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vol.7
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F: C ...................... . D- C ......................................... .
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TUNE 2
9
(CD TRACKS 5 e; 6) I C
G-jAb 7
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G-jAb 77
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TUNE 4 (CD TRACK 8) I C Hexatonic
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TUNE 2 (CD TRACKS 5 eT 6) I H
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Chapter 2 TUNE 4 (CD TRACK 8)
B
B
c
B
I E~
CHAPTER
3
-
The third hexatonic we will investigate is major over major a half step apart. When the B triad is voiced over the C triad, major 7th intervals are sounded. If you invert these triads and voice the C triad on top of the B triad, minor 9 th intervals are sounded. In some instances you might want the more dissonant sound of minor 9th s. EXAMPLE
B/C 1'1
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This major over major hexatonic can fit over many chords. For example, it can be played on C~7, A-7, D7, F0, B7:,9, Ep7 or E-7.
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1
Chapter 5 --------,
TUNE 8 (CD TRACK 13) I H
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2
7
G-7
7
7
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(E, :. 7
7
4
The sixth hexatonic is two minor triads a whole step apart. EXAMPLE:
D-/C
D-jC
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This is a very common hexatonic and can be used over many chords. For example, D-/C- fits over C-7, F7, A0, bl'l7 and B7 altered.
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