

 Gtr. 4 (elec.)

8v a

  

 



   



f w/ dist.



14

14

      

   

1/2

1/2

12

12 14

14

12

F type2



1/2

12

1

12

  2 & 3            *Gtrs.

 

  





        7

     

1

10 10 12 13 10 12 10

15

G

  3

1

12 14 12

12 12 9 12

12

12

9

10

* Composite arrangement

F type 2

Am V

E

 

                        

Gtr. 5 (elec.)

 

f w/ dist.

13

15

          



14

loco



Gtr. 4



1



10

1

10 9

8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal



3

7

7

7

5

7

1

15

9

12

12

12



 15

15

1/2

1/2

C

 hold bend





12

1

3fr

12

3

13

12 13 12



 



 12



15

15

15

 



12

Am

                 8v a       

15

     1/2

10



1

15



C A Am 3fr open

hold bend 1



G

12

 13

F type 2

G

Am V

E

              

   

8va

Gtr. 5





Dm

        8v a      1/2



1

12

17

Gtr. 6 (elec.)







 





15

15

  





15

14

12

   

 

 

 18 15

17 X 14

15 X 12

f w/ dist.

   

        

13 X 10

15 X 12

12 14

        

   Gtr. 4





10 X 7

10 13 X X 7 10

12 X 9

12 X 9

15 X 12

12





  14

17 14

17

14

8v a

17 X 14

Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (2 times) Gtr. 3: w/ Rhy. Fig. 2B (1 5/6 times) Gtrs. 4, 5 & 6 tacet

E

  



    

 8v a







   1

20 22

8v a







    

8v a





1

19 17 19







      1

17 15 17



  

Take (Take

Dm

 

me me.





G5

          to the mag - ic

of

the mo

- ment













 

   on a glo -

19

1 17

 

G5

22

1 19



C



17

9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





  

   



-

ry -

A glo

  

G5





night, ry night.

    

where the

C









 





of

  





   

A glo

 

  





night, ry night.

row



to the

         -

mag - ic

of

the mo

-

 

ment

   on

               Am



to - mor

G5

me.

a

glo -

Bkgd. Voc.: w/ Voc. Fig. 1

G5

of

with you and

         



 

Dm

where the chil -dren

share their dreams

Dm

me me.

Take





ry -

me.

G5

-

F

F



 C

to - mor



Take With you and

                Am

G5





 

Bkgd. Voc.: w/ Voc. Fig. 2

G5

chil - dren

G5



    

Dm





C

row

dream a - way

in the wind of

 change.

Outro Gtr. 3 tacet





 



F



  



The wind of







    

    

Gtr. 1

10 10

8

F

Dm





Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

X 10 12

12 12 10 10 12 12 10 10 12

10

3

X 10 12



       

10 10

12

12 10 12 10

12

7

  7

10 10

     D5

 



5 5



12 10 10 12 10 10 12

Am

    



 

 

5

5

7



   

1/4

5

7

3 2 0



10

       

      



10 10





  

Whistled:

Sorgdal



P.M.

3 3 0 0 X 3

     



     

Whistled:

     

X

   

change.)

Gtr. 3

 

Dm





G5

 